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Nyssa Jacobsen Nov 2012
I have a flower, in a vase, sitting on my window sill
There are no other flowers on my window sill
        Just a rose.
This rose is special,
It hasn't died since I picked it.

The life of this rose depends on me.
No other flowers can exist on my window sill,
No other flowers can fit in the vase.
Just that flower, in that vase, on my window sill.

Walking through a garden, I see another flower.
Better than the rose in some ways,
but not in others.
      This flower is a lily.
My heart immediatly begins to tear in two.

So now I face a dilema.
Pick the lily, or let it die.
Keep the rose, or let it die.
Either way, one must die.
And I am stuck between two beauties.
I need a flower, in a vase, on my window sill.

So I delve deep.
I think broadly.
I remember something.
My favorite flower is an orchid.
I have a feeling my orchid is in a distant garden,
waiting to be picked --
       by me.
This orchid will be
My flower, in my vase, on my window sill.

And so I can live with the outcome of the lily
      or the rose
And I just hope they don't die
that someone else's favorite flower
     is a lily
     or a rose.
Because I know that something is going to happen
that will bring me closer to my favorite flower.
So I must be patient.
And just wait for
My perfect flower, in my perfect vase, on my window sill
Maggie Elwell Feb 2014
<3 The window beyond my window sill <3
i see you,
when the sky is clear,
when my mind is free.

The moon beyond my window sill
I talk to you,
about my hopes,
about my dreams.

The moon beyond my window sill
I adore you,
that your so pure,
that your so amazing.

The moon beyond my window sill,
you give me hope,
*<3 when there is no light. <3
I love the moon ans the stars like if you do too!!
Nyssa Jacobsen Jul 2016
It's been so long.
My vase has been empty
for fear of selfish gardening.
I had almost given up completely.

My favourite flower was always an orchid.
I thought I had found it long ago,
but it seems my orchid is a rarer breed;
it takes much more care to sow.

I happened across it on a lively night
in a garden full of flowers.
My lily had just turned to poison;
it's amazing what lust devours.

My orchid had seen many vases,
some much nicer than mine
and yet it chose to flower then
and look entrancingly divine.

For a couple years I watered it
from far away, safe from my touch of war
I was afraid that I would squander it,
like I had so many times before.

But the orchid was just like me,
adventurous and curious.
Though we couldn't be together
we let each other be flirtatious.

And silently we grew together,
and my orchid came to me,
and my whole world came together
even if only very briefly.

Now I sit here writing this,
looking at my orchid, in my vase, on my window sill,
and I look back at myself and realize;
I'm HIS flower, in HIS vase, on HIS window sill.
CK Baker Feb 2017
late night by the holland sill
white framed and frilled
alongside the meadow
down by the grand
where cat fish
and cow pies
and silly yellow bees
make their stay

there are swings now
and empty barns
(with quiet corners
and broken walls)
echoing chambers
that speak of the past
...and little dogs
not big ones

the plaster cracks
and wheat sways
from a warm west wind
it’s about time
for that late afternoon pour
you know how it cleans the soul
old percy would say

and flanders
(the holder of those pigs)
who fed us good
with sow and milk
as we plowed the
dusty fields
into the
hot summer sun

i can still hear the screams
of river shore dreams
the grand slams
and flints run dry
the barks
and breaks
and bends
a world past
with forbes
and dolls
and crab apple trees

think i’ll take a trip
up the back lane
they’ve cut the brush
and opened the line
SassyJ Jul 2018
I though he carried the light
where words would illuminate
driving me to a euphoric ******
a man without a face or a trace
unhindered in a double live and lies
a bubble of psychotic psychic surety
his passion was an addiction
my reservations moved a notch
addicted to a body of ideology
the stances of philosophical terms
uncovering ancient possibilities
the unfelt mysteries of history
veiled in icicles of pretence and lies
as if a Marxist, a closet bourgeoise
The stoicism of present bargains
questioning Socrates and morality reasons
a fatal dose ,examining the unexamined
as colourful as his mind blew my inner glow
he was lost in sad and low dialogues
afraid to face the earthly shallow shadows
yet his spirits moved deep within mine
and it paralysed and fed on my energy
and his delusion became my seduction
but he woke my inner poetic tongue
letting it caress all his inner wounds
A shadow hiding behind Frankenstein’s
a sly monster who lied to my eyes
ghosting in with the a pen that weakens
romancing with letters of a fiery doom
a penpal whom I met within my lowest
but whose words lay in a deep unending quarry
his warmth I could never ever tell
his kiss only a draft on the dewy grass
PERSONIFICATIONS.

Boys.            Girls.
  January.                February.
  March.                  April.
  July.                   May.
  August.                 June.
  October.                September.
  December.               November.

  Robin Redbreasts; Lambs and Sheep; Nightingale and
  Nestlings.

  Various Flowers, Fruits, etc.

  Scene: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire.]


          January.

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

                    [Stirs the fire.

Crackle, sparkle, *****; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


  Here's butter for my hunch of bread,
    And sugar for your crumb;
  Here's room upon the hearthrug,
    If you'll only come.

  In your scarlet waistcoat,
    With your keen bright eye,
  Where are you loitering?
    Wings were made to fly!

  Make haste to breakfast,
    Come and fetch your crumb,
  For I'm as glad to see you
    As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand.]

          January.

Good-morrow, sister.

          February.

            Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her.]

          February.

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the ***** ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight.]

  The lambkin tottering in its walk
    With just a fleece to wear;
  The snowdrop drooping on its stalk
      So slender,--
  Snowdrop and lamb, a pretty pair,
  Braving the cold for our delight,
      Both white,
      Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro.]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones.]

          February.

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

          March.

[Stopping short on the threshold.]

    I blow an arouse
    Through the world's wide house
  To quicken the torpid earth:
    Grappling I fling
    Each feeble thing,
  But bring strong life to the birth.
    I wrestle and frown,
    And topple down;
  I wrench, I rend, I uproot;
    Yet the violet
    Is born where I set
  The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background.]

    And in my wake
    Frail wind-flowers quake,
  And the catkins promise fruit.
    I drive ocean ashore
    With rush and roar,
  And he cannot say me nay:
    My harpstrings all
    Are the forests tall,
  Making music when I play.
    And as others perforce,
    So I on my course
  Run and needs must run,
    With sap on the mount
    And buds past count
  And rivers and clouds and sun,
    With seasons and breath
    And time and death
  And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song.]

          April.

[Outside.]

  Pretty little three
  Sparrows in a tree,
    Light upon the wing;
    Though you cannot sing
    You can chirp of Spring:
  Chirp of Spring to me,
  Sparrows, from your tree.

  Never mind the showers,
  Chirp about the flowers
    While you build a nest:
    Straws from east and west,
    Feathers from your breast,
  Make the snuggest bowers
  In a world of flowers.

  You must dart away
  From the chosen spray,
    You intrusive third
    Extra little bird;
    Join the unwedded herd!
  These have done with play,
  And must work to-day.

          April.

[Appearing at the open door.]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

          March.

You're hope and sweetness, April.

          April.

            Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them.]

          April.

  What beaks you have, you funny things,
    What voices shrill and weak;
  Who'd think that anything that sings
    Could sing through such a beak?
  Yet you'll be nightingales one day,
    And charm the country-side,
  When I'm away and far away
    And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round.]

          April.

Ah May, good-morrow May, and so good-bye.

          May.

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden.]

          May.

And gathering flowers I listened to the song
Of every bird in bower.
    The world and I are far too full of bliss
    To think or plan or toil or care;
      The sun is waxing strong,
      The days are waxing long,
        And all that is,
          Is fair.

    Here are my buds of lily and of rose,
    And here's my namesake-blossom, may;
      And from a watery spot
      See here forget-me-not,
        With all that blows
          To-day.

    Hark to my linnets from the hedges green,
    Blackbird and lark and thrush and dove,
      And every nightingale
      And cuckoo tells its tale,
        And all they mean
          Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

          May.

Surely you're come too early, sister June.

          June.

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds.]

          June.

The sun does all my long day's work for me,
  Raises and ripens everything;
I need but sit beneath a leafy tree
    And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
  Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
    And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling.]

          July.

     [Behind the scenes.]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes.]

          June.

What, here already?

          July.

                  Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

                        [Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor.]

          July.

  The roar of a storm sweeps up
    From the east to the lurid west,
  The darkening sky, like a cup,
    Is filled with rain to the brink;

  The sky is purple and fire,
    Blackness and noise and unrest;
  The earth, parched with desire,
      Opens her mouth to drink.

  Send forth thy thunder and fire,
    Turn over thy brimming cup,
  O sky, appease the desire
    Of earth in her parched unrest;
  Pour out drink to her thirst,
    Her famishing life lift up;
  Make thyself fair as at first,
      With a rainbow for thy crest.

  Have done with thunder and fire,
    O sky with the rainbow crest;
  O earth, have done with desire,
    Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain.]

          July.

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery.]

          August.

  Wheat sways heavy, oats are airy,
    Barley bows a graceful head,
  Short and small shoots up canary,
    Each of these is some one's bread;
  Bread for man or bread for beast,
      Or at very least
      A bird's savory feast.

  Men are brethren of each other,
    One in flesh and one in food;
  And a sort of foster brother
    Is the litter, or the brood,
  Of that folk in fur or feather,
      Who, with men together,
      Breast the wind and weather.

[August descries September toiling across the lawn.]

          August.

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


          September.

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes.]

      
The Wordsmith Sep 2015
She crept in through my window sill,
As fair as autumn moonlight, and as sleek as silver silk,
Her eyes they shone like summer rain,
And void they did, of all my pain,
The ruby of her lips, rivaled the roses of the morn,
And the beauty of her face, rivaled the coming of the dawn,
She crept in through my window sill, nothing she did take,
She crept in through my window sill, and my heart she did break.
Lux Capacitor Apr 2015
One open can of
half empty **** water
popped the night before
for a palm of pills,
codeine and HRT
chased with Kamchatka 8-0
she collapses in bed
with hope in her head,
belly full.

Morning comes, her will is gone, she stumbles blind
to root her elbows at the window sill, still groggy
from the high of nighttime.
Noon comes and the clock stops, it's a road block
setup at the overpass and by the time
transference makes sense she's
spent her energy just shifting.

In place, enervated. A mistake.
A husk built of guilt and bone.
In a closed room full of blood and *****,
alone. Atone.
In place, enervated,
elbows at the window sill.
Jack Apr 2014
Window Sill Weepings

Draped as a curtain of silk disbelief
Tied back emotions lie still on the wall
Blocking the sunlight to pause in relief
Collections of dust form in spite of it all

Streaks hold the fingerprints bound of the day
Smeared in designs of a weakened refrain
Window sill weepings with nothing to say
Magnified teardrops add depth to the pain

Transparent wishes once hidden from view
Wait in the darkness this side of the dawn
Boarded up portals now moistened of dew
Nothing to see ever since you are gone
Daniel Quigley Nov 2017
By the sill sit still;
Listen to the wash on the roof;
Specks and sheets form a symphony
so complete to hush you quiet,
Even still.

An inundation.
This libation to parched earth has
been a meditation since birth;
to ponder under the pitter-patter
hiss and swish of exponential scales
At the wrongness of raindrops in a sunbeam.

Sit still, brood like the clouds that came
to darken a June day, so silent they gathered
over a land hard with memory,
With fear for passing years and
worries that grew like weeds in summer showers.

Brief as thought these drops like jewels
are set ablaze then strike the dirt; done.
They flash for an instant in time,
with no way back to an azure sky.

There is no telling the distance,
How high these clouds climb.
Just the sound of falling rain,
Listen.
fasi  Feb 2015
Dragonfly
fasi Feb 2015
As dawn broke,
came a dragonfly
to sit on my window sill
Change is come,
or more rain to fall, still?
Morning, good morning!
What a pleasant feeling.
Look out of your window sill
Birds chirping down hill
Rising Sun’s   warmness  
with an aura of happiness
Dewdrops on rose petals
Moisture on flower beds
Lanes with damp mud roads
Children waiting with bookloads
Men with their tools to workshop
Women with their bags to shop
Each in thoughts of their chores
Or in groups musing at jokes.

As  the clock’s hands move forward
with the moving Sun overhead
Look out of  your window sill
watch the changes downhill
All energy withered in heat
Life slows down in many a feat
The splendour of dawn faded
As the brightness of light invaded
No musings or jokes on road
None could stand the heat to hold
The empty lanes appear  haunted  
Silence pervading   unhindered.

Look out of your window sill
Watch  the  Sun’s glare  going still
If  you enjoyed  the  day’s siesta
It’s a great  blessing after the Fiesta
The evening’s glow  at your doorstep
Spreading delight  at each footstep
Look around for the actions of mankind
Adept in their chosen courses behind
With all the lives on earth in the swings
Singing the glory of Almighty on the wings
Oh! What a colourful day to consider
With lovely thoughts of you to ponder!


Shiv Pratap Pal Oct 2019
Jack and Sill
Swallowed a Pill
Ran up to the Hill
To kil* a heavy Monster

Jack shot and Missed
Sill shot and Killed
The ugl* heavy Monster
Let's Cherish Childhood.
Oh I don't like Hello Poetry's system of automatic selection and marking of offensive words and displaying it as ***, because it often fails.
More often it marks those words or parts which are not at all offensive. It fails to understand the context in which the words has been used.
To avoid this I have myself tried to put *

— The End —