A Tale of ****** Excitement by Herr Barty Maulwurf

Often **** tales of my past I am writing and sometimes they are a little rude and porny but now I will try to be only slightly profane at request of new friends I am making everywhere. This tale very sensual story is, told by master storyteller (which is me). Filthy bits included. *Danke sehr.

Although I so much hate repetitive to be, Barty Mole must as always apologise for his occasionally slight errors in English-writing as he writes the English language not so very top-class (but he ***** English girls' tongues lots and likes them his tonsils to wipe so good). I (me, Barty) am German person but special type of that because as I are half-and-half black/white (not striped or even top half white, bottom half black, but mixed-up goldene-brun colouring), by this I must explain mein Papa was black US soldier in Germany who did enormous number of bouncy-bouncies with various ladies including meine Mutti (note to monoglots: this means my Mummy) - who was part-time Lili Marlen type tarty number, great **** and much-used **** - for tinned milk, coffee, ciggies, silk stockings and comfy underwear with soft non-scratchy gussets for once instead of unlined which tickle *****-*****, also she was a major sort of a ****** in her day so combined business with pleasure, and why not, we got these bits under our ******* so use them or they dry up (so thinks der Barty.). Also please you will remember black market utterly rampant in post-war period because the kind ****** Allies smashed my beautiful homeland (Germany) to little bits and then guess what even worse Russkies came and stole anything leftovers and did mass rapings of anyone with two legs (or less, in fact easier as poor tarts can't run away), but my Mutti ran and avoided Ivans, she not any kind of idiot, not going to give it away for free, and not liking cheap rotgut ***** anyway. Also Russkies never wash bottoms-hole so not much fun in the sack with smelly-bummed Ivans.

Nowadays Barty (that's me) am not so young, indeed now out of work living in Hamburg (home of inventor of hamburgers, Herr Wendi McDonald-Burgerkoenig) but I remember some super **** going-ons from mine mis-spended youth and middle age, my God I was a right goer, make no mistake about that, I had more lady friends than most people have hot luncheons mainly because I inheritated huge lovepole (23 centimetres, well over 9 inches in UK/US measurement style) from my dear Poppa, God rest his swindling soul. And ladies like the big bronzed stick as ramrod lovepole, you bet your fat wobbly ***, dear reader, 100% sure.

As often I say to my multitudinous readers, I never accept that it is only top-class ***-event to make love-humpings between male person who is in all one piece (full complementing legs, arms, naughty pieces etc etc) and lady who in similar state of repair (2 legs, 2 arms, 2 boobos, back and front naughty areas also) so I shall now recall romantic interlude with one-legged groupie I am meeting at rocking Konzert in Berlin with famous German group DIE TOTEN HOSEN (this means "The Dead Trousers" look them up on Google you think I am joking? no, German musicians have great sense of humour and also almost for free get to **** a lot of birds).

This story are total true, swear it on Mummy's honour (big joke, what honour I hear you said out of side of mouth, but watch your manners please or I smash you one in your effing gob) this not so explicit as usual so much apologies to filthy pervies wanting cheap smuttings, you come in wrong place (*******).

So now here we go with telling of how I got on good and ***** with one-legged lady I meet in bar of Grosse Konzerthalle in Berlin after we go from Konzert by Toten Hosen - noise so fickende loud we not able to hear each other talk as we total deafened for at least 1 hour, so just wink over bar to each other and Robert is dein Onkel.

I digressed - when I saw really pretty girl at bar with **** three-inch bolt through her lips and I think, WOW, if she got so much metal in her face, what the Fick she got in her *******!!!!  I notice she leaning against wall, I think she a bit drunk but I find out she only got one leg and it's because she has only one leg she would go falling over if not lean on walls. Never mind, I think to myself, I'll try this out for size, in for a pfenning (penny), in for a pfund (pound), except now it's in for a cent, in for a euro which sounds naffs. So we have several dozen beers and a couple of schnapplis and she is good fun, laugh at all Barty's filthy jokes and innuendos and then, out of blue, she says with naughty giggling, "The night is young but we're not so effing young and when you have any more beers you don't stand up, fall flat on handsome face, and not able to get great big ****** up me to shove it", WOW I thought, this is some forward one-legged piece of work. So no more further ado and we jump in taxi (pay 50:50 as Barty is gent and refuse to allow her pay whole fare) and go to her place.

Hildegard is her name and she was pretty good looking bird, great booboes, narrow very **** waistlines, very cute botty sticking out like great big pair of rubber footballs, but let's be frank, liebe Freunde, her main claim to eternal fame in Barty's immense ***-memory bank was the leg-stump, only one of them she had. She tells me missing limb result of accident with vicious bacon-slicing machineries at LIDL and I not like to probe too deeply, because I leave the probing up to my 23cm (9 inch) lovepole instead.

Thus we had many love-makes that night and I got to find her stumpy-thing quite **** in weird kind of way, very smooth skin on it and odd colour (purplish) too. Only problem of was hard to do it Alsatian-style as she topple off bed and me with her, especially since we have many more beers down hatches by that time. Never mind, make up for this with very high class (FIVE STAR!) "neunundsechzig" (German for 69 just in case you not understand)! WOW she utter hot stuff in oral department store. Her tongue like starving St Bernard guzzling the bowl of nice fresh spring water on hottest summer day in century! Swallow everything, stray hairs and all.

Also Hildegard very noisy lady when she does the comings, which Barty likes very much indeed. Like demented demon being bashed around her head with three-metre long metal crowbar every single time she gets one off, she screamed. "Ooooooh, ich komme, ich komme, ach, ja, ja, ja, ja," she shrieks GOOD & LOUD like fat Wagnerian heroine with immensely red hot poker up backside-hole (which not far off the truth when Barty gets stuck into his fabbo ***-rhythm, like whirring up and down piston on Mitsubishi motor tricycle). Even allowing for drunken prematured senilities lapse, I happy to recall seven times for me that night and maybe twenty for her, WOW, what a filthy one-leg hornbag!

We meet a few more time for repeat bonky session but never so good as first time round, but that's because Barty sober next times, nothing new in the history of love there which is very philophical pensée. Also Barty's interest in the leggy-stump waned a bit after a couple of weeks.  But Barty has good live-action photos to keep his memories warm, WOW, they are some totally hot ones! I know Hildegard must have the equal happy memories of old Barty, bet she never saw such a big ***** as his ever again (NB: 23 cm lovepole)!

Mit freundlichen Gruessen
von Ihre
Bartholomew Mole (=Maulwurf)
(23 cm brown lovepole)

Easter Monday (2015)


The silence
It was the silence
As we entered the gates of hell.
Then…
The bird song,
It was the bird song
That chorused our way
To the well
Of tears at the wall
Of many tongues
That speak to the silence still,
Of the voices that cried
For the people who died
The void only time will fill.

The sun
It was the sun
Shining on the wooden cross.
And…
The sky
It was the sky
So blue, and flecked with the floss
Of clouds so white
So pure in light
That the wall of the well of tears
Transfigured the sin
We heap on Him
Whose loss for many
Is the only way
To feel the void time fills.

The woodpecker drummed a beat
On the trunks
Of the trees so parallel still.
A whisper of wind
That rebounds the sound
Of innumerable roll calls
Of the thousands who now
Lie deep in the cradles of mounds
Stone faced, inscribed Toten
With the number interred within
Verboten… now
But why not then?
In that world of men
And women, when humanity’s meaning
Was turned on end.
And a godless creed
That shadowed the world with grief
Which now for many,
Is beyond belief.

The stillness
It was the stillness
That gave silence the space to breathe,
To remember the times, the godless times
That now are so hard to believe.
But silence and stillness envelope the House
A silent place to be
To hear the past that shows the present
The prayers for a future that sees
What could be,
What can be
But will we
Learn, the history from then to now
To forge that future for future’s sake
And answer the question…
How?

David Applin
… late afternoon and evening of Easter Monday 6th April 2015 following a visit to Bergen-Belsen earlier in the day, completed 7th-9th April.

15th April 2015 … 70 years after the liberation of Bergen-Belsen by the British Army.

David Applin (Copyright 2015)

Dorito chips and mountain dew,
The bread and butter of our youth,

Kino Der Toten,
Where the strange portal lays,
Black Ops Zombies,
I'd play to the end of days.

I will speak a thousand words unspoken.
Leave a hundred paws unprint.
Have dozens of nights awoken.
Smell the lonesome wind.

I will see the invisible, and touch the nothing.
I shall be irresistible, with what you have to bring.

Yours I shall become, your neck will be my future.
My teeth do no harm and your words are a murmur.

Regarde moi, Tu me vois!
Tu me portes, ma vie, ma joie.
Pourquoi tu te fous de ma vie?
Dis-moi, comment je survis?

Tu choisis ce que je serai!
Je ne comprends pas ce que tu me vais!

Regarde-moi, Tu me vois!
Alors, n'ecoute pas!

C'est ma vie que vous avez prise
Personne n'entend mes cris

Qui méconnaît mes pleurs
Qui tue mes freres et soeurs?

Maar het doet je niets, je hoort me niet.
Je ziet het bloed niet dat je vergiet.
Je hoort en spreekt en ziet en luistert.
Alle leugens die je voor me verduisterd.

Je doet me pijn, weet je dat.
Al is het iets dat je snel vergat.

Al zie je niets als je me draagt.
Al weet je niets als men je vraagt.

Daremonai ga watashi no gengo wo hanashimasen.
Demo kono ate watashi no atama ha ten ni ikimasen.

Watashi no karada ha anata no issho ni aru darou.
Shin ha kowai deshou.

Watashi ha anata no fuku koto ni naranai.
Dakara sore koto ni kawatte shimasu kudasai.
Shin ha totemo kowai!

Spreche die sprache der toten.
Wer hat mich leben angeboten.
Von mirh zu stelen?
Ist Daß nicht elend?

Trage mich und mein blut.
Trage mich und siehst mich gut.
Dein Schwein pfeift nicht.
Mein Worte sind wirklicht.

Neden beni seviyorsun?
Beni öldürüyorsun.
Bana bir sans ver.
Beni öldürüyorsan.
Beni nasil sevebilirsin?

For I will speak a thousand words unspoken
Dis-moi, que tu me vois?
Of lieg je tegen jezelf?
Beni verdim sans...
Aber du siehst mich nicht!

Speak my language of the death.
Tu ne m'aimes pas que tu me mort.
Regardez-moi, qui tu t'en fous.
Je suis la vison autour ta cou.

_____
Grammar checked "Mink in the neck"
(Still a W.I.P.)

Long past
That
Time to dispell
Chronocolonization
Of a complication
That
Rose up in
My generation

I'm not toten
This
Frickin weight
No more
Gonna knock it..,
DOWN
STOMP IT
Into the ground
And then...
When
I am finished
Sweep it out
The door

It was a ......
MADgical time
As ...we...re re..
Realized
That life
Could be ...
....a ....
Box of ******* jacks
If WE WERE
Willing
To forget the prize

Seeking out lives
WITHOUT
all those comp
Complications
WE WERE ...
the ....
drop out
and TUNE in
generation
Me and that dial
Spun with ....
FREQUENCY
I just
never
found the station

But I more than
Earned
What I learned
So ...as far as
I am -
and ever will be
CONCERNED
It would be
A far far
Different
WORLD....now
Were the tables
Not turned

I can
I can look back
Past
time-worn decades
shuffle those
torn ,tatteered and ...
dog-eared cards
play that hand
before it fades

Smiling
as it goes by
In ...
Psychedelic parade

MAYBE ....
maybe that dream
that seemed ...to be
WAS...just
passion of youth
and pure fantasy
As just the hope ..
and honesty of
Totally effected me

So no
I will not...
smash and sweep
There is
good and bad
In all memories
We KEEP
SO....
someday...I may
Take a faithful
That faithful leap

As I try
To find
A means
Amends to convey
That ...
WE WERE NOT
rebelling against you
Our parents ...in any way!

The fact is
WE heard you
speaking
to each other
or friends
In hushed tones
When
WE WERE
Toddlers to TEENS
About how YOU
THE GREATEST GENERATION
came home to be
Pushed and torn
between
Your dignity and
The new AMERICAN
reality
As the rise
Up
Of the...Military
Industrial machine

You did not
Know
What you were
Part of....
THEN

COGS in the disease
That new cognitive insolence
Of RICH and greed
driven men

We've gone a long way
To be still mired
In that same ...
...nightmare

WE may have had
Some
Instinctual vision
Of the pressure
Induced
That must ...have
Left you confused
as you were forced
to make us leave
And in silence you
Had to grieve

And though time
Did mellow all pain
As we sought out
a reprieve

And now though
it must be said
WE
must have felt
the words
As well as
Heard your pain

To go
from the greatest

The greatest generation
To become
The next wars slaves
Confused
Not sure what to do
So WE WERE
Your voice ,your rebellion
We were inspired
To stand up
the way you wanted to

YOU gave us life ....
WE gave you voice !!

I will speak a thousand words unspoken
Leave a hundred paws unprint
Have dozens of nights awoken
Smell the singular wind

I will see the invisible, and touch the nothing
I shall be irresistable, with what you have to bring

Yours I shall become, your neck is my future
My teeth do no harm, your words are a murmur

Regardez-moi, Tu me vois!
C'est moi tu portes, ma vie, ma joy.
Pourquoi ma vie tu t'en fous pas?
Pourquoi tu choisis quoi je sera?

Regardez-moi, Tu me vois!
Alors, n'ecoute pas

C'est ma vie vous avez pris
Pas des personnes s'entendent mes cris

Qui méconnaît mes pleurs
Qui tue mes freres et soeurs?

Regardez-moi, si tu t'en fous
Je suis la vison autour ta cou.

Maar het doet je niets, je hoort me niet
Je ziet het bloed niet dat je vergiet
Je hoort en spreekt en ziet en luistert
Alle leugens die je voor me verduisterd

Je doet me pijn, weet je dat
Al is het iets dat je snel vergat

Al zie je niets als je me draagt
Al weet je niets als men je vraagt

daremonai ga watashi no gengo wo hanashimasen
demo kono ate watashi no atama ha ten ni iko

to watashi no karada ha anata no issho ni aru darou.
shin ha kowai deshou.

Watashi ha anata no fuku koto ni naranai.
Dakara sore koto ni kawatte shimasu kudasai

Shin ha totemo kowai desu.

Spreche die sprache der toten
Wer hat mich leben angeboten
Von mirh zu stelen?
Ist Daß nicht elend?

neden beni seviyorsun musun?
beni öldürüyorsun
Şans sen veriyorum
sevgi giyebilirsin musun?
beni öldürmüyorsan

For I will speak a thousand words unspoken
Look at me. you see me!
Even though you lie to me
I refuse to be yours!

Speak the language of the dead
You can't wear love to **** it.

Obwohl es noch nicht Winter ist
singt der eisige Wind mit den Geistern,
deren lautlose Stimmen
aus den transfigierten Gräbern
der leeren Momente flüchten,
in deren dunklem Morast,
die Zeit den Atem anhält


bis das hauchzarte Mondlicht
die Pforte zwischen Leben und Tod öffnet,
die mit weit ausgebreiteten Flügeltüren,
die Geister beider Dimensionen
auf ihre Schwelle lockt,

damit die Lebenden von den Toten träumen
und
die Toten von Lebenden,

bis zum vierten Tag,
nach der Ewigkeit

Hinter dem dunklen Augenvorhang *******alles ausgeleuchtet.
Ein stilles Leben auf harten Platten,
systemverartigt vorbehandelt
blickt die Flaschenleere
auf längst verweste Fische in silbrigblassen Totenhemden,
die sich auf ihrer mondigen Pappbahre
in die Pinselhaare geschlichen haben,
bereit für die letzte Ölung

In diesen beschaulichen Bescheinlichkeiten,
vergisst selbst die Leinwand zu schreien und zu toben

nur die Farben wollen sich nicht unterordnen.
Blutleer haben sie die Witterung verloren,
krallen sich fest, am schlicht gewebtem Stoff,
in dieser nasenlosen Welt,
die den Geschmack der Leidenschaft nicht kennt,

bis der Augenvorhang sich hebt und die Extrem-i-täten-losigkeit
der Dunkelheit in die Arme fällt.

Was einst in folgsamen Rahmen dahinvegetierte
und kaum eine Pinselwimper zum Zucken brachte,
will nun den Rahmen sprengen.

Befreite Farben toben rauschhaft
aus leeren Flaschen, toten Heringen, fleischigen Schenkeln und stürmischen
Borsten,
konturlos,
nach Halt suchend,
finden keine Form,
verlieren die Bindung,
und landen jenseits der Umarmung

Der toten Tierhaut
wurde die Unschuld genommen,
als sie aus der Enge
der Gürtelschlaufe befreit,
das zarte Fleisch
des feinfühligen Knaben zerfetzte

Bis der Knabe sein ausgefranstes Larvenhemd abschüttelte,
sich aus der zerschundenen Haut erhob
und seinen Schmerz
in Tintenoberflächen ertränkte