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Myriah  Jul 2015
BRUN
Myriah Jul 2015
LET'S GET DRUNK
AT MIDNIGHT
LISTEN TO OUR
FAVORITE SONGS
AND KISS SO MUCH
THAT OUR LIPS BRUN.
drømmesind
  februar måned - langt væk og lige om lidt
før mig tilbage gennem tågen, gennem tankerne
    minder; knyttet til sanserne (det duftede af noget bestemt, vi lyttede til denne her kunstner, det var koldt) og noget helt ubeskriveligt. en stemning
tilbageblik, koldt
   vinterferien:
amsterdam, håndcreme, agnes obel, earl grey og støvet lugt i bygningen, helt bestemt væremåde, kold brun og mørkegrå og hvid og mintsmag
et koldt hjem
vejrmøller

   at vågne fra en dyb søvn
søndagssind
Edna Sweetlove May 2015
A Tale of ****** Excitement by Herr Barty Maulwurf

Often **** tales of my past I am writing and sometimes they are a little rude and porny but now I will try to be only slightly profane at request of new friends I am making everywhere. This tale very sensual story is, told by master storyteller (which is me). Filthy bits included. *Danke sehr.


Although I so much hate repetitive to be, Barty Mole must as always apologise for his occasionally slight errors in English-writing as he writes the English language not so very top-class (but he ***** English girls' tongues lots and likes them his tonsils to wipe so good). I (me, Barty) am German person but special type of that because as I are half-and-half black/white (not striped or even top half white, bottom half black, but mixed-up goldene-brun colouring), by this I must explain mein Papa was black US soldier in Germany who did enormous number of bouncy-bouncies with various ladies including meine Mutti (note to monoglots: this means my Mummy) - who was part-time Lili Marlen type tarty number, great **** and much-used **** - for tinned milk, coffee, ciggies, silk stockings and comfy underwear with soft non-scratchy gussets for once instead of unlined which tickle *****-*****, also she was a major sort of a ****** in her day so combined business with pleasure, and why not, we got these bits under our ******* so use them or they dry up (so thinks der Barty.). Also please you will remember black market utterly rampant in post-war period because the kind ****** Allies smashed my beautiful homeland (Germany) to little bits and then guess what even worse Russkies came and stole anything leftovers and did mass rapings of anyone with two legs (or less, in fact easier as poor tarts can't run away), but my Mutti ran and avoided Ivans, she not any kind of idiot, not going to give it away for free, and not liking cheap rotgut ***** anyway. Also Russkies never wash bottoms-hole so not much fun in the sack with smelly-bummed Ivans.

Nowadays Barty (that's me) am not so young, indeed now out of work living in Hamburg (home of inventor of hamburgers, Herr Wendi McDonald-Burgerkoenig) but I remember some super **** going-ons from mine mis-spended youth and middle age, my God I was a right goer, make no mistake about that, I had more lady friends than most people have hot luncheons mainly because I inheritated huge lovepole (23 centimetres, well over 9 inches in UK/US measurement style) from my dear Poppa, God rest his swindling soul. And ladies like the big bronzed stick as ramrod lovepole, you bet your fat wobbly ***, dear reader, 100% sure.

As often I say to my multitudinous readers, I never accept that it is only top-class ***-event to make love-humpings between male person who is in all one piece (full complementing legs, arms, naughty pieces etc etc) and lady who in similar state of repair (2 legs, 2 arms, 2 boobos, back and front naughty areas also) so I shall now recall romantic interlude with one-legged groupie I am meeting at rocking Konzert in Berlin with famous German group DIE TOTEN HOSEN (this means "The Dead Trousers" look them up on Google you think I am joking? no, German musicians have great sense of humour and also almost for free get to **** a lot of birds).

This story are total true, swear it on Mummy's honour (big joke, what honour I hear you said out of side of mouth, but watch your manners please or I smash you one in your effing gob) this not so explicit as usual so much apologies to filthy pervies wanting cheap smuttings, you come in wrong place (*******).

So now here we go with telling of how I got on good and ***** with one-legged lady I meet in bar of Grosse Konzerthalle in Berlin after we go from Konzert by Toten Hosen - noise so fickende loud we not able to hear each other talk as we total deafened for at least 1 hour, so just wink over bar to each other and Robert is dein Onkel.

I digressed - when I saw really pretty girl at bar with **** three-inch bolt through her lips and I think, WOW, if she got so much metal in her face, what the Fick she got in her *******!!!!  I notice she leaning against wall, I think she a bit drunk but I find out she only got one leg and it's because she has only one leg she would go falling over if not lean on walls. Never mind, I think to myself, I'll try this out for size, in for a pfenning (penny), in for a pfund (pound), except now it's in for a cent, in for a euro which sounds naffs. So we have several dozen beers and a couple of schnapplis and she is good fun, laugh at all Barty's filthy jokes and innuendos and then, out of blue, she says with naughty giggling, "The night is young but we're not so effing young and when you have any more beers you don't stand up, fall flat on handsome face, and not able to get great big ****** up me to shove it", WOW I thought, this is some forward one-legged piece of work. So no more further ado and we jump in taxi (pay 50:50 as Barty is gent and refuse to allow her pay whole fare) and go to her place.

Hildegard is her name and she was pretty good looking bird, great booboes, narrow very **** waistlines, very cute botty sticking out like great big pair of rubber footballs, but let's be frank, liebe Freunde, her main claim to eternal fame in Barty's immense ***-memory bank was the leg-stump, only one of them she had. She tells me missing limb result of accident with vicious bacon-slicing machineries at LIDL and I not like to probe too deeply, because I leave the probing up to my 23cm (9 inch) lovepole instead.

Thus we had many love-makes that night and I got to find her stumpy-thing quite **** in weird kind of way, very smooth skin on it and odd colour (purplish) too. Only problem of was hard to do it Alsatian-style as she topple off bed and me with her, especially since we have many more beers down hatches by that time. Never mind, make up for this with very high class (FIVE STAR!) "neunundsechzig" (German for 69 just in case you not understand)! WOW she utter hot stuff in oral department store. Her tongue like starving St Bernard guzzling the bowl of nice fresh spring water on hottest summer day in century! Swallow everything, stray hairs and all.

Also Hildegard very noisy lady when she does the comings, which Barty likes very much indeed. Like demented demon being bashed around her head with three-metre long metal crowbar every single time she gets one off, she screamed. "Ooooooh, ich komme, ich komme, ach, ja, ja, ja, ja," she shrieks GOOD & LOUD like fat Wagnerian heroine with immensely red hot poker up backside-hole (which not far off the truth when Barty gets stuck into his fabbo ***-rhythm, like whirring up and down piston on Mitsubishi motor tricycle). Even allowing for drunken prematured senilities lapse, I happy to recall seven times for me that night and maybe twenty for her, WOW, what a filthy one-leg hornbag!

We meet a few more time for repeat bonky session but never so good as first time round, but that's because Barty sober next times, nothing new in the history of love there which is very philophical pensée. Also Barty's interest in the leggy-stump waned a bit after a couple of weeks.  But Barty has good live-action photos to keep his memories warm, WOW, they are some totally hot ones! I know Hildegard must have the equal happy memories of old Barty, bet she never saw such a big ***** as his ever again (NB: 23 cm lovepole)!

Mit freundlichen Gruessen
von Ihre
Bartholomew Mole (=Maulwurf)
(23 cm brown lovepole)
WHITE DOWN

White down
so high 
and yet so lowly, soft,

your flecks of light
where brown turf darkens 
damp,

so innocently growing
'spite the weather;

torn clouds,
against the blue or grey,

beside you green of moss
stone, heather, 
grasses, hay,

Not lauded, 
given honours like the rose
but there the mountain knows
your sweet repose. 

M. A. Waddicor
10th sept 2011.

Translated into Norwegian...

MYRULL
 
Kvite dun
så høgt på strå
og likevel så kravlaus, mjuk.
 
Lysa dine logar
der torva mørknar
fuktig, brun.
 
Du veks uskuldig, rein
trass uvêr,
rivne skyer
mot det blå og grå.
 
Ved sida di er grøne mosen,
stein, lyng,
gras og vier.
 
Ikkje lovprisa
eller gjeve heidersteikn, som rosa bar;
men fjellet kjenner til
din vakre kvilestad.
 
            M. A. Waddicor/ Gjendikting ved Åse Lilleskare Faugstad

COTTON GRASS YOU WAVE

Waving at the sky,
you tufts of downy white,
your presence in the marsh,
or standing on the cracked dry earth,
the bottom of a bog.

So delicate you are,
in such a place,
where winter blizzards blow,
and icy waters, snow, 
cover your bed. 

Yet there you always are, 
a faithful friend to travellers,
a light where grey skies dull,
a flag to show where not to go 
in rain.

As pretty as a poem tossed 
on hardy stems
not pictured in a painting
yet as dainty, beautiful 
and free, 
as any bloom can be. 

M. Ann Waddicor 
10th September 2011.
Åse is one of Norway's poets, I was so happy when she decided she wanted to translate my poem, and did a wonderful job of it, keeping to the exact words as closely as possible, asking me if she could put just one that was different in instead! "Vier!" For those who can read norsk.
*** havde skarpe øjne, der
reflekterede i plantager fra sin
mormors have
da *** kyssede mig, var mine
øjne rødvinsrøde, og mine
øjenlåg var lavet af hvide roser
åh, *** havde årer som havet
blå og flydende, som strandens
fugtige promenade
*** havde brun mascara og gul
neglelak på
hendes knogler skar mod mine
ribben, da *** lænede sig op ad
min milde krop
*** sagde ikke noget
faktisk
har jeg aldrig hørt hendes stemme,
men hver nat
drømmer jeg om genlyd fra hendes
barnekrop
og hendes lydløse
barnefrustrationer
Et la Mère, fermant le livre du devoir,
S'en allait satisfaite et très fière, sans voir,
Dans les yeux bleus et sous le front plein d'éminences,
L'âme de son enfant livrée aux répugnances.

Tout le jour il suait d'obéissance ; très
Intelligent ; pourtant des tics noirs, quelques traits
Semblaient prouver en lui d'âcres hypocrisies.
Dans l'ombre des couloirs aux tentures moisies,
En passant il tirait la langue, les deux poings
A l'aine, et dans ses yeux fermés voyait des points.
Une porte s'ouvrait sur le soir : à la lampe
On le voyait, là-haut, qui râlait sur la rampe,
Sous un golfe de jour pendant du toit. L'été
Surtout, vaincu, stupide, il était entêté
A se renfermer dans la fraîcheur des latrines :
Il pensait là, tranquille et livrant ses narines.
Quand, lavé des odeurs du jour, le jardinet
Derrière la maison, en hiver, s'illunait,
Gisant au pied d'un mur, enterré dans la marne
Et pour des visions écrasant son oeil darne,
Il écoutait grouiller les galeux espaliers.
Pitié ! Ces enfants seuls étaient ses familiers
Qui, chétifs, fronts nus, oeil déteignant sur la joue,
Cachant de maigres doigts jaunes et noirs de boue
Sous des habits puant la foire et tout vieillots,
Conversaient avec la douceur des idiots !
Et si, l'ayant surpris à des pitiés immondes,
Sa mère s'effrayait ; les tendresses, profondes,
De l'enfant se jetaient sur cet étonnement.
C'était bon. Elle avait le bleu regard, - qui ment !

A sept ans, il faisait des romans, sur la vie
Du grand désert, où luit la Liberté ravie,
Forêts, soleils, rives, savanes ! - Il s'aidait
De journaux illustrés où, rouge, il regardait
Des Espagnoles rire et des Italiennes.
Quand venait, l'oeil brun, folle, en robes d'indiennes,
- Huit ans - la fille des ouvriers d'à côté,
La petite brutale, et qu'elle avait sauté,
Dans un coin, sur son dos en secouant ses tresses,
Et qu'il était sous elle, il lui mordait les fesses,
Car elle ne portait jamais de pantalons ;
- Et, par elle meurtri des poings et des talons,
Remportait les saveurs de sa peau dans sa chambre.

Il craignait les blafards dimanches de décembre,
Où, pommadé, sur un guéridon d'acajou,
Il lisait une Bible à la tranche vert-chou ;
Des rêves l'oppressaient chaque nuit dans l'alcôve.
Il n'aimait pas Dieu ; mais les hommes, qu'au soir fauve,
Noirs, en blouse, il voyait rentrer dans le faubourg
Où les crieurs, en trois roulements de tambour,
Font autour des édits rire et gronder les foules.
- Il rêvait la prairie amoureuse, où des houles
Lumineuses, parfums sains, pubescences d'or,
Font leur remuement calme et prennent leur essor !

Et comme il savourait surtout les sombres choses,
Quand, dans la chambre nue aux persiennes closes,
Haute et bleue, âcrement prise d'humidité,
Il lisait son roman sans cesse médité,
Plein de lourds ciels ocreux et de forêts noyées,
De fleurs de chair aux bois sidérals déployées,
Vertige, écroulements, déroutes et pitié !
- Tandis que se faisait la rumeur du quartier,
En bas, - seul, et couché sur des pièces de toile
Écrue, et pressentant violemment la voile !
David Noonan Mar 2017
That song you sung as you drove
South towards home, six hours or so
The distance between us stretching
As the road unwound to the night ahead
I knew it by Cindi Lauper, you by Ane Brun
Yet sooner or later that day will come
Where all that you'll see in those same sad eyes
Is a fading rainbow of grey and blue

Your heart to me, so beautifully profound
So oft resembled a puzzled word-search
Where my dreams and reality never collide
Complex and scattered yet meaning within
And how i'd long to find my own name there
Between love and desire across its central core
All this time, there it was but broken in two
Like a fractured rainbow of grey and blue
Noirs de loupes, grêlés, les yeux cerclés de bagues
Vertes, leurs doigts boulus crispés à leurs fémurs,
Le sinciput plaqué de hargnosités vagues
Comme les floraisons lépreuses des vieux murs ;

Ils ont greffé dans des amours épileptiques
Leur fantasque ossature aux grands squelettes noirs
De leurs chaises ; leurs pieds aux barreaux rachitiques
S'entrelacent pour les matins et pour les soirs !

Ces vieillards ont toujours fait tresse avec leurs sièges,
Sentant les soleils vifs percaliser leur peau,
Ou, les yeux à la vitre où se fanent les neiges,
Tremblant du tremblement douloureux du crapaud.

Et les Sièges leur ont des bontés : culottée
De brun, la paille cède aux angles de leurs reins ;
L'âme des vieux soleils s'allume, emmaillotée
Dans ces tresses d'épis où fermentaient les grains.

Et les Assis, genoux aux dents, verts pianistes,
Les dix doigts sous leur siège aux rumeurs de tambour,
S'écoutent clapoter des barcarolles tristes,
Et leurs caboches vont dans des roulis d'amour.

- Oh ! ne les faites pas lever ! C'est le naufrage...
Ils surgissent, grondant comme des chats giflés,
Ouvrant lentement leurs omoplates, ô rage !
Tout leur pantalon bouffe à leurs reins boursouflés.

Et vous les écoutez, cognant leurs têtes chauves,
Aux murs sombres, plaquant et plaquant leurs pieds tors,
Et leurs boutons d'habit sont des prunelles fauves
Qui vous accrochent l'oeil du fond des corridors !

Puis ils ont une main invisible qui tue :
Au retour, leur regard filtre ce venin noir
Qui charge l'oeil souffrant de la chienne battue,
Et vous suez, pris dans un atroce entonnoir.

Rassis, les poings noyés dans des manchettes sales,
Ils songent à ceux-là qui les ont fait lever
Et, de l'aurore au soir, des grappes d'amygdales
Sous leurs mentons chétifs s'agitent à crever.

Quand l'austère sommeil a baissé leurs visières,
Ils rêvent sur leur bras de sièges fécondés,
De vrais petits amours de chaises en lisière
Par lesquelles de fiers bureaux seront bordés ;

Des fleurs d'encre crachant des pollens en virgule
Les bercent, le long des calices accroupis
Tels qu'au fil des glaïeuls le vol des libellules
- Et leur membre s'agace à des barbes d'épis.
Micheal Wolf Mar 2013
Listened to a song by Ane Brun
"Do you remember"
The words are spectacular
Do you remember the early morning
When we went back to bed
We found our first positions
And every muscle rested...
How often the thought of that
Grabbing the moment while still warm
Diving back into bed
Back to where we left off
Magical
Rookie  Mar 2015
Boop
Rookie Mar 2015
Boop de booboop
Scloop beep boop
Brun duh dee doodee
Do doot scloop boop
Brrrrrrrrrrrrrrrrrrrrroo (roll your tongue (if you can(I heard not everyone can roll their tongue)))
Dut dut digga digga yut doo
Bigga Bigga
Doot zoot beeboop
Boop de booboop
Zut alors, si le soleil quitte ces bords !
Fuis, clair déluge ! Voici l'ombre des routes.
Dans les saules, dans la vieille cour d'honneur,
L'orage d'abord jette ses larges gouttes.

Ô cent agneaux, de l'idylle soldats blonds,
Des aqueducs, des bruyères amaigries,
Fuyez ! plaine, déserts, prairie, horizons
Sont à la toilette rouge de l'orage !

Chien noir, brun pasteur dont le manteau s'engouffre,
Fuyez l'heure des éclairs supérieurs ;
Blond troupeau, quand voici nager ombre et soufre,
Tâchez de descendre à des retraits meilleurs.

Mais moi, Seigneur ! voici que mon esprit vole,
Après les cieux glacés de rouge, sous les
Nuages célestes qui courent et volent
Sur cent Solognes longues comme un railway.

Voilà mille loups, mille graines sauvages
Qu'emporte, non sans aimer les liserons,
Cette religieuse après-midi d'orage
Sur l'Europe ancienne où cent hordes iront !

Après, le clair de lune ! partout la lande,
Rougis et leurs fronts aux cieux noirs, les guerriers
Chevauchent lentement leurs pâles coursiers !
Les cailloux sonnent sous cette fière bande !

- Et verrai-je le bois jaune et le val clair,
L'Epouse aux yeux bleus, l'homme au front rouge, ô Gaule,
Et le blanc Agneau Pascal, à leurs pieds chers,
- Michel et Christine, - et Christ ! - fin de l'Idylle.
Batool  Jan 2016
Sometimes ...
Batool Jan 2016
Sometimes ...
Its best
to let go
to fall apart
to shatter
to brun down
to ashes
but
then it's bestest
to rebulid
to rise
to put things together
piece by piece
beautifully
removing the ugly bits
remolding,
reconstructing..
to make melody
out of sorrow
and
smile out of pain !!
Notes (optional)

— The End —