My friend Gerard, (who is alive), looks like an Arabian slave-boy, though swarthier and longer of hair than Tony Curtis; an olive –skinned Mowgli, ape boy of Kipling’s  “Jungle Book”, although I have never seen Gerard swinging through any trees, nor eating any insects, nor even kissing a sultan’s foot. But looks can be deceiving, or receiving, with the proper pen, the zen pen of a poet, this proper poet who lives upstairs with his multitude of books piled on the floors, walking on Whitman, sitting on Shakespeare; tripping over Ginsberg, sleeping on Sartre; not a single shelf for this Jung man.
“A place for everything, and for everything it’s place”, he stands and stares out of a window overlooking the jungle of five-foot high weeds that serves as our backyard and wonders aloud “whither Oregon?”; questions our alleged enlightened sense of awareness, his disposition toward liberalness in a world gone madder than usual. Have I convinced him yet, my naïve, trusting neighbor? Yes, he realizes with a sigh that it is so, now that he has finally succumbed and bought a thirteen inch, black & white television of his own, now he can see with his own brown eyes in his own living room, far off wars, instant coffee & instant karma, depersonalized tragedies, faceless fatalities, insidious soap operas and humorless sitcoms, adverse advertisements, Howard Stern; “whither sanity?” we both cry and laugh out loud at this mediocre media, the global sewage, the Marshall McClueless, me and Gerard Rizza, my friend who is alive.

Gerard, (who is healthy), is gay, yet straighter than most men, and has been complaining quite a bit about the ferry service lately; contemplating a move off of Staten Island, and leaving his sporadic substitute teaching gig at a nearby high school, a mere six block walk from our house atop Winter Hill, where he is trying to convince me, a wide-eyed cynic, that a blank, white, unused canvas, surrounded by a wooden picture frame hung upon his wall is indeed a work of art; the job is very convenient, but again the ******* about the ferry, not the boat ride per se, but the incongruities of the ****** schedule, which anybody who has ever just missed a three a.m. boat and had to wait for an hour in the Hierynomous Bosch triptych known as the Whitehall Ferry terminal ,will definitely attest to; and Gerard has this thing about Staten Islanders, like the homophobes at a recent anti-peace rally in New Dorp, supporting the carpet bombing of an oil rich yet still poor third-world country, throwing beer cans at him and his companions while shouting “we know where you live, *******!”. Rizz came home that evening, visibly shaken and pale, (not his usual olive-skinned self), knocked on my door and pleaded “whither ******?”. I went upstairs, sat on his couch and rolled a joint. Gerard puts on the new 10,000 Maniacs tape and tries, once again, to bait me in a conversation about his “work of art”, my work of naught; he speaks of the horrific details of his day. “Isn’t this picture of Doc Gooden on my refrigerator door proof enough of my manhood, my patriotic intent, for those *******? The ******’ Mets, fuh chrissakes!” We sit out on his porch, watching the sun set over our backyard jungle as Natalie sings wireless Verdi cries, and I pass the burning joint to Gerard, my friend who is still healthy.

My friend Gerard, who is *** positive, was quite possibly a cat in a former life, probably a Siamese, thin, dark and aloof; yes, I can see ol’ Rizz now, sprawled out on an old tapestry rug, getting his belly scratched by his owner, perhaps Emily Dickinson or Georgia O’Keefe, Rizz purring like the engine of an old bi-winged barnstormer; abruptly rolls over, gets on all fours, tail waving *****, slinks over to lap water out of a bowl marked “Gerard”. He’d sleep all day on books and original manuscripts, and play all night amongst oil & acrylic, knocking over an occasional blank canvas, which he, in a future incarnation, will try to convince me, in his feline manner, is art. Sitting and staring from his usual spot on the windowsill, his cat eyes blink slowly as he wonders, “whither dinner?”; and begins to clean himself with tongue and paw, this cat who might be Gerard, my friend who is *** positive.

Gerard, who is sick, recently moved to Manhattan, Chelsea, to be precise, in with his best friend; and has stopped ******* about the Staten Island ferry, having far more pressing matters to ***** about, i.e. the ever-rising cost of homeopathic medicine and the lack of coverage for holistic and alternative care; any number of political and social concerns (Gerard was never the silent type); the lateness of his first published book of poems, entitled “Regard for Junction”; his rapidly deteriorating health, etc., etc.; and is now a true city dweller, a zen denizen, a proper poet with high regard for junction. That’s all that remains when it’s all over anyway, this junction, that junction, petticoat junction, petticoat junction – “I always wanted to **** the brunette sister”, I’d once told him; “I prefer uncle Joe!”, he laughingly replied; dejection, rejection, reclamation, defamation, cremation, conjecture, conjunction, all junctions happening at the same time, at now, a single place, a single moment, this forever junction with Gerard, my friend who is dying.

My friend Gerard, who is dead, officially passed from this life on a Saturday morning in early April, a mere two weeks before his junction with publication, although Gerard my friend passed away much earlier, leaving a sick and emaciated body behind to play host to his bedside guests, to help bear the pain of his family and friends; so doped-up on morphine, no longer able to remember any names, he called me “*****” when I entered the hospital room, where this barely physical manifestation of what had once been Gerard Rizza was being kept alive like the barest glimmer of hope, and displayed like some recently fallen leader, lying in state;  “whither Gerard withers” I thought, saying goodbye to this Rizza impersonator, this imposter, this visitor from a shadow world, an abstraction of a friend, whom the nurses told us, his disbelieving visitors, was our friend Gerard, who though technically still alive, was already dead.

My friend Gerard, who is laughing
My friend Gerard, who is singing
My friend Gerard, who is coughing
My friend Gerard, who is sleeping
My friend Gerard, who is holy
My friend Gerard, who is missed.

With heavy hearts the lightened feet march up on Whitehall
take a peek,
then down below the trenches go
light up a woodbine,
'dontya know this is the show that we'll be late for', Says Scouse.
'Gor blimey mate' says cockney Joe, 'let's have a look at all them toffs'
and ups the periscope as scouse scoffs bully beef.

Thiefs of body, thiefs of friends,thiefs of time and there is a belief in some older men,
that this is a time when we remember 'them'
No words need be conveyed
no tears for what they gave
just a sober, sombre silence
like when the guns fell silent
one hundred years ago.

Nelson
gives that wry kind of naval guy smile as he watches them all down along
Whitehall and
I,
the bystander standing still until the last casts another look, wide eyed to see the gay pride
festival,
best of all,
no looting
no stabbing
no shooting just the hooting and the hollering and the crowds of people following
enjoying all the fun
dancing in the sun
on Saturday.

19:14pm,  23/08/2010

I

What names of high renown lie here within,
What wonders of a cinematic age?
What players of chameleonic skin,
What vast dimensions leap beyond the stage?

Withnail and I would walk this hallowed road,
Dreaming of turning visions into deeds;
Train-spotting trains of thought that overflowed,
Where levity had trampled karma's seeds.

Tread softly here and utter not a sound,
The scene is set, for all lost here below,
With all forsaken dreamers underground
And all who yearned to go on with the show.

For all the lost, forsaken and foregone,
Dead lips whisper of "Hunt" and "Cameron".


II

Walkways of fame, like dreaming colonnades,
Gold sunrise shoots that everyone admired;
Lost eras when producers all wore shades,
And divas turned up early and inspired.

Hot cappuccino served with bright ideas
In cool cafés and bistros of desire;
Their ghostly image flares - then disappears,
With all who held the torch of inner fire.

All those who now endorse perfumes and creams
And those in pantomimes on seaside piers,
Remember well who crucified their dreams
Replacing honeyed hopes with bitter tears.

Inscribed in blood, their torrid names live on
- Don't speak to us of Hunt and Cameron.


III

A beautiful laundrette, deserted now,
Reduced to an accountant's numeral;
Open the wine and slay the fatted cow,
To find the wedding's now a funeral.

And did we, in good faith, believe their lies,
Electing them to office, fuelled by hope?
Now strung along by feeble alibis,
And all because we gave them enough rope?

Hope is the dreamer's dope. We who despair
Are never fooled by optimism's glitz;
Sometimes we are too fatalist to care,
Sometimes we must accuse, where the cap fits.

The coalition's follies blunder on
Up the Junction, with Hunt and Cameron.


IV

Avert thine eyes, Tim Bevan, CBE,
A tempest comes, on terrible black wings,
A blight hath fallen on the industry
That used to bring such bright imaginings.

Our protestations have a Little Voice
That Whitehall deems too indistinct to hear,
Must we the free be faced without a choice,
Must everything we loved now disappear?

Tread softly here, for it's the final take,
No accidental noise disturbs the boom,
As art is crucified for money's sake
Respectful silence settles in the gloom.

Sometimes progress moves backwards and is gone,
Like bright ideas by Hunt and Cameron.


The End....?

On the flipcharts and billboards and boardwalks where cash talks and greed stalks the unwary and where the darkness is scary,
huddled underneath moonlight that fades into the long night and holding on tight to their bedrolls along with the soup and the bread rolls and the mission bell tolls for the end of
round one.

'On top of the world ma'
look how far we have come,
and the nanny state looks after its favourite son but as the sun sets on Wapping and the 'mint set' go shopping
for some the world's stopping.
(I want to alight)

The sun sheds some light as the night flicks away and for those who would lay in the doorways of shop fronts,who we think of as stunt men,the cut off,truncated and blunt men another day starts.

And in Whitehall they call for the tea trolley at nine.
A fine time for some and the nanny state looks after its
favourite son.

Covered in rust from pig iron girders, and dust from the nicks in old bricks that time cracks
I cannot relax and wish
I could just blow up those buildings and stack them in mounds on the ground,which I realise is no different to what they are now.
Fred Dibnah would know how
he would have taught me,teached me
he was a preacher man
and could demolish with polish as easy as pie, all those monstrosities that laugh as they scrape at the sky (they should bow)

It should be back to the drawing board for those clowns in the towers of the towns where the ring roads depress us.compress us until we're back in the mould.
and the old men in whitehall who still play billiards with no ***** should heed what we say,
we don't want it this way.
We want works, we want perks,we want more out of this living that you are not giving and we're sick,
do you hear?
we are sick to the pits which no longer exist except in the memories of miners and women who scrabbled through dirt and put scraps of coal in their skirts and then carried them home.
Poverty is the bone upon which poor people chew
but be careful down there
one day it may be you
that's being eaten
being beaten
by us.

After the snow,with nowhere to go,when the streets are so hard,a yard thick in ice,it's not nice,
but for those with a home and a nose for some heat,the drifters can shift,because you can't beat a bit of selfishness ,
and surely them what has less, do not deserve more,or what the hell are we working for?

Let them eat cake, courtesy of this great welfare state who give benefits for,to keep the wolves from our door.
It's all give and take at the end of the day and at the end of the day they drift slowly away to some courtyard or bridge,ridges of ice on their brow,
how sad it all seems when the Queen's got so much and the dickwads in Whitehall are so out of touch,
such is the way of the city today,we bypass and pass by,some glance and some wonder why, but most of us really don't care.
It's not us who's there,no concern of mine and no time to stop and see what they do not
it has to stop.
We are the civilised and it's time that we realised, that it's not dog eat dog,we are all just a cog in the workings of life.

She was a dainty little one, that's what her mother
used to say, but now she wasn't so young.
Time was a tide that had flowed over her hair once
blonde and flowing down her back now a shimmering grey.

But she had noticed a decline in the world of those of
mature age, clothes were drab ugly and grey.
So much unattractive clothing made by the mother of
modern age dullness. Trying to sweeten the *** by calling
each a different name

The Ashen Collection:  It fell from the clouds and landed on you.
The Pearly Collection:  Even beauty doesn't need colour

Were they not color blind? Ok maybe a few were, but
this was just horrible, it was like wearing cement.
Just as stiff and ghastly to even wear. This just made
people look frightful in dismal clothing not suited to be
seen in the light of any day they walked out in it.

So I had to make a stand, I had to keep this dismal color
from tainting the eyes of a younger soon to be older
generation. I had wrote to the fashion designer by
Email, what just because I'm old doesn't mean I haven't
got skills. Her name is Miss Grey Bottom....

---------------------------------------------------­---------------------------------------------
Dear Miss Grey Bottom,

As I am one of less years than more, it would be appreciated that
these years are filled with friends amusement and children's laughter.
I see though that your clothes line has been hitting the scene,
Yes I'm hip with the lingo..

I ask that you add a little color to this line of mature wear
due to the numbing effect it has on those wearing it?
There is no color in there face, no smiles just blank eyes.

At This time were most alive, we need the vibrant feel of life
in our daily lives. Not the mundane clothes that numb the senses.

Yours Sincerely,

                           F.G
-----------------------------------------------------------­-------------------------------------

I waited and waited, well ok I waited two weeks, ya don't
know how long you have left, it was like waiting for paint
to dry under the ocean. But I waited I even shrank an inch
in the time I wasted. So I thought I would do something about it,
as more and more were just walking around in dismal
clothing draining what little youth they had left. So I got a
few of my crew, and we got our design on. Front loop,
garter stitch, knit left loop, there so many weavings that we could
tell you about but now the first piece was finished.

"Try it on, it was an mixture of all our creativity, so we got
Mr. Robin he was 65 years old and had such cute rosy checks..
He looked puzzled?? "What's a matter Mr. Robin? Half his head
was sticking through the top of the jumper, not worried about
messing his hair or lack of...
He then preceded to tell us that it looked like a unicorn had
thrown up a rainbow on it.. "Oh, Colourful metaphor,
and then he proceeded to dance, I think he was break dancing??
He had good moves for his age.

"Ladies it itches so very badly, “I wasn't dancing,
"It feels like I have ants in my pants, crawling around
this jumper that I must take off now...

Sighing and regaining his composure,

"I never knew I had those kind of moves still in me,

Giggling slightly, he then folded the jumper.

He politely put it on the table, saying that if each did a
singular design, their own creation that it would be an art piece,
each a creation of their colourful imagining.
But please, please not in wool, try other fabrics.
And with this ladies of knowledge weaved there ideas together.
Two months later and quite a few pennies spent they produced
their own line of vibrant colours fulfilling the gap where drab,
grey clothing had drowned the feelings of an older generation
needing colour in this moment of their lives.

It now felt like what once was missed entered their lives through
the creations of these vibrant grannies.  But as there designs were embraced by the [silver mains] people of older graces.. The dullness was fading, and a certain lady didn't approve of such sunlight in
those that once wore her garments now being used as wash clothes.. Miss Grey Bottom was sullen for her plans to make the word
feel as she did, sombre in thoughts that weaved into her designs.
But she wasn't giving in  without a fight, she brought out new collections that had a hint of silver grey a hue not colour but
not as bland... but this was a start, its was called the;

Cloud collection:  Everyone has a silver lining..

Fashion Granny smiled, as she knew that seeing those of
Mrs Grey bottoms age infused had slightly changed her,
and with that they made more clothing to invigorate those
of climbing years..
Reviews were steadfast from those wearing there line:

Mr Whitehall:  I love the colouring of your clothing, it was
like it was made for my personality.
                                        Thanks F.G

Miss Waterson:  I feel like a millions pounds, this line enriches
my life every day I wear it.
                                        Thanks F.G

These were but a few of the thousands of reviews they were
scoring at 4.9 out of 5 stars in the reviews and the grannies smiled,
glad that they brought some reflection into their collection of clothing.
There was a knock at the door, and to all there surprise none other
than Miss Grey Bottom.

"Hi grey, about time you answered my email,  
Said her sister. Yes Miss Grey was fashion Grannies sister,
older by 10 years 2 months and 3 days.

"Why wouldn't you answer my calls and emails??
" I was really worried about you and those clothes so
gloomy yet I could tell the beauty was trying to come out
with those beautiful lines,

She just stared at her sister in silence and then, noticing
a tear she wiped it with her thumb tenderly holding her sisters
face. Miss Grey burst into tears and Fashion Grannie held on
to her sister, they hugged for what seemed like forever before
Miss Grey composed herself. "I have missed you so much,
Fashion granny smiled,
"Me to, you silly sausage, 
 
She introduced her sister to all those who helped her with
the colouring and design of their brand F.G, then they sat;

"Your my sister I didn't want to burden you with my
problems,

Fashion granny lent over and kissed her sister forehead

"You silly sausage, that's what family are for,

With those words a smile eclipsed Miss G B's face,
a smile rose across her sisters remember that beauty
that she once knew returning to her sisters face.

"Well you have me and my crew as friends now..

"Your crew, giggling aloud Miss G.B couldn't
even frown for she was for the first time in a long
time smiling, laughing.. Even though tears were
falling they were of happiness, not sadness as before.

Three Months Later,

The world had become a brighter place as sisters
and friends created art woven from cloth and not
only for those of silver locks, but these were hip
grannies they were weaving for the younger crowd.
The first show was about to start and they looked
out to see if many had come to see the new line,

A unicorn had thrown up a rainbow collection:
         So much colour you'll see rainbows in your sleep

It was an international hit, and the grannies were so proud
of what they had done not a singular person, but as close
friends. They carried on with this until they retired which
was not as far away as you'd think. But they had made new
friends and two sisters had once again found each other again
both thinking of how proud there mother would be now.

I didn't write this work, it was written by my dear friend Carole Hurley who has been having a problem posting

I sit on the top deck of a red London bus and view the world passing by, so much more interesting than a drive in a car.
Where are they all coming from, the people I see? Where are they going to, what do they do with their lives? These people I view.
That little old couple,  side by side holding hands. They look so content as they walk down the Strand.
The young men and women hurrying by, perhaps going to work, maybe going to buy a sandwich to eat in the park.
Tourists in their thousands viewing our London sites. I wonder where do they all go to at night.
I gaze eagerly down as we pass famous stores, their names proudly emblazoned over the doors.
I love the hustle and bustle of our London town, a wonderful mix of the old and the new, I try to absorb all the breathtaking views.
Theres Tower Bridge in her livery of gold and of blue,  her ramps held aloft as a ship passes through.
Whitehall where the soldier high on his horse so proud and so still, while tourists take photographs later to view.
Big Ben chimes as the Houses of Parliament we pass. Westminster Abbey so stately and tall, for hundreds of years overlooking it all, the laughter the sadness,  the tears and the fears.
I look at new buildings all made out of glass.  I look at it free courtesy of my free bus pass.

Promises made
given and laid down in writing on stones.
I read runes in the ruins of what has become,
what they have done to me.
No longer free
I am devoured alive by those who contrive to control everything,those who bring nothing to the table and the table is bare,
I share my crusts with the beggars who sit on the street,in dark corners I greet them and then I console them
for they too have lost all to the mighty of Whitehall who don't give a ****,for
they are the ram raiders the modern day slavers and we're all in chains,laid on the slabs,looked at in labs,dissected,inspected and put out to tender,sent out as fodder for the high in society to shoot at like pheasants,for aren't we the peasants of old?
Life grows cold an old story indeed
those who can't pay are unable to feed.
So let us give thanks to those wonderful,fabulous,marvelous food banks who are there just in case we try to get out of the poverty trap that stares us in the face.
****'em all down in Whitehall I know where I am and I am a man not a note in a margin but marginalised just the same,just a piece in some game that they play.
It'll all change one day though I may not be here to cheer but where ever I am,I will still be a man, and
not a laboratory experiment.