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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Madisen Kuhn Aug 2013
I feel invisible
Yet you claim(ed) I am the air you breathe
And perhaps like air I am always present,
But presently forgotten

The heaviness of your hush is crushing me with empty blows
This silence leads me to wander down a path cloaked in a heavy mist
That whispers harsh truths such as:
Our hopeless, fictitious, drawn out infatuation is like
A library book that was checked out last March
You underlined and doggie-paged the first few chapters
And then left it on your shelf to collect dust all of April and May

I foolishly kept begging you to finish the book
Read the last sentence
Take time to skim over the epilogue
Please
Find your way to the back cover

I foolishly ignored your “I can’t”s

And now it’s late August and our love is long overdue,
In the opposite sense of what the phrase typically means

I write with angry lead because
I am too stubborn to admit I just filled a trash bin with tissues
And that the cuffed sleeves of my flannel
Are damp like grass’s morning dew

I have so much more to say,
Although I cannot find the words
To say anything more than



You should’ve written.

Because two weeks of nothing
Was enough for me to realize that you are just a passing breeze
Seldom present, presently becoming something of the past.
Ramona Argo Sep 2014
There's an awkward thrill I feel
like wicked-wet rabies –
Oh. Ah. Oh.
To gaze over photos of the woman I created.
With my warped perception,
saturating and cropping everything into delicious
oblivion.
I am the knife as well as the ingredients
that sauteed her together in a camera flash.
She sits hot like heaven.
And I want to
stare at her picture all day until she comes to life.

The woman I created, I hang up like perfected rotisserie
and fall in love with her accidentally every day.
Looking into those precisely underlined
tiger-*** eyes of startling navy. Knowing their true dullness.
Hissing at the free-swinging curls
and the hours behind them. Loving the lie.
The flowy top and sleek trousers gliding down lovely as Niagara
over chaffing chub; all hidden. And thighs; unshaven.
And that topical smile everyone likes to see, waiting to plummet
into suicide like a kite hanging in one tight second.
Her image is my greatest
False accomplishment.

I hang my portrait up on a wall of the internet
for people of the world to migrate to
the photo exhibit, my little show-off room.
They make offers and toss compliments
with their “I like this. I like this." nonsense.


They don't know that the girl in the portrait, she
isn't organic. They seem not to notice
that she is something of a chemical flower.
Her face is my face, only with whiteout poison-paste
smoothed over twice.
And they want to
stare at her picture all day until she comes to life.

Gazing upon her believed-to-be beauty, as I hang my paintbrush,
she bites her body still as a painting,
bruised and needled
into perfect frame. She cries
like Jesus Christ, as she is stared at, but not seen.
I am the artist as well as the object.
And the woman in the portrait is
nothing,
but dot after dot of manipulated color.
And we want to
stare at her picture all day until she comes to life.
Webster was much possessed by death
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.

Daffodil bulbs instead of *****
Stared from the sockets of the eyes!
He knew that thought clings round dead limbs
Tightening its lusts and luxuries.

Donne, I suppose, was such another
Who found no substitute for sense,
To seize and clutch and penetrate;
Expert beyond experience,

He knew the anguish of the marrow
The ague of the skeleton;
No contact possible to flesh
Allayed the fever of the bone.

    .  .   .   .  .

Grishkin is nice: her Russian eye
Is underlined for emphasis;
Uncorseted, her friendly bust
Gives promise of pneumatic bliss.

The couched Brazilian jaguar
Compels the scampering marmoset
With subtle effluence of cat;
Grishkin has a maisonette;

The sleek Brazilian jaguar
Does not in its arboreal gloom
Distil so rank a feline smell
As Grishkin in a drawing-room.

And even the Abstract Entities
Circumambulate her charm;
But our lot crawls between dry ribs
To keep our metaphysics warm.
Lyss Brianne Mar 2021
I have always been weary
of putting names in my poems
in fear that I will never be able to take
my confessions back
but when is a good day to tell you
that I have loved you in every lifetime

In the past we were entangled in each other

One life we were shooting stars
another we laid lazily in fields of wildflowers
a love too strong to explain through words
so we didn’t speak
instead you embodied the beauty of spring
a way to remind us of those April days
when nothing existed outside of each other

We hid our love behind buttercups and daisies
maybe that’s why I love to bring you flowers
to feel the flicker of a spark we shared
in a lifetime so long ago

In another lifetime we read quietly together
over coffee in smoky French cafe’s
we underlined passages
that we would read each other in secret
our love withstanding a time
when it was criminal to look at one another
with the type of love we shared

I don’t know if I have ever loved you loudly
there are no muscle memories
of me shouting your name from rooftops
or unapologetically holding your hand
without fear of repercussions
—even now I don’t know how to form the words
“I love you”
without looking around to see who’s listening
even after all this time I love you in secret
I still can’t put your name in my poems
but i promise in one of our lifetimes
I’ll write your name in every poem
and tell you that I’m in love with you out loud
someday the words
won’t feel stuck in my throat
but I hope that’s in a lifetime sooner than later
Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, traits, colors, and neutrality, focused towards a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, in whose diversity of genetic seizure, they will adopt natural and compound patterns, but always predominant in the pattern biological and organic. Wandering around the world in desert places, in alloys and compounds of classified plants, emptying their species through the hollow of the atmosphere and through the green shoots of grasslands in the reviving surviving evolution of organisms and species that for the first time take a look as a biotype among rocks and plantations, reciprocally among themselves and extemporaneously generating heritages of mythological genetics.  Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause in the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of and interprocedural reality of carbon, factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair of the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving extinction of plagues or flagrant excesses not reconverted, for compliance with the exercise of light beings as a parallel systematic contribution and ******-transmission of applicable inputs of quality of life and deflation of risk of biological cyclical deterioration.

Hyperdisis, has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No.  Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and teleportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic and endogenous diseases. Forests and parks of Hyperdisis in the open and symbiotic, for more airs in microbiological space, in the intimate portion from highest to lowest challenge of proprietary elements and antinomies of hieratic human bioculturation in a showcase of communities with interest in technologies and empirical usability and renewable, each part doing its scientific and biodiversity role in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existent, although it passes before our eyes without the Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super valuation measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and biological approval elements. The richness and abundance of this item is delegated to Leiak, in all the revolutionary processes of the oak forests and of the high mountains, where Vernarth directs him and is condescending of his dynamics, from countless temporary revolutions of other species.

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects.  Claiming innocent living beings with higher attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. The feedback quantifies carbon circulation offset options, offsetting the multipurpose CO₂ inventory. At night Zefián and Vernarth roamed the streets of Rhodes, in Tsambika, looking for the distilled portions of the carbon and sulfur emanated by Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Hellenika and the souls that were hanging around were ringed under the encrusted crescents, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Hellenika, in the myth of the woodworm of the dustbin of the frieze where Etréstles perched next to the strap that Zefián, who would manipulate the gold and alabaster chain, to pull it and its ruby ascetics approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Hellenika friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar the epithet of heraldry in the noble metals and woods of the autumn and mountainous temple of the one that follows the equinox in the meridian of seven days to the southern and northern hemisphere.

They enter the Hellenika Necropolis, through the upper and lower trays, cordoned off by obelisks in series of petrified ebels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intrabodies of petrified breaths, expanding in the segments of trepidating life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shadow. It was already dawn; Etréstles and the Archpriest were breaking the loaves to deposit them in the bowl of the Day, stretched out in the arms of heaven under the gargle of the god Vertumnus that he forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Yawning Citarist in the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Hellenika, Diogenes of Sinope is seen coming out from the lair of his rib, splitting with his doctrinal staff all the isthmic paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me and I bite the bad guys." Again, more murmurs, but Alejandro was undaunted by those responses and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me" ..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean skeleton seed, without heat or memory here in Corinth and its Diogiversity ”. Everyone is silent and fear takes hold of everyone in the sybarite contemplation of Alexander the Great ..., expropriating his speed more than a contempt for the cranium that is advocated for Vernarth "
Ethno-spirit and Biodiversity (Diogiversity) / part 14
i took your **** and ran with it,
went miles into distance while you constantly clinged to the past
girl I'm tired of it.
How am I suppose to get in if he still has the original and I was givin the spare key,
I'm me and no where near him reason why you always keep runnin back lookin for a safe haven, but in reality sorry that ******* I ain't takin ,
must be mistaken,
I'm havin you second all the time I made you first,
like an unwelcomed tenet,
or low rank  lieutenant,
I'm undermined, while hes underlined,
made into a bold figure,
but I stack real figures,
and don't make you feel bitter like this *****.
Just don't  mention why you quiver , I know the reason why you internally bleedin , stress in ya eyes   swollen from the cries in the night, it ain't right.
but yet you fall back to him , then call me later? I gave you my words, last time was the last. So to bad if it didn't last, and both ends of the ties leave  you to grieve and gravel on the gravel , yeah sit there and babble , yeah I ponder the river creeks for years
now im off the love boat, I skidattled , faught the more fishes in the sea with broken paddle promise not to commit unless it was suicide or a contract with a person I don't trust after marriage and can't truly settle with.
so the others who wanted me are shunned, and you ?  Is of no concern to my conscience , my once brown poccahauntus who haunted
my nights , and Asian moon cake who left with the wrong shake   wen I coulda move mountain cause I was the real earthquake to shake the floor beneath you and let you see the plummit to a deeper meaning. Thank for leavin.
Asmathic or not,
I remain breathing.

by Emmanuel Hernandez
aka
Linguist Musician  aka Deep thought
Leigh Oct 2018
Ease yourself in up to your waist
And grit your teeth against the cold.
Take a slow step deeper with searching toes;
Learn to wade again against the tide.

I have always preferred the land;
To stand where I can see a horizon's
Distance and not risk being
Enveloped by it.

My risk was his wish underlined
By a body of work. He's away now from a life
Made up of **** ups, and break ups,
And love, and changing lives.
For Scott Hutchinson 1981 - 2018

"... a version of man built to collapse in crumbs."
Jeremy Duff May 2013
What bad could happen to a boy of sixteen, walking through the woods trying to find a nice spot to smoke and read Slaughterhouse-Five?
But now that I'm thinking about it, Stephen King may or may not have written a book about this exact question, more or less.
And as everyone who has read The Gunslinger Volume Six: Song of Sussanah, knows, everything Stephen King writes happens. Stephen King is God, in this sense.
Nevertheless, I found a nice spot, next to a dried out creek bed, complete with a gallon bucket and the scent of lavender.
And so I sat, and rolled a couple cigarettes, and dove into the mind and time traveling of Billy Pilgrim.

Sitting there, on that bucket, old Kurt spoke to me.
The previous owner of this copy of Slaughterhouse-Five also spoke to me.
With highlights and underlines he allowed me into his mind and thought processes while reading this book.
He underlined every passage that had to do with the Tralfamadorians views on time and the coexistence of every moment.

Soon, it became dark and I could no longer read, having only one cigarette left, I headed home.
Fifteen minutes later I was home, and if Stephen King had written about this event he wrote it as it happened. With no harm and no foul.
And maybe I dislike him for that
and maybe I don't understand why he did that,
why he would wrote a boring tale of a boring boy going on a boring walk in some boring Northern California forest.
And this writing does not feel complete but the Pabst is starting to kick in so I think I'll leave this one alone for now.
And Stephen King **** it, I can't even think of a title for this *******.
Nevermind, I got it.
ln Oct 2017
generation d
generation depressed bold, underlined, size 12, arial
generation death is no longer a want it's a need, look at the eyebags this education chose to breed
generation dizzy this tequila doesn't burn as much as your name on the tip of my tongue does
generation dish your depression jokes on a platter, serve it warm, cold, frozen - whatever makes you laugh goes, right?
generation dobby is not a ******* free elf

generation dopamine, because honestly, where the **** is mine
Sierra Scanlan Feb 2017
I am a fragment
of a broken home,
parents that were
never meant for
one another
but tried their best
to love as if
they were.
They tried to
hold it together
for us kids
but life could never
be what we wanted
it to be.

I am a fragment
of my demons,
the voice
in my head
that tells me
over and over again,
"you're not enough."
There are some days
where that voice
feels greater
than my own
and I almost want to
give in.

I am a fragment
of failed relationships.
You told me I was
"too much."
It felt like daggers
in my chest
and suddenly
I couldn't breathe.
Since then,
I have always felt
I've needed to hold
myself back
and not drown in love.

I am a fragment
of the hell I've
been through.
It wasn't easy
to get to where
I am today.
My journey was
a little ragged,
not a straight shot...
but I'm still
standing tall and
going through
this thing we call
life.

I'm a fragment
of the songs
I've played
over and over again.
Some to block out
the pain,
the tears.
Others to reach
a state of nostalgia,
in an attempt
to go back to moments
I wished to relive.

I am a fragment
of those I surround
myself with.
The constant encouragement,
the kind words,
the shoulders to lean on,
the ability to understand
why I'm like this.
Where would I be
without it?

I am a fragment
of the books I've read.
The lines I underlined
to come back to again,
the characters I saw
a piece of myself in,
the events I read about
that hit home
a little too hard.

I am a fragment
of my flaws,
my mistakes,
my imperfections.
They've eaten me alive
for most of my life
but I am beginning
to come to terms
with them.
I am seeing
the beauty I once
refused to see
within them.

I am a fragment
of my emotions.
They were always
valid and real
despite those who
tried to convince me
otherwise.
The smiles and laughs
were just as significant
as the screams and tears.
I tell myself,
"you were never crazy...
you were just figuring
yourself out."

I am a fragment
of love.
Those that I loved,
those that never
loved me.
The times that
love evoked
happiness,
the times that
love caused me
pain.
It's all the same
when you think
about it.
It was all for,
love.

I am a fragment
of the woman
I was and
the woman I am.
I didn't always
love myself like this
but god, I'm glad I
now do...
because this is something
that can never be
taken away from me.
"I am a fragment composed of other fragments."-Rebecca Lindenberg
aj Jun 2014
funhouse of self-reflection,
i indulge in your distraction,
make the best of every one of my heart's contractions,
to scintillate, to shine, to epitomize a refraction
that is all mine.

a start's best contender
to finish, always inclined.
for the heart's say is that gold is always underlined.

glitter of shimmer, of glistening hues.
what creator could produce formations as iridescent as you?
but coruscation of shadows, perpetually anew:
why do you always crack my mirror and skew?

mirror, mirror.
mirror of my mind:
tell me where it is that all my secrets hide?
What will it take ?
Keenan Martin Mar 2010
You need a spark inside the mind,
That makes you stop and take the time
To read the signs in between the lines.
You need a spark inside the mind.

You need a spark to lead a team,
To chase a common goal or dream,
Invision things never before seen,
You need that spark to get a ring.

You need a spark to have chemistry,
Or the relationship may be history.
Though the future is a mystery,
You need the spark for chemistry.

You need a spark for love to be kind,
The meaning of life is underlined,
You want that spark that ignited the first fire of mankind,
But that's a treasure hard to find.
I wish it was a little more interesting than it was. sorry
rained-on parade Sep 2014
I heard we
ran out of papers
so you ran up
around the walls
of this house-
thoughts scribbling
on them like the paint
we could not decide upon;
like a troubled mentalist
looking for solace
the sound of your pen
against the walls-
how they went from
flowing to screeching-
hands now bleeding
blue
heart; you reached the
porch where you underlined
your first steps and her last;
the bedroom a serenade
between the sheets some-
times a lie tucked away
underneath;
there are fractured stories
in the woodwork finally
seeping out.
You are making the
ceiling cry in the eulogic living room; the kitchen
is a mess of lonely dinners.
You left the library for the last.
This was where you began a
passion never ending
fantasy; open up
the curtains.
The world will one day
listen to the way
a little scribble went
to a house
and came back
a masterpiece.
R.

Le muse de fataliste
Blue Orchid Aug 2018
Time is a mysterious thing. One we think too little or too much about as if it was either an extraneous concept or a recognizable one but never simply an acquaintance. We fear to gaze in to its dark eyes for fear of what we’ll see in its untamed structure. Perhaps we fear the absolute freedoms of it in how all its courses are never underlined by incongruous moments such as once that hunt our very existence. Or maybe we’re jealous of how youthful it stays while we slowly deteriorate to our graves as it watches with indifference.


I wish to give time a gender so it fulfils all my assumptions of it. Perhaps it’s a women, gentle and eloquent; with a heart that grounds the most feral of things. Her touch is knowledge and wisdom but also all things unknown. She is sculpted like the goddess praised while her love burns oceans from existence yet she watches alone from a distance quite unreachable. Lonely everlasting. Nonetheless her soul is cruel and unforgiving; her betrayal unexpected. Her expectations to high that even the most eligible of men would not dare attempt such a futile conquest for to even try would be to fail. However her compulsion is too powerful to disregard so no man sits ideal.


Perhaps it’s a man with a will that is ironclad. His grips too powerful for even the greatest of empires to resist so all chose to bend for fear of breaking. He rules like he makes love, with intensity that shatters all the women underneath him but they still come back for more for his touch, his magic stroke. Non who have been touched by him have ever resisted or those who have were swallowed by the tide that was his fury. Yet his heart is gold and he cares more than he expects as his gifts last eternity and from the sweetness of it,  just a moment.
Rob Sandman Mar 2016
SANDMAN
Can you see them?-lookin' for me to be them,
lookin' for my warmth to breath life to them,
the hollow men,yes men,fallow men,come follow men,
no heart no mind-mindsick and eyeblind,
sheep talkin' like wolves that I find,
most despicable-Dis-gusting unpredictable,
following the wind as it blows on their wick they're all
candles in the strong wind gutterin',
snipes from a distance yeah they're all utterin'

Great threats from great hollow chests,
that up close-don't stand inspection,
empty vessels-makin great noise,
hard men behind keyboards hands -poised,
with the poisoned pen ready to dip in the deep well,
of hatred they bring from deep hell's,
inside,a void,avoid if you can please employ-
aversion tactics needed,don't need it,
vampyres that need pyres,yellow they bleed it
Yellow right down to the backbone believe it...

                                 CHORUS

the hollow men,yes men,fallow men,come follow men,
Yes men Hollow men come follow men  
Yes Men-Shallow men come follow men, the hollow men,

The hollow men,yes men,fallow men,come follow men,
Yes men Fallow men come follow men  
Yes Men-Shallow men come follow then
while I tell you bout the Hollow men


                              
                       JAY

Yeah, **** right I can see them.
Trolls in holes. I'm willin' to bleed 'em.
Society's detritis,
..delighted by the slightest sign of weakness.
Bleakness of their lives underlined by the lies they employ..
.. in their contrived..
..cyber sphere.
Scavengin' on carrion.
Peckin' at the carcass. Behind the veil of anonymity.
Sit in darkness as they hammer out calamity.
No nobility or amity. Cyber-highway poison.
I got the remedy.
Hollow husks skulk and lust..
..for coat-tails to ride on. Soon turn to dust.
Rusting hulks their disgusting bulk decaying on the shore.
Soon to be forgotten.
The Yes Men, the Hollow Men, the fallow men.
The everything is borrowed men.
The no tomorrow men.
The follow slowly to the gallows men.

*The Hollow Men, Yes men, fallow men, come follow men.
Yes men, shallow men, come follow men.
Yes men, Hollow Men.
Never follow them. The Hollow Men.
The Hollow Men, Yes men, fallow men, come follow men.
Yes men, shallow men, deal in sorrow men.
Yes men. Don't ever follow them.
A fool strolls to the gallows man.
New Work,just finished, ready to go down on track soon,
but makes a fine poem too, collaboration with the Jay from E.C.
Catrina Sparrow Dec 2012
i fell in love with you
once
long ago
with my eyes closed
and the dream-screen drawn

we danced
like music notes across their barred landscape
we danced
the loveliest late-night lullaby

you became my hiding place
lilac and lace linens
stretched over a lumpy matress

my indiana jones
waiting patently and poetically
in a long-lost temple of slumber

you come back to me in waves
softly and subtly
while i'm half awake
you're kissing the broken down shorelines of an insomniacs holiday

i wish i could keep you
like an empty bottle in the window-sill
or a heart arrhythmia
this lonely romantics cardiovascular waltz

let me snag you up from my dream-dust
and stitch you to my sole like a lost boys shadow

let me find you in my reality
tip-toeing over an underlined paragraph
of a beer stained paper-back

i'll find you
someday
after a long-over-due nights sleep

perhaps in the guitar strings
or type-writer keys
or at the bottom of a bottle of whiskey in the ever-humming freezer

be mine
evasive valentine
i'll even let you hide in the curls of my hair
or under my fingernails
i'll keep you
if you'll let me

just don't forget me
come sun-up
when you gallup away
from my sub-conscious escape

take my heart-rate with you
tucked into your breast-pocket
like a floral handkercheif
or a photogaraph taped to the dash

come back
to the grey matter kingdom
tucked behind my eyelashes
i'll meet you in the idiosyncrasies of my synapses
writing love stories that never once happened
For all the goodness this screen provides;
for its instant gratification;
for the evolved digital relay of self-published creativity;
for the immediate responses and comments
from half a world away.
For its space saving mastery.
I long to hold all your words, verses and rhymes intimately
within glossy or plain protective coat of hard card
Your spine dunked in the cup of palm
headcap to tail resting in crux of arm
or nestled like a lover upon lap.
I could take you to bed.
I want to thumb through your pages
Pages once mashed and pulped and pressed to dry.
I long to feel the weight of words physically
to smell the freshness along each hinge crease,
and caress the texture.
To return to those most fond
charactered with dogear
underlined with ballpoint
and pencilled margin notes.
Even the mild smudge of finger tip dirt
when I simply could not wait to picking you up before washing.
If only this screen was a page
One of millions ever changing
I could hold all your work close
and fall asleep with your words
waiting in rest beside me
always
beside
me....
I mean every word
Rip Lazybones Oct 2014
The wind always ****** me off. Tossing my hair from side to side, and usually on the opposite side the ship is swaying. Always so nauseating. Leaned against the railing I watch my ship mates joke, rough house, and drink. I would describe them as quaint, but Neptune forbid they hear me and I have to explain what another word means. Illiterate ******* . I gave one of them a dictionary one time in hopes they would be inspired. They returned it to me two days later with all the words about *** and female organs underlined and circled. Why do I have to be stuck with these people? Brain cells keep committing suicide every time one of these chumps rabble something to me.

**** it all, here comes one. Just go away, ****. ****, what could he possibly want. Maybe if I lean back now I can just fall into the water and drown. The wind gives me another fist up my nostril by blowing his stench my way. "We be landin' soon! Ye comin' wit us dis time or are ye gunna stay behind and work on your fancy doctor voodoo or trace your ***** in one of your books to **** it to lata?" They all start laughing and whoopin. "Well I need some things, and I can't trust you idiots to bring me anything back besides rotted meat and disgusting women! So I guess I have to get off the boat this time." He made some typical fairy joke toward me and went back to drinking with the others.

The spotter cried his typical thing about seeing land, as if we didn't have eyes to see that massive hunk of blot that isn't water coming toward us. Maybe this time I can get "lost" and never board this ship again. I don't care where I go or do. After she left, it doesn't matter. If I could find some decently witted science wiser, I'd give them my journals and let my soul free from this cursed rock. Until then, my studies are far too important to be lost to these mongrels.

On a brighter note, the island looked to be a dense tropical stage type of island. Perfect! My greatest chance to find some herbs in quite some time. Maybe they will even have a wild large cat these guys can fight. With any luck, it would eat them all then die choking one of their pieces of jewelry or **** it from their various ****** diseases. That would just be heaven. Rid me of these animals and I could get some ingredients from the majestic beast's corpse. Their eyes and blood are good for various mixes. My thought is disrupted by the sweet smell of the isle on the breeze. Sweet sweet hibiscus, we came just at the right time of year. My leg ticks on the ground with excitement. Moments like these make me forget all my misery, the rush of progress. The high of walking back with sacks full of goodies. Rushing to my mortar and pestle. Thank you, Neptune for surfacing such a wonderful place.

The captain's door kicks open as we pull up to shore. "Alright me hearties! Time to do what we do best. Let's go find some meat to eat and some meat to poke!" A cheer from crew erupted. I caught the last boat going to shore. I brought every empty sack and a few various journals to record. Each stroke of the paddle fills me with a little more glee. We all land on shore, but there is a bit of wildness in the air. None of the crew seems to notice. No birds in the area flying by or perched. A pathway of large trees are knocked down. I point out to the captain what I have observed. He gets the wild look in his eye and points over to the path. "This way, boys! We got something big to ****!"

Walking behind the group as I scribble doodles and notes in my journal. A lot of the trees that are downed have large slashes in them. Every now and then we come across and splat of blood or some feathers. The feathers are quite large and colourful. Ahead we can see a clearing to what looks like a cliff range. The lush green ground is now leading into red clay. Large talon prints are starting to appear. The captain leads us in the direction of the prints. As we go further, decomposing carcasses and skeletons litter the path.

Never in a hundred life times would I be prepared for what we were about to see. At the edge of the cliff lies a giant nest, and in it was a pure terror. It's back had more colours then I even fathomed were in existence. It's tail feather alone was larger than our ship. The crew seemed genuinely disturbed. "What the ******* is that?!" yelled one of the crew members. The behemoth was instantly awoken. It stretched it wings and stood up in its nest. The bird turned around and faced us. Holy ******* ****, this thing was some sort of massive giant macaw. Being the size it is, I doubt it eats the kind of pleasant things its cousins consume.

To compensate for being woke up, it looked as if it was going to make a quick meal out of us. This is perfect! Maybe all these idiots will get butchered and I can just slide away. I looked over to the captain, and his eyes were over flowing with wildness. With a saber and flintlock ready, he ordered the charge. With mighty yells they all rush the bird. The giant ***** its wings and uses the gust to blow down the crew. It hops into the air and comes down crushing several members under its blood stained talons. Even with dried, caked clay I could feel the vibrations from his force. The captain takes aim with his flintlock and nails the bird in the left eye. The bird let out a large screech before pecking down and reducing more crew members to a pile of protein and bone.

At this point in the battle, there are only thirteen of us left. ****, that is an unlucky number. Are they going to fluke this and **** that thing? ******* it, I don't want to eat bird for the next few months. I continue to doodle the beast as the battle rages. A quick swipe from his talons eviscerates a few more members. The crew has done nothing more than leave a few cuts on the beast's legs and a few bullets lodged in his plumage. The bird surges into the air in a rage. He quickly snatches up 3 members in each talon and tosses them off the cliffs. Five of us remain including the captain. Swooping down and gobbling up two more members, the captain doesn't even begin to bat an eye. There are only two fighters left. The captain is climbing up the leg of the bird as the last crew member gets pulled apart by the bird. The bird not noticing the captain scaling his back hops toward me. It turns its head so its unwounded eye can see me. The head snaps back to forward face and hops toward me.

The captain is now on top of the beast's head, perfect. I reach my satchel and pull out two full glass bottles. A loud squawk comes from the bird as it prepares to eat to me. I quickly pitch one of the bottles at the head of the bird. The glass cracks on its head and liquid goes all over the bird and the captain. Smoke begins to roll off of them as their flesh drips off their bone. Realizing I won't need the second bottle, I put it away and sit down as the bird's nerves twitch out its last moments of life. What is left of the captain is dripping down the bird. The corpse of my saviour collapses to the side.

Finally, as I deserve to be, I am alone. Alone on a giant island of who knows what else, but for the first time since she left me; I'm smiling. I can work and research in peace, and with any luck someone of worth will discover my remains years later and find my journals. I am left with what I was born with. Nothing, but what lies between ears. I both thank and apologize to you mighty fowl. My all the souls scattered on this island be comforted by my joy.
Aditya Bhaskara Sep 2012
i see the neutral colors,
they sing not of glory,
they brag not over history.

there is no mischief in their eyes;
nor any hostility for what they are not,
but they do speak,
through various petals of flowers
and many shapes of dream-making,
through my walls and bricks
of heart or cement.

on how many days, here,
did i bring thee the joy,
where upon i shall rest
in peace and auburn sunshine?

help me with no more promises,
but, bring me a man of truth.
i see not any relief
for my shattered self-belief.
i kiss my destiny and attempt
to move on a path underlined.
In between me and you
There are volumes untold
We the bookends
Kept the stories within,
Pop up books
And color by numbers,
There's still crayon splatters
Across the pages,
Folded corners
And still wet edges,
Wilted bookmarks
And underlined sentences,
Highlighted passages  
And crossed out paragraphs,
Pressed in between some layers
Are dry roses and leaves,
Memories that left the letters smeared,
And though our stories may finish
And remain unpublished,
I just want to tell you
Our love was volumes
With no bookends...  
© okpoet
Kristo Frost Apr 2013
a large room,

no, a really,

unimaginably

large room,

with a typewriter

in the center

-

the words

free yourself

are already spoken,

and underlined,

in the center

of the page

-

there is no blinking cursor,

no glowing white field

-

an iron sight

holds the paper down

so you can

torture or nurture

or shun or ****** it

with both

precision and accuracy

-

careful though,

you can drift

beyond the walls of your

supposedly

big room

in the length of a page
Kurt LaVacque Sep 2014
Nothing I write can put forth the right attitude to this situation that keeps getting written about
I could shout at the clouds that world is not enough
But will that help
Will anything help this distasteful look to the side like I don't matter
Might as well shatter what's left of my bones in which have detached only themselves
From feeling anymore pain than they've already felt
You have brought the sadness in me to new heights
Climbing to the top isn't as fun the second time
Twice
I'm just your shadow
Hollow with emptiness that you fill me up with 
Just another day in the life of me and my best friend
I've got the glass half empty kind of view on life 
As it were underlined in white
My sight still not the best
I'm as short as I was in grade school
But that didn't seemed to matter as much back then 
So many words we would say about how we were together 
Different than the others
Perfect
We can live forever
Those words must not mean anything since you seemed to forget them more and more
I'm sorry if you're bored I'll try to be different more exciting
Unlike the sediment that keeps decomposing around me
I just miss you 
I miss the way we would talk about
Anything
And it kills me to never see you alone without your phone and your other half that think that she owns 
You
Were just a forgotten verse In the chorus of you and her
So then there's me
Cursed with a thousand hearts to roam the sea alone
Never shown which way to go
I just keep writing till I find my other muse
To invest the rest of my time in
Before this becomes a bruise
Geno Cattouse Oct 2012
He said I'll love you till I die
She told him you'll forget in time

But as the years went slowly by.
She still preyed upon his mind.

He kept her picture on his wall.
Went half crazy,now and then.

But he still loved her through it all.
Hoping that she'd come back again.

He kept some letters by his bed.
Dated 1962. He had underlined in red.
Every single I LOVE YOU.

I went to see him just today.
Oh but I didn't see no tears.

All dressed up to go away.
First time I'd seen him smile in years.

He stopped loving her today. They placed a wreath upon his door.
And soon they'l carry him away. He stopped loving her today.

You know,she came to see him one last time.
Aw and we all wondered if she would.
And it kept running through my mind ."This time he's over her for good".

He stopped loving her today. They placed a wreath upon his door.
And soon they'l carry him away.

He stopped loving her today.
The saddest love lost song I ever heard. By George Jones. A Country Icon.
Ris Howie Nov 2013
It’s been highlighted, underlined, written on the side of my shoe: do not awaken love until it so desires.
It is to love then, not to me or to you, that I owe an apology
Because when they told me love hurts— I invited it to knock me down.

I think you try to talk to me because I knew you best and you like that,
But every time I offered you a tissue you took it as a chance to cut into mine,
And I let you to chip away a shade of my hue with every slice,
Changing the gradient and adding cracks to the contour of my soul.

Every time I slid my skin off for you it was under artificial light,
Painting the yellow pigment of my skin shades of black and blue instead of allowing me to stay golden because shiny wasn’t the right color,
You didn’t need to see your reflection the truth wasn’t interesting to you.

You didn’t take my honor you ignored its existence,
I made love to you without making you love me,
That’s why it’s so funny that now you don’t play hard to get,
you play hard to get rid of.

Realizing I deserved better changed everything,
You had nothing to offer but your own confusion and version of the world,
But I have my own now,
And I’ve colored it to be absent of your blacks and blues.
Collin Daniel Mar 2015
i built myself a home in your chest
a safe haven, a tightly wrapped package
and you evicted me

i looked at you through my camera lens and saw all the beauty
my eyes had failed to pick up on
the fabric of your soul
the smooth skin of your hands,
twirling your hair in your fingers,
you are beautiful

you are literature
words on a page, kept consistent through years of handwritten notes
passed back and forth between quiet children,
i highlighted my favorite parts of you, and underlined the parts that stood out to me
a well-read novel, dog-eared and leafed through,
i memorized your body,
smiling warmly when you put my emotions into words
i don’t read anymore.

we shared cigarettes together in my car,
letting all the words we were too afraid to speak
leave our mouths in the form of smoke,
leaving only the stale smell of burnt tobacco,
to remember you by

— The End —