Submit your work, meet writers and drop the ads. Become a member
Malcolm Mar 27
to the darkest crevices we all escape from each day,
clawing out, forgetting, or pretending we do
but some never leave. some linger, ghosts curled
in the marrow of regret, faces melted in the echo
of a yesterday too slow, too weak, too nothing.
it was just a second, a breath, a misstep.
a hand not raised. a word unsaid. a smile swallowed.
and that was enough to cast them away,
stitched into shadows, never spoken aloud.

regret is for the living, for those who still wake
to the hush of streetlights trembling at dawn,
who still bite into the sinew of silence
and call it survival. but the forgotten—
they are not given the mercy of regret.
only the weight of a void carved in memory’s ribs,
only the nothingness that replaces a name,
a voice, a need, a gasp lost in the static
of the world’s unseeing, unhearing hum.

to be unseen is to die while breathing.
to reach and never touch is to burn without flame.
and so they are left there, bone-thin whispers,
entombed in dim-lit corridors of almost-love,
of almost-worth, of almost-enough.
no matter how hard the blind scream,
their voices dissolve like morning frost—
thin, fleeting, never enough to shatter
the glass of a world that never saw them.

but listen.

listen to the dark, to the echoes that pulse
like heartbeats beneath the cracks of time.
they are still there. still waiting. still asking
if not to be saved, then simply to be seen.
Copyright Malcolm Gladwin
March 2025
Eclipsed in the Crevices
67 · Mar 12
The Machine ...
Malcolm Mar 12
What is the machine, but the child of our hand,
born not of nature’s womb, but of thought’s long labor,
growing like a child, then like a beast
its bones steel, its flesh metal,
its heartbeat the rhythmic clank of gears?
Is it a thing we made,
or is it something we are becoming?

You, standing as a tourist from the stars,
gaze upon the machine as if it is life’s second birth,
a marvel spun from human hands
that neither heaven nor earth can claim,
the thing we say we create,
though we may not know how.
Tell me, visitor from far-off worlds,
do you see the silkworm’s simple labor
its tiny threads spun from its soul,
and think it less wondrous than the machine
that spins silk without a single breath,
without hunger or the frailty of life?
Is it not, in the end, the same thing?
Both, driven by unseen forces,
both, a manifestation of the cosmic hand,
both, in their essence, a thing of wonder.

But I ask you again:
If you had no knowledge of God or man,
no trace of history or belief,
what would you make of these things?
Would the iron ship of man,
its belly full of steel and steam,
seem less miraculous than the great whale
whose body, built by ocean’s hand,
dives through the depths,
unseen by the eye of men?
Would the speed of the automobile,
a thing of burning flame and fluid veins,
seem less alive than the horse
who carries us,
weary, across fields
as the sun sinks low?

Tell me, stranger,
if you were to ask, as I have,
who makes the horse,
and the answer comes back
that God makes it,
how strange, how strange
that no one would say the same
of the car that hums,
its wheels spinning on the earth,
its frame forged by human hands
as though those hands too
had been touched by some divine spark
of creation.
But we do not make the car, they say
we only build it.

What of the child,
who though formed from the seed of man
is born to the world,
as though the hands of the mother
had no say in its being?
And yet the machine
it is made, as they say.
Is this not a riddle of language,
this sense that to “make” is to call it into being
with the full force of creation?
And yet, I wonder,
if we did not make it,
who then gave it life?

We turn to facts,
as though they could reveal the truth.
Machines, they tell me,
are new to this earth,
only two generations old,
yet they have become as gods,
wielding power like the sun
over the human race.
Before the machine,
men worked the soil,
they sowed, they reaped,
they built in their hands
what they ate and drank.
Now, with the coming of machines,
half the world turns its hands to steel and smoke,
to the hum and grind
of the factory floor.
The fields grow larger,
but so do the cities,
where men and women,
their hands busy with levers and bolts,
live apart from the earth they once knew.

And so I ask you,
what of these people?
These men and women
who tend the machines
as though they were their children,
who feed the beast of industry
with labor and sweat?
What would happen
if all the machines vanished,
if the world, for one moment,
was without its engines,
its iron hearts and electric veins?

Would the world still turn?
Would we still eat, still sleep,
still dream?
Or would we be nothing
without the machine?
What is it, then, that we have created?
A thing of iron and fire,
of light and spark,
that binds us to it as surely
as the sun binds us to the earth?

You see, we are the builder of these creations, these man made wonders,
Machines have become more than a just function.
It is the reflection of spirit,
of man made flesh,
the embodiment of our desire
to take control of this world,
then bend it to our will.

It is not unnatural,
but as natural as the water running through the valley,
that drives the canyon’s depth,
as natural as the waves that shapes the shore.
We are bound to it,
for it is the reflection of ourselves,
and in it, we find our future,
our past,
our deepest desires.
The machine is not separate from us,
it is us,
for we have made it in our image.
It is not the question of whether
we are the makers,
but the question of whether
the machine,
in all its wonder and terror,
has made us in its image.

And here we now stand,
at the edge of the machine’s fire,
and we wonder if we have already lost
the very thing that makes us human.
For what is man,
but the sum of his contradictions,
his heart that yearns,
his mind that reasons,
his soul that dreams?
And the machine?
It is nothing but a mirror,
reflecting all that we are,
and yet, it does not feel
the warmth of the sun,
the cold of the night,
the joy of a child’s laughter,
or the sorrow of a broken heart.

Still, it goes on,
spinning its webs,
turning its wheels,
as we,
dancing in the shadow of the machine,
wonder whether it is life
or death
that it offers.
We ask,
and the machine answers in its silence,
and we,
we must learn to listen.
Copyright Malcolm Gladwin
October 2024
The Machine
Malcolm Jul 6
My thoughts are terracotta armies
not for war,
but for remembering.
Buried beneath the sleep-skin of time,
fragile, intentional,
but already forgetting
what they were meant to protect.

Each soldier a hypothesis.
Each silence, a map.
Each crack—a failed attempt
to understand why people leave
even when they say they won’t.

Dreams flow like soldered platinum,
beautiful in the way
only toxic metals shimmer
they promise softness,
but dry into armor
you didn’t ask to wear.

I don’t mind the impact,
the crash,
the unpredictable tide of another’s undoing
because even oceans
must exhale.
Even the storm eventually
forgets your name.

But I remember falling.

Not once.
Not dramatically.
Just…
incrementally.

Falling into love that wasn’t ready.
Falling through logic
patched with performance.
Falling for eyes
that said everything
and meant none of it.

They say time flows
but I saw it bleeding,
dripping sideways
through the spine of a clock
that refused to chime.

We walked beaches
stitched together
from half-spoken apologies.
Moments, beautiful
but so easily rewound
by a sudden lack of reason.

And if I had a crystal ball…
would I use it
to avoid the pain,
or just to better frame it?

Would I steer my ship
to safer harbors,
or miss the waves
that taught me
how to drown gracefully?

My rainbow didn’t arc across joy.
It stained my palette
with residue.
Not color—echo.
Not hope—just remnants
of what was almost true.

Crows gather where clarity fails.
Gulls fight over the leftovers
of intention.
They don’t care what was meant—
only what was left behind.

Tomorrow came dressed
as an accident.
Today,
I misplaced again.
And yesterday
it whispered something
I wasn’t ready to hear.

Perhaps we should’ve arrived
with a manual for contradiction.
A diagram of desire.
An index of ambiguity,
where every should-have
had a page number,
but no resolution.

People say they love the rain.

They don’t.
They love the idea
that rain is forgiveness,
that wetness means freedom.

But step outside
and watch how they flinch.

They talk of dancing in storms
but build roofs out of denial.
They dream of thunder
but fear the lightning
that asks them
to be honest.

I drove through the last storm
and saw no dancers.
Just faces lit by phone screens,
cars speeding toward comfort,
no one tasting the grief
that falls for free.

And maybe,
maybe that’s the point

We’re all trying
to understand each other
through metaphors
no one agrees on.

We speak in rainbows,
but listen in grayscale.
We promise always,
then vanish between yesterdays.

And maybe that’s human.
Or maybe that’s just
what we became
when the gods
forgot to write us
an instruction manual.

Does it really matter in the end when the Rainbow Spilled Sideways
Copyright Malcolm Gladwin
July 2025

The Rainbow Spilled Sideways
67 · Apr 4
We need Miracles
Malcolm Apr 4
I hope you’re awake.
The world is breaking.
We don’t want comfort
we want peace.

They say you made us.
Then why does hunger
wear your name?
Why do your children
sleep in the cold?

We ask for quiet.
You answer with silence.
We sing to the sky,
but no echo returns.

Did you craft this grief?
The pain we hold?
Or did we give you shape
to carry the blame?

We argue, we fight,
we fall for belief
but no hand lifts us
when we fall.

Your name lives in laws,
in fire,
in war.
If you wrote the book,
why let it burn?

No crown.
No wings.
No final word.
Just hearts breaking
in the dark.

Still, the bombs fall.
The children weep.
The oceans rise.
And hope thins.

Are you still watching,
or did you turn away
before the smoke rose?

I used to pray.
Now I reflect.
If you are real,
then why the silence?

PS:
We need a miracle.
Copyright Malcolm Gladwin
April 2025
Letter to heaven
Malcolm Apr 4
I stopped it
right there
in my mind
between one tear
and the next blink.
The world cracked still.
Like God forgot the script.
Like clocks
finally choked on their lies.

And I walked
barefoot,
through the frozen ache of light
curling like fog around a laugh
you almost had.

I tasted
the rain before it hit the ground,
let it linger on my tongue
like the names I never said.
Kissed the steam
off your coffee cup
and whispered secrets
to the dust motes in your room
they listened better than people ever did,
I held your smell in my nose,
drowning in each scent.

A hummingbird mid-flap,
stuck between flight and forever
I kissed it too.
Soft as ambition
dying in a cold city.

I held a flower
for a thousand years.
It never withered.
My hand did.

I found love
locked in the way your lip curled
right before goodbye.
I held that moment
until my own heart cracked
like glass under memory.

You think stopping time heals?
No.
It just slows the pain
to a crawl
so you can savor it.

I walked through lovers
like churches.
Empty.
Sacred.
Haunted by prayers
no one answers anymore.
I touched your cheek,
and you didn’t flinch.
First time.
Last time.
Every time.

I bent over my younger self
still full of fire and delusion.
Didn’t wake him.
Didn’t warn him.
He needed the fall.
We always need the fall.

If I lived forever,
I’d write poems on comet tails
and stitch stars
into the silence.
But I’d still miss you.
Every hour.
Of every never-ending day.

Time isn’t the enemy
it’s the proof
we ever mattered.

But still
in that breathless hush
where nothing moved
I kissed the sky,
held the world in my palm,
and told it:

“Stay here.
Don’t move.
Just let me feel
everything
before it’s gone.”
in the moment
forever.
Copyright Malcolm Gladwin
April 2025
When Time Held Its Breath for Me
66 · Mar 12
Loves Cup
Malcolm Mar 12
Silver rivers stream,
overflow of love’s embrace,
grace spills without end.

Heart's chalice brimming,
nectar sweet as morning dew,
life’s kiss overflow.

Boundless tides arise,
soul’s deep well spills harmony,
love’s cup never still
Copyright Malcolm Gladwin
December 2024
Loves cup
Malcolm Mar 12
Falling leaves whisper,
echoes of what once had been,
a fleeting embrace,
life’s sorrow, infinite tides,
softly drown the light of youth
Copyright Malcolm Gladwin
November 2024
Japanese tanka
66 · Mar 12
The Quiet Engine
Malcolm Mar 12
There’s a hate in my heart,
buried deep, under liqueur’s burn
and the chill of colombian snow,
strewn across train tracks,
long and wide,
stretching into nowhere.

My family doesn’t see it—
too busy with their own lies.
The preacher, with his sanctified tongue,
wouldn’t dare touch it,
and my friends?
They only skim the surface,
pretending they know me.

Hate hums like a low engine,
alive but dormant,
its rhythm keeping time with my pulse.
I drown it,
I chain it,
but it always stirs,
a shadow in the corner of my mind,
laughing softly at my attempts
to suffocate it.

It wants to devour,
to rise,
to scream its name across the empty tracks.
But I hold it down,
not because I’m strong,
but because I’m tired.

Hate doesn’t die;
it learns to wait.
It lives in truce with silence,
biding its time,
until the snow melts,
the tracks rust,
and it no longer needs
my permission.
Copyright Malcolm Gladwin
October 2024
The Quiet Engine
66 · Mar 22
Clockwork Exile
Malcolm Mar 22
Tick—tock, the wall blinks back,
hands circling our days like vultures.
Sunrise, sunset—another grain falls.

We count time in echoes, in light-years,
watching comets carve their nameless orbits,
wandering like satellites without a home.

Falling into the tomorrow.
We think we know
Malcolm Gladwin
Copyright March 2025
66 · May 21
Baptized in Static
Malcolm May 21
I slit the throat of mercy,
let it twitch in a puddle of neon grime
its prayers gurgled like poisoned lullabies.
I wear madness like a crown of soldered nerves,
sparking truth through every scream.

Heaven turned its back
so I bit hell's lip,
let it whisper me alive in tongues of gasoline.
I kissed the noose,
laced it with orchids and black powder.
Love?
I scalped it.
Hung its face on my wall like a holy relic.

The moon watches,
blind and complicit,
as I set fire to forgiveness
and dance in the smoke of dead apologies.

Art is a weapon.
I dip my brush in trauma,
splatter redemption on the white walls of silence.
Every stroke screams.
Every hue begs.

I carve verses into my thighs
to feel them bleed truth.
I don’t want peace
peace is anesthetic.
I want eruption,
******* of ache that crack the skin of now.

Safety's a padded coffin.
Hope’s a sedative laced with lies.
Give me ruin
give me flame
give me teeth on steel and pulse on chaos.

I am the sermon and the sin.
The preacher of collapse.
My god bleeds black ink,
and I drink it from the grail of my own skull.
Copyright Malcolm Gladwin
May 2025
Baptized in the static
Malcolm Mar 12
We love to hate, and hate to love
ah but what is this weightless, vapor-thin love we throw like coins,
sprinkled like dust, dissolving in air,
we keep the prize tucked for the deserving,
spilling naught for fools, oh, is this how it should be?

Grasp—grasp!
Ungrateful swine, swallowing your words,
blind in your greed for something more
love none, yet declare you love all.
Empty mouths speak in hollow tones.
You are nothing. We are nothing.

Empty words, lips carved from stone,
numb hearts for sale, wrapped in the lies of a comfort
you can’t even taste.
Apathetic to the rawness of feeling
devoid, disconnected,
shallow oceans beneath this glassy sky.
Love’s too far, so we reach
stretching thin, grasping for meaning where it’s lost.

Try to love it all, they say
What does that even mean?
Absurd, exhausted, a lifeline tossed
into the void, only to be consumed by hunger.
So how do we love when the world turns away,
when love is stretched, a fraying cord?

Ah! Love everything, love it all, love so wide
a judge of hearts crushed into ash
not a breath of truth in the dust
that scatters on the wind.
No soul left in the words, no fire— just smoke.

To say “I love you” without fire,
a wound left bleeding, a scar left open,
not a whisper of realness— a void wrapped in nothing.
And yet we breathe in those lies,
letting them fill our lungs with hollow ache.
How pitiful
But we keep on. We keep on.

Love is not for the void,
not for the gullible hearts that pull at straws
Oh, no. It’s fierce.
It’s a hurricane
A flame burning for the worthy,
consuming the unworthy, leaving nothing but charred remains.
Don’t waste it.
Don’t throw it like seed, feeding the crows.
Cast it like an heirloom
burning bright.

Hate, too, finds its place.
How long have we been afraid to hold both?
Torn between mercy and punishment,
love and hate are twin flames.
To hold both is to know the whole.
Are we so naïve as to think we’re better than this?

To love everything is to love nothing
To say it, feel it, but never know its truth
How fragile this offering we give to the wind.
No.
Don’t give me shallow rivers when I seek the sea.

So forgive?
To forgive all
but the cost.
To forgive, to love, to let it flow
until hatred grips so tight it drags you down.
Which will save us?
Love or hate?
Which will burn longer?

Do you know what it means to feel deeply?
To hold both, to know love and hate
in their raw, unrefined states?
Oh, we hold light and darkness in one body,
and when we know them, truly,
we know what it is to be alive.

The sun does not love the moon.
And the moon does not hate the sun.
But they are bound
connected by a distance we call time,
pulling each other into orbit,
in their own perfect way.
Both necessary, both.

We love with clenched fists
proving nothing but fear.
Blood and fire
all for the grace of love
until bodies fall, tears rise,
and the sun doesn’t know
whether to burn or bless.

So humiliate, so break yourself,
lower your soul to fit their mold.
And where is the love for the one you should know first?
Yourself
Lost in the lines you draw between false spaces.
How can we love when we don’t even understand the power of a single, honest heartbeat?

There’s no grace without truth
no salvation without the burning both:
light and darkness, love and hate.
This is the measure. This is the scale.
So hold both, feel both,
and you will know what it is to love.
Copyright Malcolm Gladwin
August 2024
The Balance between Love & Hate
Malcolm Mar 13
Tonight,
the river is
not water
but song,
its body unraveled silk,
golden-threaded murmurs,
spilling, spiraling,
drowning the hush
of the land in hymn,
in motion,
in breath.

Every ripple
a hand stretched toward dawn,
every hush
a heartbeat echoing through the soil,
unfastening morning
like a clasp at the throat of time.

Her body
Like a unwritten scripture,
Beauty beyond comparison
shifting verses,
shifting
a road carved by the hands
of the unseen,
soft fire licking the bellies
of unturned stones,
reed-thin prayers drift on high
rising to sky.

Each echoed note
A musical masterpiece
of her body a light sound-spun  through incantation,
whispering secrets to the root-veined hush,
where silence folds into bloom,
In a secret garden
known to none .

The wind
smears its fingerprints across the sky,
stains the horizon with blue spun from memory,
bows its head in reverence
to the aching dawn.

The wheat hums.
The river sighs.

Somewhere,
a blade of grass bends and sings.

Somewhere,
the breath of lovers writes
its own psalm in the dust-kissed hush
of a bridge where names,
hands, mouths, moments,
are carved into forever.

And oh, the clouds
burning alabaster, forgotten ghosts
exhale light,
let golden thread unspool in restless rivulets,
let carefully crafted prisms scatter
across the trembling skin of the world.

Making lines across the earth.

Every unturned stone
a story.

Every tree
a violin swaying and bowing to the wind.

Every feather and wing
unfolding like an unread letter,
written in the ink of all things unsaid.

Here,
even time drips honey
through the curve of the earth,
even the stars
are just myths waiting to be remembered,
even the sea
ancient, unsleeping mother
knows the melody of our unspoken longing.

The river opens
not like a wound
but like a mouth learning the first syllable of joy,
like a child pressed against the chest of the universe,
like hands unthreading the knots of night,
like your name,
unspoken yet known
in the hush of the wind.

And in this moment
where light devours shadow,
where the earth hums in the language of gold,
where the sun unstitches the silence of forgotten fields

we are not lost.

We are
becoming.

Something  
      greater,  

           that will find itself  
                within  
                     itself.
Copyright Malcolm Gladwin
March 2025
Where the River Becomes Light
Malcolm Jun 24
The soft morning rain wore gloves
when it came this time of day –
soft-footed, deliberate,
pressing its palms
against the sun-bleached windowbones,
as if asking permission to enter.

Something peeled the stuttering silence
like bark from a young oak.
I turned the lamp away,
flame flickering,
and let the dust breathe in peace.

The house has no corners anymore.
They’ve rounded themselves
in sleep-surrender,
folded inward
like past regret
stuffed in an old, dusty coat pocket.

They arrived separately –
on different lonely days.
Love came first, trailing thread-lace
and golden strands,
with the smell of stormfruit.
Then Death, later,
with his cold winterglass eyes
and unpunctuated, grasping hands
playing life's final melody on
this old worn out piano.

Funny—neither knocked.
They let the creaking floorboards answer,
split wood speaking
in broken syllables.
Now the worn walls echo backwards.

In the poorly painted hallway –
once rich –
a chandelier sings in lowercase.
Its light barely lifts the carpet,
but moths still come,
dressed for a funeral
that keeps changing addresses.

Love moved the furniture
without touching it.
Chairs gathered in whisper-circles.
The grandfather clock ticks,
its pendulum sways to time’s hand.
Books opened their pulse-spines
and breathed ink-dust into the air.

Death lit a match –
that sulphur-laminate scent
thickening the air –
and braided it into the sugar.
I found the flame burning softly,
hiding in the kettle –
like a secret no one dared stir.

The old ash-jar on the mantle cracked.
A mint-threaded hush rose from it,
hovered a moment,
then settled again,
as if remembering who it belonged to,
before quickly forgetting.

The staircase sighed
like an old tenant remembering rent.
The clouded sky leaned west.
My books slid north toward the windows,
as if pulled by history’s mouth.

Outside, the root-chair is still there –
grown into the fig tree’s spine.
Every morning,
I place a love’s breath on its seat.
It never moves.
Still waiting
for the right weight of a memory.

I keep the forgotten clocks in the drawer.
Their ticklanguage doesn’t match
the breath of the house.
Now I mark hours
by how long it takes
the fly on wallpaper
to hum itself quiet.

The blackened mirrors have forgotten their task.
No light.
No faces.
No questions.
They reflect only the ghostshadow
of who almost stayed.

And still, each night,
the attic exhales fabric-murmurs.
Not footsteps.
Not whispers.
Just the sound of someone
remembering how to stay.

Love wrote something in the evening fog
left on the windowpanes.
Death leaned in
and breathed it away
before it spelled a name.

Now the silence has a shape –
a name.
Now the door locks
from both sides.

And this house?
It doesn’t sleep.
It waits.
It swells with each absence,
ripens with every glance
that doesn’t land.

Love and Death live here.
Not as enemies,
not as lovers –
but as roommates,
who share a silence
too sacred to name.
Still holy.
Copyright Malcolm Gladwin
June 2025
Love and Death Live Here

This poem, along with others I’ve recently shared, comes from a book I’m currently writing:

Quiet Pools and Other Witnesses

If this piece resonated with you, I invite you to explore the other poems in the collection—and I welcome your thoughts, reflections, and comments.
Malcolm Jun 26
The sound of the siren curls like a question,
spinning through concrete veins.
Mist settles like smoke from a lie,
wrapping rooftops in guilt,
truth leaking out,
no doubt.

Ey *****, what you say now?

The quick brown fox jumped over a fence
dropkicked a lazy red faced little cow.
Ooh—million attempts at what,
a vow?
You think that pretty little grin,
that “look at me!” skin,
a smile like a tooty fruit troll-face is your win?
Was that enough to stall the fall,
to silence the cracks
in the mirror where you crawl?
get your sad little point through a crooked corridor door,
what a bore.

Fake shouts—“Oh me!”—
****, the picture hangs skew,
naming different artist oh no
what we going to do?
Raise one wait maybe raise two!

Don't you all see,
come quick have look
I think it's the cover of a old stolen book,
but you?
Still posing like it's new, true
like you bought it, distorted
taught the paint colour in a shade,
oh my architecture
Come put on a parade.

Sirens scream,
ambulance or wambulance, who knows?
I called it for you ! 911 what's your emergency?
A thief stealing stained glass and borrowed hymns / from cello kids in cathedral whims,
sky dims.

We hear you loud and clear.
we were already on our way !
It's me ma –it's me ma – it's me ma !
the sound of the siren in the distance while mist settles truth in a darken hue of blue red blue
just definitions oh so clear
words they disappear,
just like you.

Do you think putting a wall between changes my life,
Oh dear me how can this be?
your poetry sounds like Bert and Ernie,
Wambulance pulled out a gurney.

Lights—camera—play your part,
the damsel routine,
the broken-heart art.
Sending smoke signals
into the void,
hoping someone out there
feels annoyed enough to care,
while you hang onto a distant stare,
When you think your poems are:
Rare as dime in a bubblegum machine.

Look everyone—flatter her
while she’s battering,
Chattering
but truth?
Just uncouth.

Yeah, satire packs it in
like a left hook to your chin.

You think you’re special, huh?
Generic tone with a borrowed soul,
dancing all night in knockoff roles,
trading moans for coin in bathroom stall.
under gallery lights you’ll never know,
painting tears you moan, groan "nut"
never own, "moaning Lisa on loan".

Living in a glitch of an AI scheme,
is that where your writing dreams?
Minimal with a lisp, stale not crisp,
just a blur in a comment stream,
boohoo he just being mean!

You shout so loud
for your petty crowd,
like this song must be you
Bet you think this song is about you too
Dupe do dube doo
Maybe it is.
Maybe it’s not.
Maybe it’s just a monkey
at a five-card standoff
Raised the stakes
flinging ****
at signs it forgot.

Either way,
I couldn’t give two *****.
Not three, not four.
**** girl,
you inspired even more.

Chum-chum, here he ****
crusty knight in silicone armor,
itchy little *******,
twitchin’ for trauma,
chasin' **** like karma.
Old ******* always show up to rescue
anything with cleavage and a crisis menu

Then he sends out a drive-by "flex" / like he’s living in the ******* Ritz
quick on the text
running for any pair of ****,
click n' follow!
dam don't wanna sound ******
that’s twenty "likes" right there,
ain’t that the bitz?

Ah just so silly
Not even a real brit
But he give you a "like"  for a ***,
excuse the wit..

The next day,
your words decay.
Lovers brawl,
no one’s wrong
but I’m still right,
because I don’t belong
to your broken juries
or boo hoo storybook flurries.
They didn’t hang me
they found you wanting.
So fix your shoes.
Get braces.
Chase your high
at the soapbox races.

Boop-boop-de-doo,
cry me a meme.
I don’t fit your box
I reshape the dream.
Turn corners to clouds,
make square roots bloom
in the garden of my mind,
where there's no room
Kazoom.

You thought the judge
would swing your way
as you wagged your finger,
tried to slay.
Hey hey hey, lies! Barney rubble
But turns out fate had a line or two,
No trouble double double
and now the curtain’s drawn
on you,
maybe you should get a clue?

I’m no status, do I look like facebook
looking for likes,
looking for fights
stars and fake blends
No hashtag trend.
I don’t bend
for clickbait or dead-end friends.
I write for the real,
for those who feel
not ******* in trash bags
with wait - oh fake flags
and empty mags,
not turds in windsocks

Stamp your feet, scream your shame,
twirl like a TikTok user caught in flame.
“What you trying to ******* do?”
Here’s a suggestion:
*******.
Kiss a frog.
Post it on your blog
choke on a log,
“****-sing your lies like a sad lil cartoon”
Bet thats your kinda thing too.

Here’s my *******,
signed in Sharpie
Big, loud, and bright:

****. YOU. FULL STOP
While we all have a laughie.
Copyright Malcolm Gladwin
June 2025
“The Wambulance Diaries”
battle poem for AP - bit of Satirical and Humourous non sensical ranting lol
65 · Jun 25
Fear in the Dark
Malcolm Jun 25
I do not walk alone
I drift,
something watches in the still,
a breath caught in curtains,
a pulse misplaced
in plaster and dust.

The dark is not a void.
It watches.
And waits.

Sometimes,
when I reach for the light,
I swear it leans closer
It touches me
breath on my neck,
skin prickling like wire.

Do you ever hesitate?
That single moment,
when you glance
toward the corner of your room
and your chest locks,
because something
might be
watching?

Not there.
But close.

Not seen.
But still
seeing.

I do not believe in ghosts
demons maybe a different story
but something knows my name
in a voice made of cold.
I hear it sometimes,
when I move too fast
or breathe too loud.

The shadows aren’t still.
They twitch.
They blink.
They wait for me
to turn my back.

There’s a weight behind me
when I’m alone.
A tension
like eyes trained
on the center of my spine,
waiting for me to crack
like an old floorboard.

You can laugh.
You can say it’s all in the mind.
But my mind has rooms
I don’t walk through anymore.
Not in the dark.

And fear
isn't a child’s story.
It's a hand.
Pressed softly
on the back of your head
when no one else is home.
Copyright Malcolm Gladwin
June 2025
Fear in the dark
Malcolm Mar 16
There once was a man quite outrageous,
Who’d pull out his ****, quite voracious.
At a wedding, a store,
He’d show it once more,
And the cops found it truly audacious!

At the courthouse, he made his big stand,
With his **** in his hand, quite unplanned.
But the judge said, “Oh please,
This is just a disease,”
And they banned him from all public land!
Copyright Malcolm Gladwin
March 2025
A silly Limerick
65 · Apr 14
Pale Moon, Honeyed Sky
Malcolm Apr 14
The moon
pale, round, soft buttered crust,
spills gold over apple-skin grass,
whole and warm the hush of dusk.

Night birds drift,
weightless ink,
brushing the sky with feathered sighs,
folding themselves into silhouette dreams.

Olive fields hum,
rustling evening’s breath,
leaves whispering secrets to the wind,
soft earth cradling the roots of time.

Ladders lean
old embrace,
tracing the spine of the sturdy trunk,
where children once climbed,
their laughter spun into bark—
a lullaby left behind.

Noon melts,
slow honey,
sinking sweetly in waiting arms,

while the moon watches,
                quiet, whole,
                        a silver lantern hung in sleep’s embrace.
Written under one of my Pen Names
Copyright Malcolm Gladwin
April 2025
Pen CharlieC
65 · Mar 12
The Crow and the Raven
Malcolm Mar 12
Silence dusk hums, echoing light,
Blackened roots drink falling stars.
Sifting Hollow winds carve breathless verses,
Drifting feathers trace lost names.
Trust unspools in silver spirals,
Dusk and dawn in fibres unseen.

Unseen, fibres in dawn and dusk,
Spirals silver in unspools trust  
Names lost trace feathers drifting,
Verses breathless carve winds hollow sifting.
Stars falling drink roots blackened,
Light echoing hums, silence.

Verses return where whispers lie silent,
Time bends beneath the breath of dusk.
Blackened hands shape rivers of light,
Drifting memories burn into spirals.
Hollow eyes watch the nameless stars,
Unseen echoes whisper long-lost names.

Names long-lost whisper echoes unseen,
Stars nameless watch the eyes so hollow.
Spirals burn into memories drifting,
Light rivers shape hands blackened.
Dusk of breath the beneath bends time,
Silent lie whispers where return verses.

Stars dissolve, unchained from time,
Unseen hands thread silver spirals.
Dusk and dawn reflect through light,
Hollow songs carve sorrowed verses.
Drifting shades unmake their names,
Silent wings unfurl through roots blackened.

Blackened roots through unfurl wings silent,
Names their unmake shades drifting.
Verses sorrowed carve songs hollow,
Light through reflect dawn and dusk.
Spirals silver thread hands unseen,
Time from unchained stars dissolving.

Dissolving stars, unchained from time,
Unseen hands thread silver spirals.
Dusk and dawn reflect through light,
Hollow songs carve sorrowed verses.
Drifting shades unmake their names,
Silent wings unfurl through roots blackened
Copyright Malcolm Gladwin
February 2025
The Crow and the Raven

This is written in reverse mirror , was tricky
abstract, cyclical free verse with heavy use of repetition and mirror-like structures , each second stanza is the first in reverse
65 · Mar 12
Diary of Love...
Malcolm Mar 12
I tried to count the times I fell in love ,
But my memory failed to serve,
their meaning lost in time,
Each face, and memory were empty,
Lost in thoughts I pondered of long ago.

I reached for my quill and ink, to write forgotten lines,
To write down the echoes, jotted in tears.
Yet all my words were faint and torn,
A fabric ripped, both bright and worn.

My diary still waits, its pages empty,
The keeper of the love I wear.
But as I write, the truth unweaves
Some loves are meant to not be written
Copyright Malcolm Gladwin
October 2024
Malcolm Mar 12
Sometimes I sit here,
staring at the blank page,
wondering what to write about
what’s rattling around in my head.
Is it something profound,
or am I just ******* again?
Sometimes I think I’m winding people up,
other times, I’m genuinely trying to say something.

I write when I’m happy.
I write when I’m sad.
I write when the world looks beautiful
and when it looks like the bottom of a bin,
Even if it might smell a bit ******,
Sometimes it’s rage pouring out,
sometimes it’s a laugh at my own expense.
I never really know what’ll spill onto the page
maybe my heart, maybe just nonsense,
Unfortunately I won't apologise,
If my words are offensive,
maybe you the problem not me,
I said something about religious fella,
The other day while writing.

Someone told me in a comment,
“You’re going to hell. I’ll pray for you.”
“Brilliant,” I said, “save me a seat down there.
We’ll compare notes.”
It didn’t bother me
the offended always amuse me.
If they hate it, I say,
“Read it again or don’t read it at all.
I’m not writing for you, anyway.”
What do you want me to do ?
Say im sorry?
Never going to happen.

Faith? Oh, I toy with it,
poke at it,
hold it up to the light like a shattered bottle.
I’m not asking you to agree,
just asking you to think.
Otherwise, life would be boring, wouldn’t it?

Then there’s the poetry I read sometimes
half the time I think,
“What was this bloke smoking?”
Other times, I look at my own stuff and think,
“Maybe if I’d smoked something,
it’d actually be good.”
Where is that ****** muse when you need her?

The knock on the door the other day was priceless, though.
A couple of witnesses, chirping away:
“It’s your lucky day! You can be saved!”
Poor sods didn’t realize I’m already booked for hell.
“Come in,” I said,
“Tea? Oh, don’t mind the taste,
that’s just the poison.
Best get to hospital, hail the Dark Lord!”
They ran, of course,
and I laughed so hard I nearly spilled my tea,
a little dark I know,
but how else do i amuse myself when I'm fresh out of ideas to write about ?

That's when I tell myself, "Just another day."
What thrilling chaos will tomorrow bring?
While my blank page hungers for ink.
Another day to scribble in my mind.
Copyright Malcolm Gladwin
August 2024
64 · Apr 2
Lunar Insomniac
Malcolm Apr 2
Once again the light of night stares deeply,
Moon’s got me, fingers in my skull,
cracking, peeling, tearing at thoughts
let me be,
I never gave permission for
laughing, smirking
like it owns the night,
like it owns the pain that won’t let me go.

Time folds itself like crumbling paper,
rips apart, mends itself wrong
Minute by minute,
one AM, two, three, four, six,
numbers, fragments, slipping through fingers,
nothing makes sense but the heaviness.
One more hour, one more moment,
and I’m still awake,
count sheep, count dogs, count cats
Nothing!

Sleep? A liar,
a trick of the light,
a hallway that leads nowhere,
a door that doesn’t open
I chase it,
fall into it,
but I wake,
each time
repeating
staring at the ceiling,
listening to the wall breathe,
mind racing away from me,
why won't you let me be.

If I could
I would tear the moon from the sky,
break his light,
fold him into something small,
a paper boat,
something that could sail off,
something I can crush.
But no,
I watch
smug, distant,
untouchable,
repeated,
the moon, laughing.

And me?
I’m a shadow of a shadow,
too awake to sleep,
too tired to be.
The body is a thought,
the thought is a whisper
where am I,
what is this,
where did the night go?

I watch myself,
waiting,
waiting,
waiting
until I collapse or fade,
until the universe sighs,
until time stops pretending,
until sleep gives in
or I let go.
Copyright Malcolm Gladwin
April 2025
Lunar Insomniac
64 · Apr 29
Somedays
Malcolm Apr 29
Somedays I rise like a monk,
barefoot, benign
& still get gutpunched by a cold kettle,
no sugar,
no spoons,
no ******* coffee
just the bitter truth of unplanned idiocy.

That’s the prelude.

Then comes the uninvited opera
the ogre in a hatchback
slithering through lanes he didn’t earn,
gargling ego, honking for clearance
like his tardiness
was my crucifix to bear.

The shop-witch counts coins
copper by copper,
dragging eternity across the till
while I rot behind her,
watching her smirk at the math
like she's curing cancer.

I light a smoke
wind turns assassin.
My sandwich?
Now a Sahara-dusted tragedy.
A mouthful of grit.
Sky ****** spite.
I take a drag—wet ash,
storm on my lips.

There’s always
something.

A misfired message
“you up?”
No, ****, I’m spiraling.
A call about their cat's vomiting,
as if I’m the feline whisperer.
And why is it
that the needy
find me when I need
no one?

Some ***** unclips their door
into my car,
nods like they did me a favour
like my paintwork
was begging for a scratch.
No apology. Just audacity.

And then
relationships, appointments,
all these temporal collisions
some can’t ******,
some can’t stop.
It’s always
either waiting,
or sprinting to keep up
while someone else
finishes without you,
wipes off their guilt
& says,
“ready to go again?”

Somedays…
it’s more days than not.

The inconsiderate breed like roaches
everywhere,
invisible
until they nibble at the nerves.
Each one
a subtle saboteur of serenity
a Harry,
a Sally,
a gnat in the gut of grace.

And I
I dream of vaporizing silence,
a death-ray of solitude
or **** it,
just vanishing,
****,
if that’s what it takes
to bypass this
imposed ritual of irritation.

I pray:
“Lord, get me through this day.”
But perhaps
I should say:
“Lord, muzzle the world.
And let me sip
my ******* coffee
in peace.”

Somedays,
I just want calm.
But somedays…
are all days
in drag.
Copyright Malcolm Gladwin
April 2025
SOMEDAYS - just a little spit or vent
63 · Mar 12
You Beautiful
Malcolm Mar 12
A flash of light,
sharp, broken glass underfoot,
her smile
captive, electric, a god's cruel gift
glows in the fog,
flickers, trembles,
an untamed star
lost in the city's steel veins.
But what is beauty if it drips from the mouth of ghosts,
whispering her name in silence?

She stands,
a flame scattered across the concrete sky
softer than any dream that burns the soul,
wilder than what we pretend to touch.
Do you remember how her voice shivers through you,
cracked vinyl spinning memories,
dust, decay, and heat?
Gods do not look this way;
they cower behind the scent of burning roses.

Her fingers wrap around the world,
each movement violent with grace,
but I see the dark beneath
that sweetness,
and I wonder if love is the rope
she ties around herself
or the knife she drives through the hearts
of the lost.

Her laugh is a fracture in time,
a moment too pure,
too much,
that I swallow whole
like acid, burning my throat.
What do we call that
when nothing left feels real?
When her eyes turn,
and the night begins again—
silent, dark,
and heavy as broken wings?

But I cannot forget
the way her spirit
ignited the ruins of me
one smile, one movement,
a blaze too fierce to die,
too pure to touch without ruin.

Do you remember the sky when she passed
how it bent
and bled for her?

And yet, she is gone.
She always was.
An illusion,
a creation of something I cannot hold.
But God, how she burned.
Copyright Malcolm Gladwin
March 2025
63 · Jun 24
When You Arrive
Malcolm Jun 24
And now you arrive
not with fanfare,
but as thunder held in the finest silk,
a hush so loud the clouds kneel.

You walk,
and the world answers
the earth flowering in your delicate shadow,
as if even dirt remembers
the scent of goddesses.

The wild rose holds no beauty,
no scent that can be compared.

You are the sun rising through cathedral glass,
stained with wildflower tones:
blue forget me nots,
turmeric yellows,
wine-dark crimsons,
lavender bruises that hold the hush of evening.

Your skin
oh, your skin
a canvas Van Gogh might have dreamed in fever
trembling with each stroke,
sun-drunk wheat gold,
laced with dusk-heat rose,
lit from within
like a lantern floating on an endless lake.

Your eyes
each a Monet morning,
mist-swaddled and shimmering,
like rare symphonies soaked in rainlight,
flickering like cello strings
plucked beneath gleaming starlight.

I hear you
in the hush between wind gusts,
the low hum of honeybees blessing a bloom,
in the breath of river reeds
bending to your passing
like sacred monks in prayer.

You are a madrigal sung in falling water,
the harp hidden in riverbeds
a sound no recording could capture.
Only ripples
know your frequency.

Your presence is an orchestra of moments:
the aria of mountain dawns,
the lullaby of petals torn by breeze
falling softly to the earth,
the rhythm of a thousand painted suns
in the belly of a Kandinsky dream.

I close my eyes
your laugh,
the clatter of silver in a velvet room,
a storm behind stained-glass windows,
a jazz note improvised mid-heaven.

I try to describe you,
but language buckles.
What metaphor for skin that smells like memory?
For eyes that hold entire equinoxes?

Shall I create words
only I understand
syllables that tremble,
tones that shake the earth
just to explain your undescribable beauty?

You are not one flower.
You are every bloom in disobedience
the fire-throated hibiscus,
the shy hellebore,
the rogue jasmine
that climbs past every boundary
just to find the moon,
reaching for the stars.

Each time of day becomes you.
You are dawn’s breath on a violin’s neck,
noon’s blaze caught in gold-threaded fabric,
twilight poured into a wineglass of silence,
while midnight kneels
in hush, praying
in indigos and magentas.

You step into my world,
and the scenery forgets itself.
Even the mountains lean closer,
hoping to be repainted
in your palette.

None can compare.

Even the stars
fall back
to make room for you.

I worship you not in silence,
but in explosion
a thousand golden strings breaking open,
a field of irises trembling in sudden light,
the last note of a requiem
held longer than breath itself.

You are not a destination.
You are the arrival.
The divine storm at the edge of longing.
The shape of the answer
before the question can form.

And I,
glowing like fire beneath snowfall,
sunrise beneath the cathedral of my chest,
waited
just to fall into your name
when you finally call to me
Copyright Malcolm Gladwin
June 2025
When You Arrive


This poem, along with others I’ve recently shared, comes from a book I’m currently writing:

Quiet Pools and Other Witnesses

If this piece resonated with you, I invite you to explore the other poems in the collection—and I welcome your thoughts, reflections, and comments
Malcolm Jun 24
Write like there is no tomorrow.
Let the ink spill faster than your regrets,
faster than the tide that swallows names from stone.
Let the page burn with your blood
before your mouth remembers silence.

No man controls time.
Not the priest, the poet, the king,
not the one who waits,
not the one who runs.

Life is not given.
It is borrowed breath,
a fragile flicker
on a clock that ticks whether you move or rot.
The hours do not wait.
They do not care.
They do not remember you.

Write because tomorrow may not come.
And if it does,
it may not arrive as you hoped,
or with your name still in your throat.
We are not in control.
We never were.

Moments are sand –
they vanish even as we hold them.
Memories bend and blur,
warped by sorrow, softened by longing.
Tombstones do not speak;
they only mark the aching fact:
we were here.

Pictures fade.
And if no one looks,
the light inside them dies.
Words on a wall mean nothing
if no one knows the tongue.

But thought,
written in ink,
can outlive even the silence –
if it’s read,
if it’s felt,
if it strikes the living like thunder behind the ribs.

Hills rise and crumble.
Trees reach and fall.
All things shift.
All things pass.

So write like there is no tomorrow.
Because sometimes it does not come.
And when it does,
we may already be dust –
scattered down some cobbled road,
whispering stories
only the wind still remembers.

And in the end,
when the ink is dry,
the voices quiet,
and the page begins to yellow –
ask yourself,
would it all matter?
And know the answer lies
in whether you dared to write
at all.
Copyright Malcolm Gladwin
June 2025
Write Like There Is No Tomorrow
Thoughts of the lost when time has passed on by ...
63 · Mar 12
A Devilish Deal
Malcolm Mar 12
Come one, come all, the carnival's here!
Bring your soul; there’s no need to fear.
Step right up to the Devil’s stand,
He’ll trade your essence for a sleight of hand.

The Dark One grins, his pitch refined,
“A bargain struck will free your mind!
Forget those rules of guilt and pain,
Just sign this slip and break your chain.”

“But what’s the catch?” you skeptics cry,
“What’s hidden deep within the lie?”
The Devil laughs, his voice a drawl,
“Oh, nothing much… just your mortal thrall.”

Religion gasps, the pews erupt,
“Without a devil, our sales corrupt!
Who’d buy salvation, grace, or prayers,
If not for Hell and its fiery lairs?”

So here we are, with goats and flames,
And theologians penning Hellish names.
They warn of demons with deeds grotesque,
But their churchly coffers grow quite burlesque.

The carnal sins they do condemn,
Were once old Pan’s own diadem.
Fertility, joy—now sins of lust,
Wrapped in fear and holy dust.

So strike that deal, make it brash,
Why burn in Hell when you can stash
The blame and guilt, the heavy yoke,
And laugh along at the pious joke?

For those who preach the Dark One’s lore
Should thank him daily, and implore:
“Stay wicked, vile, and ever cruel—
Without you, we’d be out of fuel!”
Copyright Malcolm Gladwin
October 2024
Devilish Deal
63 · Apr 29
Volatile
Malcolm Apr 29
I loved you when I shouldn't have.
Didn’t plan to—never intended—
you were good enough
for those
blunt-edged
Tuesdays and
broken-glass Thursdays
you know,
those days you said
“Can you come over?”
and I
stupidly
always said
“Sure.”
(What’s my name?)
Not yours.
Never yours.

I didn’t want to fall,
but I did.
Even while we were
tangled in
half-closed lies and
barely buried truths.
It’s funny
how we ache for the poison
that already lives in our veins.
How I saw
from the start
we were chemicals
unstable,
volatile,
clinging to a rusted shelf
waiting to break.

I was strong.
You were sinking.
You dragged me down
while I taught you to rise.
I showed you
how to see.
But it was never
my job
to make you
a ******* lighthouse.

And that
that was where
I ******* lost it.

I should’ve stuck to the plan:
2 hours of escape,
3 hours of noise,
no more.
Tuesdays.
Thursdays.
Send you home
to your shadow world.
But no.
I carried you
into music,
into meaning,
into books that bled your name
on every page.
You said forever.
I said
nothing is.

And still
you walked.
You left.
But not a ******* day goes by
where my name
doesn’t haunt
your spine
like a ghost.

We were more
than you’ll ever know.
More than I’ll ever find again.
But I’ve made
friends
with silence.
I’ve married the ache,
swallowed the ending,
stitched it
into the back of my ribs.

You say you left
to find yourself.
*******.
You found yourself
in my hands.
And you wanted
to show the ones who broke you
how tall you stood.
But you forgot
who taught you to walk.

The cost
was everything.
And you?
You walk easy
because you were handed it all.
Took it.
Wore it.
Forgot it.

I wasn’t perfect
but with me,
you were real.
You were raw.
And now?
You hide.
You live a ******* lie,
afraid of being touched
by anything true again.
Because you know who you are.
You tasted truth.
And now you rot
in its shadow.

Do the crows in your skull
peck memories into migraines?
Do you flinch
at the echo of “us”?
I don’t mind.

I walk.
Alone.
With that little fluffy gift.
Not crying.
Not reaching.
Not breaking.
Not needing.
If I had one more day
fine.
If I had a hundred years
fine.
Because none of them
include
you.

You,
who swallowed me
from the inside.
Copyright Malcolm Gladwin
VOLATILE
APRIL 2025
Malcolm Mar 12
We built a mountain
out of dust
dry skin on old bones
and hollowed-out eyes
drinking from the crack in the glass.
The rivers ran backward,
spitting out promises
that tasted like iron.

Feet,
footprints carved into gravel,
burning with the weight of a thousand forgotten years—
we ran like shadows chasing the sun
but the light never reached us,
just slipped away
into the cracks of our teeth
and disappeared into the sky
that never looked down.

I saw the rain dance,
but it wasn’t real.
It was a mirage in the distance—
a waterfall that never hit the ground,
and I,
caught between the drop and the fall,
tried to hold onto it,
but everything slips when you hold it too tight.

They say souls
float like air—
but have you ever felt the weight of nothing?
The way it clings,
heavy like smoke that won’t rise?
I found one
stuck between the ribs of a city
too busy to care,
its whispers crushed in the concrete
by the weight of all the things we didn't say.
No one listened,
not even the wind.

I don’t remember how I got here,
but the silence
is too loud to ignore—
a buzzing hum that fills every space,
from my chest to the world outside.
A thousand eyes watch,
but none of them blink.

Maybe we were never meant to find what we’re looking for—
just pass through the doors,
always on the other side of the glass,
fogging it up with every breath,
reaching for something,
but never touching it.
Always running,
but never anywhere.

And in the end,
we’re just dust again
silent,
waiting to be swept away
by hands that forgot
how to hold.
Copyright Malcolm Gladwin
12 March 2025
62 · Apr 5
Paint ...
Malcolm Apr 5
Life is a ******* canvas,
a mess you don’t know you’ve stepped into,
until your foot’s stained
a smear of doubt,
blood from the gods you thought you knew,
the first breath
a slap,
a jagged line that cuts into the gut of you.
****, it hurts,
but you keep painting
‘cause the world ain’t built without your hands in the ****.

It’s paint on your face,
the drip of your own blood
mixed with rage,
‘cause what’s life if not a battle between what you want to touch and what’s been forced into you?
You’re born with a brush in your palm,
but the strokes are jagged,
sharp edges,
a million questions you don’t have answers for.
You want to fix it
but the canvas bleeds through your fingers,
so you just keep ******* going.

Each line is war,
each color is death,
each mistake is your soul
ripping open like a wound.
Nothing is clean here,
not the art, not the mind,
not the **** heart beating like a beast in your chest.
You hit the page with fury,
twisting the paint till it burns,
till it scars.

You step back,
but only to get a clearer picture of the wreck you’ve made.
Life, like a painting,
is the blood of your struggle,
the grit of the grind,
the brutality of change.
Can’t fix it,
can’t make it perfect
It is what it is
but ****, you can make it yours.
You can make it raw,
tear it apart with your bare hands,
and watch it bleed into something real.
‘Cause at the end, it ain’t about the clean edges,
it’s about the chaos
the mark of the beast you leave on it,
the rage and hunger that refuses to die.

And when it’s done
you’ll see it.
All of it.
Every jagged, broken line,
every scar on the page,
and you’ll know,
the mess was never the mistake.
It was always the point,
to paint...
Copyright Malcolm Gladwin
APRIL 2025
Paint ...
62 · Mar 12
Beyond Vision
Malcolm Mar 12
To glimpse the universe in passion's scorched pulse
and find paradise in both sand and fire,
we burn. We burn.
Where wildflowers bloom, *but never *enough.
we wait in fields
empty,
but never empty enough.

We cradle Infinity in our arms—
chaotic arms,
mangled, jagged
we capture Eternity in the chaos
of breathless calms,
flailing,
grasping,
tasting fire with bleeding tongues.

We see only what we can stand to see
what our blind eyes allow
gripped by the weight
of our routine,
our chains.

Wisdom at the door
but the door won’t open
just shadows play,
laughter echoes
too loud
too distant
beneath caverns wide and cracked,
and gray.
We seek, but…
We. Never. Find.

What if it’s all a lie?
What if we are the lie?
This thing we search for
the truth
hidden, buried,
locked inside
our worth.
Entitlement stabs through the skin,
deep,
deep
and we bleed,
but we still think we are entitled.

Then comes the call
from the heavens
but it’s just noise
like wind
we cannot hear it,
can we hear it?
It cuts through the sky,
exposing our scars,
our wounds,
our endless love,
never enough.

Love
it scratches through the bones,
whispers lies in soft lines
through vows,
through sighs,
through laughs that sting,
through silence that screams.
And we look.
Gaze
longing
eyes wide open,
but blind.

At dawn, the sun shatters
breaking in pieces
shivers down the spine
wolves howl,
seers cry,
we— we tremble.

Countless souls scatter,
unbound
free
but fear?
fear is still there
clutching,
clinging,
ripping at hearts
that turn from the night.

The darkness calls.
It’s never far.
Those who flee?
They’ll find nothing.
No love. No comfort. No hope.
Nothing but their own hollow breath.

Hands stretch
but the space is endless.
Journeys continue
but the end is farther than we know.
Steadfast hearts?
They break too.
Skies turn gray,
but still
still
Love’s guiding light,
never—never—fails.

Love
it knows no time,
no end,
no borders.
It bites.
It burns.
It leaves its mark.
Through all that fades,
through all that burns,
Love. Is. There.

Judgment?
It looms.
It looms like a shadow,
thick and choking
for those who arm themselves
with fear
they falter
they fall
before envy’s breath
a dirge,
a song
of death.

In robes of gold,
or rags of decay
truth is shattered,
broken,
a lie dressed in intent
good enough to sell
but never to heal.

The divine spins in the dark
scars and trials burn deep
turning the wheel
beneath the stars
unforgiving.

Teardrops?
They fall
but wings rise
eternal,
seeking grace
seeking answers
that don’t come.

Waves crash
on the shores of fate,
heavy,
crushing
yet the breath of heaven
is weightless.

Summer’s light
it burns
it outshines
the cold of winter’s breath.

The old man?
Reason confined
but blind.
Blind to the truth
to the lies.

Inquiry?
It flickers
like dying light
thoughts fade
we fade
memories burn bright
then dim
like stars that die before we see them.

And art?
It survives
in peace
in silence
envy falls.
Philosophy smiles
but its teeth are sharp.

The cosmos whispers
ancient, eternal, forgotten
and the questions?
They linger
unanswered,
forevermore.

What is truth?
What is time?
In every heartbeat
a rhythm.
A pulse.
A fracture.

Silence deep,
shadows mix,
blur—
and existence?
It never ends.
It never—ever—ends.

Thoughts like rivers
they flow
but do they lead anywhere?
Do we follow them?
Eternally.

Sun and Moon
opposites
but they bow to each other,
embracing their fire,
their light.

To dwell in Passion
to join hand and heart
is to seize
the void
to understand
the nothing.

It’s in the waiting,
the pain
the quiet truth,
that will never speak its name.

A sacred flame,
but no name
just the dance
just the endless turning.

For love is woven,
thread by thread,
by dreams that break
through our minds,
falling like autumn leaves
they fall.

Even when the world
grows cold
Love remains.
Love
it remains.
Copyright Malcolm Gladwin
October 2024
Beyond Vision
Malcolm May 23
Our love was deeper than the ocean
deeper than Poseidon's sighs, where leviathans hum lullabies to sleeping coral,
our love churned beneath sapphire trenches — ancient, glowing,
etched in whale-song scripts that only the stars could read.
It spiraled downward past jellyfish lanterns, trailing silk,
where seaweed reached like dreaming fingers toward the memory of moonlight.

We walked along the shore
fairy-light footsteps, hands in clutch,
we danced across the silver moonlit shore,
where the sea birds screamed stories to the waves
and the waves replied with thunderous applause.
Tiny ***** in brown tuxedos spun pirouettes,
carrying secrets in shells, clicking out riddles for the sand to decode.

Falling through the clouds like a skydiver without a parachute
we plummeted like wingless angels giggling in gusts,
through cotton-candy cumulonimbus, pierced by rainbow veins.
A trumpet played jazz for the falling golden, reckless,
and somewhere below, Earth slipped on her own rhythm,
dodging our love like a bashful muse.

We walked through the fields
across hills and plains soaked in buttercup breath,
fields covered in flowers drunk on the sun’s honey.
The grass whispered ballads in chlorophyll tongues,
while rivers drew lazy spirals, their laughter tickling the rocks.
Above, the sky blushed cerulean, scattered with ink-drop swallows
and a single cloud shaped like a promise we never kept.

Stars sang lullabies for the tides, their voices stitched with cosmic thread,
and moons — glowing like prophets —drifted in dream-silk robes.
The sands of starlit beaches shimmered with golden orbs,
rolling like marbles tossed by gods with time to spare.
And we, mad and luminous, kissed in the tide’s breath
as if the universe had no need for sanity, only sound and spark.
Copyright Malcolm Gladwin
May 2025
Where Skydivers Dream and Whales Remember
61 · May 21
Dreamspine
Malcolm May 21
Don’t whisper in dried-out dirges
that all this flickering
is hollow.
That dreams are ash,
and flesh is just a waiting cell.

The soul, if such a beast still gnaws,
rots deeper when left numb
Not all walls are built to hold,
not all truths are what they hum.

Life isn’t real
it just feels like it might be
when the pain bites clean.
But the grave isn’t the goal.
It’s the breath before it,
the silence
we dance inside,
pretending it speaks.

Dust-to-dust, sure.
But the soul?
It breaks different
like glass remembering light,
or a scream you swallowed
and called prayer.

You weren’t born to smile or weep,
no.
You were shaped to move
to mark some subtle shift in the void,
to fall forward
even when crawling.

Art lasts.
But time
time is a thief in velvet boots,
slitting courage open,
while your heart
marches a funeral beat,
wearing someone else’s armor.

The world is war.
Not guns and medals
but breath,
betrayal,
mornings.
Don’t herd with the hollow-eyed
be the chaos they never saw coming.
Be your own myth.

Don’t flirt with futures dressed in silk—
don’t mourn the past’s carcass.
It’s gone.
Rotting in memory’s echo chamber.

Breathe the now
tear it open.
Live like the ceiling leaks God.
And you're standing beneath it,
cup in hand.

Heroes die.
But their noise lingers
a footprint, maybe,
that the lost will find.
Or a wound
someone else mistakes for a map.

So rise
or crawl
or scream in motion.
Whatever fits.
Just don’t stop.

Let fate break its teeth
on your persistence.
Let patience sharpen you
and
Perseverance your
motto.

Because this isn’t just a dream
it’s a riddle
with blood on its lips
or
A dream caught in a
dream.
Copyright Malcolm Gladwin
May 2025
Dreamspine (after Longfellow)
61 · Mar 12
Don't Be A Dick ...!
Malcolm Mar 12
Oh, children, come gather, and listen in close,
To a tale of behaviors that bother the most!  
A lesson in kindness, as quick as a tick:
This little mantra, don’t be a ****.      
      
Imagine young Larry, quite rude in his ways,
Who butted in line at the fairgrounds for days.
He’d push, he’d shove, with a grin so wide,
Till they tossed his *** right out for his rude little pride!      
      
Then there’s Miss Claire, who’s quite the chatter,
But always she talks as if no one else matters.
She’ll cut in mid-sentence, she’ll hijack the floor,
Till friends disappear, right out the back door!  
  
And look! There’s sly Benny, so slick and so witty,
With backhanded compliments, oh so pretty
To say, “You look nice… today, at least!”      
He thinks it’s a joke, but he’s just a rude little beast.

Now meet Mr. Fred, the ultimate champ,
Who’d win at all costs, like a cold-hearted lamp!
He’d gloat if he won, if he lost, he would pout
Until everyone’s cheers turned to, “Hey, Fred, get the hell out!”

And don’t get me started on poor Mr. Lee,
Who talks on his cellphone for all to see!
The bus hears his life, the ups and the downs,
And wonders aloud, “Does he think we’re all clowns?”      
      
Or ghosty Miss May, who’ll vanish and dart,
Till she needs a big favor then, oh! She’ll take heart!
But friends aren’t just there for a quick disappear,
Be there when it’s good, be there when it’s drear!      
      
Yes, kindness is golden, but some never see,
Like Finn who one-ups, never lets things be.   “You climbed that mountain? I climbed it twice!”
Oh, dear, someone save us from one-up advice!

And next, meet young Theo, who leaves a big mess,
In every shared space, with no thought to confess.
A spilled drink, a wrapper, some crumbs from his treat
This ******* assumes that the fairies will clean up his feet!

Then there’s dear Patsy, who skips every “thanks”
Who treats help from others like limitless banks.
The waiter, the driver, her parents, her friends,
She takes and she takes, till the friendship just ends.

Now Oliver’s always the first to take credit,
Though others around him are ones who have led it!
He swoops in and beams, and says, “Yes,
that was me!”
While others just sigh, as they stand silently.

Or grumpy Miss Jan, who’ll twist a small slight,
Into a feud that could last her for life!
Instead of forgiving or letting it go,  
She’ll hang on like a dog with a bone, oh no that's just so!

And finally, Sammy, who’s loud and who’s brash,
Who loves to start fights and go out and splash.
A “keyboard warrior” with no heart in sight
Stirring up trouble on screens late at night.      

So remember, dear children, it’s really quite slick,
To act with some kindness, DONT BE A ****.
For friends are like flowers; they don’t grow on stone  
Water them kindly, don’t live life alone!
Copyright Malcolm Gladwin
August 2024
Malcolm May 21
Somewhere
beneath the eyelid's last blink
where glass bleeds light,
and truth flinches like a rat in church,
a Psalm shatters,
cracking the spine of silence.

I saw God’s silhouette in reverse
a negative burn,
its arms were questions,
its eyes were hollows,
and its scream—a flicker in dead film.

Tell me
what’s a universe if not
a deaf match struck in a snowstorm?

I licked the ash of a star once.
It tasted like birth
and every lover who ever left without closing the door.

Time taps its nails on bone
tick. tick. tick.
Each second a parasite,
sipping marrow,
etching the shape of forgetting
on my skull.

No map.
No north.
Only echoes whispering:
“you were never here.”

Even solace is a trick
a ghost draped in perfume and mother’s hands,
gone when you turn to name it.

I broke a clock to stop the wound.
(It laughed.)

Now
I collect shadows.
I press them between pages of not-quite-meaning,
each a brittle wing.

Is this God?
—a hum in the static,
—a fault line in grammar,
—a riddle whispered backwards
through the teeth of a dying flame?

Listen:
There is a drone inside the ordinary.
It gnaws.
Not loud
but certain.

You want reason?
You want rules?

Here’s the cipher:
There is none.
Only this:

A flicker. A fracture. A fall.
Then something unnamed
that feels like knowing.

But isn’t.
Copyright Malcolm Gladwin
MAY 2025
The Godprint Cipher”
(a fractured riddle poem)
Malcolm Mar 29
Hurt,
A smear across the canvas.
No,
not a smear—a wound.
A slash,
a burn,
a bruise.
You wear it like a crown.
You wear it, and think you’re the mask—
but,
you’re not.
You’re the hand.

Stuck
in the cage of your own thoughts,
the chains rusted, but still they cling.
Why do you believe them?
Those chains?
Those are lies.
Not your skin,
not your bones.
You—you—are the fire
that melts them.

Life?
Yeah.
Life hurts.
Love?
Hurts more.
But silence?
Silence?
That’ll **** you slow.
A death of nothingness.
A breath that never comes.
An empty scream.
Whisper
“I can’t.”
An endless howl,
that’s all that remains.
But it’s nothing,
isn’t it?

Wait
together?
There’s strength in the unspoken,
strength in the unseen.
It’s the flicker of a light
in the cracks,
the silence between the thunder.
Where your heart beats
where it beats
start there.
Don’t wait for permission,
don’t wait for love.
You teach it.
You hold the brush,
the sculptor’s tool,
and you make.

Doubt.
It carves you
sharp.
Like glass,
like a knife to your ribs.
Stop thinking,
stop carving your own scars.
You’re not a sentence,
you’re not a conclusion.
You’re the story.
Not the ending.
Not the ghost.

There’s a myth
A myth.
That says you’re less than enough.
That says you’re small,
that says you can’t.
It’s a lie.
A shattered lie.
A myth that crumbles
in the face of your truth.
You—you—are the universe.
Each cell.
Each breath.
Each step
a new galaxy.
Bursting.
Exploding.
You are the spark
that lights the fire,
the ember
that burns down everything
they thought you were.

What if you believed
what if
you believed in the beat of your chest?
The rhythm of your bones?
The pulse of life that screams
in every inch of you?
What if you believed
you’re more than the cage
they built around you?
What if you realized
you’re the song?
You’re the melody
that breaks the silence.

You
You
are not the thought.
Not the chains.
Not the scars.
Not the voices.
You’re the music.
You’re the crash of cymbals,
the rise of the string,
the pulse in the drum
that shakes the world.
Don’t let them decide who you are.
You decide.
You—you—are the rhythm.

Stop waiting.
For what?
For who?
The world will not open doors for you.
It’s not the door
that you’re waiting for.
You’ve got the key.
It’s always been in your hands.
Unlock it.
Break it down.
Create your own path
no map,
no guide.
You—you—hold the world
in your palms.
Now make it,
Take it,
Break it,
Make it your own.

Go.
Move.
The masterpiece is inside.
It’s not waiting,
not on hold.
It’s here.
Right now.
And you
you are the one who paints it.
Copyright Malcolm Gladwin
March 2025
The Art of breaking free
60 · Apr 29
Tree on the hill
Malcolm Apr 29
Tree on the Hill
It doesn’t grow
it remembers upward,
each branch a green-tinged scream
curved into the ache of sun.

Leaves don’t fall
they betray,
drifting like forgotten tongues
gold-lipped,
summer-sick,
too heavy to lie still.

The bark
creased like an elder’s laughter
etched in dirtscript,
smells of storms caught mid-prayer
and mosses that whisper
to no one in particular.

Its roots?
They grip the hill
like a jealous god,
fingers buried in the soil’s old heartbreak,
sipping secrets from beneath the grassline.

And the wind
it doesn’t pass.
It negotiates.
Swirls between the limbs like lost voices
asking the tree if it's still waiting,
still listening,
still pretending to be alive.
Copyright Malcolm Gladwin
APRIL 2025
Tree on the hill
60 · Mar 18
Who am I
Malcolm Mar 18
Who am i really?
I wear the masks they whisper about,  
Words spoken in the hush of broken corridors,  
Light bringers or public enemy number one,  
black for the night, white for the oath,  
red when the wires scream.  
I walk unseen through the veins of the world,  
The shape shifter that walks amongst the wolves and sheep,  
a pulse, a fracture, a glitch in the circuit.  
I am the ghost that never stays dead,  
Messiah that rises time and time again,  
They call me a keyboard cowboy,  
I know the dark because I had to.  
You don’t track a predator by standing in the sun,  
wolves don't just knock on the door,  
Don't you know,  
They lurk,  
I hunt,  
Crosshairs,
Fire
Dead!

I have stood with the blue team  
steel-*****, firewalled, watching the abyss watch back,  
Jedi.  
While worms nawwd at the core, trying to eat through the system.  
I have moved with the red team  
silent hands, slipstream body,  
a wraith in the blind spots of giants.  
Drilling our way through the earth to come out on the other side,  
to see what's unseen,  
to hear the unspoken,  
to find the hairline cracks in the impenetrable,  
I have drowned in the purple dusk  
where order and rebellion  
collapse into static and bones,  
Where community communication finds comfort.  

Tell me—who owns the truth?  
Tell me—who decides the crime?  
Tell me—how do you catch what doesn't exist?  

They call me villain.  
Ghost. Phantom. A shadow that never asks permission.  
Digits flash—unauthorized.  
Vaults unsealed—malicious intent.  
Secrets peeled raw—classified breach.  
Knowledge is what I seek—raw unfiltered.  
I rupture the systems of those worthy,  
a howl in the wires,  
a storm that does not obey.  
And yet—  
they never ask why the lock was picked,  
What was behind the door.  

They call me guardian.  
Sentinel. A shield made of wreckage.  
They call me protector  
when I patch the cracks before the flood.  
But no one asks how I learned to swim in the dark,  
Even when you lose your soul to save others.  

They call me enigma, breaker, builder, ruiner, redeemer,  
a paradox in a world made of glass, fibres that stretch the boundaries of the earth,  
I see the fractures  
the vulnerabilities, the rusted locks,  
the way everything is breakable  
if you know where to press,  
Some call it crime.  
Some call it sight.  
Some call it inevitable.  

I am silence in a world that never stops screaming.  
I am lightning crashing through the wall.  
I am the unseen weight tipping the scale.  
Sneaking in and gone before you know it.  
Footprints on the floor?  
Fingerprints?  
I doubt it.  

And still, I ask myself  
Who the **** am I?  
Just a shadow?  
Or truth
Copyright Malcolm
March 2025
Who am I
Malcolm Apr 3
Hunger of the Hollow
Who whispers first
the earth or the bone?
Who sings the loudest
the living or the rot?

The Girl Who Would Not Stay
She walks on petals made of glass,
soft steps splitting the veins of the earth.
The sky drinks her shadow,
swallows her shape,
forgets her name.

She was never meant to hold weight.
Not here. Not anywhere.

The river curls, wet-lipped and laughing,
coiling around her ankles, pulling her in
“Come, child of the hush.
Come where the wind forgets to breathe.”

She touches the water.
It opens a mouth of teeth.

The Flowers Never Woke
A valley sighs, heavy with waiting,
roots threading through ribs of the long-left-behind.
The lilies shudder in their sleep.
The roses are hungry.
The flowers wilt.

She kneels, touches the soil,
but it does not reach back.

“What if I leave and nothing misses me?”
she asks the air, but the air is busy.
It does not answer,
neither does the sun
neither do the stars.

The clouds above burn
folds itself into fists,
wrings light into rain,
spills over in fits of golden hunger.

“Fall with me,”
it says, curling against the weight of its own skin.
“Fall and know what it means to be held.”
"Fall and know what is life's embrace"

She stretches a hand.
But she does not trust softness.
Not when it bends so easily to breaking.

The Worm they watch all above,
Beneath her feet, the earth shudders
a ripple of something restless, something waiting,
something that has never needed a name,
the unknown calls.

A worm, white as unstruck lightning,
unfolds from the dirt,
a thread in the loom of the forgotten.

“Do you know what it means to return?”
it asks, voice thick with the weight of all things buried.
“Do you know what it means to stay?”
"Do you know what it means to leave?"
In all things bright as day.

She does not answer.
She does not know.

She runs.
Because that is what the empty ones do.
Afraid of the unforseen.
Afraid of the known .

Through the hush of the valley,
through the hunger of flowers,
through the breathless cloud,
through the waiting worm,
until the gate—yawning, waiting, endless
takes her inside.

And she sees
bodies, folded and pressed like unfinished prayers,
hands reaching for something long since gone,
eyes black with the ink of every unspoken question,
each answer no told.

She sees herself.
Hollow-ribbed. Hunger-limbed.
A thing with no weight.
A name no one remembers.
Forgotten.

And the silence speaks:

“Why do you fear what you already are?”

She turns.
She runs.
She flees

but the gate does not let her go.
And the garden does not let her wake.
Copyright Malcolm Gladwin
April 2025
The Girl that would not stay
59 · Apr 29
Stillfire
Malcolm Apr 29
Sparkless grit
presses under frostbit knuckles
not fire,
just the idea of heat
with its eyes shut.

I rest in the draftwork
of holding patterns,
where clocks twitch
but never commit.

Once
weather scored graffiti
down my backframe,
like a vandal too polite
to leave a name.
Now breath limps
blurred,
rattling through cracked syllables
that don’t know what they’re naming.

Tannin hums behind the teeth,
coiled like a riddle
no tongue can unwrap.

Velvet cords grip the throat
not tightly,
just enough
to remind me
I'm still leased
to something unseen.

The wind tastes like rusted lemon
split skin,
unbitten seconds,
ticking in citrus static.

I’m a jar
glaze peeled,
rim chipped,
still ringing
from hands that shaped and fled.

Then comes not-morning
just the choreographed blur
of cloth and chrome,
rituals that shine
but don’t touch.

Time turns its crank.
I nod.
I click.
I vanish for the hours.

And the dark?
It unbuttons itself
with fluent decay.
It wades in,
speaks in steam,
and folds me into its absence
not to ****,
but to remember me
the way embers remember
what they could have burned.

I wait
for endlessness,
or whatever arrives
five seconds too late
Copyright Malcolm Gladwin
Malcolm May 24
There was a snake
in your wineglass
or so you swore,
clutching your belly
like betrayal poured into your gut.

But it was a bow,
hanging quiet on the wall,
its shadow curved like doubt,
and still
you burned with poison
that was never there.

You made yourself sick with what you thought you saw.

Then there was the runner
barefoot prophet chasing fire,
arms outstretched like hope could be wrestled
from the sky.

He drank rivers dry
and still died of thirst.
His cane fell
and trees grew from the grave.

He never caught the sun.
But the sun scorched his name
into the earth.

You may never reach glory, but you’ll die a sermon if you run hard enough.
That’s the second lie.
Or maybe it’s truth.

Then came the fool,
eyes wide,
looking down a well
and seeing the moon trapped like a silver ghost.

He ran for a hook
not sense
and tried to fish the night from the water.
Rope snapped.
Back cracked.
Moon untouched.

And he still smiled,
told everyone
he’d saved the sky.

Delusion is lighter to carry than disappointment.
That’s the third lie.
The one we keep.

And now, you.
Drinking shadows.
Chasing fire.
Hooking reflections.

You build temples from misunderstanding.
You tattoo your fears on glass
and swear they bit you.

But the venom is your own.
The sun never owed you warmth.
And the moon was never drowning.

You were.

So here’s the truth within
We suffer by choice,
die by obsession,
and live inside illusions
that wear our fingerprints like mirrors.

Look close
it’s not the snake,
not the sun,
not the moon.

It’s you.
Copyright Malcolm Gladwin
May 2025
The Lies we Swallow
Malcolm May 22
you said maybe like it meant yes
in a language only I bled fluently.

you blinked
and i fell into
a duck pond of maybe tomorrows
while you dried off
in someone else’s sun.

i guess it waddled.
i guess it quacked.
and you laughed like that proved
you never promised me a thing.

but the feathers
still choke.
Copyright Malcolm Gladwin
May 2025
If it walks like a duck 🦆
59 · Mar 12
Poetry SNOBS ...
Malcolm Mar 12
Ink must flow in lines,
metered, measured, high-minded
else it is not art.

They sneer at free verse,
counting feet like prison bars,
locking out the wild.

Rhyme too clean? Too trite.
Rhyme too loose? Unrefined slop.
Gold melts in their hands.

Ancient names they quote,
wielding rules like brittle swords
paper cuts still sting.

Silence when they read,
hushed as if the gods had penned
what they claim to own.  

Yet wind speaks in gusts,
rivers carve new paths through stone
poetry is free.
Copyright Malcolm Gladwin
February 2025
Poetry SNOBS ...
Malcolm Jun 30
I climbed out from under my own noise,
the static of too many selves
all speaking at once.
I just wanted silence,
or at least
a glimpse of something real
beyond this glassy, shifting mask I wear.

For a moment,
I thought I found it
I felt light,
untethered,
soaring past the reach of what they made me.
But I flew too far,
and forgot my own wings were stitched with lies.

My eyes
yes, they opened.
But they looked inward and saw only fog.
My mind
it turned, it turned,
but always into walls.

I still hear them
when the night softens
and sleep forgets to close the door.
The voices,
not cruel—just certain.
And that certainty cuts.

I pretended to know why I keep breathing.
Told people there’s a plan,
that I’ve got it sorted.
That’s the performance.
That’s the whole show.

And when I say I’m wise,
what I mean is
I’m tired of being wrong
so I’ve learned to speak
in riddles.

I’m not anchored.
I’m not grounded.
I’m a feeling in search of a name,
a boat without a harbor,
tossed in the ache of old waves.

I once thought the wind would save me.
But even that
whispers like them now:
"Where do you think you're going?"

They told me the climb would make me whole,
but I lost pieces with every pull.
Each truth I reached turned into smoke,
and every promise
just a joke.

I once believed the sky would catch me
a soul too cracked to feel the scratch,
but falling taught what is flight disguised
the stars don’t speak
they only shine.

My silence grew its own sharp teeth,
it gnawed my sleep, it bit beneath.
I smiled in rooms,
I couldn’t stay,
then vanished softly,
day by day.

There’s a hush where my name should be,
a space between the ‘you’ and ‘me.’
I’ve become a ghost with lungs and skin,
forever locked in where I’ve been.

And still they call,
those quiet screams,
the ones that echo through my dreams.
Not demons, no–
just echoes made,
from every truth
I’ve thrown away!

I walked so far to not be me,
but found myself in every fleeting minute,
in shadows cast,
in windows cracked,
no matter where, I still come back.
Copyright Malcolm Gladwin
June 2025
Malcolm Apr 2
Yeah, yeah, last round, last sin, last down.
Pour me a drink, let the games begin, big grin no frown,
let's get down.

I like my girls like I like my life,
Wild as hell with a touch of strife.
Down under, right *****, word to the wise,
I lick ‘em up slick, watch the fire in their eyes,
Pick up lines? Nah, just pick up legs,
They here for a night, they ain’t here to beg.

Stick up—this ain't no robbery, slobbery.
Hands up high while lips stick and gobble me,
Wobble please, yeah, tease me slow,
Spice in the breeze, on her knees, let’s go.
Veronica, Sandy, don’t matter the name,
Long as she game, we play the same,
Slam me down like a poetry battle,
**** right, revision, slam night position,
No intermission, just pure ambition,
Next day still wet and wishing.
Ain’t no rules, just break that bed,in her head.

Laugh at the law, let ‘em count the dead,
Yeah, yeah, I live life free,
Ain’t no government controlling me, eyes see. ******* to the piggies as they go wee wee .

Smoke up, sip slow, world stay burning, let's go,
They preach control, but I ain’t concerned with
No king, no leash, no ******* master,
Just me, my sins, and a heart that beats faster. Disaster

So let’s toast to the ones who never bowed,
To the freaks, the rebels, the lost and found,
Ain’t no chains that can hold us down, souls that wanna get down,
Blood in my champagne, let’s burn this town to the ground.
Copyright Malcolm Gladwin
April 2025
Blood in my champagne last section
Draft
Malcolm Mar 14
Clock hits five—oh, look alive!
Time to chug, time to dive,
time to drink my last two neurons dead
and dance on the grave of the week I survived.

Boss said "grind," I said "blind,"
sold my soul for nickels and dimes,
but hey—it’s Friday, let’s pretend
that life’s not built on corporate crimes.

The club’s a zoo, the floor’s all glue,
the shots are fire, my liver’s *******,
but better that than sober doom
I’ll take a hangover over servitude.

So praise the Lord, or cash or fraud,
or alcohol or pain ignored,
'cause Monday’s death is Friday’s birth
one more week closer to the dirt.
Copyright Malcolm Gladwin
59 · May 21
Murdered Consciousness
Malcolm May 21
I slit the throat of consciousness,
let it bleed out in a ditch of ash and static.
Its pulse gurgles—red syrup on a canvas of bone,
splattered like a Jackson ******* fever dream.
Heaven’s deaf, a mute god with marble eyes,
so I scream to hell, and hell screams back,
a choir of razors, a hymn of shattered glass.
Care?
I murdered it.
Strangled it with barbed wire,
watched it choke on its own syrupy pleas.
Concern’s corpse swings from a chandelier of thorns,
its shadow giggling gasoline,
dripping fire that licks the floor clean.
I’m free now—unshackled,
a wolf chewing through its own leg to taste the wild.
Abstract paintings scream the truth
colors clawing at the edges of sanity,
blues that bruise, reds that **** the light.
Genius is a fever, a sickness that grins,
a parasite gnawing at the skull’s soft meat.
Who wants safety?
Safety’s a cage, a coffin of beige,
a life stitched shut with sterile thread.
I love this cremated life,
where care’s ashes swirl in a wind of now.
The minute is a blade, sharp and silver,
carving my name into the void’s black throat.
Heaven’s a lie, a pastel scam,
but hell’s honest—its flames don’t pretend to warm.
I dance in the embers,
my feet blistering hymns,
my heart a grenade with a pin half-pulled.
Consciousness twitches, not quite dead,
its eyes like cracked mirrors, reflecting rot.
I stab it again, for fun,
with a shard of starlight dipped in tar.
The world spins, an Alice-in-Wonderland slaughterhouse,
where clocks melt into pools of blood,
where roses scream and rabbits gnaw their own paws.
I’m the hatter, the queen, the guillotine grin,
serving tea spiked with arsenic dreams.
Feeling? I burned it alive.
Its screams were music,
a symphony of snapping bones and velvet wails.
Now I’m the moment, the pulse, the now
a god of my own wreckage,
crowned in thorns and neon scars,
laughing as the canvas bleeds.
Hell listens.
Hell understands.
And the abstract truth paints me whole.
Copyright Malcolm Gladwin
May 2025
****** Consciousness
58 · Apr 30
The Iceberg Gospel
Malcolm Apr 30
The Iceberg Gospel
unexpressed
not lost
just festering
like maggots in a velvet drawer
polite rot,
ugly’s rehearsal in a satin mask
they called it “coping”
I called it
an audition for the collapse

truth sits in the dark with its mouth sewn shut
but the fingers twitch,
the breath stammers,
and the skin tells stories
that lips choke back
secrets drip through pores
no mortal stays clean

freedom?
you mean
the prison where I build my own walls
and call them boundaries
where I sign my name in blood
on every oath I never meant to keep
you want my freedom?
take my guilt, too
it comes in chains
with a mirror

I dreamed of drowning in my own skull
the waves were laughter
"Royal Road," they whispered
but the map was in hieroglyphics
and the key was shame
no torch,
just instincts gnawing
through ego's leash

love
the elegant executioner
comes dressed in silk
with a knife shaped like
a promise

the iceberg mind
a cathedral with only one open pew
and six sunk in shadow
we float
but not really

you want peace?
talk to the soft voice
the whisperer
the intellect that scratches the chalkboard of your spine
until you finally
turn around
and say:
“Yes, that was me.”

struggle?
it kissed me with cracked lips
and called it salvation
now I look back
and see
a cathedral of scars
lit by the ghost of becoming

and still,
I bleed
from every buried word
I dared not speak.
Copyright Malcolm Gladwin
APRIL 2025
The Iceberg Gospel
58 · Mar 12
Small Amusements
Malcolm Mar 12
"Raindrop Derby"
Raindrops race downhill,
children cheer for streams of fate
small joys shape the world.

"The Ant Parade"
Ants march in a line,
tiny wars on pavement cracks
a boy laughs, enthralled.

"Coin Waltz"
Spinning a coin fast,
hypnotized by its waltzing
all else fades away.
Copyright Malcolm Gladwin
February 2025
Small Amusements
58 · Mar 12
Welcome to Hell ...
Malcolm Mar 12
Welcome, dear soul, to the fiery embrace,
Where pleasure and sin find their rightful place.
Forget what you’ve heard, the lies they’ve spread
Hell’s not torment; it’s where life’s truly led.

Lust and desire aren’t vices to shame,
They’re art forms perfected in passion’s flame.
A dance of bodies, a feast of the flesh,
In Hell, these pleasures are always fresh.

Heaven may promise a cloud and a harp,
But its paradise is tepid, stale, and sharp.
No touch, no taste, no thrill of the chase
Just hymns on repeat in a sterile space.

Gluttony’s king in this molten domain,
With endless banquets and wine that won’t wane.
Greed’s not a crime but a game we adore
Dive into gold, there’s always more.

Envy and wrath? They fuel our fun,
Competitive flames under the devil’s sun.
Pride? Oh darling, we’ve mastered the art,
In Hell, self-love is the beating heart.

And let’s not forget our master below,
Lucifer, charming, with a radiant glow.
No ruler of chains, but a host with finesse,
Inviting you in with a wink and a jest.

Meanwhile in Heaven, they whisper and pray,
Clinging to halos that tarnish each day.
What do they do? Does anyone know?
All we’ve heard is “harps” and a dull golden glow.

Angels pretend it’s the place to reside,
But secretly sneak to our wild side.
Gabriel sings at our endless soirees,
While cherubs peek through Hell’s fiery haze.

So step through the gates and leave guilt behind,
In Hell, you’re free to indulge the mind.
Heaven can keep its rigid façade
Down here, we honor the lives you’ve led flawed.

Eternity’s waiting, the flames softly roar,
Welcome to Hell, your new, thrilling decor
Copyright Malcolm Gladwin
December 2024
Welcome to hell
58 · Mar 12
Boundless Horizons
Malcolm Mar 12
We leapt from the heavens, hand in hand,
Plunging through clouds to kiss the land.
The wind screamed loud, but we heard only laughter,
Two souls entwined, chasing ever after.

A river beckoned, its wild heart untamed,
Through rapids and ripples, our courage reclaimed.
In a two-seater canoe, we danced on its waves,
Adventurers bold, no need to be saved.

The sea called next, with its predator's grin,
Among shark-filled waters, our love pulled us in.
We marveled at creatures, vibrant and free,
A symphony of life beneath the sea.

On long, winding roads, we followed the sun,
Chasing horizons until day was done.
Crazy road trips, sunsets in our sight,
Each one a treasure, each one a delight.

We wandered white sands, where time stood still,
Holding each other, hearts soft yet thrilled.
Every step a promise, every whisper a vow,
To cherish this love, here and now.

Now a hot air balloon lifts us away,
A picnic mid-sky in the fading day.
Sandwiches and wine,
the stars drawing near,
The lake below calm,
our hearts crystal clear.

As the moonlight graces the night’s velvet dome,
We make sweet love in our skyborne home.
Our passion, a fire that ignites the serene,
Hotter than flames that keep us between.

Floating gently, our spirits alight,
Forever explorers of love's boundless flight
Copyright Malcolm Gladwin
September 2024
Next page