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MoonChild Aug 2016
Her name is Sarah
And between her legs
A flower.
A Begonia
Lush, Desirable, and Sweet
Beautiful.

Her name is Olivia
And between her legs
A flower.
A Bird of Paradise
Exotic & Captivating, Deep
Beautiful.

Her name Tanya
And between her legs
A flower.
A Calla Lilly
Intuitive, Dreamy, Refined
Beautiful.

Her name is Sumi
And between her legs
A flower.
A Dahlia
Grace, Strength, & Valued
Beautiful.

Her name is Diana
And between her legs
A flower.
A Moonflower
Delicate & Feminine
Beautiful.

My name is Hannah
And between my legs
A flower.
An Azalea
Fragile, Sweet, & Tender
Beautiful.
Used this site for Symbolism:
http://www.universeofsymbolism.com/flower-symbolism.html
Kiernan Norman Jul 2014
I try to live Here. Here is humid-sticky-underground-dance-hall hot. I’m caught tight in a mess of limbs- bodies stretch and sway from this to Eden. I have never been more lonely. Together we inhale metallic Old Spice. Together we exhale stale tap water hymns. I am breathing all alone.

My tired tongue kicks awake to cheap nail poison as I tap each fingernail against bottom teeth and lightly push three times.
(Four times or eight times. Ten times in one quick, heart-drop minute but who’s counting?
Me. Of course I’m counting. There’s not a beat, rhyme or giggle that hasn’t busy-bee buzzed around my foggy brain. Each thought its own color, each touching down on a different set of crumb-glazed quilts or a different tower of gutted magazines. Each bee is long and thin, pointy in a terrifying way. Each bloated and dripping with a grand idea- which they leave like droppings and are so specifically intense they will never make any sense a breath apart from this moment and this context which crumpled and blew away while I dully, dutifully checked my pulse. I'm alive but my thoughts took off. I can see their exhaust but they fled fast, like they knew I could only begin to gnaw on them. They were born to quickly, maniacally live and die- in and out and there then off and gone.)

Here. Here the walls are chipping off one hundred years, one hundred lives of lead-based paint and are dripping onto the frayed denim of my ****** cut-offs. Impossibly long hair, absurd to call it mine, hangs heavy and wet. The strands shed drops of atmosphere on my (and their and your and-) bare feet. I’m my own sumi brush- my calligraphy is not words, but a footprint-marked path to treasure. Braided bits cling heavy and soaked to the curve of my neck and then billow like sheets hung out in the wind. My sharp, slick scapula must be the laundry line. It’s one of the good bones. Good bones only exist while jutting. The scapula is the beautiful ******* of my skeleton and we finally have made nice.

Here the music is so loud. The bass ignites my dental cavities. They sting and pierce as a reminder of how terribly I’m taking care. Lights blink, the room quakes and I need water.  I’m throbbing and flickering and faces attached to bones slither between each other and grind up into my own perfect focus. They’re smirking.

One at a time they appear with a warm, grainy hand on the small of my cold-sweat back. Each face of bones lean in close, dry and cracked lips that graze my own fever-hot ears. Goose bumps sling up and down limbs and the lips, all smudgy red lipstick and cigarette breath, whisper something to me that is absolutely crucial. It’s something beautiful or something hilarious or something crude but I can’t hear it. I’ll never hear it. They throw their bones back and cackle-laughing so hard it must be painful. All I can hear is my eardrums cracking and breaking, laying the bass for a high pitched dial tone.

One by one they do this and then, with a huge play-dough smile and eyes as deep as I feel, they slowly back away from my flimsy, electric body. I know they’re relieved they didn’t get stung. This goes on for forty straight hours. I feel like the Queen bored and still as they file through to kiss my ring. I feel like I’m at my own wake. I am beginning to erupt. I am lightly vibrating with the burden of militant creativity. I think I'm melting from the inside out. The bones still laugh and the bees, diving like war missiles, are screaming that it’s time to flesh out that novel, string precise words together in a huge, monumental way down golden strings that will change the world for the better and forever hang on God's graceful neck. It's time to record that beloved lullaby and sculpt that masterpiece or put on black clothes, sneak out and vandalize monuments. It is all absolutely crucial and so very urgent. Everything is wailing and I’m nodding slowly because if I do not do it, ALL OF IT, now- right this instant and quickly- I will die having said nothing. I will have wasted my opportunity to matter.

Here. Here the bone-bodies continue to mock me. The room stays dim and damp and I don’t think I’ll ever get clean. After twenty minutes or seventy years the crowd thins out, lights switch on illuminating exit signs and the room slowly, sadly, empties. I am sticky and aching and have never felt dumber. The bone-bodies left their blurry sweat, their empty bottles and their void inspirations like blank fortunes trailing across the bar top. There’s a real, fur, calf-length coat and a fake Birkin bag in the corner. My feet are filthy.

Here. But I’m not really Here. Here is bougy and exclusive. There’s no list but you probably can’t get in because actually Here is utter *******. Here is the moldy bricks and pre-war ceilings inside my head.
Leaving Here is too easy. You blink and you’re gone. Then I try to remember what party I even went to but I’m sitting Indian style and cramped on rough carpet and my back is in knots and everything I’m thinking is slow, melting taffy lose and inconsistent.

The sun starts to rise up pink through broken bedroom blinds and I know that I went way down deep and danced and gripped tight to flurrying ideas and made a big mess and now I’m stuck ripping papier-mâché, three inches thick, off coat-check walls and trying to read the graffiti-ed bathroom stalls but the Sharpie is dripping and I might be illiterate.

The Somethings I came to flirt with are hiding and won’t answer ‘POLO’ no matter how loudly I scream ‘Marco! ******* Marco!’ I’m reeling and under-breath begging ‘and please come find me and let’s make stuff and we can’t waste this and I can’t be a waste.’ But below all the pacing and knuckle-cracking I know that there are no Somethings listening to my panicky prayers. They sneaked out while I was braiding my hair for the sixth time, humming something old and Johnny Cash-y that I remembered and liked and had to Google and perform eight times for a mirror. I sneeze and I want to cry. I don’t think I know how to read. Edges start to blur and the alphabets a mess.

In defeat I’ll wash my face and slide under one light blanket and quickly sweat through it. I’ll lower my heavy, thick-thought and dizzy head onto a stack of three pillows. My vision will fall away from me and stars will explode in a chatty whisper that has be immobile and straining and sore. I will treat them like a sky full of fireworks blazing just for me. I'll ooh and ahh and my heart will palpitate under the weight of them. (Really I do know they're just amphetamine snowflakes falling slowly and burying my wasted night.  I swear next time I won’t waste it.) But at that moment I'll watch the show and feel safe and small and inconsequential, at last.
Tea Nov 2013
I feel like sumi ink running down a wet media paper
Like I’m getting ****** up into its fiber
Before I ever had the chance to make the right mark

I feel like a tear that has been wiped away
It pushed from a cheek to swift, in hope haste would make
Feelings wash away, before they have time to settle
Be recognized for their real self, their actual impact

I feel like a under developed painting that wants to be an original
But has been put under too much pressure
To feel free enough to make an original mark

I feel like a statement that wants be made
But only finds things that have earned titles as cliché

I feel like a book that has been put down and forgot before
You ever got to the good parts

I am a heart wrenching sob and tear streaked cheeks
I am a sumi ink layered in perfect complexity and visual texture
I am original, authentic,and the best book you haven’t read yet
I am full of good endings, beginnings and all in-betweens
I am, I will be, stop trying to rush the ending
sumi Feb 2021
Now I remember !

He once told me
there were a leash of foxes
heeding and sniffing at mydoorside
without making a sound.
when I fell asleep on the otherside of the door.

From where did they come?


I do remember
when I heard their howling in distant
hold my father tightly.

Now I am neither scared of its howling
nor its blazing eyes.

An entwined memory of paternal bond and fearfulness made us life long fellas?

Are they still looking at my doorside?

A leash of foxes!

From where did they come?

Did they leap out of some forgotten shrubs of memories?
©sumi
Father
Ava Weiland Sep 2019
you would not have jumped on your own

you can remember your toes
gripping
the cliff's edge
you can remember his hand
pressed into yours
how firm it had seemed
how sure you had been
if there was doubt
you did not listen

you do not remember jumping
just glassy eyes mixed calls hot confusion
you forgot how it felt to be
safe inside only yourself and now
you are falling
and you scream:
How Did I Get Here

the hand that was pressed into yours
is not there
you do not know
exactly when the fingers
uncurled and slipped
away
you search the sky
rushing past
you can see his colors but
not his face
as you plummet
you realize
he is flying

the darkness catches you like a net
it swings itself over you
the thickest brush of sumi ink
the softest blanket the womb
it is still but
you are throbbing
there is a tiny needle in the center of your chest
a red halo is formed
tender like a splinter
you do not understand it
you are afraid

there are beautiful people everywhere
but you do not see them
you know he is flying so
you do not look up
instead
you bury yourself into the dark and
wait
you hold your own hands
they are warm and calloused and familiar

days and days and days

melody begins to
trickle
into the darkness
you don't know
if it is coming from inside of you
or outside of you
the music brushes the side of your face
you nudge it away
more persistent it grabs you
from behind
playfully
you snarl and swing around
you are standing in the daylight

the music grows and
you follow it and follow it
and when you get there you realize
you have forgotten his name
and can recall your own
Onoma Dec 2023
an: i, Chinese water tortures the: u,

of the word: thrum.

--till it becomes: thrim.

sound over writing...

rice paper bulges of wind-water.

as a cold case parrot named: Rainy,

taped to a lamppost by its stricken

vocabulary teacher.

jumbles the wind-water gradient of numbers

& characters it inhabits.

sumi ink bars, with an escapees tropic strokes.
*Inspired by glimpsing a picture of a missing parrot taped to a lamppost, named: Rainy. Prior to this 12/18/23 eastern seaboard gale.

— The End —