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 14° 
Zaynub Elshamy
if we watch the day end together
as the colors of dusk surround
    being attached by the night
     as we walk through town
          we will talk of life
             sit by the lake
           smile as we wait
                   for the
                    dawn
 14° 
Phantom
You set me in the sun to grow,
fed my roots with tender rain.
But when your hands reached for me,
I brokeโ€”dry petals slipping through your fingers.

I now grieve the flower I almost was,
longing to bloom as you once imagined.
But now your care drifts elsewhere,
and I remain beneath this burning sky,
waiting for my final petal to fall.
 13° 
Keyara S Trotman
๐’ซ๐“‡โ„ด๐“‚๐“…๐“‰ ~ Think of a song that captures a memorable time in your life. Attach a recording of yourself humming it.

๐”—๐”ฅ๐”ข ๐”š๐”ข๐”ข๐”จ๐”ซ๐”ก, "๐”ฌ๐”ฃ๐”ฑ๐”ข๐”ซ."๐Ÿ”
๐”ˆ๐”ณ๐”ข๐”ฏ ๐”ฐ๐”ฌ ๐”ฐ๐”ฌ๐”ฌ๐”ซ, ๐”Ÿ๐”ฉ๐”ฒ๐”ซ๐”ฑ๐”ข๐”ก ๐”ฑ๐”ฏ๐”ฒ๐”ฑ๐”ฅ.
๐”ˆ๐”ณ๐”ข๐”ฏ ๐”ฐ๐”ฆ๐”ซ๐” ๐”ข ๐”ฐ๐”ฆ๐”ซ๐” ๐”ข๐”ฏ๐”ข๐”ฉ๐”ถ ๐”ฌ๐”ซ๐”ข'๐”ฐ ๐”ฐ๐”ฆ๐”ซ๐”ค๐”ฆ๐”ซ๐”ค ๐”Ÿ๐”ฏ๐”ฆ๐”ซ๐”ค๐”ฐ ๐”Ÿ๐”ž๐” ๐”จ ๐”ง๐”ฌ๐”ถ๐”ฃ๐”ฒ๐”ฉ ๐”ช๐”ฌ๐”ช๐”ข๐”ซ๐”ฑ๐”ฐ โค๏ธโ€๐Ÿ”ฅ
๐”„๐”ฐ๐”ฑ๐”ฏ๐”ฌ๐”ฑ๐”ซ๐”ฌ๐”ช๐”ฆ๐”ฐ๐”ฑ, ๐”ถ๐”ฌ๐”ฒ ๐”ž๐”ฏ๐”ข๐”ซ'๐”ฑ ๐”ž๐”ฉ๐”ด๐”ž๐”ถ๐”ฐ, ๐”ถ๐”ข๐”ฑ ๐”ถ๐”ฌ๐”ฒ ๐”ž๐”ฏ๐”ข ๐”ด๐”ฌ๐”ฏ๐”ฑ๐”ฅ๐”ถ ๐”ฌ๐”ฃ ๐”ฃ๐”ฆ๐”ซ๐”ข๐”ฐ๐”ฑ ๐”ถ๐”ข๐”ฑ ๐”ฃ๐”ฆ๐”ซ๐”ข๐”ฏ ๐”ฑ๐”ฅ๐”ฆ๐”ซ๐”ค๐”ฐ.
"๐”Ž๐”ฆ๐”ซ๐”ค๐”ฐ ๐”ž๐”ซ๐”ก ๐•ผ๐”ฒ๐”ข๐”ข๐”ซ๐”ฐ" ๐”ฑ๐”ฅ๐”ข ๐”ž๐” ๐”ข ๐”ž๐”ฑ ๐”ฅ๐”ข๐”ž๐”ฏ๐”ฑ ๐Ÿ™ˆ๐Ÿฅ‚ ๐”„+.
๐”‡๐”ฒ๐”ช๐”ญ๐”ฉ๐”ฆ๐”ซ๐”ค๐”ฐ ๐”ž๐”ซ๐”ก ๐” ๐”ฅ๐”ฆ๐” ๐”จ๐”ข๐”ซ ๐”ฐ๐”ฌ๐”ฒ๐”ญ ๐”ฑ๐”ฅ๐”ž๐”ฑ ๐”ฌ๐”ซ๐”ข ๐”ก๐”ฆ๐”ฐ๐”ฅ ๐”Ÿ๐”ฏ๐”ฆ๐”ซ๐”ค๐”ฆ๐”ซ๐”ค ๐” ๐”ฌ๐”ช๐”ฃ๐”ฌ๐”ฏ๐”ฑ ๐”ฑ๐”ฌ ๐”ถ๐”ฌ๐”ฒ. ๐Ÿ“Œ (๐”ฒ๐”ฑ๐”ฑ๐”ข๐”ฏ๐”ช๐”ฌ๐”ฐ๐”ฑ)
โ„œ๐”ž๐”ฆ๐”ซ๐”ถ ๐”ก๐”ž๐”ถ๐”ฐ โ„‘'๐”ช ๐”ฐ๐”ฒ๐”ฏ๐”ข ๐”ฌ๐”ซ๐”ข ๐”ฉ๐”ฌ๐”ซ๐”ค๐”ฐ ๐”ฃ๐”ฌ๐”ฏ.
๐”—๐”ฏ๐”ฒ๐”ฑ๐”ฅ ๐”ฌ๐”ฏ ๐”ก๐”ž๐”ฏ๐”ข, "๐”ฅ๐”ข๐”ž๐”ก๐”ฐ ๐”ฌ๐”ฏ ๐”ฑ๐”ž๐”ฉ๐”ข๐”ฐ"
๐”ˆ๐”ฆ๐”ฑ๐”ฅ๐”ข๐”ฏ ๐”ด๐”ž๐”ถ ๐”ฆ๐”ฑ ๐”ค๐”ฌ๐”ข๐”ฐ ๐”ฑ๐”ข๐”ฉ๐”ฉ ๐”ž ๐”ฑ๐”ž๐”ฉ๐”ข.... ๐”…๐”ฏ๐”ฌ๐”ฒ๐”ค๐”ฅ๐”ฑ ๐”ฑ๐”ฌ ๐”ถ๐”ฌ๐”ฒ ๐”Ÿ๐”ถ ๐”ฑ๐”ฅ๐”ข ๐”ฃ๐”ž๐”ฆ๐”ฏ๐”ฉ๐”ถ ๐”ฃ๐”ž๐”ฆ๐”ฏ๐”ถ ๐”ฌ๐”ก๐”ก ๐”ณ๐”ฐ. ๐”ข๐”ณ๐”ข๐”ซ ๐”ญ๐”ž๐”ฏ๐”ข๐”ซ๐”ฑ๐”ฐ.
๐”‰๐”ž๐”ฆ๐”ฏ๐”ฉ๐”ถ ๐”ฃ๐”ž๐”ฆ๐”ฏ๐”ถ ๐”ฌ๐”ก๐”ก ๐”ญ๐”ž๐”ฏ๐”ข๐”ซ๐”ฑ๐”ฐ ๐”ฑ๐”ข๐”ฉ๐”ฉ ๐”ฑ๐”ž๐”ฉ๐”ข๐”ฐ ๐”ฌ๐”ฃ๐”ฑ๐”ข๐”ซ ๐”Ÿ๐”ฏ๐”ฆ๐”ซ๐”ค๐”ฆ๐”ซ๐”ค ๐”ฌ๐”ซ๐”ข ๐”ฅ๐”ž๐”ซ๐”ก ๐”ฆ๐”ซ ๐”ฅ๐”ž๐”ซ๐”ก.
๐”‰๐”ฌ๐” ๐”ฒ๐”ฐ. ๐”‰๐”ฌ๐” ๐”ฒ๐”ฐ ๐”ฌ๐”ซ ๐”œ.๐”’.๐”˜. โค๏ธโ€๐Ÿ”ฅ๐ŸŒบ๐Ÿ˜ตโ€๐Ÿ’ซ๐Ÿ”
๐”‰.๐”.๐”’.๐”š.๐”ˆ.โ„œ ๐Ÿฅ€๐Ÿ˜”
๐”…๐”ข๐”ฉ๐”ฆ๐”ข๐”ณ๐”ข ๐”ช๐”ข... โ„‘ ๐”ซ๐”ข๐”ข๐”ก ๐”ถ๐”ฌ๐”ฒ ๐Ÿฅน
๐Ÿฅ‚๐”š๐”ฅ๐”ž๐”ฑ ๐”ฐ๐”ฅ๐”ž๐”ฉ๐”ฉ ๐”ด๐”ข ๐”ฑ๐”ฌ๐”ž๐”ฐ๐”ฑ ๐”ฑ๐”ฌ ๐Ÿ˜
๐Ÿ’‹๐”ฐ๐”ช๐”ฌ๐”ฌ๐” ๐”ฅ
๐Ÿ˜ตโ€๐Ÿ’ซ๐Ÿ˜ตโ€๐Ÿ’ซ๐Ÿ˜ตโ€๐Ÿ’ซ๐”‘๐”ฒ๐”ฑ ๐”ง๐”ฌ๐”Ÿ
๐’ณ๐“๐“๐“๐“๐“๐“๐“๐“๐“๐“๐“๐“๐“๐“๐“๐“๐“๐“
~ ๐’ฎ๐’พโ„Š๐“ƒ๐’พ๐“ƒโ„Š โ„ด๐’ป๐’ป ๐“๐“๐“๐“๐“๐“๐“๐“๐“
๐’ซ๐“Ž๐“‰ ๐’ฆ๐’พฬจ๐“€๐’พฬจ
โ„ โ„Šโ„ด๐“‰ ๐“‚๐“Ž ๐’ป๐’พ๐“‡๐“ˆ๐“‰ ๐“€โ„ฏ๐“Ž๐’ทโ„ด๐’ถ๐“‡๐’น ๐’ท๐’ถ๐’ธ๐“€... โ„ด๐“‡๐’พโ„Š๐’พ๐“ƒ๐’ถ๐“๐“๐“Ž โ„ด๐“‡๐’พโ„Š๐’พ๐“ƒ๐’ถ๐“ ๐Ÿฅ‚
๐Ÿ‡ป๐Ÿ‡ฎ๐’ซ๐“Ž๐“‰ ๐’ฆ๐’พฬจ๐“€๐’พฬจ๐Ÿ“Œ
๐Ÿ™๐Ÿผ
๊จ„โžถ๏ธŽโˆž๏ธŽ๏ธŽ
~ โ„ฌโ„ฏ๐“โ„ด๐“Œ ๐“Œ๐“‡๐’พ๐“‰โ„ฏ ๐“Žโ„ด๐“Š๐“‡ ๐’ป๐’ถ๐“‹ ๐“…๐“‡๐’ถ๐“Žโ„ฏ๐“‡.
"๐“โ„ด๐“โ„ด" ~ ๐”ฑ๐”ฅ๐”ข ๐”ด๐”ข๐”ข๐”จ๐”ข๐”ซ๐”ก
๐’ฎ๐’พโ„Š๐“ƒโ„ฏ๐’น ~ "๐’ฐ๐“ƒ๐“€๐“ƒโ„ด๐“Œ๐“ƒ"
๐’ฒ๐“‡๐’พ๐“‰๐“‰โ„ฏ๐“ƒ ~ ๐’ช๐’ธ๐“‰. 4, 2025
โ„ฑ๐’ถ๐“‡ โ„ด๐’ป๐’ป ๐’พ๐“ƒ๐“‰โ„ด ๐“‰๐’ฝโ„ฏ โ„ฏ๐“‹โ„ฏ๐“ƒ๐’พ๐“ƒโ„Š ๐“Œโ„ฏ โ„Šโ„ด... ๐’ดโ„ด๐“Š๐“‡ ๐’ป๐’ถ๐“‹โ„ด๐“‡๐’พ๐“‰โ„ฏ ๐“…๐“‡๐’ถ๐“Žโ„ฏ๐“‡...
แƒš( โ—•  แ—œ  โ—• )แƒš

๐’ซ๐“ˆ๐’ถ๐“๐“‚๐“ˆ 147 ๐“‚๐“Ž ๐’ป๐’ถ๐“‹โ„ด๐“‡๐’พ๐“‰โ„ฏ ๐Ÿ“Œ
 12° 
Nat Lipstadt
How I Observed the Day of Atonement

If you are unfamiliar with day and its observance,
See http://en.wikipedia.org/wiki/Yom_Kippur

In a place of perfect solitude,
No crowded synagogue within to hide,
No cantor to intercede on my behalf,
I spoke words of mine own creation
To my creator who wisely empowers me
To judge myself, for knowing, none harsher,

We two,
Old travel companions,
Upon worn grayed, adirondacke thrones,
We overlooked,
A natural prayer place,
Bay and breeze, white-clouded and sun-laced.
Only the full time inhabitants, the animals,
Grayling butterflies to match and contrast,
Eavesdropping on our Greek dialogos, in this,
Palace of Perfect Solitude.

Amiable did we chat,
I of family, this and that.

He, wearied from recent travel,
To Syria and India,
Was glad for a day off,
For he had little to do,
But wait for twilight,
To then close the books.

For us no formality, easy the going,
No prosecutor no defender in residence,
For we exchange these roles intermittently,
The incriminatory, the penance, all deeds displayed,
No adult games of winking eyes, and
Hidden heart, secret chambers,
Rabbinical or angelic intercession.

He does so love his Bach,
Adagio on strings,
My soothing gift to him,
This music more than divine.

He returned this courtesy.

Warming sun to expose my chest,
Cooling genteel breeze offsetting,
The bay emptied of wayfaring skiffs and yachts.

A cooling beverage proffered,
But sighing, he said that he had yet to find
A beverage that his kind of thirst could slake.
For his eyes, tho shining, did not effervesce,
As when we shared this day in years past.

Too much killing, this year,
It tires me so to tabulate human excess,
Spoke not a word, for my critique would
Comfort him less, if at all.

Thanks for Kol Nidre, he plainted,
So I too can disavow,
The best intended oaths I took and take,
For each year, I fail more than the year before.

If only I could sit with each,
As I do with you,
Where what needs saying,
Is said, understood, undisguised as praying.

A schooner to the dock did appear,
For him it attended, for him, it waited,
Sails, both black and white.

He stood to depart, my arms-grasped, taken, he graphing,
Measuring my fortitude, my strengths, my divinity.

I do so love this day in your company.
I shall sit with you again one year on,
Bach sweet when next we meet, please.

Soft spoke, as almost I should not hear,
Your time is nigh, no thing I create is forever.
He spoke with such sadness,
For well I knew, the intent, his meaning.

He, for-himself, saddened, for he loved
Sittingย ย beside me in this manner,
Since my inception, never deception,

Only He resting easy, when he atoned before me,
And I gave him his absolution conditional,
As he gave me,
mine

<nml>
September 2013
Lo que el salvaje que con torpe mano
hace de un tronco a su capricho un dios,
y luego ante su obra se arrodilla,
ย  ย  ย  ย  eso hicimos tรบ y yo. ย  Dimos formas reales a un fantasma,
de la mente ridรญcula invenciรณn,
y hecho el รญdolo ya, sacrificamos
ย  ย  ย  ย  en su altar nuestro amor.
L'anรฉmone et l'ancolie
Ont poussรฉ dans le jardin
Oรน dort la mรฉlancolie
Entre l'amour et le dรฉdain

Il y vient aussi nos ombres
Que la nuit dissipera
Le soleil qui les rend sombres
Avec elles disparaรฎtra

Les dรฉitรฉs des eaux vives
Laissent couler leurs cheveux
Passe il faut que tu poursuives
Cette belle ombre que tu veux.
 11° 
Poetria
Hot flashes of heartfever
Burning through my lungs
And a strong case of never-dry
more-than-pink and puffy eyes
Not much, wby?
alt title: hurt people hurt people in love
~
October 2025
HP Poet: Pagan Paul
Country: UK


Question 1: We warmly welcome you to the HP Spotlight, Paul. Please tell us about your background?

Pagan Paul: "I am from Bristol, England. I have always been a Free Spirit and never really settled into the society into which I was born. I am neuro-diverse. I am generally quite a shy and private person. I also write a little comedy and love listening to old comedy radio shows. I like cheese (especially vintage Chedder)."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Pagan Paul: "I have been a member of HP since August 2016. I started writing poetry in around 2012, but not regularly. I think it was around 2015 I became more prolific and took it more seriously."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Pagan Paul: "My inspiration comes from many sources. Nature, mental health, relationships, experiences, articles, books and my interests. But also from the mess that is my mind."


Question 4: What does poetry mean to you?

Pagan Paul: "What does poetry mean to me? Escape and expression for my creativity. Its a chance to write down things in a way that makes more sense to my neuro-diverse mind as well as to explore and experiment with ideas, concepts and imagination."


Question 5: Who are your favorite poets?

Pagan Paul: "I do not really read much in the way of classical poetry (Byron, Keats etc) but do tend to read some from ancient Greece and Rome like Callus, Praxilla, Virgil etc. I also tend towards the more abstract or psychedelic poetry of James Douglas Morrison. As mentioned I am a fan of comedy poetry by people like Spike Milligan, Henry Normal and Pam Ayers always raise a laugh."


Question 6: What other interests do you have?

Pagan Paul: "My main interest is music and the consumption thereof. I listen to a lot of different music from different genres. I have always regretted never learning an instrument or music theory. I also read a lot, especially with regard to the ancient world. The old myths and legends and folklore are also a source of inspiration for my poetry."


Carlo C. Gomez: โ€œWe would like to thank you Paul, we really appreciate you giving us the opportunity to get to know the person behind the poet! It is our pleasure to include you in this Spotlight series!โ€




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Paul better. We most certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. โ€“ Carlo C. Gomez

We will post Spotlight #33 in November!

~
Below are a few of Paul's most favorite poems and links to each one:

Moontouched:
https://hellopoetry.com/poem/1756684/moontouched/

Judderwitch 2 (Monsters):
https://hellopoetry.com/poem/1923972/judderwitch-2-monsters/

Comfort Blanket:
https://hellopoetry.com/poem/2532170/comfort-blanket/

Night Train to Dawn:
https://hellopoetry.com/poem/3696368/night-train-to-dawn/

Pyramid Spell:
https://hellopoetry.com/poem/4839012/pyramid-spell/

Also the YouTube link below is for a video of Paul's poem 'For Hours of Time' (July 2023) set to music for solo violin and choir by American composer Sy Anderson.

https://youtu.be/mpGcrWHwb7g?si=5loGIGzfUcGVN7VN
 11° 
Germain Nouveau
Je suis pรฉdรฉraste dans l'รขme,
Je le dis tout haut et debout.
Assis, je changerais de gamme,
Et, couchรฉ sur un lit, Madame,
Je ne le dirais plus du tout.

La pรฉdรฉrastie est un vice :
C'est l'avis de mon mรฉdecin.
Je le crois, il n'est pas novice
Quand il soutient que l'exercice
Le plus naturel, le plus sain,

Sain, comme la mer et son hรขle,
L'honneur mรชme de la maison,
Qui fait le regard le moins pรขle,
Le plus magnifiquement mรขle,
Sans aucune comparaison,

Le plus ravissant sur la terre,
C'est de froisser le traversin
D'une femme qu'on... dรฉsaltรจre,
Quand elle serait adultรจre,
Quand elle n'aurait qu'un seul sein.

C'est lร  le sentiment intime
De tous les peuples sous le ciel ;
Et je me fous, pour la maxime,
Que l'Exception rรจgne ou rime
Mรชme d'un air spirituel ;

De tous, oui, autant que nous sommes,
Aussi bien du Chinois charmant
Que du Franรงais, peintre de pommes ;
Et c'est l'opinion des hommes
Qui furent des hommes, vraiment,

Plus forts que ceux dont leur รฉglise
Met les cercueils an Panthรฉon ;
Ce sont ceux-lร  qu'on poรฉtise,
Par exemple... Abraham... Moรฏse,
Et, si tu veux... Napolรฉon.

C'est l'opinion du plus sage
Chez les Slaves au regard clair,
Chez les Germains au doux visage,
Chez les Latins au beau langage,
Et chez les Bretons au cล“ur fier.

C'est la tienne, Aimรฉe, et la nรดtre ;
C'est celle de tout bon cerveau,
Qui n'a contre elle qu'un... apรดtre,
Un monsieur pourtant comme un autre,
Son nom ?... devra rimer en veau.

- Son nom, voyons ? - Comment, Madame
Son nom ? mais puisqu'il n'est pas pur,
Il souillerait, ce nom infรขme,
Tes chastes oreilles de femme ;
Et puis, moi, je n'en suis pas sรปr.

Si c'รฉtait une calomnie
Qu'une apparence aide ร  courir,
Je ferais une vilenie ;
Son nom ? Ah ! jamais de la vie !
J'aimerais cent fois mieux mourir !

La jolie รฉcole qu'il fonde,
Sans ce nom-lร , pourra planer
Dans une obscuritรฉ profonde ;
La plus belle fille du monde
Comme l'on dit, ne peut donner...

D'ailleurs, Madame, cette รฉcole
Ne fait pas beaucoup d'adhรฉrents :
Il n'ont pas de porte-parole ;
Et c'est comme une offre un peu molle
Qui rit ร  des indiffรฉrents.

Cependant, sa prรฉsence agace
Ceux qui la soupรงonnent dans l'air ;
Car ce soupรงon va, se dรฉplace,
Et finalement vous enlace
Comme la vague dans la mer.

Ces messieurs lisent la gazette,
Dรฎnent en ville assez bien mis ;
Quelquefois courtisent Lisette ;
J'approuve cela, mais, mazette !
Je n'en... gueule pas mes amis.

Oui, ce vilain soupรงon nous gรชne
Et pourrait submerger un jour,
Prรจs de la niche, avec la chaรฎne,
L'Amitiรฉ, cette belle chienne,
Qui hurle ร  sa lune d'amour.

Pour moi, vous remarquerez comme
J'ai quelque grรขce ร  protester :
Passant pour la moitiรฉ d'un homme,
N'aurais-je pas le droit, en somme,
De chercher ร  me complรฉter ?

Bien mieux, tiens ! je ne suis pas large,
Mais le plus raide des paris
Qu'on me le tienne, et je me charge
Sous les yeux du public, en marge,
Du plus vieux mouchard de Paris !

Or, je ne suis pas pรฉdรฉraste ;
Que serait-ce si je l'รฉtais !
Voyez, Madame, quel contraste !
Ah ! par la perruque d'ร‰raste !
Et maintenant... si je pรฉtais !
 10° 
Serhat DoฤŸan
Your eyes are dream
Like a river
Flows through skin
 9° 
Irelyn Thorne
I yearn for the day
That these
Soundproof chambers
Won't scream so
Inescapably loud
How does one escape what they don't want to be?
 9° 
Unpolished Ink
Dark and windy night,
gives way to gray untidy dawn,
the storm outside is tired, her anger spent
beating on my door with weakened fists
and barely veiled contempt,
she needs to sleep and does not want to play,
but she will have her way until the very last,
the worst of her is past, the light will soothe her cries,
dispatch her to her cot,
to think about the things that she has done,
and we may have a peaceful day,
until she throws another one
 8° 
Jamie
I've never felt the need to be better
For someone else
I've never felt the need to impress
Or to dress the part
Its terrifying
All I want is for you to notice me
I read you, anxiously

It gets too loud sometimes
I'm used to it just being me
But now I'm nauseous
And my heart rate is
One hundred forty

I take a step back
Trying to breath
From the voices
That are flooding me
I wish I could say
All that's unsaid
But I'm worried
It will leave one of us dead
 8° 
Ric
The tragedy?
She lost what she wanted
And sheโ€™ll feel that loss
For a long, long time.

Our love is a wound
That will scar, not fade.
We mattered.
We still do.

She just couldnโ€™t find her way home...
I waited for months and she never came home. This poem is a mirror for anyone still searching for closure.
 8° 
Lost Indeed
I went to the ocean,
and the waves whispered your name
like a scene from one of your books,
like a player's claim.

They say the sea belongs to poets,
but the sand hurts my feet,
and the sound makes me drift back to you.

I apologize to my future self:
the pain I carry will mature in his heart,
bearing my love for you and my goodbye.

We will never see the children of our love.
They will never have your eyes and my doom.
They will never laugh with your smile and my gloom.

This is my last lament
a wall of verses in my loverโ€™s scent,
poetry for the vanity of our love,
one last song, one last painting, one last poem in your name.
Iโ€™m from New York she said.I guarantee that when you are from New York, the world is at your feet , as you know I live on Madisson 5 and sorry to ask you,  i never heard about you, are you a lawyer? I might have a case.It all happened on 5 th avenue , it was last month..Do you want a coffee?
 8° 
Nat Lipstadt
unsure, uncertain,
of the laws invested
in the realms and reams
of poetry ingested,
am i addict,
or supplier,
retail consumer
or
wholesale supplier,
a mom & pop candy store,
or a metastasizing intelligence
that takes any thing, and all,
a solitary letter,
an instance of a sighting,
a gasping palpitation
and reformats it into
a hehe literary madhatter^ piece

you supply, I demand,
I supply, boy oh boy,
do I ever, but you never,
come to me directly asking,
write me a poem, thick or thin,
witty fitty or an overly looooooooooooooooooooooooooooooooooooong
e~pistle (a/k/a e~pistol)
yet the trade goes on and om,
the marketplace never closes,
except when periodically the
gatewaykeeper is slow to pay his bills,
and the trading centres are global scattered,
young entrepreneurs try to sell a single
piece, as if it was breaking news history,
and tired old men, review their lived,
eager to memorialize, so it's ok to forget,

in retro!spect perspective,
the mirror who cannot lie,
states affirmatively, you are
both ****** and dealer,
a corporation scientific
of ancient biblical origins,
a psalmist, a deacon,
a lyricist, but thankfully
not a singer,
an essayist who writes best
when ****** by tawny port wine,
who snatches inspiration with
equality of equity,
(wait! that's wrong,
the equity of equality,)
where he can
find, ***** city streets, the deaths
of heroes, the sunrise calm miracle
he drinks in daily, by rivers, by seas,
by estuaries brackish, and streams
of watered purity, the riveting bays,
the individualized glisten deflected
into my eyes, that each
contains one pure blessing withinโ€ฆ.ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  nml
924am
9/27/25
 8° 
Guru
"Still With You My two little hearts"
I didnโ€™t walk away, my loves โ€”
I was torn from where I stood.
Not by choice, not by will,
But by rules that misunderstood.

Two hearts I held in each strong hand,
Two stars that lit my skies.
Now I trace your names in silence,
With tears the court denies.
We should not give up the Hope
 8° 
Marie
I am the observerโ€”
always present,
yet never really there.

Everyone moves,
their stories unfolding
like rivers rushing forward,
while I remain still,
a stone in the current.

I know their struggles,
I see their patternsโ€”
so I give the advice,
offer the comfort,
play the steady hand.

But no one pauses
to read my story.
No one lingers long enough
to see past my smile,
my practiced โ€œIโ€™m okay.โ€

And so I stayโ€”
a quiet witness
who lives in motion,
a chapter unopened,
a story unread.
 7° 
Agnes de Lods
The night sings,
through the foggy glow of streetlamps.
The lethargy of emotions floats
in the streetโ€™s dark alley.

She came to take away the questions
never spoken,
and now I think of myself,
of the world,
of those who cannot sleep
in this nocturne time.

It would be easier to rise above
and cast soothing words.
Much harder to endure
like a thought shut in a tin
that escapes at last
when water appears.

I meant well,
Yet it slipped away from human logic.
That is why on many nights
I tear out hours, minutes,
to write what I feel.

Autumn is in the air.
Morning light reveals
golden-green shades,
slowly entering red.

In memory glows the smile
of summer landscapes,
of heat,
of promises unfulfilled
that fade with the light.

Today, everything falls into thought
like gossamer on ploughed ground.
So much beauty there is.
How could I live
without metaphors?

To call things by their names,
not to drown in longings,
not to color them,
to make shapes less painful?

Autumn has come.
I float between breaths.
I donโ€™t know what will come.
I only know I write
in the silence of this night,
in search of lost time
more precious than sleep,
than stillness,
than a brief dream.
 7° 
Maniac4luv
I feel so stereotyped
I say I like one thing
And thatโ€™s all Iโ€™m known for
I said I liked
A game
Thatโ€™s all she saw
A girl
They labeled me lesbian
A genre
They insisted Iโ€™m weird
Why is it
People only see
One side of me?
Iโ€™m so much more
Than a game
A crush
A book genre
Or some naive
Little kid.
I remembered!
 7° 
Radwa
The more I love,
The more I hurt,

The more I hurt,
The more I love.
 7° 
F Elliott
Preface
This is not aimed at a single person, nor written for applause. It is a naming, a mirror, a reminder that truth spoken with accountability carries its own fire. The Witness belongs to anyone willing to bear that flame, even for a moment.


This is not accusation, but naming in clarity:
Projection is the currency.
The herd is the instrument.
Seduction is the method.
Obscurity is the shield.

ย ย And when truth enters,
ย ย it unsettles the herd.

The first defense is always the lullaby..
soft verses sung to calm the trembling,
to cradle the anxious back into sleep.
But the lullaby is no vision;
it is anesthesia, a narcotic of words.
It soothes so that no one questions
the darkness that holds them.

Yet the mantle descends where it will.
A word spoken in accountability burns like flame,
piercing the fog, shattering the spell.

Even for a moment, it breaks the hold
and shows the rulers for what they are:

ย ย ย ย ย ย unclothed,

ย ย powerless,

ย ย ย ย ย  ย ย ย ย ย ย ย undone.



This piece speaks to the mantle that can descend at any moment on any prepared soul .. the witness who refuses projection and chooses accountability over illusion. It names the pattern of power that hides behind vagueness, lulls the herd with lullabies, and builds its dominion on gaslight and evasion. It does not call for a new herd, but for individuals to awaken.. for words to burn clear enough to pierce the fog and break the spell of obedience.

What rules now is only a temporary regime built on whispers, not substance. Its power depends on numbers and noise, not truth. And because of that, the greatest threat to it is not opposition from without but revelation from within: a single voice carrying the flame that burns away deception.

--Even the mantle may descend upon the one they believed sacrificed beyond return.
The very one they thought they had neutralized may yet become the most searing flame of all.
..

Beautiful receivers of the mantle:
(even if only for a moment)

Feel

Receive

and then,  speak--

Send out the signals, deep and loud
And in this place can you reassure me
With a touch, a smile while the cradle's burning
All the while the world is turning to noise

Oh, the more that it's surrounding us
The more that it destroys
Turn up the signal
Wipe out the noise

https://youtu.be/xJoSNZxLdbU?si=3TVjG8DfRL_pkBmE

xoxo
 7° 
Katie Stenner
no matter what I wear
you donโ€™t pay attention
no matter what day
you donโ€™t look my direction
no matter how I stare
no matter what I say
all I want is you to look my way.
he only looks at me if Iโ€™m stood right in front of him.
 7° 
Nat Lipstadt
never knew it,
never was I self-percepted,
that anything exceptional,
lay within, neither obvious
or dormant, was just an ordinary
if not, extra-ordinary pained
child by peers and my surrounders

and my own words yet today,
do not confer any distinction
when yours irradiate me into
a stunned and silenced reverie,
a reminder, a minder,ย that talent
recognizes no laws of equilibrium,
equality, and certainty not, equity

so I read with shocked, shocked, I tell you,

bemusement but comprehensive perception
when the young and extra~special confide,
their own misperceptions, overwhelmed by
the anxiety
of the billions of sky stars, and letters in their
twinkling orbs when forming identifiable comets with tagalong
dust trails^ of the debris of words that are formed by
their travels and travails on orbits
not necessarily predetermined
by gravitational adult pulleys, a gravity upon
theirย projected, sometimes directed,
sometimes not,
trajectory

"and yet, though an orbit is a type of trajectory,
not all trajectories are orbits"


nor are
"some comets, particularly
those from outside our solar system,
that move so fast that the Sun's gravity
is not strong enough to capture them
into a closed orbit


These comets follow an open, curved path
through the solar system and then
continue on into interstellar space,
never to be seen again
"

so be advised,
as you reassemble the debris from the multi~universe,
when assembling your owned,
unique~verse,
create your tail
and trail,
the futurity
of you is to be both
silent and loud,
absorbing and disgorging,
to awed and to be humbled,
by all that and those who went before,
all once younger and talented,
and knew this self-same anxiety,
but never let the fearing of their
the mystery of plotting of their
path
deter them
from exploring the skies and deep mines of the
sea trenches where undiscovered mysteries
abide

<nml>

4:59am
in the city where one can never see the
light of the stars,
particularly
by their owners
^ dust trails of comets
long-lasting streams of debris that can be seen for centuries
 7° 
IrieSide
For the guidance,
in this interesting
adventure,
you took my hand,
despite the flaws,
and easy corruptions

found this grace,
a special place,
that only you can
give

an awakening towards the invisible,
a sacred rhythm
of infinite
virtue

you've seen the beginning
and will see the end

a father of infinite wisdom,
and giver of good things

why should we be blinded to the good,
and be deceived
into the darkness,
awaken your minds
the third eye,
an old forgotten
Way
 7° 
Sharkey Poems
The system
Always wins.
It's how
You lose
That counts
You could
be PRETTY
with the UGLIEST
PERSONALITY,
you could
live in a DREAM
WORLD or FACE
TRUE REALITY you
could have
a DECENT LIFE,
or A LIFE
FULL OF TRAGEDY,
CATASTROPHE,
CALAMITY,
and BIGOTRY
Oh,
CAN'T YOU SEE,
PRETTY/UGLY,
Just Believe,
you can be
PRETTY
on the
OUTSIDE,
with
NASTINESS
WITHIN,
NEGATIVE ISN'T
THE ANSWER,
MAKING IT CLEAR,
that
YOU WON'T
WIN!!!


B.R.
Date: 10/3/2025
 6° 
Germaine
I can feel the ridges of your finger tips
And I wish I could rip through the skin
But then weโ€™ll all drown into an abyss
Of crimson slimy liquid

I can feel your collarbones
I wish I could remove all your clothes

For everything getโ€™s in the way
The greatest barrier of love,

The body
 6° 
the dirty poet
the ideal way to read
let each sentence hit
contemplate the idea
admire the architecture
read it again
never finish
thus by prosecutor charg-ed, with this crime so heinous~ed,
the judge insisted on a super speedy trial, this, a special case-d

"can't wait to hang this ***** be~deviler,
got me a jail, second only to hell,
if he thinks his hifalutin lawyers will get him de-roped!"

I plead guilty to save the state some moola,
avoid the expense of all the attendant hoopla,
but in my tired defense, I said little but this,
it was god who cursed me with this word-ly power!

now I ain't saying I was naturally bad,
but who are you to judge me so harshly ,
when all I did, with a tool god~given, was,
tell people how beautiful they are, so close.
never far, from bringing them forth to their fruition

so my intentions were good, tho my goose is cooked,
loonily, this I truthfully willingly confess, though just asย bad,
I was lazy, I was negligent, I am now hell-bent for many
infractions, the greatest, chiefest of them all, was all the times,

!!!!!
read a poem much beloved by other's on this blue earth,
weak from jealousy jealous, I never...reposted it! for their way
much better than mine, and I was too selfish to praise them,

so I expect I won't be too lonely in perdition, just another poet

ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ­ย ย ย !!!!!!!!ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ­ addition

so children, teach your children well
a poet's hell will slowly go by, if they
fail to repost them hundreds of poems
that mak'em gasp~laugh-just plain weep,
for that will really **** (sorry lord) the one
true judge wh gave us this wordy blessing,
and is eagerly awaiting us special


sinners



and that just might be my one true nameโ€ฆ

(Oh sinner~man!
where are you gonna run too)

[{(]})]

p.s. this poem readily available to be reposted ('jes a 'gestion)
even
plagiarized elsewhere, but remember, when you, who stole it,
somebody's a~watching whose
vision is unimpaired.
plus, I got new software invented by Ai trained teachers,
so so, easy to find ya...
whoa, this came to me so too easy, I think I better
go into hiding

https://hellopoetry.com/poem/5162248/call-me-by-my-other-name/
 6° 
zdebb
i stand in the window
watching blue waters,
aware that the weeks
have been few since
we swam there.

note the change
of morning air, the jacket
taken out and cleaned,
the snap on bare skin,

knowing that the woods
won't warm through day,
and that night, coming early,
will be brittle with star.

i think fire
is a simple answer.
clean the dead brush
stacked and waiting.
kindling for hard
wood fuel.
fire in the belly of our
wood stove
warming the rooms
that we live in.

it's easier
to plan for the winter
now that i've seen
seventy come and go.

i'm softer believingย ย 
that i'm the warmest in
the dark hard hours before
dawn, laying here
listening to you breathe.
 5° 
Jimmy silker
I like the smell
Of boot polish
And fresh cut grass

I promised you eternity
Yet
It did not last

I like the taste
Of bananas
But not the texture

You said you
Would leave
And just let you

I like the
Warmth of the stones
In the late evening sun

Not fond of
This ache
Wish we'd never begun

But that's a lie
Cos to grieve
Is to live

I push the 'nana
Through the mesh
And give it a sieve.
For Nick Moore.
 5° 
Zahra
when we talk about beauty,
we compare it to
flowers,
oceans,
sunsets
things we call ordinary
because they are always
within reach
i deny this,
for if continued presence
held little importance,
no one would have loved
divinity this much.
 5° 
Octavio Paz
Islas del cielo, soplo en un soplo suspendido,
ยกcon pie ligero, semejante al aire,
pisar sus playas sin dejar mรกs huella
que la sombra del viento sobre el agua!

ยกY como el aire entre las hojas
perderse en el follaje de la bruma
y como el aire ser labios sin cuerpo,
cuerpo sin peso, fuerza sin orillas!
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