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Gwen Feb 2015
Only one type of ****** is illegal to show,
and wearing a skirt is an excuse for ****.
Having two X chromosomes somehow makes my life less important
than someone with an X and Y.
I am taught how to use makeup,
and told it is to attract men.
I am showed how to shave my legs,
and told that having underarm stubble makes me less of a women.
I am told that supporting feminism,
means I hate men when all I want is to be equal to them.
WHAT
THE TORTURING VOICES




you see my dad was watching the cricket with us

and i watched it with him, and it was very fun, you see

we saw australia being beaten by the west indies, because

they were so cool, you see, we were the cricket boys

and no robber wanted to rob us, because we were into australia’s favourite sport, cricket

you see i heard a non realistic image of my father saying

brian’s not a mans kid, brian’s not a man’s kid

and i was trying to relax and calmly watch the match

and my family were unrealistically teasing me, mind you they were having fun

and the words they said were different to me as it was for them

brian’s not a mans kid, don’t get kidnapped brian be like us

brian’s not a man’s kid, and watched the cricket, ya know trevor chappell doing an underarm ball

mum called cricket, anything and everything which has everything you hate

well, i don’t believe that, i was feeling like trying to be a mans kid

brian’s not a mans kid, brian’s not a mans kid

and i was getting these awful visions, i wanted these voices to stop

you see people in canberra were doing it too, but they looked like fierce kidnappers

and i said you can’t get me, i am a sports watcher

so i went home and obsessingly watching the cricket and AFL and rugby league, rugby union

you name the sport i watched it, and i fell asleep in front of the sport

you see i have this vision that mens kids watch the sport, mens kids watch the sport

brian’s not a mans kid, ******* ya hooligan away from us

you see, i wanted at that stage a hooligan to my dad and i had someone grab me outside a club

and i kicked him saying, get off me ya kidnapper, you won’t get ya hands on me mate

and dad was watching the cricket and enjoyed it, but i got frustrated with all that teasing

i didn’t want to be kidnap victim and i hate being my families or friends little teasie

i battle voices saying how is our little tease doing hey

but i hated when people wanted to bully me, saying your family are like us, your not

i said i like sport and they said, no you don’t, your family does, and your not like your family mate, your like us now man

i told my voices to *******, and they said, your not like your family, your like us

and this made me into a little 2 year old boy, i hated that voice

i remember i loved watching agro, which was a funny puppet on channel 7, and the mens kids said

don’t watch agro, watch cheezeTV, which was the cartoon show on the other channel

and my voices going crazy saying, you are a crazy person, who is too old for baby agro

and you are not like your family, your still like us, buddy

i screamed out, LEAVE ME ALONE, i am a sports watching mans kid

and dads image said brian’s not a mans kid, brian’s not a mans kid

but it could’ve been greame thrones kidnapper or patrick dunbars kidnapper

i said voices,  ‘stop', i wanted to be like my family, they said you are not like your family, your still like us

and i said, they look cool, and you guys look stupid, please leave me alone

there is also a man who wanted me and my brother tied to a pole, but we felt we weren’t immortal, but cool

i went into pubs to dance and watch the sport and i felt like a cool man

brian’s not a mans kid brian’s not a mans kid, stay in there koomarri man, get ****** mate went the little homebody kid

as i was watching the canberra bushrangers baseball team played, yeah totally awesome dude

brian’s not a mans kid, I WISH IT’LL ALL STOP
LARISSA LOU McCASKY female 40 years of age 5’7” lanky physique stitched old pillowcases random fabric homemade knee length wrap skirt tight brown velvet vest no shirt camping sandals subtle smile

CLYDE ELI MOSKOWITZ male 52 years of age 5’9” athletic build yet signs of age white painter’s pants rolled up to mid-shin light blue vintage cowboy shirt wet black high-tops

act 1 scene 1

Sky bar 4th Avenue Tucson Arizona 6:30 PM actors sit 3 seats away from each other at bar bartender approaches Larissa

BARTENDER can i help you?

LARISSA (she looks up from cell phone) yes thank you may i please have a glass of sauvignon blanc or reasonable facsimile and tall ice water

BARTENDER we have a California pinot grigio $5 a glass

LARISSA is it good? i’ll try a glass (bartender serves wine and tall ice water Larissa sips) oh yeah this is good thank you

CLYDE excuse me i was considering switching from this Spanish red to what you ordered you like it huh?

LARISSA yes it’s quite good funny coincidence i just switched too from pinot noir last week i decided it’s unseasonably heavy you look familiar have we met?

CLYDE we’ve almost met on several occasions i’m a fan of your beauty (raises hand appealing to bartender’s attention) hi may i please try what she’s having

BARTENDER no problemo señor

LARISSA oh that’s sweet i thought for a moment you were going to say you’re a fan of my writing

CLYDE you’re a writer huh what kind of writing?

LARISSA whim fancy poetry fiction essays critiques i like to experiment with different formats

CLYDE hmmm what are you currently reading?

LARISSA aren’t you the inquisitive one i’m currently reading Yukio Mishima’s Madame de Sade it’s a play

CLYDE wow i’m a fan of Yukio Mishima and the Marquis de Sade yet unaware of the work are you enjoying it? i’m Clyde what’s your name?

LARISSA Larissa i just began reading it so far so good

CLYDE may i move closer?

LARISSA yes

CLYDE thank you (he picks up glass and sits next to her) hello

LARISSA is the mustache recent?

CLYDE still growing in

LARISSA i like you better without it

CLYDE got a razor on you?

LARISSA it makes you look sad

CLYDE hmmm (long pause he looks away then into her eyes)

LARISSA are you ok?

CLYDE yes

LARISSA what’s your profession?

CLYDE i’m a painter sometimes writer and i teach yoga when i can find work otherwise i scrape out a living house painting restoration whatever pays

LARISSA a painter what do you paint besides houses?

CLYDE i’m old i’ve painted everything figurative representational abstract symbolism you name it i’ve painted it

LARISSA you’re funny

CLYDE you think so?

LARISSA Clyde why are you sad?

CLYDE oh Larissa i don’t know what to say in a way i feel i was sent here to do a different job i don’t understand why i'm here or what i’m doing do i sound crazy? life throws a lot of hardballs at you few are good enough to make the big leagues the rest of us struggle day to day no i don’t mean to express that thought i’m grateful for the opportunity of this life in my own little way i try to make a better difference

LARISSA you’re not crazy Clyde you’re wise well spoken words you’re a sweetheart i’m glad to finally meet you

CLYDE oh god Larissa you have no idea how good that makes me feel i am such a fan of your beauty the way you dress your voice gestures everything i look forward to reading your work

LARISSA chill on the flattery Clyde my dog is dying (tears well up in her eyes)

CLYDE i am so sorry for you (he reaches into back pocket) here’s a tissue i know what it’s like to lose a precious friend i lost my baby 12 years ago and still carry her picture in my wallet i’m probably not someone you want to talk to i totally freaked out (tears well up in his eyes)

LARISSA Clyde you are so sweet can i buy you a drink anything what do you desire please

CLYDE uhh thank you but no not tonight i think i’ve had enough i need to go home Larissa you’re an angel my precious angel thank you my heart flames for you (he stands up)

LARISSA you’re being dramatic Clyde please stay and talk with me i won’t ask you again why you’re sad i like your mustache it’s growing on me please hang out with me

act 1 scene 2

9 PM they are walking back to her place

CLYDE (looking up at sky) the moon Larissa the moon

LARISSA you’re so dramatic Clyde

CLYDE you think i’m a drama queen?

LARISSA i don’t know you well enough yet Clyde are you?

CLYDE sometimes i think i’m a woman trapped in a man’s body

LARISSA shut up Clyde

CLYDE i’m definitely a man but way too sensitive for this world

LARISSA i need to *** (she squats and pees)

CLYDE (he looks up and down street keeping guard) you’re the coolest girl in the world

LARISSA you think so?

act 2 scene 1

cell phone conversation

LARISSA i’m taking Sweeny to the vet i can tell he’s hurting bad

CLYDE i’m coming with you

LARISSA no this is too personal

CLYDE shut up Larissa i’ll see you there

LARISSA i don’t know i need to do this by myself i feel so sad Sweeny’s eyelids are half closing I’m losing him

CLYDE i love Sweeny for adoring you the joy he brought to you please don’t shut me out Larissa i’ll meet you at the veterinarian’s we’ll figure this out write paint practice yoga work it out somehow

LARISSA ok alright see you at the vet’s

act 2 scene 2

they are shoveling a hole in her backyard deep enough so no creatures can intrude both are crying Larissa is in a daze

CLYDE that caliche is a ***** to shovel through

LARISSA yup

CLYDE oh baby let me have the shovel

LARISSA i can do this i need to do this i think it’s deep enough let’s go look at Sweeny (tears pouring out of her eyes they go back into house Sweeny is lying wrapped in blanket on table)

act 2 scene 3

he is lying next to her sniffing smelling her underarm kissing her neck hair she is lifeless coming to consciousness crying hysterically

CLYDE rest easy darling Sweeny is up in heaven waiting for you

act 2 scene 4

Thai restaurant

LARISSA i’m not hungry can’t focus on the menu order for me

CLYDE i love you Larissa more than anyone anything else in this whole world i love you

LARISSA i feel sick tired

CLYDE shall i drive us home

LARISSA no let’s eat in an unforeseen surprising way Clyde i love you too deep down stay with me Clyde don’t ever go away
CK Baker Sep 2019
remember the melding
of gilmore and bing
the springfield gates
and desmond ring

remember the trojans
and fools in the pack
sea fair jeans
and corkscrew flat

remember the cabin
and *****’s garage
the gary point dunes
and moncton mirage

remember the warehouse
the water logged seats
tin foil caps
and simple retreats

remember the cave
and turn on the cut
emery’s mini
and hamilton’s hut

remember the burger
and shake in the air
bubs in the back
with little despair

remember the valley
and 66 ford
burgundy lips
and samworth’s chord

remember the plainsman
a 7 inch log
the ***** old frenchmen
and bore-*** hog

remember the javelin
and mushay’s wheels
beaumont’s baggie
and jennifer beals

remember tough charlie
tossing brad rand
the belyae roundhouse
and beer in the sand

remember park polo
and scaling of firs
sleeping in rafters
at 8 bucks per

remember the mayflower
and brothers von grant
the max air follies
and chivalrous rant

remember the flipper
the floyd and the clap
banana boat sunday
and pemberton trap

remember the purples
the rasp in the street
the oliver jokers
and shady retreat

remember the gators
and brick house café
a flash in the pan
and crib cult stay

remember the church
and talbs on the bridge
goofy’s memoirs
and cypress ridge

remember smaldino
whom perry cut short
***** and a ****
and moria’s port

remember the zuker
and gilligan’s isle
the pep chew bust
and 8 tooth smile

remember the action
at blundell and one
the nauseous fumes
and pump house run

remember the canyon
and rock on the cliff
a tourniquet bind
that kept us adrift

remember lake skaha
and jvc tunes
the j bain query
and peach fest goons

remember the irons
and broad entry beads
the alexander boys
we must pay heed

remember the gates
the 12 hole stare
the hospital bed
and ky affair

remember the farmhouse
an open air deck
the john deere tractor
and cowboy neck

remember the wheat field
and jimmy crack corn
the burlington plaza
and fraser street ****

remember the pincers
and wee ***** white
the concubine fractures
and strong overbite

remember the carving
portrayed at the scene
the billy goat battles
a young man’s dream

remember lord brezhnev
and moby the ****
the second beach sun
and paper bag trick

remember the screening
the silver light show
banshee boots
and phipps’s throw

remember the epic
and baby oil block
trash can brassieres
and window rock

remember the law
jack rabbit in may
an 8 track mix
on alpine way

remember the dunes
a pig on the spit
the underarm hair
and corn bull-****

remember old frankie
and bursey head post
the koa leaves
and tiki shore host

remember b taupin
the lyrics he left
cold muddy waters
an odd treble clef

remember street regent
the trips in the night
the trailer park cap
and lightheart fight

remember kits causeway
mortimer and beaks
jk's cabin
and muscle bound freaks

remember glen cheesy
and billy the less
the frozen puke patties
and borkum mess

remember the catfish
and pickerel rock
the emerald meadows
and rainbow dock

remember port dover
with fish on a stick
wayne in a bunker
holding his ****

remember the ironside
limes in a tree
the usc campus
came with a fee

remember the duster
an arrow in heart
the frog man bug
that would not start

remember the zimmer
the ram air hood
a family wagon
with panels of wood

remember peace portal
the 33 back
the power built drive
and dangerous tack

remember the reds
the blues and the greens
the furry point island
and country book scene

remember the springs
and i 95
a lone state trooper
with blood in his eye

remember may’s cabin
and stuff in between
the frame and the picture
and morning snow scene

remember the boss
with a 302 scoop
the diamond tuft console
and back seat coupe

remember ioco
the **** and the spit
the skid road race
and hurst floor kit

remember the shore
and tents in the park
a campfire roast
and kerosene bark

remember the hooger’s
kit kat club
the colvin’s and setter’s
a man called bub

remember the creature
with silk strand hair
and afternoon flask
with little despair

remember quilchena
and robbie the mac
the rice stead box
and tap on the back

remember miss williams
a pilgrim’s salute
the fairmont sister
with all of her loot

remember port ludlow
a scotman on dock
the everett street bridge
and single leg sock

remember the masters
and all of the roar
the faldo follies
at norman’s door

remember jeff samson
tied in a tree
the robertson fastback
with white leather seats

remember the balance
and pulling of 4's
the moncton warehouse
and hollywood ******

remember the hospice
with carter in wear
the power of gospel
and magic in prayer

remember the mini
counting the crows
aberdeen villa
where all of it grows

remember the ballroom
the battle of bands
the buccaneer bikers
and front row stands

remember the steely
and 50 odd pulls
the crook in the cranny
and pilsner bulls

remember the mustang
tb paul
the ****** shack sergeant
was missing a ball

remember dear kevin
head first in the pool
a sheik in a minefield
and ****** gas fool

remember the rumble
and bats in the night
an old lady screaming
to a young man’s delight

remember cliff olsen
that sick little ****
who will be in shackles
on lucifer’s truck

remember the bumpers
and cutting in line
the mice on the ****
and bo in the pine

remember the law
stabbing the corn
a bucket of ammo
and mekong horn

remember s boras
the piercing of yes
the color line paper
sikosie at rest

remember the pinto
and seven road plants
mother’s fine pizza
a trial lawyer’s rant

remember the kennedys
with ***** painted black
a pond in the shadows
where monty looked back

remember von husen
the sea to sky test
a farm hands daughter
was one of the best

remember mr pither
and mao sae tung
helena the cougar
and egg foo young

remember the cinder
and frances road bake
***** the whitehead
would make no mistake

remember the quan
and mental mix
the java hut sister
with pixy sticks

remember j rosie
banging his head
in a moment of dr
we thought he was dead

remember the hammer
discussions caught short
siddrich and roger
and monty’s abort

remember 6 nations
and KOA
the pool hall fight
when everyone stayed

remember the skinners
and tommy the med
the lost tough china
and bubs in the shed

remember the doobies
zeppelin and cars
floyd and the *****
and shankar’s sitar

remember old dustys
the blue and red chair
the cypress hill caves
and mullet cut hair

remember the promise
and vows that we made
on the 2 road stairs
in goodman’s brigade

remember those moments
and handle with care
for the garamond stamp
will always be there…
drumhound Oct 2013
I don't care
if I ever write
another poem
about love
                    ...or angst.

                                For the twenty seventh time today
                                            I read of a love
                                         "unlike any other".

You know the one -
                  butterflies
                  goosebumps
    ­              can't breathe
                  best friend
                  life partner kind of love.

YES, YOU KNOW THE ONE!
Most of us do.
I've had seven myself.

                                But that's the power of love.
                               (Not the Huey Lewis meets
                                Celine Dion kind of love.)
                                    The reality twisting
                                   emotionally blinding
                                        omen erasing
                                         kind of love.

Where sixty percent of lovers
who were one hundred percent sure
they were different than everyone else
found some of the others
at the "Whoops I did it again" Prom
and started over
at the new, less improved dance
trying to forget the previous ones.

                         Some of them will have the courage
                                    (or loss of memory)
                          to say how unique it is........again.

It makes one man weep, and another man sing.
And inevitably,
                 the third man will write about it.
                 Much to our unoriginal,
                 bad after-taste,
                 and at the very best "Isn't that sweet",
                chagrin.

Sentimental geysers
of sincerest and irrepressible corn,
temper your naivety
and ponder your muse of passion
before you unveil puppy love
in the face of those who have bravely ridden the Rottweiler of amore'...
                                                    and­ even been bitten by it
                                                              ­          once or twice.

Consider your thoughts on love.

Then reconsider your angst about its failings
.

               How dare you have dread
                    if you haven't yet removed twenty five calendars
                         from the wall!?

It is a whiny *** of irony that reeks of 13 year old experience, hairless underarm machismo,
blatant high school drama posing as relevance, and that left over bottle of your dad's
cologne or favorite aunt's vanilla container you knew wouldn't be missed,
while you stained the olfactory neighborhood three blocks at a time.

                                                     The genuinity of youthful angst
                                 holds the credibility of a hairpiece
                                                       ­             on a televangelist.

         This anxious cloak of writhing distress
must be earned as a veteran,
                                    where only the scars of war
get a Purple Heart.
                You can't just say you have it.

Angst is rewarded to
the single mom who lost her job
     and has four children to feed,
and to the man who has to figure out
     how to hide the diaper
     he never thought he'd have to wear,
and to the parent who holds a dying child,
and the senior citizen who can't remember
     where they live,
and the solitary soul who truly has no one.......
     no one to call
     in the darkest moments of their life.

The "poor me", single pimple, concert's sold out, boyfriend #17 *****, inconvenient day
is wanting in qualifications, and we are irritated to hear your blathering interpretation of it.
We will hear you when your words come with bandages.

I don't care
if I ever write
another poem
about love...
                     because it has been done
                  and no one has ever gotten it right...
or angst
               ...because I am unworthy of the reward.

I think I will just write about
what other people shouldn't write about.
There is no end in this.
Marshall Gass Apr 2014
the church bells peeled a rhythmic ringing
tinnitus
sending us listeners racing back
into a guilty crime like daze.
the mass begins in twenty painful moments

better rush in the rustle of sunday wear
bible bolstered underarm
front pew glances at the priest
who had a back view glare at late comers.

Mama said the sins of your fathers
will visit if you
miss a mass
canned hellfire will get you
and st peter will tick mark your presence
after communion.

I listened

when I stopped
God became god
and the church bells peeled
the same way

only the new pizzas came
with canned chilli peppers!
© Marshall Gass. All rights reserved.
Nat Lipstadt Apr 2015
"I suffered, so, I learned, so, I changed"

her pale white arm,
back and forth,
flashes before my eyes face,
cutting my few blonde many grays,
she tumbles pieces of
now dead me,
to the floor,
in cut wet clumps

there, across her underarm,
placed there to be but
half-hid,
my Bostonian via Albania haircutter,
(I am a human explorer)
reveals a tattoo uttering
in Arabic
that cuts me
deeper
then any scissored blade
she metal possessed


I suffered, so,  I learned, so, I changed

revelations daily granted me,
this one,
incomprehensible,
as she cuts,
I imagine,
my mused blood superheated,
clotting this poem

oh the words are readily understood,
but unknown is
the inspiration,
the event
so formative
it was deserving of being
transcribed, inked,
permanence earned by,
recording pon human flesh,
exposed
yet hidden

and I dare not inquire...even I...

who among us dare say
that they have not
suffered?

yet, you,
say the word slow
suf-fer,
hiss* it
in two parts,
then ask yourself again,
have you experienced
the unimaginable
as real?
and needy to record it upon thy own
human flesh?

I have walked
empty mirrored hallways unending,
stood by rivers imploring,
begging me to join their current,
sleepwalked for days without count,
punishing penance for
acts of commission,
acts of fearful cowardice

I learned
I changed

better
for the betterment
of my united untied
bodied bloodied soul

where?
my tattoo?
readily visible!

*
in every word I ever wrote
See
https://s-media-cache-ak0.pinimg.com/236x/fe/eb/98/feeb98fc879f599be507983bebe64e5c.jpg
Poetic T Jul 2016
She gave me a daisy with a smile, so much care
to not let these frail peteals fall.

"Daddy dearest I give you this as a token of
what I see in you,


"In me my little petal, what do you mean so,

She smiled and ran off into the garden a chain
of daisies was her creation on the table little hands
did do there magic and after what was a long time
two little hands and a curious mind created magic
in her eyes.

"Daddy you have the daisy still,

She smiles seeing that her daddy had kept the little
flower safe from harm not crushed or lost.
No it was in pride of place in her daddies shirt pocket
pocking gently out of the tiny button hole.

"Of course you gave it me my little daisy,

Her father picks her up and gently rocks her back and
forth. Her eyes wonder around the surrounding till
they close like curtains on the world. Hours pass and
she awakens to see her daddy cuddling her fast asleep.

"Daddy wakey wakey, rise and shine sleepy head,

He slowly awakens to rising arms and a almighty
yawn, She sneakily tickles his underarm and he lets
out a half yawn half giggling laugh.

"Cheeky little madam,

Laughter ensues while her dad chases her around the room.

"Petal what did you mean when you said you see me
in the daisy every day?


She smiles and holds her daddies hand placing another
daisy in his hand, composing herself she explains.

"Daddy each petal is a the amount of times you make me
smile each day, and the centre is the love I see in your
heart everyday,


"So this one is the all the smiles I have made you see?

Looking at her daddy she smiles.

"See daddy that's another petal you have given me,

"This one daisy is just the smiles that have blossomed
today since we woke up and laughter made more,


She jumps off her daddies lap and runs off into the
garden, daddy sits there a tear slowly falls down his
face she had made him happy with tears.

Calling him into the garden, telling him to close his
eyes as she steers him where she needs him to be.

"Sit down daddy please,

He sits down slowly so not to embarrass himself by
falling off the chair before he had even sat down.
Sitting she says  "No peeking daddy its a surprise.

Eyes tightly shut hand over so no peeking can spoil
a little petals surprise that awaits her daddies eyes.

"Open up daddy this is what I made for you,

He opens his eyes and see a daisy chain that she worked
so ******* before. "What's this my petal,
She smiles from ear to ear as she ever so gently puts this
piece of work over her daddies head, it hangs so delicately
on his shoulders and then she tells him what it means.

"Daddy everyday I give you a daisy,
"This chain represents all the smiles and love that you have
given me every moment of ever day and this is just a symbol
of how many times you have done that this week,


He smiles and starts to cry,  "Its ok daddy boys can cry too,
Hugging her he tells her that he is so happy and cant believe
what a beautiful little petal he has got in his life.

"Today petal gave me a daisy with a smile, and I cried,

She is my the little lady in my life, my daughter makes me
proud to be a father each and every day my petal..
Mike Hauser Sep 2013
People often say now I understand
When they hear that I'm from Paree
Not Gay Paree silly, but redneck
In the heart of Tennessee

I am the newest style of hairdressers
Here to lay out all the facts
I no longer work on the tops of heads
But straight out of the pits

It all happened when I got bored
With the every day to day
Trimming of the head left me feeling dead
That's when it hit me..."Underarm Braid"

That right there was my life saver
That right there was my turn around
If it didn't make me world famous
At least it did on this side of town

Now people come from as far as Nashville
To have their underarms done
I even gave a left and right pit Mohawk
To the Governor's daughter and son

What? Did you think I only braided?
There's so much more that I can do
Just ask the Punk Rock Chick's that wait in line
To have their armpits colored blue

My older clientele have let there hair grow out
Since it is they learned
I'm now specializing in for both women and men
Their favorite sets and perms

So feel the freedom of the pits
That hippie chicks have long since known
Here at Michael's Salon Of Pits
We'll do something special with that growth
yasmin miranda May 2011
Barbie screams for help in her dream house
as you rush to the scene, a towel tied loosely over your shoulders,
a pillow beneath your shirt in place of a Kevlar vest,
and only oversized sunglasses covering your identity.


As you rush to save her, Elmo – your first rescue –
clings tightly beneath your underarm, bobbing gently
as you scale the ottoman and jump from couch to couch.


To the unseeing world you are Batman,
Wolverine, the Flash, and all of the Avengers –
ordinary men made heroic through radiation and tragedy.


But I see beyond the alter ego, past the acrobatics
and death-defying maneuvers that merit the oohs
and aahs within our general definition of heroic.


I see a boy truly worth admiring, the boy I’d call for help
if needed, because in you I see all boys, In you
I see the beauty of biology, the lovely product of a number
of atoms I will never have enough lifetimes to count.


If you could only see the splendid hue of your wide-eyed
innocence as you tie your teddy bear villain to the chair leg,
unaware that the seemingly simple steps of your chubby fingers
require a million more steps within you.


The sheer energy coursing from nerve to nerve
with each dip of your head and bow of your lashes
is more incredible than any power
induced by gamma rays or infected spiders.


When you place your hands at your waist in glorious victory
and lift each rain-booted foot over entire civilizations
of Lego people, I am made aware of the social circles
present within you, the cliques of tissues and cells
moving uniformly inside, carpooling toward their respective jobs,
their kinetic messages traveling faster than
the water-cooler gossip of any terrestrial worker.


And while you separate your plastic dinosaur army
by rank – in this case color, shape, size, and title –
you show the world that the truths you contain
in your four year old brain could rival
any super computer or evil mastermind.


A Pomerian named Lucy yips at your feet,
making me keenly impressed by the relatively few genetic signals
that separated you from her in creation, the same genes
that invented the stormy gray novelty of your eyes.


In truth, being superhuman is only a lofty dream
because the awe of being human
is our most overlooked achievement.

But we do not realize this truth until
we’re older – If we ever do – once we’re past
the age of dress-up, too old to announce this fact
by wearing tights in our favorite colors
and a cape with our own initials.
This is about the beauty of humanity (inspired by my favorite four year old).
Shelby Easley Mar 2010
i think you're really weird.
you freak.
you food network geek.
and your worn out converse.
with the ribbon tied.
to the left side of course.
that's the crip side.
you're a "hipster".
you're "scene".
more like obscene.
purple skinny jeans.
black ones too.
blue, dark and light.
average height.
you prefer the night.
but you're afraid of the dark.
your bite is much worse than your bark.
always have a smart *** remark.
your heart is black and cold.
you're a ***** and it's getting old.
and sometimes your eyes twitch.
your thighs are big, waist is small.
therefore your pants fall, constantly.

i think you're really weird.
you're so strange.
deranged? that too.
you shoot imaginary guns.
you are tons of crazy.
lazy, messy, creepy.
always sleepy, always awake.
you bake, you daydream, you imagine.
ways to create, new things to try.
you're still fly, since 1991.
second to none, last to many.
give away pennies, you don't like change.
you exchange smiles with strangers.
dress with style, walk with swag.
peculiar in every way.
your favorite skies are gray.
cries too much, tries too hard.
your underarm is scarred.
uncanny charm, mismatched socks.
outside the box.
wide-eyed and innocent.
well, to an extent.
you love british accents.
skittish and laid back.
crack a joke from time to time.
you're sublime, sometimes.
you climb molehill sized mountains.
you fulfill wishes and crush dreams.

i think you're really weird.
crooked fingers, straight smile.
singing all the while.
you'll swing when you get the chance.
dance in front of the mirror.
you see things clearer now.
you wish you had wings.
or to swim with the fishes.
on the brim of insanity.
live on a whim, think too much.
such a tragedy with a happy ending.
bending the rules.
love is for fools, not you of course.
chew with your mouth closed please.
always lose your keys.
bruise easily.
it's hard for you to choose.
you're a bard, look it up.
cup half empty, glass half full.
pull the wool over their eyes.
in disguise, a mustache will do.
few understand, many just nod.
odd, pinky promise until death.
morning breath all day long.
these are the lyrics to your song.
you seize their hearts in one fatal swoop.
then drop and shatter them.
mindless chatter, intelligent conversations.
deprived of any patience.
plenty of empathy though.
don't know which way to go.
imperfectly perfect, born to stray.

i think i'm really weird.
and i wouldn't have it any other way.
this is me, in poem form.
Andre Baez Oct 2013
The material objects
Shaped like global projects
Not for manufacturing
But for hassling and crackling
Like lightning and spiking
The mind with a nail
That flies through the air
As the red runs through hair
It leaks unto the face and reeks
As it's covered with white sheets
Pray deep, and live sweet
No way you'll get over this
The ship is sailing, and leaving a blip
Isn't what's written in the script
Criminals are staring licking lips
Even if the mind remains infinite
The body is super finite and timid
Primitive is a definitive
Description of the gifts
And the derivative flows
From the mouth of gold and souls
Which were sold and outgrown
But kept in a small room
Without a bit of sun to groom
The seed which needs to feed
On the principles of the weak
Desperation within these times
Lead me to be confined between
The power of the lack of minds

The flights are so carefully and unanimously chartered
In the end it's the poor and uninformed who are martyred
Nothing but cattle to be led towards the slaughter
The carvers are waving their hands as they swarm us

All I hear are screams
Passing through the dreams
Into the realms of the sickening
Men dribbling magazines
Into darkened hands and things
While straddling the fencing
Their hands start shaking
As the body follows quaking
Falling from the shrieking
Of the thunderous blows
Impacting the whole globe
Earthquakes, hurricanes, and snow
Blizzards leaving us as gizzards
Our sons are molesters and
Our daughters are strippers
Wondering where this'll get us?
Further from the better
Deeper into comas and
Commas can't break the fact
That we're under attack
From those whom hold a badge
And those whom hold a strap
Underarm wishing due harm
Pressing onto triggers
While avoiding the alarms
Silent killers voicing their opinions
As fortune tellers hold their charms
Wailing "you're too close to sun"
As the youth run to grab their guns

The flights are so carefully and unanimously chartered
In the end it's the poor and uninformed who are martyred
Nothing but cattle to be led towards the slaughter
The carvers are waving their hands as they swarm us

Insanity is what's referred to as
The common suffering man
Media wants you to cram
Misinformation into your head
With dread you step and
Inch into the abyss
Never to remiss on the strips
Of truth locked in consciousness
The involuntary thought processes
Destruct free will in segments
From 60 minutes to 30 seconds
Intentions are clandestine
Yet you feel you're destined
To earn respect when they'll spit
On your grave, after they dissect
And get off on the fact
That they ripped away your mask
And put you off track because
They feared the soul you had
You want to have it back
But they're not having that
The suits in the dark rooms
Would rather mentally doom
The fool, and save bullets for troops
To shoot, tracing blood under boots
The plan is so smooth
Because you play by their rules
From fast cars to ****** jewels
The thorny crown is on you
Mfena Ortswen Nov 2015
All I am allowed to be is a purse
Looked for to be held underarm
My existence made into a curse
Like grass in your tidy farm

I take your name, your identity
You own me, and I am your property
My words means nothing, like jingling keys
I am like a dog kept to stay on a leash

I wait on you like a servant
Prepare your bath and wash your clothes
When it comes to my needs you are adamant
I do not count, I am a necessity you chose

You purchased me from my parents
Now I owe you my life and existence

Our children are yours
But mine to look after when crawling on all fours
When they do good, you take credit
When they fail, your accusations I merit

I become a shadow moving in your patriarchal world
And you wield the authority as a warrior's sword
You don't protect me with it
But stab my heart continuously until there is left no beat

And in the end
I am nothing but the carrier
Of your seeds that
Populate the earth
This piece touches the experience of women in societies that are patriarchal and a woman's place is disregarded. She's looked down upon and not allowed to have an opinion even in her own home. Unfortunately, this is the plight of the women in the society I grew up in. One would expect that civilization and advancement in the state of mind will curb this, but no. Modern day women are still very much oppressed.
Let’s face it: we’re not all George Clooney.
Most of us need a little help scoring with chicks.
Our *****—the archetypal genital signal—
Are hidden from sight, &
****** wagging
Will get you arrested.
Perhaps, pheromones may be the answer.

Dr. Winifred Cutler’s Bio:
(As read by Don Pardo, postmortem).
“Biologist and behavioral endocrinologist Dr. Winifred Cutler was the first to establish the presence of human pheromones in 1986 when her team removed sweat from human underarms and found that only the odorless materials that contained pheromones remained.”

Blessed are the
Underarm Sweat Removers,
A Labor cohort
Soon to be SEIU smorganized . . .
Organized, smorganized. | Karen Koedding, Productivity ...
https://www.linkedin.com/.../organized-smorganized-karen-koe...LinkedIn Organized, smorganized. Jan 7, 2015. 209Views; 11Likes; 3Comments. Share on LinkedIn; Share on Facebook; Share on Google Plus; Share on Twitter.
Ka-Ching.
Ka-Ching.

And Andy Stern’s suggestion,
Probably the best for anyone
Searching for a new mate, or
Wanting to move up,
Move up to a new relationship plateau,
Move up to a higher class of ******?
Open your nostrils.
Take a deep breath.

Bio continues:
“Dr. Winifred Cutler
Founded the Athena Institute in 1986,
Selected that name
Signifying the mission;
Helping women increase
Wisdom and skill,
Relative to
Their Bodies,
Their Health,
Their Wellbeing.”

Why not a Nobel for Dr. Cutler?
Testimony follows:
“Pheromones magnify my mojo.
I wear the love potion that makes
The most gorgeous gal in the bar--
That kind of gorgeous gal,
Usually out of my league—
Makes her look my way.
Welcome, my fingers
Touch her siren shoulder.
She turns,
‘What do you want?’ she asks coyly.
‘Um, want to dance?’ I manage.
She grins, looks me
Up and down—
Mostly down—
And says, “Not really.”

The verdict?
Apparently, the scent of pheromones is
Still overpowered by nerves.
Let’s face it:
Women can smell fear.
Dean Sep 2014
not exactly a poem, sorry.

The turnkey was the fumbling sort, the sort that could be taken advantage of, Carver never thought about it more than a passing fancy. The kind of thought that was dangerous, it wasn’t a ten-year stretch after all. Popping the old guard and making a break could work, would work.  A couple of years is nothing in this joint, they told him, once you get a few connections in the yard, get on a baseball team, two years is a breeze. You might even miss it all. Carver was hesitant to heed the trappings of these old relics, they were just counting the days to nothing. He knew that very well might’ve been their prerogative, but for him there would always be that something. A lonesome post-office box, containing the culmination of his life’s worth. They didn’t know about it, none of them knew, his brother, his slick-*** lawyer, not even those rats, those ******* rats that got him in here. At the time he resolved that he would part with that secret of his post office box for no less than his life. Whatever dissent had marked him as the fall-guy passed him by. Complacence led Carver here but it would never happen again. No more concessions next time.

Cellblock B wasn’t devoid of small charms. The periodic mewing of this crooner or that, with what seemed like a common intonation amongst them, all tapping from a collective unconscious. The window with a view of the yard, although mostly obscured by another cell block, was still something. Lately he had been privy to comparative bliss, his erstwhile roommate having to nurse off in the infirmary the sepsis resulting from a shiv wound after an ill-judged altercation in the mess hall. The daily motions had long since become routine, Carver thought that in many respects, this was not too dissimilar from his army days. Avoiding the unsavoury types was the key to surviving both.    

Conversations which abounded lacked privacy and tended toward the trivial, but listening in did occupy a sizeable chunk of Carver’s day. Someone, Carver was fairly sure it was Fuzzin two cells down was wondering why he was growing more hair in his right underarm compared to the left, and was resolute in uncovering the mystery. Sal in the cell to the left was perpetually reciting his conquests, ****** or otherwise, to anyone that would listen. “I was in Maine for a year and a half. Lobstering up there. I mean, what else is there to do. In Maine....” A collective murmur took the cellblock suddenly, stirring Carver out of his reverie. Sal dutifully motioned and whispered “cell inspection”, Carver did the same for his neighbour. The deputy warden for cellblock B was a short rotund man Williams, who as appearances go, looked like he should be better acquainted with ledgers and stock tickets than prison walls, but was a lax sort, permitting what modest allowances someone in his position had the leeway to do. I have heard harmonicas and guitars chiming after meals regularly, unheard of in any other cellblock. Thomson’s mattress was tossed down the way...of course every now and then a few examples had to be made to appease the warden, Thomson’s codeine addiction not doing him any favours by way of effective concealment. I exhaled a sigh, not so much in condolence as boredom, as even the strewn mattress and its assorted artefacts was becoming as familiar as the yellowed walls and the evening chill.

It was the 14th and Carver was due for a visitation. 9:30a.m. and already in the throes of being worked up, he was sure to be getting worked upon soon enough. Carver cracked his knuckles against the edge of the table in the visitation room, an apparent thick black line bisecting the table with ‘hands behind the line’ mirrored on each side. “Hello Maurice.” Carver winced, knowing that she was purposely diving into ways to put him ill at ease, commencing with the upperhand, by calling him Maurice the name he hates, not Maury. “How’s life treating you?” The smirk barely contained in the pinstriped pencil skirt, her hips less so.  “Yeah okay, it’s okay. Great to see you here.” And he meant it. Not that her presence normally roused anything like that sort of sentiment, their domestic life was a burned out cinder even before he was busted.  But there was a particular warmth in her notes, just an untouched civility foreign in place like this, tending to be drawn out from the inmates one gesture at a time, often for good. Carver thought to 8 months prior, camped at opposite ends of the house, their wares might as well have been labelled ‘his’ and ‘hers’. Evenings were carefully orchestrated, where arcs in their lines of vision only merged for the briefest of instances and only as a measure to avoid any dreaded physical contact. The prospect of *** was a joke, Carver well aware that she was ******* at least the grocer and his broker, but felt better for it. One less unfulfilled expectation he had to relieve. “I’d ask how you’re dealing with the weather, but I guess you’re keeping pretty warm these days.” She half-stifled an involuntary scoff, “You know I don’t need to hear this now, Sam is due for the dentist at 2.30 and I want to get him all washed and ready, I’m not here for your games.” “So who is it today? Talbot? Someone from the club?” Carver questioned without a hint of animosity. She breathed a defeated sigh, “You know I’m not going to talk to you about this here.” Carver jolted, the seat raised an inch or two on the linoleum, “I’m just asking if you’re ******* around, and you don’t give me a straight answer so what do I have to assume huh?” The guard was giving allowance more than he had any obligation to, but Carver’s voice was raised enough to disturb a few of the surrounding groups. He moved his way over, “Hey, what’s the ruckus here Carver, keep it down okay. What’s this box up here, move your hands back, c’mon, you know the rules. Diane piped up, “It’s just a taint, sir.” The guard prodded it with his baton, quizzically. “hmm oh yes? I thought those were seasonal, okay just keep it down.”

Carver motioned to the box, “Why did you need to bring that here? I don’t need you parading my taint around. You know I’m trying to get parole in three months? What have you done with it?” “It’s just a taint.” “Yeah, but what’s with all this purple and green stuff here? All these spiky bits, I don’t remember that.” “Well, two months ago you asked for the taint and I’ve got it here, so what else do you want from me.” Carver listened to her speak but looked passed, to the frosted glass, wishing that a window was all that really kept him between here and there. “Christ, I’ve had enough of this, I come all the way down here, spend fourty minutes caught in that dratted excuse of a highway, and you won’t even thank me for bringing your stinking taint along. AND, just last week you were all taint-this and taint-that, why do I bother.” She flung around just slow enough for Carver to observe her figure it in all its majesty. A drop in his stomach, as she moved off with authority. “Wait!” He flung himself towards her. “Please...I’m sorry....please....just...leave the taint.” “Here just take your **** taint, I hope you’re thinking of it when Sam and Eliza are eating that canned **** and asking what their father is doing so I can be sure that I’m explaining what a worthless **** you are and be accurate about it.” The words fell on heedless ears, Carver and his taint. The taint and Carver.

Fuzzin was moving back to the cellblock alongside Carver, “Buddy, your wife has some ***, you better hope my parole don’t come through before yours.... say...what’s in the box.”
Dangling on strings in an old wooden shed,
the puppets wait with hanging heads.
Dust filters through a shaft of light.
Everything's still and silent as night.

Suddenly the door opens with a boom.
The Puppet Maker enters the dusty room.
His smile is wide; he’s dressed in his best,
as he grabs the puppets from their rest.

The orange sun sets as he walks along,
The dusty roads, whistling songs.
The puppets are tucked in a bag underarm,
while they pass through the town and reach a farm.

A stage is set up for the puppet show,
They’re pulled from their bag and lowered below.
The quiet wood shed forgotten and past;
Replaced with bright cheering and many laughs.
The Beetles
I will now write a love poem and will include
heart, souls, roses and a box of chocolate with nuts inside
but a song by the Beetles keeps getting in the way
“Will you love me as before when I'm sixty-four?”
It was in Tokyo when heard the song I was visiting a girlfriend
who was a stewardess on a liner, the song said it all.
A few days later I met a cook smelling of ***** and underarm
sweat, he told me my girlfriend had a lover on the ship
a steward, I confronted the man we had a fight and I was thrown
ashore. She had stolen my heart, but I had the song;
so I will not write this love story after all,
perhaps tell you a story of Frieda, who collected monkey poo,
kept them in glass bottles and inhaled the scent
but she produced wonderful paintings.
Mollie Grant Apr 2016
It seems like the entire world knows
how to dance except for me.

There must be a metronome
that ticks the tempo
right out of the torso
of Mother Nature herself
but I cannot seem to tune in.
Everywhere around me
I can see a rhythm that refuses
to run through me like it somehow knows
that I am always going to be that one kid
left standing with my back against
the gym wall and the beat is just another club
that cannot afford to let any losers in.

I see the leaves—crisp hues of
yellow-bleeding-into-orange,
orange-bleeding-into-brown—
being directed by the air that they cut
as they learn to dance the American Waltz
left box, right box,
underarm turn,
hesitation step
spinning to the ground
and swell approaches the shore
carrying forward a small roar,
energy circling from deep to shallow,
waves shoaling, rising up,
moving along to the Foxtrot
feather step, three step,
natural turn,
hover cross
uncurling onto the shore.

But still, after all of these years,
I am here with shoulder blades pressed to cinderblocks
trying to tap into the meter while I tap my toe
inside of my shoe so the mountains will not shed rocks
like tears that come along with steady laughter.
Ellie Feb 2015
he cut
open my underarm
flesh with a razor
blade, filled my veins
with heavy sand
till it mixed into blood
-mud, hardened to red
cement, body weighed
down
because of him
Couldn't decide on a title.
Wade Redfearn Oct 2017
Oh those bodies
on the museum walls
Tennessee Valley bodies and Los Alamos bodies
shining blackly like the stripe of a credit card.

The price of bread fixed at five cents
and we all eat it in slices.
Your name is your labour and
your labour your name.

I have disappeared into a country that doesn’t know me
and I am tearing it up with my teeth.

Oh those bodies
that were once slaves.
Were they pictured any other way
but in idyll or whipped dry?
The dusty Union regiments at Baton Rouge
have made a postcard of one scourged back;
they share it around and die for it.

I have a few postcards, too.
It is strange to see any man kneeling.

Oh those bodies
Cornbread bodies and bodies like a corn snake
crushed among the broad leaves of tobacco;
The ones in bone corsets and the ones
in reed baskets, floating downstream.
The ones in rosy marble and wrought bronze
the ones whose striped backs are coming out in wings
feathers pink and wet
like a new-hatched chick or a stillbirth.

Your body
is a tight machine of grief
packed into homespun like a fist
and relaxes in sepia as it never did in life,
a babe slung underarm and the food
only from cans; they keep the dust out.
Oh those bodies that tend the home, larder and ledger,
and reach for the high cabinets
and keep reaching.

The old voices are back at work.
I am not the one they are speaking to
but I hear them all the same.
They spread out a catalogue of wares
on a sisal blanket in the dark
and every price sounds fair, every garment lovely
unless you made it.

The country workman in bronze now and forever
with his rolled shirtsleeves; his body
raises a hammer and his bicep, mid-shiver
is always striking something, always building
Heaven, and Manhattan, from the foundations.
Stained glass his union flag
and Union Army blood he forgot or never knew.
The thin white arms of Andersonville,
meeting two generations hence, in his arms,
the dark scarred shoulders of the South.

Who brought forth upon the continent this new nation,
and who brought forth the ironclad Monitor
and who put into song the Maple Leaf Rag or Swanee River
and who put that soil there from which the cotton still grows
and who made your dress?
Who owes the debt and who records it?

You and I.

Oh those bodies swathed in light.
Oh those bodies becoming angels.
Bodies bound blackly
and bodies forgetting
which is what bodies do with injury:
they absorb, and they forget.
Just ask me.
(20 minute poetry)

I could do without
making this journey today
do without working and
just stay away
do without misery
do without gloom
just stay at home
make do with a book in my room.

I've got 20 minutes to decide
do I stay in this cattle truck
or get the *******
and take the
next
ride back?

The thought drowns in depression
there's a lesson here,
a question
I fear needs an answer.

I suppose Friday is always like this
the end of a hard week

the long and the short of it is

do I make this journey or not?

And there's this **** stood behind me who stinks
jeez
I don't want to whisper
B O
I want to scream out

underarm deodorant

this is what life is about.

But it's fine
I'm getting down with it
putting the ***** in and
shovelling ****.

It'll be okay
I'll **** a few brain cells
****** more dreams
bleed out some more life
stifle my screams,

It'll be fine.
Fionn Sep 2021
I see you in my dreams
In vacation home rentals, 
over the garden wall, in the soft paleness of my underarm, the freckles traced into constellations

I pull open empty closets that smell of mothballs and salt. I look for white space, for that empty feeling life gives me, for the sweetness of life on my tongue. All the while, time passes me by, aging my face.

I could cry because the sky is so blue
For my mortal soul is just a fractal in this lonely universe!
For I have no direction, other than that of my heart.
wordvango Feb 2016
Her
I much enjoyed the way
she did not look right through me
she did not pierce me with soul
******* ball shrivelling contempt

or grab my buddy's *** as soon
as I turned around or his girlfriend's, also
I liked how she drank as much as me
but didn't slam her drink on the bar

or challenge me to arm wrestle her
and spit her chaw right womanly like
on the floor, and how she braided her
underarm hairs

She walked gently like a model
in her pointy cowboy boots
and her big knife in a sheath along
her right hip complimented nicely

the 45 colt on her left.
The Islamisation of the world

Birds began falling from the sky, first a few but then
millions of birds fell dead to the ground one had to take
cover for not being killed by the mass of feathered deaths.
The sky was poisoned by our underarm sprays and other
stuff we used to cover our natural human scent, days of
silence but not for long, insects had no enemy bred fast
and we slithered ankle deep in bird droppings.

Summer,  not a pleasure everyone sat indoors feeding
canary birds while swarms of insects clouded the sun.
a burqa that covered the whole body was the solution,
aftershave lotion and perfumes were forbidden and there
were aroma patrols walked around the neighbourhood  
50 lashes and six months jail for anyone who wore the slightest
a whiff of perfume; and overnight we became Muslims.

— The End —