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Cara D Apr 2013
To another day
passing like the parched foliage
dangling from the roofs in
the ***** Bronx

left of the ferry,
right is the skyline
doubled three times,
cloaked in solar panel
glass and shimmering
against the smoggy array of light
that
will
quit—
in due time.

Daddy, sweet
East River father,
where is the little
meatball you had grounded
up for eyes.
For a Roman nose
and Mafian stubble
when your Sicilian tongue
was clipped at age five.

For English-Only stamped on the roof
of your waste factory
of a mouth.

For the neo-tongue that
was bred liked
strong As
and
young ****;
And copious liquor upon
the grounds of your hiking
trips.

Mutation
       of
vile majesty.
Cannibalism of the **—

Buttons budding
for *******.

I saw your phantasm
figure, soiled in
dark tan, curve in
my lens.
Swallow the hazel
like a viscous sauce,
sweet, fresh.
A fuckable baby—
of five. You clipped
my tongue with now
cloying giggles and in the bunk bed,
red and ***,
like a locket, limbs

dangling out the sides, fleeing in
a fountainhead of
DO NOT.
Effaced by an amnesia.

The old man in my skull speaks,
I was thirty two days ago.

Now the IVs DRIPDRIP,
Chorus with the TICKTICKTICK.
You are the hour,
I am the minute
Hand.
You are slow, I must
go-go-go in compulsive haste.
Run for sixty,
start anew,
encore, solo, imbrued
with the days that twine the middle, framed in
white.
Forget.

The doctor parses the old man like an
obsolete phrase with theatric hands,
-touch-touch-
push,  press.
Then comes the Shakespearean
soliloquy:
He hasn’t the coverage.

The trigger as a glove of flesh
hits its target, quiets the machine,
puts me to sleep.

What is it that
I must do?
-become the platoon,
an infantry of sun-empired men.
Fight the shrapnel,
the blitzing of
scar tissue.
Become the fireman
with an axe wielded—
Scale the towers like cracks in a mountain.
Die from the smoke or
the spherical flames of the
planes that rode like the hooves
of a horse with bubonic pallor.
Fall like a worker
for stories down until
God, or some sadistic keeper
of this earth, slacks a noose
and reels me in like
a bluefin tuna, prized,

as you
salute. You ‘Nam
prevailer heralding
the lacy harlequins of corporeal
God’s pardon
on
you.

I am in
eternity from
the waist down,
object of the tight, frictiony
satisfaction you
almost indulged in.

To be a daughter, so sonly,
revoked of all features.
Stripped of the places
you liked to touch.
Brooksimus Aug 2011
Like a treacherous jungle, the world shaped its self to resemble the untamable, unforgiveable, and unimaginable creature that pounced on every crest of supple, innocent victim’s souls only to be dragged miles through painful, elongated trenches, and then expended in its entirety to recommence restructure in all new patterns of mutilated destructed forms; completely rearranged and in search for the light to guide culpable souls into worthy positions with better conditions and purer intentions.

From the inception, slithering wildly the legendarily discreet elapid serpent anticipated the fierce panthera. What was thought as a tyro odyssey, was underrated, uncreated, and translated to total transformative, love abated, accommodative, grief impregnated, planes alternated, affirmative gamboling games.

As a barbarous being, all and every cutthroat, bloated, anecdote of overdrawn, theatric fervor entered this imprudent, illuminated, and aggregated thing to fill unanswerable questions and unexplainable connections by intersecting other frantic, energetic, idiosyncratic reoccurring addicts with realms of disintegrated, hardheaded, nerve racked dreams.

The exterior scaled, degenerated able soul entangled and sacrificed minded controlled logic against the mystic, enigmatic, acidic beast. Pushing forward in the battle of cosmic evolution, a mistake making, empathic fool, inflicted from predicated illusions of heart wrenching, exploding, brooding agape for aspired end resulted, expanded frontiers.

What the scrawny, deluded fool missed were the all purposeful and most numerable senses that embrace every now where infinity spirals out related creation in the ever expandable universe that all the scavengers, hoarders, trackers, hunters, carnivores, herbivores, and the water possessed serpent misuse every now and now and now and now and again to address the real issues that are eschewed, abused, and viewed as insignificant tools that could never resolve unbearable fights within things, beings, or feelings of desertedness.

Miscommunication is everywhere and nowhere. Uncontrollable senses are everything and nothing. A constant fight within and without means nothing. Nerves we suppress and addictions we abuse. All to fill a space that exists at uncontrollable rates and lighting speeds. What is strategic logic without perceived cognizance? This is constant tumultuous idleness, sacrificed thoughtlessness, crude awareness, and unmanageable apprehension only exploited to rationalize a beast with labels, feeble doubts, to dwindle realities, and to fuel the unpeaceful balance.

The brute, that the restless, powerless, and distrustless serpent inhabited welcomes the transformative living immortal beings into the now of the hare who weakens the logic to lessened and opened tempos of the lines, spaces, and levels of the all and great smash of vast, immense potentiality of authenticity.
How to start off this poem?

The words they don’t come easy,
Nothing sounds quite right.

I've done so many terrible things,
How can I possibly expect you to relate?
It is impossible it's a dream, but here we go anyways.

I believe this to be my destiny, my fate,
Even though every action is mine.
So when I tell you this story, please try to understand…
That you can’t.

Beginning under a starless sky,
With the orange glow man creates for night.
I fly on the wings of the innocent,
The blood and tears of those who… have died.
They fuel me, and feed me. With their pain, with their face.

I walked down that road,
On the wings of a satan.
And all those around me,
Smiled and puked.
And oh, the terror in her eyes,
When at last my journey reached its conclusion.

My eyes, although they are not quite eyes,
Bored deeply into hers,
And the pools of water parted for just a second,
And I could see my own reflection.
So… intense. So… lost.
I’ve been in snowstorms at sub-zero,
With more warmth than those not quite eyes.

Every beat of my heart, and every breath I took,
Implored me not to think,
But to **** in my just agony,
But think of the lies that would create.
I had been looking so long, so hard,
Just to **** the one thing I want to save.

This woman, in her intelligent innocence,
Pure as the blackest coal,
Born for me, as I was her.
Who challenged me at last, at first,
Not to slay, not to slaughter.

At first I laughed, in a bitter theatric…
But as it settled and tears created disaster…
She held me there, in her hairless arms,
Cooing and creating a space for banter.

I am almost as confused as you are.
Speaking so honestly…
I didn’t know what to do then or now either.

But I will say one last thing,
Something you may not want to hear.

On that cool winter night, I ate her.
Megan Zhao Jan 2016
'"Cause I'm your lady
And you're my man
Whenever you reach for me
I'll do all that I can"
Just found out—
Celine Dion's man
Her husband, Rene Angelil
Passed away last Thursday
The love between them
Had always been louder
Than a whisper  
And they were never far away
But not this time, I feel sad
According to her
He was her many guiding angels
Her only "boyfriend"
Although he was much older
She doted him like a mother
Figure, and he allowed her
In public, many kisses
Tender touches
Theatric renewed vows
All full of Titanic's fondness
Now I've realized
Only in love, a man owns
A woman, and a woman can
Own a man. Love, and love only
A lot of affections involved
Dan Ang Aug 2012
Do I still call out to the saints?
If my nightly prayers remained
Unanswered
For the longest time

For how I longed
To hold her hands
To gaze at her eyes
To be eternalized as one

But my delusions
Were always shattered by the faint of heart
That weighs, unsteadily heavy still

Cause everywhere I go
I’m confronted by my fears
And everyday I hoped
That even after all these years
That someday, you’ll be mine

I keep on formulating
Various questions in my mind
But I’m too scared to know,
Of the answers I will find
If ever, you replied

But I’ll find, the words, to say
I’ll find, the words, to say
Someday

Regrets come to play
At the form of actions undone
That up to this day, still religiously haunt me
As shadows of the past

Her, being a constant audience of one
In my theatric, electric dreams
Looking up to that fictional stage
With diamond eyes that seem to gleam

A bitter reminder of what could have been the sweetest tale ever told
Oh, what I’d give for her to be mine to hold

Keep your distance away from the bright burning lights
Give me a sign that you will be all right
Let me have this dance to show you the wrongs and rights
Although the lessons can't be fit into one night
Kathryn Peak Jan 2012
the soles of my shoes
kiss the rain-soaked
cement and torn leaves
leading up to my
building

i look up
regarding the roof that
welcomed your keys
that day when sun
and anticipation
were abundant

some parts of me know logic—
they studied it extensively
with a focus in authenticity

but others, little sparks,
break off
with different intentions

they are pulled to
my magnetic heart
infusing me with
romantic could-have-beens,
theatric tragedies
and tortured visions

i imagine
in the distance i see you
running
full speed
towards me

but wait
this would never happen
you would never run
you would come close

but ultimately you could not
pick up your pace
for fear
of falling

your fist opens and
dried yellow roses
are furiously
released behind you

can you see me
from there?
the best parts?
not the mundane
humdrum puttering
can you see my intent?

but then
the closer i get
the more out of focus
you seem

and i question
it all
question myself

things are not
black and white
and these shades
keep expanding,
fusing

so perhaps we will glimpse
each other another day
from behind our
electric fences
november 3, 2010

© kathryn peak
jeffrey conyers Dec 2012
I would be in heaven,
if I have the style of David Niven.
Or the voice of George Sanders.

I would be in heaven,
if I had the comedic style of Benny Hill.
It would be a delight.
It would be a thrill.

To have the qualities of these Englishmen.

I been in heaven,
if I could play the guitar of Eric Clapton.
Or the theatric of **** Jagger.
Say, what you want?
He knows how to thrill a crowd.
Not once, will you not see them going wild.

Even the gent Peter O' Toole was the best of the cool.
Same, with the great actor Michael Caine.
And it never could be a hurting to not be Richard Burton.
Who had style and grace?

Dalton, Moore and Connery, all contributed a personal style to James Bond.
And , even this man named Daniel Craig.
Not to over look Pierce Bronsnan.
It's something about the guys of the United Kingdom.
We see coolness even in Prince Charles.
Whom probably learn this from his lovely mom.

Notice, the way ladie admires Hugh Jackman.
Only, if I had these gents accent.
I probably could try to fake it.
Except, who woud I be fooling?
Connor Oct 2017
I

-dulcimer clatter opens the sun, first fruit-

timber fathoms/crystal veils
on all steps, crossing all human borders

untethering wood
from forest, until only the green element remains
to purify the soul

   an alpine afterimage, shadow-display
(creature of Earth, moss-backed & yowling thru the chaotic sleep
of October, you see it's symbology in your tea, sharpening its
obsidian hands against the seastones,
imprinting loveliness into the rock, to be worn by tides,
replaced by death absolute)

The fabled Black Horse (shadow-self) waiting solitary at a
gas station, an imprisoned dreamer inside
its gaping jaw/saturnine, coldness
of daybreak, clouds at their Atelier, my head
feels a pressure, been awake too long,
breathing in through the nose/out through
mouth, monastery of the mind in need of clearing.

II

Soft/soft/skin/fury
embrace, catharsis, collision of
two individual energies
pent-up and cast/release
like a skeleton net::onfire
(kissed, consumed
elated, recurrance)

closeted eternities
cycling back into the
wind (hanging willow)
calling to the seeker, gold,
purification & lightness/mouthcurl washed in silence
(your own body, rising tide)

welcomed crucible of chilling air
& my black and
white vessel,
  electricity spirit-
whispers
        “valley swimmer, elude me”
FLASH OF LIGHT


III

…. The widewaking world
unspun-
                            theatric elucidation,
emergence of a great snake
a wisened flower, sprouted from exile

blissful rejuvination of
the ivory leaves, at once!

I wrap my throat in a Munich scarf
(pattern-blue)
   walking upon the softness of
Grötzingen (angel's eyes speaking)
an orchard, where the last gardener's tireless
work lay like a dreaming ossuary
Annie Oct 2022
Once more, I must write about you,
as all of my thoughts are about you.

You said we’d be late, and we were!
I never had reason to doubt you.

These false-framed friends of the system
theatric, purport to flout you.

Fingers in everyone’s purses
ensure none shall actually rout you.

Without trying, I collect mythos.
None have the power to doubt you.

…(Your) wrist was chill to my touch,
as the void won battles throughout you.

Annie, why bother with others
knowing none shall write about you?
Jamie Henderson Nov 2024
A single message flourished away,
a smooth brush across cold paned screen,
for, there we met on the sixth of May.

So many things are ephemeral;
dark chocolate beneath the sun, bubbling into sugary pools;.
Grainy white cubes, dissolving into porcelain cup.
Descending petals from bearded, autumn branch.
Paper in a book, lines on a page;
a melodious song, or grand theatric play.
But this was to last forever
for, there we met on the sixth of May.

Surrounded by domains of mellow duvets,
he’s a crepuscular ray through sombre clouds, and rainbow rains.
Love beats steady, slow and safe;
warming heart and thumping vein.
Benevolent burning, a fervent haze;
pawing at molten hills of silky skin.
Creamy haired head moulds into
grooved shoulder and beating chest;
made whole, a set pair.

Timeless, a tender dimension;
a rose bubble, a hallowed, undying day,
for, there we met on the sixth of May.

x.
Soulmates x.
Martin Bailes Mar 2017
If William Owens caught sight
of the monstrous tugging at
the heart strings of the Chief
Theatric Officer Trump & the
so cheap & cynical little
throw-away line of "The
Bible teaches us ..."

& saying Owen was likely
happy in heaven because
the chamber "broke a record"
for the length of its ovation,

would he be happy to see
his death & his mother's
desperate suffering used
by a shallow vain opportunist
as backdrop to his coming
out as so presidential?

& whilst orchestrating grief
for the folks at home but then
"They lost Ryan" is thrown
out there because heaven
forbid Trump could take
any responsibility for this
soldiers death,

heaven forbid.
Martin Bailes Mar 2017
After denigrating the Khan family,
dishonoring John McCain,
delaying donation cheques,
gathering dignified Veterans
as a so useful backdrop
to prove his genuine
love of the people,

this draft-dodging golf playing
lover of 'our brave soldiers'
brings the house down
has mothers weeping
& receives the mighty
acclaim as being "Now,
Now A President!"
even from that rational
critic Van Jones
Of CNN,
one speech tugging at pride,
nation & desperate loss
& he's now the president?
this is all it took,
this cynical
lying theatric,

one crafty move in Congress
can't make up for a history
of bigotry & hate
oh no
Trump
it cannot!
Caage Gaber Sep 2020
Why is it that you don't exist in my mind
When I see people why are they just shapes
My thoughts, why are they shackled in a selfish bind
How do I uncover my empathetic eyes behind drapes

I so badly wish to be a good person just once
Yet one moment of right is delved in false intentions
All of my attempts to be a hero are only theatric stunts
Why do I constantly and carelessly crave attention

Where did my wretched personality begin
Could I have been born covered in expectations
Did I see their lightened gaze and grow dim
So absorbed in what they say I can become, stuck in elevation

By pushing everyone away did I raise the anchor
Or did I trap myself in a shadowed cage called loneliness
Was all my love, kindness, and joy the ploy of a faker
Possibly a plea for some guide of life; though useless

Why is it so hard to be great and virtuous
I may never know after detaching parts of me
Why is being great compared to goodness so arduous
An evil king who kills and the poor people who die innocently
I wish I'd chosen the ladder
Some people aren't willing to say it out loud but honestly being great does require harming people in way or another whether unknowingly or not. So at times just being normal is fine
Daisy Blevins Jan 2020
it was always easy
recognizing dependency
forecasted
predicted in pattern
plastered
wallowing
bloated and guilty  
perplexed and restless
fighting defenceless
endlessly

urgency will never encourage sobriety  
restraint
will not exist
in the routine of
an addict
stimulation is habit and key
for relief
distraction and tactic
manipulation an art of mannerism
identity theatric automatically
Third Eye Candy Mar 2020
a snail, plumb in the crease of a wilting green leaf with a loose tooth.
all the theatric lemonade at the box social, basking in long overdue
and upfront Delilahs… scorpion averse in a diabetic coma
made of so many wishes
you can’t live with.

the snail disembarks from the usual blarney
and writes a book about an up-close bird
with a beak as ominous
as a pop quiz.

while The Play is the Thing that keeps asking Why
when there’s a perfectly obvious
Gadot.
Ken Pepiton Aug 6
Happenings that just happen to happen,

-- oh, serious, we said this with no debt, we
-- ah, saw this is just what I was hoping for,
-- I up and posted a bunch of this on X.
grok link and all, honest cyberbardbyterbits

this is not the art of the bards and vatic arts,
we aimed at inheriting the wind, in spirit and true,
mimetic authority, we see, we saw, as so say see.

the use of a person or a team of persons, an army,
or a work gang, hunters and skinners and packers,

not those, nor many normal nonnoble lines, stinkers
gatherers of batshat nitrates for cannon fodder,
and to speed the forming of cornfed beasts,
-- ai, if it isn't the spirit, in the craft, do tell
isaiah assisting a little here, a little there,
ai, if may were my word now, precept
upon sighing and chosing riverwise, think on
assume not that, is a bit a leap, use wise
it's not that
nor is it the efforts of carbide gaslit
miners and grinders and fuelers and fanners of flames
cornbread fed

-coal miner's daughters and steel driving slaves, racing
steam driven hammers on steel stakes marking iron rule,

in service of the golden light from Christmas Astrologers…

rush theatric, imitative mirror neuronic, laughing together,

easy laughs or easy tears, easy joy of conquering,

memes formed
by infants watching colored lights, not burning,
bushy Hualapai pinion pine Christmas trees

shadows presented memes on our mental walls

after all have projected camera obscura concept
captured on silver nitrated cellulose translucent film,

- so few respect the science, the art in alchemy

as art is a cathedral in a cavern, let us pretend, good is good,

sad is bad, bad is evil fruit, wrong thinking poetical pleasance.

Make believe, let go our mundanity, attempting katharsis,

purged of mistaken privilege,

as virtuous as the entertainment's audience socially informed,

this is us, we as seen consistently for a brief while,
in the funny papers,
a century or so ago, whence all our own tales rise,
wherein reversing discoveries put us in receipt of tragic news,

woe, pathos, o, we do believe, we are free from the worst,

tranquil reflective contemplation, imaginable pity and fear,
survived, hormonal success, purgative pity and dread, right
ritual usual daily drill, respect, look at the price we all paid,

pledge full attention to the teacher teaching this
important ritual for inclusion in this class, this room of
competitors for prizes in the seven liberal arts, noble gnosis,
as demanded by the liege under which we are a people,

res publica, governed by its own self, using aliegiant defenders,
just like our fathers and uncles and cousins who just now,

used the second and third atom bombs, names of which,
are extra credit for those who know them, Fatman and Littleboy

in the right amounts, at the right time, ah the effectual work
of meaning projected on the audience…

lead an intimidated soul to be as brave as the presented models,

imitation, memeing may be, inner me, seeing another just my type,

the character in the grand opera operating even as we sleep,

sorting our given evidence,
hate must be associated,
we shame
together,
given gatherings where oracular professionals reset us,

after the ongoing violence has gone elsewhere,
to free other slaves,
-- right here, I saw James Joyce with his left eye patched,
but I still never enjoy the experience reading him
maybe I grant that age of readers, passe se no

we the faithful illiterate believers pray si se so
go on with the story we find ourselves in
as happens around reading children,
who leave books in the bathroom
for the King's Armies, and act
as if our duty,
from the age of six, is locked
with our personal pledge,

surity, sworn
on penalty
of any liar's just dues, just watch, and learn.

* for your historic recollection, with all due respect
Little Boy vs Fat Man

The bomb that hit Hiroshima was "Little Boy," not "Fat Man"  
"Little Boy" was a gun-type nuclear bomb that used uranium-235
and was dropped on Hiroshima on August 6, 1945,
by the B-29 bomber Enola Gay  {August six **** left most key
we already know, use one nuke, we all die,
and a we not me set voices like mine wild\

like all the freedoms, are from, from thirst, first
for ever, free from thirst, if not for ever, first
imagine having made yourself thirsty, first

to feel cool water's worth when you know,
it's only three more miles, then you know,

we had these friends, so rich, they were, yes,
Children of Pioneers, like us, really, but scale matters,

ours was a tiny world to mature in, though, in science,
at the time, faster that light was still tellable, in text,

once the idea, in letters organizing, around a recent
bend that lets us see Enheduana as a meme, recent

recovery of a person originally novelized, in recent

Thirst induced trance states, of course, in recent memory


"Fat Man," which was an implosion-type bomb using plutonium-239,
was dropped on Nagasaki three days later

the second bomber lacks first responder honor,
too bad, so sad,

how easily may we share instances of I just don't know, but
we can ask
and have an imminent answer fact checked thrice and sharable,
verbatum, as this is what I learned when I first read the lines:

the lines you just read, so we can share realization, those
who built those bombs… made good money.

Even today Donald Trump's Pride lets him rattle such a saber,
and fancy himself the world's most powerful man, demanding

respect, look again, see the hell we can imagine, so easy,
even such a one who never dropped a handgrenade, or shaped C4…

Our AI's all can recall the act of readiness, for our local August rodeo,
where we remember the downwinders in lower Mohave County, Arizona:

The crew of the B-29 Superfortress *Bockscar
, which dropped the "Fat Man" atomic bomb on Nagasaki on August 9, 1945, did not experience the same level of immediate fame as the crew of the Enola Gay, which bombed Hiroshima three days earlier This relative lack of recognition contributed to feelings of frustration and perceived injustice among Bockscar's crew. The mission was fraught with difficulties, including mechanical issues with the fuel pumps before takeoff, a missed rendezvous with support aircraft, and obscured visibility over the primary target, Kokura, forcing a diversion to Nagasaki By the time they reached Nagasaki, the crew had been airborne for nearly eight hours and were critically low on fuel, adding to the tension

Historical accounts suggest that the crew felt their mission's complexity and risks were overlooked in the public narrative, which focused predominantly on Hiroshima and the Enola Gay's crew General Leslie Groves, head of the Manhattan Project, later admitted confusion about why Nagasaki was included as a target, noting it had not been part of the original reserved list and was only added at the last minute The Bockscar mission was described as a "JANCFU"—a Joint Army-Navy-Civilian ******—highlighting the disorganization and near-misses that characterized the operation

Despite dropping a more powerful weapon—“Fat Man” had a higher explosive yield than the “Little Boy” bomb used on Hiroshima—the Nagasaki mission received less attention The Bockscar was piloted by U.S. Army Air Force Major Charles Sweeney, and the bomb detonated at an altitude of 1,640 feet over Nagasaki, causing massive destruction However, the crew’s role in ending World War II was not celebrated to the same extent, leading to long-standing sentiments of being historically overshadowed
Life gives se cura freedom from asking per mission no a whole experience trial mind dump on Hiroshima day, hoping memes make peace here in 2025

— The End —