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Who are these people at the bridge to meet me? They are the villagers----
The rector, the midwife, the sexton, the agent for bees.
In my sleeveless summery dress I have no protection,
And they are all gloved and covered, why did nobody tell me?
They are smiling and taking out veils tacked to ancient hats.

I am **** as a chicken neck, does nobody love me?
Yes, here is the secretary of bees with her white shop smock,
Buttoning the cuffs at my wrists and the slit from my neck to my knees.
Now I am milkweed silk, the bees will not notice.
They will not smell my fear, my fear, my fear.

Which is the rector now, is it that man in black?
Which is the midwife, is that her blue coat?
Everybody is nodding a square black head, they are knights in visors,
Breastplates of cheesecloth knotted under the armpits.
Their smiles and their voces are changing. I am led through a beanfield.

Strips of tinfoil winking like people,
Feather dusters fanning their hands in a sea of bean flowers,
Creamy bean flowers with black eyes and leaves like bored hearts.
Is it blood clots the tendrils are dragging up that string?
No, no, it is scarlet flowers that will one day be edible.

Now they are giving me a fashionable white straw Italian hat
And a black veil that molds to my face, they are making me one of them.
They are leading me to the shorn grove, the circle of hives.
Is it the hawthorn that smells so sick?
The barren body of hawthon, etherizing its children.

Is it some operation that is taking place?
It is the surgeon my neighbors are waiting for,
This apparition in a green helmet,
Shining gloves and white suit.
Is it the butcher, the grocer, the postman, someone I know?

I cannot run, I am rooted, and the gorse hurts me
With its yellow purses, its spiky armory.
I could not run without having to run forever.
The white hive is snug as a ******,
Sealing off her brood cells, her honey, and quietly humming.

Smoke rolls and scarves in the grove.
The mind of the hive thinks this is the end of everything.
Here they come, the outriders, on their hysterical elastics.
If I stand very still, they will think I am cow-parsley,
A gullible head untouched by their animosity,

Not even nodding, a personage in a hedgerow.
The villagers open the chambers, they are hunting the queen.
Is she hiding, is she eating honey? She is very clever.
She is old, old, old, she must live another year, and she knows it.
While in their fingerjoint cells the new virgins

Dream of a duel they will win inevitably,
A curtain of wax dividing them from the bride flight,
The upflight of the murderess into a heaven that loves her.
The villagers are moving the virgins, there will be no killing.
The old queen does not show herself, is she so ungrateful?

I am exhausted, I am exhausted ----
Pillar of white in a blackout of knives.
I am the magician's girl who does not flinch.
The villagers are untying their disguises, they are shaking hands.
Whose is that long white box in the grove, what have they accomplished, why am I cold.
Palpating the empty cavernous realm of intellect and morality,
I find a restricting noose constructed of the finest strands of insecurity, but it's more proportionally comprised of self-doubt. Each fiber's soaked in a vat of social restraint, the ineffective capability of people to deny injustice. Choosing instead the intoxicating mirage that hereditary lies has handed down throughout the centuries.

Helping the constructors of irrationalism build their platform upon supports of popular opinion.
Equipping it with the ingenious trap door many a potential scholar of entropy and fatalism has fallen through. Snapped necks they suffocate on the breath of pseudo-liberty; as the French have, and Americans still do.

Hands bound behind their backs by indecision, latent anger, the belief in a system far from progressive. Where morals and codes of conduct are tempered, and deliberately shaped into devices of torture sugar coated, and worn pridefully without knowing the restrictions nor the pain, any form of progressive thought is absent. The mass majority select intellectual stagnance over the enlightening evolution of attempting to understand the human condition.

They are not to blame.
For shame and resentment are left for frugal debates over each new candidate, sheered from the same wormwood poisoning the stream of consciousness ****** by a nationalistic fervor full of flavor, no long lasting integrity, only iron clad walls of discretion and misrepresentation.

Traveling great distances, shoulders encumbered with regret, apathy, and triviality; the phantom that is a patriot has left his burden laden tracks for the next poor sap to find his way far from freedom, closer to slavery. The yoke fits loosely but unlike the bumbling oxen his purpose is indiscernable, his capacity to think of a way to escape is neutralized by the bag of oats and blinders he himself accepts; by abhorring what he’ll call disrespect and irreverence toward a slave driving body masked by the right to live fruitfully, albeit sedentary.

The joy of complacency is not holding responsibility, not feeling accountable for any choice where the dangers of rational thinking may awaken the bitter, savage realization that he is merely a by-product, a cog in a larger scheme to keep freedom a longer journey than it is according to the whip holder’s theory. The excruciating knot is pulled tightly together by hunger, so the worker satisfies this hunger with more intricately designed knots. His concentration isn’t in untying it, it’s merely compounding it with greater enigmas he’ll leave for the omniscient to decipher, and untangle.

He’ll wash his hands of the assignment and swallow what he deems nourishment, but the hole is never plugged. The hole grows and the abyss growls, the sounds of thousands of souls in constant traction, but this man of many fantasies can have no distractions. His focus remains selectively aimed upon projects the future will later ruin, yet without foresight the ambition has no name so the cycle remains the same.

His lifeless body now swings to and fro above gallows where the omnipotent applaud the writhing spirit of free will convulsing violently; gyrating while the sedated world of the executed continues being recreated to disguise the sincerest, deepest pain he’ll never know, because knowledge is will and the power struggle is one of isolation and possible destitution. So only when he wakes after his fate has been sealed will free spirit, and free will assault his no longer inebriated body, showing no mercy and reminding him of every time they tried to save him.

He’ll scream in utter agony placing his voiceless soul amongst those bellowing from the abyss he never tried to close. What’s more, choosing to ignore such an enormous expanse of nothing, makes the punishment perfectly sufficient, and succinct with every bit of skepticism he had that such a void of expression, virility, and endless suffering even existed. The twisting twine that holds this wretched, still body of reason securely above the wastelands of awareness makes the most insidious noise. It’s like rubbing famine and pestilent ridden bodies together; the crunching sound of bones absent of mass, riddled with brittle chip marks where the consciously aware soldiers of misfortune have attempted to shape spearheads of vindication, but are then left where they were found because even the potential tools of warfare are less sturdy and strong than the flesh bound mind of sterility from whence they came.

So there is nothing this heap of biological ingenuity and imagination can offer, but to swing in each gusting breeze like a sign posted “No Loitering,” “No Trespassing” would when pushed by the conglomerate gales of assembled hundreds. Ignorance prevails, those who fight are made to accept this evil mantra not out of doubt, but hope that once one awakes before his/her spirit and will has been completely removed, they’ll feel the refreshing irony of those who prayed silently that their army of insolent rewriters of justice has grown by one more.

Still breathing, within a masked struggle fought on separate planes of reality, behind curtains weaved of Kevlar, lead, and iron, many perverts of theory co-opt covertly in absolute anonymity fashioning plans: the plans of liberty, freedom, and prosperity.

They’re his only means of acquittal. Slashing the ropes and allowing those long since dead to die in peace, and those whose breath still has a bit of resistance to fight; the chance to view in full honesty and tragedy the gallows where weary travelers of theory are beaten by conviction and moral restrictions.
Jade  Apr 2014
Overthinking
Jade Apr 2014
Stuck in the land of perplexity
Untying labyrinthine cherry  knot on
Thorny mountains and alleys
I've got a war in my mind
Throwing dice flipping coins
Samuel  May 2011
Back Massage
Samuel May 2011
My back is tight, knotted
I'm not entirely sure why
But I would trap a dozen
Eskimos for a massage, honestly

Enter the sad realization that, despite
Bruno's good intentions, he is unable to
Fulfill this request with paws
Oh, but that's alright

It's one of those half-hearted dreams
That drifts along in wispy bits
Every now and again
To whisper and invoke a peace
Within the cataclysm, but don't dare
Turn around, or it will be
Gone

Like the ghostly fingers untying me
One loop at a time because
They've lost the scissors
Natalie Walker Jan 2015
I left him like a child lets go of a balloon.
Untying the tiniest of tight knots from my imprinted wrists, knowing I could not take him where my travels would.
My finger tips shook upon releasing him,
but **** did he soar on the wings of the wind.
Amber Grey  Jul 2013
Balcony
Amber Grey Jul 2013
The summer I interned in New York, I fell in love with someone I'd only seen from a balcony window.

I'd fallen in love with strangers before, on buses and in lines, watching their shoulders straighten and their faces grimace in half-sunlight. I fell in love with these people the way you could fall in love with a poem, finding personality in the way that their eyes flicker nervously from left to right, tiny instances where their stanzas throw you into a daze. But this time was different. For once, I wished to know a stranger without the brim of my sunglasses, for once I felt something when I knew I'd never see him again.

His apartment was cluttered, bottles of water and the empty cans of energy drinks piled in a corner where a conscious person would have fit them in a bin. There were clothes on the floor, and although I knew his high rise box was laid out just as mine, he must have used the expected closet space for something else - his clothes were everywhere, crumpled in heaps on the floor that were too erratically placed to not have some sort of lingering system. Posters of people were taped to the wall, covering the matte eggshell white, edges falling occasionally to show signs that he wouldn’t always live there. I hoped that if he ever owned a home, that those staring portraits would be stapled or pasted thick to his walls, just because he would be the sort of person who wouldn’t change his mind about what he liked or what he wanted.

I would watch him from the same eggshell white room of mine, with nothing on the walls and not a scrap of anything on the floor. From my blow up mattress to my suitcase of clothes, kitchen stocked of single servings and a solitary set of dishware. I had no curtains and no carpets, no television or pictures of friends huddled in an unexpected embrace. For all anyone knew, I could have been squatting. I would look out at him from the window spanning the entire north facing wall, aware that if he ever looked out, if his eyes ever darted south, he would see me cross legged on the tiled marble floor, hovering over an overheated laptop and cardboard coffee.

I would get home at seven forty-five, shower in the New York water that tasted like dust and gin, and towel off, walking to the balcony. He, just like I, had a long, narrow balcony spanning about four feet on the right edge of his loft, and I would lean on the edge of the concrete slab, smelling the foul city air, taxi music floating from the lumpy yellow marsh below. That was when he would unlock his door suddenly, sometime between eight and eight-ten. He would step with his entire body and move into his crowded room and stand still for a moment, as if to collect himself; restrain from tearing faces off the walls and pummeling fabric into the floor. Sometimes he'd shut the door closed with a twitch of his foot, untying the half apron around his waist with one hand and pulling the red tie strapped flat onto a black dress shirt loose with the other. Once, he did all that in succession and proceeded to slide against the shut door until he hit the ground, falling into himself like a dropped jack's ladder and rubbing his fingers from his jawline to his eyes, up into his hair and back over.

But most of the time, he would just force off his shoes, never untying the laces, and move to the balcony just as I did. He would go out to the balcony too, but he would always keep going, moving to sit on the edge of the short wall, socked feet dangling over the city. His legs would be splayed wide, hands placed right in front of him, flat on the ledge. He would look down at the golden sea below, and when he was done with it, spit a flickering cigarette into the glittering bank.

He would also smoke when he woke up. He got up at six, like clockwork, and would stumble back out into the smogged pilot's seat in a plaid bathrobe, hazy faced and staring down. I don’t think he was ever late. He would get dressed slowly and fix himself in the mirror for a good half hour at the left of his room, until finally turning around just to watch the door for a moment. Sometimes I could swear that he watched for so long that he must have thought it would up and race away.

He slept with the lights on. He never came home late. He didn’t go out at night, never blundered in at two in the morning with a lithe model girl, long hair framing icicle eyes. On weekends he would sleep all day, rising every few hours to go back on the edge of his balcony and smoke. He would stare at the faces on his walls, the callouses on his palms, the murmur below; but never, ever at the empty loft across the way, dotted with a blue plastic bed and a speck of a person.

I left New York in September, on a red eye flight vastly cheaper than the rest. I put my toothbrush and toothpaste into the front pocket of my luggage, squeezed the air out of my mattress, and left. I hadn't left a trace in that home of mine, and it didn’t leave any on me either. When I left New York, I felt nothing. It was almost like I had never set foot in the city, forgetting to socialize with the locals the way someone could leave their hat at a bar.

I never knew if the man across the canyon hated coming home to a loft like I did. I wondered if it bothered him too, the lack of walls or rooms to compartmentalize the space. I wondered if he didn’t like to eat at home, if he felt sick when he watched the sunrise. I wondered if when he looked at the tidepooled city, if he also saw salvation. If he wondered every day from eight to eight-ten about what a dangly thing of a human would seem like to the loft across if it was spit from the edge of a narrow, four foot balcony.
A bit long, I suppose. Thought I'd post some prose.
Kingafroninjaa Jan 2012
11:20pm
You kidnapped me and we flew back to your home planet.
I was left speechless as this heavenly body took over my soul.
He tied a martian string around my heart and promised me to stay.
11:30pm
You took me on an adventure across the galaxy that distorted my mind.
I let him guide my body into a meadow of star dust, without any fear of hesitation.
He tightened the martian string around my heart and promised that I will be his forever.
11:40pm
You gently caressed my untamed spirit and helped this earthling experience a new look on life.
I only craved for my eccentric martian, so I feared the day I would have to go back to that dreary planet.
He glared down into my dark brown eyes and promised that I'll be his officially, to have and to hold.
11:50pm
You slowly began to distant yourself from yourself my soul as the days progressed on this martian planet.
I noticed that the string we held tightly around our hearts began to steadily loosen as the nights grew colder.
He turned his back on the earthling he once loved and promised to let me go so he can travel the stars alone.
12:00am
You promise that we would explore the extrasolar worlds together as we floated through the dark abyss.
I believed in his promises, hoping the martian string that bounded our hearts together would remain intact.
He delivered me back to my humdrum planet while untying the same string that we once held so dear.
How I spent my New Years.
You throw your lasso around the beating pulse
Of wildness running strong
Attempting to pin and tame freedom’s mate
Then stand wondering what is wrong

Were you not arrested by those piercing eyes
Staring at your knotted rope
While you were swinging on a wing and prayer
On your futile mission without hope

Did you think those feet of yours were strong enough
To stand on the neck of fleeting wind
Or stop the persistent flight of freedom’s wings
From ever taking off again

That ole beating pulse of freedom’s mate
Is flowing molten lava hot
Slipping through those wasted ropes of yours
Untying all your twisted knots
Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
(Prelude: This piece is a parable with the imagination of a female named Allison with a ghostly presence residing in a suit of Knight's armor).

“They are of a better order” said the armor,
“A better order of beings in heaven.”

“Have you been to heaven?”
Allison asked the armor and
Quickly upon his ancient, blank steel gaze
She instantly felt a civil triumph
Hidden within her inquiry.


“Strange,” he responded,
"Strange it is that it is so far away
And yet it is right here
Inside of us all along.”

She gave him the hint of a
Curious gaze before placing
Her hand on her chest while saying,
“Are you saying heaven is in here?”

He replies,
“You think about it for a while and
When you have sufficiently parodied
The thought we shall think
Upon it again for I give
Up the argument for now -
I must retire” - and so he went
Wherever a ghost goes to rest.
There he wandered around
In the infinity of his mind until
A knock on the steel helmet came.
He answers through the opening,
“Who is it?”
Knowing all the while whom it was.

He opened the visor,
Showing the emptiness within.
She looked in his visor and
Giggled a girlish giggle
Saying, “I would carry this picture
With me to my grave -
My self professed conscience standing
Here in the doorway of my life
Looking into a metal head as
Empty as a hollow balloon,”
She giggled some more.
She pushed the visor open wider and
Stuck a finger in without
Any further solicitation
Saying as she looked about the emptiness,
“Shall I set foot in your dominion?”
Then she turned to him placing her hand
On her chest again as before,
“Or shall you set foot in mine?”


McDermott peaked thru to answer
Allison to find her now sitting on the edge
Of the bed – skillfully untying and
Removing her shoes as
She looked about the room.

Before he could answer and
Just as skillfully
She changed the subject, “You have a
Fine room here, quite roomy,
I think it must be twice the size of mine.”

The sun was setting outside the doubled
Windows and through the curtains
The light that filled the room tinted the
Contents of the room a crimson red.

There they were, quite all alone,
Her sitting on the bed,
Him encased in his Knight’s suit of armor.
Each waiting for the other
To make some sort of move.
Turning away from her,
Not to avoid the inevitable but
To experience the possible –
McDermott says,
“But this is your room.”
Pointing to the room receipt
On the top of the dresser,
“See, it has your name on it.
I am merely a figment of your imagination,
Something you have conjured up.”

“I know, I know,
You have said all this before,”
Pounding her fists into the
Bed as she cries,
“Cannot you for once come
From inside that
Silly suit of armor so that I may see you?”

“Look at the receipt, what does it say?” McDermott answers.

“I told you, I know,
It has my name as the registered
Guest of the Knights Inn, so what?
Have I not been coming here
Every year for three years,
Every year for the week of All Saint’s Day,
Just so that I can be with you?
And every year it’s the same old thing –
You speak like you are
Somewhere in a barrel,
And I never see you, I just feel you.”

“It is not with your ears that you hear me,
It is with your heart,”
McDermott explains,
“You come here year after year
Looking for truth –
Can you accept that I am
Only here if you are here?”

Sprawling out backwards across the bed,
She replies with disgust,
“Truth – what truth is this –
That I have lost my mind?”

“One can only loose what one has
Not unlike one cannot
Have what one wants,
For having and wanting
Are diametrically opposed,” he explains.

“Stop with the philosophical
Mumbo jumbo,” she says as she
Turns to scream into the pillow.
“I’m so sick of it that I could die.”
At the moment of that last syllable spoken, Allison can feel another
Weight joining her on the bed.
Daring not to whisk the feeling away
She holds her breath, listening –
Feeling for more confirmation.

“You cannot love another until you learn
To love yourself,” McDermott whispers.

Jumping off the bed and to her feet,
“You’ve told me all this before,
But why am
I here if it is not to love you?
And if you are as you say you are,
Just another
Of my creations, then pray tell me,
Why can you not accept that fact and just
Simply be here with me?
Why else am I here?”

“You are here to find out who you are.
That’s why anyone comes here.
That truth is something that No ONE can
TEACH you.
It is something that you
Have to remember.”

Looking about the empty room
Allison once again turns and
Sits on the bed.
“OK, I give in –
YOU tell ME, WHO AM I?”

“Just lie down and get comfortable.
You need your rest.
We’ll talk in your sleep.
We have much territory to cover tonight.
Tomorrow is All Saint’s Day, your day.
But tonight we must explore
All the wonders of you,
For in the morning you
Shall awaken knowing
The real you – the one that you
Have been searching for.”

Slithering out of her dress and
Removing her bra
Allison turns her head to the empty
Pillow beside her,
“You promise?” she asks.

“I promise,” McDermott replies.

Drifting off into a shallow sleep,
Allison is listening as
McDermott recites poetry.
It’s an odd recital but somehow it seems
As if she has heard this verse before.

“Sand sifting through my fingers
Measuring the time ‘til our bodies linger.
To know the smell of the center
Of your hand,
To see into those deepest of eyes -
Oh, to feel those sighs.

Sometimes I don’t think I can wait
Not another day but then it’s too late.
How can I know that all this is real
When I’ve not even a finger to feel.
Thoughts, visions of heart –
Feelings of soul –
Up to now that is all that I know.
So if you find me lost in this moment,
Please release me from this sweet torment.
For inside the fire is burning
Hotter than hell and so full of yearning.

Maybe this is not the right place -
Maybe this is not the right time.

But I ask you, is it a crime
To watch the sand as it rhymes?
Measuring the time ‘til our bodies linger
And I have the you – lost in my fingers.”

“What is the title?” Allison asks in her sleep.

“Oh you know the title very well,” McDermott answers.
“Think about it and you will remember.”

Allison’s eyes move beneath the
REM sleep with closed eyelids,
Back and forth, back and forth,
Looking for the title to the poem.
Then she answers with a smile,
“Hourglass, the title of the poem is,
Hourglass.”

“Very good,” McDermott confirms.
“See you do remember.”

“But how do I remember –
Something tells me that
I am not supposed to remember.”

“Your mind tells you that you
Have no memory of the poem
But your heart tells you that you do.”

“Yes.” she answers.

“Could it be that just when
You find your dearest love
That you also meet your greatest fear?
Then too avoid the fear –
You try not to remember."

“Why do you say that?” she asks.

“Because those are the two sponsoring
Thoughts behind all human endeavors.
All of the human emotions stem from
Either love or from fear.”

In her sleep Allison turns
More toward the empty pillow,
“Who are you?”

“Have you not determined
To call me McDermott?
Why do you struggle to believe that
I cannot be unless I have a name?”

“I suppose it’s because everything
Has a name.” Allison responds.

“No, everything of this world
Has something that it is called,
That does not exactly mean that
It has a name or needs one.”

“Then who are you?”
She asks breathing in deeply.

“It matters not what you call me –
That has been one of the great
Mistakes of human nature,
What is more important is that you know
That I am, just like that
I know that you are.”

“Are you God?”
She asks shaking her head.

“See, there you go again,
Be careful of those labels,
Once you put a label
On me, then by that labeling
Do you place upon me your expectations.
And once something is expected
To do something in a certain way,
Then have you created boundaries,
In essence,
You have created walls around me,
Walls around your own thoughts -
To the degree that we can
No longer communicate.”

“How would you prefer that I think
Of you?” Allison asks.

“Do not “think” of me in terms of
Mere words,
For words fall far too short
Of explaining any of truth
Of who or what I am.
You should think of me as
You would think of yourself for
Are we not one in the same?
If I said that I am the great 'I am'
And if you were to believe that to be true,
Would not that make you the
Great 'I am' too?”

“I’m sorry, I do not understand,
Are you saying that you are me?
Am I talking to myself?” she questioned.

“You are asleep, when you awake,
Would you say that we are talking?”

“No, I would say that I was dreaming
And that you are like you said that you
Were before I went to sleep,
I would say that you are a
Figment of my imagination.”

“Does that explain how it is that you
Know the name of the poem?”
McDermott asks.

“I don’t know, I’m dreaming I suppose,
Dreams don’t have to make any sense.”

“Is that how you feel?”

“Not really,” Allison answers.
Even though she is asleep
She can feel herself
Turning over and pushing away
Some of the bedding.
“Give me an incontrovertible way
Of knowing that you are real.”

“Oh Allison, the only way that
I could ever give you such proof
Is if I were
To physically touch you and to do that
I would need a physical form.
Yet I say to you,
I have no need of anything physical
For all of your physical reality
Is but a part of the grand illusion.”

“Grand illusion,
Are you saying that my life
Is just one big illusion?” Allison questions.

“In a sense, yes.
For it is you who does create
Your own reality.
And if what you create is
Not what you want,
Is that creation not what
The definition of “illusion” means?”

“But why would I create anything that
I do not want?” she asks.

“Good question, why don’t you tell me?”

“Who’s to say that I truly have not created you?”
Allison asks.

“Another good question, what do you think?”

“Why would you talk to me?” she asks.

“I talk to everyone all the time.
The question is not to with
Whom do I talk,
But who listens?”

“I’m listening.” Allison exclaims.

“Another good answer.
Maybe it would be easier if
We exchanged the word
“Talk” for the word communicate,
I think that’s a much
Better descriptive word.
If we try to simply just talk then we
Are restricted by the limitations of words.
I do not communicate by words alone,
In fact, I rarely do.
I usually communicate through
Feelings for feelings are
The language of the soul.
For this reason,
If you want to know
The truth about anything,
Look to how you are feeling about it.
Hidden in your deepest feelings
You’ll always find your higher truth.
I can communicate with thought
But don’t confuse thought with feelings.
When I communicate with thought
I often use images, sounds or pictures.
Are they not much more descriptive?
I also use experience to communicate with.
The fact that you remembered
The name of the poem
Is a communication by experience.
It is only when feelings,
Thought or experience
Fails that I use words.
However, words are the least effective
Communicator because words
Are too easily misinterpreted or confused.
Words are not a good way to get
To the truth for they are part
Of the illusion of trying
To convey the feelings,
The thoughts and the experiences.
The irony in this is that
So many place their feelings,
Thoughts and experience in the words
That they try to say and very little
On the experience of who they are.
The same is true of how
You define who you are.
You define yourself within
A set of words and
Lose all reality of who you really are.
Therefore you create
The illusion of yourself
Just as you have created
The illusion of me.”

Allison turns on her side into
The fetal position,
“You said that tonight
That I would discover who I am –
Does that mean that in order to discover
Who I am that I must learn
To know who you are?”

“You are not learning anything.
You are remembering who you are
For you always were and
You always will be.
You cannot learn what you already know.
You can only remember.”

“And what is that?” she asks intently.

“You are your creation,
I come from you so that you
Might know yourself.
That is why I exist,
So that you may experience yourself.”

As Allison drifts between the alpha of
REM sleep and the delta of REM
Into stage three of tonight’s slumber,
She carries with her into her deepest
Sleep the thoughts of herself
As one with all of God’s creation.
“God the father, God the son,
God the holy ghost,”
She whispers aloud.
“Are we all your sons and daughters?”
She asks.

“Yes you are,
The trinity would not be complete
Without you,
Not without every one of you.”

“So that is who I am?” she whispers.

“Welcome to who you are,
Who you have always been,
Who you ever shall be,
Today, it is All Saint’s Day,
What reality will you create today?

Always remember,
There are only two base emotions,
Love and fear.
You can choose to act out of love
Or you can choose to act out of fear.
The choice is as always –
The choice is yours.”

“Will you be with me today –
To help me to choose?”

“I am always with you.”

“Will I find love today?” Allison asks.

“You question is improper.
“You should be asking yourself,
Will I create love today?”


*“But wouldn’t that be another illusion?
Another figment of
My imagination?” she questions.

“Is there a difference?
And even if there was, does it matter?
All that matters is that
Through your own experience,
You remember who you are
And experience
What you really want to be.
That is the truth of creation.”

Drifting off into the deepest sleep
Of her life,
Allison listens to McDermott
Reciting his poetry again and again.
I bled a lot writing this piece. I hope that somehow, somewhere, someone can read it and create that which they were destined to experience.
Melanie Melon  Feb 2014
shoes
Melanie Melon Feb 2014
when I walked in my stomach was screaming nerves,
my heart felt fluttery from my first of many iced black coffees.
I fixed my eyes fixed on the black hightops I stared at everyday during first period,
the peeling rubber toes pointing straight at me.

I looked up, meeting eyes with the spitting image of Kurt Cobain
who smirked at me curiously, then lifted a finger, and turned into the kitchen.
I busied myself untying my boots, even though they had zippers,
promising myself I wouldn’t loose my balance.

The high tops returned, followed by weathered leather moccasins,
who murmured through his teeth “hmmm, designing with materials girl” .
I grinned through my eyes, attempting not to make myself intimate with the floor so soon,
expertly faking breathy laugh to cover up how utterly freaked the unfamiliar title made me.

High tops grabbed my waist and twirled me into the kitchen,
offering a cigarette before disappearing through the screen door and leaving me
in a room filled with music that ran through my head like a brush
combing out the tangles from driving with my sunroof down.

I was surrounded by people with purple hair and overflowing hearts
who floated around the room singing and talking and dancing
while I wondered how I should fill the shoes of my new title
and what kind of shoes I should even be filling.

out of the corner of my eye, I saw high tops march back ;
he didn’t seem to float but parade, his ponytail not quite matching his muscle shirt arms.
He waltzed right up to moccasins and kissed him proper on the mouth
hands holding his jaw, eyes closed, and balanced on his toes.

Satisfied, he stormed back out through the screen
pulling a pack of blacks and a white lighter from his back pocket
(he would soon tell me he didn’t believe in luck,
even though it was in his pocket when he was arrested over a houseplant).

Moccasins just smiled, eyes rolling up into his brown hair
and with his hands out palms ceilingward in a silent offer, he locked his eyes on mine
Before I had a chance to overanalyze,
he decided for me.

Maintaing eye contact, we danced to the 22 year old boys screaming through the boom box
while I tried to integrate myself into the scene,
tried to float so effortlessly too,
like the cigarette smoke oozing in from the patio

he pulled me into a hug that resented gravity
effortlessly lifting all six feet of me off the ground,
pressing my cheek against the cutoff edge of his tie dye tank top,
my blonde hair tugging between his chest and mine

So with fuzzy lemonade on my lips
and bass players hands on my hips
I figured out I didn't need shoes
if i never touched the ground.
IN PROGRESS UGH THIS IS A HARD MEMORY TO ILLUSTRATE
Keith Ren Aug 2010
Love poems rot,
The sensical knots.
I tie, overflowing, the dread.

The Pickwitkin Heavy,
The Verveberry Wedding.
Such shanks, still stuck in my head.

My memories loosen,
The Stopshift Tallcluesen,
Cut to myself dreaming in red.

Full throttle forward,
I'll sail ever toward,
My untying your knots from my bed.
THE GOINGS ON OF THE GREAT BARNEY BROMWICH RANCH




  IN THE YEAR OF 1645, A 33 YEAR OLD MAN NAMED BARNEY BROMWICH

DECIDED HE NEEDED TO CREATE A GREAT HOLIDAY RESORT, WHERE THERE IS

A PADDOCK OF HORSES, SO THEY CAN RIDE ALL THROUGH THE COUNTRYSIDE

YOU SEE BARNEY WANTED THIS TO BE PERFECT, AND HE FIGURED THE ONLY WAY

TO MAKE IT PERFECT, BRING IT INTO AN AREA WHICH HAS A LOT OF GREAT WALKING

AND RIDING TRAILS, AND THERE IS A WONDERFUL RIVER, RUNNING, YEAH THIS IS A GREAT ESCAPE

YOU SEE THEY HAD AS LOT OF ROOMS AND RIGHT NEAR THE ENTRANCE, ON ONE SIDE THERE

IS THE LOUNGE AREA, WHERE PEOPLE SAT AND TALKED ABOUT THEIR DAY, AND ALSO

ON THE OTHER SIDE IS THE KITCHEN AND THE DINING ROOM, WHERE PEOPLE SAT TO EAT

AND EACH MEAL TIME, THERE WERE A LOT OF CHINS WAGGING  IN THAT ROOM

MIND YOU IN THE FIRST 10 YEARS, THERE WERE 45 DEATHS, AND BARNEY WAS ASTONISHED,

BECAUSE, PEOPLE RAN OFF ON BARNEY’S HORSES, AND NEVER CAME BACK, SOME WERE

FOUND DEAD WHILST OTHERS WERE JUST MISSING, BECAUSE THEY WERE LOST CAUSE THE

HORSE, TOOK THEM TOO FAR, BARNEY HAD A HARD TIME WITH THE SHERRIFF, SAYING, THAT

THIS MIGHT NOT BE A GREAT IDEA AFTER ALL, BARNEY DISAGREED AND SHOWED THE SHERRIFF

TO THE FRONT DOOR AND WENT TO HIS LOUNGE, WHERE HIS DEN IS IN THE FIRST DOOR AS HE ENTERS

THE LOUNGE, HE KNOWS IT’S BUDDHAS WILL MAKING PEOPLE DIE, TO END SUFFERING, FROM THESE HARD TIMNES

THERE IS NO MAIN REASON WHY PEOPLE DIE ON ADVENTURES THEY WANTED TO GO ON, NOBODY CAN

ANSWER THAT, NOT EVEN BARNEY, 30 OF THOSE 45 DEATHS, WERE LATER FOUND IN THE DREADED RIVER

WASHED UP ON SHORE, NO TECHNOLOGY TO SAVE THEM, BARNEY WANTED TO DRAIN THE RIVER, CAUSE TOO MANY

PEOPLE DIE FROM IT, BUT THE SHERRIFF AND THE MAYOR AND THE KING SAID, NOBODY IS TAKING THE WATER FROM MY LAKE

AND BARNEY WAS THROWN INTO THE LAKE, HE SURVIVED THAT, BUT HE STILL, FOUND IT HARD AS HIS CLOTHES, WERE

STOLEN, AND IN 1669, CONVICTS FROM ENGLAND CAME TO THIS ISLAND, AND WENT TO THE BARNEY BROMWICH RANCH

TO THREATEN TO BLOW UP THE RANCH, IF THEIR DEMANDS AREN’T MET, THESE CONVICTS ARE REALLY NASTY, THEY WILL

DO ANYTHING TO GET THEIR HANDS ON BARNEY’S LOOT.

SO THE CONVICTS, DECIDED TO LEAVE WITH BARNEY AS A HOSTAGE, AND 5 YEARS LATER, THEY BURNT BARNEY, AND HIS ASHES

WERE SCATTERED IN THE SEA, WHICH EXPLAINS MY FASCINATION FOR RUNNING RIVER WATER, THROUGH THE RAPIDS, BARNEY’

WAS REINCARNATED AS EDWARD TEACH, WHO IS BLACKBEARD THE PIRATE, AND WHEN EDWARD TEACH TURNED 14, AFTER HIS

FATHER THROUGH HIM OUT OF THE HOUSE, FOR BEING ABUSIVE, AND EDWARD STOLE A BOAT, IN THE NEARBY OCEAN, SO HE CAN

BE GUIDED BY THE TERRIBLE DEMONS TO DESTROY EARTH, EVEN THE BARNEY BROMWICH RANCH, HIS PREVIOUS LIFE PLACE

AND HE KIDNAPPED 13 CHILDREN, WHERE HE WILL MAKE THEM STAY IN THE RANCH READY TO BE BLOWN UP, THE KIDS GOT IN THE MIDDLE

SECTION OF THE RANCH, WHERE THE BOMB WILL BE, SO EDWARD AND THE KIDS TRAVELLED THROUGH RIVER TO RIVER TILL THEY FOUND

THE RIVER NEAR THE BARNEY BROMWICH RANCH, YOU SEE, EDWARD TEACH SAID HE WAS GOING ON A SPIRITUAL JOURNEY, YEAH HE WAS

HE WAS BLOWING UP THE BUILDING HIS PREVIOUS LIFE STARTED, YA KNOW IT COULD BE BECAUSE IT CAUSED TOO MANY DEATHS

YA KNOW HE IS CRONUS, AFTER ALL,, WHEN HE ARRIVED THERE, HE TIED EACH KID UP IN HIS BED, AND TWO KIDS WERE, HUCKLEBERRY FINN

AND TOM SAWYER, WHO WERE ROUGH AND TOUGH, AND HUCLEBERRY FINN AND TOM SAWYER, ESCAPED TO BE LOST FOREVER, SO THE

NEXT MORNING EDWARD TEACH SAID, TIED EVERYONE UP, AND SAID, I AM GOING TO BLOW THIS BUILDING UP TODAY, AND THEY HAD 5 HOURS,

AND IN THAT FIVE HOURS, PEOPLE WERE PANNICKING AND HUCKLEBERRY FINN AND TOM SAWYER CAME BACK AND BASHED EDWARD TEACH

AND STARTED UNTYING ALL THE PEOPLE, BUT, THE BUILDING WAS BLOWN UP, HUCKLEBERRY FINN AND TOM SWAYER, WERE BLOWN RIGHT OUT OF

THE RANCH AND INTO THE RIVER, ABOUT 23 DEATHS CAME FROM THAT, BUT HUCXLEBERRY FINN AND TOM SAWYER, AND ALSO, EDWARD TEACH, HEARD

BUDDHA’S VOICE SAYING, YOU MUST REINCARNATE, YOU MUST LEARN YOU ARE DESTROYING OUR FUTURE, OF MOTHER EARTH, AND EDWARD TEACH WENT INTO THE

STORE TO BUY A BOTTLE OF WHISKEY TO DROWN OUT BUDDHA’S VOICE, AND EDWARD TEACH SAYS, I WILL NEVER BELIEVE THIS STUPID RANCH IS MINE

AND THAT MADE BUDDHA AND ATHENA VERY MAD, SINCE THEN EDWARD TEACH CARRIED ON TAKING KIDS AND ADULTS FROM ALL CORNERS OF THE GLOBE

AND FOR THE FIRST 6 YEARS, EDWARD TEACH WAS TRYING TO **** HUCKLEBERRY FINN AND TOM SAWYER, BY CHASING THEM, TYING THEM UP

AND THESE 6 YEARS WERE TOUGH, BUT EDWARD MOVED ON, AS HE AT THE AGE OF 22, WAS KIDNAPPED AND BROUGHT ON BOARD A PIRATE SHIP,

WHERE HE GOT THE NAME BLACKBEARD THE PIRATE, AND TERRORISING PEOPLE ON THE CARRIBEAN COASTLINE, AND HUCKLEBERRY FINN AND TOM SAWYER

WERE FIGHTING TO STAY ON THE LAND

THE END
Paul C  Jun 2012
Summer Girl
Paul C Jun 2012
Standing in the August sun,
Your skin soaks up the light,
And saves it for November,
When clouds occlude the sky.

The gentle breeze softly coaxes
The folds of your paisley dress,
To gather up their courage
And ask your hair to dance.

Silent finches straining to hear,
Her soaring, piccolo laugh.
The waves cresting to see,
Her pure and radiant smile.

Like stars that come to speckle
The navy nighttime sky,
Each morning a brand new freckle
Appears below your eye.

Adorned with grace and charm,
With patience and joy complete,
Dare not to look away,
None other can compete.

Grumbling fingers,
Untying scarlet ribbons,
White banners to unfurl,
And forfeit to the beauty,
Of my gorgeous summer girl.

— The End —