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 Mar 2013
Seán Mac Falls
Four crows, black on cloud,
Dark, sordid wings parry and ******—
Murdering white skies.
 Mar 2013
Seán Mac Falls
Winged caterpillar
That frees my soul,
Sets my mind to dreaming,
How the hand of man
Out plays the God,
Makes love
To its master.
With fondled fingers, you paint
A dumb firmament, the way
Light dazzles as it breaks
Or how the itching rain
Taps a teasing melody as it falls
To the lover ground.

Beloved of Orpheus
Whose wove you coiled in-
Vents a garment of bird song loom,
Content my breath
The way that water wells
And lolls into puddles
Nesting not before the hot,
Harpy steam.

O melodious pool,
Undulating lake, frame
To emotive vapours, without
Ship you ply in wakes.
The oarsman plucks the main,
Your body is the sail,
Drunkard winds and warblers,
Blow hard, but fail my ears,
Atone as well, the wretched sounds of day
For they are sour spells, and but a fools
Trash canned movements, in a state
So needy of weeding,
Mere sound is soiled
The way you rake.

Evolution spreads,
As stones do,
When moves the river bed,
Grace, in violence,
Sparkles as it blooms,
Like an ears creation—
Rose on the tomb.
 Mar 2013
Seán Mac Falls
I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
Blodeuwedd is the Welsh Goddess of spring created from flowers.  In the late Christianized myth, She was created by the great magicians Math and Gwydion to be Lleu's mate, in response to a curse pronounced by his mother that he would never have a wife from any race then on the Earth. They fashioned Blodeuwedd from flowers and breathed life into Her.  In Welsh, blodeuwedd, meaning "Flower-face", is a name for the owl.

She represents temporary beauty and the bright blooming that must come full circle through death: She is the promise of autumn visible in spring.

Pronunciation: bluh DIE weth ("th" as in "weather")  Alternate spellings: Blodeuedd, Blodewedd.



Selkies (also known as silkies or selchies) are mythological creatures found in Faroese,Icelandic, Irish, and Scottish folklore. The word derives from earlier Scots selich, (from Old English seolh meaning seal). Selkies are said to live as seals in the sea but shed their skin to become human on land. The legend apparently originated on the Orkney and Shetland Islands and is very similar to those of swan maidens.
 Mar 2013
Seán Mac Falls
The ruddy footworn path is wild and long,
Tracing down all of my woodland years,
Shorter in front, longer behind, fading song,
Was its form cut by me or the grazing deer?
 Mar 2013
Seán Mac Falls
Words, utter, deconstruct,
Pure truth is now, tainted.
Always two ways of seeing,
Right is mighty and written,
The blinking stars, warning,
Over heads of manly stone,
Silent testimony unheeded.
Faith, the hearts perdition,
The exquisite supplication,
The tyrants dream so freely
Spun for turning heads tips
As baubles do when moon
Is full or the sun is searing.
Is the world really flat? Are
The angels already among
Us or do birds surely winter
On the moon?
There once were superstitious explanations for birds disappearing in winter: that they either hibernated, or turned into other species. A third common misconception, originating from a pamphlet published in 1703, was that birds actually spent the winter on the moon.
 Mar 2013
Seán Mac Falls
Old shoe economies,
Worn workers expendable,
No more repair shops.
Planned Obsolescence: Products, systems designed to fail.
 Mar 2013
Seán Mac Falls
Rua
Dearg,
Rua, roselet,
Gruaige na fíniúna agus scarlet
Fíonchaora, drown me i do deoch
As liopaí, fíona, Ruby, flesh an paisean
Torthaí agus adharc de neart,
Earthen meirge de pebbled cré
Tarraing mé mar uisce seeping
Isteach uiscígh ársa, ualaithe, i bhfolach
Faoi vastness Sahára
Sands. Tá mé scamall de aisling
Drifting, itching, edging chomh maith do chothromú
Hills. Do ******* sruthán mé mar gaile,
Tá do chluasa le haghaidh doves neadaithe
Agus do shúile, tá an spéir ag fanacht, cogaíochta
Le farraige, le haghaidh a dath,
Is é an ghrian wandering strainséir
Mar a thiteann sé, dar críoch gach lá, faded
Mar an fathach gásach de Antares faint,
Eclipsed ag do heavenly
Foirm, do lasair Vulcan
An tsolais.
Rua  ( Red )

Red,
Rua, roselet,
Hair of vine and scarlet
Grapes, drown me in your drink
Of lips, of wine, ruby, flesh of passion
Fruit and horn of plenty,
Earthen rust of pebbled clay
Draw me in as the water seeping
Into ancient aquifers, laden, hidden
Under the vastness of Sahara
Sands. I am a cloud of dream
Drifting, itching, edging along your rounded
Hills. Your ******* burn as I steam,
Your ears are for nesting doves
And your eyes, the sky is waiting, warring
With ocean, for its colour,
The wandering sun is a stranger
As it falls, ending each day, faded
As the gaseous giant of faint Antares,
Eclipsed by your heavenly
Form, your Vulcan flame
Of lumen rouge light.
 Mar 2013
Seán Mac Falls
My love is kept, and I have nailed
Her face to mine in a box of sleep,
A chamber for lost chances, subtle
Visitations, concrete emanations,
Somnambulistic signs and mercies
Elation, we walk through meadows
Of the mending sun, sweetly chaste,
Ever deep into the wandering shift,
That tearing time and moon allows,
Real as dream, to the lands of night.
 Mar 2013
Seán Mac Falls
Weighty lightness, solid levity,
Primordial soup,
Some ancient rite, draws me
To the foam.
Its celestial colour,
Its effervescent overflowing,
How it teases my buds,

Not like water,
Like honey
As an insect encased
In amber
I am within,
The tears of sunshine
And Olympian folly.

On dry days
I seek the incendiary agent,
Brooding bout,
Pint-sized, el niño
And his brews
Come soaring
After the downpour,
As high-tiding winds,
That **** contented days
And spin spirals round
Cups of complacent
Hours, the whine
Eternal,

Only seems
Like spilling
Blood.
Draw me, the dram.
The dram of what?
Ale's the thing!

Falling,
Overboard,
No drowning man was so ever
Esteemed,
Ever so buoyant.

How the vessel becomes
His captain.
 Mar 2013
Seán Mac Falls
Druids in forest,
Ancient, shrouded, eternal,
Stand of golden yew.
 Mar 2013
Seán Mac Falls
Love, looked at itself,
Came upon nubile innocents,
Threw down with jaded sun,
Made its own bed in the open,
Earth rained for a thousand days,
Evolution birthing in the flood,
Meteors could not wait to fall,
Comets not wait to strike,
Oceans drowned in salt,
Evaporated whilst the whole wide
Swirl, turned and glazed upon
An arc of celestial remnants.
 Mar 2013
Seán Mac Falls
Pale reeds of morning,
Flash— sparkle in the 'nine-tails,
One red-winged blackbird.
 Mar 2013
Seán Mac Falls
Green wings, floating seeds,
Deep oceans in water beads—
Mist, steeps mystic winds.
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