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Bunhead17 Nov 2013
[Verse 1: Drake]
Versace, Versace, Medusa head on me like I'm 'Luminati
This is a gated community, please get the ******* the property
Rap must be changing cause I'm at the top and ain't no one on top of me
****** be wanting a verse for a verse, but man that's not a swap to me
Drowning in compliments, pool in the backyard that look like Metropolis
I think I'm sellin' a million first week, man I guess I'm a optimist
Born in Toronto but sometimes I feel like Atlanta adopted us
What the **** is you talkin' 'bout? Saw this **** comin' like I had binoculars
Boy, Versace, Versace, we stay at the mansion when we in Miami
The pillows' Versace, the sheets are Versace, I just won a Grammy
I've been so quiet, I got the world like "What the **** is he planning?"
Just make sure that you got a back up plan cause that **** might come in handy
Started a label, the album is comin' September, just wait on it
This year I'm eating your food and my table got so many plates on it
Hundred inch TV at my house, I sit back like "**** I look great on it"
I do not **** with your new ****, my *****, don't ask for my take on it
Speakin' in lingo, man this for my ***** that trap out the bando
This for my ****** that call up Fernando to move a piano
**** all your feelin's cause business is business, its strictly financial
I'm always the first one to get it, man that's how you lead by example
Versace, Versace, Versace, Versace, Versace, Versace
Word to New York cause the Dyckman and Heights girls are callin' me "Papi"
I'm all on the low, take a famous girl out where there's no paparazzi
I'm tryna give Halle Berry a baby and no one can stop me

[Verse 2: Meek Mill]
Versace, Versace
Its killers, real ****** that's all in my posse (shooters!)
I'm getting so rich that they making up rumors that I'm illuminati (rich!)
Just me and my ****** we killin' these *******, go body for body (murders!)
These suckers be hating, they praying to God that I don't cop a Bugatti
Hold up, drop the top on the rari
Pull in the club and I'm stopping the party
Hold up, got ******* on *******
They poppin' on molly's I'm prolly at Follies with PeeWee and Tip
Of course i went with Lou
I did everything that I said I would do
I really won't tell you that I'm better than you
But we're not on the same level as you
Cause the G55 got a hell of a view
Regular ****** make regular moves
With ya regular ***** and ya regular crew
And you ***** still smokin on regular too? Like word?!
What a shame, my *****
Louboutin blood like Game, my *****
Get left tryna aim, my *****
Like Saddam Hussein, my *****
I'm whippin' this brand new machine
100 bands in my jeans
Call yo ***** Barry Sanders
She done ran through the team
I got hoes out the D
They playing on the team
Do anything for me
I mix that xan with the lean
Hold up, let me get it back
Versace, Versace
I'm gettin' this money, I'm stackin' my broccoli (racks!)
I'm running my city
You might gotta pay me if you land on my property (tax!)
I bought the boardwalk and I parked on the ave
****, my life's like monopoly
You caught a new case and you got outta jail
Boy, you look like a cop to me
(Get out of jail free card?)

[Verse 3: Tyga]
Aughh! Versace, Versace, I brought that **** back, all these ****** they copy
Medusa head on me I'm at the hotel, Versace Palazzo
I rented the yacht for a week, but I bought the convertible Lambo
Six mill for the mansion
I see haters coming I need some more ammo
These ****** gay that's Elmo
So much green I turned camo
Some hoover ****** on flannels
Light light you up no candle
Grip on that handle Yosemite Sam ya, that ***** bang like a banjo
Told my arms dealer no need for a box, I don't read the instructions, I throw out the manual (WOO!)
Versace, Versace, my brother king Trell he in a Ferrari
I don't look the same, my camera the same, I made too much money (WOO!)
Paul Pierce is my neighbor, I told him he should of went to the Clippers
I got some crazy ideas for Versace, get them and tell'em my number
Versace, auggh Picasso, Basquiat I'm cocky
23, 15 mill I'm just getting started
Pop water my water
I walk around on my wallet
I don't **** with Saddam but, that's gold all in my toilet
Statues of Horus, and the annubis is polished
I don't got to, rap about, coke for you to enjoy it
I'm bout' to join the money team, just holla' to Floyd about it
Versace, Versace, I'm taking my money to the Cayman islands (WOO!) Versace Auggh!!

[Outro: Quavo]
Versace, Versace, Versace, Versace
Versace, Versace, Versace, Versace
Versace, Versace Versace, Versace Versace
Versace, Versace Versace, Versace Versace
I love this song!... lyrics to  "Versace" by: Migos ft Drake, Meek Mill, and Tyga ****. by:  Zaytoven.
Bunhead17 Nov 2013
[Intro:]
'Sace, 'sace
'Knock one, 'knock one
Mustard on the beat, **

[Hook:]
Shirt, shirt by Versace
***** you better **** sumn
**, Hoes wanna knock one
***** you better **** sumn
Shirt, shirt by Versace
***** you better **** sumn
**, Hoes wanna knock one
***** you better **** sumn

[Verse 1: Kirko Bangz]
I just bought a shirt for tonight, **
And it cost five-hundred (Better **** sumn!)
I seen a bad ***** at the light, oh!
My car cost two-hundred (Better **** sumn!)
Uh, got 'Sace on the chain
Louis, that's my side **. Versace, that's my main
'Sace in the car so that's 'Sace in the lane
All day I dream about Versace on the linen
****** at work and now she bugging me. Versace John Lennon.
I only want the ***** if she expensive
**** the ** in Versace, had some boojie *** children
Doing what I’m suppose to do
I'm in Versace my ****** they in 'Sace too
Ain't no fun unless we all get some
If I'm *******, then my ******, they ******* too

[Hook:]

[Verse 2: French Montana]
Hundred-Thou' what I'm buying here?
Talking lion head (***** better **** sumn!)
Hundred-Thou' on these Cuban Links.
Medusa Face (***** better **** sumn!)
And my shirt eight-hundred
And just copped a honey (***** better **** sumn!)
These bottles they hundred
I just copped a hundred (Man, ***** better **** sumn!)
Got syrup by the liter. *****. Homie, Ima beat it
Catch the ***** like Jeter haa
Picture a ***** balling the ***** get to calling
******* get to fallin
Kamikaze. Shirt by Versace
Know my diamonds flash paparazzi
Give a **** about a hater
I be getting to the paper
**** ***** get your weight up haa

[Hook:]

[Verse 3: YG]
It's YG 400!
Shirt Versace, ******* is a hobby
I love a ***** that **** **** so sloppy
In high school she was a **
Hundred dollar bills on the floor
***** you better **** sumn!
And that's straight up
I prefer a bad ***** with no make-up
I got my cake up. Ya'll playas say sumn
I'm never paying for ***** and I'm never going bankrupt
My shirt's Versace. ***** red like Rudolph
Try to rob me I'll **** back that shooter
Trying to count how many ******* ***** I ate
Why you do that? Cuz I love how it taste. Ooo!
Me and Kirko on that purple
Geeked up like Urkel
Middle fingers in the air I don't trust you *******
Spent my money on me so I can ******* *******. Ooo!

[Hook:]

[Verse 4: G-Haze]
Got a shirt by Gianni
In your main ** that's where you can find me
Why these haters want to mean mug me
Cuz I'm coming down clean and they ******* wanna **** sumn
Trick you better **** sumn
Stepped in the party make a ***** wanna cuff sumn
Po-Po that's a No-No
Give me Ocho-Cinco!
Uhh, **** that ****** by Versace when I hit from the back
She gon' call me "Papi" while she sit up on my lap
Sip syrup lean and I got it from the trap
But I ain't a dope boy
Shirt by Versace got me feeling like a coke boy
Gold grillz, gold chain, LMG be the game
***** you better **** sumn!
i Love this song... lyrics "Shirt by Versace" By: Kirko Bangz ft French Montana, GHaze, & YG.
judy smith Sep 2016
Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
David Bojay Apr 2014
gets up from chair, and breathes in deeply

     people are made up of so many things, it's amazing

     1. Oxygen
     2. Carbon
     3. Hydrogen
     4. Nitrogen
     5. Calcium
     6. Phosphorus
     7. Potassium
     8. Sulfur
     9. Sodium
    10. Magnesium

  i guess paying attention in biology did pay off

    i remember when i was 11 years old my brother showed me a movie clip where Charlie Chaplin spoke in-front of tons of people

  he said "we think too much and feel too little".... i finally understand

and if you feel sad, i hope you can find a therapist, or i hope you can afford a 12 pack of beer at the liquor store to ease what you feel right then


  *walks out the house


                       looks around and smiles

i found hope on the corner of arapaho and shiloh, it was 7:32 pm, i remember because i texted myself saying "dude you're finally happy"

no more desires of being dead ever came to mind

   i found out what a man i can be if i pushed myself and loved without regretting, without being scared of falling for things for the wrong reasons

i found out to learn everything and grasp whatever came my way even if it brought me to my knees

   i'm going to die fulfilled


                         i feel like rhyming, sorry, i'm not a good rhymer, but here i go....


          garden of green leaves
               glistening tress
   scented hives, buzzing bees
               we lie under shaded trees
    we pray to who we're afraid to deceive
             if we do, we rot even if we pleaded on our knees
    summer breeze, ******* and THC
            don't leave
  addictions are hard to let go when i love you like grinded holy mary ****
        


   i'm not a good rhymer, i think the song that goes like "versace versace versace versace versace"

was better than what i just w. r. o. t. e.

    haha.


   it's getting dark, i need to go to sleep

*turns off light
doodling with words
Tyler Jan 2021
If I once again saw the sullen and timeworn eyes resting not quite comfortably beneath his meager gray mane

I would be ever so quick to believe that his all too familiar, yet paternally foreign face has surely seen better days

Days which I for many a nights had precariously pondered the choice I had made

To not chase but to erase such a great yet fleeting charade

What I once held onto dearly as a weekly escape, a glorious escapade we could never sustain
Michael DeVoe Jan 2010
You were in a Donatella Versaci masterpiece
I was in a Bottega Veneta custom
Diana Krall was in the stereo
Lemon lobster baking in the oven
And you and I
You and I were slow dancing like eighth graders
In the living room
With the coffee table pushed to the wall
And the T.V. cabinet cupboard shut
So we could have a little more room for our evening waltz
I guess that's what I get
For watching a romantic comedy and the Emmy's
On the same night
And even though that dream may be twenty years from ever coming true,
Because both you and I were in our forties
Trying to impress each other with how interesting
We could keep our relationship
Even though we both knew all we had to do
Was wake up in the morning and smile at each other
To fall in love again,
It was worth it because in that dream
I could actually dance
And the lobster was amazing
Say what you will
I have very sensory dreams
And things feel, taste, and smell like they do in real life
And it may have had something to do
With how beautiful you looked in that dress
Or the scent you were wearing
But that lobster was amazing
And your hands on my shoulders
Was a massage you weren't giving
As we two stepped through the room
And my lips mouthing every line
That danced through the air
Directly onto you earlobe
Was just an excuse for my cheek to touch yours
And as Veneta and Versace got comfortable on the floor
And my sensory dreams turned into a little bit more
My fleeting thoughts were of your smile in the morning
And I know you don't see yourself there yet
Taking pleasure in slow dancing
And waking up next to each other
But I see myself there just as clear
As I see myself right here
And I'll to drop the Veneta for jeans
Your Versace for pajamas
Lobster for KFC
If I'm slow dancing with you to Diana Krall in our living room
I don't give a **** if
We own the coffee table to push out of the way
I want to spend my life with you
I want to spend my life slow dancing with you
I want to spend my life whisper-humming
Standards into your ear slow dancing
In the living room of our house with you
Duplex with you
Apartment with you
Trailer with you
I don't care
I want to spend my life slow dancing with you
I want to spend my life with you
And I'm not being too sweet
I'm being too honest
And I know grand romantic gestures aren't your thing
Girl, flowers on Valentine's Day aren't your thing
But I hope someday soon you make a hobby out of slow dancing
Because I had a dream last night
I'd love to come true
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
judy smith Jan 2016
“Ever since I started this job and anyone asks how I’m doing, I always say, ‘I’m great!’ ” Maayan Zilberman excitedly explains. And why shouldn’t she? The former Lake & Stars lingerie designer, who has since founded confections lineSweet Saba, happens to have the sweetest career around. Concocting a literal visual feast out of her Park *****, Brooklyn, kitchen and Fort Gansevoort Meatpacking pop-up shop, the Israeli-born polymath uses her background in sculpture and a biting sense of humor to create her vibrant, indulgent delicacies. Think sugarfied tubes of lipstick, rap mixtapes, and Rolex watches—with their raw handiwork and dead-on wit, these in-demand pieces match Zilberman’s equally enticing wardrobe. Hardly barefoot in the kitchen, Zilberman teeters about in her workspace in vintage Betsey Johnson Mary Janes, while throwing on a customized Adam Selman pearl-laced apron to protect her Prada skirts andProenza Schouler knits. Here, the dazzling candymaker reveals how she has always been more En Vogue than grunge, why she never forgoes a perfect press-on manicure, and her plans on taking Sweet Saba herbal.

From Jerusalem to Vancouver

I was born on a kibbutz, where the first clothing I had was a mix of unisex hand-me-downs, so I was given a pretty blank slate. When I lived in Jerusalem we were surrounded by several sects of Orthodox communities, and the fabrics associated with each group were inspiring to me. During those years, designer brands were becoming popular, and the only place I was seeing this was in the shuk [market] where one could find imitation Calvin Klein and United Colors of Benetton next to tzitzit and shawls. I think it was in the early ’90s that I first understood how to mix my ethnicity with fashion and food.

Also, one of the most influential books of my childhood was Color Me Beautiful, which the women in my family took very seriously. I learned at the age of 6 that I was a “Winter” and haven’t veered off course since. I still have the book and love to pull it out at parties. Later in high school in Vancouver, grunge was the big trend and there wasn’t much room for my sensibilities in that environment—even when I wore my Revlon Blackberry lipstick and grunged out with irony. I was always far more En Vogue and Versace than the Pacific Northwest could handle.

Taking Cues From ’90s New York City Street Style

When I first got to New York, when I was 15, one of the first things I discovered was all the music I could get on Canal Street. I used to buy mix CDs from girls in monochrome outfits and big name-plate earrings. They pointed me to Fulton Mall in Brooklyn, and that’s where I finally got pants that fit right and jewelry that reflected my personality—a departure from the stuff I’d received for my bat mitzvah.

A shift in style for me meant a tougher, more confident look, where a short skirt is a reference to an era, not a call for attention. Music and lyrics played a big part in teaching me about how to dress and how to feel feminine. I had a Versace quilted skirt that I wore a lot—it made me feel like the supermodels in the ad campaigns: Cindy, Claudia, Stephanie, et cetera. I also had a Jean Paul Gaultierdouble-breasted pinstripe suit that I’d wear casually. In fact, I’m still wearing most of my clothes from those days: Betsey Johnson floral dresses, Donna Karanbodysuits, a metallic Byblos pouf skirt, and a grommeted Pelle Pelle jacket.

Lingerie Beginnings

I studied sculpture at the School of Visual Arts, and for a year at the San Francisco Art Institute my major was “new genres,” a very ’90s thing. Right after I graduated from SVA, I did an artist residency with Ilya Kabakov at the Fondazione Antonio Ratti in Como, where they also manufactured some of the world’s most beautiful silks. A tour of their factory opened my eyes to a potential dip into fashion, but it wasn’t until I met a pair of women in New York City that same year looking to start a lingerie brand that I took a chance on garment design. I bought a bunch of bras and took them apart and figured out how they were put back together. I cofounded The Lake & Stars in 2007 with the desire to make a brand that was in line with the story I wanted to tell as an artist. Lingerie was a tool, a structure that gave me rules so I could tell a sci-fi tale while inherently delivering romance and *** appeal.

read more:http://www.marieaustralia.com

www.marieaustralia.com/short-formal-dresses
Bunhead17 Dec 2013
And I always find, yeah, I always find something wrong
You been putting up with my **** just way too long
I'm so gifted at finding what I don't like the most
So I think it's time for us to have a toast
Let's have a toast for the *******
Let's have a toast for the *******
Let's have a toast for the scumbags
Every one of them that I know
Let's have a toast for the ****-offs
That'll never take work off
Baby, I got a plan
Run away fast as you can

[Verse 1: Kanye West]
She find pictures in my e-mail
I sent this ***** a picture of my ****
I don't know what it is with females
But I'm not too good with that ****
See, I could have me a good girl
And still be addicted to them hoodrats
And I just blame everything on you
At least you know that's what I'm good at

[Hook]

[Bridge]
Run away from me, baby, run away
Run away from me, baby, run away
It's about to get crazy, why can't she just, run away?
Baby, I got a plan, run away fast as you can

[Verse 2 - Pusha T]
24/7, 365, ***** stays on my mind
I-I-I-I did it, all right, all right, I admit it
Now pick your next move, you could leave or live wit' it
Ichabod Crane with that ******* top off
Split and go where? Back to wearing knockoffs, haha
Knock it off, Neiman's, shop it off
Let's talk over mai tais, waitress, top it off
Hoes like vultures, wanna fly in your Freddy loafers
You can't blame 'em, they ain't never seen Versace sofas
Every bag, every blouse, every bracelet
Comes with a price tag, baby, face it
You should leave if you can't accept the basics
Plenty hoes in the balla-***** matrix
Invisibly set, the Rolex is faceless
I'm just young, rich, and tasteless
P!

[Verse 3: Kanye West]
Never was much of a romantic
I could never take the intimacy
And I know I did damage
Cause the look in your eyes is killing me
I guess you are at an advantage
Cause you can blame me for everything
And I don't know how I'mma manage
If one day you just up and leave
I love this song. Lyrics to "Runaway" by Kayne West ft Pusha T ****. by  Emile, Jeff Bhasker, Kanye West & Mike Dean
judy smith Apr 2015
Fashion show finales follow a familiar rhythm: after the models march along the catwalk for a last hurrah, the designer comes out to take a bow. Their demeanour is often telling, an indicator of their attitude to the collection they've shown – are they a bag of nerves, or grinning from ear to ear?

Also noteworthy is the look they choose to take their bow in. Are they even wearing their own work? One of the most celebrated designers of our time never wears his own designs. Karl Lagerfeld may create the occasional menswear look at Chanel and he designs a whole men's collection for his eponymous label but he has long been a customer elsewhere: Dior Homme.

Lagerfeld started wearing Dior Homme when he was in his late 60s, shedding 41 kilograms to fit into the skinny styles of the label's then designer, Hedi Slimane. Lagerfeld has stayed loyal to the brand ever since, even after Slimane, now creative director of Saint Laurent, quit in 2006. And although the label is known for its emphasis on youth, Lagerfeld, now in his 80s, remains one of Dior Homme's most visible clients.

Raf Simons, meanwhile, Dior's creative director of womenswear, is partial to Prada: his presence in the documentary film Dior & I (2014) is most clearly announced via his distinctive studded Prada sneakers and he often takes his catwalk bow in a head-to-toe Prada look. For his first Christian Dior ready-to-wear show he wore a vintage denim jacket with red stripes by Austrian designer Helmut Lang.

And yet many designers do wear their own work, especially if the brand carries their surname. Editors scan the wardrobe of Miuccia Prada for clues to her latest collection: is she feeling utilitarian, elegant or purposefully off-kilter? When Donatella Versace takes her bow, she often wears a look from the collection she's just shown – for autumn/winter 2015, it was a pinstriped, flared pantsuit. And even Simons has worn pieces from his own label collaboration with Sterling Ruby.

So if the name is on the label, does it mean the clothes will always be on the designer's back? Not necessarily. "I've never been into wearing clothing with my own brand name inside," says Jonathan Anderson, designer behind JW Anderson and now creative director of Loewe. "I find it odd and arrogant."

UNIFORM DRESSING

Anderson's own wardrobe is a familiar uniform: crewneck sweater, faded blue jeans, Nike sneakers. It's entirely opposite to the menswear looks he creates for his own label's catwalk presentations, which have included bandeau tops and frilled shorts. He seems to favour a clean-palette approach: keeping himself neutral so as to not deflect from his experimentation elsewhere.

This kind of wardrobe is common among fashion designers. Jack McCollough and Lazaro Hernandez of Proenza Schouler appear to have no desire to create menswear for themselves or others, dressing instead in a similar style to Anderson: crewnecks, polo shirts or button-downs, usually with jeans and sneakers.

Mary Katrantzou, meanwhile, recent winner of the 2015 BFC/Vogue Designer Fashion Fund, may have built her business on print and embellishment but she is usually found in a black knit dress by Azzedine Alaïa. Alaïa himself has perhaps the ultimate clean-palette wardrobe: for decades he has worn black cotton Chinese pyjamas, fastened by simple floral buttoning.

Each of these designers has a successful business with its own clear signature. So maybe it doesn't matter if they don't wear their own clothes. And yet when designers do, it can be so seductive. Men buy Tom Ford because they want to be like Tom Ford. Women buy Céline because they want to look like Phoebe Philo. Stefano Pilati, creative director of Ermenegildo Zegna Couture, is often said to be his own best model; Rick Owens, in his long draped vests and baggy shorts, is the perfect ambassador for his own alternate universe of otherness.

The style of Roksanda Ilincic is synonymous with her own brand. "I create pieces that embrace the female form," she says of her bold colour palette and silhouette. "Being a woman means I'm able to feel and test those things on a personal level … I tend to favour long hemlines and nipped-in waists, with interesting shades and textures, pared down with simple basics and outerwear." Does she ever wear anyone else? "Of course! Black polo necks from Wolford are an absolute staple and in winter I am rarely without my favourite black cashmere coat by Prada, which is on permanent loan from my husband."

It seems like an industry divided between designers who wear their own work and those who don't. But sometimes things change. Backstage at Loewe earlier this season, Anderson said: "With Loewe, I have a detachment. I wear a lot of it. Now I'm more, 'Does this work?' I've got a bit of a love back for fashion."

Two months on, his interest in wearing his own designs has grown still further. He is the cover star of the new issue of menswear biannual magazine Fantastic Man, posing in a slash-fronted sweater and leather tie trousers. The pieces are both his work from current season Loewe. Womenswear. In for a penny, in for a pound.Read more here:www.marieaustralia.com/formal-dresses-2015 | www.marieaustralia.com/long-formal-dresses
Trevor Gates May 2013
Welcome to tonight’s show

Allow me to introduce myself.

I go by many names


Some of which, you may know
But those do not need to be mentioned
a howl, a moan, a scream, a summoning
Let’s keep this interesting.


This is the midnight calling
This is the raven cawing

This is the shadow lurking
And the jackals slurping

The demons wailing
While Charon is sailing,

The Acheron
The river
The first

The Eternal song
Of dripping livers
and Thirst

Stop

This is all confusing
And amusing
To some
And many
But to me it is painful

Demeaning
Putrid
Repugnant
Detrimental
Disturbing

And

­A subjective simmer of passivity
A pious dose of sheer calamity

Once upon a time

In a land past the desert
Was a neon capped city
Devoid of hope

And shaped by
Casual nihilism

And too much money

A powerful portrait in all its brevity
The display of sweltering people melting against the asphalt
The mucous sunscreen and coarse sand between the toes

And crooked nails
And bleached hair
And coffee stained teeth
And pink nails
And Gucci purses
And Versace dresses
Shutter Shades
Corvettes
$5 lap dances

And promiscuous preteen slaves
To MTV
VH1
Pop sensations
Internet ****
Social networks
Smart phones
Model rock stars
Models
Interviews
Auditions
Mundane seductively
For him
Or she
The nepotistic aficionado

of  

Delicious, robust, superb, disdain  
*******: Nose Candy
******: Snake venom
After Parties: ******* adrenaline
***** Film tryouts: Garage studio
LSD: Acid
Plastic: Lips, skins, *******.
24/7
Hits of E
X-T-C

and

Do you have change for a hundred?
Or a change for a life?

Cites in Dust
Thank Siouxsie and the Banshees; A carnival.

Shout
Tears for Fears, they’re Head over Heels

Love will Tear Us apart
From Joy Division, who claims she’s lost control

Los Angeles
“X”
Exene and Billy Zoom’s Wild Gift.

The perpetual rise of sunset rockers and Neon knights.
Teens crawling through the muck of socialites and incubator nightmares
Civil borders wired by racial slurs and salivating bigotry
Water replaced by blood
Spit interchanged for souls
And fire traded for icy methamphetamine

Warriors and survivors

Poets and dreamers

Shooters and inhalers

Geeks and groupies

Burnouts and Dropouts

Sweet dreams are made of this



Such a show, such a show! Bravo Bravo! Thank you, thanks to all I have time to thank: Martin Sheen, Julius Ceasar, Fender Guitars, Randy Marsh, elbow pads, Chuck Berry, Al Green, X, Joy Division, Tears for Fears, Siouxsie and the Banshees, Less than Zero, Alucard, Humphrey Bogart, Grace Kelly, Daryl Dixon, George Harrison, Brad Pitt, Rooney Mara (Love you), Belstaff, Emma Watson (Love you too), Laure Heriard Dubreuil, Manolo Blahnik, Hannah Murray and Michele Abeles.

So many to mention, so little time. We’ll be back.
This is one of my favorites I've done so far in this series. I had just finished reading Less Than Zero by Bret Easton Ellis and watch Gregg Araki's films, The Doom Generation and Nowhere, which all three sum up the existentialism and merging rampancy of living in Los Angeles, California. An experience I will never forget.
Talley Aug 2017
i never knew that
i'd wear jealousy
so well
that my veil would
perfectly match my
broken in heels
or that my eyes would be smoked
with various fumes
or that when i spoke
your world would continue
to move
unlike the first time
that i met you.
judy smith Jul 2016
Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide
vivian cloudy Mar 2017
met a man once
and he took me to a steakhouse
the type where tuxedo men come back
with a twee bite-sized piece of meat on a plate
he ordered my steak for me
and though it glistened
the slab barely satisfied
the crack in my teeth
i was starving
and he kept talking about
business deals
and networking
to the type of cars that make him hard
which one of these thousand ******* forks
is best to stab?
making friends
with a bunch of pruned men
chatting business
he introduced me
she speaks Spanish
how exotic
raw and juicy
STEAK
sure does go well with potatoes
i started ordering loads of wine
when they all agreed that it was time
to make America great again
i downed even more down my throat
‘till I was seeing spuds in Versace
drinks for everyone!
we ordered like five bottles
so drunk
that I started mooing
but if this gasbag ever hopes to get laid
he’ll need to go to the slaughterhouse for that
meanwhile, let the bartender do the milking
DaSH the Hopeful Oct 2014
I feel life from the words I write despite them being words I slurred over night it's like I fight but my pen is the sword of course I force myself into creative prospects I expect to wreck what in front of me is set
I wondered what would happen if I ruled the world gimme a shot at the top I'm not Clinton I only need one girl but seriously I hate this place controlled by industry it's ****** me up the environment and desire for right went out the window when the dead presidents kept talking from beyond the grave the money you made won't matter so cut it like a beanstalk

DaSH:
And fall into a pool of tears
From all the single mothers over all these years
Tucking youngins under covers
Undercover trying not to let the pain show through
This is the same strong woman that still holds you
Even though you're older and make your own decisions
Its gotten colder in the later years just wishin
You could go back to the beginnin
Back to when **** was simple
And all you had to do was listen
To another bedtime story
Next thing you know you're drifting
Away from all these problems and all these lights
Fluoride will **** our dreams they tell us to brush our teeth and cringe when we say reality bites
But I'm just trying to figure what's more important
Being myself
Or being Your kid
Just another thought from the tortured
I can feel the flames lick my body 'fore the torch's lit
Society's trying to burn us
And if they think they can teach us before they learn us then its straight out the frying pan and flying into the furnace

Nero:
I'm all alone like a watchtower my life turned sour but I'll devour any chance to **** up fools with rhymes perchance I'll leave you entranced with my writings but I'm sliding off topic so dash if you're ready then go a ahead and rip because we're cyphering on some poetic mafia ****

DaSH:
**** clips in the toilet with the ******* safety off
******* blood royal flushing with my king homie Alucard
All your ******* are old and lack any kind of support
So I'll hang em make their back straight with that ******* IV cord
If this cipher is random
Hope they deal with what I hand em
Four grenades a box of tampons
Watch these ******* explode while standing above the commode
Uncan them
The whoopass they deserve
Then im swervin in their hearse
Hopping over every curb
Speeding through every sharp turn
I love to watch their bodies burn
I love to catch every single ash between my teeth and eat them
DaSH is such a beast you freed him
By acting like a priest
When youre a demon in the streets
*******, capish?

Nero:
Alucard the damphir ******* blood like canned beer I'm near my apex others are below I'll free flow like arkham you won't question in a session when I leave your ***** barkin rhyme sparring call me Ali all these fools stay trying to Rock me like cheap Versace but I'm high quality leather built for your pleasure linkin words together you'll take home and treasure like Sinbad I don't sling crack but my rhymes are the pipe because reading this I know your *** got addicted tonight

DaSH:
Slicing high up on their frame
Like I'm aimin for the throat
Lots of gore on the floor
Need a boat to stay afloat
The walls needed more paint
You donate another coat
But I don't need your ******* charity
I'll stumble and I choke
Before I ever let you get to me
Before you start ***** you'll be history
How you ******* plan on ending me?
Just get Gone, Girl, be a mystery
Anna Nov 2015
baby, du dufter af gode minder
Ayeshah Dec 2013
I never been on

Verses & Flow or Poetry Slam

don't get me wrong

I'd love to be

but me sharing like that on "mic"

scares the ******* life outta me

yet I admit

I want to in fact would love it

But right now-

I can only tell you how I feel
&
this is how I let **** out

express me&sometimes; let you in

so this is a poem I've made about this dude.

A dude whose comforting and new

a dude whose lenient

and beautiful inward & outward.

He talks to me of so many thing

and he has a mind that speak more

volume then money....

I've been know to deal with them  baller's

those who'd spend on me-

the moment I call em.

He's gentle and kind,

mindful of me & my needs

even

funny even at times

when he's joking round with me.

He lights my way and makes me see

not of everything physical,or ****** either

but of inspiring dreams

for me to do better

than what I've been told I could barely achieve

from listening to past assaults

and dead weighted-ended relationships...

To opening the ******* door

& letting me just be ME....

My hair weaves

he complimented

and my braiding techniques too

from my beautiful big lips

plus this luscious **** hours glass phat *** shape

he says baby your amazing

then kisses my forehead

like Taye Diggs did in both The Best Man movies.

When he touched my breast- not in a ****** way

I felt finally safe-

cuz I asked did you feel the lump there

he kisses me on my cheek

tells me it's ok even if my hair falls out

and all my weaves went away,

he's seen me without em,

seen me with out makeup too.

No need to worry since there isn't even a lump,

so he says & I smile widely.

but if it was I'd still be the most beautiful

this he promises me

and looks me right in my eyes.

This dude says he watched me sleep

sometimes until the early morn

and looked at me like I've never

looked at myself.

Mind you I know I'm fine

but barely was I ever able to know my wealth,

to even ******* know myself worth

or who I really was.

Sadly so beautiful but yet I'm so tainted & insecure

He's seen this about me long ago

yet I thought before him-

that love had to hurt

that the pain I've caused me-

from dealing with other types of "love"

from dudes due their share was somehow real

Other dude's who'd spend

and who'd **** me deep & put my *** to sleep

was what love meant

this "love" I was so used to-

was pose to be fist knocking back my head

eyes black in their sockets,

clothes ripped off

and me being slammed to the ground ******

and left bleeding

Left, deserted, abandon

and me sore bruised-

from ever part of me

cops coming once a month

or when he ****** his boss & I went the *******.

Or love was him- telling ole girl in Chi Town

how much he couldn't live with out her

while sitting on the toilet in my house-

in my bathroom after ******* me

and calling it making love.

Or love was pose to be in my head

when he let his cousin get away with ****** me-

yet I was the who got her *** beat.


I thought from

the age of 6

that I was pose to lay there

just spread wide for you

and let you use me

pinch

poke and rule me!

I didn't know this kind of man

so every time dude came around-

I'd chase him away.

telling him

NAW man I don't date white boi

(that's slang for boy)

but
I've dated the Italian and he liked them easy women

the ones he could change and manipulate

I've dated the Natives born of this "America" land

he showed me what my mother tried to hide-

like a drunkard father beating her at night

this was the Native

who wasn't taught how to eve3r be a man

Then there was Paul-

a mixed up race/breed Native too-

Apache yet Mexican and yet American

in New Mexico they're called Chicano's

so guess that what the **** he was

he had the short man complex

and couldn't bother to talk

he thought *** would be pleasurable

but sadly for me & him

his baby toddler *****

just didn't do the trick.

So hurting worded voices loudly spoke

caused me abuse,

I guess it's still my fault-

I allowed them to hurt me.

The smooth talker,

Casanova,

The Ballers,

The players with the nice whips

(That means cars y'all)

The man who could **** out my mind & my brains

get my ***** wet before he even got to my house


The Mr. Fix it-

whose good at fixing ****

but not for being committed

cuz his check wasn't enough to even put a dent in my rent

and his habit of scathing his *****

and calling me ***** just didn't work.

So these are them type motha fuckas

I'm used to-

like ole boy

who'd carry my books

and help me with all my assignments in college

for a peek yet talk and brag about the *** he hadn't ever hit

not me but that's the story he told

lying since his reputation depended on it.

Sorry but this was my thinking this was how it went

& how it was meant or pose to be

yet
the Egyptian had it best

on top of all these dudes.

His was the ultimate

because his lies where centered

by half truths

which I know

know were more lies

than his word sworn on a Qur'an,

he'd **** his best friends wife

then beat me into submission,

**** me- buy me....

BUY Me,

Bought me

like a slave from way back when

buy me

love me

then buy me some mo

He'd buy all kinds of **** to keep me claiming for me

houses, cars, jewelry,

and name brand items- I'd have a black eye,

ribs smashed to pieces,

but **** I looked real cute

limping round  in my new **** from

Sax 5th Avenue, Dolce & Gabbana, Prada & Versace.

**** name it & I maybe already had it


this is the same man who saved me from

being ***** by my foster father,

yet he became like the foster father

he saved me from

seemingly

after we've became husband & wife...

So when dude comes calling

I hold back built higher walls,

push him away,

fight and get in his face,

waiting for the monster to come out

waiting for him

to slam me to the floor or ground

I never believe a word he says

always looking for a reason or excuse

calling him lair and fake

telling him to ******* & go away

never really given him a

chance for him to be my man.

I be mean and I make him wait

but he says I know your pain

and together we can make it

just let's take it day by day.

He kisses me lightly,

caresses me tenderly

massages me to sleep

listen to my every word

and gives great advise,

has been a friend and part of the family

he has opened me

to expressing his own

pains trails & tribulations


never judgmental or abrasive

not even abusive

not even a little bit.


But
my ****** up mind is so scared

so afraid and ****** I'm worried

.

Honestly my hearts succumbed to his un-willful ways

but I can't fathom

once more being hurt

and I don't know if I even want to

yet I think I do.

So tell me help me please

explain

give advise and tell me

how do I say no when for many months now

he's been making me the center of

His Universe?!

Always Me Ayeshah ®
Copyright ©
Ayeshah
K.C.L.N 1977 - Present YEAR(s)
All right reserved ®
This has a lot of cussing/swearing in it so if you're not into it or any other ****** language please do not read it thanks.
Brian Payamps Apr 2015
The world is an addiction
Eyes filled with vanity
Wonder if it's green like envy
Wonder if it all spring from the same seed
See one with it and you have to get it
By any means, necessary
Even running at them at a red light
Close to a district
But how we split a watch three way
Guess two must have to die today
The world is an addiction
Selling ***
We want to see more violence
More brutality even the headlights on our cars getting meaner
Is this what the media is teaching us?
In 30 second intervals feeding us
That poison
The world is an addiction
But where to find rehab
Is it with in a church
For even pastor Mason wants his dough and he doesn't pray for a dollar
So I come to my knees and ask for forgiveness
For the Versace and Dolce and Gabbana
Everything I don't need while there are kids who don't eat
I was like them, hungry  
guess that's why I buy things
The world is an addiction
It flows through my veins like heroine, it goes up my nose like *******, inhaled it through my mouth like drough, smoke it of a pipe like Crack
For I desire everything I don't have
The world is my addiction
I seem to want all that I can't have since having all I have is not enough.
Powers Feb 2014
Six
I showed up in an orange polo
blue jeans, a blonde bowl cut
and the latest light up barbie shoes
my mother dropped me at my classroom door
she left with tears in swelling her eyes
because I was the only child who wasn't clinging to her like the last strand of hope I had
she was so proud
I was on top of the world
until you tore me down
threw your wooden cities in my face
and told me I belonged with the boys

Eight
I showed up in a pink dress
white flats, and shirley temple curls
my mother sent me to school that day
she left with a twinkle in her eye
because I was the only kid in our minivan who wasn't faking fevers
she was proud
I made myself known
until I sat criss cross in that cotton candy dress
and you told me that girls dont sit like I do
and that I belong with the boys

Twelve
I showed up in pink jeans
a graphic giraffe T, straight shoulder length locks
and black chuck taylors
My mother dropped me off that day
her eyes watched me until I was safely inside
because she knew I was nervous
I took junior high by storm
she was proud
you took note of my sports bra
laughed at my cardboard chest
and told me I belonged with the boys

Thirteen
I showed up in basketball shorts
a simple T, shoulder length hair
and tennis shoes
I walked to school that day
My mother was still sleeping
I hid from everyone
you asked me if I liked girls
and thats when I knew I belonged with the boys
I needed these ******* boys

Thirteen
I showed up in black sweats
a hoodie that avoided my curves like roadkill
a half assed ponytail
and running shoes
I was invisible
I replaced the gauze on my thighs that concealed the proof he was here
I wore and extra shirt to hide the proof he was here
I learned to use makeup in all the wrong places in hopes to prove he was never here
His fists played symphonies across my ribcage
He made songs of my pleads for forgiveness and apologies
addressed to both him and god
and I am still trying to forget the notes
I am still trying to forget he explored my depths
I am still trying to pretend that he was never here
He said I could only belong to the boys if they could touch me

Fourteen
I thought the cough syrup would save me

Fifteen
He took the only shred of dignity I had left
I listened as my only hope for a family was ripped limb from limb
The child who's crescendo heartbeat originated from me
was slaughtered at the price of a Versace ring and a fake I.D.
Fifteen
I thought I could hear him screaming


Twenty
I am defined by twenty different men
These scars are proof of me nitpicking the pieces of them from my skin
Proof that I am worth nothing more than a one night stand

Twenty taught me:
1. No one will ever understand how empty you become when you're constantly filled by different men
2. A new canvas will not make you feel any cleaner
3. Hands feel like hands in the dark no matter who is behind them
4. After about the 3rd one night stand you will realize that 2 is the loneliest number
5. My mother is no longer proud to see me
This poem is about me growing up and being told that I belong to boys
each stanza begins with number that represents my age up until 15
once the numbers get higher than 15 they represent a number

Side note
14 may be a little bit confusing.
I downed a bottle of cough syrup in an attempt suicide
I told everyone I did it for fun
Aaron LaLux Sep 2016
NoMakeUp

Chic lookin' like death,
with her dyed platinum blond hair,
her fake silicone **** and all that make up,
over dressed like Halloween **** girl I'm scared,

the less you wear,
the less impressed I am,
you get dressed up just to get messed up,
smoke a cigarette then get your teeth whitened,

you get done up glam,
just to get run up in,

when,
in the world was it ever okay,
to,
disrespect yourself that way?

Getting fckt by strangers,
without getting money or commitments,
that means you're like a *******,
a ******* that's not even good at business,

you're a despicable disgrace,
to the entire female race,
you wear all that cover-up,
because you've got Krocodil face,
that's Krocodil with a 'K',
better get it straight,
the kind from Russia,
that will eat your face,

eat your whole face off,
face it,
the facts are basic,
real women look way better without any fake make-up.

The only reason you need it,
is because you don't see this,

plus you fill your stomach,
with fast food *****,
you're going down in flames,
what was your name Halley Comet?

Saving money on food,
so you can buy cosmetics,
maybe if you changed your diet,
you wouldn't need cosmetics,

there's nothing romantic,
about cosmetics,
cosmetics cause cancer,
don't you get it?

More vegetables,
less processed cheese,
and your face won't look,
like it's got a disease,

please,

remember these words,

real women look better without any make-up,

without all those name brands we're all naked,

believe whatever  you want to,
but these words will still be true...

So stop dying,
your hair to death,
and trying,
to get the guys to stare at your breast,

you are,
so much more beautiful naturally,
and if you,
go natural well actually,
you might find,
a man who loves your mind,
a man that truly loves you,
for who you are inside.

and I promise this,
in all honestness,

no man will ever fall in love,
with a woman because of the size of her breast,
or the color of her hair,
or the brand of her dress,
no real man will ever really care,
whether your outfit is Versace or Guess,

because good men care about the real you,
not fake fashion brand names,
you are not a cow nor are you cattle,
so why would you want a label branding?

And I promise this,
in all honestness,
that this is,
honest honestness.

Real men fall in love with real women,
because of who they really are,
not who they pretend to be,
real men fall in love with real women,
because they love her soul's avatar,
and her divine femininity…

So let your hair grow,
back out to it's natural color,
if you honestly want,
to find a natural lover,

and save your self,
for those special lovers,
that are truly deserving,
of all of your natural wonders,

leave the fake hair,
for the fakers,
leave the toners,
for the loners,
leave the make up and fake dyes,
for the hookers and transvestites,

you,
are beautiful,
without,
the manicured cuticles,

you are beautiful,
just the way you naturally are,
there's no need to alter yourself,
with some silicone and scars.

Just be beautiful Beautiful,
there is no need to pretend,
and leave the makeup and fake body parts,
for the trannies and mannequins... ∆
From a man to a woman...
#nomakeup
Johnny Noiπ Sep 2018
Stripping for her sister, Silvia has to talk pretty;
fingers playing music for free beneath the Tree
of Life; meaning,      kissing the standard of the
Prophet,  homeless in the area of ​​the gods' legs;
**** teen club for those married to the six original
fallen strippers; their Dream Machine waiting for the
rich Rainbows did smell of the power of peace in her
eyes filled with soiled thong *******;             
Kenneth Williams  that died at birth;          Cold chaser
of the genius of life,      of the painting of Christ & the cops'
Alchemy; In the sand wrote Mary sitting on a low Wooden
Wall
         where the robot's tongue turned to wearing
Science; Einstein would have loved the winding
walls to unknown parts where injuries do not listen
to mom beating a friend with a bat;      Top Air Park toes
                 asleep, Bobbi,  the clear message that she was
pregnant;                 maces seized drinking enemy to live
      within the sound of the gun,  the angel of *******
went up to meet, to meet;  After you are watching a fool
    in just his socks carrying a changing table to change
the broken glass of Bettie's *****; her friends holding her hands
at the fast food w/     a lot of debt and deceit as he sat down upon
the earth;         Thomas Wolfe, on the radio he sang
the song,          remember our night on this town [1 to 1]
of ours
                  upright in their ways to the nakedness of the
               daughters of the bookmarks, go to play in one of the
corners,                talking to & understanding the trees' leaves;
               the meaning of the empty gun between her teeth
tight silk ******* with the lilac bra to match,
cream coloured knee high socks.
a collection of classic rock on vinyl and a compliments jar covered in news articles.

too many celebrity perfumes, but a versace collection that makes her think of the beach;
peach smelling deoderant.

chapter books on the floor accompanied by hair ribbons of baby blue and cotton candy pink,
****** by Vladimir Nabokov laying near the juvinile pale legs of beautiful sixteen,
as she paints each toe nail red, pink, white.

almost naked body, remember her tight, fresh lace set
hair perfectly auburn, lips perfectly light coral
mouth slightly open
Led Zepplin playing.
hairspray and rose powder,
unlit vanilla candles and twilight scented creams
she smells faintly of Modern by Banana Repulic and her daddy's cigarettes.

silently waving, a flag of patriotism
the beautiful, elegant sixteen.

-part 1

conceptcollection
Ejiogu Stanley Oct 2016
how
If life taught me anything, it's that dreams come with sacrifices.
I had to let go of some bad habits and a couple vices
Cos what's worse than bullets that leave your body lifeless?
Staying alive with ambitions that don't materialize. Its
Pretty funny how some folks fail to realize this
And those who do find the process Pretty demoralizing
It's pretty easy to look pretty in every picture
Changing poses and positions like it's kama sutra
I mean, your life isn't fake, you really own it don't ya?
But in the place of your dreams, you got some guilty pleasure
You swear one day, you'll change and grow
But first let's cop that new iphone;
"Versace Versace, **** I'm glowing"
"No plan B, this is all I know"
Lyteweaver Feb 2016
Facebook makes me want to *****
Spew chunks of fake houses
perfect spouses
So many poses
perfect smiles and staircases
tout it.
Adorn rose-colored glasses
as you watch the egregious *****
boast champagne in their glasses
as they fool masses.
What does it matter the square footage
if you can’t teach your children how to solve problems?
Or start movements?
Or have values?
I’d rather wear hand-me-downs and have roots
than don Versace and walk in rich boots.
When the day ends, as you are lounging in your satin linens
do you ask yourself how you grew today?
How you moved today?
How you flew today?
Well I am…

So get out of my way.
Franco Palma Feb 2012
Strobe lights, low eyes, blown mind
Four Eyes, neck ice, blown white, no mind
Nice cars, dark fade, night games, insane
I swear this place has no ******* life
And that's exactly how I want it
Room spinning, wheel of fortune
Fortune favored me, so my shackles gold, I am tortured
The tour bus tore us from our exposure, to life
Bass booming, ear drums popping off like a hundred guns
Saluting troops with marching bands, they all cheer in unison
My pains boo'd off by my pill prescriptions
Not a nun, cause we are ******, struck by Smith's arrow
Rock stars chose the path that is most narrow
I don't know where the time went, my mind set
This bombs clock ticks, I die inside on the pursuit of profit
The prodigal son grew up to be a villain
Stuck in the streets, struck so his sins can't be forgiven
Swear this devil is sleeping with finer women
Designer linen, Hermes, Versace, Givenchy
Italian names with a tendency to stop me
But me stopping would lead traffic jams
Tank is empty, can I make it, not sure if I can
Hop out the driver side, you can keep this whip
Wasted all my life, dreaming big, window shopping
Anderson M Apr 2021
How it hit the floor…
Dramatic levitation
Through taut space and time.

Chandelier’s lit
Coaxing playfully, ornate
“Festival of lights”.

Dreamy melody
Seeps outta a gramophone
Velvety delight.

Air’s alive, festive
A blend of calm and upbeat
Layered steamy ambiance.

Mind is a mash-up
Typical tasty mocktail
Tad delectable.

A lot meets the eye
Perception’s a circus of
Bland perspectives.
…interaction with reality…is mostly listless, when we pay a little more attention, being awed is almost inevitable.
ShFR Jul 2013
Spewing through my pores
are obviously vocal cords
I'm sweating cause don't you notice how heaven is getting bored.

-- And lord I know we children
but give us something appealing,
cause hell it just seems enticing
cause sin is clearly unwilling to,

release us from its wrath and be spiritual,
my spirits in this clash with this alcohol--
but I try not to break the law
by sleeping this poison off

I'm squeamish
believe me
I'm sick
and suffering from withdrawal,

cause all i see is Sandy Hook behind the walls
and in front of my iris
my silence becoming violent
exhaling louder than sirens
I'm sighing cause you be lying,

you say!

That you will save us
if we put nothing above you
but you taking our children
we made them to be just like you:

I'm sleep.

But if I wake up
will you incarnate a savior
cause jesus is highly needed
don't tell me its human nature!?

to pull the trigger,
peal off -- a mind set against the lord,
pop -- pop they let off  should i be packing a sawed-off

Na

But I'm speaking from my core
its obvious that I'm lost
I'm screaming but don't you notice how heaven choose to ignore.

And lord I see the irony
but I'm not even 60
why are you choosing to hire me
is it because I'm gifted, a voice?

I had no choice
cause the devil trying to recruit me rolls royce;
Versace starter kit it's not hard to convince me I swear--

he's talking salary
how the ******* will miss me
just put this ounce in your pocket
and listen Nina closely

"just trust me I got your back with Nina don't need a safety"
  
I'm loyal,
so should I start to bang
cause if you can't beat them stay
I need a hymn to sing as I hold the burner to my face--  

remember what the preacher say,
if your feeling lost, pray  
I never had a voice
Trayvone Martin never had a say

so is the prayer worth it,
will jesus even surface,
the creases on my faith is shaped like Eve and Adams serpent;

I'm lying to my friends
I'm not religious on purpose
I'm a servant to the truth
but seems the truth is out of service.
© 2013 by S Fraz All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of S Fraz
Jene'e Patitucci Nov 2012
When the birds devour me
I hope they start with the soft tissue
my eyes and ears and mouth destroyed
my senses lost to the sky

When the birds devour me
I hope they find their fill in my stomach
where the weight of the world was carried far too long
wearing my viscera like Versace

When the birds devour me
I hope they pick my digits - one through ten and ten again
so I may touch every part of the world when they carry me away
so that my feet may fall on grounds I’d only dreamed to grace

When the birds devour me
I hope they tear open my chest and make their way behind these ribs
not realizing the irony of the situation as they sing
and I am filled with the music with each rise and fall

When the birds devour me
I hope they take my bones between them in their thanksgiving, pulling
wishing for legs to run and hands to hold, for lips to kiss
if they only knew, if they only knew
© 2012 Jene'e Patitucci


a break does not mean truth
it only indicates zeal
Apparently blessings soon wither
Where your star shone

Reminisce
In the darkening sky
There's a Taj Mahal!
Undulating endless
Asimetry of
Love

Floating above
The placid
Waters

One
Glimpse ~
My wet hands
Kyoto protocol
Hair in a Thankfury
Violet Versace

And your smiling coasts
Me wrapped in a black coat
Lush lucrative dynamics
Zarathustrian imperative!

Covering your manly
Shoulders

Dig a grave in my
Hollow submarine
Diminishing distance

Was I, to call your firm hand's
Grip ~a lesser degree in Hiking,
Or a postponed poetic height
Thumbs entwined. . .

Spirited as a killer
Eagles mudra
You stare at
My profile

Well ~we stand
Opposing as a lovers
Of A grand Poetic

Name surpassing the time
Awaiting, courting, questioning
Via simile to the blood under
The Bask's barret

No, the ring I've put aside,
My hands are bare tonight!

Bewildered, I´ll stumble forth
within a bright new day to
complete your sermon.

You usually brake the cliche
Walking hand in hand
With Affar Authors
With Dead Spirits
With Alive Authors
Playing dead, unknown
Within the journalists eyes..

When they whisper

Wisdoms to your son's father

When they sturm und drang my sweetest
Sister

The softest spring is coming forth and
I know where to find you. In southern sighs.
Dreamy. Uncatchable.

Playing
For one very special poetic lover of poesis.
Steve D'Beard Jul 2013
the oil of the high grade pollen
coated in sticky honey-like crystals
old school wrap and a vaporizer
instills calm where there had been chaos
oh how the mighty have fallen

offers to go places
live music in an alleyway bar
cocktails till dawn
a rave under a motorway
the Sub Club for legendary libation
and mingle with familiar hazy faces

and yet,
he warms to the four walls of home
the symmetrical wooden rail border
the OCD driven picture placement
the videos in genre specific
alphabetical order

outside the city streets throng
stag-hen crews in costume
tourists off the beaten path
seeking the Water of Life
students drinking the bank of mum and dad dry
mid-week workers letting of class A steam
that for some is clearly too strong

the hordes
of bar ******
pimping their Versace
and Primark combo
any Glasgow bar
where looks could ****

bar telepathy
means he no longer
even has to speak
just have the fiber
to clear the bill

This he calls home.
yo the homie Juan C
pass the mic to me
so i wreck this beat
like SPC protege of k rino
hos call me mandingo poppin' ***** tapes demo
never rode a limo
only smokes primo n got pitches in otcos
8 bars make ya see the star im far from soft
f them boys in the nawf
woth south side ****** til we die
we ride with the hardest regardless
if they try to break our clique
we still gone spit ****
like a cobra ya know its over
once the venom in em then couple.of minutes later
finish em
mortal combat **** all the rats
despise chit chat call my youngest ** ***** cat
pack a black gat
we push loot in the golden regal
every thang we do is illegal
lethal
as gibson they don't want none
boys crackin' rhymes til the crack of dawn
then wake up next day just
to bust another one
my OGs rollin' with Don Key n Pokey
hardest in the pit
and if you disagree we make haters **** our ****
sloppy **** no ****
them ******* can lick the pigment off a ***** stick
but i play it safe n cool
cuz hos try to burn you
got it played smooth groove
to the sound bound to get down
if ya down bow down listen to the gun shots sounds
now ya leakin' where ya be speakin'
now ya body tweekin' n geekin'
soon to crossover
like epmd mic check ya know me my crew be
fascinating minds with our hocus pocus never lose focus
my raw raps got them nervous
got Juan C next to me
and got the tech services
and no playin now from the htown
still holding top with no crown
dont need a status we the baddest
turn the lane three wheel leanin' with bird chirpin'
still smokin' up the scene
with clip fully loaded magazine
glock cocked we aint gone stop
sip the prometh to the day i drop
dont stop
the music cadillac funky so ya know im gonna abuse it
drip up drapped out know what im talking bout
deep in the south we put guns in ya mouth
no flappin' we stay strappin'
like willis ya know whats happenin'
and we aint gone stop the rappin'
mad at us cuz we bring the real
o so real make every nation feel
what them southern slangers do
dangerous as the Bronx Zoo
what ya wanna do
with stay with more than sun tzu when death comes to you
them boys n blue
cant save u
on the mic i gets wicked after a meal ticket sadistic
as charlie manson
got a twenty two mansion
followed a long benz with the big blue lens
zero percent window
so i can smoke my indow
what they dont know wont show
follow the peckin' order my game smarter
jaun n yosef isthe real hip hop martyrs
and we ready to battle
sogo ahead and shake ya rattle
cuz we'll be quick to slaughter


yea man let me come through
versace with the blue
jeans coming clean sip lean
with an ounze of promethazine fiends
be on the look out
cuz ya know im about
to clown harder than Corey Holcomb
boys gettin' dumb dumb
got hos thats chewin bubble gum
shakim' *** too fast
make a ***** urge for a ***** lick
yea im rollin' with the *******
up clique we sick
as a muthafucka
enticin' all types of diseases
cuz the lyrical content pleases
many foes and hoes
i wear baggy clothes with jabos
dont ya know
im rap don vito stack chips like frito
lay i parlay
on sittin on the dock of the bay
jammin k
or that *****
htown is how we do?
ride ***** with the bulls
euro grills caprice with pipes made of steel
o so real still
got every nation on they feet
they cant feel
this uh coming down on ya blvd
ya can see me on tv or 60 inch screens dvd
**** blue rays i rock ray ban shays
like Mj ya can catch me on a fade
doing what i do in the paint
with a Styrofoam cup full of drank
grams of dank
smoke so much we cant think
eyes cant blink im on the brink
of an overdose
ya suppose to rock the flows like me
im like biggie
spittin the classic mr magic
girls call my **** game fantastic
stretch ***** holes like elastic
leave her visions plastered
like she drunk as ****
im pushin luck six flat riding a black truck
40 oz in the gut gangsta strut
im the best ***** whatttt?
im ina rage one luv to homies
in the cage
when i hit the stage
ya know the crowds gone get wild
im flagrant like a fouls problem child
use my cash bills to fans thrills
no spills on *******
ya know the deal
hos be reachin' still teachin'
n im all about mass appeal
- Jun 2013
You are the heart to my beat
The way you make me feel
It's so surreal

I can talk about you for hours
About how I cherish what is ours
Yeah, you've got a hold on me
Yeah, you really make me feel complete
And I'm not lying when I say
I love you pretty baby
You mean so much to me
I'm not lying when I say you're addictive
I am Chanel and you are Versace

You are the apple of my eye
You are mine
And I'm your cherry pie
© Natali Veronica 2013.
Jeremy Betts May 2022
I'm an open book with the tendency to get mistook and overlooked now more than ever cause the binding and the cover are extraordinarily ordinary
The frail, mousey lead character labeled fragilé and plagued with insecurity lacks any measurable or substantial substance, no originality, even the unremarkably troubled back story is unapologetically void of creativity
Absolutely zero structure to the flimsy plot lines leaving the majority unfinished and frustratingly empty, holes in the Swiss cheese history are aplenty, no matter the number it's always one too many, never held any water to begin with but regardless they surface constantly, scattered with no purpose throughout condemned property
The gaps in the sketchy timeline and the untimely flashbacks make it extremely difficult to follow, subsequently leaving the reader feeling uneasy, maybe even queasy
Couple that with the fact that the blood, sweat and tears that poor from me onto every page render every letter a blurry mystery
Ink rapidly bleeding beyond any point of legibility so I scurry into obscurity like the first bit of graffiti to hit the walls of a lost city
Or unlit cave dwelling residency that sheltered the beginnings of humanity, I don't say that metaphorically, this is all factually documented as actually happenin' to me
Completely being brushed over, over and over, leaves little to no room for closure, how could it be there is no retail value either even though I'm the soul owner of the one and only lonely copy
I must confess that honestly it's in rough shape visually, no secrecy, anyone and everyone can easily see, so it's insincerely looked over briefly with contempt and downgraded accordingly but unfairly
While momentarily left in dormancy to see if the monetary value to society rises any or will it be one to continually trend downwardly, accepting mortality
At this point breathing is just a formality, I know tomorrows not a guarantee so I scribble away feverishly, going at it tirelessly, throwing words around recklessly
Pointless? Quite possibly. Meaningless? Most definitely. Worthless? Well, how could it not be? I'd quickly place a bet on all three being casually mentioned in the book review, or what some of you might call my obituary
It could be and seems most likely to me to be revealed that it belongs in it's own category or at the very least a separate offshoot subcategory
OR, or, it could be disrespectfully decided to never even ever let it be represented digitally or physically in any online or city library across the entirety of this comically hypersensitive and ridiculously touchy country
They be watching over me shoulder every day as I dot every i perfectly and diligently cross every t, proofreading religiously so they take me seriously and can't use it against me
It's limited edition but surely nothin' special, hopefully still worthy of somethin', but here in reality it's realistically nothin' more than knockoff Gucci or black market Versace
Sounds fishy, I know, but what else could it possibly be when I have the answer key, it's literally my story, I not only wrote but lived every word you see and it still doesn't even hold any significance or importance to me
Every chapter awkwardly forced upon me, it'll clearly end horribly but I'm no visionary, not even close actually, would never catch me even trying or claiming to be
I just precisely record the facts on the spot as they happened to me no matter how bizarrely scary some happen to be, it's important to me that you see what I see
See, you'll see the cruelty in the issue that taunts me as it haunts me. The hot seat question then becomes can you possibly understand the conundrum that is me or even slightly comprehend my cursed duality?
A comedy turned tragedy then unfortunately forced to take the back seat immediately as people barbaricly laugh mockingly at said tragedy, the jokes on me apparently and I've never found it to be very funny
Notice that it both plagues my future and tarnished my history and I'm presently left with presumably only a falsely and improperly placed memory of happy
Remembered as nothing but the worst of me, my eulogy will most certainly read like a roast minus any dose of comedy
If you choose to take this journey and walk the path along side me you're more than likely to come to the same conclusion as me that the powers to be are stingy with the good karma while the bad energy is unnaturally loaded on all *****-nilly in spite of me with little concern for safety
OSHA be ****** apparently, all it takes is the thought of me being a presence in the vicinity of you and your family to make you question both your safety and my sanity at any given moment, occasionally I'll switch it up randomly to avoid the monotony
A painfully pitiful joke that seemingly seems to be getting worse optically, a ****** B movie parody of Steven Kings Misery, all pain, no joy, no money, I mean no interest, I mean no possibility of a remedy
A mocumentary if you will, but the pain is real still and it's going steady, a run on sentence dragged out endlessly through a raging sea of emotionally charged assault and self battery that continually thrash relentlessly all around me
The weight of my world has always been too heavy since all the way back in my infancy, flip to the first couple pages to jog your memory if need be, then take and make a mental note that today I'm pushing 40

******* that's a long time to knowingly be held in captivity,  I've already been through it and the recap still surprisingly hits me hard with a backing of PTSD

Your cross is just a fashion accessory, my cross drags in the dirt behind me and wasn't set properly, shoulders barely able support it and I couldn't transfer the load any
So I grab a penny for each eye, yet another money based payment ritual for the ferry man to finish the last chapter the best he can with mixed in commentary from the peanut gallery that'll ultimately reveal my true identity and destiny hidden in the smoke screen of my twisted personality
The one predicted by the aforementioned conflicting and confusing history, though obviously if you've been following closely at all you've seen the rate of my fall and calculated it's trajectory down to the nth degree
It has always been and will continue to be aimed directly at the fiery lake for all eternity, not much different than where I reside currently so really I'm in no hurry if its more or less going to be the same scenery
I guess if you want to be a **** about it you could probably make the argument that my life played out accordingly, regardless, I'm getting what's owed to me cause I bucked conformity and normality, spit in the face of misplaced authority
Whoa is me? Yeah no, whoa is you buddy, you should worry because the last page doesn't mean end of story necessarily, I'll live on in your thoughts as something far more scary
See, I wouldn't be able hurt you or even touch you physically but I'll guarantee to use my literacy platform to completely destroy your psyche like what was so savagely and aggressively done to me, looking back that's all I see
I've sighted every atrocity three pages from the back glossary if you ever have the need to fact check me, again, feel free but know that my story board is messy, I'm not use to entertaining company
The facts get a little bit more hazy every day and where slapped together haphazardly with no rhyme or reason to what I have too say, not a thread of continuity, and you can go on and forget about decency, that word isn't even in my dictionary
I want to take this opportunity to openly welcome anybody that can hear me to read my diary, I've made it easy and removed the lock and key, humor me and start with my autobiography
Get to know your enemy, you'll find what to use against me personally but also what I'll do to wipe you from my minds eye permanently before you grace the pages of my memory
Take this as a priority mail special delivery type promise inside a threat spread widely through a reputable distribution company
And now, since having the rare opportunity to slowly but fully get to know me just a wee better, you must know then that to doubt me is stupid risky, just facts here, no theory of relativity
May I suggest you completely drop expectations and turn each page carefully, it's not for the faint of heart obviously, don't approach this carelessly or it could consume you entirely, but that's not my responsibility
Erie from the start, so it'd be smart to get ready, it's about to get heavy, prepare yourself mentally, this is the type of gory, all guts no glory underdog revenge ****** mystery story that wouldn't even make late night cable tv
Though it'd truly be funny to slap a PG rating on the first copy just to watch them fully lose their **** and collectively scramble to get said copy pulled indefinitely
Anyway, no movie adaptation in the works, no straight to DVD release party and that's all fine by me, I ain't even angry about it really, okay, maybe I am a little grumpy but that comes with the contemporary territory
Read it, don't read it, buy it legitimately or steal a copy, it's all the same to me, everything you need to know, and some **** you wish you didn't, is right here in the typography
From living righteously to becoming a bully to getting lost in my own hypocrisy, it's all laid out lazily for every single truth seeker and neigh sayer to see
There's nothing left to say anyway so pretty please, once free from the pages, can you finally, quietly but quickly, leave and just let me be me? I'd appreciate it emencly

Alrighty, let's begin shall we.

-Chapter one-

      Our story both begins and ends in the same fashion in that neither needed to happen and the fact that they both did changed nothin', a breath of life wasted on a nobody with nothin' left to offer but what's left of the shattered dignity and pride, otherwise emptiness resides and we'll be taking a look back through pain filled eyes, recounting the rise and fall, the crippling journey and what ultimately triggered this poor man's untimely demise...

©2022
Anais Vionet Jul 1
What’s wrong with me? I’ve been asking myself this all week.
Anyone who knows me will tell you that I weigh questions coldly and logically. Then it hit to me.. it’s summer, silly, and I'm in classes!

A typical summer would find me tanned, sunburned, greased and unkempt, like a happy, sandy, beach hobo, my hair would be either braided or left fly-about to tangle into cotton candy wads.

My bf Peter’s learned to like fine restaurants (You’re welcome). I’d have never left the beach on my own.
“They can bring us anything,” I’d argue, looking up pitiably from my shaded, Tropitone lounge chair.

Around sundown, Peter would have to catch me, slippery oiled and brown, to comb me out and scrub me before dinner.
“Get dressed!” he’d encourage, picking out a dress suitable for dining or casino wear - “I made us a reservation.”

I’d come out of the hotel en-suite in one of their fluffy, Versace, terry towels but invariably, before I was even dry,  Peter would shake his head, growl and say, “Com-mere,” holding his arms out a little, palms up
(he’s never been very verbose), and smirking a little, I would, because his expression reminded me of Christmas.
“What about our reservation?” I’d chuckle.

This was, of course, a volunteer situation, where it was up to us all to do our best.
.
.
Songs for thus:
Girls On the Beach by Carter Cathcart
Wouldn't It Be Nice by Papa Doo Run Run
Please Let Me Wonder by Carter Cathcart
BLT Merriam Webster word of the day challenge 07/01/25:
Verbose = using too many words to convey a point.
Vernon Waring Jul 2015
They preen, they brag, they cluck like hens
Favorite pastime? Schmoozing with friends

They lunch, they party, they go to the races
Wearing Versace and botoxed faces

They worship the sun, the moon, and the stars
And fill up their lives with mansions and cars

They spray tan each day to enhance their appeal
These housewives are everything...except real
Jonny Angel Aug 2014
I never promised you
a million dollar home
with a Porsche
in the pavered driveway,
a huge closet full
of glittery Versace gowns
or cases of Dom Perignon.
I never said
I'd give you
three trips a year
to the Italian,
let alone the French Riviera.
Isn't one Prada handbag enough,
why do you have to have four?
I know I promised you
my loving heart,
which I tried to delivered.
But you whispered
when you left,
I wasn't good enough
to deliver
the goods you really wanted.
So long,
keep your Miss Dior,
*****.
Julee Lennox Aug 2011
She's the beautiful one.
Wears Versace and French inhales myrrh cigarettes.
Behind blinking veils lies the sun,
While in her eyes, your mind forgets.

Never miss a glance,
Denounce mere recognition.
An eager chance,
Herein lies your new mission.

Tempt her senses,
She's unprotected.
Take down defenses,
Now you're connected.

She doesn't think, she dreams.
All she does is disappear.
Nothing is as it seems,
Your whole world, again unclear.

Tender last words spoken,
Dark nails red on fragile hands.
Another dream broken,
The chemical disbands.

This (and you)
Is (are) her gift.
And this (and you)
Is (are) her curse.
Copyright Julee Lennox 2007

— The End —