AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
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The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
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Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
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First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing

i return to these words that are barely
an architectural promise of a house as a mere:
rummaging squatter,
that this will eventually become
scrutinised by eyes beside my own...
well it's not like i rhyme-on-the-cheap...
i've been trying to watch some penny
dreadful episodes:
what would woman do without
the devil; i suppose man tangled with
god is nothing but an obnoxious brat...
the devil of emotions
and their plethora; this belittling god
fiddling with stones and creases
in york oak stand-alones...
                          then it came like
an itch: poached-taming-(of a)-toe...
just a tatty... a humble:
i am pretty sure i saw the letters
prefix a toad somewhere: po-ta-to(e):
ah... there! poached tame toad...
a sputniks for a brainz...
in penny dreadful: john claire
the name of victor frankenstein's monster:
oh dear old god: this continued
exasperation with poetry:
one must live a most unsatisfying life
to cross the rubricon of
old testament anemia:
            i think i admired wordsworth too... -

playing house with robert duncan -
especially now:
when the house is in complete disarray
and what was once cluttered:
is more an upheaval...

- i used to write while listening
to music - no i write for the scraps
of this yawning silence
and all of its blisters of interludes -
yes:
i want a noun to turn
into a verb: not a mere:
metaphorical "transgression"
of how it's impossible
for the wine to be blood
for the bread to be flesh:
this poetry of: cannibalism?

i pry open the adventures with
cats:
i own two... my house doesn't
give off whiffs of ****:
god... i know the horrid stench
of either **** or ****
that isn't my own:
solipsistic in that...
       it's not a field of strawberries...

it's acidic to the nose:
it's beyond anything i'd ever
want to ingest: and i have once...
giggled... ******* into a glass
of wine to: punk up
the sacrament -
then again: i also ****** on my leg
when standing in a shower
cubicle and i attest to disagree:
there's something...

unconsciously prodding:
the advent prior to... learning to stress
that bladder into a muscle
and keeping it in...
that i can counter the will
of keeping it in...
that i can unwill the sensible
lesson and: it's like... anything
aqua focused -
a shower is a baptism
jumping into a pool is a rebirth:
or an invitation to
beside oneself with: start-agains...

it's very much unlike
drinking... whether it's a coffee
or a whiskey sour...
the ingestion of liquid is less
starry-eyed gluttonous freeze...
having ate nothing but hot air
or...
the whole body needs immersion
or... the ******* on a leg
prior to: then taking a shower...
hell... even mixing one's own
**** with a glass of the goat's blood
is also... "something" / something-...

to pray for sensible things is
to mumble or there's that devil's
dozen of oysters:
12 by feeding:
the 13th in the form of a ****
by nibble lick and spoon
of the tongue and lips' acrobatics...

i'm playing house with robert duncan...
i'm not a householder -
a term as ancient as: librarian
by my account -
              but the house is in disarray:
the kitchen is being subjected
to a 24 / 7  dehumidifier drone
army... i can hear the machines
working their insomnia down
below:
i have custard feet and i feel like
sinking: not falling...
when i stand to these machines:
hellish-jelly-feet...
   when i turn on the stove
and make an omelette -

     the living room (civil room,
a joke from my youth i conjured -
a room where we learn civility)...
is also a makeshift kitchen...
i'm currently playing chess from time
to time with: the memory of:
where did i put these spices...
this spoon this plate...
       it's not chess but the game is
irreversible -
it's also time consuming and it's
not that i don't keep attention to detail:
but i'm gladly not thinking forward...
i'm strategizing in reverse -

but such is the game...
robert duncan - poet and householder -
a chance reading of a moth:
but this is what makes all of this
so enjoyable: it's a niche a cul de sac
of decisions: an expansion
of time that doesn't make it to the annals
of: better to... burn... than to fade away...
either make it in your youth:
nice and proper...
or... what's the game then:
last man standing?
the list of contemporaries
drawing thin, short?

playing house... that i had a youth
i remembered when i'd too play with dolls with
my neighbour's daughter -
clearly ken and barbie had a problem
with their missing parts -
eunuchs of the sun's blind spots...
unlike when we were allowed
to take a bath together as:
not siblings but as strange dialectical opposites
to this duality: that wouldn't encompass
my somehow yet to be owned:
me good & evil...

    me tamer - me: 19th century's frankenstein:
dr. Jekyll etc.
     a rule for life: apparently...
is to pet a cat when you see one
in the street...
it's not exactly an easy task...
i guess first a show of mutual
assurance (and respect) -
this black tubby - with a bandana
for where a leash-leftover could
have been (collar) -
he starts walking anti-clockwise...
i turn aside and start walking
clockwise to pass him...
then we shuffle our approach...
like... i would always want
to pass a pigeon strutting
senseless on the pavement
with enough space so that it doesn't
have to find it necessary to fly off...

luckily for me i managed to "pet"
a stranger's cat...
my luck that it was black
but then again it was that sort
of hour
that's always a presumption
of a lazy gotten afternoon...
rule of life: pet a cat on a street...
it's not exactly a ******* given:
an "oops"... done that... tick...
self-help guru sold this trick...
                    
a selfie contra the days...
when the camera was used and...
other people would take pictures
of you... or of you and:
when there was an "us" - together...
shorthand of the limbos of life -
magnum opus words
constipated into this: makeshift
of a hopeful paragraph...

no, this couldn't be a simple meditation:
confined to...
robert duncan's household -
and my predicament of... playing memory
chess: well it's not exactly clutter:
the kitchen cannot be used
so there's a makeshift refugee camp
version of it in the living room yadda yadda...

which is a commentary on...
my distrust for the h'american literary movement
of the 20th century teasing an abandonment
with the "old ways"...
buddhism, odd... mostly...
   fair enough:
              ezra pound abhorred the taoists...
my one lesson from tao...
the best way you can aid the world:
is for the world to forget you
and for you to forget the world...
which is probably a plagiarism
of epicurus or vice versa...

              i can't imagine the demands
of pop philosophy:
pop culture on the other hand is much
easier to stomach: it's even enjoyable -
but the pop philosophy of nihilism -
which is: a pop philosophy...
it's not even required reading -
unless: you're rereading your own?
thrown into the river -
i am becoming a being of more becoming...
change is the only perpetual: blah...
if it's not my own rummagings it's
probably someone else's:
which has probably become diluted /
filtered down and is a cubism's monstrosity...

books sell for two reasons:
(1) they are genuinely read by a zeitgeist youth...
which invokes social pressures of
the collected experience - in ref. to:
something that can be talked about...
(2) they are read by "propagandists" -
by a small majority who pressure others to...
but the pressure only lasts for
airs - for a mere ownership of a book
should one be met with a scrutiny of
not owning it - reading it is beside the point...

and here in the land of "leftovers":
the middle of the road the people:
who of their own volition write and read...
that i was never ****** into
a cult of stephen king...
i was born too late to be:
but i was: ****** into a postmortem
oeuvre deity picking almost
anything by william burroughs...
i: reader: dear reader: clicked...

- i can't objectify this house -
i am subject to it: coerced by it...
made by bias upon bias
whether there's clutter or there isn't...
whether the kitchen is functionable
or not: that some people have
a kitchen but prefer to eat out:
to be seen: eating...
             i check the gradations of
punctuations and i know: still...
i will not recite these words not
out of gestures for bombast -
or pride - but for some sinister
urge to not abuse this sacred silence:
******* taught man
to manouvre... manouvre...
manouvre... maneouvre...
        man-oeuvre...
                   drop the hyphen boyo:
manoeuvre... wow!
"too many" consonants
in ****** words... how about a
magic trick? how many *******
vowels are in: man-oovr'eh?
phonetics king of the anti-spelling:
but then...
the synonym sounds
with aliases...
towing two different meanings:
too hot to count two
          ooh ooze - zizzez...
              zyzzes...
                     i can bring this anglo-slack-son
to kneel but only for a while:
before the architectural scholarly-
  takes over and the phonetic becomes:
lost, crude... based feral...

- a robert duncan is not a...
it's not mediocre is not necessary to be:
gee-whizz of frank o'hara's
cosmopolitan...
it's flesh of the h'american tongue
it's: sensibly accurate to provide
the best outlet:
for those of us still born in that
century - of what remained of us:
or rather of what remained
of the innocence of the 1990s...

that i am not nostalgic is: no proof...
that i write hardly any word of fiction:
one spaniard, once... commented
on my shoes:
i think he played a miniature version
of a flute: it looked like a reed...
the "spanish" superstition
concerning: a comment on one's shoes...
he admired... my shoes...
what's that saying:
about shoes: to best walk in one's
own before wishing to fill the shoes
of others...
a verb as simple as: there's no
presence of "run": when coupled
to: i am running: i ran...
it's raining...
i run i ruin fun... concentrated
"rhyming": literally linear: no staccato...

******* me over "jenga"...
this microcosm of sounds -
yet to draw deep leverage from
a meaning: it comes back as a mere
sound: worse a... mimic -
an aeon of only hearing
the heaving of a crow's crackling
croak... like a breaking of a tongue:
or... the lost trill of the R in
either fwench or: english...

exemplified R: with a diacritical mark
to make emphasis of the trill...

yes... this democratic oath of poets..
well: we're not going to tend to
the republic of the wizened goats
ex athens... are we?
the democratic oath of poets -
unlike the hippocratic loaf...
            which is a spectacular failure
since i have seen what
little ambitions can do:
when... the boat is not being
rocked: yet someone is still willing
to throw someone... overboard...
now that the boat is rocking:
i see nooses instead of paddles...
the seas are still rife with calm...

playing house with robert duncan -
especially now:
when the house is in complete disarray
and what was once cluttered:
is more an upheaval...

- i used to write while listening
to music - no i write for the scraps
of this yawning silence
and all of its blisters of interludes -
yes:
i want a noun to turn
into a verb: not a mere:
metaphorical "transgression"
of how it's impossible
for the wine to be blood
for the bread to be flesh:
this poetry of: cannibalism?

i pry open the adventures with
cats:
i own two... my house doesn't
give off whiffs of ****:
god... i know the horrid stench
of either **** or ****
that isn't my own:
solipsistic in that...
       it's not a field of strawberries...

it's acidic to the nose:
it's beyond anything i'd ever
want to ingest: and i have once...
giggled... ******* into a glass
of wine to: punk up
the sacrament -
then again: i also ****** on my leg
when standing in a shower
cubicle and i attest to disagree:
there's something...

unconsciously prodding:
the advent prior to... learning to stress
that bladder into a muscle
and keeping it in...
that i can counter the will
of keeping it in...
that i can unwill the sensible
lesson and: it's like... anything
aqua focused -
a shower is a baptism
jumping into a pool is a rebirth:
or an invitation to
beside oneself with: start-agains...

it's very much unlike
drinking... whether it's a coffee
or a whiskey sour...
the ingestion of liquid is less
starry-eyed gluttonous freeze...
having ate nothing but hot air
or...
the whole body needs immersion
or... the ******* on a leg
prior to: then taking a shower...
hell... even mixing one's own
**** with a glass of the goat's blood
is also... "something" / something-...

to pray for sensible things is
to mumble or there's that devil's
dozen of oysters:
12 by feeding:
the 13th in the form of a ****
by nibble lick and spoon
of the tongue and lips' acrobatics...

i'm playing house with robert duncan...
i'm not a householder -
a term as ancient as: librarian
by my account -
              but the house is in disarray:
the kitchen is being subjected
to a 24 / 7  dehumidifier drone
army... i can hear the machines
working their insomnia down
below:
i have custard feet and i feel like
sinking: not falling...
when i stand to these machines:
hellish-jelly-feet...
   when i turn on the stove
and make an omelette -

     the living room (civil room,
a joke from my youth i conjured -
a room where we learn civility)...
is also a makeshift kitchen...
i'm currently playing chess from time
to time with: the memory of:
where did i put these spices...
this spoon this plate...
       it's not chess but the game is
irreversible -
it's also time consuming and it's
not that i don't keep attention to detail:
but i'm gladly not thinking forward...
i'm strategizing in reverse -

but such is the game...
robert duncan - poet and householder -
a chance reading of a moth:
but this is what makes all of this
so enjoyable: it's a niche a cul de sac
of decisions: an expansion
of time that doesn't make it to the annals
of: better to... burn... than to fade away...
either make it in your youth:
nice and proper...
or... what's the game then:
last man standing?
the list of contemporaries
drawing thin, short?

playing house... that i had a youth
i remembered when i'd too play with dolls with
my neighbour's daughter -
clearly ken and barbie had a problem
with their missing parts -
eunuchs of the sun's blind spots...
unlike when we were allowed
to take a bath together as:
not siblings but as strange dialectical opposites
to this duality: that wouldn't encompass
my somehow yet to be owned:
me good & evil...

    me tamer - me: 19th century's frankenstein:
dr. Jekyll etc.
     a rule for life: apparently...
is to pet a cat when you see one
in the street...
it's not exactly an easy task...
i guess first a show of mutual
assurance (and respect) -
this black tubby - with a bandana
for where a leash-leftover could
have been (collar) -
he starts walking anti-clockwise...
i turn aside and start walking
clockwise to pass him...
then we shuffle our approach...
like... i would always want
to pass a pigeon strutting
senseless on the pavement
with enough space so that it doesn't
have to find it necessary to fly off...

luckily for me i managed to "pet"
a stranger's cat...
my luck that it was black
but then again it was that sort
of hour
that's always a presumption
of a lazy gotten afternoon...
rule of life: pet a cat on a street...
it's not exactly a ******* given:
an "oops"... done that... tick...
self-help guru sold this trick...
                    
a selfie contra the days...
when the camera was used and...
other people would take pictures
of you... or of you and:
when there was an "us" - together...
shorthand of the limbos of life -
magnum opus words
constipated into this: makeshift
of a hopeful paragraph...

no, this couldn't be a simple meditation:
confined to...
robert duncan's household -
and my predicament of... playing memory
chess: well it's not exactly clutter:
the kitchen cannot be used
so there's a makeshift refugee camp
version of it in the living room yadda yadda...

which is a commentary on...
my distrust for the h'american literary movement
of the 20th century teasing an abandonment
with the "old ways"...
buddhism, odd... mostly...
   fair enough:
              ezra pound abhorred the taoists...
my one lesson from tao...
the best way you can aid the world:
is for the world to forget you
and for you to forget the world...
which is probably a plagiarism
of epicurus or vice versa...

              i can't imagine the demands
of pop philosophy:
pop culture on the other hand is much
easier to stomach: it's even enjoyable -
but the pop philosophy of nihilism -
which is: a pop philosophy...
it's not even required reading -
unless: you're rereading your own?
thrown into the river -
i am becoming a being of more becoming...
change is the only perpetual: blah...
if it's not my own rummagings it's
probably someone else's:
which has probably become diluted /
filtered down and is a cubism's monstrosity...

books sell for two reasons:
(1) they are genuinely read by a zeitgeist youth...
which invokes social pressures of
the collected experience - in ref. to:
something that can be talked about...
(2) they are read by "propagandists" -
by a small majority who pressure others to...
but the pressure only lasts for
airs - for a mere ownership of a book
should one be met with a scrutiny of
not owning it - reading it is beside the point...

and here in the land of "leftovers":
the middle of the road the people:
who of their own volition write and read...
that i was never ****** into
a cult of stephen king...
i was born too late to be:
but i was: ****** into a postmortem
oeuvre deity picking almost
anything by william burroughs...
i: reader: dear reader: clicked...

- i can't objectify this house -
i am subject to it: coerced by it...
made by bias upon bias
whether there's clutter or there isn't...
whether the kitchen is functionable
or not: that some people have
a kitchen but prefer to eat out:
to be seen: eating...
             i check the gradations of
punctuations and i know: still...
i will not recite these words not
out of gestures for bombast -
or pride - but for some sinister
urge to not abuse this sacred silence:
******* taught man
to manouvre... manouvre...
manouvre... maneouvre...
        man-oeuvre...
                   drop the hyphen boyo:
manoeuvre... wow!
"too many" consonants
in ****** words... how about a
magic trick? how many *******
vowels are in: man-oovr'eh?
phonetics king of the anti-spelling:
but then...
the synonym sounds
with aliases...
towing two different meanings:
too hot to count two
          ooh ooze - zizzez...
              zyzzes...
                     i can bring this anglo-slack-son
to kneel but only for a while:
before the architectural scholarly-
  takes over and the phonetic becomes:
lost, crude... based feral...

- a robert duncan is not a...
it's not mediocre is not necessary to be:
gee-whizz of frank o'hara's
cosmopolitan...
it's flesh of the h'american tongue
it's: sensibly accurate to provide
the best outlet:
for those of us still born in that
century - of what remained of us:
or rather of what remained
of the innocence of the 1990s...

that i am not nostalgic is: no proof...
that i write hardly any word of fiction:
one spaniard, once... commented
on my shoes:
i think he played a miniature version
of a flute: it looked like a reed...
the "spanish" superstition
concerning: a comment on one's shoes...
he admired... my shoes...
what's that saying:
about shoes: to best walk in one's
own before wishing to fill the shoes
of others...
a verb as simple as: there's no
presence of "run": when coupled
to: i am running: i ran...
it's raining...
i run i ruin fun... concentrated
"rhyming": literally linear: no staccato...

******* me over "jenga"...
this microcosm of sounds -
yet to draw deep leverage from
a meaning: it comes back as a mere
sound: worse a... mimic -
an aeon of only hearing
the heaving of a crow's crackling
croak... like a breaking of a tongue:
or... the lost trill of the R in
either fwench or: english...

exemplified R: with a diacritical mark
to make emphasis of the trill...
i will not heed to market emphasis...
(Ꝛ if you might ask:
there's no leg to stand on...
the "R" falls into a turddle -
a tumble: a trill)...

ꝛ - a missing hammer: it would seem...
a sickle my dreading of apparents...

yes... this democratic oath of poets..
well: we're not going to tend to
the republic of the wizened goats
ex athens... are we?
the democratic oath of poets -
unlike the hippocratic loaf...
            which is a spectacular failure
since i have seen what
little ambitions can do:
when... the boat is not being
rocked: yet someone is still willing
to throw someone... overboard...
now that the boat is rocking:
i see nooses instead of paddles...
the seas are still rife with calm...

clamour for the subjective experince...
none of this: hammer to a nail
sort of "magic" that leaves
one... sensibly "ostententious":

a semi-decent poem contra:
a good night's sleep...
always the latter...
   but unlike today:
6am wake... giving blood for
scrutiny - subsequently...
a broad need for 4 hours in...
a makeshift wilderness...
from Hainault Forest
to Havering County Park...

                        i would clearly have
to start all over again...
should i mind reading back into Tironian
notes and what i had expected to find...
it will suffice to mind...
the characters of empress wu...

         國 (guo)

beginning: coming back to bite some back
from a beijing pork belly:
where you'd first have to make caramel
from the sugar dissolved in oil:
before all the wine would care to glisten...

             𤯔 (ren)...

                              in reverse:
ren-guo - people (of) nation...
                      walking past this field:
impromptu: please keep off of field...
that's what i read...
      this was exclusive -
there was not need to denote further...

and this funny oddity:
saying good-morning or a hello
in an environment that's beside...
walking down the street with a stable
hound of anonymity surrounding
crisp grey blockage of: the amass!
yet people are so expecting
a common courtesy to brief you
on a morning: good...
is it? incessantly so! apparently!
switch them to the torment of the cements
and the back-to-basics apathetic crew
is on the counter...
ghost faces...
  but push them far enough to be alone
and into nature:
they pass a stranger and apparently
demand a prompt: hello!

i go into a depth of nature like
i have *** with prostitutes in a brothel:
i want to have as little to do with talking
that i'd loan: smothering someone
to shut up...
i came for the crows the knee-high-hallubaloos
of nonsense that...
i will extract myself to break
fasting to give blood by foraging
some blackberries...

i still prefer the lesser democratic voices...
it's not that robert duncan was going
to be a stand-alone show akin
to gibsberg...
but... my house is currently in disarray...
i'm playing chess by having
a makeshift kitchen in my living room...
i don't even know where the spices
are! but i'll manage
to bake a **** fine moroccan kobhz!

- this little but current focus for a genetic
"protection": half of me,
then a quarter, an eight, a sixteenth,
a 32-and-a-third... jump toward
64... 128... and... from all these fractions:
half and half:
beauty is no longer viable:
i imagine love as being a prized
bull kept for nothing except
for ******* the gene pool silly...

that's "love" from a darwin from
a materialism: breeding racing horses
or... both the submissive
and the contentious workers -
pay up! but i am not looking
for the generic beauty of
the plateau of the women
employed as surrogates
in this darwinistic harem...
            
isn't it obvious? it would have been
better have be allowed ourselves
to be dead: aborted...
but then: critter load: make-up...
i actually offend my own existence
by affording these dorian gray
parades to take hope in puruing
norms...
i like the scaps i like the wounds
i even like nibbling on the shellfish!

****-****** literature is my achilles
heel...
better a heel than trodding along
with faking a ******* knee...
robert duncan... jack spicer...
i like reading eyes by (metaphorically)
licking up the ****...
and it's not like i might give good head...
i employ a growth of
***** hair to convert my chin
to a niqab like i might: perhaps blink...

then again: face-masks and fashion?
is... this... somehow...
a "thing"?
            well it must be new:
it's nothing from the sort
of the elders i might care to remember...
i walked the scenic route...
blackberries and horseshit...
everything is baking in a procrastination
of: tickle the rats' nibbling...
scrutiny of the lesser of the food
hierarchy: omnivore that i am...

yes... that i like petting criters
that find themselves adamant in their
superiority...
but who have yet to see me:
teasing myself with
a: what if...
                 hours match-up to
not keeping count: there's a fog of them
that goes way back to...
out of the womb... then abandoned
by the scholastic detail that
allows them to float: limbless...
and then return to earth: degenerate...
and less than amiable...

        douglas murray is probably
a hot topic... i too sometimes bewilder myself:
it would have been best to have
allowed the pendulum to swing both ways...
but he (ol' doug) speaks very well:
his writing is... beside the generic...
salt of grain: akin to my own...
for a cubic's worth of water...

    i don't want this tongue to be somewhow
exasperated with concerns for this / an "art"...
or that it can belittle a scientific bone...
thrown to the politics and red herring marches...
spins the doctor: no plates...
forever the new lies
kept in the same old... rhetorical: quirk-and-quickness
of the quilled-tongue...
a knock-knock stone cold: generic...
must: mediocre...
tired of living tongue of poetry
that has to become tired:
truth has to tire so easily...
so that politics: and the freshness
of lies and the no-niche-audience-allowance
can cast their:
"vote"... their... archaic... illiterate "X"..

i will not poetry for rhymes for
exasperations - fooled i: to you: to pursue
that paragraph of fiction - either...
but as freely as this will not:
become an exercise in myopic-claustrophobia...
so it will not rhyme:
perhaps: to advent a coming of my
prescribed punctuation:
but more: your own, your "post-nationalistic"
canadian:
something the people of India or
China will not share with you...
because:
they are still of the mindset: China...
India... hell! Russian is towing suitor!
individualism collapses nations...
whether with a homogeneity of ethnicity
or the heterogeneity of liberalism...

           a wonderful collage of stories...
from the 20th century:
agony aunt israel bewildering
to either confront or defend...
            2000 years have somehow passed
and: europe is no new: "anew"...
it's the same old bland palette
of readily ethno-primed availability
of spices...
hurrah for thyme! and rosemary! mint!

from some mythical above
to this drudge of the pressurised castor -
there was something about robert duncan
that might always have:
made me... diverge from...
it could have been expected...
stash a tonne of bricks by day...
weave in an escapism posit of cinema
come sabbath...
now... escapism into... where?!
critical reignition of marxism:
that sort of marxism my parents escaped
from from under the old soviet
yolk of the satellite state
of poland: thank **** i too am an
immigrant:
but i see no repatriation politics
either...
               go back to a state of
the littlest of all bald envy necropolis
Impoleons?

            no among my native people:
among the natives of these isles...
a thespian: knee deep in ****...
           faking best predicts a survival
rate of this uncoiling...
it's a nation full of: self-
pre-determina...
                  automated prefixation that
can never allow itself to:
make sensible coagulations
of the odd sociable pint...

this atom world this atom's worth
of man...
best life lived as designated
to a harem...
  my and my leftover "blues"...
this world of god and the adventures
of...
no longer available...
thus this one "reality" presented:
playing by man's rules
for the purpose of man's eventual:
transcendence...
a dwarf riding a hunchback
        toward a goal that's a talking donkey!

what's otherwise best?
this has to be an: exercise in futility -
that it had to come from somewhere like:
borrowed prior -
that it could only be borrowed prior:
this tongue had to be inherited:
it could never be acquired -
that a native speaker is...
of a higher status to a bilingual -
because the earth breathes rights...

i forget: i am not equipped
with the desirable physiognomy -
problem being:
when i might find black males
attractive like i might lions: distinct...
i have this ****** on my brain
that says to me...
  well... well...
     i'm not gay.. but i'm certainly
not heterosexual:
even if Flaubert might ask the question:
blondes, brunetters - afro-beauties:
ivory envy?
  what can i do? fest on a hard-on
chemical "oops" / short-cut?
i can't possibly have... a beijing fetish?
a mongol fetish?
i can't? there's only one variation
of interracial mixing...
i guess... so...

     it would be so much easier
to just be gay and leave this world
with a ******* massive **** salvo
of: not coming back!
               to **** a black girl:
not enough...
to not **** a black girl: doubly knot...
******* a lemon while
staring at the sun:
the sado-masochism of
all the post-colonial empires...
and me: whittle ol' resurrected
******... or searching:
the elder prus - the new estonians...
some little european *******...
i imagine...
going to Kenya and running
for parliament:
to concern myself for the voices
of the: minority!

it's... fiddling with the already
prescribed narrative:
trying to make a lee evans jokes
out of it... but...
it's not ******* happening woe-o'-sunshine...
is it?!
it's not like i'm strapped
to a northern monkey
reservation... while still retaining
my: immigrant southern fairy:
commuter hell "debate":
this is not devonshire...
this is not bristol: i'd love to scoop
up a life of a decade's worth
up in Bangor... but it's not even that...
pay by way to:
a collective identity crisis of:
zee vest...
            
if it's anger: perhaps...
it's more a seance in glorifying confusion:
it was once perhaps a little
bit... naive...
but then... who's naive enough
to repeat two-folds of yesterday
within the confines of a day:
to- / to- are not future even
if subjected to incremental changes...
fx/dx changes that might
spawn alternate realities...

        the breaking of a donkey's dollars
worth: i do fishing in the indian sea...
with some... somali pirates...
it's not like i'll ever wake up from
this guilt... the guilt that might
riddle a people that inherited...
i inherited exile from my fathers...
i inherited: no...
the ****** aristocracy didn't tend
to their garden... there was no Eton...
no rugby no football...
there was only a partitioning...
to look toward the past is
an agony that i wish to only hide
in the english countryside...
after all, i thought: who would't want...
make a feast of conquest of this land...
but in a way that was norman:
that the anglo-saxon debauchery could
be... delianted
and brought to a celtic-esque heel...
with a dash of neo-paganism:
a york-up sort o' pie...

without disturbing this dilligent
people of: a most fervent... attention to detail...
it's an island... it's devoid
of any continental squabble...
no mongol ever... no ottoman ever...
it break my heart...
it reminds me: although it shouldn't
remind me...
the aristocratic class (they deem themselves
as much, so why deny them?)
of this country are like the ******
aristocracy
of the three partition "era"...
as napoleon was celebrated "elsewhere"...
with the resurrection
of the duchy of warsaw...
and... england made a beef from
a wellington...
and how the confederacy of germans
repaid the english during the first:
thirst for war...

                   a shogun's pride:
no one would invade japan:
given the persistence of pressure
from a civility of: glamour creases...
it's still the ******* canon rolling
the pawns and pins...

i have but this little interlude in time
to entertain: a history i have learned...
beside citing the obvious apple
hanging on a tree...
who? the burning vietnamese monk?
that's who i am going to... erase...
2000 (circa) years of history with?
this is how i play: conquistador-catch-up?!
this is my whittle muhammad
stage-fright?!

these new surgical masks are
not imitations of the niqab...
the arabs are not drying up their dinosaur
marrow reserves and are not
scouting for willing sodomite freshers
to their gargantuan wealth-soiling
of "morals"?
no? this is all... a pauper's conspiracy
theory... god!
i try to imagine the conspiracy
theory of kings!
it must invite a realisation of
a god or gods...
and at least a quarter of an abstaining
pademomium!

the poets and the sceptics
living under: the... gates are open...
a republic under "scrutiny"...
the philosophers and the
geocentrists - have allowed
for nothing more... than this...
thespian "bureucracy" of
shadow "fiddling"... tail with now:
tail best quite...

attention spanning the glorifications
of non-replica, generic
Solomon comes to the furore
front: then a mismatch
when the brain: swiss cheese project:
is treated at the Avignon
pontiff...
the harem and debauchery shifts
focus...
there's that "we're" and...
dumb-lasso-dumber than you'd
pay the libido of a camel with: for...

i have to always imagine myself
petting cats... or dogs...
to have to dissociate myself from having
perfect: the needs for either halal or
kosher demands of leather...
i best prefer the pipsqueak of
a meow to... an actual oink
in the litany of cogs and perhaps:
clogging up the machinery of
"jurisprudence"... as some Jain might...

borrow from... export very little to...
come the omnivorse of the east
and all succumb to:
boy-scout avenues of:
yes ss'ir...
most loathsome ss'ir...
                     i have to interrogate
the dead man as i am:
the best example of a cul de sac
of dreams: the...
pedestrian could mind not thinking:
imagine: imagine the corpus deity
of: unimaginable thought...
or one which has
an alias: unthinkable imagiation...

memory freelance architect prior
to noon...
is somewhat justified with...
a boredom of a cat come
5pm... but by then...
no cat is ever really bored...
and i have no need to concern
myself with dogs... or leashes...
or desires to: address a
workability of legs...
          to: give scrutiny when all
other examples are wheelchair bound...

he held a piece of paper:
between his hands... like my shadow might:
hold a butterfly...
exasperation:
that philosophers of ancient greece
said: poets begone!
no wonder this...
currency... of wanting to imitate
a petting of animals...
and... this thespian autocracy
that no elders could abide by...
it can still be excused:
the role of actors:
the role of shadow-thieves...

it can still be salvaged...
some of us are still the same rummaging:
in ruinous...
wordsmiths or... best...
plumbers... not some aspirtation
beckons for youth...
it must rhyme:
it must come down to: 2 + 2 = 4
sort of: flimsy poetics...

i'd must prefer to be a
homosexual plumber these days
that my very own mediocre leftover...
thank god i do not encompass
a courtship of a woman:
then imagine!
what did i do with my time:
that i do so much!
having made... so little money!
ghosts can't spend: ****!
i did with my time that
would not allow woman
to turn time into money!
thus i turned money into monkey's
play on elephant and
called tha pennies: p'p'eh-nuts!

  the old man dies:
the youth of man was never
supposed to be born;

god... this was supposed
to be profound?
with this idiosyncratic lost...
spontaneity of punctuation...
i take this reading as
a leverage for making
image: of an anchor dropped:
that would sink the ship.

This morning I am
a Jain practicing ahimsa
weaving meticulously around
thousands of fog-kissed webs
a minute world visible to eyes
no longer willfully blind.

Each dwelling is self-contained
woven into surrounding crabgrass
trees to the tiny inhabitants
crouching cozy beneath
fluttering canopies sparking
rainbows in the lifting light.

Mahatma gnaws at World War hungers
Reincarnated forms of Wild West lungers

Spatially realigning to a kosher and beloved state
Krishna stands ignored, can’t help feeling irate
Walrus tusks dig into the carpenter’s brow
As an eight armed saint is revealed as a cow

Scriptures packed and rolled, exhaled in suspicion
Prophets praised for violence incurred, act of sedition

Sanmati, my source, is completely mine
As she never missed going to shrine.
Nor does she move slowly like a bovine.
Much was done to munch through byline
Against me or her to bypass or to confine.
Thanks to expedition that made her whine
Inner talents, flairs, bents and gifts fine.
Jain are we: active is she; before deadline
All her work is complete – quality divine.
Illegitimacy! Come thou and pour wine
Near those who still soar for heavenly design.

Faith

Composed by Dr. Samta Jain


I have come a long way and lived with you, by my side.
Sometimes disowned you, other times carried you with lot of pride.                                          

Faith, as you are called.
Faith, as you are lived.
Faith to win a war, faith as a gift.
Faith to swim through the roughest tide
Faith to fight with all my might.

Sometimes disowned you, other times carried you with lot of pride.    
I have come a long way and lived with you, by my side.
                                    

Faith, you are in my heart and you stay in my eyes.
Even if I disown and try to ****, you get back and never die.

Faith is what has sustained me through
We sleep in faith to live a dream anew.

Faith will also pave our way through COVID days
Faith comes to life to give us life and in faith million hearts pray.

With faith I battle, I conquer and win and win
Faith is in me deep, and deep within.

Sanmati, my source, is equine
Arising year by year to twine.
Naming ceremony like a mine –
Mining gold, silver, bromine.
All averse to Sanmati divine
Time and again – old shrine.
I will support her – Him within
Jains as do by going byline.
All will succumb to Him by entwine.
I presume the same qualities spine
Neatly in the world which He assign.

I remember being a hormonal teenager, screaming at my mother, "I HATE YOU!"

The first time she let it go. Man, how that woman infuriated me. She was stubborn for no logical reason.

The next time I screamed it, she screamed back at me, "NO YOU DON'T!"

"YES I DO!"

"No you don't, you just think you do," she looked smug.

" I HATE YOU, I HATE YOU, I HATE YOU!!!!," I ran up the stairs fearing what she would do next.

"T- COME BACK DOWN HERE! TELL ME YOU DON'T HATE ME!"

"I HATE YOU!" Slam.

It is a rather funny story. The only girl raised among three boys, I was subject to torture from my three brothers and my mother. Nothing was fair. There were bad times in my childhood, and good times. Even though I was very talkative as a young person, I never would express my deepest feelings or pains to anyone. I kept silent about the things I had gone through, not even my own mother did I trust with my valuable information. They took me for granted, a bit. Once, when I couldn't take it any more I woke up in the middle of the night, and I stood on a roof, and seriously contemplated suicide for 20 minutes before heading back to sleep. I didn't have anything or anyone then, but I knew there was a world out there that was amazing. I had never experienced happiness from the outside world, and I was determined to experience it first.

I didn't know why I didn't have anyone to confide in. Why things had happened to me that I couldn't tell anyone. For the most part, I was known for speaking before thinking, and speaking a lot. But when it came to painful things, I never told a soul. I thought about it often, and still think about it today-- why don't I get it off my chest. But I still know why. No good can come from it. Only selfish temporary gain.

There were times as a teenager I cut my wrists or took speed or did stupid things to fit in. I wanted change, and I wanted it immediately. I wanted my life to be perfect. I never once doubted that something good wouldn't happen to me worth living for. I guess that is why I didn't cut deep enough, and why I never jumped off that roof. Although I was alone, I knew one day I wouldn't be.

It is strange to think almost ten years later, loved by many-- I still feel alone. I guess that is what they refer to as that complex we have as humans- partly that existentialist theory.

One day, I made a list of things I want to do before I die. I know I will never have guts to jump off a bridge no matter how many times I think about it-- because I always feel like there there is some hope left out there. I told myself, I am going to make this crazy list of things to do, and only after doing all these crazy things will I **** myself- if I determine that it is worth doing. I can always add new things to the list, or cross things off the list once I completed them-- but I can't take anything off the list until I've done it. What a fun game. I am deathly afraid of heights. I hate roller coasters. I am afraid of the dark, and I believe in ghosts. I am claustrophobic and afraid of being buried alive. On my list I have written among other things-- kiss a guy under the stars, make out in a graveyard, have pre-marital ***, try ****, smoke a cigar, get crazy drunk, go sky diving, learn to surf, learn belly dancing, get a black belt, ride the world's craziest roller coaster, learn a tribal dance in Africa, fast for a month with Jain monks, visit three countries from every continent, eat snake soup, eat crocodile meat (because I am scared of anything that can eat me!), visit the wall of China, graffiti, have a three some with two very hot guys, completely learn to let go for 24 hours and do anything I think about with no inhibitions, learn 2 new languages. I've already crossed off some of the things on this list!

It is a very fun list of things to do-- and some of these things I don't know if I could ever do-- like a three some, or eating snake soup! But, until I do everything on this list, I won't think about suicide. I figure if any of the above kills me-- that is up to fate, but at least I determined my own fate and took a risk before I died. Maybe I am a coward. Maybe I am pathetic and too scared to **** myself. You are right! It might be my Christian upbringing that says suicide is a mortal sin that will banish my soul forever. As I got older, I decided that the soul never dies-- so even if I end my body-- what if my soul passes off into another life with more suffering? It is better to use this body I have in this world and make the best use of it. No one else loves me the way I love myself. Not even my own mother can. I think that is why we are all self-centered and even think of committing suicide. We can't live inside our own head, and we want someone else to take our pain away. But we just have to learn to face life!

Sanmati, my guide, though is callow
Abnormal not in knowledge, not a bozo.
Negotiates well joy broad or narrow;
Merry as a lamb, sharp as an arrow –
Agile as a gymnast, as sweet as a cello.
Time and again found, never let her gizmo,
Ignoring angry love or any strict credo
Jib her down to cry and sit quietly in shadow.
Almighty will design her future like dido
Illuminating the world with skills and less ego.
Never be dull or extra-ordinary – no one follow.

Where I live, you see, is the future
which nobody saw coming but me,

and I guarantee, its truth,
I consider ants sentient, indeed.

I cringe for my imaginary Jain friends,
I just smashed another dozen scouting sugar ants,

and I sang to them as I did,
hoping their tiny antennae
knew the deal,
we throw ant-edibles in rodent safe containers,
out past the edge
of the motion sensors,
ants of all common sorts are welcome.

- because our fire ants have some how mellowed
- since arriving from Texas
on waves of dread… fire ants,
maybe that kind never got here. any way
- now, we live with them and all the others
- on the edge of the eastern pacific
- super colony that has no war
- on its inner or outer edges.

But one must consider ants
as sapient sentients,
senders of signals, wireless radio,
wee-tiny antennae vibes,
to sing a song ants can translate that says,
This human says: I shall **** all you send to my kitchen.
It is a thought song, you think it, as you ****.
You might try it if, you consider
ants are not just pests, but
interesting life tools, for living in dirt
with no screens, lack so obvious it is
noticed by any with attention to antennae
as intense as
that that of Everest Pax, who in April began his sixth year…
Now, who
can hold the ant mind
long enough to imagine the queen,
with Ender-vision?
Through the eyes that watched me **** the scouts,
and signal boundaries to the Queen.