Elephant seals
gross and flabby
ignorant of protocol
ponderously scratch.

Uniformed unicorns
importune
tame peacocks
wearing pink petticoats.

Fluted columns fade
at twilight
into the secrecy
of a passing thought.

Toy soldiers
on parade
fragile, glittering
lost.

The tide collects it all by morning;
The drama and the ***** napalmed across the path.
The scenes at second warning for most had been swept away
Before they wiped the sand from their shoes.

Empty cans of Dutch and Tuborg slouched on the dunes
Are tight-lipped about the Velvet Strand's secret ecosystem;
An underground microcosm;
A peripheral cluster of seething emotions drowned.

Memories of those years - although some expired,
The vestiges take pride of place - hold a cosmic clump of smells,
Tastes, firsts, goosebumps, hangovers, and ends.
I never before understood what I was holding on to.

Winters down in the shelters nearly killed us but we
Huddled through the cold, lit cheap firelogs and
Found our oblivion. It didn't take much for me to develop  
A stagger - tolerance for a lot of things was learned later.

I narrowly recall my first taste of poor judgement and
Hazy-headed stargazing. Six cans of Stonehouse
Dry cider - most of which ended up on the hillside -
Was a ridiculous endeavour that will always be sublime.

At the heart of it, I did it to impress a girl;
The one every boy has or has had that sticks;
Who holds your firsts and your hands and makes
Things simple if only for her complexity;

The one that never fails to bring upon digression when
Pens are involved. Revisiting reminiscence on a jarring note,
I think of my Junior Cert exams and a cross-dressed man
Exposing himself to two uniformed boys behind the public toilets.

This one doesn't stir the joy of the others.
This one I wish would dissolve;
An ugly, awkward blotch on a childhood.

Luckily fondness trumps disgust when recalling that place
Because of sunrises and sunsets absorbed from the roof.
The Summers spent jumping the gap and drowning in the
Heat of the sun were everything.

The fugitive sand between our toes and under finger nails
Became an accepted nuisance, a part of the territory;
A lingering grain or two to drag you back.
I miss waking up with the smell of last night's faded fire.

Millennials at Work and War

Scorn not the snowflake who stands watch for us

Now thrown into the existential struggle
Surrendering their youth and taking up life
They muster in the fields and factories
And in their elders’ undeclared, shadowy wars
Uniformed in an unappreciated sense
Of duty and dignity while scorned by those
Who take their ease upon the couches of sloth
And fling cheap mockery at millennials
Who take up tools and work and love of life
Sometimes to die in deserts still unmapped
While generals dismiss their casualties as light
Despised as snowflakes by keyboard commandos
Who never got closer to any war
Than a John Wayne ketchup-****** movie.
Some work long double shifts through university
In a sawmill, shop, or fast foodery
Only to be dismissed as slacker layabouts,
But expected to trust those who condemn them
For not being the greatest generation
As defined by those who never served at all
And while being criticized they will grab
A quick cup of coffee for the night shift
Staffing the hospitals and police patrols
That keep their sneering critics alive and safe
They drive the trucks, they man the ships, they work
They drill for oil, these useless millennials
While idlers lounge long in the coffee shops
And YooToob computered jokes about them
Millennials have no time for coloring books
Or comfort animals or revolution
For they are weary with study and work
The best of them make no demands, but, sure
A little respect, hard-earned, would be nice
If only the scripted singer-songwriters
Would pack up the tired old stereotypes
And see millennials as they truly are
But darkness falls – they must go back to work
On the eleven-seven, the graveyard shift
They do not burn draft cards or Medicare cards
Instead through work they illuminate this world
And build it up with continued sacrifice

Scorn not the snowflake who stands watch for us

island summer heat
big backyards
shared by three families
with rambunctious kids
sundresses, sandals, swim trunks
a big mango tree and
a merry-go-round with red chipped paint
geckos and mud baths
"boy's got cooties!"
  
mid-west plains' dry, summer heat
Mr. Sun is our lamp well past 9:00pm
Dow St., a giant hill covered
in uniform houses, filled with the uniformed sacrificial
spinning wheels, acre-wide hide and seek
nintendo and donkey kong, fireflies in jars
front yard mulberry trees
pippy longstocking "lets' go into this 'cave' of vines"
poison-ivy
  
southern peninsula, humid, summer heat
above ground pools and trampolines
a red brick house; the first home
the first CD collection, Filipino food
THE PARK,
the sandbox lid drowning in the bayou
sleeping in guest rooms, sleepovers a sign of status
pelicans, ducks, fishing,
sleeping in the boat; camping on the beach

You'll find yourself here,
not sure how you arrived.
But you won't question it.

The mayor is home: his apartment in the fire house.
His lamp is lit, and he is here to welcome you
Though you cannot see him
But you do not question it.

And you'll hear bells and the clopping of hooves ahead
of an old-style streetcar in the age
of the internal combustion engine,
infernal, before the world could burn.

But you won't question it,
No, it's all perfectly natural
As though you grew up here

And here you do grow up as you walk the street,
The buildings pressing ever closer together, merging
And you somehow grow taller.

As a fairytale castle looms ahead of you
As though it were in the sky.
It's color is a pink that
smells of cotton candy
and popcorn
and perhaps, a hotdog

It passes out of your view
Like a mirage or a whiff of cloud
As you smell the food
The advertising of smells
Seducing you away

You stop, and you look
And you don't see the tourists in shorts
And tennis-shoes, dressed ******-chic for an expensive vacation
Or smell their sunscreen or see any sign
Any sign of change since that time, no
No, you don't see anything
Which you don't wish to see

You don't see a police station
Or cigarette butts on the pavement
Or a war memorial
Or a boarded-up building, closed.
All have been scooped up
Swept up, kept up by
white-uniformed sanitation officers
with little bow ties, discretely
cleaning up the world

But you will scarcely miss these things, nor
notice their absence and
You will not question it.

For this street is a wish,
A longing,
A child's prayers
Answered

For this is a place where no person,
No thing is old, but all is new
and useful and present:
As immediate as the trail of ice cream
making its osmotic way along
the edge of your sugar cone in the sun
And down to your sticky fingers.

The castle is there, you see now, but it's so
very far away.
There is no rush.

Step inside a shop—take your pick--and you will find
plush carpets, cooled rooms, parkay tile

Above the souvenirs and tchotchkes you will
Notice heart-stopping detail
In a light fixture
In a cherry wood crown molding
In Tiffany glass and marble counter-tops
Exquisite agony of
nostalgia for the half-remembered

And you're puzzled because you can't buy, here,
An old-fashioned ice-cream soda
With which your great-greats wooed each other
And fed each other, never considering, even
conceiving scandalous sensual jokes with whipped cream
And for this, today, you love them.

Your feet will amble you back and back again on themselves,
turned around (in spite of unmistakeable
castle-mountain-rocketship landmarks.)

There, Just behind these buildings, you're certain, there
should be a baseball diamond, alight with the noise
of boys playing with a stick and a ball

There, a neat row of stately, sabbatical victorians

There, a haphazard school yard with a tire swing
and a red schoolhouse, reliable as a sunrise
keeping protective watch behind it.

And you forget
racism
You forget
any war
You forget
your own
many sins
Like
vanished
cigarette
butts

And you smile, giving the uniformed man
peddling mouse-shaped balloons
a little more of your money
than he is asking for

The Chicago Tribune called it,
“The Affair of the Decade!”
Everyone’s mothers called it,
“Another tragic heartbreak”.
When the coroner wiped his hands,
He predicted a sensation,
And so did every uniformed man
Sitting in the po-lice station.

In a cold Illinois motel,
A man in a suit smiles.
He was twenty years in,
A detective for the city.
Oh, that smile he’ll smile,
But gone is his laughter,
Along with his pity,
For tonight, tonight,
He would shoot up the city.

Regina combed her blonde hair,
And took the lift down to the lobby.
The pale-skinned princess,
That woman’s body…
How many fell for her
Remains quite a mystery.
We watch,
Ladies and gentlemen,
We watch,
As her dress moves in the breeze.
Like a dandelion in the dark,
She rides the carriage
Into the park.

The detective stood alone,
A cut-out cornerstone.
He was no longer nervous,
He looked like a statue,
And the ******-white snow
Fell quietly to his shoes.
In the moonlight, she came.
He spoke her name.
In the moonlight, she walked.
But when he spoke, she stopped.

“Regina, Regina,
Please reconsider.
Without you,
The nighttime is darker,
The cold air much thinner.
Without you,
The wind becomes sour,
The daylight so bitter.
Regina, Regina,
It’s just a few days…
Say yes,
And in the morning,
We’ll be far from this place!”

But that Regina, Regina,
She let him down easy:
“Your job is to spy,
To live in the quiet.
You’re a prowler,
You were born to sneak,
And I will proceed,
But do not follow me.”
And we watch,
Ladies and gentlemen,
We watch,
As she turns on a dime,
Leaving our detective behind.
A poor, tortured soul,
He smiles that smile,
And in an act of desperation,
Pulls out his frosted .45.
For Regina,
He aimed, and
For Regina,
He fired.

In the heart of Chicago,
Be it snowfall or in heat,
No one can be spared
When a man is in defeat.
T’will be the foggy air,
The hot metal, and
The echo of the gun
That will help us remember
The night that we watched,
Ladies and gentlemen,
We watched…
We watched...
The snow, and how
It lost its innocence that night.
And poor Regina, and how
Her yellow dress blended into the sight.
The detective, and how
He would step into the street,
Killing everyone he’d meet.
Twenty men dead,
Now the asphalt is sticky,
And the blood spilled is gritty-
For tonight, tonight,
The detective shot up the city.

The coroner wiped his hands,
And predicted a sensation,
And so did every uniformed man
Sitting in the po-lice station.

How do you swindle the light?
This would be the greatest grift.
An ongoing experimental conn
where we all remember,
who the mark(s) is,
pretending, just in case,
behind the curtain,
sleight of hand,
behind the back,
if there is no wizard in the back seat,
just in case...you'll tell the kids:
'it was all for them.' So they could sleep.

Childhoods are just safe houses for hope.
In play roles come easy,
in assortments, and unpackages, separate;
but everyone knows the rules,
their part, they remember
that fairness is sacred to play.
Some games get played
and some gamers’ play is accidental.
The game like the carnival is vacuous,
inhaling all into its eye,
exhaling into its calm, swindles like a carney,
jettisoning all into the extinction of gratification.

The mystery lies in the conspiracy.
System can beat game, house, odds,
conn the conn and you can go home a winner.
The Universe is a big casino, you see.
And all you have to do is get up from the table,
cash in your chips, and figure out where your car is.
The house always wins, you’ll say.
But therein lies the reason we play.
Which you're sure to figure out in the lot,
cramped delineations garner thought,
you'll realize that therein lies nowhere.



The conspiracy lies in the abyss,

A place where villagers lose their cattle,
Costumed & uniformed, singing gray prayers.
Crop circles are diasporic clusters of hope.
Where science fiction invented the cold war,
Between ghosts created by radio waves.
A mass hallucination produced by trauma?
Dellusion v. Illusion
Nurturist v. Naturist v. Projection,
As long as it’s a weapon!
Destination unknown-
But just in case, let’s create something that can destroy us all.

By day the skyscraper looms in the smoke and sun and
     has a soul.
Prairie and valley, streets of the city, pour people into
     it and they mingle among its twenty floors and are
     poured out again back to the streets, prairies and
     valleys.
It is the men and women, boys and girls so poured in and
     out all day that give the building a soul of dreams
     and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
     for the building or speak its name or ask a policeman
     the way to it?)

Elevators slide on their cables and tubes catch letters and
     parcels and iron pipes carry gas and water in and
     sewage out.
Wires climb with secrets, carry light and carry words,
     and tell terrors and profits and loves--curses of men
     grappling plans of business and questions of women
     in plots of love.

Hour by hour the caissons reach down to the rock of the
     earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
     hold together the stone walls and floors.

Hour by hour the hand of the mason and the stuff of the
     mortar clinch the pieces and parts to the shape an
     architect voted.
Hour by hour the sun and the rain, the air and the rust,
     and the press of time running into centuries, play
     on the building inside and out and use it.

Men who sunk the pilings and mixed the mortar are laid
     in graves where the wind whistles a wild song
     without words
And so are men who strung the wires and fixed the pipes
     and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
     at back doors hundreds of miles away and the brick-
     layer who went to state's prison for shooting another
     man while drunk.
(One man fell from a girder and broke his neck at the
     end of a straight plunge--he is here--his soul has
     gone into the stones of the building.)

On the office doors from tier to tier--hundreds of names
     and each name standing for a face written across
     with a dead child, a passionate lover, a driving
     ambition for a million dollar business or a lobster's
     ease of life.

Behind the signs on the doors they work and the walls
     tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
     corporation officers, lawyers, efficiency engineers,
     and tons of letters go bundled from the building to all
     ends of the earth.
Smiles and tears of each office girl go into the soul of
     the building just the same as the master-men who
     rule the building.

Hands of clocks turn to noon hours and each floor
     empties its men and women who go away and eat
     and come back to work.
Toward the end of the afternoon all work slackens and
     all jobs go slower as the people feel day closing on
     them.
One by one the floors are emptied... The uniformed
     elevator men are gone. Pails clang... Scrubbers
     work, talking in foreign tongues. Broom and water
     and mop clean from the floors human dust and spit,
     and machine grime of the day.
Spelled in electric fire on the roof are words telling
     miles of houses and people where to buy a thing for
     money. The sign speaks till midnight.

Darkness on the hallways. Voices echo. Silence
     holds... Watchmen walk slow from floor to floor
     and try the doors. Revolvers bulge from their hip
     pockets... Steel safes stand in corners. Money
     is stacked in them.
A young watchman leans at a window and sees the lights
     of barges butting their way across a harbor, nets of
     red and white lanterns in a railroad yard, and a span
     of glooms splashed with lines of white and blurs of
     crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
     and has a soul.

Uniformed in creative black
Marlboro scented
Wonderstruck
Deliberately
Deliberate
Random
Pixie haired
Angel eyed
& brave

Daring herself to be
Enchantingly urbane
Zeitgeisty
Considerably
Considered
Aware
Pale skinned
Quaintly styled
& risky

A portfolio perfectionist
Absorbing influences
Ferociously
Delicate
Delicately
Persuasive
Scarlet lipped
Crystal tipped
& scared

o darling oh wohw ohhh dar-ling oh wohw wohw wohw dahrrr-leeeing some gunman walked into the mall

who shot Gabby Giffords? why what’s the reason for I said Sarah Palin with my cross-hair target I shot Gabby Giffords who saw her fall? I said gun laws people with my little eye I saw her fall who caught her blood? I said Daniel Hernandez who placed pressure to her wound with my finger caught her blood who shot Gabby Giffords? why what’s the reason for who'll make the shroud? I said Cochise County ranchers pressuring for tougher Mexican border laws I'll make the shroud with my thread and needle who'll interpret what she stood for? I said Tea Party constituents with my pick and shovel I’ll dig her grave who shot Gabby Giffords? why what’s the reason for who'll be the minister? I said Washington lobbyists with my little book I’ll be the minister who'll be the clerk? I said the media if it's not in the dark I'll be the clerk who'll carry the link I said Twitter I'll fetch it in a minute I'll carry the link who shot Gabby Giffords? why what’s the reason for who'll be chief mourner? I said American people I mourn for my love I’ll be chief mourner who shot Gabby Giffords? why what’s the reason for who'll carry the consequence? I said destitute lost their homes to Wall Street banks if it's not through the night I'll carry the moment who'll bear the sadness? We said the world both man and woman We'll bear sadness who shot Gabby Giffords? why what’s the reason for who'll sing a psalm? I said the poet as she sat on a bush I'll sing a psalm who'll toll the bell? I said factory worker because I can pull I'll toll the bell for all people of the land fell a-sighing a-sobbing when they heard the bell toll for poor Gabby Giffords. who shot Gabby Giffords? why what’s the reason for some gunman walked into the mall 9 mm Glock in his hand shot a bullet through her head 13 wounded 6 dead including little 9 year old girl Christina-Taylor Green who shot Gabby Giffords? why what’s the reason for

marching bands make me cry i don’t know why they’re so dazzling beautiful fun playing their instruments marching in uniformed unison they melt my heart eyes wet with sadness joy who shot Gabby Giffords? some gunman walked into the mall

The Lung.

The broken bone branches hang heavy off knuckled tree. As cold and uninviting as wrapped meat in cellophane prison cells and those sweating milk bottles left on doorsteps. Women cry with the blackbirds as day breaks, rousing their reluctant nests.
As the shadows trawl in from chicken farms and slaughterhouses, across the squalid estates and past a debt collectors party. A ***** drinks his soot like coffee and waits for another years tide to retreat. Holding pith less ambitions and unmentionable qualifications, stewardess pass, uniformed thoughts and averting faces..
The rusty playgrounds sink into the fermenting wood chips, and a plastic bag runs through the scene; only to commit suicide in the oil ribbon canal. The chemical clouds thicken into a duvet of sky whilst  arrows of a natural sun run home with tears of fear on their hot faces.
Down here the street lights flicker, and the patched uniforms drape off children sick with the flu that hit the school like a plague. Herding like cattle into the classrooms, to learn about the natural world
that is most unearthly to there reason.
Lunch bells ring from factories and the sky has drained to a sick -off white. The chip shop sells butties with no sauce nor bun, which machine like men guzzle and slurp.
The car parks lay stagnant in the distance and pigeons too fat to fly lay droppings on the bronze statue of a crying hero. As the roaring stops from the factories and high visibility coats are hung,  the sky bruises and the men fill the pubs, until wives with children hung on washing lines drag there sweat soaked frames to the table, only to indulge them in a row.
Night creeps in, bringing with it the hooded figures that flutter along the streets. Music plays from a vacant building and seems to brighten the night.
A silhouette is seen standing on the edge, watching the busses bellow run like migrating snails, filled with the elderly and too young.
Cigarettes infest the streets creating a carpet of ash and litter. The city survives, remaining grey, never blinking, never heard.

Sharpeville, 21 March 1960
"The native mentality does not allow them
to gather for a peaceful demonstration.
For them to gather means violence."
- Lieutenant Colonel Pienaar

1.
We went with wrists ready
For metal shackles
To clench
Their cold grip
Onto fire hot skin
Boiling with white rage;
The appropriate rage.

This situation has justification
In the predications they hold true
Where to some
Human is synonymous with
******* nature,
Dangerous and hungry for
Light white blood we
Must be caged
To prevent the massacre
We could create.


2.
A child’s body is not a hurdle.
But when fleeing,
Feet pounding on dirt paths,
Black with dark blood, leaking
From shafts of taunting revolvers
And throats of the permanently
Silenced,
What do you do but run?

5,000 bodies bound together,
Melding flesh with flesh,
Fusing unhinged bones to bones
Still cradled in their skin,
Line the street where
Puddles are forming next to
Concaved skulls emptied
By misinformed bullets.

Last thoughts and worries
Are forever splattered on faces,
Tracing red lines
On skin
Sooty black,
As dark as nights will be.

3.
Sixty-nine lay dead.

A rock they said.
When interrogations
Took place
A rock they said.
Empty hands laid
Palm in palm
But a rock they said,

This, they said, sparked
The worry
That made it right for them
To make bullets fall
Onto us like metal raindrops
From an angry heaven
Hungry for black skin
And black blood.

Hands digging into earth
For retaliation,
For blood they said,
But everyone else said,
The rock that flew
Was in hands white as light
As bright as the day was
They say.

If the rocks they said that,
Spurned uniformed egos,
Flew from ground,
To air,
To gunned men like they said,
Does it justify the dead?

Uniformed and re-upped,
We are the mind sweepers,
The navel gazers moving lint,
Waiting for the image to strike.

We are the missals
And the launchers,
Looking through cross-hairs
From think tanks.

We captain verse vessels to shore,
Unload and return for more.

We are the Romantic
Ancient sub-conscious mariners
Stitched in hammocks.

We are rocketeers.
A force
To reckon.

In India, we need feminism
Because, it stands for equality
Before you start losing your calm
Please allow me to clarify
Feminism means not, women dominating men
It means equal rights for both men and women
And of course, women empowerment
Now, let me be blunt
India is not and has never been a great place for women
Our society enables male *******
In almost every sphere of life
Which ends up creating a lot of strife
It is time to change all of that
Hence, is feminism so important
Because, women need to find their voice
And for that, they must have a choice
To do what they desire
Without invoking the society's ire
So, it is time to dismantle our Brahminical patriarchy
Only then, can we really reform our society
Because, gender and caste go hand-in-hand
We cannot destroy gender inequality with a magic wand
It is necessary to strike at its very root
Which, essentially, is caste
For instance, why do so many rapes happen?
Because, they enable upper caste male *******
****** harassment and **** reinforce the caste structure
Thus, does the Manusmriti continue to influence gender
And proactively hinder women empowerment
Again, this is why feminism is so important
But it also needs to be intersectional
And include women at all levels
Of our wretched caste hierarchy
In order to achieve gender equality
It is necessary for Brahmin and Savarna women to take a pause
And allow Bahujan women to make uniformed choices for themselves
Instead of dictating terms to them all the time
Also, men need to be part of feminism
After all, inclusiveness is the very core of feminism
It transcends gender, ***, race, religion and caste
Was not Babasaheb Dr. B.R. Ambedkar one of India's greatest feminists?
It is thanks to this beautiful soul
That, at least in theory, are men and women equal
As far as our country is concerned
Therefore, feminism is something we greatly need
But it can be successful only when it includes everyone
Thus, in order to make India a much safer place for women
Everybody must adopt feminism
Because, it is equivalent to humanism!
Jai Bhim!!

Accepting my generation is kind of hard, everyday mental capacities are sabotaged, take a glance at my peers & everybody's identity is camouflaged
It's an age where there's a long line of scars, their inner image is cut down reduced like wood to a cabin lodge, & they don't realize one day they'll have to pay for pretending, identity theft is a major kind of fraud.
No mind desires to think for itself, they wait on the next topic like a lecture class, only to not develop their own opinion on a topic already selected for them, it's like a professor giving a quiz with the answers listed.
Love is ridiculed & you're chastised if it's felt, my brothers and sisters are clearly broken, a generation of fractured glass, & my soul aches as I observe minds that were predestined for uniqueness be restricted and uniformed to one day wake looking for their life realizing they've missed it.
The other day I found myself on the Twitter page of a boy who has counterfeited my essence & over written the gift God gave him that is his own style, his own thoughts, his one fights.
I felt no anger rather sympathy, the avidity to help, to show and tell him that no flesh is of greater value than another, that his mind is as onliest as my own, & rather than borrow my charisma he should seek his own until a fit feels right.
Everyone witnesses this tragedy but so many are blind to it. Social media sets the standard of what you guys feel, accept, avoid and address & those actions are the root of what will define you & should originate from your own spirit and core.
Believe it or not the opinion of the public you're not assigned to it, Don't let opinions lead you astray from the real, to neglect, and compress those remaining fractions of who you really are screaming out to be heard and glorified more.
Consider we live in a generation where guys will crave for women who are generous with their bodies & then give advice for another man to steer clear of a woman who has shared the very thing they search for & chastise that guy if he shows any emotion toward her.
Comprehend I observe girls complaining about immature men & being blistered by bad intentions but have the audacity to turn down a genuine and God abiding man down simply because he isn't a quarterback or a power forward.
We lack identity. So often we say our parents just don't understand but how could they? We glorify pain and lend scars, social media has made everyone feel as if they're famous, pretend stars, personalities blending together like a *** of gumbo, inseparable, undeniably the same and we wonder why we can't tell who our friends are?
Narcotics are consumed by the plenty, minds are poisoned with false values we've enveloped ourselves in, no one longer values a good person but rather what that person has that is valuable & they say we're the future? If you ask me, we are where the end starts.

Absent Identity -Dash Pinder

Yes, perhaps 'tis true.
Everywhere I go-with all t'ese dwindling thoughts on my mind-
'tis always the same shadows that roam, and moan-
before my eyes: and t'eir never-ending business.
Crawling on t'eir lips,
poisoning t'eir bosoms, chins, and hips-
but unrelenting in their unfolded shades;
with a swamp of bruises like mazes-tangled mazes;
likening them to spoiled, yet uncherished, little pearls.
How despairing-such views I obtaineth, on my every journey!
But shalt there still be space for us, to be outstanding;
to understand this world from a pair of eyes
glistening like unquestioning gentleness; but learning simultaneously
its unvivid perspectives
with such comprehension t'at is crystal clear;
such wit t'at is far from recklessness and greed-
salutations that are pure, and distant from any blighting threats
of equivocation? For t'is world is, in spite of its minuteness,
was framed and brought into life from
awesome darkness, abysmal cells of lifelessness
and hateful ambiguity.
How terrifying!
And often have I enforced myself to wandereth into those shades,
with unmolested poems boiling up in my brains-
and t'ose windy thoughts toppling out into th' paper
on my hand,
jostling through my veins like some ghastly, furious power
t'at's unseen, invisible as it is to th' human eye-
frail and susceptible to th' weather's surly temptations-
and entrapping me in the shrieks of its wondrous grot-
so I could never wane it any further, in my guileless brambles.
How I have dreaded t'ose sights-and t'eir dormant treachery! Lessons of
guilt, teaching of such guilty flakes of harm
and abomination! And how in my following quietude have I pondered-
t'at t'is would be just a balmy prelude to some far bigger strains of
mockery, obstinacy, and destitution. Hark to how those powers
shall arise! And that will indeed be th' abjuration of our splendidness-
everything shalt stop at a halt-everything will become flawed,
and no more poems shalt be liberated-from living souls, and t'eir undamaged
blood, as t'ey still are now! How I shiver at t'ose possibilities, as soon as our
latent enemies be on th' loose-free in t'eir ruthlessness, traces of dark,
unperturbed miseries, and brutal savagery.
And shalt we shine no more-like those summer flowers that are waiting for us-
to be fed daily like th' hungry morning doves;
with their thorns as sharp as love, and innocent gladness
in the arms of their lips-'tis but a scent so dear to the heartbeat
of oureth salubrious mornings.
But t'at danger, danger indeed! And its eyes of glaring monstrosity!
And 'tis just of substantial profoundness t'at we should be
cautious-yes, cautious, my dear fellows, towards t'ose signs
of th' upcoming storm-th malevolent storm of human rage, t'at shalt attack us
one day-at one perilous night, unpredicted and unexpected is its fate-
especially when all th' battling footsteps areth
peaceful in their slumbers-and no more palms dancing around
piles of paper-in th' holy procurement of continual wealth.
How t'at moment shalt be our early Armageddon-awakened shalt be
all rivers of terrors, and waves of hatred. How t'is beautiful solitude shalt end-
in th' fierce burning, brimming death of t'at flame-credulous shalt we be,
disempowered from th' heat-which shalt bring us but our dead feet.
Thus I but sincerely hope t'at gloom shalt not conquer our race-
the noblest of all creatures on earth-on t'is dull earth, fatigued as it is
from all th' uniformed battles, hatred, and anger-t'at untiringly sneer
at th' faces of those dying soldiers.
Peace, peace, my dear mates!
Ought to realize thou now-t'at swords shalt shed blood only if instructed.
So tranquility is but in oureth hands-yes, we are but th' key to our own salvation,
and since it is so, shalt we move forward and be the charms of t'is world's
new foundation: for it is our own life that we shalt save.
Peace, my friends, shalt but break all t'ese unseen boundaries amongst us,
and enrich our fathom of t'eir unspoken presence; so t'at th' small world is but
th' most dwelling of comfort, and aught but ease to our hearts-
our very dear, dear hearts in t'is life.

it is exactly one month before my seventeenth birthday and I am standing in the road under dim streetlights that remind me of the candles that glow from the windows in the winter.

your silhouette beckons me from across the way and I drift towards it, executing each step slowly like a surgeon, although there's no need for silence anymore. it is 2:05 in the morning and I have left my house in the dead of night. I slip into the car and the welcoming aroma of menthol cigarettes and dr pepper engulfs me and I smile for the first time in a while. I am not afraid. I am not sad. I am home.

this right here is the part many will never understand. home is not made of four brick walls and a sturdy tin roof. it is not a fireplace or picture frames or a warm bed. home is where you feel like you belong. it is where you are loved. cared for. needed. this is my calling and I've reached out to answer it. this is the family I never had.

three hours in a messy car does not grind down my spirits of this little vacation I've begun. I have smoked half a pack and kissed you much less than id like to, but your presence brings the greatest peace of mind.

upon arrival, I take escape to the porch to see the waves lapping beautifully upon the shore and I think that I will miss this when I have to leave. it is 5 a.m. and the sun has not yet risen. we take shots of cheap tequila in celebration and pretend that they are water. only looking back on this do I realize what a hilarious irony it holds. in childhood, many of us would pretend that pretzels were cigarettes and take ***** shots with the caps of our water bottles. maybe this small act is a form of regression. maybe were all still children.

everyone begins to make music as inspiration spills onto them and I watch in awe. at 6 a.m. we are down on the beach. I do not remember how I got there. I can only remember seeing you sit high on the lifeguard stand, a king, looking down at the world as if it were yours, and I wish I could give it to you. my wind beaten cheeks meet the horizon as I topple into the sand in fits of laughter and happiness; I wish I could bottle this feeling so I would never lose it. Joy is a foreign language to me. others seem to comprehend it and spill it from their mouths so simply, while I do not understand a single syllable.

I don't remember how we arrived back inside. everyone seperated. we climbed into the bed that an old friend had broken and made love as the sun rose. it cut sharp through the glass door behind us and sprayed waves of light on my skin like liquid gold. I am thinking this could be the last time, I am hoping it is not. we fall asleep not long after, and this piece of communion that was placed so gently on my tongue dissolves and the bitter taste in my mouth begins as soon as I wake, a few hours later.

day two is a chapter I would most likely title: The Panic. it does not begin right away. our day mostly consists of laying on the beach and kicking sand at one another like ratty, wild dogs, forcing each other into the pit of frozen waters, and making bets we will never go through with. around this time news has reached me that my mother and father have the police looking for me. I try to push it towards the back of my head.

but you see, the inner depths of my mind are already flooded with sinister ideas and broken secrets I may never share, and this panic tip-toes throughout my body and sets into my bones, weighing me down as if I had boulders in my pockets.

I am told to "calm down, everything will be Okay." when tears frequently line my eyes in silence. they continue to tell me this when we find ourselves in the kitchen scrambling to pack our things because we've heard the cops are coming for me. they also tell me this when I'm screaming apologies and holding your hand in the backseat of the car. they tell me it when I say goodbye at a nearby park and give hugs I think may be my last for a while. but the thing about this statement is, I am always calm. I am in a numb state of inner silence hungering for bliss and just four little days of freedom. but nothing will ever be Okay, no matter how long I've gone away.

the walk home, only a mile, was beyond limits of the word beautiful. the stars were practically beaming and the air was cold but in the good way like a puppies nose when it's kissing your face. or like mist falling from the sky on a summer night. I don't believe in God or any higher power, but I take this walk home as a sign that maybe everything will be okay when I walk back into that house.

if I could describe how the weather should have been that night to match the actions that played out when I arrived, they would be along the lines of destruction. trees ripped from the ground with their roots showing. winds sweeping the roofs off this suburbian wasteland. lighting strikes bringing on raging fires. it must've looked like that to match the look in my fathers eyes. thunder should've accompanied the sound of him shoving my sore body against the wall. pulling my long brown hair and tossing me to the floor like the garbage I was.

the full wave of panic washes onto me in that moment. for some reason I thought of the father I once had that didn't drink every night with his girlfriend, the only one that ever seemed to matter anymore. I thought of the father before he left my mother. I thought of him banging scratched pots in the sink and slamming doors with the strength of one thousand men and shouting with the voice of a man with a million sources of pain. I thought of how he tried to leave us once. and then how he really left us. I wish he could understand. to me, this is the ultimate level of hypocrisy. I am persecuted for leaving the man that left me in my time of need.

I am almost relieved when he says I must talk to the police. I have never been a fan of the flashing red and blue lights and the uniformed men who are paid to protect you but only arrest you. I believe they do mostly harm to many innocent people. you may not understand this. you may not know how it feels to walk up to this figure with the badge and want to tell him everything, to see if some shred of understanding lies beneath the deep cold stare in his eyes. but he only accuses me and attacks me with loose words that do not phase me. he does not let me speak. he is not here to help.

and so starts the beginning of the end. finally reaching the point where I am as trapped as I have always felt on the inside. the only question I keep getting asked is "why did you do it?" and I have yet to answer this. maybe I was homesick for a place that did not really exist. maybe I thought I would find salvation in a bed id never slept in but already loved more than my own. maybe I thought it was too repulsing for the two people who brought me onto this earth to be one of many reasons I desperately wanted to leave it.

I would love to tell them, my parents. everything. the abuse, the drugs, the cutting, the suicide attempt, the hell that eats me away everyday...they should know. but when your mother laughs when your doctor tells her that you show signs of major depression, you tend to believe this is just a game to her. talking to false friends on the phone and playing rich sports will always be more important. my fathers favorite tv shows and nightly few bottles of wine will overpower my tears and pleads for help. I am always stuck in an all knowing silence that everyone takes for stupidity. I've always said "darkness is my only friend now" but I think that night time is too beautiful to be an aquaintance of mine, and my friends are the Family by my side when my fists are full of blades and my feet are on the edge. I think this is the type of darkness that welcomes me as I wake every morning and sleep every night. it is the only place I know on this gigantic prison called earth. it settles inside of me and runs through my veins. it is carved in the walls of my skull and keeps my heart beating in a steady, empty rhythm. home, sweet home.

(A class for correctional officers
at the local community college)

Thirty-six-thousand a year to begin
No education or experience required
The recruiting posters are pretty, though:
Handsome young people uniformed in grey

But the poor sergeant can’t control his class
His students have their cell ‘phones and their ‘tudes -
“Tell Momma to pick me up like I said!” –
Slouched in their seats or wandering the halls

While dozing over her own telescreen
A fat corporal yawns by the soda machine

In my voice,
a conviction stability,
a dedication,
a sacrifice unrequited,
an eternal reach for decency.

In my heart,
a pressure uniformed,
a blood flow,
a purity,
a mortal love storm.

In my eyes,
a mirror pristine,
a secret,
a truth,
a promise of my loyalty.

In my soul,
emotion,
a romantic amour,
a lover,
a flame,
my sensual paramour.

After the painting by Fritz Von Uhde (1848 – 1911)*
 
Sophie is twelve
Hanna thirteen
dear pinafored girls both
home from school
this summer afternoon
they sit knee to knee
but far enough away
from mothers’ chatter
at tea on the terrace.
 
The girls have gossip of their own
to share and talk is ten
to the dozen (and more)
whilst Hanna turns the pages
of a story book (with pictures):
a woodcutter’s daughter
a handsome young squire
ensnared with love
by a magiced white owl
there’s a castle by a lake
an endless forest  dark
a mountainous domain
so far away so long ago.
 
Poised in the doorway
of their teenaged years
our girls imagine
the courteous attentions
of uniformed cadets
who one day soon
may very well sit
at the garden table
in the dappled shade
and silently gaze with longing
on their oh so delicate charms.

I've ran my hands across the bones of teachers
Buried between the bricks of The Great Wall
I heard them whisper grumbles of their true worth
Beneath the crack of the overseer's whip
I've felt the shivers of their shame
As they ground the bones of their colleagues into a paste
And lathered the human mortar among the sections of rock
I spit on the ground before me
When I tasted the words of imperial edicts blasted from uniformed men

I stood upon a guard tower at The Great Wall of China
And saw in all directions the nothing for miles
Felt the hollow loneliness of the soldiers, teachers, slaves
Men thousands of miles from their homes
Bitterly building defenses for a collection of villages
One man called his nation

I ran my hand along the edge of The Wall and got a splinter
Studied the protrusion
Wondered if it was stone, dirt, stick, or bone
A tourist took a picture
A jogger ran by
Father told me they could see this monument from space
I saw a drop of blood on my little finger
Wondered if it was mine or the walls

Tread the bourgeois carpet
of 5000 feet
caked in airmiles

Enter the ornately crafted
nondescript facade
passed the chap in the tall hat

Rank and file -
standard issue pleasantries

Sign the guestbook
of illegible memories

Acclimatise to the room
of temporary devotion

devoid of belonging
or emotion;

the ruthless economics
of designed practicality

The impending ideology:
that what you pay for
you dont get to keep

That nameless hotel
dressed in uniformed vulgarity
is the fourth to be welcomed
as Home this week

Playlists of broken thoughts
Cobwebs and keys
Slanted in uniformed dissatisfaction
Notes smeared on fingertips
Melancholy mu-sick
Vibrato virtuoso

Bending strings and pushing pedals
Smashing baby grands
Into bite sized pieces

Feedback flashbacks
And the band played on
While the pianist was shot
Between the eyes
In an off key massacre
To a standing ovation

Standing in the tunnel
at Eighth and Pine station,
I survey westbound commuters
waiting across the tracks  -
standing arms akimbo
or leaning on marble walls.
A well-suited young man paces the platform -
cell phone pressed to his cheek.

    [Passengers stand clear of the
    edge of the platform at all times]

Rushing in from the east,
a gleaming white chariot
arrives - pauses - resumes
leaving the far platform vacated
as if by alien abduction

From the left a blazing light
pierces the  tunnel
and the Shiloh – Scott eastbound
halts and snaps open its doors.
crossing the threshold.,
I claim a seat by the aisle.

    [Please stand clear! Doors are closing]

With eyes half shut I scan the crowd:
uniformed workers wearing ID's,  
a toddler’s arms and legs
dangling off his mother's lap,
An elderly couple talking softly.

The soft clatter of wheels
and the gentle side-to-side sway
rocks us like a cradle -
memories of the long day
melting into thoughts of home.

    [Fairview Heights Station.
    Doors open to my right]

The lady with the toddler steps off.
A trio of teenage girls
fresh from the mall
seek and find empty seats -
filling the rear of the car
with the music of their chatter.

Streetlamps scatter shadows
over parking lots.
The unseen country side
slips by under cover of darkness.
Headlights gleam like jewels
waiting for crossing gates to lift

    [Next stop Belleville Station
    Doors open to my left]

I clutch my lap top,
work my way to the door
and wait for the train’s full stop

Stepping out into the frost filled air
I pause to watch the sleak white chariot
vanish on the eastern horizon.

September,  2006

because all I see is IGNORANCE
minds that are satisfied
with being uniformed
where has the world gone
where is the CURIOSITY
where are the children
pledging to make the world a better place
because all I see
are PRETENTIOUS photographs
and empty thoughts
where are the questions
why is it acceptable to know nothing
society
i hate the thought of
a culture
a culture that is OBSCENE
a society that should be
ASHAMED of its wrongdoings
a society that should present
WORLD HUNGER as an actual problem
a society that should take ACTION
rather than sit by
as if people aren't dying as the minutes pass
and every grain in the hourglass
represents a STORY
stories that aren't told
all because society
is too IGNORANT
to care