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Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
The yellow aura
spiraled my night elf hunter avatar
as the DUN-DUMM
of false accommplishment
incited my addiction to
instant gratification.

I had just Leveled up.

The quest giver
gave me a choice

****** boots
Or
a less ****** Dagger

I took the ****** boots
because
**** the system
they looked cooler.

I was going to stomp cave spiders anyway,
what's the point of relinquishing
looking **** fine.
for an extra Attack Point?

****** Boots.

****** boots ALL Day long.

A naked human avatar
dances
facing a naked gnome
Named: "Buzz Lightyear"
He is Also dancing,
at crotch height.

This is Typical starting zone
foolery

I stayed up
watching Toonami all night
Naruto, Bleech, Inuyasha.
I could tell the sun came up
not because there was a window in my Kitchen,
there wasn't.

Tom and Jerry came on.
everyone knows
when Tom and Jerry came on
you were no longer pulling an
"all nighter."
You're pulling a
"Drink enough Soda
to get through the rest
of the day-er"

My entire diet
these past two days
has consisted of Gushers & Vault
because
Clearly Coca-Cola is superior
to Pepsi.

Therefore, Vault
was superior to Mountain Dew.
Which is the typical choice drink
of my internet brethren.

I don't know why I dyed my hair black nobody online could see it
But it made me feel
more
like my Night Elf Avatar

I wanted long white hair
I realized that's impossible
in 6th grade
So I Bought & Settled for Black
At least I could be like
"L" from death note,
Long sleeve white shirt, jeans
with no shoes.

I could also be
any other black-haired charecter
From any other angsty Anime
Because of course I loved angsty Anime
Because I held my cell phone like "L"
From Death Note.

I always dreamed
of this singing venus fly trap.

A Fuzzy Memory with a lost Origin
I realized seven years later
the Singing venus flytrap in my head
was AUDREY 2
from Little Shop Of Horrors.

Netflix reunited us in College
Audrey 2 finally Serenaded Me.
I listened with Voyeuristic Intentions
As memory saprilings grew
into the full songs
relieving the void in my soul
Lingering for a Man to be attacked
by a singing venus fly trap
in his own kitchen.

But only once,
Because I firmly beleived
movies should only be seen once
until I stopped
dyeing my hair black.
Despite watching Space jam
more times than any kid born in 1995 Should have
but still
all the kids born in 1995
watched space jam
more than any of them should have
because they were born in 1995.

Apparently
when I first saw little shop of horrors
it aired just before osmosis jones.

I love osmosis jones
almost as much as I love
Buzz lightyear, of Star Command

Buzz lightyears robot companion XR
reminded me of Cyberchase
and to this day Cyberchase
is the best show to watch
when you have no idea
who Gilbert Godfrey is.

Zoombinis is better
than oregon trail.
and also better
than Tom and Jerry.
but not better
than leveling my night elf Hunter.
Named:
"FEED ME A PIZZA!"

I think I spent more time
getting my Zoombinis
to look just right
then I Spent deciding
what outfit to wear

Routine
Black striped Hoodie
Unwashed and worn every day
Grey skulls all over it, because
of course it had grey skulls all over it.
Black pants.
Black socks
No actually, THESE black socks.
Okay, got gushers
and my Coca-Cola.

I now take as much time
to choose my outfit as
designing the perfect Zoombini.
however I have yet to replace
my legs
With
a skateboard.

I think that every grade before sixth grade is fourth grade
and 6th grade is basically 7th grade
which is to say my memory skips them both
to remember ending eighth grade

I miss being cool on the Internet
Whilst lame and forgotten in real life.

like black sock
wasn't quite as good
as that other Black sock.

I wanna go back.
To the seperation
Of who we pretend to be
Vs. who we actually are.
To be dramatic again.
incomparable.

An ideal self on the internet
Who is obviouslly not the real you
is decades more comforting
than Some Characatureized
Facebook Profile.

Today I was offered a choice

Work A minimum wage job
or
continue my useless college degree.

I decided to write a poem, because
**** the system.
If I am to Decide where to respawn from
Let it be poetry.

There is no spiraling Yellow aura
or DUN-DUMM

Sometimes there is snapping though.
Or a lost memory
of A singing venus Fly Trap.

I am a pretend person.
An avatar
just now, I have skin.
You can touch me
I breath without a Macro
or even pressing any keys.

I cannot bring myself to
Watch Space Jam again.
I can Identify Gilbert Godfrey's voice.
I will buy my children zoombinis
And it will collect dust
When all they want
Is to watch the fifth Toy Story movie
Way more than any kid born in 2020 should.
And all the kids born in 2020
Will Watch the fifth Toy Story Movie
Way more than they should
because they
will have been born
in 2020.

And I will rant
about the Missing LGM
and Warp Darkmatter
betraying Buzz Lightyear
By joining Evil Emperor Zurg
So Buzz was forced
to get three new Partners
Princess Mira Nova
Audrey 2
and Osmosis Jones.
because I will have Forgotten
Booster & XR.
Because Booster and XR
Never made a ******* Facebook Profile.

Nobody exists anymore.
We are all represented by our avatars
holding ourselfs up to the standards
of our photoshopped reflections

Being disappointed and overwhelmed

I Take pills to forget that I am
Acting Like myself
but can't find any evidence of Existing.
Besides these memories
of who i used to be.

I want my internet persona
to be nothing like me
So that I may focus on myself
in the real world coherently.

I want thick black lines
dividing mental Venn diagrams

I want Tom and Jerry
To signal me
That it is morning, again.
DieingEmbers Mar 2013
Copulation of the minds...

as word play
leads innuendos to fornicate
upon the poets tongue...

unrestrained
his fingers give voice to wanton
carnal desires

laying the reader bare
to writhe
helplessly beneath his hands

with ink stained kisses
he forces
words into their mouths

a breathless sigh
resonating his ache to be heard

as he stands naked before them
offering himself
to their voyeuristic gaze

before taking them upon the sheets
in punctuated passionate
embraces

leading them toward the ******

they so

cried out for...




Jesus I'm Good.


~<3~
Just teasing
Joshua Haines Sep 2014
Xeroxed vitals on paperplanes
Crashing into window panes
Broken-heart blisters and voyeuristic veins
Appear and create transparent glass stains
Blue-Green grass on the other side
Laying there, our fathers died
Dreams and streams of alcohol
Run from their mouths with no control.
Shaking, breaking, no where to decompose
Skin peeling off of worn down toes.
Tell me where their love goes
Tell me where their love goes
Everything turned into gun-shy eyes
Blue-lipped Sunday surprise
Bodies breaking into waiting
This is nothing but carbon dating
Bottles breaking of ***** that's so clear
That I won't see until they're near
God and Jesus in picture frames
Suburban families with jungle brains
Broken homes and replacement Brad's
401 k's and missing ads
Finding our homes that aren't so black and white
Let us sleep in our dreams tonight
Validation through our existence
Is dead but still our resistance
Emily Pancoast Oct 2012
1.
Inhaling poison like it’s a sweet spring breeze,
an antidote to the pounding heart and aching stomach empty of comfort or substance
Meeting with pavement in a tiger’s crouch
fingers float toward parted lips
awaiting the taste of relief in the form of smouldering leaves.

2.
One tentative epidermis approaches another
tendons and ligaments straining, aching for contact
attempting nonchalance in the lamplight privacy of early morning,
cocking ears to detect voyeuristic insomniacs
who would disturb the disorderly expressions of early experimentation.

3.
White lady dusting the concrete path, sterile and unconfined
laid new before careful feet making their way to shiny metal boxes
bundled in seasonal expectations they trudge through stardust
on their way to blood borne obligations,
leaving behind careless tracks in ****** flesh

4.
Blazing sun presses down on shoulders hunched behind compact table tops
peddling penny prologues to unabashed strangers
bartering unwanted pocket change for rejected trinkets
haggling over half-dried finger paints and unfinished chess sets
rescuing garish afghans from dusty closeted life.
RH 78 May 2015
He peeps through the looking glass of life.
Emotionally detached, a social recluse.
Avoid eye contact.
Avoid eye contact.
Don't dare look at me!
That's right you've seen him!
But.... Have you actually seen him?
Or is he just a figment of your imagination?
For he's the stalker.
Lurking about in the shadows.
Spying on you from afar through those holes in the wall.
A human CCTV system looking you up and down when you least expect it.
Recording your every move in the memory bank.
Voyeuristic tendencies with the inability to openly admit he's one step away from the psychiatric ward.
Mike Essig May 2015
I would  kiss you
under cherry blossoms,
pink petals drifting down
like parachutes of desire
covering us with beauty.

I would kiss you
in the rain, drenched to
the bones not noticing
the fat raindrops
kissing us both back.

I would kiss you
in the wildest woods
surrounded by rustling leaves
beneath the jealous eyes
of voyeuristic birds.

But I have no idea
when I will kiss you
or where or even what
will happen when I do.

Still, in my imagination
it will be the right time,
the right place and
the right circumstance.

And it will be exactly
like kissing lightening.
   ~mce
A shocker of a poem...
Marsha Singh Jan 2016
At night we were a fresco 
painted by an astronaut, our 
messy bed the chapel of a
voyeuristic God, where glory 
worked with hurried hands
in frenzied fellowship and
hallelujah was a sigh that
quivered on my lips, then we
nodded off like angels of our
own apocalypse; it was made-up
love, when we woke up,
the dreamed up stuff of kids.
A refurbished oldie. Feeling nostalgic.
Causticji May 2015
Deconstructing a Kafkaesque
amphitheatre of the absurd,
Easy wallows she in their hypocrisy,
Son of a gun grabbed on
to the gold that fed his infant
self, doesn't dare let go, won't ever,
Dev breaks the bottle he hits,
scrounges, discards the last scrap,
the rat scurries in, devours, heads
back into the smoked corridor,
the auction goes on, so does he
showering petals and pity upon the
middle road more travelled, bumpy,
potholes full of acid and bile,
the stupidity of the tyrannical majority
and an underwater civilisation consumed
by mind-numbing, mildly shocking TV,
undercurrents of power drowned under.
Uppercase Him, uppercase He,
they hoist a red flag, set it afire,
stomp out the flames, wave a black
rag till the ashes turn to naught,
the Dionysian petit bourgeoisie proceed,
spew, *****, spew, repeat.
The voyeuristic rat has front row seats
gaze fixed, piercing centrestage
auction-house by day, amphitheatre by night,
the bids shall resume when
the morning bells toll, till then,
Dev's hungry for more,
the rat enjoys the show.
Paul Cassano Mar 2015
Need some binoculars for you to see?
Please it's not cause you're blind to me
Jeez it's just cause it's far as **** away from this tree
I'm no peeping tom, voyeuristic sightsee
Looks like you're sleeping, boy you're quite the catch
wait I mean girl, actually honestly I have no idea ***** snack
xvborealis Oct 2014
She ran from me
in her voyeuristic
tendencies.
Bespectacled in the night,
she shed away her divinity
this girl with a penchant for tragedy.

A dramatic prelude to her kiss
would be the fixations of the poet
to her eyes and lips and skin.
Those which he can only recall
in music--

the slow andante of violin strings
entangled in the coasts
of her body.

Come morning you wake
to the tune of silence.

You could never tell her
those three words she longed to hear.
Maple Mathers May 2016
G'day from prison!*
(before I knew he lives on):

I see you there, My Maple.

Your little skirts; your peroxide hair.  Sweet, quiet Maple... I see your fishnet, maroon, little sweater. How I loved that thrift-store garment; it gave purpose to us both. For you, an excuse to see, without being seen. A voyeuristic excuse, for myself, to see without being seen.

If it weren’t for you, I wouldn’t be here. If it weren’t for you, I wouldn’t know this.

I picture your starkness. Dark, ten year old Maple. Listening with wide eyes - as I validated you.

As no one else had before.

I nurtured that Goth infatuation that no one wanted, fed you music: your Evanescence covet. Your black fingernails... Even then, I understood what no one else could.

Yummy, tasty, Maple.

How good you smelled; how fresh you smelled. Clean, and sad. Searching for reassurance. Searching eye's, searching for me.

Searching for someone. Anyone. A real person; content to SEE you, and love you anyways. Not like the rest; all of them - who'd only ever cast you aside - pick you last - call you names, spit in your face, lock you out and alienate you; who’d kick and shove you.
The *someones
behind why you, at age ten, began to wish you were dead.
I was there, and I was your best friend.

Me.

I was the best friend you'll  ever have. Someone who loved an anomaly, and understood, and loved you best; over your mother - your sister - I told you I had a crush; a crush for only you.

10 years have lived and died between us.

10 years without me.

And the weight of time has yet to alleviate.

You still wish you were dead.

I still feel your warmth; the little bundle of you.

You.

You in your cozy, blue bed, with your
curious eyes and porcelain face. I would slip five dollar bills under your pillow; tell you, “I’ve hidden something secret.”  

I adorned you with money, pampered you with special trinkets, allowed rare privileges disproved by your mother... A mother who hadn’t a clue you’d worshipped angry rap since the age of eight. She didn’t know. You idolized Eminem. She’d yet to learn his name. You wanted to see 8 Mile; your mother said no – Rated R – so it was our little secret.

But you betrayed our secrets, didn't you?

We have no secrets anymore.



I see you there.

The soft, supple skin of your back . . . of your stomach . . . and of what lay below.

“What’s down there?” I’d inquired.

So enamored, exploring the secrets of your little body.

My demure, sad Maple.

I was your one and only true companion.

I was your one, and only friend.

Yet, here, in this cell, you will never see your best friend again.

You will never have a best friend again.

For in this cell, I have nothing left, but to remember.

I have nothing left but to write.

All my love, my presents, my company. All to end up here.

Here, behind bars.

And the weight of time has yet to alleviate.

You still wish you were dead.

But you and I - we've become synonymous.

Together, forever.

Just as I said, ten years ago. For, no matter what, my existence will always define you; and yours - you will define mine.

Forever.

You'll never be rid of me, and you can never leave me.

For I'll never leave you.

Our bond is solidified.

Perpetually.

Together forever.

Ten years. Eleven, twelve. The calendars change, but you and I? We’re right where we left each other.

So you'll never be anything. Anything at all. Anything else but mine.

The weight of time won't ever alleviate.

And you STILL wish you were dead.

- Thomas Gregory Brown, G'day from prison
(The perspective of a ****** predator; to be ballsy, but to wonder how ...and why. let's try?)

(All poems original Copyright of Eva Denali Will © 2015, 2016)
vircapio gale Sep 2013
(in life)

who am i to warm a cave of darkness with my lust?
or assume your darkness mine to dissipate?
as if a sacred candle burned behind the windows of my heart
and ****** its light through tip of flame beyond
,above the piercing point to spark our confirmation in a universal eye

invisible, but seen as heat you flail about
and cause to quake the melting, sliding crust i am

you have wandered by to rupture me from my serene espy.
to quarrel with mycenterself i turned into myself i am a fool,
how can a taint intention claim essential gravity to good?
encumbered with a blinding zeal
i almost rage amid to satisfy
irrupt, and only drape with words i barely see defined

to justify the greed
in unknown passions gathered out to sun,
eyes aglint of golden maxims worn
by public distorts, magisters of lies
spilling over paths..the voyeuristic farce of virtuosity and virtue mating there
commodities of ****** pride and shame
that cater to ambition's lurid lure:

massively conjoined our worlds, aswirl
transform the pulsar-vortex at the base of me
from threaten-fount to million-twiching node
it sears the face from all our superficial doubts,
gluts us writhing mercy in oblivion.

...transparency collects an inner soot
as we devour red-tip wicks in wax we puddle with our sport--
the outer glass respires steam into the winter nights
--hot against the skin
in flesh embarking in that window *** at last,
we smudge our bodies over every icy pane
--entwined, concupiscent flames
to blacken out the world we claim as only there for us




.
Aaron LaLux Dec 2017
Welcome Home

Alone,
out cast in the in crowd,
heart beat,
beats through the break beat sounds,
leading me home,
war chants peace chants,
more drums lead me home,
home,
more of a fantasy,
than a reality,
haven’t had a home,
since I left my mother’s at age 14,
as we,
all march to the beat of corporate war drums,
poetry,
makes the madness seem more bearable please spare another poem,

Instagram hashtags,
the first lamb gets the last laugh,
epigrams and blood baths,
emojis and Adobe,
cronies as goalies,
bad math makes three halves,
empty proteins faux pas homies,
and ceremonies that feel phony,
see the hokey is pokey,
and *****’s all smokey,
7 Dwarfs one princess,
no support or precepts,
just for sport we shot at a bogie,
because the radar blipped,
life’s a trip,
let’s go half on a hoagie no baloney,
if you say you’re my homie then act like my homie,
don’t Facebook friend me then see me in reality and act like you don’t know me,

as we,

get lost in a narcissistic virtual reality,
where we are all voyeuristic spies,
I post a poem about all of this in totality,
and only get like 50 likes,
she post a picture of her face on a date,
and she gets 50,000 likes,
I don’t get enough respect for the words I write,
but somebody has to keep our words alive,

as the walking dead,
march to the corporate war drum,
I write a poem about it all,
nostalgic for the futuristic postmodern,
oh pardon,
did I offend your common sense,
well then,
you must be off balance with your oxymoronic opulence,

we are all narcissistic voyeurs,
voyeuristic narcissist,
caught up in polyamorous politics,
Demicans and Republicrats,
it’s dirt poor and filthy rich,
and that’s a fact but enough of this,
let’s get back to that,
let’s get back to that,
to you and me and that heart beat,
that beats as the orchestra’s score of our Soul’s soundtrack,

out cast,
in the in crowd,
heart beat,
beats through the break beat sounds,

leading me home…

I am already gone,
writing in the zone,

see,
we will all be free eventually…

Just give me a sign,
that there’s a Soul inside that shell,
Ghost in The Sea Shell,
Devils in the details,
so professional even when we’re wingin’ it they can’t tell,

oh well,

times up,

and I’m down,
your Highness,
so show me a sign,
that you’re still alive let’s,
see a wave of the hand or a sparkle of the eye,
so we can make this time the time of our lives,
as we dive free into thee divine design,
all thee preexisting lines are redesigned and redefined,
life,
in the prime,
high,
and alive,
alone,
out cast in the in crowd,
heart beat,
beats through the break beat sounds,
leading me home,
so say goodbye,
and Welcome Home…

∆ Aaron LA Lux ∆

The Sydney Sessions available for FREE here: www.scribd.com/document/367036005

available on kindle and paperback here: www.amazon.com/Sydney-Sessions-12-Steps/dp/1981605932
New Book is FREE! Check the link in the poem. But can ONLY download/read it on a computer not on a phone. Much Love!
Bruised Orange Oct 2011
A voyeuristic view through the windows of happy friends
is not nourishment enough for this poet's heart
and does not sate this dreamer's hungry soul

before this spirit journeys on
i'd like to know what it is like
to be loved from the inside out

those delicate strings,
that haunting duet,
of love not bound by fear

i'd like to know love
from the inside out
and not from the outside in

that stuff of dreams,
(yet real i've seen)
that one true union of souls

it's honeyed nectar taste
would be sweet upon my lips
and those delicate strings,
tender music to my soul.


oh muse, you take me too far
i must leave off
before i break this tender heart
and having been turned inside out
i fly completely

apart



--bruised orange
Justin Michael Jan 2014
In our voyeuristic ambivalence
In our savage pacifism
With bureaucratic diarrhea

We **** on Lady Liberty
And wipe our *****
With the Constitution
DieingEmbers Mar 2013
She's seen everywhere
flashing her underwear
to voyeuristic
passers
by
Shop mannequins
Mark C Jan 2013
She, betrayed, in histrionic flow,
Heart akimbo, flailing at the sky,
Fired with voyeuristic need-to-know,
Rages at the outing of a lie.

He, defensive, understanding, sure,
Accommodates the outburst in his stride.
Lassoes her with a practiced sinecure;
Instinctive gesture, expertly applied.

She, bewildered, aimless and morose –
(He, distracted by the barmaid’s hips)
Casts aside the guilt-effacing rose;
Repealed devotion scrawled upon her lips.
neth jones Nov 2022
the city's moon                                            
       fixated in its peoples tics and behaviour
                    crass and mentally fractured
traction acts
the loony satellite makes sway for rude construction          
                                          ­        padding our ego psychology
nothing    simple    allowed
we are all a manic reference of each other

the city weather is steered                              
       by currents of gossip
withhold your info
               culture clutches
misguiding alliances
    treasure your details                                              
                      it is your only insurance

this city                                            
it's a view to thrill                                              
            ­ but it odors me til ill
****** privacy and get undressed
too much time here   harbouring thirst      
quibbling hurt feelings                          
         signals ;  Life Emitting Distress

so                                                    
lock up the night city stars                                 
                 mar-glaring bulbs of pity-me
                          staring about for vagrancy
i flip up my hood             
lucent pandery eyes span the communal routes   
search us out       merchandise and mood
i turn down an alleyway
and am confronted
                                          a vain and voyeuristic fan tail
varieties cocktail of sales and entertainment
ad lights send out sonar 'pings'
wing-ed ; fencing judgement
i wear pricy contacts to veil my retinas
and my hood is lined with aluminium

     i cough and concentrate on breath
commemorate each step undertaken
weaponize my walk
eyes low
my being is voided into guise

heading further from the city centre
i can straighten from my defensive pose
in amongst the dwellings              
             the urban effect dwindles
kindled   instead   by the dosey soup wash of streetlights
delights;   the holy crop of them
webbing outward    retching past our boundaries          
              shored back upon natures breath                      
(so i imagine)
TinaMarie Mar 2016
I want to
      Kiss you
    ...in the morning
...after bringing you coffee
               ...with loud laughter
   ...and uncontrollable smiles

I want to
      Kiss you
     ...in the sunlight
...with waves crashing at our ankles
            ...or amidst the clouds on mountaintops
    ...sharing adventure
  
I want to
      Kiss you
     ...surrounded by trees
               ...to the delight of the wild
   ...and the serennade of birds chirping
                         ...with excitement

I want to
      Kiss you
     ...in crowds of people
  ...with raindrops falling on our heads
                 ...to the musical harmony of life
...and feel your heartbeat

I want to
      Kiss you
     ...alone, beneath the stars
                   ...caressed by the moolight
  ...filled with passion
...giving voyeuristic opportunity to the nocturnal


I want to Kiss you when you least expect it
And perfectly timed for when you need it most


I want to
    
       Kiss you

                            Goodnight
        
Every Night

     Simply
               And
                       Softly

For all time

          And

                    Forever

Then again

                              The next morning

I want to
      
      Kiss you
With you in mind ❤
Graff1980 Nov 2018
There is a longing,
a deep-seated human instinct
that pushes us in to meet
strange people.

Strangely,
technology
has turned me
into a peeper,
legally voyeuristic
with strangers
I have never visited.

I have the delusion
of a connection
because of some
social media intrusion;
Which means
I don’t have to
have a friend
introduce me to them.

I can just chat them up
or watch them
from a cyber distance
with a binary connection
of ones and zeros.

So, this human need
to interact and meet
strangers who are
similar and unique
is satisfied
without any risk
of rejection.

But this is an illusion,
despite my intrusion
I do not know them,

and as this
tacky techiness
evolves
we will
stay secluded in
our sic soft shadows
without actually connecting…
to….to…
User----Offline.
amid pentagrams

satelliting my mind

an outward location

of an ostentation

that lids a voyeuristic eye

to Da Vinci’ fingers in a jar

waiting anxiously for them

to move, perform an ******

panache of evocative art

but they are congealed

in a stalactite shiver

that lacks transmitted urgency

but contact with these

enigmatic digits causes

a correspondingly delayed

then urgently convulsive frenzy

that somewhere in time

bring frictional contact

with a canvas or a ceiling

Da Vinci’ fingers in a jar

an outward location

of unclasped curiosity

— The End —