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Spring winds that blow
As over leagues of myrtle-blooms and may;
Bevies of spring clouds trooping slow,
Like matrons heavy bosomed and aglow
With the mild and placid pride of increase!  Nay,
What makes this insolent and comely stream
Of appetence, this freshet of desire
(Milk from the wild ******* of the wilful Day!),
Down Piccadilly dance and murmur and gleam
In genial wave on wave and gyre on gyre?
Why does that nymph unparalleled splash and churn
The wealth of her enchanted urn
Till, over-billowing all between
Her cheerful margents, grey and living green,
It floats and wanders, glittering and fleeing,
An estuary of the joy of being?
Why should the lovely leafage of the Park
Touch to an ecstasy the act of seeing?
- Sure, sure my paramour, my Bride of Brides,
Lingering and flushed, mysteriously abides
In some dim, eye-proof angle of odorous dark,
Some smiling nook of green-and-golden shade,
In the divine conviction robed and crowned
The globe fulfils his immemorial round
But as the marrying-place of all things made!

There is no man, this deifying day,
But feels the primal blessing in his blood.
There is no woman but disdains--
The sacred impulse of the May
Brightening like *** made sunshine through her veins--
To vail the ensigns of her womanhood.
None but, rejoicing, flaunts them as she goes,
Bounteous in looks of her delicious best,
On her inviolable quest:
These with their hopes, with their sweet secrets those,
But all desirable and frankly fair,
As each were keeping some most prosperous tryst,
And in the knowledge went imparadised!
For look! a magical influence everywhere,
Look how the liberal and transfiguring air
Washes this inn of memorable meetings,
This centre of ravishments and gracious greetings,
Till, through its jocund loveliness of length
A tidal-race of lust from shore to shore,
A brimming reach of beauty met with strength,
It shines and sounds like some miraculous dream,
Some vision multitudinous and agleam,
Of happiness as it shall be evermore!

Praise God for giving
Through this His messenger among the days
His word the life He gave is thrice-worth living!
For Pan, the bountiful, imperious Pan--
Not dead, not dead, as impotent dreamers feigned,
But the gay genius of a million Mays
Renewing his beneficent endeavour!--
Still reigns and triumphs, as he hath triumphed and reigned
Since in the dim blue dawn of time
The universal ebb-and-flow began,
To sound his ancient music, and prevails,
By the persuasion of his mighty rhyme,
Here in this radiant and immortal street
Lavishly and omnipotently as ever
In the open hills, the undissembling dales,
The laughing-places of the juvenile earth.
For lo! the wills of man and woman meet,
Meet and are moved, each unto each endeared,
As once in Eden's prodigal bowers befell,
To share his shameless, elemental mirth
In one great act of faith:  while deep and strong,
Incomparably nerved and cheered,
The enormous heart of London joys to beat
To the measures of his rough, majestic song;
The lewd, perennial, overmastering spell
That keeps the rolling universe ensphered,
And life, and all for which life lives to long,
Wanton and wondrous and for ever well.
calion  Mar 2014
compose
calion Mar 2014
he creates music
in the way he plays
and the way his body awkwardly jerks away at contact.
the small frame moves away as if it is to be played marcato
and the piece (his body, that is) returns to maestoso
and she creates lyrics
in her notebook
and in her life.
everything has anaphora.
she writes lyrics that always begin him.
(everything in her life begins with him, she'd like to think.)
and everything is an example of apostrophe.
everything she does is directed at someone who won't care about her.
and when these two meet up,
when their bodies collide,
the most beautiful composition is created.
his moves alter between marcato (louder, forceful)
and maestoso (majestic, smooth)
and her lyrics are very anaphoric (oh, ****)
and everything is all for him.
The man who sits at the edge
of the water
shares the bread
(for you and to the birds).
Familiar with the dream far ago.
He can count when
the lime blossoms crumble
(someone passes to some place
and love is the longest point).
Entire.

Then (i look) it is
maestoso.
-<>

Maestoso
(Italian pronunciation: [ma.eˈstoːzo]) is an Italian musical term and is used to direct performers to play a certain passage of music in a stately, dignified and majestic fashion (sometimes march-like) or, it is used to describe music as such.
-<>
An unfamiliar
provocation
intersects with my browsing eyeballs,
and further
exploration
unearthes words prior present,
but now surfacing
as heat ******,
magma lavs busting
earning instant recognition

*I know
this conceptual,
stately, dignified, even
majestic,
though a rarefied
in almost everything
of the daily diurnal churn
of the concerns, them old burns,
there is an instant though vague
famiar feeling

no church goer he,
where was then this
stately seen, perceived, a felt feeling,
like a rare earth mineral,
invisible seen, but presence felting,
just can’t quite pin it down


bur a sonorous voice
gravelly bass whispers,
when you vision
humans rushing in,
running to,
towards fire, crumbled buildings,
flooding survivors staying alive on
rooftops
listen with care!

in the air,
the heavens
the music
Maestoso
is playing
for the gods,
lose their composure when
witnessing
unbridled acts
of human goodness

— The End —