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 Mar 2013
Seán Mac Falls
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.
In Irish mythology, Niamh ( "bright" or "radiant". Niav, Neve, Neave, Neeve and Nieve ) was a goddess, the daughter of the god of the sea ( Manannán mac Lir ) and one of the queens of Tír na nÓg, the land of eternal youth. She was the lover of the poet-hero Oisín.
 Mar 2013
Seán Mac Falls
Christ was pure— Pagan,
And lamb shall return as lion,
Righteous torn to shreds.
 Mar 2013
Seán Mac Falls
One percent Sun Kings,
Guillotine comeuppance fails,
  .  .  .  Too ******* subtle.
The Sun King of France ( ultimately beheaded ) enjoyed the doctrine of:

The divine right of kings, which was/is, is a political and religious doctrine of royal and political legitimacy. It asserts that a monarch is subject to no earthly authority, deriving the right to rule directly from the will of God. The king ( one percent rich ***** ) are thus not subject to the will of his people, the aristocracy, or any other estate of the realm, including (in the view of some, especially in Protestant countries) the Church. According to this doctrine, only God can judge an unjust king ( **** *** ). The doctrine implies that any attempt to depose the king or to restrict his powers runs contrary to the will of God and may constitute a sacrilegious act.
 Mar 2013
Seán Mac Falls
I saw a hunter by a country road,
In tandem with me he sailed as I drove.

His hoody-head set monkish to the soil
Conjured up music so soundful, sacred,
And I unmoving over a tired flesh—
Coloured vehicle felt naked and dead

For he so saintly robed and dressed to ****
In the colours of the sky prayed with wings,
My harrier, his eyes cleansed purity and gold
While mine unsightly piebald pale and blue.

But want of food dovetailed two craving
Creatures, yet— over fed I felt rusty
Below his steely hunger and what saving
Grace God might offer either mice or men.
 Mar 2013
Seán Mac Falls
With wings at rest longer than its tail
My hobby waits.  Great bird of creation,
Where do you come from?  As I sit and mull
You take flight to and from places I may
Never know,
                            Where are you taking me,
Great spirit on high, far, farther-ring with light
And the wind, which streams then to delirium
Heights?  I am bled and I am torn.  Must I
Suffer in my soaring?  Your clutch, tings
The sky, pierce the cloud, my hobby hovers,
I dream of coronations, talons to my head—
A crown of thorns.
hobby
1): a small Old World falcon (Falco subbuteo) with long wings that is dark blue above and white below with dark streaking on the breast.

2): a pursuit outside one's regular occupation engaged in especially for relaxation.
 Mar 2013
Seán Mac Falls
The sea gulls— who fly in wanton
To the horizon, are a spirits
calling, are sea songs falling
To my mind they falter— as I
Have known such cozen to the sun
That falls each day nor do I see
It rising.  My world is weighted,
Under, pass the lining of the quick,
By the mounted cloud which hangs silver
Over the plated night. The owl,
Whose eyes of Janus tails, when wanes
The lids, tied to crescent holey
Whelm of malevolent moon,

Praise over me, with wooly wings,
Is silent as shadow.  I may strut or run
But they do come as the shadows will
With cahooting sun, and the blotting
Bald faced moon, chiaroscuro—
The days feign and heaven pales under
The wake of the luna sea.

       In darkest daylight
I shamble toward the flat horizon
Where the seabirds fly, till their ends,
I take two-faced my faulty comfort
As I see them, falter, falling, yet never
Do they touch the gloaming ground.
 Mar 2013
Seán Mac Falls
River gift, flowing upstream and down
Cresting with the bumpy waters tow,
Slick as an eel, you move and fro to play,
Warm in the gleaming sun that rides
With you each day,

                              you have shone, great
Knowledge of salmon, found the pearl
In the dark mussel, bend as even light
Must, piercing the waters of the under-
World, lording the fey, riparian borders,
Like a God.
 Mar 2013
Seán Mac Falls
At the end of night she bathes in light,
We tussle in the warmth of morning,
The blankets and she are of sea foam
And found shells, whispering lost ocean
Words.  Our bed is a raft, drifting aloft,
The coffee is brewing with mellow sun,
Her smiles, filling my silly, giddy mug.
Soon, we walk to the pebbled beach,
Her hair is waving at the friendly seas,
Gulls are circling in the moving skies
Reeling with the slow, slipping tides
And I skip stones with her as our feet
Sink in the milk of morning sands—
Must we be off to Dublin town?
 Mar 2013
Seán Mac Falls
Who said cemeteries are for the dead?
For those who celebrate such silence
A commotion’s something too.
Crow about the stones, smeared by sun  
All gawking formal and sharply dressed, rung  
A black congregation that drilled and sermoned  
My ears down to coffin nails beneath  
My feet, a voice that hung the wanting
Waves.  

And over head I saw the braised yearling  
Eagle bobbing past the undivided sun,  
Who tottled about the sky in circles out  
Of center, a wearing down of gear
Churning with the grave
Bruising birds, that spoke  
And wheeled over dusty  
Stones.  

Sea spray, leaning trees, slant  
Of cloud, spilt green grass of one  
Sided mosses all pointing which was to be —
The way,  

And leaving there, I saw the sign and it read:  
    ‘Ocean View Cemetery,’
Opens at sunrise —
Closes at sunset.
 Mar 2013
Seán Mac Falls
Sometimes the body is contagion
To the soul.  Stars in their mission fall
To seed the fertile flesh, ignite
Blue waters of sulfureous hearts,
And so the flash is set to cancel
In the flood.  

Sometimes the lip of soul onto seal
Will not hold, before he first knocked
And let flesh enter, thorny pegs
Pricked nerve and pierced bone on his climb
To the rose, yea, some stars odd as
Meteors crash.

In the swan-sea, song-sangy-frame of crib,
Rough hewn words bent mold to scrape, like
Blasted coral, stood half-submerged
Amid sea and sky, for between the leaves,
Behind the eye, there are little stars
Shining like existence.

In a circle world he fashioned green
Blazons about the darkling day,
Fostered by celestial navigation,
Wrote a language for music, on a map of love
And charted the force of green in a wind-
Rose of discovery.

Sometimes the soul is not contained, it
Bursts in silent sound like well water
From the source.  And of men in streets
He saw the pennies in their grumble
Eyes, and of love and its course he rubbed,
Tickling dim stars.

It was his thirty ninth year in that fall
To heaven when the steeping cell,
Refused to push in its tide.  Homeless
And free on scaffold of bone the middling
Man retracted from sun to sink
With the moon, turn-tiding-toward sea
Like a changeling.

And as ever, nor often, unwavering eyes
Sprout through shifting grains.  And as he spoke
Quite rimless, Dylan Thomas was petrified
In undying light, and solid set within a rill
Of reef sparkling in concert betwixt gas
And sea, so becoming in purple sleeves,
This constellation of mute singers all,
Dried five-fingered-fish, bright embryos
Returned to the shell, they burn between the leaves,
Beset the grounded skies and show sprite flashes
In the dark where He has left his imprints, burning
Above and plastered below.  The first rock stars!
 Mar 2013
Seán Mac Falls
IN THE POOL OF THE LOST MAIDEN SONG

                1

Down in the shrouded wood a wanderer walks
And dreams the dreamers story he has lived.
Sidled by the stream that sheds blue waters
By the beds, trailing the rail of loves unknown
Kiss and a voice that conjures truest bliss,
Down in the drink where sweet Ophelia sleeps;
In the pool of the lost maiden song.

And the dreamer, he is dreaming . . .
Hair, that ropes the stoic man upon his mount.
Hair, making souls’ lost ending breath a shout,
And hair that weighs the wind, teaches it to sing;
Hair, wending whirlpools waving fools to dive in.


                2

Lost at land’s end the sea lions, washed-up, wail
And buzzards coast where eagles flail, rip tides
Assail and chop the collected bones they drop;
It is a chalky bone-yard break, golden escarpments
Wake and a ******’s salty sermons shake;
Where gathering ghosts glom and chide steeping,
In the pool of the lost maiden song.

And the seeker, he is seeking . . .
Eyes that turn the sands and are mirrors,
Eyes that taught the books of Alexandria,
Eyes that shook the flesh and are seers,
Eyes that lit the pyres, burned true believers.


                3

Deep in the dark wood the waters rush, hush,
Cramp, crew and creep, melodiously tread,
Trammel, and burn as furies in keeping true
The melting moon, the onerous owl, fluttering
Things, muttering wings, cones in darkness
Flings and filmy time flicks by the wayside;
In the pool of the lost maiden song.

And the lover, he is longing . . .
Love, lithe and lyric, he sees your sweeping shapes.
Peace, parsed and pained he hears the voicing gape.
Blind, bliss’d and shamed he wears the votive drapes.
Hungered, thirsted and gone; seeks your pearly gate.


                4

Out in the forest maze the jarring sun seeps
And swirls, only to roust the traveler onward
Where soon he must meet the faces in the grotto
Down in destroyed lands by the seas’ unreasoning
Chime, deep in the dark whine of the shining mermaids,
Where the doomed cry, round the navel of the world,
In the pool of the lost maiden song.

And the doomed, they are crying . . .
“****** beauty bade us, in a star crossed chrysalis,
Made us, choose a desert’s winter of loneliness.
Heed our fate and leave this valley torn of bliss;
The many millions of locust fall in ripest fields.”
 Mar 2013
Seán Mac Falls
Clover, bell of three,
Welsh Patrick, coracle and Gaels,
  .  .  .  Sacred trinities.
Legend (dating to 1726, according to the OED) credits St. Patrick with teaching the Irish about the doctrine of the Holy Trinity by showing people the shamrock, a three-leafed plant, using it to illustrate the Christian teaching of three persons in one God.  For this reason, shamrocks are a central symbol for St Patrick’s Day.

The shamrock had been seen as sacred in the pre-Christian days in Ireland. Due to its green color and overall shape, many viewed it as representing rebirth and eternal life. Three was a sacred number in the pagan religion and there were a number of "Triple Goddesses" in ancient Ireland, including Brigid, Ériu, and the Morrigan.



The coracle is a small, lightweight boat of the sort traditionally used in Wales but also in parts of Western and South Western England, Ireland (particularly the River Boyne), and Scotland (particularly the River Spey).  The word "coracle" comes from the Welsh cwrwgl, cognate with Irish and Scottish Gaelic currach.

Designed for use in the swiftly flowing streams of Wales and parts of the rest of Britain and Ireland.
 Mar 2013
Seán Mac Falls
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?
Nineteen priestesses were assigned to tend the perpetual flame of the sacred fire of Brigid. Each was assigned to keep the flames alive for one day. On the twentieth day, the goddess Brigid herself kept the fire burning brightly.

The goddess Brigid was also revered as the Irish goddess of poetry and song. Known for her hospitality to poets, musicians, and scholars, she is known as the Irish muse of poetry.
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