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Donall Dempsey Aug 2018
MONKEY IN A RED FEZ DANCING TO ABBA

I watch the children play
on a sunny Sunday in Rotterdam

like a stereotypical alien
studying humans.

Their cries rise and fall
like seagulls as they swing

sea-sawing or blurring into one
on a brightly coloured turnstile.

A man looking
like a badly drawn cartoon

turns the handle slowly  of
a broken down barrel *****.

A monkey in a red fez
dances on the end of a chain.

The barrel ***** spews out
everything from Abba to Franz Lehar.


The decrepit old man
and even more decrepit monkey

appear as if they have
stepped out of another century.

I am far from home.
The day is dying.

I read from my battered book
Hamsun's HUNGER.

It's lurid cover torn
half hanging on/off.

The park deserted now
as night steals its colours.

The last words of
of this the final chapter

are lost to me
swallowed by the dark.

The barrel ***** peersists
the soundtrack to some forgotten film

The monkey red fez
fallen at its feet.

The monkey blissfully
asleep.

The music caught
entangled in branches and  leaves.

I watch the yellow lights
blossom one by one

a silhouette of houses
like a stage set.


Houses like cut-out silhouettes
a stage set.

The last lines revealed
under a passing  lamp

"...where the windows shone so
brightly in every home..."

I laugh at such
a coincidence.

Leave the book on the bench
for some other me

to discover
when the sun comes up.

And return
to my space ship.
Julian Jan 2016
Gruesome blister on a denatured mind
Chimes rumble the anchored soul foggy with Elysian wine
Flippant ruse ignites a battered fuse rusty with malevolent impotence
Blustery portents beyond expired extent throngs the chapels and pickets along the electrified fence
That separates the grave from the gravity of a physics enslaved
A physics where disillusioned mathematics and decay are as sure as taxes and the last earthen day
Nescient of giant leaps our stepwise ascension is helical and cheap
It snails along with unctuous repetition of pendulous rhythm and sails biologically with evolved and animated meat
The advent of acid and bass is a keepsake for the epicurean chase
Of a fulgurant galvanization of phases that remain unfazed
Trends punctuate vain diversions and lionized conversions both raise and raze
The velocity of money ensures a melliferous alchemy of a well-oiled plutocracy buffered by praise and pay
Ivory-tower elegance is immune to demotic ignorance
When the shot-callers devise the rules to the game with impenetrable clandestine eloquence
Hebetude and lassitude sink abundant platitude and offer trite prescriptions for useless attitudes
But the vogue of disembogued vanity entraps individualism and trains martial raillery
Trends tantalized by preening epigamic tens makes the roosters become owls that neglect nest egg hens
Fatuous ambush of the Kardashian putsch is as clockwork as Big Ben
Murky lies appear in flimsy disguise suitable for mice “say cheese” demise
Privacy cries and answers only lurk accessibly when spurred by wise “why’s” never asked when garish time flies
Tweets and beats make us obese with threadbare wheat cultivated by nescient bleats
Beatific ambition obscured by the wail of sheepish sheep
Outnumbered by obtuse angels and a cute horde of meretricious dissolution that ever wrangles
The shelter turns to rubble and the cloister turns to bustle: useful convolution thus entangles
Agorophilia defiles a voiceless lechery on speed dial
Disembodied violence sprints a green mile bankrolled by the peaceful throngs slowed through the paid but dilatory turnstile
Thus we loiter in queue as the slew of vibrant militarized celerity taxes our pews
Pews which enthuse jingoism eager to apportion sentient deaths through religious abuse
We can surf beams of light chasing verisimilitudes of diversion bright
Of unwagered immersion gambling a pittance for vicarious thrills and riskless fright
To discover the vestige of war, a useless artifact of sore egos we now deplore
An enormity of unmoored evil percolating apace of the paradoxical rush hour from shore to shore
But more decisively than an implacable brush fire on pristine ground abetted by sleek star-crossed winds that soar
Irenic ignorance placates, because a vagrant vacant mind is more a felicity than a bellicose grimy crease
Because excess corrodes squinty detests, and partial enslavement is both a rest and arrest to earth’s untenanted lease
Decries the devolution of pop culture that transmogrifies people into sheep and then makes them sheepish over their peccadillos. It also bashes war as a callous mechanism of useless death. It concludes by asserting the paradox that the throngs in real life slow our movement but we can move at light speed through technological implements. It concludes that useful idiots are irenic if also disheartening. In the earlier sections it laments that materialistic monism is taking over because science has made us deterministic and thus blind to the numinous beyond that staggers beyond our comprehension. It addresses how we are silently monopolized by artful esoteric chess masters immune to trifling quibbles, and how distracted society has become with respect to digital plasticity and consumerist disfiguration spurred on by fatuous and meretricious values. It further satirizes the effigy of modern culture deliberately disfigured with grandiloquence to deploy resourceful linguistic invention. I hope you enjoy this piece!

Here is a response I posted on another poetry site with respect to this poem. It explains the emblems, themes, philosophical agenda and metaphors of this poem so that more people can appreciate the level of meticulous care I preen with my craft
“I understand the charge of hyperbole, that was unintentional. It is an epiphenomenon of protean grandiloquence ( multi-pronged connotations suffering entropy through translation) crafted to emblazon lurid imagery and to conceal arcane mystery with an emphasis on cadence. When you use big words it is inevitable that some words chosen connote more strongly than you originally hoped for when writing it initially. Also, it was not designed to be solely a scathing harangue bemoaning the decadence and anomie endemic to this zeitgeist. You should read the final four or five lines (after I lambasted how war makes human life unnecessarily disposable for expedient aims). In those lines I marvel at miracle of technology wizardry and insinuate that in modern times we can wager much less to gain the same thrills we would have risked life and limb for before. Instead of a bottlenecked turnstile of industry that admits one person at a time like when entering an amusement park (the sluggish pace of premodern industry) to fund the clunky and internecine annihilation operated through rapid-fire death ( “Disembodied violence sprinting ‘the green mile’ A.K.A. a prisoner’s last walk before execution). The pace of society is a central theme of the poem throughout. The gravity of a physics enslaved implies the dilatory and dismal apprehension of a universe moving at an infinitesimally slow rate. A helical and cheap evolution mediated by animal meat snails along throughout history only to precipitate the exponential acceleration of human progress witnessed more recently after the advent of language. The rate of speed (the velocity of money line) is the lifeblood of all culture and all entertainment but it has become such a blur that it obscures the inveterate values of a leisurely stroll rather than a hedonistic galloping gallivant. Ironically, the plutocracy depends on gradate—(thus slow enough to lull people into the “say cheese” mousetrap (privacy eradication)—cultural devolution (clockwork like Big Ben to me evokes the imagery of a slowly ticking clock, a fixture and emblem of the proctor of the old world domineering over newfangled world prospects). Pop culture centered in the Anglophonic world depends on a rapid velocity of vagary blustery with money inuring people to fast-paced changes that abide by slow-moving subterfuge( the Kardashian putsch). The word ambush in that sentence implies that the encroachment of hegemons depends on a furtive approach solidified by an alacritous leap at the heartstrings of mankind in a moment of brinkmanship. The mousetrap is the slow roll but steady bet “say cheese demise”. The irony is that the only way this plan could work is because “wise why’s are never asked when garish time flies. This bewilderingly rapid pace is also the mechanism whereby sheltered obtuse angels are desensitized by breakneck cultural celerity that disabuses their naivety thus leading to useful convolution (paradigm shift). But there is also a lament that “meretricious wranglers” could lead to unmoored decadence bewildered by a smug agnostic relativism tethered to nothing more than the culmination of momentary fads reverberating in a plangent delay chamber like a finely crafted sound effect in a musical production program. The poem ends optimistically by concluding war is a vestige and concedes that partial enslavement (PC culture) is irenic precisely because it shepherds pedestrian considerations predictably in order to secure a stalemate. The Earth’s Untenanted Lease is thus arrested by counterbalanced nuclear specters. This leads to a rest and also an arrest of territorial claims. There is so much deliberate and emblematic imagery deployed here, drenched with subconscious enrichment that is unintended. A perfunctory interpretation of this piece misses so many astute cultural commentaries. The poem ends on a relatively positive note. The final several lines announce war as a vestige but concede that peace is built upon a latticework of acquiescent sheep indoctrinated to despise the past rather than learn from it (this goes slightly beyond what is directly stated). This poem in essence is about the ironic dynamics of history at the intersection of our modern cultural identity.
st64 Dec 2013
the farewell of the magical-masque
           the dance of the whirlwind
           the twist in valediction
a pantomime of comedy dripping in life’s heat, its tragedy blooms forlorn
silently the mountain-ranges stare
the sky-face won’t relent and contemplates the open-disease in homes*


1.
disguised as simple relief – rescue lies cooing in the palm
     crumbling in blue-ash beside your grinding-palate
     you reach for pen and paper to appease an entity unknown
shrouded in grey, no scavenger can touch the head of one
who carries blessings in the scabbard – the present worthy of now

stairs are slippery, fish are mouthing, anger grows
     symbols hop along outrageous, so stylised and signs come in decisive
     all at once, almost
there is some purchase in the widening-valley
when climbing-feet need to rest on your narrow angular-will
and wait.. (before them chips rain down)
until the merry-turnstile comes in view


2.
the worm-wheel goes blank a while
and out tunes a dastard-and-devilish prank, courtesy of blunted-fate
sacred-fillies get hacked at by small silver things and they lie slaughtered on stark-plains
and the orb dips in reverse this time
a sooty-traveller from the western-flank
               glances out at massive-figures at supine-rest
               gets startled by the rude ***-fire
eyes slit and pates distort in hostile-fever
at the starling-ingénue in mock-fatigues and fake-epaulettes
but cheering up with wry-humour makes your feet
           a touch too slow to react in time
           and the halberd comes crashing down
well, the last thought you hold before your next one
is how utterly beautiful she looked at the station
long, black hair – silky-shining in your eyes and gay-dancing in the wind
when she passed you all her sweet-love from eyes so wet and smile so quiet
and selected dried-fruit in redolent-parcel
                                   a sealed pelt-skin of unmixed-whiskey
along with fresh-baked raisin-bread in cotton-cloth
                    coarse-sliced and buttered so generous
and
a semi-rusted dry-tin rattling its bounty of macaroons through that smudgy, ***** window
what sweet-victuals to keep alive . . .



man, that journey is a long one!


                             (I’M STANDING HERE        oh, you just know I am here

AND YES -- I’M WATCHING YOU                        
                                                                ­               and no use looking round now..
      YOU CANNOT SEE NOR HEAR ME  
                                                                ­               or begging a purty-release
                                                                 ­                                             
                                  oh easy, boy.. EASY!!)                                                          ­                            
                                                                ­                                             
                   ­                                          


3.
once more, the worm wriggles in microbial-distaste
and the season’s wheel comes dangerously close to being undone
IT DOES
and seconds later, cogs fly hard in every fool’s direction
and luckily.. you catch some in your face.. mouth agape
        crushing your tongue
        splintering all your dental-treasure
        smashing half your reason
no time for moaning.. or eroded-regret.. or even to feel your lips in ribbons
for, when they turn their backs, you will know
what to do..


because you’ve picked some pearls the hard-way..
that atonement could well appear in spells
of any shape
or size




not so?





S T, 30 dec 2013
beautiful in the mountains.. Jupiter enjoys the odd (but needed) breeze along with sweetness of Nature’s sounds  :)



sub-entry: ten times

you get ten times to refract your pain
mind your head now
the ceiling’s low
the parchment’s dry
and then some..

wait a little while.. it all comes round :)
Chris Jun 2015
-

Caught in a turnstile dreaming
Spinning with no place to go
Reaching for lights in the ceiling
Blinded by something aglow

Losing my ticket on Sunday
Searching each pocket I wore
Wondering how I will get there
Into the arms I adore

Missing the bus that was leaving
Stopping for just a short while
Up pulls a man on a scooter
Wearing a slightly bent smile

“Hop on, I’ll go where you’re going”
He says as he gives it some gas
“Here, better put on this helmet,
So many cars we will pass”

We head out in either direction
Exits are lined by the way
Speed limits posted in crayon
Sixty-four color display

Then all at once we are flying
Sparrows look on with a sigh
Over a skyscraper napping
Snoring as we’re passing by

Higher and higher now climbing
I look at my watch, almost noon
We turn at the belt of Orion
A rest stop this side of the moon

When suddenly I am free falling
Tom Petty would surely be proud
I gaze at the station below me
The wind in my ears very loud

And there in the turnstile dreaming
I see once again it is true
Waiting in line with the others
Is me heading off to see you

That would explain why I’m happy
Head in the clouds up above
The ticket my hand it is holding
I’m going to be with my love
Just my imagination running away with me
Sjr1000 Nov 2014
The driver
she wears mascara
the
last remnant of her humaness
she's always been a
little blessed
she's met her death
many times.

You can hear
her coming on
the winds
freight train sounds
through the Jeffrey Pines
this train isn't
Bound for Glory
this train's bound
for eternity
a one way
ticket with
no return.

Though I've always
rooted for reincarnation.

This train
stops for gamblers
midnight ramblers
**** addled ******
addicts caught between
nodding out and cleaning
the refrigerator with a tooth brush.
Even saints on board will stay.

The oblivion express
your going to hop
on board when your
ticket is punched,
the ticket taker
laughs and smiles
his last glimpse
of humaness.

She's the driver
he's the turnstile
they were once
an item
before they were delivered
to their
new careers
never to see each
other again
except through the
glass of her engine.

The fire is stoked
the express becomes
a local
stopping for each
and every
daily passenger
you can hear that
whistle blow.

You don't know where you're
headed
you just know
you gotta go.
Her mascara drips down
her face
you and she
the ticket taker
too
there is no escape
the oblivion express
just around the corner
and
on its way.
Oblivion Express was the back up band for a guitarist, Robin Trower.
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
Gigi Tiji Dec 2014
sorry fickle fanatic
friendly fuzzy teddy bear
beetle on its back trying
to turn over with a pen
from a bouquet of pencils
bouncing ink stain firewall
bouncy ball

sitting on a turnstile
with tessellated tiles
counting liars for miles

I'm sorry if I'm being such a fickle fanatic.
Should I be ashamed? I am confused.
I just want to be a fuzzy teddy bear
but I'm just an angry beetle
on it's back trying
too hard
to turn over
and I feel guilty now.
I turn over and inside out
with the help of a pen from a bouquet
of pencils bouncing on ink stains
firewall bouncy ball
sickness
I feel uneasy

I'm sitting on a turnstile
watching the tessellated tiles
as I count liars for miles

shuffle shuffle click click

sorry girlboy
boygirl **** that
find some ******* friends,
you fuzzy teddy bear
you're a beetle trying
to lay on its back and turn over

try writing with that pen
you'll find it's a bouquet of truths
pick one out and run with it
they're all just bouncing
ink stains

You sit there on a turnstile
watching hundreds of your selves
shuffle shuffle on click clicking
you count yourself over and over
and you're the tessellated tiles
you're watching yourself
counting liars
Kyle Kulseth Aug 2016
The nuts
and the bolts
of your automatic habits
programmed scowls and slowing reflexes
               keep you
     matching wits with no one
               every night.
             And you keep
slipping
     back into your 6-month rut
     with your cold sneer,
      hands in pockets,
      your shrinking bank account
           and swelling gut...

The Mountain Lines meander,
you're just killing time and brain cells.
Ashy days are tasting bland.
Bus routes circle back on themselves
          like your footsteps every ******* night,
          this town will raise its hand,
          you'll retreat into familiar flight.

                                                      Cr­inge
                                       'cuz it's so easy.
                                                       Cringe
                     at what you have become.
     Come back on your loop repeating.
                                 Potential's mocked.
       You're numb and deaf and dumb.

And you've never surrendered.
But that's not the same as winning.
Pinning hopes on snapping out
of it and sleeping hearts on sleeves.
          Heavy footsteps every ******* night,
          a walking metronome
          passing cross-streets just to pass the time.

Your dull,
aching eyes
that you peer through every sunset--
programmed scowls squinting through preset acts--
               keep your
       dulling wits all silent
              every night.
           And you'll keep
walking through days like turnstile gates
and send each night on down the line.

Send each night on down the line.
Sequoia C Aug 2012
swoosh and swirl i sway
the air convulses and contorts
pouring my limbs from one movement to the next
driving one mad with the slow moving power of the
strings

blow bubbles made of sand
and spill them upon the earth
with a sweet blowing breeze
similar to the chickens upon the ground
made of gold they eat gold
kernels

i am an axis of movement
a slowly rotating turnstile sparkling
in orange light drowning
time out of the hourglass
with the twitch of the inconsiderate wrist
bright red and gold the kernels fall into sifting
sand
I felt as if I was descending upon hell itself, the irony being that I ultimately chose to enter through the metal turnstile gate, fully knowing that by doing so I could have no intention of turning around. By this self-declaration I had sentenced myself to whatever remained below these concrete subway steps.

I heard the clambering of demon folk or such similar above and behind us, down the long corridor. The bottle in front of me sweat beads of perspiration as I wished to dive into its cool abyss, but at last and a las our train had returned from its voyage previous and my companion and I ran to board it, in the process spilling my open bag upon the ground giving us almost no time to collect my things and sprint forward to hit the closed doors about to move on without us.  Later I said
“good call on getting the water, but bad call on missing our last train out of this concrete hell hole.”
As the constant distant voices of normal conversation and relaxed but regular footsteps progressed on inching towards us I noticed that at the same time a crowd never seemed to appear from either end, slowly crawling towards our position, never reaching the shadow of the light.

Then all of a sudden the room became crowded with all sorts of commotion and populous. It seemed that from my right and my left there seemed to be young attractive parties with no elderly or even near middle aged people to been seen, gallivanting and carrying on with the utmost sensation of joy and festivities. I knew this should have seemed nice, but I eventually came to the realization that this was not heaven but merely a mirage, one where my friend and I were marooned on a floating rock on top or this lava river of a Metra track, unable to swim towards the parties edge or escape through the tunnel in front or behind us.

Right then as the deafening roar dimmed from my back, I remembered the train that just arrived was not for us but headed in the opposite direction for we had chose to face the way of our destined transportation since our first mistake of hesitation.

Once safely through the translucent portal and comfy in my seat adjacent to a stabilizing chrome pole, I noticed to my right was a group, and including a boisterous individual with a puffy bruise on his right cheek bone proving a previous fight, and inside his pierced and cracked lips a glowing e-cig billowed, blowing out water vapor, saving the planet, not ruining lives.
I believed that group to my right to be speaking of something very high minded, allowing me to think they were old friends, intelligent and witty in their own right. This lead me to find them all very attractive in their own right, when I discovered their talk had been disgustingly insignificant and a kin to sleeping arrangements in an outdoor tent or a simple car ride with ones extended family members.

And I saw myself in him, this grotesque and angry beast, churned out by societies digestive system and beaten back into sensation to go off and create a horrible husband for some very unlucky girl. And the transcendentalism then that hit me now of how I was him and my father and the hobo three seats to my left too. I was all of them in different paths of alternate truths allowing my specific character, now, to go forth on any path, different paths, leading toward mediocrity, excellence or insignificance. Tell me, whose path is which in this metaphor?
brandon nagley Apr 2016
In a secret chamber mine love-
novel to other's, we shalt repose.
Thought's to not only be understood
In the physical, but in the kingdom
Wherein living water floweth
From ourn soul's. Pinnacle's
Defying scientific theory of
Time and space. For where
We shalt be there art sea's
Eternally unspoken; Only
By God shalt one seeith the
Glimmering turnstile, none
trespass allowed there, none
agápi to be defiled. Here, this
Place we shalt floshtarize in
unbarring liberty; a cordillera
Aloft the breeze we shalt ascend.
Ourn spirit's wilt twist and bend
To the notes of saintly chord's. O'
Anon mine girl, anon; we shalt sip
From the grip of turquoise pond's. As
The treasures we wilt collect, shalt be
providential, ourn residential abode-
white as snow, O'er the Show
of the most essential.


©Brandon Nagley
©Lonesome poet's poetry
©Earl Jane Nagley ( àgapi mou) dedication
Repose- be lying, situated, or kept in a particular place.
Novel- strange,
Chamber- room.
agápi- love in Greek tongue.
Floshtarize- this is a word I created as I do many.. This word I made means ( unite spiritually becoming one being)...
cordillera- a system or group of parallel mountain ranges together with the intervening plateaus and other features.
Aloft- up in or into the air; overhead...
Wilt- will....
Anon- soon ( archaic form).
Art-  meaning are in archaic tongue.
providential- involving divine foresight or intervention..
O'er- over ( archaic way).
Martin Narrod Apr 2014
Kiss me in hallways and backyards,
in barrooms, and back rooms and in basements,
enslaved with the treatment and easement of lips
twisted which time ceases to be with
and be of, to believe of lease treats of the Grand Paradis,
trysting bright lights of the night.

Give me a center to move around,
a dance to take my hands into, a wall
to build a fortress on, a body to move
motionless inside a shadow upon, fending off tides,
embodied in touching, this turnstile of heavy whetted emotions churns a fuse,
burns loose the moment that time has lead us to produce.

So cute. Impeccable,
irrevocably festive with all of the pyres night's desires
iron onto our wrists, lifting up each other's shirts,
flirting with our fine twilight dessert.
Sewn by such estranged Earth's involvement, our arms
wrapped, chests spasming with deep breaths and ripe
peddling. Pampering first chaste grace of the soul, whether
our bodies entwine or fast in the hours of this world.

How conceived of delight, the moments effervescent reproach,
like Apollo's gold wing's flying from his chariot's coach. The mien
of publicly idling in two, what seemed like an hour happened
in only sixty seconds times two. A year passes, entranced with
shining infinite lust, with a cornucopia of different kisses that
began with just us.
JJ Hutton Nov 2018
Zigzag the stitch
and rub a little jelly

rickshaw fresh
mama to baby

turnstile linen and
swaddle

good times
soon to follow

simulcast the
charged circumstance

mother, verdant
mother, vessel
mother, hollow

forecast past
the sleepless
and bloodless

fixate on
first steps, first days,
first sorrows

dumbfounded fully
by where it all started

adulthood summoned
by a little ****** and folly.
John Apr 2013
In the Pine Barrens
Where we go, where we sleep
Is the place where the wind
The wind blows and water's deep
You can hide your head
And disappear for a while
In the thick trees and tall grass
Natures gateway, natural turnstile

So meet me there
When the Sun is hanging low
Don't brush your hair
Only thing you need is to go
With your heart in your hands
Intent on burying in the sand
kyle henderson Oct 2012
She smiles while she sleeps and it makes me happy for a second knowing someone can find the sun in the dark side of time
In this endless division of multiplied layers to keep out opinion wind join the work force be a team player head held high as you bury your spirit in the ground
Sacrifice yourself  to stay with the breathing the couch ridden children of no parent praise mystified by misuse
Ever day is a reminder that another has passed
The turnstile  smiles are abandoned ghost guests  try again tomorrow I guess
Fight with words written to corrall the pain I look over and notice where my sweet love is laying and the sun begins to shine in the middle of my night I don't mind saying its all gonna be alright
The Jolteon Jan 2015
Boom boom
Ratatat
Organized thugs
Navy blue hats

Singing songs
About murdering kids
LAPD
Pleading the 5th

Boom boom
Ratatat
Organized thugs
Carrying bats

Jumped the turnstile
That fare ain't free
That's 10 from behind
In the SFC

Boom boom
Ratatat
Organized thugs
Pointing gats

New Years passed
Face down on the ground
Fruitvale Station
A pop the final sound
Michael Brown, Kenneth Harding, Oscar Grant
Monday morning commuters
Wrapped in layers
Of wool and polyester
From China,
Spill off the train
At Grand Central
Like grains of rice
From a busted bag,
Rushing everywhere
And nowhere...

Can you scan me through
Sir?

She queried, a flicker
Of hope in her weary eyes
I'm trying to get to
The homeless shelter.


Was it a lie
Or a ruse?

Was this brown-skinned woman
With a mole on her cheek
And a flicker of hope
In her weary eyes,
An artist?

Wary eyes trained to detect
The giver within
And among a bustling throng
Work-bound,
Bearing finite degrees of discretion
In their wallets and purses...

Her pleading brush chose me today
As I ran up the stairs
Strides fueled by Maze...

Spirit stirred by Saint Nick...

I succumb,
Granting her wish
At the turnstile...

As a few men in blue
Huddled nearby
Cradling morning brews
From Dunkin...

~ P (#asfrh)
(11/25/2013)
Dear Mr.Wine.......
Why doth you taste indefinitely divine?
Was it your soft yet hard sealed cork,
Or was it medusa, your duchess renound sort?
So ruby rose you are, an elixir for the affluent
Your taste yet sour nor sweet, sometimes bitter
You are to me,
Yet it all begins from opening you
From using my turnstile top of thine corkscrew!
I call it the corkscrew bop
Spinning of the top, to pop the cork off
Does my corkscrew do
So that we may drink a few
aj heatherly Mar 2017
tea-cream earth underoak
lying drenched in sun gleam
streams, a sky in between
the green sheets laid upon
and the beamyblues

breezes blew past
our post-modern monument,
and I shuddered like the towers,
as i was amply leafed.
strong winds knocked

branches loose, falling from
seventy-four inches up in the air.
a logjam tore a hole
inside my artesian mouth.
still, fresh spring water

found a way out,
taking a ride in a turnstile
cycling through
riffle and pool
all the way to its end.

clothes soaked, made holey,
by rain no righteous men know;
I tried my hand with a needle and thread
still trying to forgive,
a soft fabric to sow.
thanks for 5 years hellopoetry. this was the first place i felt safe sharing my work. an incubator.  so happy to be a part of it

see the photos:
https://www.instagram.com/ajheatherly/
copyright 2017 aj heatherly
I can only summon feelingfulness like the passing of a dove,
postponing its arrival mid-air, somewhere along the tucked
bramble across Poblacion, starting with metaphorical sensibility
or an insensibly bland space to procure wanted meaning.
Girls prefer roses and their bright foreheads diademed with more
flowers, and boys, their chiaroscuro or lack of a color thereof, seems
to be fitting in this maladroit contrast, and so I begin, as always,
with your very vague and caged memory. Your face, the whiteness
of snowcapped alps. Your strut, my slalom in a treacherous course
of words reduced to whisperings, to flutings. Your voice, though nuanced,
flitters with an overtone of arrogance: if sound was clothed, yours would
be flamboyant ermine. And the line in front of you before I, my arbitrary turn,
assimilates into a picturesque form of waiting somewhere in Cubao.
I wanted to smash myself with train-speed towards the metallic turnstile,
which, would then famish me even so, just as much as I wish to be a car crash
somewhere within the outskirts of your town, heavily vandalized by the swill
of squalor hefting itself like the rest of the world conscious of its viscera.
  This is how I start you – like waiting for the sun to emerge by Borobudur,
or the clandestine *** of mildew and grass, a hundredfold of images appear
before me and I cannot choose upon my whims and caprices. Are you a dove?
A spear of Sun? A thunderous crackle of an impending rain? A harlequin?
A moseying cirrus? Or just another by-stander in the crowds where I ultimately
seek your being?
      This answerlessness measures my knowledge of star, and my breath snuffed
out of me while I sigh from exhausted penchants, outweigh dissimilarities and symmetries.
A progeny from all superseding conundrums arises: are you a retrogression of a wave
back to its saltine wound, flailing in brine? Or are you just the vast sea and nothing else
on a fine and lucid day where children skip stones and chant name-callings?
                   I sense the peril in this undertaking, and much to my chagrin, I still
   do not know how to end you.
Joshua Green Jan 2017
I know what i need and not what i want/ Ironic, emotion is my one enemy// The one thing i wish i could destroy// Is the one thing that builds me as a man// Or should i say boy/ because i don't know what i want// I am in a loop and knowing for a simple fact that my one problem/ Is actually showing myself is hard// Harder than trying to break a brick wall// I am busy losing myself trying to help others// I am in a constant turnstile, swiping my card// Hoping that i can get to my train and ride away/ Down dark tunnels and find that bright light/ Leading to the surface// I still wonder what it is i want/ Constantly repeated in my subconscious, the same nuisance of a phrase// "It hurts"....."Its hurts so much"
Only The Beginning
Caleb Eli Price Dec 2010
She took my mind and she took me completely,
Folded me up in her pocket quite neatly.
The ink from my mind went well with her paper,
My body of clay fit so well with her shaper.
Brushed away by the wind and the willow,
Only one head now asleep on my pillow.
My blankets are broken, my sheets have been torn,
I thought I was life but I haven't been born.
So magically placed in my bottomless pocket,
Fell to the bottom, got lost with my locket,
Now all my eyes can't take you away,
Burned in my retinas but you wouldn't stay.
Rotating, spinning, my heart on a turnstile,
All of sudden, before, after, meanwhile.
Here I am sitting, but there I did stand,
All of my armies have left my command.
Mutiny, now, of my red and white blood cells,
Ready to stand at the gold ring and brass bells.
Falling apart like my castles of glass,
I knew it would die, but I thought it would last.
Why did you have to take back my art?
Why did you have to dismantle my heart?
Now my creations have washed well away,
I built you a theater, but you wouldn't play.
Open my ribcage and take out my feelings,
'Cause you won't regret the emotions you're stealing.
You said it was love, you said that's how it feels,
And yet, somehow, I don't think it was real.
© 2010 Caleb Elijah Price. Reproduction in whole or in part is strictly prohibited.
Jack Oct 2014
~

I drove the spike that bent the spine,
the screaming left me at the turnstile
without exact change and late for the sunset

Slippery tracks added to the conceit
where beggars paint sidewalks
in day-glo Picassos leaking onto the curb

Cardboard memories create warmth
in perforated dreams,
paying cost for something broken

and the conductor signals
a left turn on a straight run
creasing the permanent press avenue

Billboards say “god is not dead”
until their contract runs out
and the labels are peeled for good

Still I stand here holding the hammer
swinging between the rafters
in this life after death revelry

on any night of the week
that brings each moment
to a complete standstill
Just a quick written piece of beer inspired nonsense.
Chase Graham Nov 2014
Turning his back now
and through the turnstile, under x-ray arches
and a uniformed pat down,
under a white tunnel and spotless linoleum
flooring and after a ripped ticket and hidden
smile and through another tunnel with a
cold breeze trickling through and a
plastic smell seeping in, he steps one and then
two feet onboard, ready to take-off, back
to New Jersey, back to the only place he has
left (a mother's home), away from a new wife,
now divorcee, and new diamond ring, and away
from St. Petersburg and away from
the Neva River and away from the Baltic Sea and
his blonde accountant wife and from
their flat on the river on the fourth
floor leaving the keen walls,
aware of his shouting and her swelled bruises.
His visa was expired anyway.
Stephan Sep 2016
.
I drove the spike
that bent the spine,
the screaming left me
at the turnstile
without exact change
and late for the sunset

Slippery tracks added
to the conceit
while the homeless
decorate sidewalks
in spray paint Monets
leaking onto the curb

Cardboard memories
create hardships
in perforated nightmares,
paying cost for something broken
and calling it a bargain

When the conductor signals
a left turn on a straight run
creasing the
permanent press avenue

And billboards say “god is not dead”
until their contract runs out
and the labels
are peeled
for good

Still I stand here
holding the hammer,
swinging between the rafters
in this life after death
revelry

on any night
of the week
that brings each moment
to a dark conclusion
krista Oct 2013
sometimes you show me photos
of the places you've been
and spout off stories of
how the tops of mountains
taste differently on the other side
of the ocean or how you saw
exactly the kind of dress i would love
in the window of a shop in japan.

but let me tell you,
every time i've tried to capture a moment,
and bottle it back to be relived in the
comforts of your living room,
the film always turns out blank.

your breath traces symbols on my skin,
highlighting key points on a map
that you've long since memorized.
but my arms are not a turnstile you
can pass through to arrive somewhere new.

it seems i've forgotten that
one heart cannot create a new time zone,
no matter how furiously it beats or
from how far away you can hear its echo.
// for ml
RMatheson Jul 2015
Swings and playgrounds
Candy and sunbeams
On your face, loyalty
Can you feel my love?

Turnstile girls
Nullified conscience
On my mind, ghost
Can you feel my love?

Black eyed scars
Kisses and blood
In my words, deceit
Can you feel my love?

Vacuumed existence
Jargon and filth
On my breathe, death
Can you feel my love?
Failing topics and endless sunburst
Green stained bronze, for this ball room chatter
Dreams of you on the mezzanine
Coming down the stairs happy to see me
Yet now they have reversed. It is you
Who can not come upstairs, house of proper
My wife giving akward glances from over her shoulder ,

Old friends , and ***** dens
Memories hidden inthe dust and murk
Wallow in squalor , under the decks of a high hoisted ,
Eleven white painted canvas for a tall ship
Cutting lukewarm Mediterranean seas
Falling tropics, and sand breeze
Dry humidity, salty clothes, silence over the wind

Hailing a cab
The splashing of more important things around me, a chill ness that kisses my entire face up and down, runs her sleek January nothing through my hair.
Saving fair a block early to get a bite to eat
Fair weather traveller heading home to his hole
Digging to come out the turnstile
Old habits / catching the subway.

Merry weather fan, snacking on peanuts
Glancing out the window, over your nervousness
How high do planes fly? 35000 feet and you've never looked better, smiles shaking hands with each other.  Strangers , every time
Experiencing life in second sight.
Waking up right before the sun rises
Every **** time
Jade Lima Sep 2017
Maybe sometimes you think you have a chance at love. But then you stop and look around and realize you're not good enough.
Maybe you can feel them slowly walking away.
Don't let him know that you're not okay.
Maybe you know you'll never find love again.
But you've been through hell so don't stop trying to mend.
Maybe it was all just bad timing.
But with him you felt like shining.
Maybe you just need to get away.
You always dreamed of making your great escape.
Maybe you'll never escape the lonely lifestyle.
Just don't let yourself get stuck in the turnstile.

— The End —