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(twas where aye met thee missus, but mooch as a natural euphoria experienced, i rarely returned to said venue, especially for many years when thy now na grown lovely lasses merely toddlers).
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Go ahead and AskJeeves (or another available partner yea, that lonely looking gal or guy in mom genes), who can never refuse to kick up heals in this rollicking shenanigan – the rumor holds that said activity the most fun one can have with being clothed to another.
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The caller will usually do a walk thru, which begins with the first two couples closest to the stage crew of lively musicians (frequently filling the makeshift hall with music aligned the genre of irish jigs and reels) beginning to pair off.
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After couples one and two (nearest the band) complete their quartet, this process (sans participants coupling off) continues until the foot of the line.
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Actually each duo of dancers within the foursome nearest or furthest from the podium dons the role of “first and second” couple respectively.
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The walk thru can be helpful, especially for those unfamiliar with this social activity, which encroaches on the ordinary comfort zones because eye contact plus physical hand to hand fusion necessary.
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Many of the routines utilize various combinations of approximately a couple dozen unique moves, where each distinct extemporaneously choreographed fancy footwork utilizes a unique variation of such movements.
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The most frequent array of moves comprises the following terms, which I located at hyperlink - www.theyken.net/don/PDF/Glossary.pdf
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Glossary of Contra Dance Figures:
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Allemande Left - Two dancers join left hands about shoulder height with elbows bent down and walk a circular path.
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Allemande, Mirror - Two couples, facing, starting with one couple going between the other couple. Give the person you are starting to pass your most convenient hand, right for two dancers and left for the other two, and turn as described in the allemande right and left.
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Allemande Right - Two dancers join right hands about shoulder height with elbows bent down and walk a circular path.
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Balance – The simplest balance is a step forward and backs. Another type of balance is a step on your right foot and swing your left foot over your right foot and then step on your left foot and swing your right foot over your left foot.
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Balance and Swing - Face other dancer, take both hands, balance (as above) and swing the other dancer.
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Baskets - More that two dancers, step in so all the dancers are in a very tight circle, place your hands behind the backs of the dancers next to you and join hands. Put your right foot in closer to the center of the circle and start to turn this basket by pushing with your left foot (like in a buzz step swing).
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Box the Gnat - Partners (usually) join right hands, raise joined hands above the woman’s head, she walks under the joined hands, as the man walks around behind her. The dancers not only change positions but they end facing in the opposite direction.
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Cast Down – The dancer faces up and turns away from the center of the set and walks down the outside of the set.
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Cast Off, Assisted - Two dancers, facing the same direction, put an arm around the other dancers waist, one dancer moves forward while the other dancer moves backwards.
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Cast Off, Unassisted - One dancer, usually moving up the center or up the outside of the set, walks around an other dancer until they stand next to that dance facing the same direction.
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Cast Up – The dancer faces down and turns away from the center of the set and walks up the outside of the set.
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Circle Left – More than two dancers join hands and form a circle. Hands are joined at a height somewhere between you waist and shoulders. Dancers walk around in a circle to the left or counter- clockwise.
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Circle Right – More than two dancers join hands and form a circle. Hands are joined at a height somewhere between you waist and shoulders. Dancers walk around in a circle to the right or clockwise.
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Contra Corners - This figure is done in proper sets. The first couple turns each other by the right hand until they can turn their first corner, The person who was standing on the left side of your partner. The first couple then turns their first corners by the left hand, until they see the partners. The first couple again turn each other by the right hand and then turn their second corners, the person who was standing on the right side of your partner, by the left hand.
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Courtesy Turn – Two dancers with right hands joined and left hands joined, about waist height, facing the same direction, woman on the man’s right. The woman walks forward while the man backs-up until they are facing the opposite direction.
Cross-Over or Pass Thru – Two-dancer walk by each other passing right shoulders.
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Cross-Over is usually across the set. While Pass Thru is usually up and down the set.
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Do-Si-Do – Two dancers walk forward pass each other right shoulders, pass behind the other dancer, and backup, passing left shoulders into the place where you started.
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Do-Si-Do, Left Shoulder (also known as a See Saw) - Two dancers walk forward pass each other left shoulders, pass behind the other dancer, and backup, passing right shoulders into the place where you started.
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Do-Si-Do, Mirror - Two couples, facing, starting with one couple going between the other couple. Then dance a do-si-do, the two dancers who pass right shoulders dancing right shoulder do-si-do the other two dancers who pass left shoulders dance a left shoulder do-si-do.
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Down the Center, Turn Alone – Two dancers, usually a couple, walk down the center of the set, turn toward each other and return to the place where they started.
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Down the Center, Turn As a Couple – Two dancers, usually a couple, walk down the center of the set.
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Turn as a couple, the woman walks forward as the man backs up, until the couple is facing back in the direction they came from. Then return to a place across the set from where they started.
Figure of Eight – Two consecutive Half Figures of Eight (see below)
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Forward and Back – Dancers join hands with the dancer next to them and move forward four steps and back four steps.
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Gate and Post - Two dancers facing in the same direction, join most convenient hands, right to left, keep hands about shoulder height, one dancer will walk forward in a circular path as the other dancer walks backward in a circular path.
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Grand Chain - Three or more woman, make a right hand star, and turn the star until you meet the third (or designated) man, join left hands with the man and courtesy turn.
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Grand Right and Left - Two dancers, join right hands, pull by and give left hands to the next dancer, pull by, and continue this until you meet the person you are told to meet or until the caller tells you to stop. Can be used in squares, contras, and circles.
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Gypsy - a couple, walk once around each other, clockwise, and end where they started while looking wistfully into each others ' eyes.
Half Figure of Eight – Two dancers across from each other, in a contra, cross over while moving through the couple below (or above), the woman in the lead, they then cast up (down) to end in their partners original place.
Hey for Four – Two couples, facing, usually starting with the women moving to the center and passing right, then pass the opposite man who is moving forward by the left, the two men pass right in the center while the two women do a small loop to the left to face in, again the women pass right in the center as men do a small loop to the left to face in, women pass the men by the left, men pass right in the center and all return to original place.
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Honor - Bow to your partner.
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Improper – In a contra, when a man is in the women’s line and/or a woman is in the Mens' line. The women’s line is the line on the left when viewed from the caller’s position.
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Ladies Chain – Two couples facing, the women join right hands and pull by each other, then give their left hands to the opposite man, finishing with a courtesy turn to face the other couple.
Lead Through - Two dancers facing in the same direction, join most convenient hands, right to left, and walk between the two dancers they are facing. Often followed by a cast to original place.
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Pass Thru - Two couples facing, both couples walk forward, passing the person you are facing by the right shoulder and ending in their place (do not turn around).
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Promenade – A couple, with the man’s right arm around the woman’s waist and her right hand in his right hand, and left hands joined in front of them, move in a forward direction, sometimes ending with a courtesy turn.
Promenade, Single File - All of the dancers in a single file or circle, facing the same direction, follow the dancer in front of you.
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Proper – In a contra, the men are in the mens' line and the woman are in the women’s line. The mens line is the line on the right when viewed from the caller’s position
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Right and Left – Two couples, take right hands with the person across the set and pull by, on the opposite side of the set courtesy turn the person next to you.
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Roll Away - A couple, both facing in the same direction, woman’s left hand in the man’s right hand, the man assists the woman, who rolls across in front of him, as he moves to his right. They both end facing the same direction as they started but they are in each others' place
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Star, Left Hand – Two couples, take left hands with the person diagonally across, then they all walk forward in a circular path.
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Star, Right Hand – Two couples, take right hands with the person diagonally across, then they all walk forward in a circular path.
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Swing – A couple, in a position similar to ballroom position, except the man and woman are right hip to right hip. The simplest descriptions I have heard is assume the above position and then try to walk behind your partner. The dancers can use a simple walking step or a buzz step.
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Turn - See allemande for right and left hand turn. A two hand turn - two dancers, facing, take the other dancers right hand in your left and their left hand in your right. Pull back slightly and both dancers walk clockwise until you get back to where you started.
Johnny Noiπ Nov 2018
NIMH layers simply changes form. The names of the pilgrims,
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to bring to the baby; He that loveth his is speaking,
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change the world.
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sales; First. love |||| love ||||
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and pain
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and love;
Marcus. thief in the world.
Death and ****** ear.
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nice body - Empathy and the worst of knowledge.
The need for a healthy life before Wi-Fi.
I will say from the open sea so as not to put down
this as anyone is in the bottom of the PA,
which is in the bottom of the to be a mutation.
In the heart of poverty;
Then look for the yellow section.
Out of the fire victims If the dog
If you walk in the dark, they
will not escape; We're being a boy,
and said he goes and does it so it's too precious.
the distance in the world
This can lead to getting out of the garden.
Is it not so it is clear, is the fact that color is put to flight?
This intelligence. No. In the gardens, and,
apart from the color. And a dense cloud
of languages; We have spoken to the exchange.
By doing so, since the garden and in the sense
of colors, but also.
Small stripper ale sore throat.
When the tears, the pain, slow to take strong drink,
analgesic. When, however, to me, he complained
of the torments of the rest of the state.
St. intellectual material;
Fair prostitutes carried the dog.
Form salt-water No.
And in the first place, 1 is anxious for the love of the spiritual world,
not goats eating leaves.
That requires treatment of all because,
as far as the watching is from the meaning
of the experience;
Even in paintings
Tonya Cusick Mar 2013
Vague is the feeling, dark is the delight, feared is the memory of your cold dead sight.
Your love was killed by the twisted moonlight.
I remember hazel brown eyes reversed into a song, a Melodie of skies.
I can see the colors now burst in the air and up above so tender was the forbidden love.
I now ponder in amazement towards the moonlight sky.
An embrious scatter of stars lay in the earths bound movement, slowly, cautiously I begin to wonder.
But only to the moonlight dancer.
I have heard your voice and I have seen your face, but only for it to bring back a tattered trace.
I remember when all was good.
I remember when you use to love me the way that you should.
I watched you walk away slowly with these words only a trickle on my tongue.
With a "good...bye" your voice had rung.
Those words lay pasted down to my heart and glued.
Moonlight dancer come back to my hand, moonlight dancer take me to your rythmatic land, moonlight dancer take my hand.
Her coldness piercing my heart, her absence tore me apart, and now her funeral to only end me.
Please come back and defend me.
Slowly the blade slit across my wrist in a song like structure.
I let the music flow down from the wound, and now my mind it will consume.
I'm lost and in love by moonlight dancers song.
Where else could I have gone wrong?
Moonlight dancer come back to my hand, moonlight dancer take me to your rythmatic land, moonlight dancer take my hand.
Moonlight dancer just please breath once again.
Moonlight dancer?
jayeti anand May 2011
Its always hard to write something you've never felt before .... no wonder I don't write such things,But I always wanted to, so here it is .... enjoy reading it .... and who it is for ??? well no one, no one for now .... :D... thanks to Rasmus, I was listening to their song "dancer in the dark" ... and then I thought of writing about my dancer in the dark, but these words are totally different form their song ...well bottom line, I love living in a dream world of my own ....where things are always better than they actually are ....

Peeping through that hole
I saw him waiting.
His face said it all,
The night made it show me.
The bitter sweet face,
Killing every breath I take.
He was the dancer in the dark.

I stepped out in the moonlight.
All I knew now,
All I saw now,
Was him,
The dancer in the dark.


A tear rolled down my eye,
A smile curled on my face.
They made him shimmer,
The eyes glitter, hair flicker.
Darkness of the night no longer existed,
Because I was with,
The dancer in the dark.

Standing apart, in utter stillness,
None could feel a thing.
There was no need,
His eyes said it all,
All that I wanted to hear,
That he never could say
For all he was the dancer in the dark....

His presence made me love the nights.
They all seemed so pleasant,
But cold.
Strange, is how I felt it.
He made it look stranger.
The dancer in the dark.

My life stuck to his,
Our lives ran together,
The heavens fell upon us,
Trying to take a step closer,
Each seeming like a mile long.
The looks came closer, and closer, and closer ...

All I saw now were his sparkling blue eyes.
Eyes that wanted to cry,
Cry of happiness and out of love.
He touched my face,
The hands feeling so cold,
The face running warm.
He made me want
The dancer in the dark.

The wind blew his hair,
The rain never felt so lovely before.
Every drop bringing
A sense of joy......

Wanting the time to stay still
Wait there, stay there forever.
Nothing should change,
Nothing should move.
Never have I been so happy before,
All I knew then was that I loved him
The dancer in the dark .....
She was just another schoolgirl

Dreams of marriage and of kids

She had devoted parents

They loved everything she did

Nothing could deter her

from the choice that she had made

Turning seventeen, she left her home

in Forest Glade

Moving north to Epsilon

She chose another route

She would be a dancer

Taking money from the suits

She started slow in Epsilon

A club girl from the start

She had a phony i.d

But she sure could play the part

Was she a dancer or an actress

Seems she was one and the same

She chose to go as Crystal

Though that wasn't her real name

She danced a bit and moved around

The lifestyle she liked

She was dancing up in Buffalo

When she met a guy named Mike

They dated and got married

Soon a kid was on the way

When he found out she was pregnant

He packed up and moved away

She was nineteen and without a chance

To get a better life

Who would want a dancer

With a kid to be his wife?

Nobody that she knew

That would be for sure

And just like the little girl she was

She always wanted more

She had her son, named Ferguson

She then enrolled in school

She was gonna be a big thing

She would not be no ones fool

She chose to keep on dancing

Working late nights, dancing hard

Saving up her money

So she'd get her son a yard

She was still a little girl deep down

She still had real big dreams

She didn't want the normal life

She wanted the extremes

She was a dancer, mother, daughter and

A sutdent every day

She had to keep them separate

Had to keep her lives at bay

She'd many personalities

Depending on her place

She handled each role expertly

With poise and with such grace

By day she was a mother

And a student on the side

She did both of them expertly

And she showed off both with pride

At night she was a dancer

Schoolgirl, teacher, and much more

She would be a patrons fantasy

But she hid down in her core

The little girl she really was

Stayed deep and far from them

She was also now an actress

Dancing, doing things for men

At night when she was finished

She would go home to her boy

She would bend and kiss him as he slept

For he was her pride and joy

She'd then go hit the shower

Washing all their dreams away

She would wash away their kisses

She would make herself okay

Each night she'd play another role

To keep the men entranced

She would change her look up daily

As on the stage she pranced

They'd pay her for her company

And they'd worship all she did

But, all she ever thought about

Was something better for her kid

She finished school in record time

A manager she'd be

She took a four year course

And she finsihed it in three

She didn't have the money

To quite make her dreams come true

But, she now had a diploma

And inside, her pride just grew

She was now a feature dancer

She was the top of mens desires

But the job was getting weary

In fact, our girl was tired

She had her different roles to play

Still mother, daughter, and

At night a dancer actress

In an pornographic land

She'd go home every night and see

Her son there in his bed

She'd go and have her shower

And she'd kiss him on his head

She'd wash away the garbage

Wash away her hidden life

Once again she thought of

Being a mother and a wife

Normalcy, would not be hers

She'd have to move along

She'd done well for her young boy

She had not done too much wrong

A new life far from Buffalo

Would be the thing to do

She's now a mother and a daughter

And she might live next to you

She broke the chains that bound her

Used her dancing to improve

Made herself much stronger

And she then did up and move

Now she doesn't go home late at night

To wash away the grime

She can go home and go out to play

To give her son some time

The sad fact is there's lots of girls

But not as strong as her

They do not escape the dancing

When they end up, no one's sure

But Crystal, she's a hero

For she made herself move on

She's a mother, actress, daughter

with a super cool young son

Where she went I don't know where

But, she ended up on top

Ther rumours were she married

In fact they said that he's a cop

they say that she's still out working

In the clubs, out with the girls

But she's no longer a dancer

She's out showing them the world

She's helping them get into school

They confess to her their sins

She knows of what they talk about

For she's been just where they've been

She doesn't go by Crystal

She now goes by her real name

But, she might just live next door to you

And to tell would be a shame.
Moon sun mars  Nov 2014
Dancer
Moon sun mars Nov 2014
She my lil dancer forget what her man on
She my lil dancer move it slow when I'm on one
She my lil dancer still moven when I'm gone
She my lil dancer never give it up not even to her man no one
She my lil dancer she keep her body tight
She my little dancer move them hips all **** night
She my little dancer when I keep her body wet
She my little dancer dancin in my bed
Graff1980  Jul 2015
The Dance
Graff1980 Jul 2015
There is fire in the dance. The head of a candle burning and flickering in time to the dancer’s movement. The flame sways to and fro, responding to the dancer’s energy. Then the candle disappears.  

Blisters begin to bubble up upon the dancer’s skin; then fully formed explode with liquid fire. Screams of agony reverberate across her tortured flesh. Her cries go silent as the pain slowly fades.  The dancer becomes a living flame.

So, she dances.  Each step scorching the soft ground, leaving little fires in their wake. Her legs ascend at an angle and descend in a spin. Hands clasped and rising upwards as her feet return to the earth. The fire trailing her movements like living echoes.  Enflamed arms opening and closing with billows of smoke expanding around them. The ground burns beneath her feet as she leans her head back slowly.

Her face consumed by the flames fury; she attempts to howl. Instead of sound, rivers of crimson liquid explode from her lips. Jets of blood red water congeal into shiny flesh. First, impressions of a face form in the flat flowing puddle of scarlet goo. Then, a neck, next something akin to limbs takes shape.
The red rawness is evident but not painful, as she spews the last bits of the red liquid. Drips of crimson drops from the newly formed figure fall on the flaming dancer. The droplets sounding a soft beat and sizzle in rhythmic fashion like a drum snare; T sss T sss T sss T sss. The flaming dancer shudders in pleasure. The flames, encouraged by the dark moisture, recede then rise, as rouge vapors smoke off its’ figure. The fluid form expands further forming sinuous strands of cerise liquid hair.

Pirouetting in a whirlwind fashion the dancer continues her ballet. Her leg rises again as she leans back. Her head, inches from the ground, drops liquid fire. Then she straightens her tiny flaming frame. Behind her the red watery body slides its hands across the ground, calming the flames, and leaving only scorched and sticky earth in its wake.

So it goes with each movement the dancer lights the earth afire, and behind her the flames are doused. Each minute passing the fire weakens and shrinks as does the scarlet body. Until at last they embrace. The dancer’s arms rest upon her sides as the crimson liquid figure envelopes her.
One more red stroke across the canvass and the figures blend perfectly. One color fading and bleeding into the next in perfect abstraction. The month long dance finally finished. The brush is rinsed then ceremoniously placed in its spot. The artist sighs, there is a slight sense of relief, for this dance is finished, but an echo of sorrow remains for this dance is finished.
Johnny Noiπ Nov 2018
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but also on the child's own fire. Their feelings of everlasting life in the White House games, in the children's shade, in cold and yellow softness, singer Sari Ivan, 'Malichi Oliq' (song). Some handsome, sweet, unwanted muscles end with prostitution and fraud. When the skin is over, the air is extinguished, the body is shaved, and the wind falls well. Julian Emperor Albert Himilin is a dancer, dancer, and a dancer at the Prisaka factory.
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city that knows the crucifixion. The fire disappeared from Christianity
into darkness, all precious treasures and gifts. Of course Daniel and the women are happy. This group is of a very strong character. I hate my needs. Each woman has 80 years of blood loss, hospitals, homes, face-to-face,
and killer sands. Clean, clean, lightweight, and less. The most common method of development is invisible shade. Breakfast is good breakfast. Death and near death near Moscow. Fasella Orsi Night. But that's a
problem. Christians and Greeks will review the song you have created. There are 1,500 liters of red jasmine in South Africa.
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we are Greeks and Greeks. The first step is to get to know the history
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Germany (11). Continue with "Dragon Length". That's too bad.
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to be in town or neighborhood. Tomorrow the team must win.
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some mirrors in the first commercial arcade's football game,
this is a very good and beautiful bride. Taking pictures
The Gypsy people look at the oldest ways. Before answering
this question, it would be possible not only in the middle
of the mosque, but also on the child's own fire. Their feelings
in some White House games, baby shadow, cold and yellow softness,
singer Sari Ivan, Malichi Oliq (song) for everlasting life.
Some handsome, cute, unwanted muscles end in women's prostitution
and fraud. When the skin is over, the air is extinguished,
the body is shaken and the wind falls well.
Julian Emperor Albert is a dancer, a dancer,
and dancer in the Himilin Prisaka factory. Hell,
siblings, clothes, forgiveness Can be done by Wilton.
The earth is like a liar, a daughter, a son, a son,
a pig girl. So Paul is the city that knows the tyrant.
The fire disappeared from Christianity into darkness,
all its precious treasures and gifts. Of course, Daniel
and the women are happy. This group is a very strong
sign. I hate my needs. Every woman has blood loss
for 80 years, hospitals, homes, face-to-face, and killer
sands. Clean, clean, slightly light, and less. The most
common method of development is invisible shade.
Breakfast good breakfast. Death and death near Moscow.
Fasella Orsi Night. But this is a problem. Christian
and Greeks will review the original song you created.
There are 1,500 liters of red jasmine in South Africa
and South Africa. Very good content for German HHH
for Windows. Robert in July 2010 we are Greeks
and Greeks. The first step is to introduce world history.
11 South Africa's Jerri Park, MLM Tsikeron, Bob Park,
11 (1.1); HSSA (11); Cursed darkness. In 1500
in Germany and in the General Assembly. I'll change your mind.
HTML is available in 11 languages. Marcus Allen, John Robert
and Jesus Christ in South America.
King's Pawn Park Sandy Wilson (1)
Anderson Roberts South No 11 Sudan.
Muslims in Sweden are coming soon.
Try three thousand hours. I want my
friend in South Africa. Wilson is blind and unique.
Park South Park is part of the South Park;
Park because Park is a US health care facility.
Location. He lived in Portland,
United States of America (1.1), Germany (11).
Continue with "dragon length". That's too bad.
The phone does not work with "silence".
You do not need to find the best place
to be in town or neighborhood. The company
must win the team tomorrow. Credit
Emily Tucker Jun 2015
Pretty pretty dancer smile for the crowed

Pretty pretty dancer live, love and laugh out loud

Pretty pretty dancer put down that blade

Pretty pretty dancer your smile starts to fade

Pretty pretty dancer what have you done?

Pretty pretty dancer is gone, dead and done...
Lorna Lornelia Jun 2018
In the stillness of the night
Across the river, under the stars
A Silhouette of a dancer
Hunched,
Forsaken,
Alone.

Sits lone dancer
Dreaming of a holding hand.
Whispering in the silence
For no ears to hear.

Once the crowd cheered
Now the light has ebbed
The glory is over
The name long forgot.

The dancer looks up
To the moonlit sky
Counting the stars
To a million and one.

A shadow appears
Embracing dancer warm.
A lover long dead
A lover and friend.

Now A pair of wings each
both dancing in the skies.
Dancer no more lonely
Dancer no more alive.
The Ballet Dancer spins in air
light as a cloud
she moves her body
and does a plie
the ballet dancer
moves like fluid
her feet taunt the devil
her arms stretch towards the heavens
the ballet dancer
stirs envy in others
with her beauty and poise
she is no stranger to mistakes
but her performance gives the illusion of perfection
she has fallen
but never stays down
The ballet dancer bows
her time is up
but she will never stop

— The End —