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Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
Jim Sularz Jul 2012
(Omaha to Ogden - Summer 1870)
© 2009 (Jim Sularz)

I can hear the whistle blowin’,
two short bursts, it’s time to throttle up.
Conductor double checks, with tickets punched,
hot glistenin’ oil on connectin’ rods.

Hissin’ steam an’ belchin’ smoke rings,
inside thin ribbons of iron track.
Windin’ through the hills an’ bluffs of Omaha,
along the banks of the river Platte.

A summer’s breeze toss yellow wild flowers,
joyful laughter an’ waves goodbye.
Up ahead, there’s a sea of lush green fields,
belo’ a bright, blue-crimson sky.

O’er plains where sun bleached buffalo,
with skulls hollowed, an’ emptied gaze.
Comes a Baldwin eight wheeler a rollin’,
a sizzlin’ behemoth on clackin’ rails.

Atop distant hills, Sioux warriors rendezvous,
stoke up the locomotive’s firebox.
Crank up the heat, pour on the steam,
we’ll outrun ‘em without a shot!

‘Cross the Loup River, just south of Columbus,
on our way to Silver Creek an’ Clark.
We’re all lookin’ forward to the Grand Island stop,
where there’s hot supper waitin’, just befor’ dark.

On our way again, towards Westward’s end,
hours passin’ without incident.
I fall asleep, while watchin’ hot moonlit cinders,
dancin’ Eastward along the track . . . . .

My mind is swimmin’ in the blue waters of the Pacific,
dreamin’ adventures, an’ thrills galore.
When I awake with a start an’ a **** from my dreamland,
we’re in the midst of a Earth shatterin’ storm!

Tornado winds are a’ whirlin’, an’ lightnin’ bolts a’ hurlin’,
one strikes the locomotive’s right dash-***.
The engine glows red, iron rivets shoot Heaven sent,
it’s whistlin’ like a hundred tea-pots!

The train’s slowin’ down, there’s another town up ahead,
must be North Platte, an’ we’re pushin’ through.
Barely escape from the storm, get needed provisions onboard,
an’ switch out the locomotive for new.

At dawn’s first light, where the valley narrows,
with Lodge Pole’s bluffs an’ antelope.
We can all see the grade movin’ up, near Potter’s City,
where countless prairie dogs call it home.

On a high noon sun, on a mid-day’s run,
at Cheyenne, we stop for grub an’ fuel.
“Hookup another locomotive, men,
an’ start the climb to Sherman Hill!”

At the highest point on that railroad line,
I hear a whistle an’ a frantic call.
An’ a ceiling’s thud from a brakeman’s leap,
to slow that creakin’ train to a crawl.

Wyomin’ winds blow like a hurrican’,
the flimsy bridge sways to an’ fro.
Some hold their breath, some toss down a few,
‘till Dale Creek disappears belo’.

With increasin’ speed, we’re on to Laramie,
uncouple our helper engine an’ crew.
Twenty round-house stalls, near the new town hall,
up ahead, the Rocky Mountains loom!

You can feel the weight, of their fear an’ dread,
I crack a smile, then tip my hat.
“Folks, we won’t attempt to scale those Alps,
the path we’ll take, is almost flat.

There ain’t really much else to see ahead,
but sagebrush an’ jackalope.
It’s an open prairie, on a windswept plain,
the Divide’s, just a gentle *****.

But, there’s quite a few cuts an’ fills to see,
from Lookout to Medicine Bow.
Carbon’s got coal, yields two-hundred tons a day,
where hawks an’ coyotes call.

When dusk sets in, we’ll be closin’ in,
on Elk Mountain’s orange silhouette.
We’ll arrive in Rawlins, with stars burnin’ bright,
an’ steam in, at exactly ten.

It’s a fair ways out, befor’ that next meal stop,
afterwards, we’ll feel renewed.
So folks don’t you fret, just relax a bit,
let’s all enjoy the view.”

Rawlins, is a rough an’ tumble, lawless town,
barely tame, still a Hell on wheels.
A major depot for the UP rail,
with three saloons, an’ lost, broken dreams.

Now time to stretch, wolf down some vittles,
take on water, an’ a load o’ coal.
Gunshots ring out, up an’ down the streets of Rawlins,
just befor’ the call, “All aboard!”

I know for sure, some folks had left,
to catch a saloon or two.
‘Cause when the conductor tallies his final count,
we’re missin’ quite a few!

Nearly everyone plays cards that night,
mostly, I just sit there an’ read.
A Gazetteer is open on my lap,
an’ spells out, what’s next to see –

‘Cross bone-dry alkali beds that parch man an’ beast,
from Creston to bubblin’ Rock Springs.
We’re at the backbone of the greatest nation on Earth,
where Winter’s thaw washes West, not East.

On the outer edge of Red Desert, near Table Rock,
a bluff rises from desolation’s floor.
An’ red sandstones, laden with fresh water shells,
are grooved, chipped, cut an’ worn.

Grease wood an’ more sagebrush, tumble-weeds a’plenty,
past a desert’s rim, with heavy cuts an’ fills.
It’s a lonesome road to the foul waters of Bitter Creek,
from there, to Green River’s Citadel –

Mornin’ breaks again, we chug out to Bryan an’ Carter,
at Fort Bridger, lives Chief Wash-a-kie.
Another steep grade, snow-capped mountains to see,
down belo’, there’s Bear Valley Lake.

Near journey’s end, some eighty miles to go,
at Evanston’s rail shops, an’ hotel.
Leavin’ Wahsatch behind, where there’s the grandest divide,
with fortressed bluffs, an’ canyon walls.

A chasm’s ahead, Hanging Rock’s slightly bent,
a thrillin’ ride, rushin’ past Witches’ Cave.
‘lot more to see, from Pulpit Rock to Echo City,
to a tall an’ majestic tree.

It’s a picnic stop, an’ a place to celebrate –
marchin’ legions, that crossed a distant trail.
Proud immigrants, Mormons an’ Civil War veterans,
it’s here, they spiked thousand miles of rail!

We’re now barrelin’ down Weber Canyon, shootin’ past Devil’s Slide,
there’s a paradise, just beyon’ Devil’s Gate.
Cold frothy torrents from Weber River, splash up in our faces,
an’ spill West, to the Great Salt Lake.

It’s a long ways off, from the hills an’ bluffs of Omaha,
to a place called – “God’s promised land.”
An’ it took dreamin’, schemin’, guts an’ sinew,
to carve this road with calloused hands.

From Ogden, we’re headin’ West to Sacramento,
we’ll forge ahead on CP steam.
An’ when we get there, we’ll always remember –
Stops along an American dream.

“Nothing like it in the World,”
East an’ West a nation hailed.
All aboard at every stop,
along the first transcontinental rail!
This is one of my favorite poems to recite.   I wrote this after I read the book "Nothing Like It In the World" by Stephen Ambrose.  The title of this book is actually a quote from Seymour Silas, who was a consulting engineer for the Union Pacific railroad.  Stephen's book is about building the World's first transcontinental railroad.   Building the transcontinental Railroad was quite an accomplishment.   At it's completion in 1869, it was that generation's "moonshot" at the time.   It's hard to believe it was just another hundred years later (1969) and we actually landed men on the Moon.   "Stops Along an American Dream" is written in a style common to that period.   I researched the topic for nearly four months along with the Union Pacific (UP) train stops in 1870 - when most of the route's stops were established.    The second part of the companion poem, yet to be written, will take place from Ogden to Sacramento on the Central Pacific railroad.   That poem is still in the early formative stages.   I hope you enjoy this half of the trip on the Union Pacific railroad!   It was truely a labor of love and respect for all those who built the first transcontinental railroad.    It's completion on May 10th, 1869 opened the Western United States to mass migration and settlement.

Jim Sularz
I.
Please wait for me
for I shall return
My love for you will forever burn
Though we must part
There's no reason to cry
Just say so long
Because lovers never
say goodbye
I love you
My darling
more than life itself
I wouldn't try to hurt you
For I'd only be hurting my self
Just kiss me dear
And hold me tight
For you know this is not our last night
Though we must part
There's no reason to cry
Just say so long
Because lovers never say goodbye
KALI

II.
KALI
KALI
KALI
KALI
KALI
KALI
Well, my KALI
Do *** de wadda
I love you so
Do *** de wadda
My KALI
Do *** de wadda
I want you to know
Do *** de wadda
oh my dear
Do *** de wadda
That I love you so
Do *** de wadda
Please come back to me
Do *** de wadda
I want you, my love
Do *** de wadda, oh
Wish you were here
Do *** de wadda
I need you so much
Do *** de wadda
My dear
Do *** de wadda
My KALI
Do *** de wadda, oh
KALI
KALI
KALI
Oh, my KALI
KALI
KALI
KALI
Oh-oh-oh-oh-oh-oh-oh
Do *** de wadda
Do *** de wadda
Do *** de wadda
Do *** de wadda, oh
Do *** de wadda
Do *** de wadda
KALI
KALI
KALI
Oh my KALI
KALI
KALI
KALI

Do *** de wadda
Do *** de wadda, oh
Oh my KALI
KALI
KALI
Please come back to me
I want you so much
AH
Wish you were here
AH
I need you so much
AH
My dear
AH
Oh darling
I wish you were near me
do wah dee wah dee wah
Oh, please come back to me
do wah dee wah dee wah
I want you so much
do wah dee wah dee wah
Wish you were here
do wah dee wah dee wah
I need you so much
do wah dee wah dee wah
KALI
KALI

III.
I’ve been searching all this wide world
Now I’ve found my candy girl
Candy girl
KALI

I’ve found me a girl.
KALI
She sets my heart a whirl.
KALI
With huggin, huggin
And kissin, kissin
And lovin
She’s mine mine mine mine
Oh my candy girl.
Whoa oh oh oh oh KALI
KALI KALI KALI KALI KALI

We get along so well
KALI
I know just why I fell
KALI
She’s thrillin thrillin
We’re chillin chillin
Oh she’s so Divine
She’s mine mine mine mine
Oh my candy girl
Whoa oh oh oh oh KALI
When we’re out together KALI
Everyone knows the way we feel KALI
We glow with the glow of love KALI
And it’s plain to see that our love is real KALI
Oh my candy girl
Whoa oh oh oh oh KALI

I’m as happy as can be KALI
She’s gonna love me for eternity KALI
To hold me hold me
To love me love me
Until the end of time
She’s mine mine mine mine
Oh my candy girl
OH KALI

IV.
Mmm dooby do
Dahm dahm dahm **** oo dooby do
Dahm dahm dahm **** oo dooby do
Dahm dahm dahm **** oo dooby oo
Doo ooby doo
KALI

Come softly to me my darling
Come softly to me my darling
Come softly to me my darling
Come softly to me my darling
Come softly to me my darling
KALI KALI KALI KALI KALI

Come to me to stay
KALI
You’re my obsession
For ever and a day
MY SWEET SWEET
KALI

I want I want you to know
That I love love you so so so so
Please hold hold me so tight
All through through the night
MY KALI

Please speak to my softly softly
And hear what I what I say
I will love you
always always always
Love you
KALI

I’ve waited waited so long
For your kisses and your love
I need need you so much
Want to feel your warm touch
KALI

Mmm dooby do
Dahm dahm dahm do **** ooby do
Dahm dahm dahm do **** ooby do
Dahm dahm dahm
oh dahm Uhm dooby do

Mmm dooby do
Dahm dahm dahm **** oo dooby do
Dahm dahm dahm dahm oo dooby do
Dahm dahm dahm **** oo dooby do
Damg dahm dahm dahm oo
KALI
KALI
KALI
YOUR MY END OF TIME
END OF TIME
KALI
Bunhead17 Dec 2015
Chillin like a villian
listenin to dylan
writin and thrillin,
as long as the good lord's willin

Sweatpants & a ponytail,
chillin with no make up on.
Cos' it's like my hobby now


Camo sleep pants
led zep tee
drinkin cold ones
and groovin to youtube

Watching scream queens
on netflix.
Texting & trying to figure out
what's next


Keying thoughts
onto my notebook
thinking hard about
a late night snack

Chillin like a penguin
cos' its freezing cold.
Wishing I had some hot coco.
Trying stay up late.


Toasty warm
inside my room
to step out for a smoke
would seal my chill

Chillin' is amazing.
I got the chills,
feeling like a cold hell
Wolf Spirit Poet is amazing


Chillin, blazin
mind **** amazin
oh these nights
dreamin and lazin
Copyright 2015
We were bored. So this is what we came up with.
martin Nov 2012
There was a Scots soldier, Bill Millin
The sound of his bagpipes was thrillin'
The Germans thought how sad-
The poor man's quite mad-
We'll not waste a bullet on him then
Limericks are usually light-hearted, this one not so much.
The tradition of going to war playing morale-boosting bagpipes was forbidden in the British army during the 1914-18 war as it tended to attract enemy fire. On June 6th 1944 however, Bill Millin was ordered to play the pipes on Sword beach as the D-day landings were in full swing.
He escaped injury because the German gunners, deciding he was completely bonkers, did not fire on him.  He died aged 88 a couple of years ago.
Jessica Ford Oct 2018
Tequila, te **** me.
Run through my veins and my mind.
Intoxicate me until I can’t feel my mine.

Give me something close to the real,
But maybe more as a trill.
Passable, relatable,
That feeling everyone’s killing to feel.

Tequila, te **** me.
Take me over and take me down.
Make me lose control til I can’t hear sounds.

Get my head spinnin spinnin,
Make that music loud.
Get my hips thrillin thrillin,
Have me standin out in the crowd.

Tequila, te **** me.
One more time.
Baby please baby please,
Give me one last whine.

Till I loosen your width,
Till I’m making you grip,
Till you gotten me whipped,
Make this good fruity drip.
Michael Marchese Feb 2017
All invitations stand for you
To step inside my open mind
But I provide no guarantee
That you'll like what you find
Behind closed doors and warning signs
For curtain calls of tragedy
And twisted humor comedies
More Dante than divine
Like a ringwraith, king of nine
In my deepest circle bat cave
I'm the new clown prince of rhyme

So come get on my level
Where I revel in the devil
Turning up the heat on all
The demons who embezzle
While I'm chillin' like a villain
In the egos that I'm killin'
Trippin' slippin' down a thrillin' *****
Just hangin' from a dope *** rope
This **** is tight, it helps me cope
When all of ye abandon hope

Where it all floats, you enter here
Steer clear of gutters, It is fear
My paper boat adrift alone
King Arthur with no Guinevere
I disappear and leave no trace
Erasers in an office space
An empty desk and swivel chair
Still spinning at the same old pace
All carries on without me there
I knew you wouldn't like this place
Tonguen Shiek Dec 2010
You’re Beautiful stirred my cockles
Made me blush
Although much more thrillin’ than Calvin Trillin
Your vers libre’ is so jaded mon cheri
You crave more
You deserve more
Like the snowflakes in the park
So why waste your virtue on knaves?
Let your fingers do the walking
Try groping the grotto
Nulling the void
Close your eyes and enjoy the moment
At least it’s *** with someone you love
Then enjoy the simpler pleasures of life
Write-on
for Kat
Katrina May 2013
another night sparks the dark to light,
a family is seen.
a home, a job, a life

u begin to search for the thunder.
only to find the other path is chosen.
things make sense as u see him.

an unexpected smile apears on ur lips
knowin that happiness has grown
with the comfort of a home.

u still wonder wat caused the confusion.
thinkin bak u wonder.
what was so appealing to this path

the other was so thrilling.
but just a phase.
somethin that wasnt real.

time to wake.
u look next to u.
hes asleep still.

he snores and twitches.
u smile and no wakin up to anythin different
would never b right.

u stop to think of what if.
if the thunder was chosen wat would happen
u no ull always b curious.

always wantin another taste.
always able to enjoy its presence.
but nothin will change wats meant to b

no matter how thrillin thunder can b.
ur heart is taken...and thats that
Stories of Exes.2

— The End —