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by
Alexander K Opicho

(Eldoret, Kenya;[email protected])

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
Maa ki mamta ko dekh maut v
aage se hat jati hai
gar  maa apmanit hoti
dharti ki chaati fat jaati hai
ghar ko pura jeevan dekar
bechari maa kya pati hai
rukha sukha kha leti hai
paani *** kar soo jati hai

Jo maa jaisi devi ghar ke
mandir me nahi rakh sakte hai
wo lakho punya bhale kar le
inshan nahi ban sakte hai
maa jisko v jal de-de
wo paudha sandal ban jata hai
maa ke charno ko chukar paani
Gangajal ban jata hai

Maa ke anchal ne yugo-yugo se
Bhagwano ko pala hai
maa ke charno me jannat hai
Girijaghar aur Shivala hai
Himgiri jaisi unchai hai
sagar jaisi gahrai hai
dunia me jitni khushboo hai
maa ke anchal se aaye hai

Maa kabira ki sakhi hai
maa tulsi ki chaupai hai
meerabai ki padawali
khusru ki amar rubai hai
maa angan ki tulsi jaisi
pawan bargad ki chaya hai
maa ved richao ki garima
maa mahakavya ki maya hai

Maa maansarovar mamta ka
maa gomukh ki unchai hai
maa parivaro ka sangam hai
maa rishto ki gahrai hai
maa hari dubh hai dharti ki
maa keshar wali kyari hai
maa ki upma kewal maa hai
maa har ghar ki phulwari hai

Saato sur nartan karte jab
koi maa lori gaati hai
maa jis roti ko chu leti hai
wo prasad ban jati hai
maa hasti hai to dharti ka
jarra-jarra muskata hai
dekho to dur kshtiz ambar
dharti ko sheesh jhukata hai

Mana mere ghar ki deewaro me
chanda si murat hai
par mere man ke mandir me
bas kewal maa ki murat hai
maa saraswati lakshmi durga
ansuya mariyam sita hai
maa pawanta me ramcharit
manas me bhagwat geeta hai

Amma teri har baat mujhe
vardaan se badhkar lagti hai
he Maa teri surat mujhko
bhagwan se badhkar lagti hai
saare teerath ke punya jaha
mai un charno me leta hu
jinke koi santan nahi
mai un maawo ka beta hu

Har ghar me Maa ki puja **
Aisa sankalp uthata hu
Mai dunia ki har maa ke
Charno me ye sheesh jhukata hu.....
Copyright© Shashank K Dwivedi
[email protected]
Follow me on Facebook - https://www.facebook.com/skdisro
if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah
In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.
Cori MacNaughton Jul 2015
Finally it is done.

For months I have been
collecting ingredients
for the magical elixir -
home grown ginger and rosemary,
fresh organic garlic, onions and lemon,
finely chopped jalapeno pepper,
powdered turmeric,
Ceylon cinnamon,
tulsi, kelp and black pepper.

What eluded me was the
pungent, fresh horseradish,
unexpectedly absent in our stores
and farmers markets,
until a birthday trip to New York,
when we found the massive roots
in a Russian market.

And, once properly chopped
and shredded and zested,
all is covered and bathed
in organic apple cider vinegar,
a superfood in itself,
where it will draw out the
healing constituents
of each vital ingredient,
creating a powerhouse of wellness.

And now we wait.

Four to eight weeks
of shaking the jars every day
before we drain the lot,
run the pulp through a juice extractor
and add the final touch ...
local honey, raw and unfiltered,
adding sweetness and
its own preserving power,
along with a strong boost to health.

A long time to wait
for this Nectar of the Gods,
but so very worth it:
a shot of this each day
and colds and flu stand no chance -
bacteria and virus alike
overwhelmed -
say goodbye to illness.

Let us now give thanks
to our grandmothers
and all the lay herbalists
of generations long past,
for through their efforts,
our own knowledge
is greatly enriched.

We stand on the shoulders of giants.

5July2015
My ode to one of the most healing elixirs on the planet, popularized by herbalist Rosemary Gladstar in her books for well over 35 years.  Having loved the stuff for years, I just made my first half-gallon batch on July 4th - my personal Independence Day from mainstream medicine.

Recently, three business people with few scruples and less common sense, having gotten the idea and initial recipe from a friend, who no doubt came by it through Rosemary Gladstar or one of her many proteges, decided to trademark the phrase "fire cider," claiming - dishonestly - that they had invented it, despite it having been around for decades - if not generations - under that name.  
Suddenly, lay herbalists all over the country had their listings removed from Etsy and other websites for intellectual property infringement, even though many of the said herbalists had been selling fire cider for far longer than the name had been trademarked.

Being something of a rebel myself, I have made and will continue to make Fire Cider using its original name, crediting Rosemary Gladstar as the original source - even though she herself acknowledges that it is far older than she, and even she learned about it from an older herbalist - and publicly thumb my nose at the cretins who trademarked the phrase, with the firm belief that they should be ashamed of themselves for trying to capitalize on OTHER PEOPLE'S WORK while claiming it as their own.

It is up to us, We the People, for keeping knowledge such as this free and available to the public at large.  Lives may well depend upon it.

For those who wish to learn how to make fire cider for yourselves, I direct you to the YouTube videos that Rosemary Gladstar and Mountain Rose Herbs have generously provided to the public for free.  
Herbalists in general are a generous lot, and she is one of the finest, along with Susun ****, both of whom were inspired by my personal favorite herbalist, the late British veterinarian and master herbalist Dr. Juliette di Bairicli-Levy.  
I recommend the work of all three herbalists highly.

For those with kids or animals, the books on herbalism by Dr. di Bairicli-Levy are invaluable, as she spent the better part of seventy years traveling the world and learning the herbal medicine traditions of people in every part of the world, initially as it pertained to their animals, but ultimately for use with humans as well.  
Her "Complete Herbal for the Dog and Cat" and "Complete Herbal for Barnyard Animals" (which includes dogs and cats, but in less detail) are must-have volumes for anyone with animals.  
She successfully ran a very busy animal clinic in London, England, where she was routinely curing even distemper and rabies cases - diseases that modern veterinary science still considers incurable today - and she was curing them in the 1930s.  
Do yourself - and your family - a favor, buy her books, and keep them at the ready, for whatever may come along.  You will be glad you did.
Dre G Oct 2012
pouring myself over green candle magick
my hands are the warm wands
letting the healing eucalyptus fire
seep into my throat chakra
seep into the tulsi i’m brewing
the california poppy herb.
my olive leaf aligned in a
tipped isosceles
and your sound waves are
melting the part of my stone
wall that obscured self awareness.
but now, if just for a
few moments, i am
awake.
in the city it is the witching hour but
in the cosmos it is no-time
                                          infinitytime
ti­me is a river making
golden spiral waves
i am replenishing the circles
like ancient amber blueprints
now fated by the stars to be built.

*poem for grimes ~~
Mohan Jaipuri Dec 2018
Cold n cough,cold n cough,
very tough, very tough.
caught on 16th december
Amid  cold and thick fog cover.
first made sore throat,
Then made nose tight.
In the night  robbed rest,
That led to lose sleep the best.
Tried  haldi-milk of grandma
But  sleep was still away .
Tried tulsi kwath of mama
that led pass  the night anyway.
In the morning nose started
  Used the  wife's formula of
Warm salty water gurggles
As sun started setting down
Cold n cough again  grown.
Amid this   called to daughter
She advised to go to a doctor.
Doc  gave antibiotics n advised rest,
O my god what a bad  taste.
You made recall  four generations ,
You're  great for those nice reasons.
Lack of sleep led introspection
That led scanning thought congestion
That is why thanks  for coming, 
For the  reasons of my inner cleaning.
Forced to wear coat n jackets
Paving  the way for hot snack- packets
Reminded me to  stop sour & curd
Start milk ,cheese and bread.
One week surrendered to you,
But still I owe a lot of you.
Dress well and eat warm .
You would be whole year in form.
Neeraj Aug 2017
Some lines written for cutesy
The mushy heart as seems as tulsi
The one whose divine is heart
Her comely smile work as art
Few words describe my Angel
The cutey smile make her archangel
My lovely sister you are my queen
Your touchy love make us preen
All glory comes to your feet
As I wish my heart beat
The words speak some special today
The birthday wishes coming to say
Don't know how's our affection
At a long distance we still have an affection
My sister I touch your feet
The love I feel in every heart beat
My angel I am your little brother
The honey you give me as mother
There's something happening in sky
As you smile all birds so high
The last line has some special to say
Sending my love my prosperity to your way
I am not a poet to say these lines
But my sister love make it more closer to mine
Love your sister always
Ken Pepiton Sep 2020
In any future this is instant,
in real life these thoughts once fitted into words by a mind,
fit into the spirit of Christmas in 1984,
I am betting my
cred -- wagering my very defined sould idea
it was the real 1984
eleven days after my first born child…

-if I yet have credit, having spent all my own attention on
finding the evil
lurking somewhere in today, waiting to pounce,
seeking with legendary,
fabulous, monstrous civil strife level pride events
reason to call
provocation to devour
my soul, my unsouldout soul, my held
breath of life,

waiting for this surface to break, patient as any
app attempting to become
Gibsonian ICE!... in your patience you possess…

Ah, cotcha. This quote is from a stream of words -emanating-
in the global pool of streaming
news of bygone days. Dec.23, 1984 on accusing voices…
Satan the idea…
A message:
The people who will experience the fullest meaning of Christmas on Tuesday
are the people who know and feel that there is something
in them that needs to be destroyed.
It is true, as John said (John 3:17), that
"God sent the Son into the world not to condemn the world,
but that the world through him might be saved."
But he saves by destroying.
Like a doctor who amputates a foot full of gangrene or cuts out a cancerous lung.

From <https://www.desiringgod.org/messages/the-son-of-god-appeared-to-destroy-the-works-of-the-devil>

Right. So far. Now. Who whets the edge?
I care less if you guess my name,
stranger,
works; if you find you may entertain a stranger with no sense of pending danger,
see,
afore mentioned cutting,
was mistaken instruction. A missed meaning,
hamartia aitia sort of glitch in the interpretation, privately,
by the muckety mucks,

(by the hair on my chinny chin chin we must shave away the fungus)

The torn flesh
of realities with actual purpose was, intending to repair it self,
using, right, a single stitch.
In a word.
Yet, wait…
Usury found a way to own the story of the act. So,
early autumn, fires raging, smoke obscuring meaningful
right observation of the arrival of Christmas Decorations at Walmart,
in the memorable year,
2020, I heard a sound,
bah trumpa trump trump,
in September,
the one all connected minds shall never remember not
having,
we made up our mind to act on the original anointed mind idea,
let it spread,
like calmin' balm on truly chapped hide.

We all got our differences, 'n' all, viva la

la la la
but we all have right use, too. The idea is not so hard to imagine,
unless you mind is broke, I get stuck in first person,

being broke and woke is a zeitgeistical joke.
We see our neighbors on Hulu,
even in Beijing, if we have the proper world citizen VPN.

Do you hear what I hear? Is this that brat with the drum,
again? Bahtrumpatrumptrump…

merry anointing message, may it trickle through your beard,
and tickle little ears with hope unimagined,
before 2020 made mental time travel so common.

{go tulsi, go, go, go}
Joke. Ok. A joke yoke. As I have no other thing to think about at the moment. Neither did you apparently, if y read this far. Right, thanks, it helps/
I grew between two shrines,
one draped in tulsi leaves,
the other crowned with candles.

Krishna’s flute and church bells
played in the same morning air.

Holy water and Ganga jal
touched my forehead alike,
cool drops of faith,
different names, same calm.

Bible and Bhagwat Geeta sat on my shelf
like two storytellers
telling me truths in different tongues.

Even fear had two faces —
Satan in shadows, Kali Purush in storms —
both made me tremble,
yet pushed me closer to light.

Perhaps I was never confused,
just cradled by two rivers
that met in me,
flowing toward the same sea.
As a 5 year old I was sent to a new school a Christian school which is run by Anglo-Indian society just for good English communication skills but entering that school was like a mix of two cultures and as a child I was always confused between these.
I use to thought Jesus is an English name fot Krishna
Bible is English translation for Bhagwat Geeta cuz there were similarities in morals tbh and I thought there are differences because of different regions where people live like clothes were different because different place have different climate lol.
I was also confused between holy water and ganga jal (ganga jal is ganges river water considered holy in Hinduism) or who knows my confusions were right.
modern native
taking a drive
to console with the eagles
recapturing my breathing
with pinched off
thai basil flowers
first thing in the morning
eating enough Tulsi basil leaves
from the garden
pinched flower breathing
in for 6 seconds
yes a lot of trauma out there
hold for 7 seconds
invisible to recuperate
8 seconds out
everything is perfect
modern native
reminding people
to stop not being human
there is an answer
a cure
a choice
what is the difference
of being white
and being human
when is it that human
became white?
how and why?
oops
apology
modern native
it is one thing to assume
and think
all the natives have been killed
but you must not forget what
natives know about our breathing
and what natives
know about our future
modern native

— The End —