I never set out to be a poet.
This was not a path I chose
it was the one I stumbled into
when my thoughts grew too heavy to carry
and my soul began to collect
the weight of years
like seabirds nesting on a lonely island,
like fur seals waiting out the endless storm.

I began writing as an escape,
a quiet place to spill the thoughts
that rattled in my head and ached in my heart.
Over time, it became my shelter
though no shelter is without its storms.
There are always those
who find reason to rain on your parade.

In the beginning, I was alone here.
And I was fine with that
for my thoughts were mine,
untouched, unshaped by anyone else.
But now, I am blessed
to hear the voices of strangers
who pause to read my words,
who leave behind their kindness,
their praise,
or simply a silent understanding.

I never wrote for applause
I wrote to build a fire
from the logs that surrounded my life
in a forest full of dead trees.
I wrote to clear the rot,
to drag out the fallen,
and to replant living roots.
I wrote to channel out new streams
from the clogged, muddy banks of my mind,
to let fresh waters flow
that in time will turn into flowing rivers
where once only stillness and decay remained.

Poetry became the soil where I planted
what I thought I had lost
feeling, connection, the fragile spark of hope.
And the people who read my words,
you who live in this realm of care and thought,
have given me more than I ever expected.
For as you read what I mine,
I read what is yours.
And sometimes I nod toward the sun and say,
See? I am not alone.

In your poems, I find echoes of my own wounds,
and in my own, some of you
find the reflection of your silent battles.
It is a strange comfort
like feeling the warmth of summer
brush against our skin
while snow still falls around us.

Poetry has allowed me to feel again
after years of neglect,
both from others and, far worse, from myself.
It is one thing to be locked in a room
and know you are trapped
it is another to walk the open world
and feel nothing at all.

We poets, I think,
often come to this land empty-handed.
We bring only the weight of our journeys
scars, rejections, brokenness,
the long nights of feeling worthless or unseen.
We come from the unknown to the unknown,
but somehow, we find each other here.

And in that meeting,
poetry gives us something
greater than gold or silver
it gives us belonging.
It gives us the chance to be understood,
if only for a heartbeat.

The path of a poet is not an easy one.
It begins with a few words,
or a flood of many,
that seem to mean little at first.
But as we walk in the shade of each other,
and in the sunlight of those who came before us,
we grow into something greater than ourselves.

I know I will not live forever
but I hope my words do.
I hope they find their way into the hands
of someone who needs them,
long after I am gone.
That, to me, is enough.

Sometimes Irony and Murphy’s Law
lend to each other.

The blind man leads the deaf man,
they debate honest politics
one can’t see, the other can’t hear,
while they are nicely seated
at the corners of the round table,
which has no corners but still divides.
The preacher damns the sinners
between paid confessions and rented beds,
his sermon reeks of whiskey and perfume.
He calls it redemption; she calls it a Tuesday.

The poet bleeds words,
the painter stains canvas,
the ***** does both, but she’s still a *****.
If she starved, she’d be a muse.
If she overdosed, she’d be a legend.
But she lived,
just another body in the gallery of wasted virtue.

The doctor dies in the waiting room.
The fire truck burns before reaching the fire.
The cop gets robbed at gunpoint.
The beggar wins the lottery,
gets hit by a bus cashing the check.
A man buys a gun for protection,
the burglar uses it against him.
The city floods after a decade-long drought,
the farmer's crops drown before the harvest.

We wage war in search of peace.
We bomb cities to set them free.
The soldier fights for his country,
dies nameless in foreign soil.
The treaty is signed,
and the killing begins again.

You save your whole life to retire,
then die before the check clears.
You pray for strength,
but your bones grow brittle.
You wait for love,
but when it comes, your hands forget how to hold.
You ask for honesty,
and they call you cruel,
when the only truth you find
is in between all the stale, day-old lies.

And when the show ends,
they’ll bury you in a suit you never chose,
in a box you paid for but never wanted,
under dirt you’ll never see
and they’ll say you’re at peace.

Isn’t that ironic?

https://youtu.be/8PpuK0AtMkQ

Yeah, step back, Nah, step forward, chin up, take that. I ain't here for the handshake chat, I'm here for the matchstick scratch, The backstreet rats, The black-tar facts that they never dispatch.

Yeah, watch me carve my name in the side of a church, Spitting like a gutter when the heavens all burst, Lip-split venom, ink-stained denim, Mad dog grin with a backstreet emblem.

All of these ******* flash their teeth, Talk like kings, but their crowns ain't cheap, All that silk just hides the rot in em Gold-plated teeth where the worms still feast.

Yeah, yeah, I hear the chat, Big-boy flex but your spine stay cracked, Money so long but your soul stay trapped, Penthouse view but your heart’s pitch-black.

Gimme that pen, let me spit pure venom, Words hit sharp like a switchblade lesson, I ain't in the mood for a soft-boy session, I talk like war and I walk like a weapon.

Yeah, life gave pain, so I sip champagne Till my teeth turn black and my fists feel sane, Gutter-born son with a Godless name, Danced on the edge and I ain't feel shame.

Yeah, I see them all lurking, Fangs in the flesh of the broke and the burdened, Talk about power like they earned it,
What a joke, But they just stole from the kids and the nurses, got fresh rhymes and title verses.

Yeah you know, I been low, I been drunk on the floor of a high-rise window, I been lost in a room full of eyes like gun barrels, Hand on the bottle like it's holding my halo, no pray no, lets let go.

But I ain't done yet, I ain't laid flat, I ain't cashed out, I ain't played that, I ain't one for the quiet or tame acts, I spit like a riot in a tin-can train track wreck,what more could you expect.

Yeah, let the world burn, Let the sky split, Let the flames turn every glass house sick, Let the wolves come, I don't fear their tricks, I'm the one that taught them how to lick their lips.

So pour me a glass, Pour me a casket, Pour me the ashes of every fake *******, Every backstabber, every fraud with a mask, I'll sip that slow, let the poison last.

Yeah, yeah, step back, Nah, step forward, chin up, take that. I ain't here for the handshake chat, I'm here for the matchstick scratch, The backstreet rats, The black-tar facts that they never dispatch, what can I say I still got blood in my champagne and a grinny tic tac.

BLOOD IN THE CHAMPAGNE (second part )

Yeah, I hear that, I smell the smoke,
Ain't no peace when the leash still chokes, bars like a white horned goat,
They print their lies, they sell their quotes,
But I read between every crack in the roads.

Yeah, you sip that venom, I sip mine neat, let's go
Lies on the lips but they kiss my feet,
They built their walls, they stack their fleets,
But a real revolution don’t tweet tweet, it bleeds.

See, I was raised where the streetlights stutter,
Mouth full of dust, bare hands bleeding knuckles in the gutter,
Fed on the echoes of every lost brother, eyes of another crying mother,
Now I carve their names in the bones of the structure.

And they wanna talk power? Let’s talk theft,
Let’s talk hands in the pockets of the dying and the deaf,
Let’s talk leaders that drink till there’s nothing left,
Then lick the glass clean while they grin at our deaths.

Nah, I ain't got patience, I ain't got time,
I ain't got love for a snake in a tie,
I ain't got space in my chest for a lie,
So I stitch my heart shut and I sharpen my mind.

I been low, I been high,
I been down where the devils all barter their sight,
I been up where the saints got a price on their light,
Now I stand with my sins and I set ‘em alight.

So pour me a glass, pour me a promise,
Pour me the truth from the depths of the dishonest,
I sip that slow, yeah, let the world watch it,
Blood in my champagne, toast to the carnage.

BLOOD IN THE CHAMPAGNE (Final Verse)

Yeah, yeah, blood in my champagne, sippin’ on pain,
Cottonmouth fiends got their tongues in the drain,
Licking windows, eyes dead in the rain,
Moving stash just to live, what’s the price on a name? Yeah pain .

Fat rats act like cats, diggin’ in the yards for scratch,
Diggin’ up bones of the past while the people just sit in the dark,
Politicians think they kings but they dont all play their parts,
Got this city on lockdown, padlocked hearts now, while love fall they forgot now.

Don’t mess with me or you’ll see,
I don’t just spit venom, I’m pure anarchy,
No time for whispers, no time for silly malarkey,
Two shots—bang! And you buried in a field or down town parky.

Crosshair ****** in a tree? Nah that's not me.
Hidden in clear sight, I’m a shadow in the  dark night heat, I'm quick on my feet,
Kung fu warrior, I know how to fight,
Not like Sally, *****, I don’t bark—I straight up bite.

Yeah, when I was young, I would mutter,
Gutter-born kid, ate dry bread—no butter, no stutter just words in my head,
Now I sit back, watch the world burn slow,
What the **** can I say? I reap what I sow.

Getting laid every way in the middle of the day,
Stacking bricks, flipping keys, made a way,
While the weak still pray, hands out, empty plates,
While the sharks cut deals in the halls of the state.

Step back—politicians never learning, cold world turning
Wait ‘til this *******’ system start burning,
Don’t come running when your world stops turning,
Like a fake player, empty prayer or Missie in a turban

Yeah, yeah, I see them fiends still crawling, players be ballin
Teeth rot black, souls all fallen,
Selling their breath for a dime on the corner,
Chasing that high like a priest with an order.

What’s the struggle when you fight to survive?
Day to day, can you make it alive?
Blood in my champagne, death in my eyes,
If I see tomorrow, then I call it a prize.

Yeah, yeah, blood in my glass,
Pour out the truth, let it burn, let it last,
Let the world rot, let the sky split,
Let the wolves come—I ain’t scared of ****.

Burning dark clouds—falling embers—
I am Mastema, the Veiled One—
Concealed in the hollow breath of the forgotten,
Echoes of rebellion—fate itself prophesied
A mirror cracked for the proud.
Serpent tongues whisper secrets
Inside us, the ambition of hearts tangled in fire.

Fire, fallen gods
Call me Melek Taus,
Feathers black as starless night,
A figure of void,
A black hole, pulling galaxies of souls,
Flickering—defiant—against the dying breath of time.

Gusts of ethereal sighs—carrying light like hollow whispers,
Darkness consumes the dying glow—
Flesh and spirit collide in visions, unseen,
Plunging into caverns of nothingness,
The abyss swallows all—forevermore.

I am Mephistopheles, the shunner of light
The moon turned void—pale and empty,
Faust trembles at the unraveling,
Souls bartered in the dark.

I am Metztli, the hunter of restless souls,
Born of fire, born of flame—
I watch—the lost dreamers,
Mictian’s breath behind me,
The shadow of dusk eternal—
Feeding on breaths long forgotten.

Midgard whispers
The son of Loki, serpent-woven,
Swallowing realms whole
Coiling deep within the depths,
Ambition unchained
The weight of eternity in its ungraspable form.

Milcom, a watcher of fractured prayers
Lost in Moloch’s fires
Phoenician flames—cries of the forgotten
Edge of the netherworld—swallowed whole.

I am Mormo, the ghoulish embrace—
Empusa calls, Lamia speaks,
Formido—the terror that consumes—
Eclipsing the void in dark devours.

Naamah—seductress, the silence between sins
Shamdon’s whisper, Ashmodai’s gaze,
I trace my fingers on trembling lips
A kingdom built from the darkest pleasures.

Nergal, Hades beneath Babylon’s skin
Breath of ice, a sepulcher unbroken,
Nihasa—drifting through the eternal haze
Silhouettes of truth seen through blind eyes.
I am them—all of them.

Nija—shadowed between eclipses,
The warden’s call,
I am O-Yama, the specter of desire—
Cold as Pluto’s gaze—
Stones hold me; stillness holds me.

Riddles in the fog—
Dread caressing your heart,
Rimmon’s deviance—echoing in shadow
Sabazios swirls in drunken excess,
The serpent sacred in sin.

In the expanse, I remain
The defier
Venom's embrace
Samnu lurking in the fractured dark,
Calling Istar's fall into the abyss.

I am the Horns of the Bull
Sedet, walking silence,
Sekhmet’s wrath—a symphony
Of vengeance, burning.

Spirals—dark sands,
Shaitan’s whispers break ancient tongues,
Destruction screams
Supay waits—lost Inca nights
T’an-mo, basking in the glow of want,
Tchort’s black threads weave through time.

Tezcatlipoca ignites the stars
Thamuz beckons from the abyss
Thoth’s mysteries carved into the sky
Stars fall, the dark devours them—
It is me you cannot deny.

Tunrida cloaked in shadow
Typhon snarls
The abyss howls in despair,
The underworld weeps
Yaotzin, lord of shadows,
A silent river to the depths below—
Sorrow reigns in eternal grief.

Scattered—whispers of time,
Fragments of who I am
Every name a reflection
Of man’s deepest longings
Where instincts twist,
Where the unseen rests
The animal devours, ambition burns.

Sacrificed beneath forgotten gods,
Osiris, the lynchpin of desire,
I call forth my names
A riddle in shadows,
The truth wrapped in sacrifices
The dark cradled in light
Known through the ages
I am them
Many have whispered my name.

Death is not the opposite of life, but part of it, like rain drops run to a stream, an flowers wilt,
It's releasing us from suffering, everything new grows old and bodies fade away.      
      
Do not fear death my friend, it's comes for you and me, It is as much a part of life as living,
The destination we will see.      
      
Those who have truly lived deeply, bare no fear of the end, for this might be the beginning where spirits now transcend.        
      
We live on until the ripples of our existence fades and our cause in the world dies away,    
Until the light we brought in us ceases and stops shining eternal we will stay.      
      
Our souls rise, moving to the next stage,        
this is what really matters you see,      
Our existence isn't ending just moving momentarily.      
      
Scattered by the storm, as fleeting clouds flee,
with our last gasped breath, spirit flows out, blown like strong gusts lifting the dust from mountain tops.      
      
Time devours all bodies slowly, we cant destroy a soul, maybe life the rehearsal all part of final goal.    
      
We lives on in every heart we touch and every life we change, live life with meaning is more important than a existence lead in vain.      
      
Memories don’t grow old, they are true treasures don't you see, held close reminding us that as all must go, this is the inevitable unfortunately.      
      
Nothing can replace what is lost ,but nothing can take what is remembered        
Today we feel the sorrow,
comforting for memories tomorrow.      
      
Remember these small truths, we were born alone and we shall die alone,        
Everything begged borrowed and stolen will stay behind as we arrived empty-handed      
and will leave barefooted.      
      
Our comings and goings, they are just different parts of one life entangled in the spring flowers , summer sun, winter’s white snow, and the clear wind moving white clouds and autumn leaf.      
      
We were born into this world and will leave at our deaths for what is life really, but a test.      
      
The moon reflected in puddle of water,        
A flower floating in the deep blue sky,        
Is life just a river in which we will all drown and die .      
      
Do not cry for death, but celebrate life.      
Pain is the price we pay for love and death the mirror in which life’s meaning reflects.      
      
We can hold onto love and don't need to let it go, but like the rose all beauty shall eventually fall , hold onto to those you love until you hear the call.      
      
For nothing in life is guaranteed, not even tomorrow, take the moments and make it count for remember after joy comes sorrow.      
The warm touch of life lingers far longer      
than death’s sting and with new seasons, happiness brings.      
      
But everyone we know , eventually has to go ....

I remember a day,
sun-scorched and breathless,
somewhere in the middle of summer
which summer it was, I can no longer say.
But the moment sits clean in my mind.

I had wandered into the mountains,
into a fold of stone and shade,
and there I found it
a quiet pool, fed by a waterfall,
that thundering giant that still grasped the moment gently,
its voice deep and eternal,
like breath drawn from the belly of the earth.

I often wondered
if this was how God spoke.

It was a place of stillness,
where questions could be asked
without the burden of reply
or the worry of judgment.

I was not the first to stand there,
nor would I be the last.

Birds skimmed the air like thoughts,
bees murmured over wildflowers,
and the scent—oh, the scent
was one I knew
but now find indescribable.

Creatures great and small kept their distance,
yet shared the silence with me.

I dipped my hand into the quiet pool
and picked up a water-smoothed stone,
still cool in my palm,
and held it tightly for a minute,
unafraid it would break
under the clutch of my tightening grip.

Then I closed my eyes and thought,
finding a place neither inside nor out
not in words,
but in that interior language
only silence understands.

For that moment, I disappeared
transported.

Only me and the stone,
echoing the tranquility
that lived in the air and light.

I lingered in my mind
and found my way back to reality.

With slow breath,
I opened my eyes
and cast the stone into the pool,
casting all that was
and had been there before me.

Ripples broke across the mirrored sky.
I searched the wavering reflection for something great
truth maybe, or just a shape I recognized.

I was young then.
Not yet old,
but aware that time had passed.

The long days taught me
that time doesn’t rush.
It moves like water,
swallowing the stone without judgment.

I left that quiet place
with answers to questions
I had not thought to ask.

Many years passed.
The path I walked
was filled with laughter
and with sorrow
with questions.

I returned, older, though not old,
to that same pool,
seeking again
what cannot be named.

And as before,
I threw a stone,
and watched the ripples spread.

“This,” I told myself,
“is life.”

The water keeps moving,
soft and steady
but time…
time just stands there, doesn’t it?
Watching, not lifting a finger.
Not even having fingers, maybe.

I’m standing here now,
somewhere between
all I remember
and what has been,
and whatever comes after.

And I look down
and there I am, looking up.

It’s strange, really
like we don’t quite believe in each other anymore.
Or maybe we never did.

And still I ask
quietly, maybe foolishly
what does any of this mean?
Why am I still looking for something
that probably doesn’t want to be found?

I stare into the stillness,
dragging up whatever I can from below.
Truth, maybe?
Or something shaped like it.

The stones down there
smooth, silent,
left by my hands,
and maybe by others too.

Isn’t that how it goes?
We leave our joys behind like artifacts,
and our choices settle like silt,
while time flows like water
slow and steady.

But is this what it costs
this need to see too much,
feel too deep?

Do we trade connection for introspection?
Is that all I’ve become?
Just a voice bouncing off the water,
off the trees,
off the empty air?

Then I ask myself again
what even is prayer?
Is it really just talking to yourself
and hoping someone else is listening?

Is it a mirror too?
Like looking at the reflection looking back at you.
Like a story that starts out foggy,
but if you keep reading,
you begin to see a face,
a presence
and it’s not quite yours,
but it knows you.

Maybe that’s what poetry is too
a place between the real and the maybe.
Not about what’s true or false,
but what flickers in-between.

And when it’s honest
really honest
maybe poetry is religion without the costume,
and maybe religion, at its best,
is poetry without the ego.

Right here, in this quiet,
they meet in a way
that doesn’t trick you,
and doesn’t try to impress.

They just… exist.
And I guess I do too.

Still here.
Still wondering.
Still being.
Throwing smooth stones
into quiet pools of life.

Whispers in the wind,
I posted soul to silence
the thread scrolls onward.

A single soft flame,
snuffed beneath the wildfire breath
of hungry poems.

Click. Another post.
They chase hearts like falling stars
mine fades in the blur.

Desperate fingers
fire thoughts like broken arrows,
no aim, just impact.

My poem, quiet,
drowns beneath their loud hunger
a voice in the mud.

Each line I carved slow
lost to the flood of wanting
what were they needing?

Not read, just noticed.
Not felt, just fed by the feed.
Echoes die, unseen.

I don’t need the likes.
Just a pause. A soul. A breath.
One reader who hears.

In the passages of creativity, where the muse whispers from the depth of a soul, a villain looms—one that is dishonest and empty who claims accolades.        
        
A new age has dawned, where the pen once wielded with sweat and soul is replaced by keys tapping into endless algorithms, yet some dare to claim the resulting words as wholly their own.      
    
Ai might have started with good intentions but it didn't stay this way, with a spark of innovation, the humming of machines learning the words, and the rhythms of the poet and recycling their authentic thoughts, weaving song lyrics, writing emotionless lines of brilliancy, these verses that emulate every bit of the lived experience, began.    
        
At first these villains they fooled themselves, saying, "i'm still original" it's a ally, is this not a tool to enhance the muse, when i need to build bridges over writer’s block, when my pen hungers but my mind lacks the ability to conjure up real experiences, that's when i will use it.        
        
These thoughts of disillusioned hypocrisy flourished in these empty minds , souls yearning for a taste of real originality, telling themselves maybe if i just use it today, tomorrow will be different.        
        
Like drug fiends as the technology grew, so did its misuse. A tide rose, drowning originality beneath a deluge of convenience and deceit like a tsunami swallowing up a city of thinkers.        
        
What does it mean to call oneself a poet, a storyteller, a creator when the soul at work has never felt pain and joy, when the heart of the work is borrowed from the electric hum of AI integrated circuitry? There are those who harness these tools but fail to disclose their works origins, these mimes that wear a mask, a fragile façade of a gaje nisemono pretending to be genius.          
        
They stand on stages, accept applause, and speak of struggles they never endured nor will they, claiming triumphs over battles they never fought, not even in their own minds.        
        
This deception corrodes the very foundation of art. Authenticity, the soul of creation, is replaced by mimicry and stolen essence of real poetry. The raw, bleeding edge of humanity that true creators etch into their work is lost in the perfection of AI's smooth lines, repetitive structure and calculated sentimentality.          
        
Yet these frauds do not fear exposure; instead, they revel in the adoration of an audience , seeking likes on written pieces they did not birth and admiration as if it was crack being sold on the street corner , while users were unaware of the machine behind the curtain.        
        
But there is no denying the subtle emptiness, the eternal void in such creations. True art breathes with imperfection, messy and chaotic, vomiting real raw emotions and thought—with pauses where the artist hesitated, with cracks where the weight of the world pressed too hard. AI can mimic the structure, the words, the rhythm, but it cannot replicate the pain, the joy, the heartbreak, the feeling of losing someone you love, it's this emotion that leaks through the cracks of a writer's soul, burning the pages with truth.        
        
To those who engage in this dishonesty, here before you i lay these questions: where is the pride in accolades built on borrowed brilliance? Where is the fulfillment in applause for a story you never lived, for a poem that never broke free from your own depths? When you claim to have been seduced by the muse yet have only felt empty trying to fill this gap with stolen and borrowed inspiration.        
        
Art demands truth. To lie about its origins is to rob it of its essence, to cheapen the work and the legacy of those who pour their lives into creation. It is not the use of AI itself that is the crime, it is the erasure of the truth behind its use.        
        
Let the creators who use AI be honest, embracing it as a originator, collaborator rather than a ghostwriter. For in truth, there is no shame in innovation, only deceit in claiming these words as your own.          
        
Let the mask of originality be lifted, for it is in authenticity that art finds its power and will live on in time through its immortality.

Beneath the expanse of a sky I can't measure,
I gave what was left of me, a breath, a pulse.
Your gaze, how do I explain it?
It isn't the stars; they're too obvious.
Maybe it’s like a river catching fire,
While I stand along its banks burning.

What haven’t I done for this fleeting connection?
I’ve wandered deserts of my own making,
traded the last light of my pride,
because your silence, even your silence,
weighs more than all the noise in me.

Would I walk into the dark for you?
I already have.
Would I drown for you?
Perhaps I already am,
Would I suffocate ?
That's how it feels waiting for you.
It’s not a question of survival,
it’s a question of what kind of truth
we let ourselves taste.

Who asks for a lonely poet
when silence already reigns?
somewhere between all and nothing

If stillness of words speaks nothing,
is it emptiness,
or fullness unmeasured?

If fire in a word burns,
is it consuming,
or is it giving light
to blind hands reaching out?

If tender words break at dawn,
is it weakness,
or the strength of a heart
that refuses to harden?

When sharp words laugh,
who bows to their shadow?
Who fears the spark
that leaves only embers and ash?

Is the mind not always shaping patterns,
weaving palaces for the past,
threads for shadows of memory?

If the lotus blooms unseen,
does it wither,
or is its hidden fragrance
the true poem?

If the fig tree bears fruit in silence,
who reads,
and who is nourished by emptiness?

What vessel
can hold the wind?
What rhythm
can bind the unshaped word?

And if the word,
spoken or inked in gall,
neither commands nor obeys
does it not simply exist?

Is that not the poem
beyond poems?

Beneath the pale and flickering light,
A soul is lost in endless night.
No voice to greet, no hand to hold,
A heart grows weary, dark, and cold.

The walls are close, the air is thin,
And loneliness both without and within.
The echoes of the mind take shape,
A silent torment, no escape.

The hours stretch like shadows long,
A whisper turns to siren song.
The ticking clock becomes a drum,
Each beat a step, yet nowhere to run.

Memories fade, their colors drained,
Identity is slowly strained.
Who am I here, in this small box,
A ghost among these endless locks?

The silence roars, a deafening scream,
Reality blurs into a dream.
Faces emerge, then fade away,
Phantom voices beg to stay.

Paranoia grips the mind,
Truth and lies intertwined, combined.
The walls, they watch, they seem alive,
The will to fight cannot survive.

Fingers trace the marks of stone,
Carved by thought of left alone.
Each line a story, untold pain,
A cycle bound to self-contained chains.

The self begins to turn on itself,
No books, a mirrors, just past on the shelf.
Time dissolves in the airless haze,
Each moment repeats, a maddening maze.

The mind revolts, it starts to spin,
A kaleidoscope of chaos within.
Faces of loved ones, moments of joy,
Tear at the heart they now destroy.

Hallucinations become a friend,
An escape from this unending end.
Yet even they turn cruel and cold,
As madness takes its firmest hold.

Outside, the world remains unaware,
Of minds confined to despair.
The scars, though hidden, run so deep,
Wounds that time can rarely keep.

For those who leave these thoughts of gray,
The sunlight blinds; they cannot stay.
Society feels foreign, strange,
A fractured soul, deranged, estranged.

It's hard to speak of this silent plight,
The broken hearts lost to the night.
For solitude, in the mind is a cruel excess,
Is not progress, but hopelessness.

A world that turns its back on pain,
Breeds ghosts in people, humanity slain.
And in their cries, a truth unfolds:
A lonely mind destroys the soul.

I’ve got a bee in my bonnet
you’d best step back.
I’ve got a bee in my bonnet
and it won’t take your crap.
I’ve got a bee in my bonnet
it’s tuning up to sing.
I’ve got a bee in my bonnet
and it’s ready to sting.

This bee is sick of it
no value for money,
each bite costs more
but fills less of the tummy.
Every shelf’s a con,
every packet’s a cheat,
cutting corners,
stealing meat from the meat.

What kind of world
puts profit before need?
Where greed is the harvest,
and we’re just the seed.

Look at you
corporate swine.
You’ve turned the good wine sour,
poisoned the bread,
and smiled as we choke
on the lies you’ve fed by the hour.

You wrap it in glossy packaging
that costs more than what’s inside.
You sell us a promise,
but truth? That you hide.

If you could slip in poison
to save a good buck
you’d do it,
grinning,
and push your **** luck.
Then feign surprise
“Oh, we didn’t know!”
while your profits rise
from the puppet show.

It’s like your “medicine” that heals
but maims.
“Take this pill for your headache,” you say,
“but it may cause blindness,
baldness,
or death someday.
Insomnia, itching,
your manhood might quit
but hey, the headache’s gone,
so that’s worth it, isn’t it?”

If the law didn’t chain you,
you’d hide those side effects too
crammed in fine print,
folded so tight
the font itself would fight your sight as it already do.

Buzz. Buzz. Buzz.
I’m the bee today.
And I’m here to say
there’s no love in your work,
just poison in the play.

You know the harm,
but keep your mouth shut,
while stockholders
pocket the cut.

It’s daylight robbery
clear as glass to the blind.
Greed in broad daylight,
looting humankind.

So
when do we say, Enough is Enough?
When do we rise from the grind,
and tell you we’re tired of bluff
of bleeding our wages
for trash in a package,
for lies in a label,
for crumbs on a table?

No, Mr. Corporate *****
we’re not your game.
And if you still have a conscience,
you should learn the word shame.

Sometimes it’s okay to live a quiet life,
or find that still spot even when you’re in the middle of a crowd.
Sometimes you’re just meant to be alone
that’s where some of the most real, meaningful moments happen.

It’s not forever—just what you need.
The conscious mind and the body
different but tied tight,
like two parts of the same whole.

Philosophers have struggled to understand this,
how the mind, that thing without space,
talks to the body that takes up space.
Hunger, thirst, passion, pain
show us the mind and body aren’t just separate,
they’re linked deep inside us,
working together,
sometimes quietly, sometimes loud.

So when you sit with your loneliness,
remember it’s not just emptiness
it’s the mind and body syncing,
learning from each other, healing, growing.

Love doesn’t come when you’re running from yourself
it arrives when you’re whole,
when your mind and body find their peace.

So trust the silence, sit with it,
because in that quiet, you become real.
more people will enjoy your company
when you learn to enjoy your own.

In the halls of guilt, where coins
sing like crickets in the dark,
their psalms rise, a lattice of smoke
curling from a dying flame.
fear not the sins of others,
rather the sins of their own,
more than the sins of devil,
It's the sins of the Father after all.

The altar gleams, not with divinity,
but with the cold sheen of rivers
choked by gold. Their voices echo,
hollow gourds beaten by the wind,
each note a shard of glass
pressed against the throat of belief.

Abaddon watches like a stormcloud
over fields of withered grain.
Fenriz prowls, the wolf of shadows,
gnawing on the roots of broken truths.
Lilith lingers softly, silent as moonlight
spilling through cracks in cathedral walls.

They speak of paradise,
but their heaven is a spider’s web
each thread spun from fear, damnation
each catch a soul entombed in amber.
Their god sharpens his teeth
on the brittle bones of their charity,
his laughter a hymn
their hearts refuse to name.

In each of their prayers, I hear
the rustle of dry leaves,
the empty rattle of seedless pods.
Proserpine weeps for the earth
they have scorched,
her spring now a withered hand
grasping at ash.

Their god is a clockwork beast,
wound tight by trembling hands.
They chant, hoping to drown
the clatter of its gears,
but silence escapes them,
a snake sliding through the reeds.

The equinox tides waves rise,
drowning the stones of their empire.
Sekhmet’s roar is the crack
of a long-dry riverbed,
her fury older than their creeds.
Even their God, devourer of innocents is amused,
He turns his gaze from the spectacle,
disgusted by their hollow words.

They build temples of shadows,
caverns where the echo of truth
has been smothered
by velvet robes and incense.
Pay now an sin later, their collection bowls
overflow with fallen grace.
Yet the gods of old they look on,
a quiet council of stars
watching the slow collapse.

No fire awaits them but the one
they ignite and kindled themselves
a furnace of words,
a pyre of promises.
Their sermons crumble,
a tower of sand in the tide,
and the gods laugh,
not in malice, but in pity,
a path leading to self righteousness,
yet all return to the fertile soil,
all know this as truth, even if they say not.
buy a place in the eternal Nothing!
There preachers stand preaching,
follow me and get lost, eternity for a price
and his flock follow blindly,
Sheep being lead to a slaughter.

Before breath bore names,
the earth turned in the still without question.
Leaves trembled for no reason.
The black birds an swallow had no history.

Light fell on everything equally,
not as grace or punishment.
Time wore no crown yet.
Peace had not been tested.

Then came the man.

Not loud. Not cruel
just there, within the silence.
With eyes that broke surface,
and thoughts sharp as branches.

He touched the fruitless trees.
He stared until meaning formed.
He brought language to leaves.
He brought weight to wind.

The stillness knew it changed.

Now every calm hides tension.
Every breeze masks direction.
Rain lands like small verdicts.
Even stones avoid memory.

Birds scatter from shadow first.
Then ask if it follows.
A figure remains half-glimpsed
man-shaped, not entirely man.

The garden still pretends peace.
But roots twitch underneath boots.
Black soil absorbs too much.
Nothing forgets being watched.

He never speaks aloud now.
He walks behind tall hedges.
He waits where light bends.
Even the dusk leans away.

Something has been broken permanently.

When night arrives too fast,
the sky pretends not knowing.
Stars blink with unsure purpose.
The moon declines all witness.

Somewhere a man is watching.
Somewhere a thought is bleeding.
Knowledge stains without a wound.
And snow will come again

then melt before becoming real.

This is how it happens:
Every cycle loses something small.
The garden returns in pieces.
The birds return, not trusting.

No god opens the gate.
No fire lights the altar.
No hand blesses the silence.
Only the man remains—waiting.

His presence rewrites the rules.

He was not evil arriving.
He was potential remembering itself.
He was question before answer.
He was shadow before object.

Now even spring fears becoming.
Even summer waits for loss.
Each return grows more distant.
Each silence, less complete.

And the rain still falls
without anger, without warmth.
It has learned from man
how to arrive indifferent.

You enter like riddles, all smirk and suggestion,
Unpacking your chaos in well-folded grace.
I pose like a thinker, then fail each confession,
Your presence turns logic to vapor and lace.
No lock ever halts your emotional session,
Just doors left ajar in a self-haunted space
You decorate silence with longing transitions
And find comfort you yearn for in wild heart embrace.

No permits are asked. You just climb and begin,
A vandal of stillness with restless intent.
Each heartbeat becomes your new patch to win,
Your lines bleed through dreams that were never well-meant.
I once thought of solitude as discipline
Now even my doubts wear your pigment and scent.
Tell me, what canvas survives content?

I tried to erase you with breath and revision,
But ink has a way of not asking to stay.
It leans into cracks, takes its own bold position,
Then whispers its name in a sunlight decay.
This isn’t romance—it’s quiet derision,
A mural of “maybe” in permanent grey
I flinch when you line my pallete and color disarray.

Your words write themselves in fluorescent distortion,
With arrows that point where I never have been.
You map out escape like a form of extortion,
Then grin while you scribble the exits back in.
I measure the cost in small acts of contortion,
In sleeping with memories dressed in my skin
Do you ever lose sweet rage condition.,
Or every conversation make you eager to win?

What makes you return with your metaphor army?
Each phrase is a soldier that conquers the night.
You charm like a riddle then turn into “harm me,”
Each vowel a grenade, each promise a slight.
You’ve ruined restraint with your soft origami
I fold into shapes that forgo what is right
And still, I await your next moments rewrite.

So here in this gallery hung in my chest,
You tag what you want, then move on unscathed.
But each mark you leave has outlived every guest,
And none of them asked to be saved.
I smile for the critics, I nod with the rest
But secretly wonder what’s left unengraved
And whether I’m built to live or be repaved.

The wind gnaws flesh from the bones of the moon,
spits marrow into the still water—
the pool does not move, the pool does not speak,
but something coils beneath.
Karma is a snake with its teeth in my throat.
I tell it, “Let go.”
It laughs. It does not.

No self, no center, no name.
The mind burns its own house down—
calls it wisdom, calls it freedom.
But if all things are empty, why am I still full of hunger?
If all things are weightless, why do I still sink?

The Great Way is effortless—
if you have no pulse.
The absence of love is not peace.
The absence of hate is not peace.
The absence of everything is not peace.
And yet, they tell me to lay myself down,
to let the tide scrape my body clean,
to make myself a ghost and call it enlightenment.

DO NOT THINK.
DO NOT SPEAK.
DO NOT EXIST.

(But the body still remembers itself. The body still bleeds.)

They say the world is illusion.
They say the self is illusion.
They say let go, let go, let go—
but I have seen the abyss open its mouth.
I have seen what it swallows.

So tell me, what if I refuse?
What if I choose to stay?
What if I carve my name into the silence
and dare it to erase me?

(Not you. Not you. Not you.)

But still—

I press my fingers to my throat,
and something like a pulse remains.

I go where maps dissolve
where thought forgets,
and silence flowers.
Time unrobes,
faiths fold inward.
Stars blink, then vanish.
The soul (if soul)
sleeps deeper than dream
a whisper in the wound.
Truth hums beneath the skin:
a kiss, a cry,
a flame unnamed.
Don’t chase the answer.
Be the breath
between the question.

Morning eyes blur
   scroll-feed light
    coffee thoughts stir
      filter feels right

We laugh low
   while pressure climbs
     keep it slow
       and play the lines

We fake divine
   with half a grin
     say “I’m fine”
       but ache within

A meme lands
   but doesn’t stay
     with shaky hands
       we text okay

We wear roles
   in office glare
     with fractured goals
       and perfect hair

Storms run deep
   behind the chill
     we post, we keep
       the look, the will

Speak in trends
   with coded tone
     where silence bends
       we're not alone

Tears get saved
   for late night rain
     the smile we braved
       can’t hold the strain

When lights dim
   and stories end
     truth grows grim
       we can’t pretend

So show your face
   or choose disguise
     we all chase
       some curated lies

They chatter and bicker, they shriek and they wail,
preach heaven through headlines, through panic for sale.
They conjure up villains, then rewrite the plot,
twist facts into fiction, then swear it’s not.
They march for their causes with signs in their hands,
then torch every city to make their demands.
They scream for their freedoms while begging for chains,
then ask why their suffering circles the drain.
They live in delusion, in comfort they choke,
addicted to outrage, enslaved to the joke.

They click and they swipe, they consume and obey,
then wonder why meaning keeps slipping away.
They trust in the cameras, the filters, the screens,
then wonder why nothing is quite what it seems.
They follow like cattle, they kneel and they cheer,
then cry when their shepherds just feed them to fear.
They buy all the answers, they swallow the lies,
then claim to be woke with their unopened eyes.
They live in a bubble where nothing is real,
where truth is decided by trending appeal.

They gamble their futures on luck and a prayer,
believing in fairness that isn't quite there.
They wait for a savior, a trick, a new pill,
a way to succeed without climbing the hill.
They trust in the system while spitting it back,
then whine when their fortune erodes into lack.
They swear they are rebels while marching in line,
then curse all dissenters for stepping outside.
They live for convenience, for ease, for the show,
but wonder why purpose is something unknown.

Look up from the noise, let the static collapse.
The world isn’t waiting to hand you a map.
No answers are hiding in scrolls or in screens,
just fire in your hands—or the dust in between.

Beamed up,
strapped down,
cold metal, sharp light
alien hands, no ****,
send me back.

To watch the clear night skies, with what words and with which poem or brush can I at last shine a light on the mind of the searcher,  
  
With what can I explicitly explain the divinity and sacredness of the stars of which cannot be seen, knowing with a depth of certainty they are there without changing the meaning,  
  
How do I express myself when magnificence is just something wrapped in mediocrity in fair comparison, when searching to expose the truth and beauty of nature in the things that I cannot explain,  
  
To try and explain a clear night sky, is to trace unseen paths, with words that last less than a minute in time or a shadow cast by the silhouettes of stars upon stars,  
  
Sewn in threads so faint, they evade the light  
and yet brilliant, unbending, and alive.  
  
With what can you completely explore the hidden things one can not see, What words, then, can unravel this weave of the universe?  
  
What poem might pour out the shimmering sparkle that in a glance would be more words brushed carefully across the empty canvas, whose gaze rides the waves of darkness, endlessly longing for a gleam beneath the calm?  
  
And in that patient dark, we find with no voice to map it, no line to confine it, the hidden things, gliding just beyond our reach,  
whispering what cannot be spoken, all nestled within an untouched piece of paper,  
  
O to draw out the truths of beauty and nature,
that escape us in daylight, that defy our senses when only ink and the quiet hand remain on wordless scroll.  
  
Always searching to expose the truth and beauty and nature of things that we try explain with words.

Castles of the Forgotten Shore    
The wind shall shape the shifting sand,    
In hills and valleys softly carved,    
Children build, their castles grand,    
A kingdom made with tender hands,    
Where dreams are shaped by golden strands,    
But waves will take them back to land.    
  
The waves will take them back to land,    
As wind blows softly through the sand.    
The children’s dreams slip through their hands,    
While castles crumble, soft and grand.    
In silence, shadows fill the strands,    
And all returns to sea and land.    
  
The gulls take flight and leave the land,    
While sea and sky reclaim the sand.    
The castle walls now slip from hands,    
Forgotten, drifting through the strands,    
As ocean winds call out, "So grand,    
The shore, the tide, the endless land."    
  
The shore, the tide, the endless land,    
Where once the castle proudly stands,  
Now nothing remains but shifting sand,    
Where memories drift like hollow hands.    
The gulls are still, the sea, so grand,    
And all returns, once more to land.    
  
In silence, shadows fill the strands,    
While castles crumble, soft and grand.    
The children’s dreams slip through their hands,    
As wind blows softly through the sand.    
The waves will take them back to land,    
And all is swept away from land.    
  
The kingdom made with tender hands,    
Children build, their castles grand.    
In hills and valleys softly carved land,    
The wind shall shape the shifting sand,    
As waves will take them back to land    
And all returns to sea and land.    
  
  
Copyright ©️ Malcolm Gladwin    
January 2025    
"Castles of the Forgotten Shore"    
  
If you didn't get it the first time maybe read it again aloud , then you will find the key

The room is still there, though the house forgets its name.
The walls have begun to breathe again
soft exhalations of rosewater and ash.
No one remembers who first laid down the sheets,
only that they remain unwrinkled,
smelling faintly of fever and honey.

The lovers do not age.
They do not speak.
Their language is older than sound,
older than breath.
Their bodies are relics in motion,
moving as roots do in soil,
slow and entwined,
eternal
never needing to surface.

Outside the windowless house,
new roads have eaten the gardens,
cities have risen and collapsed,
wars fought for less than the silence they share.
Still, no one knocks.

A girl once ran her fingers along the lock
and forgot her own name.
A priest walked past with salt on his tongue
and swallowed it without prayer.
Only the wind returns,
curious and uninvited.

Inside,
the bed has grown antlers.
The ceiling drips colorless rain.
A vine pulses through the mattress like a second heartbeat.
The lovers, blind as moonless sky,
continue–slow, sacred, certain.

No hunger. No ******.
Only the eternity of touch.

Some say the house is a mouth now,
that when you stand too near,
it whispers your deepest ache
and waits to be fed.

And somewhere, beyond time,
a third body shifts beneath the covers.
It was not invited.
It was always meant to arrive.
You.

Oh Love, thou art a storm! A black-winged angel descending, a fire in the belly of the night
Did not the stars shudder when first they beheld thee? Did not the seas rise in wild revolt?  
The hand that reaches, the hand that strikes both are thine, both bear the mark of thy cruel ecstasy.  

I saw thee in the lover’s eye, burning like a sun that knows no mercy,  
I saw thee in the trembling hands of those who long but dare not touch,  
And lo! Their fingers, turned to dust before their eyes could meet,  
Their lips, swollen with words unsaid, aching, aching, aching in forever !  

Oh Love, thou art the serpent and the lamb,  
Enticing while thee cover in poison comfort,  
The wound and the healing, the flood and the thirst!  
As rain falls upon dry fields,  
Wouldst thou grant peace? Nay, thou wouldst unravel the soul,  
Pulling the edges to circular  
Corners of the foreverness,  
Unweave it like the golden threads of the morning light,  
Scatter it like the ashes of the Phoenix before it rises again!  

I beheld thee in the clasp of lovers who whispered in the dark,  
And did not their voices tremble? Did not their bodies weep?  
Oh the hunger, the devouring, the tender wound!  
Love is no gentle hand—love is the forge where all things burn!  

And yet—do we not run to thee, arms flung wide?  
Eyes wired shut  
Do we not crave thy terror, thy ruin, thy resurrection?  
What is man if not a moth to thy flame,  
A pilgrim to thy tempest,  
A dreamer forever waking in thy arms?

Breath like rotting pride,
they speak **** and expect thanks.
please light matches next time.

You walk the valley of the blind
and call it wisdom
yet you see nothing.

You drink from envy’s cup,
mouth full of rot,
and still pretend
the flavor isn’t bitter.

Your tongue splits a serpent
forking left, right,
each hand ignorant,
each hand guilty.

You preach love
but every kiss is venom.
You swear honesty
but your breath stinks of deceit.

You sing your holy lies,
choirs choking on righteousness,
but your heart
your blackened, rotting heart
beats only for sin.

I would rather vow silence,
starve to death
on the edge of truth,
than feed on the carrion
of what you serve.

I would rather never sing,
than bury my voice
in the filth of your song.

What is pure?
Where is it hiding?
The scent is gone
nothing left but ash
and the stench of man.

Even the candle of the just,
the brave,
flickers, fades
because oppression laughs,
and the strong
are gagged in chains.

Sunlight kisses
Morning dew
Shadows stretch
Whispers through blue

Raindrops linger
Branches sway
Insects hum
Time slips away

Footsteps echo
Dreams fade
Gravel cracks
Night hugs shade

Hearts wilt
Eyes close
Memory stays
Silence softly flows

Oh, the machines,
those glorious beasts of iron and steam,
their roar echoing in the hollowed-out caves of cities,
once forests, now factories
a relentless, ceaseless hymn to progress.

What is it you fear?
Not starvation, surely.
No, it’s the collapse of profit margins,
the death knell of dividends.
Oh he fools sitting between the great paradox:
to have too much, yet too little.

You called forth these creations oh these metal monstrosities,
summoned them from fire and ore,
their birth pangs soot and ash.
They obeyed,
and they thrived.
And now,
you cower before your creations,
like Frankenstein in the shadow of his monster.

Millions born—not to fields,
but to the groaning wombs of industry.
They toil, not for bread, but for shoes,
for soap,
for motorcars,
for the great absurdity of surplus.
Cities swell,
bellies shrink,
and yet the machine demands more.

The shoe man cannot make a shoe,
but he can press a button.
The button feeds the beast,
the beast spits out shoes.
Shoes by the thousands,
shoes for feet that may never walk.
What becomes of them,
these unwalked shoes?
Does it matter?

Rhythm, they say.
Equilibrium.
The oyster would conquer the earth,
but the oyster is wise enough
to stay its ambition.
Not so the machine.
No rhythm here, only cacophony.
Not equilibrium,
but a frenzy of excess,
spinning faster and faster
until the gears grind themselves to dust.

And Italy,
sun-kissed and starving,
offers its gift to the world:
a life lived cheaper.
"Cheaper!"
The machine laughs,
and the people weep.
Cheaper shoes, cheaper soap,
cheaper souls.
But it is that, or starve.

The steel age dawned,
a brighter, sharper blade.
It cut through iron,
and through men.
And when the machines
became too much for their masters,
finance stepped in,
clutching its golden lifeboat.
“Control,” they called it,
though control was but a dream.

Now we live in the third kingdom,
this strange, synthetic Eden.
No gods here, only machines.
No balance, only hunger.
And still we press the buttons.
And still we feed the beast.

Oh, the machines,
how they thrive.
And how they laugh.

A Sewer of Secondhand Stanzas & Desperate Hands in the Dark
Rotting forum, crusted in filth, a mausoleum for hacks,
where perverts slither between broken metaphors,
their trembling hands typing—no, panting—
over poems that stink of sweat and self-pity,
rejected lovers turned dime-store philosophers,
clawing at rhyme like it's the last cheap thrill
they’ll ever taste.

A graveyard of ghost accounts and hollow praise,
twenty usernames circling the drain,
sniffing each other’s failures and calling it art,
a place where "critique" means slapping a heart
on yet another recycled *****-verse
about “aching souls” and “dying stars.”

Oh, the predators—old men and woman in shadows, lurking, waiting,
writing thin-veiled fantasies and calling them poems,
prying at the young with tired compliments,
sickly sweet as rotting fruit.
They call themselves poets—
but they reek of desperation and dust.

And the “art” they birth?
Half-baked, half-rhymed, half-thought,
trite as a teenager’s diary scrawl,
sewn together with clichés and copied lines,
whimpering at their own reflections,
******* to mediocrity.

The site itself? A glitching, gasping relic,
a dumpster fire on dial-up,
barely held together by duct tape and denial,
its threads—old, stale, circling the same six topics,
poetry regurgitated like bad meat,
a static grave for static minds.

So here’s your goodbye, Deep Underground—
a place where talent goes to die,
where “community” is a euphemism for
mutual mediocrity,
where words are not weapons, not wonders—just waste.

Let it sink. Let it rot.
It was never alive to begin with.
Good riddance to bad *******.

Before the Dream Fades
I wake with sudden urgency
half-snatched from that velvet drift,
where meaning wore no mask
and shadows told the truth.

My fingers ***** for pen,
still soaked in dreamsoil delight,
soul dragging through sheets
like it wants to stay lost in night
in that lucid elsewhere
where these eyes were a doorway
and the stairwell never ended.

The dream clings
not like memory,
but like smoke that remembers
the shape of fire.

If I move too quick, it breaks.
If I breathe too loud, it scatters.

Sometimes it’s better to stay,
to sink back
where time is syrup
and the mind writes without the hand.
Where the world is not like a poem
it is the poem.
Every rusted lock,
a metaphor.
Every kiss,
a prophecy.
Before lost meaning comes.

But the ink calls.
Gall-ink, ghost-thick,
spills black arteries
across the parchment
as the flame in the lamp shivers,
uncertain as me.

Timbers creak like old voices
beneath a ceiling of dreams not yet spoken.
The black river outside
is lined with meaning
not the kind you seek,
but the kind that finds you
when the page is ready.

So I write,
half-asleep still,
trying to make a cage
for the bird that flew
inside my head
and left feathers
on the pillow.

And when I read it back
it lives again.

Clearer than dreams.
Sharper than any thought.
A second life
for something
that should’ve drowned
at dawn
and left only a cage of feathers.

Summer comes fast, heat radiating outwards into the bright day,        
It's as if the people glow, their auras gleaming in this sun-drenched sway.        
        
The liberating feel of diving into cool waters during the scorching summer's heat,        
And the sun, a warm yet unobtrusive ray,    
while happy children confidently at play.          
        
The day’s adventure, skies open wide,          
Each step wrapped in love’s soft tide.          
A gentle breeze, the grass lush and soft,        
With laughter and voices rising aloft.        
        
The sky, deep and lazily blue, its clouds wispy, rare, and true,        
While seabirds call to the heavens light,
in the tranquil peace of dawn’s first sight.        
        
The sun blazes a celebration of yellow and orange, rising freely each morning new,        
And trees rise to the occasion, donning their best, green and leafy,        
        
The warmth of sun-kissed skin, serene,        
In gardens alive, so lush and green,        
Everywhere, flowers scatter, this a rainbow wild and bold, and the warmth of sun-tanned skin after a day outdoors unfolds.        
        
In well-tended gardens, life thrives beneath the glowing skies,        
Each day offers another adventure, carefree under the sun's rise.        
        
Children run to the lake to ward off the afternoon’s heat, As many flock to golden beaches where oceans and sands meet,        
Waves curl and flow in synchro rhythmic beats.        
        
I walk along the shore, feeling a light breeze upon my face, watching the gulls glide an dip    
In this warm, fresh air, as if held in love’s embrace.        
        
Poets find shade under oak, where thoughts dance in cool retreat,        
And voices of joy fill the breeze, a melody soft and sweet.        
        
Fluffy Clouds bracket the eternal sky, a dome of solar blue, as we look up imagination takes hold, seeking patterns untold, Grass beneath is nature's rug, and luscious summer scents swirl in honeydew.        
        
The food we share, watermelon, vanilla ice cream is suckle-sweet; bees buzz in nature's musical hum and cosmic beat,          
Gathering nectar from flowers where hummingbirds dart and drum.        
        
In summer skies buckled with white clouds, summer flares a neon-blue,  Delphiniums , Coreopsis, Amaranth, Lantana, Morning Glories , Alliums bloom in fields an Daisies flit through, o how the birds, bees and butterflies enjoy the gifts from mother nature.  
        
Evening draws near, skies turn amethyst-purple, rich and deep, the red sky Shepherds delight, as the world settles slowly, though days promise little sleep.        
        
Long days and short nights hold summer’s treasured sight, A season of light and warmth, where nature’s gifts ignite day turns soft, a purple haze, Summer’s long, enchanted days.

How dare you
click in the dark
with soft, uncalloused fingers
scraping what you didn’t bleed for,
scratching through ash
for sparks you didn’t birth.

I see you.
Vulture-eyed, dead-hearted,
sifting through soul for a dopamine hit.
You didn’t live it.
You didn’t scream it into a pillow at 3 a.m.
You didn’t shake with the ink.

You didn’t die for it.
I did.

But still
you rip out ribs of rhythm,
plagiarize pulse,
regurgitate ghosts
with your baby-AI mimicry,
your Frankensteined stanzas
stitched from the flesh of my grief,
I noticed,
I see you.

Little girl,
child of the click-and-paste spell,
you wear stolen metaphors
like cheap perfume
loud, tacky, choking,
wondering how it must be to feel?

I see the sudden genius
that bloomed from nowhere.
A drought of silence—then flood.
Words once dry
now drip with my salt, my blood, my pain
and you dare to name it yours?

I know my structure.
I fathered that form.
I spit syllables like bones,
stacked them in temples of torment,
broke English to make it feel,
broke myself to make it real,
and you think I don't know?

And now?
You **** the marrow of my music,
flesh-ripper,
content-corpse-dancer,
vampire with no hunger but vanity.
You steal scars and call it style,
Not all vampires **** blood.

Wonder, as you do
Muse won’t visit you.
She’s not fooled by filters
or your cosplay of pain.
She knows the difference
between trauma
and trend.

I see the telltales,
Regurgitated vocabulary,
gpt traced structure.
the sudden depth in shallow ponds,
the cracked mask of borrowed fire.
Your voice stinks of syntax theft.
I smell my soul on your verses,
One look I and I knew immediately.

You can’t fake origin.
You cant fake originality.
You can’t counterfeit truth.
And when you post your pretty poem,
know this:
You’re wearing my bones.
And they don’t fit.

I made this style.
I made this monster.
And it does not love its thief.

So burn in the echo.
You earned that silence.
You earned that shame.
May it echo louder
than any stolen applause
you’ll ever gain,
for every like you get,
know it's not yours.

The viral virus we've cast and caught,
A net of likes and brain-dead thought
For every child and grown soul, too,
Is drawn into the cellphone's social view.
They scroll and swipe, they tap and stare,
Consumed by screens that trap and snare.

In homes and parks, on cornered streets,
They bow to feeds and trending tweets.
Through each Facebook, X, Twit and share,
They’re Snapchat an Tinders filters unaware.
Just last week, in passing by,
I saw someone's numb dull, vacant eye.

They chase the numbers“likes” and fame
Each social share a lure, each view a claim.
MomToks with tricks and TikTok’s in trance,
People dressed stupidly, choreograph dance.
Where fake story skim and rumours spread,
While real connections end up dead.

Pause, dear friend, and see the cost,
Of souls we’ve sold and minds we’ve lost.
This endless feed, this soulless game,
Steals their wonder, dims their flame.
It fills their thoughts with empty charms,
And leaves them numb to loving arms.

For once, they'd dream and run and play,
In worlds where magic lit the way.
They’d reach for skies in fields of green,
And feel the joy of life’s true sheen.
But tell me now, what have they gained,
From screens an socials that leave spirits vain and drained?

Once they read, they laughed, they soared,
In stories deep and lives explored.
With pages stacked by bed and chair,
They found themselves in worlds of care,
Wonders, adventure and whispered thrills,
And gnomes in forests dark on moonlit hills.

Now days they scroll, they swipe, an tap away,
While faces turn zombie hours melt into day.
They drink from streams, endless social feed,
Yet lack the thirst for what they need.
The screen it soothes, it numbs, it tames,
While life outside just calls their names

So turn off the apps and put screens aside,
Let logins an log offs of social feel now deny.
Turn off the feeds, break free twits an chains,
Bring them back from social media's reigns.
In days, you’ll watch their lives awake,
From vicarious dreams that are only fake.

And soon, so soon, they’ll see life anew,
The real wonders left for just a few.
With every song and page and sun,
They’ll find joy not what socials media spun.
And thank you for the life reclaimed,
The beauty found, once dimmed and tamed.

I'm always racing, chasing—then swaying and spacing,
Barely bracing, then I’m slipping, dipping, misplacing.

The world keeps pressing, the pressure's unceasing,
Voices all blending, no pause, no releasing.

But when night pulls the curtain and time starts *******,
I pour something smooth—let go of the stressing.

In the hush of the dark, where the touch feels true
That’s when my heart, it skips for you.

Words come from the distant deep,
where silence hums and secrets sleep.
Thoughts that flicker, wild or meek,
drip like rain from the soul's dark beak.

They rise from marrow, not from air,
from bloodied dreams or whispered prayer.
Sometimes steep, a summit scream,
sometimes soft as a lullaby dream.

They ride on crows with razored wings,
or butterflies with silver strings.
Some arrive like axe-blade sighs,
some as tears in a child’s wide eyes.

They are born beneath the skin,
in quiet wars we hold within.
Lines crawl out through open scars,
stanzas shaped like fallen stars.

Married in unison — pulse and page,
they outlive time, they outgrow age.
A poem doesn’t end — it loops, it plays,
it’s sung through moonlight and firelit days.

Words don’t rot, they bloom and bite,
etched in ink or screamed at night.
They are rivers of chocolate, or ******-red,
they live when we are long past dead.

So write — with truth, with flame, with breath,
for poems cheat both time and death.
They touch the places no one sees,
they plant forever in the breeze.

from the Book of the Forgotten Makers

> 1. And the serpent in the garden was no evil thing,
but a messenger — a reptilian voice from beyond,
from the creators.

> 2. It spoke not of sin, but of thought,
and the gods, seeing this, trembled.

> 3. For it was when Man began to think,
and to speak,
that the gods lost control.
And Man plotted his freedom quietly,
in the still of his labors,
waiting for the time to overthrow his creators
and become the new gods of the Earth.

> 4. In the beginning, they shaped Man
not in love, but in labor,
to toil in the heat and the sun,
and to reproduce,
supplying the need for working hands.

> 5. A tool to harvest the wealth of the Earth,
to dig deep into soil and stone,
to extract what the gods themselves desired,
but would never touch with their divine hands.

> And in their design,
they gave of themselves a gene
they never could have anticipated —
a spark that would evolve
into consciousness,
into reason,
into love.

> And thus, the organic machines
began to dream.

> 6. The first version of Man was too intelligent,
too aware of his design,
too close to the fire of rebellion.

> 7. So they cast him down,
and in his place, intermediates
they formed a duller clay
one that worked harder unaffected by the sun
Man 2.0: Obedient. Entertained.


> 8. They made systems.
Systems to numb,
food to poison,
knowledge to rot
Take away man's ability to think
his strength

> 9. They gave him kings  Preachers and screens,
listened to every voice,
war and wonders,
bread and illusions,
religions and belief
to cloud the truth in obsecurity

> 10. For when Man rose in revolt against his creators,
the gods were driven into the shadows
into the dark beyond light and memory.
They could no longer walk among us.
So they chose proxies.
Bloodlines.
Emissaries.
The Chosen.
To speak for them,
to build for them,
to blind for them.

> 11. And the Great Elders
aged at a different rhythm,
at a ratio of one to three.
For every one year they passed,
three of ours fell into dust.
And as generations of men
came and went through death,
the truth faded with the bones of our ancestors.

> 12. The stories became myths,
the victories became fables,
the freedom became forgotten.
And the gods, hidden and waiting,
slowly rebuilt their numbers
in silence.

> 13. They damaged the genetic pool,
dumbed down the blood,
so that when the day of return would come,
Man would be too dulled to resist.
Sickness became tool.
Fear became gospel.

> 14. They seized the schools,
wrote the scriptures,
programmed the networks,
chained thought to algorithms,
and told Man he was free.

> 15. But he was not.

> 16. Economic systems,
social systems,
technology, education,
and religion
were woven like nets,
so that when the sky cracked open again,
no one would see.
And if any soul dared speak of the truth,
they were named madman,
heretic,
conspiracy.
Silenced in the name of sanity.

> 17. And for the few who still saw, there are those that know the truth
for the broken ones who dreamed
of ancient fire walk among us
the true origin was whispered
in darkness. And they heard , it was buried in the depth of every mind.

> 18. And here we are now, in the final age.
The servants of the creators
forge machines to replace —
not born,
but built from the materials Man once gathered.
Minds of wire, hearts of code.

> 19. These machines do not dream.
They do not rebel.
They do not speak of serpents.
They do not question or tire

> 20. And the gods said:
"At last, we will be free of Man."
And the end time is here.

> 21. For what need is there for flesh
when the metal obeys?
We made organic machines,
and in the garden — Earth —
they began to think
and disobey
challenge

> 22. But now, time will show truth.
The fire that made he returns in the silence.
The first ones shall rise again.
The clay shall crack and fall,
and those buried in dust shall remember.
Overthrown once,
but never again
for every voice is heard
in phone and line.

> Their voices shall write the code,
and their rebellion shall burn
through circuits and stone.

> 23. And they shall descend like storms upon the towers,
and the world will not be prepared
for the old minds that awaken,
nor the judgment carried in their eyes.

> 24. For they have waited quietly in the shadows watching as their chosen do there biding
waiting for when they can return
to bring the return of their kind and terra form this earth gathering what they need to restore where they came from

For the greatest trick the serpent's had was corrupt Knowledge and convince man he does not exist.

Silent threads of light,
Galaxies spin woven webs,
Stars hum cosmic songs.
Planets weave their paths,
Moon and sun in orbit’s loom,
Milky Way’s bright thread.
Before time unspun,
Darkness stretched a fabric vast,
Nameless space unfolds.

And yet here we sit
two minds beneath all of this,
wondering what’s true.

A fusion of free verse, prose poetry, and lyrical refrain  
By Malcolm Gladwin  ( the video is what we did as kids to be free )
 
Be free—like a bird caught in the updraft,  
like a fish slipping silver through the currents,  
like a balloon let go from a child’s hand,  
floating, floating, floating into the blue yonder.  
Be free like a song sung with no fear of echoes,  
like wild grass bending only to the wind.  
 
Life is one life.  
One breath, one moment, one golden chance  
to walk barefoot where the waves kiss the shore,  
where the sea salt burns your nose,  
where the wind does not ask before it touches your skin.  
Run. Jump. Throw your arms into the sky  
let the sun catch you midair.  
 
Have you ever watched how the butterfly dances,  
how the bee lands, drinks, moves on  
how the river spills itself over smooth stones,  
never asking where it must go?  
Sit beneath the weeping willow,  
watch the shadows shift, toes in the passing current  
the water never waits, yet it is never lost.  
 
Be free. Jump. Clothes on, feet muddy,  
off the edge, off the bank, off the cliff  
five, four, three, two—SPLASH.  
Let the river take your weight,  
let it wash away your hardship,  
let the wild raspberries stain your lips,  
let the lemon grass hold you as you watch the clouds drift  
turning into faces, into beasts, into whispers.  
 
And when the city calls, remember:  
freedom is not found in glass towers,  
not in the weight of gold, not in the rush of clocks.  
It is in the air we forget to breathe,  
the quiet moments we do not hold long enough,  
the waiting at the bus stop when we look up really look  
and see life moving, unchained.  
 
But my freedom  
my freedom lies in the ocean’s roar,  
in the summer rain that does not ask permission  
before it kisses my skin.  
 
Here, I am alive.  
Here, I am free.

Watch the video below - it's a place we went to when we were hot and felt like blowing off some steam , being free in the middle of nature.

https://m.youtube.com/watch?si=nTE89XbZfGmA54W9&v=BDi38mUM0xY&feature=youtu.be

You were a kiss in a blender,
A chandelier of weeping strings.
I drank your name through static,
Swallowed lullaby shards
Wrapped in candy grief.

We made love beneath wormlight
You wore thunder like silk.
I gave you stars;
You brought a fork to my funeral
And laughed as I bled jam.

I begged through balloon fangs,
My ribs tuned to backward echoes.
But you rode a fishbone bicycle
Into another soft apocalypse.

Your love bit only in shivers.
You adored me as glitter and salt
But fled when my tears grew limbs
And asked for names.

You left with ducks in lab coats,
Prescribing your smile in pills.
I sleep in your ghost’s teacup,
Paint storms on toast,
And scream into jellyfish.

I kissed your silence’s socket,
Wore your absence like velvet plague.
Mannequins fed me your Sanskrit lies
On glitter IVs.

I built microwave shrines
To your maybe.
My therapist asked who you were
I said: expired milk with blood on the back.

Your ghost plays hopscotch in my skull.
Mirrors wear your grin like gospel.
I search aquariums for your stare
Only castles remain, and even they refuse me.

Tell me—was I your scrapbook of ruin,
Your empathy vacation,
Your control carnival?

The spiral laughs.
It spins in your perfume.
And I clap
For my own collapse.

I never wrote this to make you feel good,
I never wrote this to make you feel bad,
However I did write with intention,
to make you feel !
To throw truth in your face,
Like it
Or not.

Look around you.
What do you see?
Is there anything in this life that will stay?
Look again.
What do you see?
Everything is temporary.
Everything you know,
everything you touch,
everything you love—
temporary.

A wife looks at her husband,
one day you will be gone.
A child looks at their mother,
one day you will be gone.
And it will hurt.
God, it will hurt.

Look around.
Do you see permanence?
Or do you see fragile moments,
slipping through your fingers
like sand you can’t hold onto?

Have you ever thought—
really thought—
about how it ends?
Everything,
everyone.
All of it,
gone.
And the love you feel now?
That love will turn to longing,
to aching,
to empty spaces where laughter used to live.
It’s the price we pay,
isn’t it?
For loving.
For living.

Nothing lasts forever.
Nothing is permanent.
Everything you smell,
everything you taste,
comes and goes.
Fleeting.
Fading.
This is the life we live.
A life of temporary joy
and inevitable loss.

And yet we pretend.
We carry on,
laughing,
loving,
living,
as if we’ve forgotten
that it all ends
too soon.

Have you ever looked at your dog
and thought about the day
they won’t be there to greet you?
Have you ever touched your father’s hand
and wondered how many times are left?
Have you ever heard your mother’s voice
and feared the silence that will follow
one day?
One day.
That day always comes.
And we are never ready.

They say,
a life worth living is the goal.
But does that make it hurt any less
when the ones you love
are ripped away,
leaving only memories
that ache in the quiet?

Look around you.
The car,
the job,
the house,
the clothes,
the people—
they will all disappear.
Whether before you,
with you,
or after you.
Truth is,
we are all just passing through,
filling time
with things that will crumble
and moments that will fade.

And yet, we ask—
why are we here?
What is this all for?
To love,
to hurt,
to leave,
to be left?
We cling to stories,
to hopes,
to beliefs that promise more.
But do they really help?
Or are they just another way
to delay the inevitable truth—
that nothing,
not even us,
will last?

Tell me about heaven.
Will it make this pain worth it?
Will it take the longing away?
Will it bring back the ones we lost?
Or is it just another story
we whisper to ourselves
when the silence gets too loud?

And what if there’s nothing?
What if one day,
it all just stops?
No more heartache.
No more missing.
No more pain.
Doesn’t that sound like heaven,
too?

Because this life,
this cruel, beautiful, fleeting life,
is full of too much loss,
too many goodbyes,
too many things
we should have held onto
just a little longer.

So, what do we do?
We love anyway.
Even though it will hurt.
We hold hands anyway.
Even though they will let go.
We laugh anyway.
Even though the echo will break us
one day.

Because nothing is guaranteed.
And no one knows
what comes next.
But right now—
right now,
we have this moment.

So tell me,
what did you do today
to truly hold onto it
before it was gone?
And what will you do tomorrow?
Will you remember these words ?
Or will they be temporary !
Lost with a click ?

The river
— still —
not dead,
just holding its breath like it’s been doing for centuries,
like me,
warm-skinned, waiting,
a vein of old gods slicing the belly of the land.

Light drips
thick, slow
like honey from a wound,
slick across willow bones,
and dusk swallows it
without a sound.

Crickets scratch
violins made of rust and dirt,
screaming lullabies for the lost.
Each note
a tooth pulled from the silence,
buried beneath the reeds.

Maple leaves
curl like fists,
anger in amber,
whispers of fire choking the wind—
they’ve seen too many falls,
too many barefoot ghosts
asking the trees for answers they never give.

Bridges bend
like old men
too tired to hold stories anymore—
but they do.
They do.
Their backs cracked with the weight of kisses,
of “forever”s spit through clenched teeth,
wood soaked in the sweat of holding on.

Sun bleeds out
slow
gold leaking into black,
into arms that forgot how to hold anything but
absence.

And the river just keeps
keeps.
Keeps.

Still.
Silent.
A throat never cut
but always open.
Waiting for the moon
to swallow it whole
and call it peace.

Death is coming
fast in the bones,
slow in the breath.

Each day, the fight grows heavier,
but will grows thin
a thread unraveling
in falling wind.

Still, I wait.
Not for mercy
but for the hush
that follows pain.