Education is currently being used as a weapon
to arm the educated to defend the system.
Question the system.

Go out there and equip yourself for the right belief.
Be a dreamer. The dream is beautiful.

The problem with dreams is that you don’t know
the dream has turned into a nightmare until you wake up.
Are you awake? Be awake.

The problem with being awake; we need to rest.
Lucidly dream. Be lucid.
The problem with being lucid; you’re lucid.

There was a dream not long ago. The dream was beautiful.
We liked the dream, the dream became ours and we slept.
Slowly we all grew tired.

Those that did not need to sleep,
those that did not like our dream,
we treated like children.

We know that we need to rest and we were tired. We left our children to starve.
We forced others to sleep and so, we forced our children to sleep.
Even in our sleep, we forced others to sleep.
And so the big dream grew.
It became nightmare.

We all dream. Be aware of others dreams. Be aware of others while we sleep.
Be aware of those that sleep while we awaken.
When you wake and see your siblings rest no longer.
That their dream, once ours, has turned to terror.
The problem with dreams…
We force our children to sleep.

Is this bad? Always question. Should we force them to wake?
Force can create. Force can destroy.

The problem with being awake, when we know our brothers and sisters
sweat in there nightmares; we have a choice.

That is not a choice to wake them or not. To hope for the best.
That the nightmare will end and the dream will return.

A dream that has travelled
through the terrors of our minds
will not return the same.

Would you like the red pill or the blue pill?
Is there good and bad? Force can create and destroy.
Be mindful of how you wake.

Be lucid of how you force others to wake.
Tea or coffee; a cigarette; some breakfast; some fear?
Use balance.
We are all unique.

I have a personal story. As I wrote this, typos occurred in the original edit.
The technology, ‘swipe’ was used.  I meant to spell unique and unite was spelt.
Personal became powerful and with turned to WE.
Is there a reason ‘i’ should always be capitalized?

‘i’ wish to be mindful of my readers. ‘i’ want to stay true to them.
We that can read are the readers. ‘i’ am the reader.
When I isn’t capitalized I began to feel more comfortable with using it,
if i gave it arms; ‘i’.
And when I typed to explain that,
I went to preferring if isn’t typing out ‘and then i and then ‘, to just type two of them;
ii.

We don’t want to be alone.
There’s no I in teamwork but
there is and I in kind.
I is complicated. Be you.

Find your voice. Have a voice and be aware.
Others have a voice.
What would happen if we all respected each other’s voice?
What would happen if we all had the same voice?

That was the beauty of the dream.
The dream is travelling through nightmare
and is slowly returning.
It has changed.
Unite our uniqueness’s.

Do you eat fast food? I love it. It is a dream… Do I eat it all the time, I hope not.
Ken Robinson is a good man to ask. Consider food for the mind.

There are beliefs out there. There’s a belief out there that our world is ******.
Forgive the language. Understand it.
I wanted to say, ‘that our world is doomed; eternally ****** to be destroyed’ and that scared me. ****. There will always be nightmares, disaster and destruction.

What is an ‘aster’? Curious.
When did we chose to destroy; each other?
Could we create; each other?

There’s a belief out there for that one too.
Are you awake, yet?

Cherry lollipops,
Roses, typos, mistakes, signs
And blood are all red.

the ego is a balm
for watching herds--
ezra pound is dead..

withought the ***** to make it rue
of wittier witter aphorisms never trilling forceful to undo

singular muse,
where do you come
in head or tip of head?
elusive beauty, disappear
i act in other barefoot dreams


typos bless the will to mean
of finality
of seem seam flawless be
i **** the emperor of ice cream
with concupiscent "words"
that verb the still to be a yogurt burv


single fractal frog
jumps like rhyme of toggle cog,
cutting grandma's mind

empty cup fills want
with other bristle sip+
eclipse Hypatia naked at the shrine
failure of a form
cones another phage
with peaceful loving bawl

freedom fighters flaunt
masturbatory rights of congress whim and taunt
crackle jackal fire sights
sing single missile lights

do i jest
or do i best,
lest simple techne tumble kite of waiting in the dark
of politician's lark
inventive lewd
of plaintiff plea
and rumble drum democracy

venous cud
of bovine mewing in the mud of affuenza's motherhood
strikes painful cords electric suds
that lather in the lackey's trodden figure's utter
venus aphrodite's *****'s foam

hopkins is at home
manley in the rub of constant loathsome comb
that preens a matish apparition's tomb

hello kind traveler
that takes me by the hand
rolling in the grass has never been as such
the band plays off Genghis Khan
like Gandhi spitting soup
in afternoon reprieve of ignoramOus fun

the meaning is ajar
i know i war with Stevens too to
bear the furry calousness of wartime's endless true
a bond of moneylicsious new accounted even in the dew
that sunders sounds to recreate a farflung brew
of history's adieu
which only sPeares you in the gut
(an existential reference here to trope the nom)
elusive Lear that wanders in the Foolish storm caressing cave to find
another mind
that only someone special kKnew of Kent
encapsulating time in brands that offer (a[0I]ether dust for tolling flight
growing down into the mushroom ground
spanning subtentious fraughtful nocturnes in the night
to bide that meaning's plight i wish i
wasn't altogether through
though happy to be here iwth yew

What I’ve Learned as a Writer
By Leo Babauta

I’ve been a professional writer since I was 17: so nearly 24 years now. I’ve made my living with words, and have written a lot of them — more than 10 million (though many of them were duplicates).

That means I’ve made a ton of errors. Lots of typos. Lots of bad writing.

Being a writer means I’ve failed a lot, and learned a few things in the process.

Now, some of you may be aspiring writers (or writers looking for inspiration from a colleague). Others might not ever want to be a writer, but you should still care about writing. I’ll tell you why: it’s an incredible tool for learning about yourself. And if you’re an effective writer, you’re an effective communicator, thinker, salesperson, businessperson, persuader.

So for anyone interested in writing, I’d love to share what I’ve learned so far.

    Write every **** day. Yes, even weekends. Yes, even when you’re busy with other crap. Each day I write a blog post, an article for Sea Change, part of my new book, or perhaps part of a novel. If I don’t have enough to write every day, I start a new writing project. I write at least 1,000 words a day, but you don’t have to write that much. Writing daily makes it a routine thing, so you never have to think about it. You just do it. It gets much easier, less intimidating. You get better at it. It’s like talking with a friend: just how you express yourself.
    Create a blog if you don’t have one. Whether or not you’re a writer, you should have a blog. Why? Because it’s a great way to reach an audience, to practice writing on a daily basis, to reflect on what you’ve been learning, to share that with others so they might benefit, to engage in a wider conversation, to learn about yourself. Anyone who wants to learn about themselves should have a blog. (Protip: Try Sett to start a blog — it’s a great way to grow an audience and community.)
    Write plainly. I think this is from Strunk & White, but it works well for me. I write in plain language, leaving the flowery stuff for others. Academic writing is the worst — it’s so stilted no one wants to read it unless they want to show others how smart they are. Technical jargon, business-speak, pretentious vocabulary, insider acronyms … none of them have any place in communicating with your fellow human beings. Only use those things if you want to hide the fact that you don’t know what you’re talking about.
    Don’t write just to hear yourself talk. Lots of people like to go on and on about themselves and their lives, but readers don’t come for that. Readers come for their own purposes. You’re reading this to get ideas for yourself as a writer, not to hear the life story of Leo the amazing writer in technicolor detail. Now, you can tell stories about yourself if they’re vividly entertaining or inspirational or really instructive. But have a purpose, and be sure you’re meeting that purpose. Don’t just ramble.
    Nearly everything can be shortened. Including this post, of course. I could probably cut 25% of this post and get away with it (I’ve already cut 25%). Go through your sentences and ask: is this necessary? What purpose does it serve? How would this read without it? And if you can, drop it. It makes your work more readable, clearer.
    Fear stops most potential writers. Most people don’t write (publicly at least) because they’re afraid their writing will ****. Well, it will. Everyone ***** at first. You don’t get better at something by sitting on your hands. **** it up, put yourself out there. You won’t have many readers at first, when you ****, but as your audience grows so will your skills.
    Read regularly for inspiration. I might write more than 1,000 words a day, but I read 10 times that. I read books and (online) magazines and blogs and more. Reading gives me ideas, shows me better ways to write, gives me access to the best teachers in my craft (amazing writers).
    Procrastination is your friend. Every writer lives daily with procrastination. If you allow yourself to feel guilty about that, then you’ll feel bad about yourself as a writer. Instead, embrace your procrastination as a friend, enjoy it … and then ask the friend to leave for awhile so you can get your work done. No friend should monopolize all your time. Get your writing done, then invite the friend back when you have free time.
    Have people expect your writing. This is another reason blogs are fantastic: if you build up an audience, you feel the pressure of their expectations. This pressure is a good thing — it keeps procrastination from taking over your life. You know the audience expects you to write, so you get off your **** and you do it. Before I had a blog, my editors were the people expecting my writing.
    Email is an excuse. We often go to check email because it feels productive (and it can be), but it’s easy to use that as a way to put off the writing. Honestly, if you close your email for a couple hours, nothing bad will happen. Close it, close everything else, and get to writing. Your email will be waiting for you when you’re done.
    Writing tools don’t matter. Most people tinker with their writing tools, trying to find the perfect system. ***** that. You can write with anything, as long as you have a keyboard. Yes, I much prefer typing to writing by hand, because I’m much faster at typing. I can get the words out closer to the speed of my thinking. But what writing program I use is irrelevant: I write in TextEdit, Sublime Text, Ommwriter, Byword, Notational Velocity, in the WordPress or Sett editor in the browser, in Google Docs. Just open up a new document and start writing.
    Jealousy is idiotic. Writers can often be insecure types — perhaps it’s a byproduct of putting your soul out in the world for all to criticize. So they’re often jealous of the success of other writers. That’s a complete waste of time and energy. It does you no good as a writer. Instead, learn from the success of others, see what’s good about you, and merge the two. Be happy for people. It’ll make you happier too.
    Writing can change lives. When I publish a post, I hope it’ll be of use to someone. But the responses I get are often incredible — people tell me how much a post or my blog in general has changed their lives. I’m blown away by this. When you put something with good intention out in the world, you have no idea what kind of impact it might have on others. It might do nothing, but it could have a profound effect on someone’s life. That’s truly powerful. That’s truly a reason to get up and write.

And one thing I’ve learned, above all, is this: the life that my writing has changed more than any other is my own. Writing for you has changed me, in ways I am only beginning to grasp. In wonderful, crazy, lift-you-off-the-ground kind of ways. And that makes me want to do it forever.

the tick in the clock
the chatter of an ignition
dishes clanking
Mr. Everywhere
nowhere to be seen
the lungs don't show the lifetime spent escaping
times are cold
but it's too hot in the kitchen
make me a transient drifter
with a handkerchief on a stick
eating an apple
in a boxcar making it's way through cold night
make me disappear a wrangler
an outlaw
delete my typos
and move me to the recycling bin

Under the branches                                                         ­                                                                  Where the tall grass grows,                                                           ­                                                               Th­ere’s a people who hide                                                             ­                                                             And no one knows.                                                           ­                                                                 ­       The way they survive                                                          ­                                                                 ­     Is like none other,                                                           ­                                                                 ­            For they fear the world                                                            ­                                                                 And all its terror.                                                          ­                                                                 ­             They hear the voices                                                           ­                                                                 ­      And see the shadows,                                                         ­                                                                 ­          They live in darkness                                                         ­                                                                 ­        And shake and cower.                                                           ­                                                                 ­     They live but                                                              ­                                                                 ­                 In harsh conditions,                                                      ­                                                                 ­                 Making the craziest                                                         ­                                                                 ­               Rash decisions.                                                       ­                                                                 ­                    Everyone wants                                                            ­                                                                 ­               To put them to death,                                                           ­                                                                 ­     But I say stand up                                                               ­                                                                 ­     And fight for who’s left.                                                            ­                                                                 The problem doesn’t lie                                                              ­                                                                I­n the heart of the ******,                                                          ­                                                              But­ in the mind                                                             ­                                                                 ­           Their thoughts are filled with typos.                                                           ­                                                 They twitch and hide                                                             ­                                                                 ­   And want to die,                                                             ­                                                                 ­         But nobody sees                                                             ­                                                                 ­           The demons inside.                                                          ­                                                                 ­      The voices that haunt them                                                             ­                                                         The nightmares that stick,                                                           ­                                                                 ­The noises torture them                                                             ­                                                               Ju­mping off the highest peak.                                                            ­                                                         Terror and delusion                                                         ­                                                                 ­        The river that roars,                                                           ­                                                                 ­        The horrible psychosis                                                        ­                                                                 ­      The mania implores.                                                        ­                                                                 ­        These people know nothing                                                          ­                                                              But­ how to live,                                                            ­                                                                 ­         With the horrible fate                                                             ­                                                                 ­   That they’ll never be saved.

iPad Love

4:49 AM, and by the light of the silvery moon
and our iPad screens turned down low,
we snuggle side by side, our fingers glide so softly upon each,
each of our own devices, this technique,
it could be an app, teaching how to caress a human being.

No need to tell you in sound, out loud,  
how you turn my heart upside down,
I'll just post a note of appreciation on Facebook,
you will see it faster, and besides, you got your earphones on and
could not hear my sweet nothings if I screamed them in high definition.

The newspaper arrives on the electric "doorstep" -
no longer will do we venture outside in
pink bathrobes and curlers, or boxer shorts,
a legal gesture of neighborly disdain.
Americana, losing another icon, as well as  
insuring the unemployment of thousands of newspaper deliverers,
boys and girls, on bicycles, their first job, now obsolescent.

Your feet, so cozy and warm, touching mine,
the sensation, lovely and fine, duly recorded in a poem
that on my iPad I scribble, as my typos disappear, out of sight.
your ear, I nibble, something you hate and I love,
but electronically, it's done with no fuss or muss, and
I don't even have to move!

Sadly, I can find no app that will bring the warmth
of a cup of coffee to my night table, and the gun metal casing of
this invention is chilly, but still Steve, with almost God like vision,
you brought us closer in ways prior unimagined.

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.

Nothing, something, even as thin as my iPad 2(!)
will come between us and the holiness, the uniqueness of
the human touch.

2011

there are typos that your bare feet left on my back. thoughtless imprints left by miss steps you took. i feel your weight shift as you cautiously measure where you place your miss placed barefoot. you, walk all over my back without a second glance, or thought. you push away the blood in my skin with the weight of your bare feet and bare bad intentions.  there  are typos that your bare feet left on my back. but those bad impressions, never do last.

If I could but learn to discard a wounded piece of self
If I could part with the beautiful symmetry
Of the cogs, driving forth the machinations,
Churning with their white noise, that
Turn to shape maiming thoughts
Then I might one night close my eyes,
Not to images of words bound by self-deriding connotation,
Comprised of typos and back-strokes
But to a peaceful blackness

Yes, I might lie down, close my eyes
Out of a will for rest, not contrived
But organic and my own
And so I know this as my waking dream
Relegated to wake for the night has been
Deemed the world of painful perfection
A place where protection is offered
With a backward hand, carefully made
Patron to the lovely polished mental instruments
Used to bludgeon simplicity and idiosyncrasy
Used to leverage pressure on the scales of the heart
So to tip downward the side of known cyclic indifference
And lift upward toward heightened neglect
The side of pleasure, the side of silenced retrospect

I grow, each sleepless evening, more fearful
That the ugly, backward hand might never forgo its leverage
And, if life is a wellspring of knowledge
Feeding into a stream of lessons
Then my strife stems from reading of the
Same page in the same chapter of the same textbook
A book filled with words bound by self-deriding connotation,
Comprised of typos and back-strokes

On this page, one learns a fundamental formula
It derives the relative weights of who we are
And the happiness we might find
Through some convoluted tale of misfortune
My page was written by an ugly, backward man
So, through unsagely studies, I’ve concluded
That the art of well defined reprimanding thought
Does outweigh in its beauty, the unseen hope
Of a future left to whim and bliss, or perhaps
The simple elegance of chance, goodness unsought

So, for the first time in my life, I seek to unlearn
I seek to roll back the defining lines that once flowed
From the pen in a backward hand that yearned to sow structure
But the vaulted walls that hold the scales of one’s will
Are so dauntingly difficult to unbuild or puncture

This, truly, is the weight that each sleepless night
Bares down upon my sleepless heart, so heavy
If I cannot pull exacting, formulaic pages from my sight
I fear the only peaceful blackness I will find
Is one against no patron hand can levy.

A polemic:
— noun
a controversial argument, as one against some opinion, doctrine, etc.; a person who argues in opposition to another; controversialist.
~~~~~~~~~~~~~~~~~~~~~


our principals have principles.
principles as long and as shallow as a
tv sound bite.

give me ten careful good persons who have the courage to say,
I am unsure.

men and women who can acknowledge that
doubt never changes never ends.

who do not lie with sweet surety
for the cameras to salve their self-knowledge of
prideful lies, yet ashamed of their piece prizes.

when you cannot pay back that student loan,
email them asking for the ten bucks back
you once sent them.

liking the sound of their voice filled
with hackney trite, and give us tripe,
not once but over and over again,
with greater ease of the groove,
then oops, a single apology,
now that they have taken away your choices.

doctors who do not plagiarize
with reckless abandon,
whose credentials are self-certified

mislead so ease.

Bill gets $700,000 to make a speech.
He charges only $500,000 for old friends.
Poor Hillary, she gets a trifling $200,000

Ask Maureen of the New York Times
tells the truth between the
news that is filtered then called
fit to print.

But when they say,
see me and believe,
then send
me ten bucks, once more into the breech,
go and register to vote instead.

we have sacrificed our ability of hard reflection
on an altar of mushy easy cheap construction,
accepting polemics as political philosophy.

we chose this.
we yearn for crumbs of certainty
in these uncertain times.

how we long for a man who can say
unhesitatingly:
let us try this
and if not perfect,
edit and change,
even start over again.

doubt never changes never ends.
seek out these men.
s  elect them.

Tell me something you know
with utter confidence that
men have constructed
that cannot be improved.

when I gaze upon the poems
of my early days,
see the typos
and the hackneyed,
I amend, even delete.

doubt never changes never ends.

outside the fortress walls
behind that you hide,
your enemies are
constructing new technologies
capable of going under over through
the old concrete
of yesterday's stale minds, worse,
molding the lazy ones.

Those who are certain
never confess that
their actions can have
evil consequences,
until you put them in the docket.

then they say,
I did not know.
they knew.

they say
I was only following orders of the
principals.

The worst is yet to come.
The tv is on and the soundbite lies
unceasing.

Those who get played,
are the ones who did not play,
but watched tv.

Bongs,*****, and *****.
No ***** given,
Dumb doobies taking a snooze

Only one true love though.
Touching me in heaven,
Making me feel beautiful yo

Society, seclusion, and ceremonies.
No blessings given,
Hippies hang Uno the key

Typos, trends, trumps.
Everything is so intertwined y woven,
I gotta get outta my slump

Only, one, and unto.
The end a *****
For you I do

The surprise of my life.
My lucky # 7,
For my love, my past life.
My universal heaven,
I would take any slated knife

prefer celery to carrots
light scrunch over an orange hard crack,
straw red over berries bluest,
coffee over tea,
skies white clouded
over
all clear, unadulterated uni-tone,
blondes, brunettes, redheads,
even pink or blue haired,
well, ain't going there
(wink wink,
too smart for that...)

but that's just me

colors viral virulent  over manhattan grey~black,
a good Pinot over a glass of Jack,
beach and sea undefined
over lake delimited, outlined bounded,
ocean caught fresh over farm raised,
city slick over country sweet,
striped bass over monk,
tuna bests salmon,
but both miso coated please...

Italian Indian Ethiopian
Sushi and occasionally Chinese,
all grand,
but my kosher deli and dogs, pickles,
yellow mustard ball parked,
tops them all
especially when serving
all-you-can-eat
over tasting portions...

but that's just me

right over left,
naked better than ****,
polite over rude,
Rembrandt tops Vermeer,
but his light nonethess,
extra over ordinarie...

Swiss over white American,
Gruyere beats goat cheese,
citrus tops apples,
sweet melon my
secret passion,
paprika and oregano,
never ever cilantro,
milk over OJ,
especially, grade A
milk of human kindness,
all flavors

love my poems centered,
(except for this one)
with no sugar added,
but a lot of cream and sweat,
both a necessity, not a luxury,
prefer mesmerizing,
crafting hard, laboring,
me writing, you imbibing,
leaving you oohing and loving
me
because of the appreciation built in
over
ditties that are semisweet
sugar nadas that populate the
easy come easy go away
poem of the day

but that's just me

like myself hard
cause when I melt,
to a child's grin shyest,
laughter silly me provoking
it is ever so better so...
tears, any kind, don't mind
laughing and sorrowing pouring,
let genuine be my only test
speed limit barrier unlimited

sorta saved a street crossing
phone-occupied-woman yesterday,
put my arm across her body
fast hard, unasked
so she wasn't
bicycle crashed,
both looks well received,
the *** and the gratitude,
but latter over former,
if I had to choose,
but I dont

but that's just me

Joanie M. over Judy C.,
Amy over Adele,
Eva Cassidy over all...
Zombies over Beatles,
Blunt over Taylor,
Rhyming Simon over Billy Joel,
no typos over flaring,
glaring no caring...

your poetry over mine,
cause it amazes,
cause mine,
just old familiar crazies,
just runaround Sues from yester pester days,
transcribed for a someday later
future grimacing laugh of
good god did I write that!

but that's just me

wrote quite the many
literary escapades
this morning,
like the yore,
good old days,
when every glance,
remark passing
made me run
to tablet them
in perpetuity ASAP

placed them before you
scattered thither and dither,
like all that jazz notes
running hands over planes geometric,
most just average,
but all there in hopes
you would love me better

but that's just me

sneaking inside you with
a wink, a tink-ering whimsy,
a stupid smile, a wicked sinning
humongous grinning
with a belly laughing,
havoc raising, me crazing,

*but that's just me

I need to stand out
Like typos in a paregraph

every night i shower and brush my teeth and shave and try to look cute in my boy-short ******* and big flannel shirt because every night i hope i'll sneak out to see him
but i don't
and i miss him
and my chest aches

I don't need you
to promise me
you're never going to
leave.
But what I want
is a promise
that while you're here,
you'll love me
for everything
that makes you want to stay,
but also everything
that doesn't.
Cause what I've discovered
is that you cannot possibly
really love someone
unless you've fallen in love
with all their broken pieces
in addition to
the parts of them
that haven't yet
lost their sparkle.
So the next time you find yourself
reaching for my hand,
know that I don't need you
to promise me
you're never going to let go.
All I want from you
is to know
that when you take my hand,
you're also taking my heart,
which really isn't always
as strong as it wishes it could be for you.
But what it is
is the kind of heart
who wants to see your pages opened
and read you word for word,
because it's fallen in love
with all of your phrases
that could be passed for poetry,
and also all the parts of you
that you might consider typos,
but I consider incredible.

I once knew a girl,
back when my posture was good,
we wore matching shirts,
jeans and shoes.
She kept her hair long,
to hide jealous shoulders.

All the loud voices
didn't have a thing to say.
They didn't resonate,
hammering on doors,
denting ear drums,
enunciating mispronunciations.

I played football in times square,
passing glances and stairs,
had rock climbing races
to higher elevations.
My badly tuned feet couldn't run,
ankle bones off key.

There's a saltwater film
frosting my eyelashes,
clinging to my tongue,
holding down my yells
to the quiet machines
that toss boiled eggs in the air.

Up to their knees
in the dark left behind by streetlights,
they rolled up their pants for wading.
They lingered in docking terminals,
standing still,
becoming dust collectors.

Somehow we're all just wanderers,
citing passages we herd
in front of us like mountain goats.
Ambling across empty intersections,
walking in handstand through cul de sacs,
picking up litter from busy streets.

Books for readers wear little letters,
use big words with four syllables.
They showed me how to fence with trains,
ride red wagons down hills,
win marmalade coated cricket matches.
I never judged the typos to be out of place

(I accepted the bits they forgot to erase)

sweet jesus
life is outrageous
listless alligators
try to upstage this
drift from forms
to formless sages
residual wages
furnishing your cages
threadbare leather workers
raid our refrigerators
rage is impulsive
sullen lisps and swollen lips
frame our faceless daughters
in their water glasses
houses of hunted howling
hourglasses
dreamcatchers and dancers
humongous lanterns
burning pages
place-mats
on your dinner tables
why do they feel so out of place
is it the way we are made
have you any
doubts about your origins
what is the worst
thing you’ve ever faced
are you exposed
to typos regularly
tokens of penmanship
and fraternity hazings
hostelries and banquets
growth is dependent
only on intangible quotients

have you ever sat up at night
just sat there cigarette after cigarette
a feeling of what the **** is going on
why this and why that
the pillow might as well be cement
the dark inflicts more wounds than rest
what keeps you up
faces, expiriences
**** i dont know
its everything all rolled up
what words exist in any language to describe it
its your worst nightmares
and the best high youve ever known
they simultaneously intertwine
to become something resembling addiction
i mean what else could it be
its the best gift a mind could be given
yet drives you to see your dark edges
like fire and gasoline
its beautifuly destructive
but like ashes on the burnt plains
green grass may grow again

I have a plan to go mad
It will not take time or money
You don't have to do a thing
But bring me lunch
A sandwich, maybe, on the train.  
No, on the steps to the platform
You will see me.
No, you do not see me,
tu me sentiras

------- ----- -------

I put my best bottles in the recycle and I was proud watching you take them.  
I thought to myself, they are doing a service, and I them
by washing the bottles out first, I write this until it whistles in my ears.

There are two typos in my last poem
There are two types of poems, my last one and the one that is being written.

I am serious about the ringing in my ears.

put down thy pen,
it is in disrepute,
smash thy tablet,
crack its glass...

house the mouse,
don't be an ***,
genus human,
you have been
antihero morphed
anthromorprophesized,
******, simply, replaced

you poem prophecy
returned,
stamped,
Unneeded, Unread, Unheeded

you have been excused,
you have been recused,
jury, a chamber of inconclusive noises
dismissed,
the judge will digitally
write all
from now on...
submit your selected tags
for laughs,
a different poem returned to you,
by a digital "humanist"

what do I crave?
give me your youthful typos,
let me literate critique
the good, the bad, the
trite repetitive and especially
the ugly
poetry,
the kind only
humans can write

so I love or hate it,
your literacy,
with impassioned dispassion,
the kind no machine will e'er transcend

pull the plug on your random alphabet generator,
Eliot of York,
or you might find yourself
upgraded into unempoement!