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Andrew T Jan 2017
Thank you. For everything.

Cecilia touched the red splotch on my polo shirt, removed it with her finger, and wriggled her nose, as the overhead light brightened with a hazy blue. She licked her finger. I was just glad when she pulled out a chair, sat down, moved closer to me, as I poured myself a ***** cran. Cecilia clapped her hands once, and then clapped them again, as the ceiling slowly morphed into a blanket of green smoke. I guess it looked more like the planet, as the smoke turned into small pockets of water blue.

She closed her fingers over my wrist and choose to look at the floor. "What happened to the carpet?" Cecilia asked, her eyes raising. "What do you mean?" I asked, looking down at my feet that were drenched in honey and chocolate. The TV crackled to life and a picture of Joey Biden appeared and he was writing in a diary. He wore a tennis hoodie, sweatpants, and Birkenstocks.

“What do you think he’s writing?” Cecilia asked, as she munched on a pineapple.

Joey put his pencil down on the desk, then walked over to the window on the right-hand side, opened it, and took a green **** sitting on his nightstand, ripped it, letting out a plume of smoke.

I shrugged and took a large bite out of of the pineapple.

“Something funny? Something serious?” Cecilia asked again, not seeming to notice the green smoke filling up the living room.

“You want my honest opinion?” I asked. The walls trembled from the hammers beating against them. A baby grand piano was being played somewhere upstairs. Outside, stray dogs were barking up a rainstorm. I tossed the pineapple over my shoulder and pulled a candy bar sticking out of the couch cushions. I felt the years of decay and melted caramel apple coating my palm, as I hunched forward, and tossed the candy bar out the windows. The dogs howled gratefully and crooned an old jazz bebop tune.

Cecilia laughed, clicking her heels together. “No, lie to me like you do when I ask you, ‘does this dress make me look fat,” she said, as Joey reached up to his bookcase and inserted his diary in between a history text book and Joseph Heller’s Catch-22. He sighed, closed his eyes, and began to talk in Portuguese.

“He’s writing something about ****. Probably because he just got high,” I said, as I put my hand over my mouth and yawned.

Joey stopped talking in Portuguese and then he got up, walked over the TV screen, touched a button. The screen went black.

Cecilia’s face was shrouded in green smoke, green as crinkled dollar bills. “Do you want to go to sleep?” she asked, stepping over the passed-out brown bear laying in a puddle of honey and chocolate.

“It’s our anniversary,” I said, moving my finger gently over a plush red box. I turned and looked at Cecilia who was grabbing my face and kissing it. The box fell into the honey and chocolate, sticking to the floor.

I bent down, picked up the box, and opened it. A paper airplane floated out and unfolded itself, landing neatly in Cecilia’s hands. She began to read it, “Dear President Obama. Thank you. For everything…”

I closed my eyes and listened to an old Louie Armstrong record playing on a turntable a foot away in the kitchen. The needle scratched. Then, the volume lowered down.

The curtains closed.

And the TV buzzed as the dogs burned each house in the neighborhood.
Inspired by a youtube video featuring Obama thanking Joe Biden.
If I could fly I would know, what life looks like from up above and down below.
I'd keep you safe, I'd keep you dry.
Don't be afraid Cecilia I'm the satellite, and you're the sky.
Not my work.
Augur H Jul 2020
Who dares invade my hallowed bounds?

It is Saint Cecilia's Bane
quavering and crotcheting
his Mammon-hymns in vain!

God's weighted ear
he cannot imitate:
spilled lilies strew the floor,
roses wither in the dry chalice
tucked away under his desk.

He said:
"I can't be your Daddy,"
to tell me my mind,
taking me aside to
chide me for my
freshly-ravished soul.

Cecilia, I consecrate that place and day to you!
July 2020.
(Contre qui, Rose, avec-vous
adopté ces épines?)
EPILOGUE:

When wisdom fills the old calabash,

It overflows and seeps in

The sun dries it to be stronger

That way it lasts with experience

So was the calabash of Atanga’s Granpa

On his very dying bed

He called Atanga to his bed

And had his last stream flow to him

GRANDPA:

My dear Atanga,

Please in the name all great Atangas

This is my last advice to you

If you wish to take a wife

Never choose either of these:

The woman with light skin

The woman with dark skin

The woman who is short

And the woman who is tall


ATANGA:
Ei! Grandpa!

Then tell me not to marry

Who then do you want me to marry?

Not the fair

Nor the dark

Not the short

Nor the tall?


GRANDPA:

Listen my boy

To words of old

The light skinned woman

Is the fantasy of all

If you choose her

None will help you prosper

Every man wants you to fail

So they can quickly take your place

So never dream of the fair woman

No matter how much you crave for her


ATANGA:

Oh! I see

I think I do understand

Grandpa what about the rest?


GRANDPA:

Never go in for dark skinned woman

She is the one that all your people loathe

She is the one whose people hate you

The only people interested are you and her

When disaster strikes, none will hear

So never go in for the dark skinned woman


ATANGA:

Oh! I see

Now I know

It is not the colour

Nor the character

A woman like that

Would do me harm

Now let us go on

Explain the rest


GRANDPA:

Never go in for the short woman

A short woman is the neighbour’s daughter

Her house is so close to your house

You can never have a moment of peace

Whatever you do

Her people poke their noses

You can never have your lives to live


ATANGA:
Grandpa is wise

So what about the last?


GRANPA:

The tall woman

Is the woman who comes from afar

Her home-town is far

So you can’t have peace

Any time there is trouble in her home

You need to pay

To get your people to go with you

Amidst the feeding

And transportation

How can you proper?


ATANGA:

Granpa is wise

Grandpa has lived

Who would have thought

Of these wise sayings

To an infant where thoughts are concerned?

Thank you Grandpa

So which type of woman

Must I marry?

Grandpa?

Grandpa?

I am asking you a question!

Grandpa!!!!

Grandpa please answer!!!!


MMA:

Grandpa is gone

To the land of beyond

Where sorrow is nil

And thinking is unreal

Just be glad you sipped from his calabash

Of wisdom before he left

PROLOGUE:

And that ended

Grandpa’s advice

Amoafowaa Sefa Cecilia (c) 2014
Alexander K OPICHO
(ELDORET, KENYA;[email protected])

Okot the son of Acholi, hailers of Ladwong
The Husband of Auma the daughter of Acholi
The son of Gulu, fountain of African songs of freedom
I know your laughter is true toast of poetry
You only laugh because your teeth is white
Neither mirth nor joy is the pedestal of your laughter,

Okot I know how your mother, taller than her husband
was ever cooking by use of her legs, where the legs took her
Is where she ate, leaving you with anger of hunger
as you herded animals; Animals of the Acholi tribe
That has long horns which cannot give any gain
Okot you only laughed to show the whiteness of your teeth
Okot, you herded the animals in faith that you will pay dowry
That one time your kinsman will have you pay dowry with  the animals
The animals that scrofulously herded with a lugubrious look
that you may use in paying flesh eating dowry
For the Acholi girls which was a whooping one thousand shilling
and its kind worth is one hundred cows, or two hundred Lang’o cows
Okot how Nampy Pampy were you that
The long necks of acholi girls
The slender hips of the acholi girls
The sharp pointed *******
On their narrow busts
Made you accept
And goof foolishly
To pay such dear dowry?

They all made you desert your home when callow
Mostly unseasoned in your brains
Moving away from the beautiful
Land of Gulu going far to the land of money
In such of dowry for the Acholi girl
As you emotionally failed to disconnect
Yourself from the beautiful terrains of Gulu
To which you sang a poem of birth-place attachment
That; Hills of our home land, when shall I see you again?
Gulu, my home town, when shall I return to you?
Friends when shall we dance together again?
Mother, when shall I see you again?
Sister, my future wealth
When shall I again give you
a brotherly piece of advice?
Cecilia my beloved one when shall i
See  you and the beautiful kere gap in your
Upper teeth row again?
Or is only a dream
That I am leaving Gulu land behind myself?
Okot son of Bitek you remorsefully sang this song
As you moved away on foot in regular hitchhike
To Kampala the land of wonders
Beyond your bush civilization
You misfortunate son of Zinjathropus
The civilization you were bound to drop before the Nile
To leave behind the Nile before you could sing
The beautiful songs of the Nile; that wonderful ode
The ode that you sang in praise of Nile;  
Gently, gently, flow gently, River Nile
Move on, travel gently Victoria waters
Go and give life to the people of Egypt
As the birds at atura flew high beautifully
Diving into waters
To emerge with fish dangling on their peaks
And the birds sweetly sing that;
For us we have no worries
It is you travellers who are worried
We are in full contentment here
There are plenty of fish here
We have no use for money
Nile waters at atura are boundaries
For glory and suffering
For you the ones crossing it to Bugandaland
Be aware there is a lot of suffering
It is only the harsh world waiting for you there
Poor Okot son of Bitek peace to you among our ancestors;
For when you crossed the Nile into the land of banana
In the kingdom of Toro, Buganda and Bunyore
In their mighty city of Kampala at Namirembe
The poetic fountain in Makerere University
The germ of African burgeosie lumpenization.
When the young feudal land of Buganda
To crash a son of singh in the stampede of epilepsy
To Sent you  into a  poetic feat and berserk to bananasly sing,
Sing the nostalgic ballads of an estranged pumpkin
The true Acholi village pumpkin of Gulu,
Sing; sing your peasant ballads you Okot son of Bitek;
Bugandaland is the land of happiness
The land of great extremes
Sorrow; land of much wealth and dire poverty
Land of laughter and tears;
Land of good health and diseases
A land full of piety and stark evil;
A land of full loyalists and beautiful rebels
Full of witty ones and appalling nitwitted;
The land of the rich and the sgualorly beggars.

The hard hearted beggars
And that they only laugh the crying Laughter
The oxymoronic one of Okot the son Bitek
That they not only laughed because of mirthful laughter
But he did laugh to prove the whiteness of his teeth.
c rogan Dec 2018
I cant remember my dream.
I cant breathe.

Her thin painter hands open the door to the stairwell, the smell of fresh paint replaces that of a spring rain.  Skipping the clean stairs two at a time, she reaches the studio.  Walls of glass flank the empty white hallways that weave in and out, remains of torn masking tape shrivel on the walls like dying flowers.  The door looks like it belongs to a prison, too familiar.  

The sun barely moved, if at all, outside the window.
Tracing the outline of his body, she let the colors tell the story.


A stroke of shadow

Walking to the center of the room, limbic resonance.  A vaguely masculine figure melts into the painting.  It's silent as he dies.  

Her feet hit the pavement.  From the familiar soft dirt path through the woods, she crosses the courtyard to the doorway of the stairwell.  Memories flood her mind under the dull lamplight amidst the rustling dead leaves.  

Moving a stone from the crumbling wall of the school, she places her letters to you beneath the rubble.

Blinding white

I'm holding the keys but I can't find the right one
and the sun burned itself down,
the rain receded into the clouds

nothing is the same


He lies down in the stream
water rushing over him
relaxing, water replaces air

everything is different now.

Blistering Blue

I can't remember my last dream.
Out of space, out of time.  Unnatural surroundings.  
Muffled screams float in from the hallway.
Golden seam of light from the doorway saturates illuminated stitches.
He couldn't remember the last time this had happened.   When he almost lost himself in the pain---
It's like seeing her for the first time, over and over.

Suddenly his hands were covered in their blood.

But I remember them,
telling me to be quiet, not to fight it.  


Blush of Crimson

I've lost concept of time,
time to be quiet
I need to schedule my time
need to go away
Ophelia covered in glass
veins like kite string
he breathed in the water
I never said goodbye.

You know that feeling like everything's the end of the world
Next to the campfire, stars carved into her upper thighs
crossed like constellations as she moved closer to the flame,
gaze drawn up
The flight before the fall

He hasn't yet hit the ground, green flannel still in suspension.  Dew collecting on the leaves slide down to the earth and surround his body.
His eyes are already closed, a moment of vulnerability.  Still on the surface, cold blue water saturates his cuts and seams.

For the touch of a vanished thought caressed the back of her mind, like birds balanced on a live power line.  Digital ripped walls, lights leading to the intervention of the other side of the ghost city, building brick school, and infinite nowhere.  She lit her candle in the studio, watching the wick burn down and melt the wax, a ring of liquid growing from the center.  Strange to drown in heat.  It seems there's a wall of glass between her mind and this supposed reality, without any sound but her breathing and the occasional crack from the slowly burning candle.  She mixes her paint and doesn't think about anything.  The sun sets and rises and sets and rises again.  Sitting in the same place, the candle frozen in perpetual burning.  The room was clean.  And she was painting.  And the birds on the wire gently cawed against a white sky.  The echo returned to the blank room.

I remember that night she stopped answering my calls.  She doesn't pick up anymore.  Curled up in the doorway scrawled with tick marks from when we grew extra inches overnight, phone clutched to my chest.  I looked up and saw old Chinese fortunes folded above the doorway, hot tears spilling down my cheeks.  A feeling of helplessness, guilt.  If she answered I would have driven up there, taken her home.
It was 2am when I left.  I grabbed the keys from the counter, my coat, some chocolate, and a book.  walking to the car, I could see my breath suspended in the air.  Frost coated the sides of the windshield but I didn't stop driving.  I forgot my mittens.  There was a foot more of snow as I ran towards the old door to her dorm, yanking the handle hard enough that the lock slipped and I didn't need an ID to get in.  Warm stale air enveloped me as I gazed over empty security desk under fluorescent light.

Muted Undertones

The painting took up a whole wall of the room.  There wasn' any money to frame it, so it would have to always stay here.
Sunlight leaked in from the window like a steading dripping faucet against a clogged drain.  Her hair was turning blonde again, like when they were younger.
Humming, she was
remembering his hands
as they gripped the wheel loosely
at 5am in the morning
reflective and
coated in glass
in the back of
his black pickup
the sun slowly
bled from behind the clouds
dripping like honey
illuminating blonde
eyelashes,
the dirt on
the windshield.
warm golden
air filled the truck
as he turned the heat on
one hand on
the wheel
the other
reaching backwards to
twisting metal,
broken limbs.
Connected below
the surface
of broken glass.

In between the falling leaves, she whispered 'see you' and kissed his eyelids as he fell asleep.

Neutral Tones

I knocked on her door.  Her roommate answered.  He hadn't seen her at all that day.  I've grown indifferent about my own problems.  So I walked in her room and picked up the scissors from the corner.  Put on her coat for her.  Walked her through the snow to the car.  Cecilia sat between the driver and passenger seat, hand in mine.  I wish I could heal her arm through our layers of jackets, taken some of the sadness away.   We didn't say anything as empty pavement and trees passed in every living moment.

I was thinking about him.

Occasionally we touch, but only in passing.  Shadows, we cover from the heat.  

Ridicule gnaws at these connection, scrapes paint strokes until the threat snaps, the pillars bow
And we take shelter in the cleansing water.  The clashes of flesh.   The segregation of interactions for fear of having ours be known by anyone at all.

(But still they talk, recite the script)
'Cecilia tried to **** herself and her clothes need to be washed'
(Look now, do you see it?)
'It looks like her soul
left her eyes'


Purple Haze

I knew it was a nightmare.  It's stuck to me.  These alien emotions; like a sickness or a burn, interdepartmental rhythms of my brain I'll never fully grasp... not artistic or poetic.  or anything fake and useful.  Just nebular, inhibiting, distressed.
I'm always trapped in something.  A heaviness.  A natural declining, dissipation, entropy.
A brutal and sterile resistance, inviolate and soft to the touch; a lapsing despondency.

He was the sea that he drowned in.  And he was the riverbed in the trees, too.
Swept in whirlpools and ripples and age rings, whispers of fallen leaves in the lucid water.  
Silenced by hushing rage of stone cut rapids.


Ultraviolet Love


He's not seeing normally.  Through the rippling surface her face is reflected into a million moving pieces.
Lines of tape surround his body, they shrivel in the heat of the sun.  This is not natural death.  There are no birds circling overhead, the stream continues to trickle over the rocks.

I drove her home from college started to run a bath.  The hot water faucet turned all the way.  I put my feet in, trying to avoid eye contact with the parallel lines.  Familiar to what i had stitched before.  Pale blue - green water kissed our skin as she closed her eyes.  

We are not creatures of visible light.
Carlo C Gomez Mar 2024
~
Absorption lines

Lagrange points

interstellar fingerprints

she played with time, variable starfield's constitution

the reply from space
as light through the canopy
heard in upward glissandos:

"Tonight I'm only made of moonlight..."

~
Jack Piatt Mar 2014
Turquoise blues guitars
Laughing baby elephants (that paint)
Melodies singing lullabies to sleepy baby elephants
(tired from painting all day)
Blank canvases full of blackberries on the inside
The antidote to love
All the dotes that didn't get doted
And all the ones that did
Playing badminton in the backyard of Cupid's summer home in Manarola
The ruby that died to make Dorothy's slippers
And the shortest hair from the Lion's tail
Wine filled grapes
Water balloons filled from hot springs and melted mountain snow
Two spokes from Steve McQueen's "Great Escape" motorcycle
Three kisses from Ilsa Lund
And a smile from Sabrina Fairchild
Tom Robbins' typewriter (it's magic)
A flying dragon
A dragonfly (grounded for not doing her homework)
Jenny's phone number
The pillow that hit the floor at Cecilia's that afternoon
The third stair from the top of the Stairway to Heaven (best view)
One of the lost souls swimming in a fish bowl
And a grain of salt from the sea the other is swimming in
An olympic size pool full of melted crayons
A vile of sweat from the ever fleeing muse
A refrigerator the size of Rhode Island
Full of magnificent lines of magnetic poetry
Poetry (all of it)
The monster under the monster's bed
Every foul ball ever caught by any kid
Hammocks (any and every)
The cardboard boat that never stopped sailing down the gutter of the world
The secret to everything
(kept securely under the bed of the monster, under the monster's bed)
Santa's real address (you won't believe this)
The blue ink from the blueprints of Atlantis
Golf carts with no maximum speed
The energy dust left from dancing, hugging and smiling
Freshly climbed trees
A warehouse the size of Antarctica completely filled
Wall to wall with raw, unfiltered laughter
Beer
Everything that was left on the field
Passionate embraces and embracing a passion
Apology free, but full of forgiveness
The wild of the wilderness
The tame of the un-tame
Language
Intuition
Conception
First kisses, waves and winks
Goodbye hugs and thrown in kitchen sinks
Art
Music
Pain
Puddles that have been danced in under pouring rain
Empty film cans
Films on screens
All of these ingredients
Are what makes up
*Dreams
(c) Jack Piatt 2014

— The End —