AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
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The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
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Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
•
First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing

Dedicated to stillborn fetuses, 99 cent Malt Liquor and Existentialism
1.
Nymphomaniac tree huggers
And overweight bisexual vegetarians
Swallowing phentermine poison to stay fit.

2.
Funky fresh *******  
throwing pigs at St. Augustine’s pear tree
and frolicking abortions over Moloch’s philoprogenitiveness,

3.
While sipping barbecue sauce dipped in Lipton tea,
dancing around adhesive bonfires
reciting memories of holocaust, the Kristallnacht nights
and beautiful words suffered by ancestors lost.

4.
Inhale chicken noodle soup, with a side of Lithium,
And prance to Literacy class to combat envisionment
With free association conceptual constructions,

5.
Computerized like Prometheus’ fire burning through SmartBoards
In classrooms where the poison of heterosexual history
Is fed to boys in skirts cursed by Adam’s apple,

6.
Baptized by social norms and locked away in hopeless closets
According to the Tautology of Leviticus…
until they cut their breath by the vein of soteriology;

7.
Misunderstanding of God’s words
Covets the innocent to early graves
In biblical paratactic irony…like God betting Satan for a Job.

8.
Rub fried chicken oil on Bartholomaeus Anglicus’ skin
and soil his white pride with ***** flavor,
for revenge  On the Properties of Things

9.
and howl out in glory of victory
over totes of  lickerish piper methysticum blunts
that beg the conundrum,
'What is the origin of this world?'
'Ether,' he replied.
But it is not ether!
Nor Datta. Dayadhvam. Damyata.
It is Dada. Dada. Dada!
  10.
For this is a record of the life stories of the greatest minds and geniuses of your generation,
written in boys and girls
who mimicked Basquiat’s genius and tagged bathroom walls with abstract philosophies like “Love is a prime number” and “ the weight of Duncan McDougall’s soul can only be found on the 15th of October”
who drank vampirish gulps of Vicodin while consoling themselves with aphorisms such as: “don’t rue the misses, you don’t need a Mrs. when you’re elevated by chemical kisses”
11.
Who stood naked in mirrors, weeping, for they were a mystery to themselves, but a great talent and soon to be legend to some.
Who lit cannabis in loneliness and waltzed naked with their ghosts, fantasizing about ****** tomatoes and Corpus Christi Mexican Jazz.
Who composed psychedelic anthems from dreams that were lost in ghettoes where virginities were lost for loaves of bread, for the hunger of bread.
12.
Who wrote suicide notes on a toilet seat, contemplating the texture of Marshall Mathers’ favorite underwear and whether the color green was an invention of **** Germany.
Who used to love their lovers in darkness and colored the streets of Manhattan with rainbows on June 24, 2011 to mark the date lady liberty finally bought a new pair of glasses.
13.
Who lost musical talents to a Wine-house and ended up in a whine-house where lobotomy was subsequently prescribed by the milligram.
Who indulged in pharmaceutical vices and when asked why replied simply, every recursively enumerable set is Diophantine.
Who diagnosed themselves with “start ****-itis” and self medicated by eating Fifinellas at the stroke of each midnight.
Who rubbed paraprosdokians on their skin and occupied Wall Street in search of a new euphemism for being American.
Who poured Alkalizer on a dead moose and kicked it while feasting on the divine question, “why does Rice play Texas?”
14.
who got bored with conventional relationships and bought the Origin of the World on street corners from vixens nicknamed “Jezebel” and climaxed atop of them screaming  “I’m in Babylon, the great Mother of ******!”
Who attempted suicides upon suicides upon suicides, in Oakland, until they were shipped away to private catholic universities in Rhode Island, where the history of Colossus was being taught.
15.
who serenaded love interests with four letter curse words at open bars where Kubla Khan was read and Tartars kings were licked all over like holy communion *****.
Who drove home with the spirits of wine and crashed on telephone poles where their obituaries were written in their prime, leaving their mothers weeping and calling congress to reconsider Prohibition.
16.
Who mixed Redbull with Propofol and drank the juxtaposition galore only to be woken up the next morning dead in their sleep.
Who tattooed rat poison packages with goodwill messages such as “****** divided by Water =6th day of creation” or “Seroquel + Brett Favre = St. Patrick”,
who went speedballing with Basquiat during autoscopy and woke up wondering the cost of Nautilus in Albuquerque.
17.
who took 33 hallelujah 1800 tequila jello shots and daydreamed about laying on Mithras’ grave, yelling, beetlejuice, beetlejuice…beetlejuice.
who found the truths of the Bible invalid by the miscalculation of Pi in 1 Kings 7, verse 3, and mailed death on anthrax letters to Reagan in protest.
18.
who sat empty bellied at breakfast tables wondering the temperature of satellites at Lagrangian points,  only to soon catch fire in their tongues and speak Labyrinth soliloquies that ended in
19.
Zion,
Where Google knows every answer.
In Zion
Where the youth, tomorrow’s future, quote a ***** named Hova better than they can quote Jehovah.
In Zion
Where *******’s art was used as weapon during the Cold war.
20.
In Zion
Where sartorial geniuses where no pants,
In Zion
Where David Kato Kisule is the secret hero of these words, for he was taken at a time
In Zion
Where we were supposed to be our ancestor’s sci-fi.

21.
In Zion,
Where the youth bear the scarlet letter X for they are a problem to tradition and hold no definition for the future, for they have discovered
In Zion
That the origin of this world is in their living eyes, and not in the dictionary of their ancestors who lived
In Zion
when the epitome of the literature of life ended in Revelation of Amen and Shantih shantih shantih;
this is a record of the greatest minds and geniuses there ever was, written
in Zion
where the meaninglessness and nothingness of Dada reigns, and the trinity of life now lives in the Subject, subjective and subjectivity.

Past our past,
Yours and mine,
My soul yearns,
As I walk by silver clad trees; 
A favourite parked orange vintage Saab;
And memories newly raw, too.

I

Then quite extraordinarily,
The Cosmic Whale,
Stirs in my solar-plexus,
And my objectivity dissolves,
As conscious consciously hears:
The song of my inner Gypsy,
And look!
My Narwhal,
Up among the stars,
Beyond days and nights,
Roaming free,
Scything milky ways in half,
Fireballs disrupting,
In infinite timelessness,
Beyond the pull of gravity,
Where no vortex holds:
The 'othering' whirlpool,
That keeps us compressed
- as a collapsed star -
Gone!
At last my Cosmic Leviathan blows
- ALL is released and falls away.

II

Such is my Cosmic Behemoth:
The funnel *****
And inside out,
Is turned.
As at last on course;
Whoo! Whoo! Whoo?
But no-one replies!
The navigation station is empty:
This is motion without traction,
And no acceleration,
Slipping atoms would only slow!
The flow,
No windows either on the view,
As even visual truths are but fleeting,
And words muddy the clear unconscious streaming,
As the journey beyond mind begins.

III

The worldly maze recedes,
A bird's-eye vision steers the empty ship;
No harbours are plotted,
From here on
- endless flight in night,
Without end,
Wings blaze occasionally nearby,
A host of fireflies pattern the cosmic pool,
A whole immensity in which to dance.
Space,
Growing,
Stretching,
Expanding outward,
Not as we would have it, but as it is beyond our eyes.
Where space is born,
Again and again,
And so!
Exults in nothing,
A self beyond understanding,
In silence thrives,
Where sense logic makes no waves.

IV

The Cosmic Whale is off,
All attachments gone,
Like a flake of skin,
A fold in time -
Falls off.
The anchor dropped,
Is not retrieved,
What use is I -
When the clock's monotony no longer counts!

V

The surface disappears,
The ocean depth submerges,
In the cabin
The lights are dimmed to monochrome,
As navigators know,
Blind sees the furthest.
Charts are soon forgotten,
The imagination leads:
Ueah, the Cosmic Mind,
Vast and free
In all directions!
No need to plot a line,
Instead like the humble earthworm,
Who in darkness fertilises:
Beauty, how unimaginable, how unknowingly,
Is by all that envelopes guided,
As from the cracked ***!
Which in Reality was suffocated,
The source is nourished.

VI

As my Cosmic Whale plunges the deeps,
Look to the expanse:

     The eternal behemoth whose flight
     Everywhere provides,
     Guileless and unobjectified.
     A subjectivity that knows no
     bounds,
     Is unto itself unknowable.

In brushstrokes.
The universe,
Is as it rolls Created.
Where logic has little to do,
As all,
Already simply is.

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Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?

All observation is from a particular point, but
acknowledged subjectivity's better than naught.
Thus follows some comments on their qualitative nature.
Use them as you deem. In this piece everything is as it seems.

Caffeine is unappreciated enough,
Give credit to that stimulant for the things it does.
Coffee has little time to play, for there are errands
to attend to before the light fades.

The amphetamine will spin you until you're spun,
The cathinone will also try you with its luck.
The stimulant is a trickster [touch within]
and a magician never reveals their secret,
Even when seeking it befalls endlessness.

Me and E(cstasy) used to dance all night,
Closer to all your dreams was as far
from the light, we soaked ourselves
in emotionality and I soared high:
Perfection in the dark
rekindled my heart; 'cause
on pills you love everyone.

******* is always hungry but will never feed you
for it is naught but the scent of pure ego;
because on coke everyone loves you.

There is nothing to learn from an opioid or benzodiazepine
beyond the hedonistic stupor in-between awake and sleeping.
Similarly, cigarettes never taught me anything about myself
much like quick, ***** ***, that's nicotine and painkillers, in essence.

Alcohol is reliable for those sociable
but can hurt the body and scorn the emotional.
Drink toyed with me, then she abandoned me;
Despite that messiness I still reminisce occasionally.

Gamma-HydroxyButyric acid [GHB] requires utmost caution,
One must observe the proper conduct when
wading through such subtle intoxication.

Don't use ket too much, don't use angel dust.
If you want a supreme arylcyclohexylamine
seek out methoxetamine, use it responsibly.
Dissociation, end of line; no[thing is o]ne.

Always be considerate before transcending reality,
Reverence for psychedelics keeps them self-regulatory.
Of all the compounds they would humble and reveal to you;
Existential, being when tripping; every[is]one.

Cannabis I dared to use recreationally
for it often reminded us when one should act sensibly.
That deep conversing with trusted friends
is better than any substance I have ever had the nerve to test.

Tar-dark world. The defining color is black, the inky night of her nocturnal hunts and the deep, bottomless dark of her alien retreat.

A watcher of men, she is everything and nothing. She might be too much of something, or too little of something else. Time will sort out the particulars.

There are no simple entry points – she demands engagement, and to be taken as a whole. Her discomfort is over her own allure, her undisturbed surface. It’s more about intuition and gesture than dialogue. They remain as echoes. They’ve made her beautiful in a real way, with hips and blemishes and dimples in her skin.

The imprint of the lives she begins to grapple with as her time on Earth extends, leads her to stop seeing herself as a mere conduit for her mission, and to start developing a sense of subjectivity.

Her life force is overlapping, shaping itself into a pattern of rings that simultaneously suggests a birth canal dilating, the stages of a rocket separating, and a lunar eclipse as seen through a telescope’s lens.

She's a life-form you can’t quite understand, but it’s carrying on relentlessly, like a beehive, moving backward through the constellations at first approach.

An abstract of an academic paper written by a doctoral student: "In this semimanifesto, I approach how understandings of quantum physics and cyborgian bodies can (or always already do) ally with feminist anti-oppression practices long in use. The idea of the body (whether biological, social, or of work) is not stagnant, and new materialist feminisms help to recognize how multiple phenomena work together to behave in what can become legible at any given moment as a body. By utilizing the materiality of conceptions about connectivity often thought to be merely theoretical, by taking a critical look at the noncentralized and multiple movements of quantum physics, and by dehierarchizing the necessity of linear bodies through time, it becomes possible to reconfigure structures of value, longevity, and subjectivity in ways explicitly aligned with anti-oppression practices and identity politics. Combining intersectionality and quantum physics can provide for differing perspectives on organizing practices long used by marginalized people, for enabling apparatuses that allow for new possibilities of safer spaces, and for practices of accountability."--an abstract of a paper by doctoral student Whitney Stark

Atomic particles, how can it be so
that your purpose is not just to flow
in and out of existence, building reality--
the stars, cosmic gas and galaxies--
but to “ally” with groups of humans fighting “hierarchies”
and demanding “safe spaces”
(even though their entire race is
at the top of their planet’s food chain).

In this mysterious universe there is no safety,
accountability or identity,
only elements, and energy.
Brief combinations make life
legible for a nanosecond in cosmic time, and doomed to strife.
Biology does not know oppression,
only generation, reproduction,
until our growth chokes us and we fall
like so many of our ancestors, who lived and died
on this blue-green ball.
And one day the sun will explode and blow
even our atoms, which have endured (despite oppression),
and the particles will go far until maybe they sow
new life, in bodies unfamiliar, on planets unknown.

Everybody thinks Bobby stays in bed all day and that he does absolutely nothing. “Indolence in human form” is what they call him. In reality Bobby ponders one of life’s greatest mysteries day and night, he’s a student of being. “I Don’t fear A.I. rebellion” Bobby tells himself as he reflects on the futile and expedient nature of subjectivity. After many months of wrestling the behemoth that is Nihilism Bobby concluded that there was no intrinsic value to anything and that there was no reason to do anything. “You can’t derive an is from an ought” Bobby thought to himself. In that moment Bobby reached a new epiphany. There is no way of valuing anything in an objective manner, so therefore he couldn’t construct a dominance hierarchy of personal values, and thus he couldn’t justify getting out of bed or do anything for that matter. Bobby had justified his laziness.

Bobby never stopped thinking, Bobby wondered whether or not he should keep on existing. Since there was no objective value to anything, that, in turn meant that he had no value either. Bobby, human as he was, he was a rational man first. He wasn’t bothered by his own otiose nature. With this is mind he started to entertain a new thought. “Does a rational man choose to not exist?” Bobby thought to himself after pondering on subjective value. “Subjective value is our only hope for justifying existence!” Bobby exclaimed to his ceiling in his dim-lit basement room.

Rational as he was, Bobby still liked existing, it was something he never managed to explain. Apathetic in nature, he still felt a desire to be. The dichotomy he had become felt annoyingly quintessential. How could he, a rational man, not shake such irrational thoughts. After staring at his feet for some minutes he bequeathed himself to his human nature. “I’m but a talking monkey” he sighed.

Now a wiser man, Bobby shifted his philosophical gaze. He reasoned subjectivity, how could he maximize his experience, the only thing with potential for true, albeit subjective, value. “What stands atop the dominance hierarchy of subjective value?” Bobby wondered. After many journeys to the depths of his Being Bobby realized that love was the highest value. “What else is a better antidote to the chaos of consciousness?” Bobby asked aloud as if he wasn’t alone in his basement.

Other humans, Bobby knew they existed, but he never really spoke much with them. There was this one man he once knew though, Will was his name. Will was an odd fellow. Even though he didn’t owe someone a single thing, he would still always help everyone. “There’s a natural law of karma” is what he would always say. As Bobby recounts the memories of Will he starts to question the irrational nature of karma. “Is karma measurable by science?” Bobby blurts out as he stretches himself out in his dusty bed. “All human processes can be calculated, granted we posses a powerful enough calculator.” Bobby said as he muffled his mouth with a pillow. Bobby considered his own proposition and after some minutes he yelled “If all can be calculated, then so can emotional in- and outputs!” as if he was standing in front of an audience. Bobby came to the conclusion that if those values could be measured then karma would be a mathematically substantiated concept. This thought made Bobby’s heart beat just a bit faster, but only just a bit.

Sleep was something not even Bobby could be too lazy to do. Bobby had passed out for some minutes or hours, he couldn’t tell. When he woke his mind wandered back to his unfinished mental quest. “How to maximize the amount of love in my subjective experience?” Bobby groggily said. He widened his eyes, “eureka!” he screamed. Will, he himself, and all of humanity were all connected, socially. When Bobby realized this he quickly reached his next conclusion. If he wanted to maximize his own subjective experience then he needed to maximize his output of the highest subjective value, love. Karma was a natural law after all, a mathematical one. Being yet wiser again Bobby started to ponder the ways of love.

“The more I love, the more subjectively pleased I become.” Bobby thought to himself as he adored his human nature. Now that he had found a rational way for value, albeit still subjective in nature, Bobby smiled. He knew that, although there was no intrinsic objective value in anything, there was still value in subjecting himself to his consciousness. “It makes me feel good, so why not.” he said victoriously.  Armed with karma Bobby ventured out from underneath his house. The sunlight on his skin made his sense tingle, for the first time in decades Bobby felt alive. People were shocked when they saw the once indolent man indolent no more.

Over the coming years Bobby had changed and the people with him. Bobby had become a pillar of support for his community, spreading his years of indolently bred wisdom. The people had started to call him Wise Bob. Now with Wise Bob’s stultifying lethargic behavior gone the people followed his lead by example. Wise Bob was no leader though, he was still but a student of being, but with a slightly larger Being. “Not wise enough.” he told one of his many friends. Wise Bob still felt his objective insignificance in his heart, but no longer as a nihilistic threat. His futility gave him meaning. Bringing order to the chaos of consciousness gave him responsibility and thus meaning. This meaning made his life worth living. “The collective human condition will fight off our dragons.” Bobby professed.

Bobby was a rational man, but a man still.

childhoods are forgotten
mere bonds simply left to rot
bewildered and betrothed to the very idea
of a more golden sun
and glistening moon
but not all the planets in the solar system are close
and are in fact very far away

words are to mean nothing
nothing
left with the wind
blown away
good bye! adieu!
I shall miss my friend!

and where is the blossom
whom I met so long ago
on Mars
on Jupiter
the promiscuity of proximity
reminiscing
within the shallow walls of the cave
that drips drips drips
to the past

and history becomes bloated
with subjectivity and
a sepia undertone
so how can we see what went wrong?
how can we learn the implications of each movement
made by our lips
fingers
each deep breath
that coincides with the galaxy
underneath a waning moon

The real subjectivity of life is overwhelming;
Prospective consumes our frontal cortex
But there is no escape from this vacuum seal.
We see the faces of our own delight,
The know how of the here and now,
But we are too blind to look past our own perspectives.
Even when we fathom the hearts of others,
Our understandings are predisposed  to our own Identity.
Objectivity is a fleeting notion of reality, of truth
and its as though the ground we hold so dearly
Is constantly fleeing from our grasp.
Today we call this individualism,
a disconnect between one's self and society.
But I so selfishly and foolishly believe
that this chasm stems from being lied to so often.
Am I lying to myself or am I being lied to I do no know,
but it is important to understand that it does not matter
that nothing matters, because everything exists in my field of view.
The only question remains: am I correct
Or has the devil made me a fool?
But  this does not confirm nihilism
only hints at its initial potential.
Yet there are common truths that are irrefutable
no matter who you are, real or not:
The reality is the here and now,
No matter what ghosts or demons there may be.
They affect the consciousness constantly
indifferently to whether or not they are fraudulent or true.
And my experiences are true, the emotions are radical,
and even if everyone I know is a figment and interpretation,
they still hold a grasp onto my withering heart.

I'm not special
I'm just one out of seven billion
And we're all interconnected
So why am I the only one driving down this road?
You don't have my address
Or my wifi password
Have you found the bat in your gazebo?
I found mine
And named him Bruce

The leaves that fall on my vehicle
Touch no other's
And the rain that pours onto me
Soaks into my skin
It becomes a part of me
That sets me apart
Subjectivity solidifies separation

Like Saturn's rings
A planetary population of particles
That create something beautiful together
Our species is special

Sometimes, I simply think of colours, you know.
The world is so complex, the human brain and the ocean unexplored, wars and marriages are battling with its side effects and a lot of good goes ignored, so sometimes, instead of Newton, I think of colours.
Like black. What if black is just the ink squeezed from a blind man's dreams?
And yellow, the Sun's abominable hot ****?
What if Snow White was just a Snow"man", a 5 year old created
but forgot to add the nose to?
Was it Olaf disguised as Charming who broke the sleeping curse with "true love's kiss"?
You can hit the bandwagon and say "Haha! Then, white is an angel's ****!"
And I could believe you!
I'm a believer!
I'm also a wild guesser! I'm the harlot of semantics, or whatever that is.
I have never met a naive gold digger, except of course, a gullible beggar.
I hate vulnerability, but then I hate strength too,
because I revel in crying and feeling my face wet and pretty
secretly waiting for a stranger's **** to give me sympathy.
Let me tell you something today.
You can give me food, clothing, warmth and a shelter to sleep under, but if you can't give me peace, comfort and acceptance, my world inside my mind and soul is a thunder waiting to erupt once I lose you and never bother to come back.
I would care less for love in fact.
I guess I'll go searching for a Kentucky's to ravish on a chicken leg with my legs up and heave a sigh of having found solace in no bra!
I see a rosary dangling down a fat woman's pious chest and I think of Jesus Christ.
70% of the world's population celebrate the man who died on the cross and topped it off with resurrection
And then again, I think of valiant soldiers who die on the borders trying to protect their nation
Who are grieved and honoured for a day, no, not celebrated no! They are forgotten.
This ******* contrived sense of sacrifice and nationalism is causing to humanity, its suffering and damnation.
Eve offered and Adam ate! Stupid snake! Because, when I didn't know any better I was too scared to *******!
All these esoteric questions and theories and debates and elocutions and apologetics and guesses, what's the ******* point?
The sanctimonious have the God of gaps, the Spaghetti monster for the iconoclastics and then we have the ******* with a  purpose to save the planet from overuse of plastics!
"There's a lot wrong with this world today and we MUST change IT!", asserts a 14 year old onstage in an air conditioned school,
where hundreds have gathered in an international thinktank for "imitating truce".
What is maturity? Tenacity? Or Acuity?
Do you understand subjectivity?
So, just because I'm 20 now, it's hilarious to still watch me drinking milk instead of "adult tea"?
I would rather listen to stories of people who've travelled the planet and lived to tell about it all, than load Stories on Instagram of people who barely make it across the hall.
And I wish I could say "Social media can **** my *****."
Because in this planet of intelligent creatures, one gender accuses, the other waits and muses, so the former forms a movement, hoping for some improvement, but really all this is a sham. All of this? It's just entertainment.
It's not about free will, it's about freedom.
It's not about fear and dogma, it's about reason.
It's about effortless loving with no condition. NO condition.
My mother says all the time "Live and let live", and I believe this is the only greatest gift we can give, to people around us and unto us, also to forget and forgive.
Why seek for mankind's origin and destiny? Why not find the  purpose we need to serve right now?
What can you do now?
And this will never have a proper ending, because I like it that way.
The world will never change, I snigger knowing because there was just one thing the Priest said right, "And we all like sheep have gone astray."

To net a butterfly takes time,
catch the states of mind with kindness.
From thoughts, emotions, opinions, belief,
ethereal dreams may seem out of reach.

The small pineal gland still stands tall,
even if we're concealing what is real.
Cold hard stone in hand,
a granite man can fracture.

Match the eye of sun gods,
appreciate your wider space in chorus.
Combined from our creative borderlands,
where we learn to understand and teach.

Factual fractals repetitively resonate,
so try to make the most of your ability.
As intuitions have a silent plan,
contemplate your future face.

This life can be deemed a dream,
where we're all here for a finite time.
You're born, you work and times pass by.
Then onto the next opportunity.

The finest meaning of  'Wholeness'..

Is shown  most fully within the intertwining  
in to the pivotally and most necessary
healing of both body and mind..  

    In that
the perfect expression of Spirit here on Earth
can only happen through the physical--

     You "feel" the Receptives  and/or the Urgings
     from deep  within you (your flesh wrapped spirit),
That are only brought out into the light of day  (made known)
the moment your very tangible fingers  touch the keyboard..

     Or up close..
    the tangibly-heard sound your very voice-tones,

Created by your so very tangible vocal cords--   made unique
by how deeply infused your spirit is  into that
beautiful mind and body of yours..

      By your ever-renewed
     and continual choice to heal.

Within that beautiful union,  the Sensings and Respondings
of the body  bring impulses into the spirit..  
touching deeper, the Core--  

      The "Image"  of Perfect,  Absolute Being
      placed deeply into each and every one of us..
          by the very nature of Love's Ache--  
    Residing within the center of this Universe..
    (and all other Universes)..  both known..  

             and those also yet to be..

..An Image placed, as to be a Plumb-line,
and also a Never-ending Cinematic  placement of the View
onto (and within) the inner-wall linings
     of both mind and spirit..
..Seen in greater and greater  "less dimly-lit"  degrees,  
based solely on how far we commit ourselves along,
     and in to,   the healing process.

        In its finest form,  through healing,
the things we take in..  through feeling;
and then express back out..  
from both mind, and body's  untethered Unfolding,

           ..Becomes closer and closer
           to the very Expression of God's own heart,

..Therefore smashing through,  and gorgeously undoing
the ever- quenching.. ever-diluting nature of Subjectivity, itself.

Hmm..

The "taking in"  and then  The Tremblings,  of your body's
unavoidable responses  are the very thing most 'maverick loners'
like me need most from another in this world,  

if we are to continue on in our mission with any kind of strength..
    (along with its much desperately-needed resolve).

If,  within the "taking in" process.. the beautifully feeling
Receivers  such as yourself, were to be  overcome
to the point of release~  all alone..  on the edge of your bed..
isn't that a very understandable  and nearly unavoidable  
and also so very very tangible  part of the process also..      

     --In itself
above  and outside of all human (and Heavenly) judgement?

Carry on, sweet Angel..
and so gorgeously continue to  be  who you are.
Those that can see..   see  (and feel) most clearly.


           I  see  you.