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Alexander K Opicho
(Eldoret, Kenya;[email protected])

Here is a toast for valentine
Valentine in all seasons perennial
Where angst of money for love  
Cradled utopian capitalism,
It is once again in the city of Omurate
In the south most parts of Ethiopia
On the borders of Kenya and Ethiopia
Where actually the river Ormo enters Lake Turkana,
There lived a pair of lovers
With overt compassion for one another
The male lover was an origin of Nyangtom,
A cattle rustling Nilotic kingdom
While the female lover was a descendant of King Solomon
The Jewish children which King Solomon aborted
Because their mother was an Ethiopian African
They now form substantial part of the Ethiopian population
Their clan is known as Amharic, they speak subverted Yiddish,
These lovers were good to one another
Sharing secrets and all other stuffs that go with love.

Both the lovers were fatherless
They had lost their fathers through early death
They only had the mothers, who were again sickly
Their mothers coughed a whole night with whoops
And when in the wee of the night, when temperatures go low
The mothers breathe with wheezing sound
Like peasant music from African violin,
They didn’t eat with good appetite
They always left irritating chunks on the plates,
But they all puked mucus from their mouths
And of course with a very sickening regularity.

The menace of sick mothers intervened with love freedom
Among the inter-compassionate lovers
They did not have time for real active love
I will not mention recurrent missing of ceremonies
Fetes that are bound to go with valentine day
The lovers were bored to their teeth
They don’t knew when gods will come to unyoke them.

Especially the male lover, was most perturbed
His mother looked sorriest
With a scrofulous look on her old aged African face
She looked like a forlorn erstwhile cattle rustler
She ever whined in pain like a trapped hyena
Her son the male lover even began apologizing
To the female lover for such environmental upsets
Hence an African proverb that;
No love is possible with impaired judgment.

One day in the wee of the night
With no electricity nor any source of light
Darkness engulfing each and every aspect of the city
Confirming the hinterland of Africa
The female lover woke up from the sleep
And she never heard the usual wheezing breathes
That her mother often made in such hours,
Feat of suspicion gripped her
She jumped out of her bed to where her mother was
On feeling her, she found her dead, cold like a black member
She was already past the rigor mortis stage of death process
African chilliness had frozen her like a poikilothermic creature.

She wept but not in the uproarious groan
In that instinctive Jewish shrewdness
She did not announce nor inform her lover of her mother’s death
She only washed and groomed the cadaver of her mother
She made a headscarf around the head of dead mother
She even placed reading glasses on her face
On her mother’s dead torso she wrapped a dress
The most expensive of all bought from Egypt,
In the same wee of the night
She carried cadaver of her mother on her shoulders
The way a poor Nigerian farmer would carry a stem of banana
And walked slowly by slowly for a distance of a hundred kilometers
Down ***** into Kenya towards the city of Todanyang in Turkana County
Todanyang was a busy city, but silent and minus people in the night
The king of this city was called Lapur the son of Turkanai
And the law that Lapur passed in this city was archaic
It was; an eye for an eye, a tooth for a tooth, a Jew for a Jew
A pokot for a pokot, a samburu for a samburu
It was simply the law with nothing else
Other than clauses of measure for measure
And clauses of *** for tat instantaneously administered,
On reaching the market she placed her mother standing
Being supported on a sign post at the bus stage
In pose similar to that of an early morning traveler,
She sat a side like a prowling spider awaiting foolish fly
They way an African ***** exposes its red ****
And when the hen comes to peck
It traps and closes the head of the hen
Deeper into its ****,
At that bus stage there was a hotel
Owned by a Rwandese refugee
From the foolish clan of the Hutu
He had ran away from the genocide
In his country, he was also the perpetrator
And thus he was a runaway from the law *** hotelier
His name was Chapuchapu, meaning the quick one,
When Chapuchapu opened the hotel for the early customers
The female lover walked into the hotel
With innocence on her face like all the Jews
She placed an order for two mugs of coffee
And two pieces of bread
When Chapuchapu had placed food on the table
The female lover shrewdly instructed Chapuchapu
To go and hold the hand of the woman standing at the sign post
To bring her into the hotel for morning tea,
Chapuchapu in his unsuspecting charisma
With a mad drive to make money that morning
He dashed out as instructed with his foolish notion
That the customer is the queen, which is not
He grapped the standing cadaver with force
On pulling her to come along
The cadaver tumbled down like a marionette
Everything falling away; headscarf and glasses
Chapuchapu was overtaken by awe
The female lover was watching
Like the big brother in the Orwellian satire, 1984.
When the cadaver of her mother fell
She came out of the hotel
Screaming like a hundred vehicles
Of St John Ambulance
And two hundred Kenyan vehicles of fire brigade
And three hundred Kenyan cash transfer vehicles,
She was accusing Chapuchapu for being careless
Careless in his work that he had killed her mother,
Swam of armed humanity in Turkana loinclothes
Began pouring in like waters of Nile into Mediterranean
Female lover improved the scale of her screaming
Chapuchapu like a heavyweight idiot was dumbfounded
Armed people came in their infinite
Finally king Lapur arrived on his royal donkey
That his foot soldiers had only rustled
From Samburu land a fortnight ago,
The presence of the king quelled the hullabaloo
The king asked to find out what had happened
Amid sops the female lover narrated how
Chapuchapu the hotelier had killed her mother
Through his careless helter skelter behaviour
The king sighed and shouted the judgment
To the mad crowd; an eye for a……….!?
The crowd responded back to the King
In a feat of amok value;
For an eye you mighty Lapur son  ofTurkanai,
The stones, kicks, jabs began rainning
In volleys on an innocent Chapuchapu
Amid shouts that **** him, he came here to **** people
The way he killed a thousand fold in Rwanda.

The sopping female lover requested the king
That his people wait a bit before they continue
Then the king waved to the people to stop
Chapuchapu was on the ground writhing in pain
When the King asked the female lover what was the concern
She requested for pay from Chapuchapu not people to **** him
Chapuchapu accepted to pay whatever the price that will be put
Female lover asked for everything in hundreds;
Carmel, money, Birr, sheep, goats, donkeys, cows
Name them all they were in hundreds
Chapuchapu and his family were saying yes to every demand
And they rushed to bring whatever was said
The payments exhausted Chapuchapu back to square zero
The female lover carried everything away
The cadaver of her mother on her shoulder
She disappeared into the forest
and buried her mother there.

When she arrived home she found the male lover
He looked at her overnight change in fortune in stupefaction
He didn’t believe his eyes, it was a dream
Sweetheart, where have you gotten all these?
Questioned the male lover
Sweetie darling there is market for dead women
At Todanyang in the Turkana County of Kenya
I killed my sickly mother and carried her cadaver
As a trade ware to Todanyang
Whatever I have that you are looking at is the proceed,
Can my mother fetch the same? Asked the male lover
Of course yes, even more
Given the Africanness of your mother
African cadavers fetch more than the Jewish ones
At Todanyang market,
The male lover was now overtaken
By strong urge for quick riches
Was not seeing it getting evening
That day for him was as long as a whole century
He was anxious and restless more tired of a sickly mother
When evening fell he was already ready with the butcherer’s tools
He didn’t have nerves to wait till the wee of the night
As early as eleven in the evening he axed his mother’s head
Into two chunks of human skull spilling the brains in stark horror
Blood streaming like a rivulet all over the house
The male lover was nonchalant to all these
He was in the full feat of determination
To **** and sell his mother to  get the proceeds
With which he could foot the bills of valentine day.

He stuffed the headless blood soaked torso
Of his mothers cadaver in the sisal bag
He threw it to his bag
And began going to Todanyang
The market for human dead bodies
He went half running and half walking
With regular whistling of his favourite poem;
Ode to my Jewish lover
He reached Todanyang in the wee of the night
No human being was in sight
All people had gone as it was late in the night
He then slept in the open with dead body of his mother
Stuffed in the sisal bag beside him
Wandering night dogs regularly disturbed him
As they came to bite at smelling curdled blood
But he always scared them away.
As per the male lover he overslept till five in the morning
But when he woke up he unhesitatingly began to shout
Advertising his ware of trade in foolish version;
Am selling, the body of my mother, I have killed,
I killed her myself, it is still fresh, come and buy,
I will give you’re a bargain price,

When the morning came
People began crowding around him
As he kept on shouting his advertisement
Also Lapur the king came
He was surprised with the situation,
He asked the male lover to confirm
Whatever he was shouting
The male lover vehemently confirmed,
Then the law of an eye for an eye
Effortlessly took its course
Lapur  ordered his people, in a glorious royal decree
To stone the male lover to death
And bury him away without ceremony
Along with his mother in the sisal bag
In the wasted cemetery of villains
The same way Pablo Neruda
Had to bury his dead dog behind the house,

On hearing the tidings
About what had befallen her lover
The female lover had to send out a long giggle
Coming deep from her heart with maximum joy
She took over the estate of the male lover
Combined with hers,
All the animals and everything she took,
She made her son the manager
The son whom she immaculately conceived
Without any nuptial experience in the usual Jewish style
And their wealth multiplied to vastness
And hence toxic valentine gave birth to capitalism
Smoke Scribe Mar 2015
Part II  of "Got 0 Followers"

aim high
to keep
it low

expectations
such an
Awesome Awful
curse
others infect
you with

don't, yada yada,
ya wanna be like
Tom, **** and Jane,
even Harry, a transgendered
friend and fellow (ha) outcast,
all with a good job
prospects of a
goodly tented long life?

so ya write poems
to nobody
about nothing and
you are pleased
to be pleasing just yourself

in writing you have
nothing to prove,
so read them
like keepsakes
ya like,
keep 'em & me hid,
in the shoebox
under the closeted
pile of ***** clothes,
special designer outfits concocted
so they keep my remains,
privatized and unsanitized,
my equity,
hidden,
disguised as disgusting

but for god-sakes
don't follow me,
unless
you want to curse us
both with
Expectations of Expectations,
then comes with
illiteracy of
Affection

then the literary
pre-tension
that always follows,
leading to

Affectation,
the first derivative of the infection of affection

yeah,
then comes
caring
and it instantly it's too late,
you're *******,
right up the mental heine,
lost condemned
ruined annihilated
crushed subverted
crushed into
mental death camp suffocation of more, please ma,
can I have some more?

**crap, why did you have to go and follow me?
The name Theodore has its Greek anthropologies, Jewish anthropologies and also Germany anthropologies. The Greek anthropological perspective of The name Theodore indeed has something to do with the gods.However, the Greek way of looking at life was a frustrated thinking.To them everything was a god. They had  a plethora of gods; utopia,cacotopia, Thespis, muse, clio, calypso, and Theodore was a half a god like Gabriel who impregnanted Mary on behalf of God as Joseph the cuckold carpenter patiently looked musing the ballad of a cuckold peasant . So Theodore and Gabriel were godsend.I  have not delved to know what it means among the Jews, But am aware of the the cultural and anthropological surroundings of the name Theodore in Germany . It is a name of a male person  signifying extra-masculine behavior. I also write poetry in Deutsch, so i know  substantial cultural values of the people of Germany.  Like in this case the modern  social  naming systems . I am aware of the anthropology of this Deutsch nomenclatural position.Why would link this name to Greeks but not Germany may due to  some silent social and emotional  disposition in Europe  that the  English speaking Europeans have a soft spot for  the Greek culture.While at the same time they become victims of high adrenaline level when exposed to anything Germany. they always get repulsed when the word Germany is mentioned.So one's  thesis on nomenclatural values of the name Theodore depends on which side of European  consciousness one is found; is it Germany friendly consciousness or Germany threatened consciousness? The dystopic component of the name Theodore is purely cacotopic with zero element of utopia , as extra-masculinity is a swine of  engendered civilization  all the times.


Yours

Alexander  k  Opicho

NB/ i kindly  invite Theodore to come to  Kenya so that we do a joint research on the Swahili perspectives of the name Theodore, in Kiswahili the name Theodore  is subverted to bwana tadayo
Timothy Brown Apr 2014
She wanders with a ponderance
of an unfulfilling existence .
It's like she missed the instance
when life was handing out
purpose. She became subverted
by her own thoughts.
Self-image contorted
like spaghetti noodles or dreadlocks.
The simplicity of existing has become brutal.
She keeps the gold within
vaulted like Fort Knox.
That protection is like an island
preventing her journey's beginning.
A short introduction to Sweet Memory  You can find other parts of the story in my poems entitled Sweet Memory left with Bad Taste. ©April 7th, 2014 by Timothy Brown. All rights reserved.  P.S Thanks Letty for the inspiration
They are silent and beautiful,
gorgeous in in the white halo,
cemented in a beautiful terrazzo,
baring the names of fallen soldiers,
the European soldiers that fell in Wars;
second and first and the heinous silent wars,
i hope this  is why they have a proverb; white sepulchre,
only baring the white dead, only chiefs but no dead Indian.

Common wealth graveyards are all over in Africa,
in India , panama , Latin America and europe,
the active fronts in which the allies fought ******,
they are beautifully placed in silently posh areas,
in langata when in Nairobi, in Mbaraki when in Mombasa,
in Matisi  when in Kenya, In Namusungui when in Lodwar,
They bear horizontal silence with white names engraved
on their beautiful face shouting the glory of European empires,
which provoked the evil sense in the heart of the king's horseman
in Kenya, in the city of Nairobi, to steal the graveyard lands,
he made them his urban home with an uppish courtyard,
for him the dead white neighbours are better than in-corruption.

I walk around the commonwealth graveyards,
in the all quarters of erstwhile British empire,
looking for the names of African soldiers ,
who died in thousands fighting for the queen
the royal bloodied woman of England;Elizabeth,
Looking for the sons of Ethiopia who stood with
the second duce Benito son of Mussolini,
fighting for ******,for Shintos in the European war,
i have seen no name of any African,
I have not seen Wandabwa wa masibo,
who was conscripted into the first world war,
Along with his father Biket wa Khayongo,
Biket back after seven years in 1918,
carrying Wandabwa's Belt,
Wandabwa died in the field,
Where was he buried, he is nowhere
Not anywhere among the soldiers in cemeteries,
I have not seen Nasong'o wa Khayongo,
who was conscripted in 1940,
to fight against ******,
he was conscripted on his nuptial evening,
even before he had had the first ***,
with his new wife, he went  away crying,
he never came back, his name is  nowhere in the  graves
the commonwealth graves that bare names of the fallen,
Fallen soldiers, but they all bare white names in the black world.

you come to Africa, Kenya, Nigeria, Malagasy,Egypt,
whatever the geographies of Africa, and you keep keen,
you hear someone  is called Mr. Keya, or Madam Keya,
or you come to Bungoma county of Kenya,
you meet a man  that is of the circumcision age group,
Known as Bakikwameti Keya, Bakinyikewi Musolini,
Keya is  subverted sound for Kings african rivals; KAR
the African sound for  KAR is Keya,
in reference to mass conscription of Africans
into the  KAR, to fight ******,
A child born during that time is Keya,
A man circumcised during  the time
is in the age group of Keya,
A simple lesson in regard to our people,
taken away to fight the colonial power
and left to died and rot away in the bush
with a simple courtesy for ceremonial burial,
that come along with the death of soldiers,
who passed away in the battle field.
Eryck Aug 2018
All lies diminish me ---

As a card carrying member of the human race,
I consider it a disgrace,
when truth is subverted,
truth is diverted,
puts a frown on my face,
puts me in a bad place,
when truth is perverted in any way.

Lies weaken the laws of modern man--

If it's a shell game of opinion while avoiding fact,
modern society might as well take a giant step back.
To the plague days,
to the guillotine ways,
when might was right,
carry a big stick.
I dont want to go back to that.

Each lie told damages the soul ---

Are we here on earth to be false to each other,
to con with words or sister and brother? 
 To smother or dignity,  
break it and fake it,
knowing wrong from right but go ahead and forsake it?
I think no.

And the outcome of lying---

When those you trusted lie,
but don't  get busted - cry.  
Consider it the day truth died. 
 And down with the ship of truth goes honesty
       respect,
              rules,
                    civilization will fall.  
Tears to lend, prayers to send, 
lies will be the beginning, the middle, the end.
  Lies will be the death of us all.
Shriek of humanity
The cries of innocence
Ahh yes, this song
You don’t hear it?
Tell me, what does she sound like?
The Symphony of string and percussion
The pounding of her heart like tip tap of water
Nearly empty
Thinning strings as she wails with the violin
Angry, Yearning for an audience
Harmonizing the dissonance she is struck with
It’s almost beautiful
Chaos that is in tune with the hearts of men
A song for you
A mimic of you
Muffled by the mirrors we build
Allowing only the slightest murmurs
A mere echo of their subverted lives
We can’t face the music
Fearing that we’d see our blemishes
Our faces crept away for centuries
A false lifestyle
In a carnival of plastic mirrors

Everyday the world is asking
New questions keep arising
Many still left unanswered
One day in your life, she’ll run out of breath
The silence will choke you
You’re loosing something
You’re not yourself
No longer spoon fed by her patience
But you’re still filthy rich
Yet something’s still missing
Maybe then you’ll be curious
What could be playing in that song?

How can we find out?
Perspiration accumulates into salty beads,
Falling into her eyes, eyes that have lost their gleam.
We’ve been trapped like savaged animals for three agonizing nights.
Diminutive apertures in this death box supply minimal light.
The screech of the rails are a bittersweet melody to our ears.
For we only know what these horrific monsters have taught. Fear.

As the door slams open, I’m pried from my wife.
I wonder if this will be the last moment I see her smile.
My people are marked with terror and pain.
I realized were barricaded in with barbed wire chains.
My subverted clothes reek of secretion.
This camp is untrustworthy, raising apprehension.

They claim we are not human.
But I ask, do we not bleed, when we are injured?
Do we not dream blissful thoughts?
Do we not pray to the same God?
The same God that punishes the innocent;
Bringing blithe to those sinners that shed blood.

When we lose our cherished, our loved ones,
Do we not shed tears? Do we not mourn?
No! We must not, for we are not human,
According to what the Nazis see.

We are the innocent, robbed of life.
They are the monsters who roam free.
At least, that’s what I see.

I see men, women, and children stripped of clothing,
Stripped of dignity, stripped of all things humane.
While these barbaric monstrosities make allegations.
Claiming they are purifying society, when they are to blame.
Men lose wives; children lose mothers.
Families are torn apart; sisters lose brothers.

Those of us who survive, work until brittle.
Still we carry on, if our minds are able.
Backs of men are scarred from arduous lashes.
While the sick are trapped in rooms imbued with gases.
My hands are enveloped with calicoes and cuts.
My mind grows weary, I dream an ending abrupt.

I’m crippled with anger, and tears that still drip sore.
My heart crescendos with pain, about to implode.
It’s difficult to refuse the tears when I hear the desolate screams.
I’m trapped in a perpetual nightmare, a ceaseless dream.
Still I carry on in life, for that is the greatest revenge.
The day we feel the kiss of freedom, will be the day we have avenged.
Tom McCubbin Apr 2015
We have let go of our frantic lust
for the shiny metal in the Sacramento hills.
It was hard for my grandfather,
in coming west on horse and with wagon,
dragging a family across the pimpled skin
of the young land, to help John Sutter
build his new empire.
He then found that his dream of good land
for ranching was subverted with easy gold.

Grandfather’s first home on the bank of the river:
a tule hut, or grass hut, left behind by
Mi-wuk Indians, who wandered with
the elk and circulated with the
wonderment of passing stars;
no regard for what shined beneath them.

It’s in the luring poems and the stories that the
old California adventure comes back to us.
No one longer builds much with grass,
and cannot so easily pick out fortunes
by following the earth’s deep cracks.

Some would walk away from jobs and cities,
bulging packs strapped on shoulders,
and head up through the openings
and narrowings of the valleys,
and into the foothills of the Sierras.
Camp beside ****** trout holes
and dip into the riffled water
at the edge of perfect green mirrors:
to find what is precious and become
free from the cycle of the frantic lust.
Akemi Jan 2016
There is a void outside my window.
Pitch cascading into itself.
No. I am mistaken.
It is just night.
Someone was knocking on my door at some point.
Nipah. Nipah.
Nevermind.
A curious hollow groan runs through the house.
Perhaps a tap is being turned.
Hiss.
A moth catches in a stream. Wet dust clambers for existence, affirmed in the moment of death.
Sometimes it escapes.
There is a glow.
A streetlamp lights up the void, strong enough to reveal a small part of the world, but too weak to remove the grain. The noise of existence.
Blood rushes through vessels. Neurons fire.
Silence is merely the body experiencing itself. The self subverted into the other.
Oh. I have slept through the day.
A train rumbles in the distance, sonorous and bleak.
A bird cries out into the void.
Nothing responds.
A miasma blankets the city.
The choke of lack.
6:13am, January 24th 2016

the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void the void
Graff1980 Mar 2015
Queen to Osiris
Gleaming Iris
Goddess’s’ power
Took all the pieces
To put her lover
Back together
Under the cover
Of Ra’s radiance
Feminine power
Birthing history
So how is her story
Stolen and forgotten
Name subverted
By sons she never gave birth to
Nations under another religion
Violence
Silencing the feminine mystique
Shrouding beauty and wisdom
Beyond black veils
Of bullets and ****** bodies
Instead of concealing their sickness
Behind the Muslim Religion
They should take another name
Like crazy murdering *******
too much interference
has been extensively run
by those who hold
the kingmaker's gun

as a consequence
of this kind of thing
the democratic process
is under a clouded ring

the flow of votes
which were meant
for the out in front candidate
got subverted somewhere
in the ballot box's victory pate

foreign countries meddling
with other country's domestic autonomy
so the results of elections
will satisfy their sovereignty

transgressors are employing
their technics from nations far away
to determine who'll wear
a crowning array
JDK Jan 2014
We are the things that get swept under
rugs. A ***** mass that the world strives to keep
hidden. Flecks of skin and strands of hair. Toe nails. Trapped
in the carpet with the bodies of the bugs
of which we have been bitten.

Gaze not upon our swollen parts;
inflamed. Your eyes will entice us to spread
rashes. The forbidden always in our thoughts
like stubborn mattress stains.

We are the things that live in closed
closets. Tearing at the threads meant to keep you
sheathed. Disembodied torsos on wiry hooks. Scarves. Chewing
holes through the garments with worn-out teeth.

Chills will let you know we're near
as you toss and turn in bed. We are the shadows that
watch you while you sleep. Our goal is to fill you with fear.
Your soul is ours to reap.
Jon Shierling Oct 2014
Rush Transcript. May include inaccuracies.

Andrea Marsino: We're here today with "     " to talk about his recent best-seller, The Orchestra, which has swept bookshelves across the nation in recent weeks. A stunning display of literary craftsmanship, the book has generated a whirlwind of dialogue in all sorts of settings, from University coffee shops to local dive bars, and even, we're told, in the Pentagon. Tell us "     ", did you have any expectation at all of this kind of reaction?

"     ": Never in a million years would I have thought that I could stir up such a...a hornet's nest really. Sure it's a kind of inflammatory piece of fiction, but I never thought it'd result in so much backlash.

Andrea: Talk about unintended consequences right? How did the idea first come to you?

"         ": Well it didn't just pop into my head fully formed one day. I guess it first started to take shape at a bus station in Florida. I had just been kicked out of my Dad's house and was moving to another part of the state, so naturally I was a bit, I don't know, out of sorts. I was waiting for the connecting bus and was smoking a cigarette to **** the time and just sort've fell into conversation with this black kid who was also waiting for a connection. This was in I think May of 2013, so the situation really hadn't started to fall part yet, but the cracks were definitely showing. And that's what we were talking about, just the overall sense of things not going well, the feelings of helplessness that we as individuals, and seemingly the community as a whole, were feeling at the time. I told him that it'd get better one day, somehow and that change always is a painful process. Then the light came on and I started pondering how that sweeping societal change might be accomplished.

Andrea: There are a lot of themes in the book, a lot of subtext and implied conclusions. You've been criticized for what seems like hostility to faith and some say advocating violent political activism. What are your responses to some of the accusations that have been leveled against you?

"         ": Hostility to faith? Absolutely not. Faith is one of the overriding points of the whole thing. The objection is to organized and subverted religious teachings. Faith exists to aid humanity in the struggle of their lives and I feel like....if you examine history faith has time and again been co-opted into a tool of oppression. That's what I object to. As for advocating ****** revolution, that's another flat out misinterpretation. Yes, politics is a huge part of the story and plays a huge part in really tying the whole thing together. But it's not really about that, it's not about any single issue. It's about people, as a whole, taking back their right to not be dehumanized by anything or anyone, especially their government which is supposed to protect them.

Andrea: I see. So it's not so much about the mechanisms of power politics as it is about people's inherent value?

"        ": Absolutely. Our conception of what power really is I think is grossly inaccurate.

Andrea: But surely you can understand how your depiction of terrorist acts and a domestic insurgency is very disturbing to some people? You were a Soldier yes? Did this affect your style, and the arc of the plot?

"         ": Of course I can. And it's meant to be disturbing, it's meant to illustrate how positive forces of change can be corrupted into violence. And yes, I was an Intelligence Analyst in the Army. We were fighting an insurgency, so in order to learn how, we basically deconstructed insurgencies throughout history. We learned how they functioned, all the sides you could throw at it. And then I learned from two Defense Intelligence Agency Instructors how to start one too. Those experiences most definitely gave me the technical knowledge I needed to write something like this.

Andrea: There's also been a lot of talk about how graphic your imagery is. Many prominent individuals call it a lack of talent on your part, that you can't write without going in for the shock factor so to speak.

"        " : Ha! It's not a children's book. And besides, life is graphic. You can't portray something accurately without tackling the nasty stuff. Besides, things like ****** assault and drug use are essential to some of the characters. It wouldn't make any sense for someone to react as violently as they did in certain scenes without the reader knowing exactly what had occurred previously to form that character's identity.

Andrea: I can understand that. Doesn't make it any easier to think about though.

"       ": I don't know what to tell you. The truth is a painful thing sometimes, and portraying it was not exactly a fun process.

Andrea: And what about those very colorful characters? How did you get your inspiration for them?

"          ": Oh all sorts of places. Honestly, some are based on real individuals that I've known at some point or another. And others are pure imagination. Ta'ra and Clara were inspired by a Dane Jones ***** for instance ha ha.

Andrea: 'Blushing' That's, er, interesting. Characters from ******* is one I haven't heard before. Anyway, throughout the book is this sense of individuals being swept into something bigger than themselves and how they react to that. It's kind of ambiguous sometimes, swinging between very New Age concepts to mundane life on the same page. The quote at the beginning for instance. Very spiritual, very deep. But then you open with an interaction on a street corner.

"          ": Hmm, I guess I could try and explain about things like Theosis, which is one of the main themes by the way, but I don't think it would illustrate what I was trying to convey very well. I guess I was always kinda on the fence about divine intervention and that sort of thing until I read a piece by a friend of mine about an experience she had some years ago. Basically, she was in a diner when a Muslim woman came over and asked to sit and talk. They spoke about spirituality and the woman turned to her and said that anyone could be a prophet, like it wasn't something reserved for saints and such. It was very powerful and finally convinced me that humans aren't just ants on an anthill, so to speak. It spoke to a very, very intimate part of me. So, I took it and incorporated it into what I do. Which is write.

Andrea: Wow, that's an amazing explanation that I really didn't expect. I'd love to talk some more and I'm sure our listeners would love to hear more, but unfortunately that's all the time we have for the show today. "     " thank you so much for joining us today and sharing so many insights about your new book, The Orchestra.

"           ": The pleasure was all mine Andrea, thank you for having me.

Andrea**: This is Andrea Marsino with NPR and thanks for listening. Coming up in the next half hour we have Peggy Walker from Floyd Virginia talking about some of the exciting ways her community is fighting to keep their traditions alive today.
Sound like something y'all would like to read?
Julian Mar 2019
Flippant polymaths exude the frippery of travail for lapsed inordinate surgical gains in temporal but temporary acclaim that owes its provenance to the gullarge accentuated by the guttural tempests of silent windfalls that wrestle with sharks and snarky cagamosis with pilfered fame without rulers for rules that own the profligacy of a cineaste game

We cannot surpass our talents with ease when the treecheese of inevitable distance between equipoise and insanity is a tantamount inanity of prolixity for the sake of freedom rather than servitude to the slow meandered steps of trudged verbigeration that needs to be exorcised from the seat of authority for the plodding inconvenience of time earned that shakes the listless yearning people who lie and spurn

Demagogues are trifles because they are anoegenetic and care not for the abligurition that consumes the energy of a dismal life lived on fringes rather than reaped with grimaces for binges that continue to absorb the painful pangs of twinges that hedonists are of interest

We cannot exorcise the demons that give stygian weight to exchequers beyond the gamut of money but rather the currency of velocity of thought that owes its weight to weightlessness of spaces between the spacious and the limited tract of isolative territory that many mendicants looking for sustenance travail in insolence and in perjury of their solemn duties for self-serious honesty they lack a vista to see their crimes as more than just a pettifoggery of disputatious wranglers that wrench and then contemn the objects of their moral scruples to contend with nothing but the vacant expanse of a limitless injury for a momentary slip of cultivation and countenance

Frippery is hard to cobble with lapidary wit because succinct grievances are fallow ground for the permanence of atrocity and the temperance of felicity to conform to the desiccated pathways of limpid but livid excoriations of willful ingenuity met with aleatory rambles that sprawl incalescence with words as a dying occupation that is resurrected from the abeyance of its pragmatic utility to distinguish class from crust.

The triadic fatuousness of snarky sharks recruiting the gullarge of paranoiacs to deputized alacrity lead many strident vocations astray as they pilfer the nullibiety of spectral ignorance and defy the gravitas of the primiparas of a swollen technocracy, an outrage that scarecrows with prevenance have adumbrated against with strident accelerations of sublime velocity

So we swim in perilous straits against the demiurge of inclemency in fated rittles for the turpitude of wraiths and engineer every aborning day a new foofaraw of unalloyed atrocity
Now more than never should be deployed to ensure that the castigation of scoundrels and guttersnipes that exert a rip tide to those stranded on the shores of littoral desiccation might find the pristine beachgoing public an amenable treat proffered by exorcised sheepishness in reiterative bleats that quarkswarm only the antinomy of sentient masteries by shoveled civilizations proctor to horological insistence in design

So we designated an abeyance of heydays to create a rippled nostalgia that creeps in the winter storms that singe even glabrous ignorance with the twinges in absentia of the regal crows that circle the sun as the sustenance of the alighted moon as we reach for the heaved Richter teeming with ablution for venial commination of prolix croons that exert a Palo Alto rhyme

Phenomenological fields distal to the cephalocaudal origination of limber and the ironic counterpoint to that strife in excess rather than dearth of the henchmen behind the exchequer showcase that fluid thoughts surpass the limits of the dentistry of cosmetic cosmology simultaneously a scientific boon but a coarse albatross

We are criminals in a world stranded by ****** apostasy because of the sincerity of minstrels meets plodding human ignorance as exemplars rather than the apotheosis of divine excoriation of wastrels and flattybouches who webdoodle their way into the extinction line in some computer file swiped from eccedentesiasts who often in uncouth barbarity forgetfully abide without the temperance of floss

So what are we to make of magisterial wits of wiseacres who pilot tenable objectives like Indiana Jones flexing his comical whip when the gunfire of cacophony inundates our ears with a lisp of cockalorum imposture rich in chewing tobacco and its ungainly gripes and tenacious grip

Should we seek salvation from the treecheese of arboreous terrain amenable to the newfangled windfall of agricultural whims that dare now with caprice but not quixotic disdain to reconfigure the parsimonious levered engagement of melliferous fungible transaction between sabbaticals and chief financiers dubbing the vociferous limn of the primeval fulgurant incandescent ethereal quips?

We strive for palaces issued with dimes, dozens and scores of retinues that retain the patina of sophistry as the gullarge makes the vangermytes cozy in their defensively mechanized citadel buffered against the unheralded malversations of mammon intersecting with primordial chemistry that give the philanderer a guise of philanthropy despite professed gainsay that perjures because hucksters are winsome with fiduciary risk

So we calumniate with lapsed puns and Potter’s Spells as we dredge the indemnity of bustling heydays that extend beyond the bailiwick stated because of the prolonged trace of nostalgia that frazzles our voluntary expeditions with misanthropy as each libertine instinct becomes subject to stop and frisk

How to balk at such a garrulous repartee as proffered by swanky intransigence that shakes it off in a quaky town that hates the Swift refrain that endangers the fatalism of recuperated foresight borrowed from the armamentarium of corrupted killjoys who swim in a dalliance with the itchy myths that drift from powerlessness to voguish debauchery of insouciant internecine fringes frayed by the tomes that decry Stygian drift

Shiftless and rooted in rintinole absolved by plackiques that enchant the voyeurism of repined squalor of industrious frippery deracinated from the aureate complicity of largesse calibrated to mobilize the skittish mercurial yuppies to a dance with divestiture, taxes and an earthen death, we sprint the evergreen mile toward the scrupulous invention of enthusiastic euphemisms arbitrated by the procrustean silt of the leaky faucet of enigmatic timelessness etched by chiselers to beat “Us and Them” and warn the vanguard of the front rank about the thespian rift

Exhaustive rescue squads prepared for the dearth of monetary heft in times of perilous drought denigrate the authors of famine to the indulgent parents of inordinate sabotage of narrative for riskless arbitrage that is the outrage of sciamachies between platonic indifference and the tantrums of the feckless in the dangerous hearth of the cavernous wilderness of limitless imaginations that stagger so far beyond orbit they become satellites to vagrancy and whittled paragons too distant to dissolve in the ethereal chemistry of incalescent uproar sadly flanged by the Dopplers of ephemeral fate

Squandered by the desuetude of a snarky intervention I issue invective at the proctors of deafferented limbs for barbarous swine meeting expediency in demise, bemoaning the placid distaste of rectified cries that issue candles for each acrimony beyond the permutation of the staid inflexible limit of 88’

Bashfully we careen through argosies of curiosity to fossick the stalactites of timeworn intuition and reckon with their converse ironies that drip faucets of mildew that remain hidden unless poked by plucky flashlights to inspect the paragon of erosive filigrees of a bewildering paradox of polarized design that one meets the ceiling at inception and the cousin strives to clamber empty space to know with faint certainty the bulldozed irony of superordinate coexistence

Now we return to the majesty of a spurned wiseacre that evades the snappy parlance of a wrenched friction between the physical and the metaphysical elements that constitute a commensurate reality so supernal that its ostentation creates lifetimes of reiterative growth that spawns crimson red and bloviated blues to find a fulcrum of balance between the malversation on one hand of criminal sinister machinations and on the other hand the execrable self-righteous ignorance of a hidden vehicles of dexterity that are subsumed by a subtlety of legislative graft that owes its forbearance to the sanctimony of perseveration without the laurels of persistence

Now we wed the concepts between the ambidexterity of a monolithic titan who wanes rather than waxes himself because his glabrous head already exposed requires nothing new because the empire that struck back is denuded by the thorny imbroglio of a sunken Rose

Timmynoggies are perfect for haberdasheries of saccharine and glib excellence as measured by the ****** cacophony of unmerited applause that strains the resourcefulness of the silent mastery of magistrates in mellifluous alcoves surrounded by the soundproofed rigors of an execrable dereliction wilt into the imaginations of the few that watch movies with errantry rather than pleasantries of gaudy nonsense enchanted by a striptease of the wanton zeitgeist that some balk at but everyone knows

Time earns the spangled banners of sloganeering because of the fastidious creations of pole folders that maneuver between quips borrowed from antique movies and swindled affectations of yearning of many of all fears inevitable with the malevolent passage of the technocracy from cheers to vehement inveighed jeers

We should fear the watershed because it necessitates the evaporation of winsome ambition and implores the subservience of a guiltless fascination with abominable regress concomitant to the acceleration of money preceding a whipsawed downfall ensured by the funereal spates of requiems to oneironauts who plunged to their deaths on headlong flickering whims past the craggy landscape of lunar concordance and through the abeyance of qualms to flabbergasted self-importance in the eradication of provident fears

Memorials exist encoded in the temporal twinges of agony that straddle the cardiovascular throbs of impermanence that sweat with each simple beat to blather about the repetitious nature of a livid nature scrambled in exodus of the emigration of senseless blather to the subroutines of regimented sleepless paragons of travail in every pedestrian feat accelerated with each passing foot traversed by vigilant and eager feet

Tempests crowd the cluttered hamartithia of dredged incompetence leading to the foreclosure that precedes the simple derelictions that amount to grievous uncertainties that squawk in the plumage of the frippery decay of an autumnal fall from gracile riches landlocked without room to sprawl rigged against every track that is a surefire gleeful keepsake to meet, greet and serenade the claques adorned with the monikers of the Greeks

Trembling beneath the weight of mellifluous sauntering dingy designs that exude the anguish of our provident but incidental remonstration against the plodding indifference of the artistic clerisy we sputter against intransigent annulments of the emotive human engine calibrated with creaky pistons that rumble with furor of abrasive protest in timely haphazard elemental designs for vanguard ears

Tridents shed the fossicked leaves that are divisible by two but not inevitably glue that solders the identities of people congregated around a situation of gleeful sprees rather than wistful regress into a temerity without regret that gets dangled in the purview of the spiteful wings of armies that drawl when they sing vapid songs for vaped bongs but not the soberly cheers because of the deafening din of conformity oblivious of the honorific crescendos that still peak after so many restless years

Confederates line the avenues of bustling caverns of cumulative human disdain so willfully flouted by the wrenched corrosive frictions of vibrant deformation of the cultural narrative that encapsulates the collective bubbles chewed and jettisoned like bandied candy and then defamed without justice because  hurricanes churn up the reclusive emergence of protective vanity chased down as a sunken cost for a siphoned glory of tribal pride despite the strictures of logic

Creeping with insistence is a subaudition of governing gravel that entombs many steadfast lies that embodied people living delusory lives under a paradigm that has been subverted by the feats of science into a morass of irrelevance and the chances are many of those so deluded still breathe the air now more polluted but balk at the memories of the fallen passengers on the convalescent train that accelerates sunblind but respectfully toward a systematic engrossment of swollen intellects whimpering about the tautologic

We finance our prescient rodomontade with rodeos equipped with zany clowns who spurn the tridents of Poseidon because of the iridescent gloss of sheepish and flippant zealots who churn against the wrestling match of televised irony with accentuated eccedentesiastic disdain amended by a tolerable diversion of ennobled gallantry zip-zagging among the many valid quodlibets and missing the mark entirely on purpose to vacate the possible raillery of those who balk at time’s chosen serpentine tracks because of limited pedagogical tracts

So lets solder a forceful brunt against the senseless regalia of modern omphalos and return to the plenipotentiary fields of resourceful human inquiry into the chagrins outmoded by convenience but amplified in vociferation by the prosthetic extension of a grangull humanity outfoxing itself into a zugzwang inevitable in the future with collateral losses because of senseless invidiousness orchestrated by the immiscible dermatology of divisive facts often about race and ineluctable tax

We conclude with the optimism that refineries become gentrified by the superlunary squadrons who bask in beatific beams of anonymity and that the pollution preceding our evolution is just adventitious rather than central to the amelioration of wavy screens ennobling so many upstarts to teach themselves the majesty of lucid dreams and to capitalize on ludic ideals divorced from the urchins of radical idealisms that ironically poach rarefied air with smug pollution of narrative scares

Without trepidation we can muster the largesse of civility to create a progeny that has a recursive progeny of heirs that defiantly imagine a world bereft of specters of the soporific imagination enforced by the lapidation of insight from termagants who stride with ursine acrimony naked bare and envision a global meliorism that is careful, picaresque, pragmatic and filled with meritocratic care

With those ornaments of an aureate measure in mind


We leap beyond the enumerated infinity in time's proper design
JDK Feb 2010
Inadvertently avoided through mental thought processes
Subverted into
New shoes in an off white tint
And a new addition to my collection of lint
I'm sick of window tint so dark you can't see inside
I try my best to catch a glimpse of another person's mind
Striving so hard to manifest itself through the body it's been placed in
I step on the gas and pass their *** just so I can think to myself:
I Win.
Personal favorite
topaz oreilly Jul 2013
The blades of grass untidy over some sub saharian variety.
The cumulus  clouds are more down town
with illegal builds shimmering  in the corners.
We look back at our hopes
and belatedly realise baristas have
subverted  our national brew.
Sub let flats with strangers passing through
leaving catering oil drums outside.
Our national prerequisite  minding ones own
allows everything unknowing to go on,
including a morning benefits agency raid.
Rules and queues consigned to ailing  England
Julian Aug 2015
Affinity for the sharks attraction to the squeeze
Apotropaic lyrics cure an ineluctable terminal disease
Traversed time repent and rhyme
For every dollar exists a crime for every penny lost cured with wine
I serenade the world with lore threadbare and cloying but earnestly transcendent
Linger longer in evanescence so I can see the rainbow’s intent
Confederate putsch subverted by transnational push and supreme wonder
Tactless assault on the unadulterated truth a sheepish blunder
Ennobled and regal they gentrify the legal
A European tyrant fishes the sky to capture the preeminent eagle
Kings of the jungle turning us gradately into desert
Desiccated promises elicit the thirst but **** myself they can be so curt
One eye to see them all
One conqueror beyond the confines of linearity hogs the ball
Shoot the three when two will do
Missing every time when the sky is completely blue
Shrouded in the clouds are souls wafting to the sky
Concealed in the Dow a dry rain turns the dust extra wry
Moments clash with movements and chaos erects a monolithic lie
Sold in every shop consumed by every cop it keeps us landlocked on the verge of flight
Rescue the contempt needed to override the wrong and enshrine the right
Abdicate the war, annex the score and appear to soar
Words cannot corral the present anymore than the future can ignore
The past becoming present presents us throttled to the wire
Cartels own the news but the periphery is harder to conspire
We scour the earth looking for rebirth
We tower over the worthy with a catchy mirth
To all law belongs the defeat of malcontent with a begrudging consent
To any miser nothing is more miserable than avaricious but impotent intent
Invisible prison with visible prisoners beset by bars established by BAR exams that we fail to apprehend
Zero sum collapse contingent on the motives of the tyrants that cannot break or bend
So stand to grow the earth with elapsing sand and synchronize the beating of the drum with the actions of the best possible invisible hand
Choice monopolized by a garbled voice trying his best to be the lead singer of the smartest brand
Wary of the scary and contemplative before the boast
We align with design streamlined in serpentine time and on that sinuous path we coast
So we find time for a dream that proves God is a dreamer
Only to find out that all the teams play for the teamsters
Bribe yourself and renege your own wage
Depriving yourself of the ink needed to fill the page
But many words are impotent
When few will do
All you truly need in this world is an emboldened you and a chosen few
An important message for Christ’s saints,
is to guard hearts from becoming downtrodden.
Attacks started immediately with Man’s creation,
knowing that Adam lost the first estate of Eden.

People must not lose sight of their Godly identity,
during this critical age of holy dispensation.
The Great Commission is still relevant today,
for bringing souls unto the revelation of Salvation.

Eternity is a serious subject that no one,
imbued with the Holy Spirit, should take lightly.
Avoid messages of subverted ideas about the Kingdom;
continue in a Truth-filled life… that shines brightly.

Your belief system demonstrates the way you think;
therefore, daily renew your mind with The Word.
The power of speech yields a degree of influence;
be sure to understand what you’ve learned and heard.

The love of Christ constrains us to spend time with Him;
we’re to repeatedly lift up our voices in prayer.
Cultivate your ongoing relationship with the Lord,
insuring to diligently remain… within His care.

Though we have not reached the fullness of time,
we must remain alert to avoid eternal damnation.
Allow the Holy Spirit to lovingly reveal Truth,
so you may embrace the Kingdom’s fullest dimensions.


Author Notes:

Loosely based on:
Matt 28; Phil 2:1-11; Rom 1:16-20

Learn more about me and my poetry at:
http://www.squidoo.com/book-isbn-1419650513/

By Joseph J. Breunig 3rd, © 2012, All rights reserved.
Thomas King Dec 2017
With your eyes full of hate
As venom drips from your fangs,
Your pores oozing contempt
While anger courses through your veins.

A putrid cloud of malevolence
Surrounds your black heart,
While animosity and revenge
Rips your sanity apart.

Your mind has been poisoned
And your spirit subverted,  
By the slow death of your soul
Which you could have averted.

You chose to consume
The evil and hate,
Eating every rancid morsel
Served to you on that plate.

You wash it all down
With that liquid you hold dear,
As you continue to drown
In your own misery and fear.

This sickness has destroyed
Everything you held true,
You’ve traded your life
For that foul witches brew.

Unable to see
Past the darkness and lies,
Even deaf now to hear
Your soul’s pleadings and cries.

Unsuccessfully you try
To wash it away,
As you drink from that bottle
Day after day.  

I pray for your soul
And the torment you face,
But the truth about yourself
Alcohol can never erase.
An important message for Christ’s saints,
is to guard hearts from becoming downtrodden.
Attacks started immediately with Man’s creation,
knowing that Adam lost the first estate of Eden.

People must not lose sight of their Godly identity,
during this critical age of holy dispensation.
The Great Commission is still relevant today,
for bringing souls unto the revelation of Salvation.

Eternity is a serious subject that no one,
imbued with the Holy Spirit, should take lightly.
Avoid messages of subverted ideas about the Kingdom;
continue in a Truth-filled life… that shines brightly.

Your belief system demonstrates the way you think;
therefore, daily renew your mind with The Word.
The power of speech yields a degree of influence;
be sure to understand what you’ve learned and heard.

The love of Christ constrains us to spend time with Him;
we’re to repeatedly lift up our voices in prayer.
Cultivate your ongoing relationship with the Lord,
insuring to diligently remain… within His care.

Though we have not reached the fullness of time,
we must remain alert to avoid eternal damnation.
Allow the Holy Spirit to lovingly reveal Truth,
so you may embrace the Kingdom’s fullest dimensions.



Author Notes:

Loosely based on:
Matt 28; Phil 2:1-11; Rom 1:16-20

Learn more about me and my poetry at:
http://www.squidoo.com/book-isbn-1419650513/

By Joseph J. Breunig 3rd, © 2012, All rights reserved.
Chad Young Feb 2021
As much as the **** female is central to underground society, she comes to me in my bedroom.
Those sources of her pulsate with the richness of her beauty.
How many geniuses have been subverted from thought by her.
How many have plunged into desire's depths, reliant on her picture to allay their suffering.
Without sensuality they derobe as if to go to battle. With her in one hand and their shlong in the other, they make their towel wet.
Now with their desire fed, she looks as a mere distraction.
Just another human body she is now.
Her image has been worshipped and they have found no god.
Cloudy night

— The End —