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There isn’t much left of The Grange today,
There isn’t much left at all,
Only a charred left wing, I think,
And the odd, still standing wall,
The central Hall is a pile of ash
As it was, the day I left,
Sat on the back of the doc’s grey mare
As the Lady Mary wept.

It wasn’t supposed to end like this
On the day of the wedding ball,
Balloons and streamers hung from the roof
As the marriage carriage called,
Annette stepped out like a fairy queen
In her ****** white, and lace,
While Reece, the Groom, in the wedding room
Had a smile on his handsome face.

And I led the Lady Mary in
To the mother’s pride of place,
I only had eyes for her that day
As she walked with a widow’s grace,
It wasn’t a secret, I yearned for her
But this was her daughter’s day,
So I was content with the hand she lent
For she squeezed, along the way.

The priest stood up by a lectern as
The guests all prayed and knelt,
To bless their way on this wedding day
I’m sure it was truly felt,
But Mary’s brother-in-law was there
With an evil look in his eye,
He’d wanted to claim the Grange from her
Since the day her husband died.

‘The Grange belonged to my family,’
He’d say, ‘and I want it back,
You only married into the place
When you wed my brother, Jack.’
He made an offer, but she said no,
The Grange had become her home,
‘You sold your part to Jack at the start
Before you went off to roam.’

But Douglas, he had an evil mind
And his countenance was stern,
He said if he couldn’t have The Grange
Then he’d rather see it burn.
He’d brought three barrels of gunpowder
Unseen, but out in the yard,
He chose this day to make Mary pay,
We should have been on our guard.

The guests were all engaged at the front
When he wheeled the barrels in,
It takes a mind of evil intent
To imagine this kind of sin,
Annette had lifted her wedding veil
And raised her lips to the groom,
When all hell suddenly came to play
In the depths of that wedding room.

The hall was full of the screams and cries
Of those who lay on the floor,
While I picked the Lady Mary up
And carried her out to the door,
It was there we saw the bride, Annette
Who’d made it out to the porch,
The groom was dead, but the bride had fled
As her dress went up like a torch.

There isn’t much left of The Grange today,
There isn’t much left at all,
Only a charred left wing, I think,
And the odd, still standing wall.
But the Lady Mary married me
In the wake of all the strife,
Her daughter’s gone, but our love is strong,
And Douglas is serving life.

David Lewis Paget
marriegegirl Jul 2014
vrai dire .celui-ci était difficile pour moi .Il m'a fallu un peu plus de temps pour mettre en place les conseils pour ce poste .Non pas parce que je n'étais pas complètement enamouré .fait tout le contraire .Je ne pouvais pas choisir entre toutes les images superbes de Corliss Photographie .Les fleurs de Paisley Petals Studio de fleur .cette grange incroyablement rustique .chaque détail a été en lice pour mon affection .donc j'ai fini par passer un peu de temps en leur disant tout combien je les aimais .C'est normal .non?\u003cp\u003e

ColorsSeasonsSummerSettingsBarnStylesRomantic­

du designer floral .Nous sommes tous pressés ce tournage en droit en plein milieu de la saison de mariage parce que dans le Nord-Ouest .notre fenêtre de temps décent pour un tournage en plein air est limitée .Les résultats ont été bien elle .nous vaut tous passé un super de travailler ensemble sur ce projet !

La grange rénovée sur cette ferme à seulement 35 miles au sud de Seattle fait un endroit parfait pour aa mariage de pays inspiré séance photo .Holcomb Mariages \u0026Evénements achetés ensemble une équipe de rêve pour exécuter le concept de l'élégance rustique et de romance douce .Les couleurs claires et des notes métalliques complété avec un peu d' étincelle supplémentaire à la grange ' histoire et de charme .Nous avons décidé de laisser la grange fournir l'élément rustique tout en gardant le décor sur le côté élégant .Lorsque tout s'est bien passé .les résultats ont été tout ce que nous espérions qu'ils seraient !

tables artisan magnifiques tableaux de Seattle agricoles étaient ornés d'élégants vases en verre transparent débordant d' une prime de local.fleurs de saison dans les arrangements luxuriants conçus par Paisley Petals Studio de fleur .Les tableaux ont été finis avec la chaude lueur de verre au mercure à partir des détails significatifs .plus de Paisley Petals créations dans de petits vases d'argent et place des cartes artisanale par Itsy Belle .Le cadre rustique de la grange et la ferme était la juxtaposition parfaite contre la romance douce du décor .La météo imprévisible qui fait de jour pour une belle lumière .et les portes de la grange ont été ouverts pour laisser illuminer le réglage.En dehors de la grange .des tables ont été placées dans le paysage pour créer une ambiance intime .Chaque table paysage est légèrement différent de l'autre tout en conservant le sentiment de romance rustique .

la robe de Notre modèle de mariée de Something Blue Bridal Boutique était douce et féminine et arrosé avec l'étincelle de son bijoux guillotine à son correspondant bandeau .Ses magnifiques yeux verts ont été portées à la vie par l'artiste de maquillage Korrine Claxon robe de mariée courte .Le bouquet de la mariée était un mélange frais de la ferme des dahlias .roses de jardin .astilbe .lismachia .scabieuse .dentelle de reine anne .des rosettes .origan .menthe ananas .l'achillée millefeuille .adiante et vignes finis robe de mariée courte avec un ruban ric rac de pêche de luxe .La boutonnière assortie utilisé principalement des herbes et des textures de prêter une ambiance plus masculine .

Une cérémonie simple a été mis en place à l'aide de tables bancs agricoles Seattle .L'emplacement au sommet de la ferme a profité pleinement de la vue panoramique sur les champs ci-dessous.Notre

http://www.modedomicile.com

photographe a su capter les dernières images de plein air comme un orage a commencé à rouler à travers .ce qui a pour fin passionnante de notre journée ensemble !
Nous avons été ravis d'avoir Corliss Photographie à bord pour capter magnifiquement l'essence de ce que nous avions créé .C'est toujours inspirant de travailler avec des professionnels du mariage de talent .Nous étions tous ravis de faire partie de celui-ci !Dans notre petit coin du nord-ouest du pays .nous sommes entourés par nature .donner.professionnels de la collaboration dans tous les coins de l'industrie du mariage .Mettre sur pied un tournage comme celui-ci nous donne une chance de fléchir nos muscles créatifs .apprendre à connaître l'autre un robe courte devant longue derriere peu mieux .et de mettre nos talents à travailler pour créer quelque chose de beau juste pour le plaisir !

Photographie : Corliss Photographie | Planification de l'événement: Holcomb Mariages et Evénements | Floral Design : Paisley Petals Studio de fleur | Robe de mariée : Something Blue Bridal Boutique | maquilleur : Korrine Claxton | Place Cards : Itsy Belle | Locations : tableaux de Seattle ferme |Locations de vacances : AA Party | Location : Les détails significatifs | Lieu de mariage : La Ferme
Mariana in the Moated Grange

by Alfred, Lord Tennyson

With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
  She only said, "The night is dreary,
  He cometh not," she said;
  She said, "I am aweary, aweary,
  I would that I were dead!"

Upon the middle of the night,
Waking she heard the night-fowl crow:
The **** sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
  She only said, "The day is dreary,
  He cometh not," she said;
  She said, "I am aweary, aweary,
  I would that I were dead!"

About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
  She only said, "My life is dreary,
  He cometh not," she said;
  She said "I am aweary, aweary
  I would that I were dead!"

And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
  She only said, "The night is dreary,
  He cometh not," she said;
  She said "I am aweary, aweary,
  I would that I were dead!"

All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors
Old footsteps trod the upper floors,
Old voices called her from without.
  She only said, "My life is dreary,
  He cometh not," she said;
  She said, "I am aweary, aweary,
  I would that I were dead!"

The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
  Then said she, "I am very dreary,
  He will not come," she said;
  She wept, "I am aweary, aweary,
  Oh God, that I were dead!"
There was an old person of Grange,
Whose manners were scroobious and strange;
He sailed to St. Blubb,
In a waterproof tub,
That aquatic old person of Grange.
ConnectHook Sep 2015
ϖ↑∅⊕↓☺↨☼♀


The dawn is nigh at hand. The clouds
begin to lift above the grange.
Arise, O Phoebus, bless the crowds—
let poultry roam the range.

I’ll bind a broom of gathered hay
to sweep the hen-house free of hate.
Let roosters hail the crack of day
and chicks with ***** tempt fate.

A fractured self and a challenge hurled:
they left the shell, but found it rough
because our bigoted barnyard world
cannot get queer enough fast enough.

They flutter through the *******’s farm
subverting gender’s useless role.
We feel their pain, and mean no harm—
yet question this progressive goal.

They cluck a brand-new barnyard song:
Gender Identity Obsolete!
(As long as they claim God hatched them wrong,
biology signals their defeat.)

While poultry scratches rhymes for “hen”
and chicks are combing crests for *****
let’s ring the dinner bell and then
we’ll synchronize the global clocks.

Let Mankind’s unmanned race delight
at Jesus’ gender-free return.
Soon Africa shall see the light
and Araby’s sun more brightly burn.

Then dawn shall break o’er Russian plains
to liberate the Tartar races;
loose their limbs from Gender’s chains
to stride with polymorphous paces.

China too, and Southeast Asia
swift shall follow in their train
celebrating ***-aphasia
joining in the West’s refrain.

Hindu multitudes will rise
to vanquish gender, caste aside
and shake the slumber from their eyes
with metro-ambisexual pride.

Carib isles, with Latin kingdoms
From the tropics to the mountains
Shall announce they too are Wisdom’s,
drinking from de-gendered fountains.

Juveniles, raised to simply be
shall pioneer new modes of life;
explore horizons happily
set free from biologic strife.

Then shall our earth, in glad array
***** dirt upon Tradition’s tomb;
unshackled from that dark dismay
to grieve—but nevermore exhume.

Alas, the global dreams descend.
We’re back in the barnyard, gender-queer…
where hens have ***** and eggshells bend
transcending Nature’s reign of fear.

The henhouse still votes hetero;
their eggless chickens cluck for rights
biologists, ex utero
are born to further futile flights.

(Because I was almost one of them
I’ve earned the right to make fun of them.
Time alone will tell if the trend
remains coherent to the end.
)
"Mariana in the Moated Grange"
(Shakespeare, Measure for Measure)

With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Upon the middle of the night,
Waking she heard the night-fowl crow:
The **** sung out an hour ere light:
From the dark fen the oxen's low
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, "My life is dreary,
He cometh not," she said;
She said "I am aweary, aweary
I would that I were dead!"

And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, "The night is dreary,
He cometh not," she said;
She said "I am aweary, aweary,
I would that I were dead!"

All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors
Old footsteps trod the upper floors,
Old voices called her from without.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then said she, "I am very dreary,
She wept, "I am aweary, aweary,
Oh God, that I were dead!"
Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro' at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather'd flower,
Might break thro' clouded memories once again
On thy lost self. A sudden nightingale
Saw thee, and flash'd into a frolic of song
And welcome; and a gleam as of the moon,
When first she peers along the tremulous deep,
Fled wavering o'er thy face, and chased away
That shadow of a likeness to the king
Of shadows, thy dark mate. Persephone!
Queen of the dead no more--my child! Thine eyes
Again were human-godlike, and the Sun
Burst from a swimming fleece of winter gray,
And robed thee in his day from head to feet--
"Mother!" and I was folded in thine arms.

Child, those imperial, disimpassion'd eyes
Awed even me at first, thy mother--eyes
That oft had seen the serpent-wanded power
Draw downward into Hades with his drift
Of fickering spectres, lighted from below
By the red race of fiery Phlegethon;
But when before have Gods or men beheld
The Life that had descended re-arise,
And lighted from above him by the Sun?
So mighty was the mother's childless cry,
A cry that ran thro' Hades, Earth, and Heaven!

So in this pleasant vale we stand again,
The field of Enna, now once more ablaze
With flowers that brighten as thy footstep falls,
All flowers--but for one black blur of earth
Left by that closing chasm, thro' which the car
Of dark Aidoneus rising rapt thee hence.
And here, my child, tho' folded in thine arms,
I feel the deathless heart of motherhood
Within me shudder, lest the naked glebe
Should yawn once more into the gulf, and thence
The shrilly whinnyings of the team of Hell,
Ascending, pierce the glad and songful air,
And all at once their arch'd necks, midnight-maned,
Jet upward thro' the mid-day blossom. No!
For, see, thy foot has touch'd it; all the space
Of blank earth-baldness clothes itself afresh,
And breaks into the crocus-purple hour
That saw thee vanish.

Child, when thou wert gone,
I envied human wives, and nested birds,
Yea, the cubb'd lioness; went in search of thee
Thro' many a palace, many a cot, and gave
Thy breast to ailing infants in the night,
And set the mother waking in amaze
To find her sick one whole; and forth again
Among the wail of midnight winds, and cried,
"Where is my loved one? Wherefore do ye wail?"
And out from all the night an answer shrill'd,
"We know not, and we know not why we wail."
I climb'd on all the cliffs of all the seas,
And ask'd the waves that moan about the world
"Where? do ye make your moaning for my child?"
And round from all the world the voices came
"We know not, and we know not why we moan."
"Where?" and I stared from every eagle-peak,
I thridded the black heart of all the woods,
I peer'd thro' tomb and cave, and in the storms
Of Autumn swept across the city, and heard
The murmur of their temples chanting me,
Me, me, the desolate Mother! "Where"?--and turn'd,
And fled by many a waste, forlorn of man,
And grieved for man thro' all my grief for thee,--
The jungle rooted in his shatter'd hearth,
The serpent coil'd about his broken shaft,
The scorpion crawling over naked skulls;--
I saw the tiger in the ruin'd fane
Spring from his fallen God, but trace of thee
I saw not; and far on, and, following out
A league of labyrinthine darkness, came
On three gray heads beneath a gleaming rift.
"Where"? and I heard one voice from all the three
"We know not, for we spin the lives of men,
And not of Gods, and know not why we spin!
There is a Fate beyond us." Nothing knew.

Last as the likeness of a dying man,
Without his knowledge, from him flits to warn
A far-off friendship that he comes no more,
So he, the God of dreams, who heard my cry,
Drew from thyself the likeness of thyself
Without thy knowledge, and thy shadow past
Before me, crying "The Bright one in the highest
Is brother of the Dark one in the lowest,
And Bright and Dark have sworn that I, the child
Of thee, the great Earth-Mother, thee, the Power
That lifts her buried life from loom to bloom,
Should be for ever and for evermore
The Bride of Darkness."

So the Shadow wail'd.
Then I, Earth-Goddess, cursed the Gods of Heaven.
I would not mingle with their feasts; to me
Their nectar smack'd of hemlock on the lips,
Their rich ambrosia tasted aconite.
The man, that only lives and loves an hour,
Seem'd nobler than their hard Eternities.
My quick tears ****'d the flower, my ravings hush'd
The bird, and lost in utter grief I fail'd
To send my life thro' olive-yard and vine
And golden grain, my gift to helpless man.
Rain-rotten died the wheat, the barley-spears
Were hollow-husk'd, the leaf fell, and the sun,
Pale at my grief, drew down before his time
Sickening, and Aetna kept her winter snow.
Then He, the brother of this Darkness, He
Who still is highest, glancing from his height
On earth a fruitless fallow, when he miss'd
The wonted steam of sacrifice, the praise
And prayer of men, decreed that thou should'st dwell
For nine white moons of each whole year with me,
Three dark ones in the shadow with thy King.

Once more the reaper in the gleam of dawn
Will see me by the landmark far away,
Blessing his field, or seated in the dusk
Of even, by the lonely threshing-floor,
Rejoicing in the harvest and the grange.
Yet I, Earth-Goddess, am but ill-content
With them, who still are highest. Those gray heads,
What meant they by their "Fate beyond the Fates"
But younger kindlier Gods to bear us down,
As we bore down the Gods before us? Gods,
To quench, not hurl the thunderbolt, to stay,
Not spread the plague, the famine; Gods indeed,
To send the noon into the night and break
The sunless halls of Hades into Heaven?
Till thy dark lord accept and love the Sun,
And all the Shadow die into the Light,
When thou shalt dwell the whole bright year with me,
And souls of men, who grew beyond their race,
And made themselves as Gods against the fear
Of Death and Hell; and thou that hast from men,
As Queen of Death, that worship which is Fear,
Henceforth, as having risen from out the dead,
Shalt ever send thy life along with mine
From buried grain thro' springing blade, and bless
Their garner'd Autumn also, reap with me,
Earth-mother, in the harvest hymns of Earth
The worship which is Love, and see no more
The Stone, the Wheel, the dimly-glimmering lawns
Of that Elysium, all the hateful fires
Of torment, and the shadowy warrior glide
Along the silent field of Asphodel.
They said that The Grange was a haunted house,
I said, ‘you’re having me on!’
But no, they said, ‘he’s back from the dead,’
I thought it a giant con.
‘Just spend one night in that house alone
With the power cut off, you’ll see,’
I said, ‘I’ll go, if Carolyn goes,
If Carolyn stays with me.’

Now she was more of a nervous type
But she said, ‘I’ll go with you,
Just promise you won’t make whooshing sounds,
There’s nothing a ghost can do.’
‘There isn’t a ghost,’ I told her then,
They’re all just having us on,
We’ll spend the night, if you feel uptight
I’ll prove that it’s just a con.’

We ventured in through the cobwebbed porch
As the hour was getting late,
The only light we had was a torch
And the fire we lit in the grate,
The Moon came presently shining in
Its ghostly beam through the gloom,
And Carolyn came and cuddled up
As we sat on the floor of the room.

‘Where did they say the ghost would be,’
She asked, as I patted her hair,
I couldn’t say, I was miles away,
Then we heard a creak on the stair.
I thought, ‘Oh no, it will spoil the show,’
I was hoping for just one kiss,
For this was the first time, she and I
Had ever been close, like this.

Then from above there were creaks and groans,
It came stumbling down the stair,
It looked like a bundle of rags and moans
And a skull, with eyes that glare,
Carolyn screamed as it reached for her
This thing from another world,
It bubbled and rasped in its throat, and said
One word that I think was ‘Girl’.

It must have remembered from days before
It had held a girl like this,
Death had never erased the thought,
Or the feeling that was bliss,
But now, the rags of the grave were foul
It gave off a graveyard stench,
And Carolyn, all she could do was howl,
This alive and lovely *****.

What seemed to me an apparition
A ghost in empty air,
Was rotting flesh and bones to Carolyn
Tangled in her hair,
It held her in a grip of steel
As it probed beneath her dress,
I couldn’t even fight it off
For to me, it was stagnant breath.

They came to us in the dawning light
With a key to let us out,
I lay as in a palsied dream
But I heard them scream and shout,
‘What have you done to Carolyn,’
But they were to late to save,
For she had gone where the ghost had gone,
To join him in the grave.

David Lewis Paget
Marian  Jun 2013
Mariana
Marian Jun 2013
With blackest moss the flower-plots
         Were thickly crusted, one and all:
The rusted nails fell from the knots
         That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
         Unlifted was the clinking latch;
         Weeded and worn the ancient thatch
Upon the lonely moated grange.
                She only said, "My life is dreary,
                        He cometh not," she said;
                She said, "I am aweary, aweary,
                        I would that I were dead!"


Her tears fell with the dews at even;
         Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
         Either at morn or eventide.
After the flitting of the bats,
         When thickest dark did trance the sky,
         She drew her casement-curtain by,
And glanced athwart the glooming flats.
                She only said, "The night is dreary,
                        He cometh not," she said;
                She said, "I am aweary, aweary,
                        I would that I were dead!"


Upon the middle of the night,
         Waking she heard the night-fowl crow:
The **** sung out an hour ere light:
         From the dark fen the oxen's low
Came to her: without hope of change,
         In sleep she seem'd to walk forlorn,
         Till cold winds woke the gray-eyed morn
About the lonely moated grange.
                She only said, "The day is dreary,
                        He cometh not," she said;
                She said, "I am aweary, aweary,
                        I would that I were dead!"


About a stone-cast from the wall
         A sluice with blacken'd waters slept,
And o'er it many, round and small,
         The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
         All silver-green with gnarled bark:
         For leagues no other tree did mark
The level waste, the rounding gray.
                She only said, "My life is dreary,
                        He cometh not," she said;
                She said "I am aweary, aweary
                        I would that I were dead!"


And ever when the moon was low,
         And the shrill winds were up and away,
In the white curtain, to and fro,
         She saw the gusty shadow sway.
But when the moon was very low
         And wild winds bound within their cell,
         The shadow of the poplar fell
Upon her bed, across her brow.
                She only said, "The night is dreary,
                        He cometh not," she said;
              She said "I am aweary, aweary,
                            I would that I were dead!"


All day within the dreamy house,
         The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
         Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
         Old faces glimmer'd thro' the doors
         Old footsteps trod the upper floors,
Old voices called her from without.
                She only said, "My life is dreary,
                        He cometh not," she said;
                She said, "I am aweary, aweary,
                        I would that I were dead!"


The sparrow's chirrup on the roof,
         The slow clock ticking, and the sound
Which to the wooing wind aloof
         The poplar made, did all confound
Her sense; but most she loathed the hour
         When the thick-moted sunbeam lay
         Athwart the chambers, and the day
Was sloping toward his western bower.
                Then said she, "I am very dreary,
                        He will not come," she said;
                She wept, "I am aweary, aweary,
                        Oh God, that I were dead!"


                            *Alfred, Lord Tennyson
Robert G Page Apr 2013
by
rgpage

it’d been a few years since the music died
i was a senior **** hard as a rock.
yep for buddy, jp and richie we sighed
when ever we listened to S and J’s “sleep walk.”

back in the days of crisp clean air
the colors of fall and new school year.
still living at home with nary a care
just thinking of sports and the crowd’s wild cheer.

gone in a flash the summer past
we lived so fast life couldn’t keep up.
trips to the lake, two bucks for gas
saturday night’s dance and dragging the gut.

this was our life most all that we knew
we didn’t see where our futures would lie.
our harvest jobs got our new clothes for school
while our parents pitched in for the car’s we’d drive.

first day of school we checked out the class
all with their bronze summer tans.
that’s when I saw this cute texas lass
with the very strange name, jimmie-lynn.

a few of my buddies had steadies you see
they never had to want for a date.
but getting a girl was much harder for me
for shy and unskilled I accepted my fate.

we went undefeated three weeks in the season
for the schools pride I was good at the game.
as the team’s co-captain there wasn’t a reason
that for jimmie-lynn’s heart I’d turn up so lame.

then with the help of a friend’s girl friend
i got to meet this girl of my dreams.
i felt so nervous I wanted to run
not knowing then I was the end in her scheme.

seems that she’d seen me the first day of school
with my curly blonde hair and dark brown eyes.
she couldn’t understand why I didn’t have a girl
and she really couldn’t see why I was so shy.

she was warm and friendly, and I soon felt at ease
word’s leaped from my mouth I’d never before used
like “whatcha doin’ after the game friday night,”
and “wanna go for pizza” or “what ever you choose.”

the days flew by and friday night came
the night air was cold and the crowd was wild.
and playing for jim I had my best game
with skill and speed and fierceness unbridled.

after the game a quick shower and change
into my chevy reaching under the seat.
my trusty jade east for the dance at the grange
and off to chick’s drive in, my jimmie to meet.

my home town was small didn’t have far to drive
the place was hoppin’ and inside was packed.
take a minute, calm down, and spot jimmie I thought
but with a hero’s welcome  couldn’t  help but be jacked.

we soon found ourselves off and alone
we just sat and talked three hours on end.
then jimmie told me she had to get home
she’d be going home with her sister and friends.

i asked her to the movies for the following night,
with yes she leaned in and gave me a kiss.
it was short but sweet. this was all that I knew,
not knowing before just what I had missed.

it’s been fourty some years since that october night
a lot of life’s river’s passed over the falls.
and though we’ve long since gone each our own way
i’ll think of that sixty third fall most of all.
marriegegirl Jul 2014
photographie onelove capture mariages d'une manière qui me fait toujours envie de s'arrêter et de rester un certain temps .Leurs images ont une façon de se rendre à la base du couple et de leur journée .et qui fait tout mon coeur sauter un battement .Couplez ce talent à la planification de LVL Mariages \u0026Événements.le cadre magnifique de la vallée de l' Olympia .et un couple de sourire induisant - et vous obtenez une galerie tellement magnifique que vous pourriez passer le reste de votre journée verser par chaque image .Rejoignez-moi à faire exactement cela .ici .\u003cp\u003ePartager cette galerie magnifique sur ColorsSeasonsSummerSettingsFarmStylesRusticRustic Elegance

De LVL Mariages \u0026Events.The passion que Jessica et le Tchad ont pour leurs amis .la famille et la vie était évident que le moment où je les ai rencontrés .La planification de leur journée de mariage parfait n'était pas différent.Pour Jessica et Tchad.il était tout au sujet de l'amour et de la communauté .Cérémonie

.heure de cocktail .et la réception où ils se trouvent dans trois endroits différents sur la succession Olympia ' Valley.Cérémonie négligé l'étang sur la propriété entourée de saules pour commencer clients de rabais sur un romantique .voyage lunatique .Heure de cocktail progressé sur le porche de la vieille maison victorienne propriétés avec un Mongor de fromage .personnalisés cocktails .et la brique four à pizza est préparée juste en face des invités yeux .Jessica et Tchad voulaient conduire leurs clients de plus à la réception .qui a eu lieu dans la grange .Ils se sont réunis tous robe courte devant longue derriere les invités à l'avant avec les portes fermées .a déclaré un rapide merci à tout le monde.puis ouvrir les portes de la grange robe courte devant longue derriere à la bande Anna Kristina jouer quelques airs jazzy .Avec des grappes de fleurs lumineux .des tables de ferme .les feux de marché .et donc de nombreuses touches personnelles fournies par la mariée et le

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marié .les invités regardaient dans la crainte qu'ils ont trouvé leur siège .Les amateurs de bonne nourriture.ils ont embauché FUMÉE Ouvrir cuisson au feu de fournir un délicieux repas de style familial pour eux et leurs invités robe de soirée grande taille Photographie
: Photographie Onelove | Coordinateur : . LVL Mariages et Evénements | gâteau : Krumbs Cake | Traiteur : SMOKE cuisson Open Fire |DJ : DJ TRUTHLiVE | Band : Anna Kristina Band | cérémonie et réception : la vallée de l' Olympia | Cérémonie / Cocktail Musique : Wine Country divertissement | Floral : Poppystone Floral design | Linge de maison : La Tavola | Maquillage : Christy Burchfield | Locations : Wine Country Party \u0026 ÉvénementsLocation La Tavola fin lin .LVL Mariages et événements .la photographie onelove .Krumbs Gâteaux et PoppyStone florale Couture sont membres de notre Little Black Book .Découvrez comment les membres sont choisis en visitant notre page de FAQ .La Tavola Beaux Draps Location voir le portfolio LVL Mariages et événements voir le portfolio onelove photography voir le portfolio Krumbs Cakes voir le portfolio PoppyStone florale Couture voir le
Brown lived at such a lofty farm
  That everyone for miles could see
His lantern when he did his chores
  In winter after half-past three.

And many must have seen him make
  His wild descent from there one night,
‘Cross lots, ‘cross walls, ‘cross everything,
  Describing rings of lantern light.

Between the house and barn the gale

And blew him out on the icy crust
  That cased the world, and he was gone!

Walls were all buried, trees were few:
  He saw no stay unless he stove
A hole in somewhere with his heel.
  But though repeatedly he strove

And stamped and said things to himself,
  And sometimes something seemed to yield,
He gained no foothold, but pursued

Sometimes he came with arms outspread
  Like wings, revolving in the scene
Upon his longer axis, and
  With no small dignity of mien.

Faster or slower as he chanced,
  Sitting or standing as he chose,
According as he feared to risk
  His neck, or thought to spare his clothes,

He never let the lantern drop.

The figures he described with it,
  “I wonder what those signals are

Brown makes at such an hour of night!
  He’s celebrating something strange.
I wonder if he’s sold his farm,
  Or been made Master of the Grange.”

He reeled, he lurched, he bobbed, he checked;
  He fell and made the lantern rattle
(But saved the light from going out.)

Incredulous of his own bad luck.
  And then becoming reconciled
To everything, he gave it up
  And came down like a coasting child.

“Well—I—be—” that was all he said,
  As standing in the river road,
He looked back up the slippery *****
  (Two miles it was) to his abode.

Sometimes as an authority

Should say our stock was petered out,
  And this is my sincere reply:

Yankees are what they always were.
  Don’t think Brown ever gave up hope
Of getting home again because
  He couldn’t climb that slippery *****;

Or even thought of standing there
  Until the January thaw
Should take the polish off the crust.

And then went round it on his feet,
  After the manner of our stock;
Not much concerned for those to whom,
  At that particular time o’clock,

It must have looked as if the course
  He steered was really straight away
From that which he was headed for—
  Not much concerned for them, I say:

No more so than became a man—

I’ve kept Brown standing in the cold
  While I invested him with reasons;

But now he snapped his eyes three times;
  Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
  By road, a matter of several miles.

— The End —