Cake
You can eat it too!
My frying pan
Is half empty

Hate me
Because I am good
No!
Because I am great!

Michelan Stars
Trips to Mars
Candy bars
Mason jars

Drunk I am
Said the can
To the packet
Of ketchup

Baker's square
I worked there
Line cook nook
Splatters shook!

The kitchen man
Burns the water
The ******* fan
Yearns for slaughter

Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.

deli meats and cheeses
i look past them at soft crinkling smiling faces


and i drink my java
warms up my hands and ******* and i sweat
in my coat


walking up and down the isles

I see trail mix
and sunchips

and sweet sweet sweets
the yummies

that i adore

chocolates
especially

dark chocolate cocoa orange cherry strawberry berry red brown

it's the sweetness and saltiness
of summer time ice cream

It's the cold crispness
of carrots and snap peas

It's the warmth and comfort
of big muffins and a plate of hashbrowns
at Perkin's
after a stressful morning



spice smells
of pad tai noodles


sourdough bread, fresh baked
crunch crunch on the outside
soft hot squish
inside
(save that part for me, i eat them separate
-you laugh)

how many times did we
laugh
about how you ate that bug
and we were never picky



cherries
all those cherries.





we ate nutella
on bread,

washed it down with cold organic orange juice
from a cafe neither of us had ever heard of

and tofu
tofu tofu

always cooked perfectly (we wondered how they do it)
(i still don't know)

chocolate, melting slowly

"you missed some."

-------just an excuse to kiss me.
i giggle


peanut m&m;'s

turn my tongue colors.

Watermelon at a potluck
wedding cake
cheesy potatoes
and an extra helping of bread
(we laughed so hard at the white bread, squished into a cube)

ruby red
made you wince

I drink it straight from the bottle
and smile

remembering every kiss
that tasted of grapefruit
in that tent

every kiss that tasted of salt
from the eggs?
or from the sweat on your lips

the sweat on your lips.

we kiss more
i smile into your lips
i remember that, especially

we never got sick of each other
nutella on everything, now.
especially on s'mores


i smile with every memory




i put my hands in pockets, the cold rushes to meet my face
in the ice cream aisle

i cool down as i graze
through the tubs or corn syrup and double churned triple churned
cream with extra fudge

sherbet

i chuckle to myself


memories memories
of sitting up high
with you,

sand on our toes
chocolate caramel fudge coffee
on our tongues

love

in our hearts


you remember.

the taste of that summer

All of a sudden,
something is aloof
The air becomes stale,
like the bread of sourdough;
you refuse to walk through
the garden overgrown, infested with
insecurities and a plethora of doubt
           I  believed you to be
           a recipe I figured out
I'm left teetering on my toes
as vehemence in me grows
and the mystery within you
is unfortunately never shown

Riddle me your chivalry's
whereabouts as of late
You're good at concealing
all that you're feeling
I remember when you were sweet,
     like the aura we would create
           like the donuts you brought me;
           a dozen sugar-coated holes and
           one lone blueberry
My insides have been fried
in a hot mess called love,
and a dozen-sugar coated holes
from you my dear, was
considerably enough

There is a Mouse in this House.
Insatiable,
He keeps me up at night,
thin fine claws on metal stove tops,
whispering to the birds what a fool he's made of me,
because I couldn't make the fibers of my home work with me.

There is a Mouse in this House,
Immortal,
I've fished him drowned out of drains,
fed him bleach on silver trays,
listened to him choke in air vents,
his chestnut jacket perpetually in the corners of my eye,
leaving reminders in my cereal,
this rodent he refuses to die.

There is a Mouse in this House,
Intangible,
he is not slipping through my fingers he's dancing on them,
quick petite feet tapping on my counters,
fleet and fast like smoke,
I've seen him seep through a clenched fist and still escape with wedding bands,

There is a Mouse in this House.
Impish,
he waits 'till I'm alone to play his music,
the crack and chew,
too early with the morning dew,
he will not play his song for you, it'd be too easy to be seen.

There is a Mouse in this House,
primeval,
he's been waiting,
mapped the walls and painted my flaws,
tactician skilled and iron willed,
this beast knows war far more than my militia mind was ready for,
plotting out insurgencies for restless and anxieties,

There is a Mouse in this House,
emaciated,
what's his is his,
what's mine is his,
there is no sacred to things with tails.
clearing out my pantry,
his jaws now tasting for my sanity,
finished with the:
Rye,
White,
and Sourdough,
he's fixed his tongue on sweat breads,
scuttling with unnatural flow,

There is a Mouse in this House.
Charming,
too handsome a creature to ever be singed,
he peddles on the burners simply too strut,
scampering through flames to test his luck,

There is a Mouse in this House,
Insomniac,
from now until each evening hour,
his paws touch turns time sour.
Ivory teeth clanging out a new ink-printed deed,
he owns the tenant and never even had to rent it,

There is a Mouse in this House,
arrogant,
too self-assured and clever,
cunning, devilish a creature he may be,
but he has yet to get a load of me,
holed away within his den,
his first mistake was not letting me win,
setting aria's on fly's wings to declare his victory,
this furry phantasm is all too aware of what he did to me.

There is a Mouse in This House,
sleeper,
I'm plotting my comeback,
sure-footed,
slow breathes,
and savage hands,
I'm ready,
silent and steady;
this beautiful monstrous mouse had best prepare for battle.

There is a Mouse in this House.
But it's my House.

All eggs were in one basket,
so no wonder you're reserved ever since they broke.
Shells are messy and hard to work with.
She gave you eggs the last time. But I'm not her.
Let's not give each other eggs.

Let's give ourselves bread instead.
Because all your bread in a basket sounds warm,
picnics in parks on sunny days warm.

Or fresh out the oven still steaming hot.
Frosted and sweet, or sourdough. All your bread in one basket,
there's so much to work with.
Even cold bread, and stale bread.
Because at least when molding bread falls out
of your metaphorical basket you can pick it up
in one piece and put it back.
Or make more. You can fix it.

Eggs aren't that easy. They shatter. They're messy.
So my dear let's not be eggs. Let's be bread.

cool spring water
fresh ground flour
with love and time
growing a bit sour
a spectacle divine

I remember the way they used to hang their art so proudly with me. Messy crayon drawings of pure imagination. I saw them sneak popsicles from the freezer when no one was looking. I watched the plants on the windowsill grow, reaching for a sky on the other side of the pane. They cooked meals in that room and stained me with the flavor of bubbling tomato sauce, baked sourdough, and the gentle simmer of potpourri. There was magic sometimes, in the youthful grins over candles and the silent wishes they made. There were evenings of sharp, acidic vinegar and boiling eggs they dyed for Easter.  There were arguments: yelling, screaming and crying—the growing pains of a family. There was violence too, tempers flaring, heads butting, and holes in the walls like black holes swallowing the light. There was a garden through the windows that grew with them—wild yet cultivated. This house was filled with their problems, with their love, with their lives. But, eventually, it emptied of them. Slowly, like an ancient lake dried up by the sun, they learned how to change to move on. They spread out like clouds across the sky and put me in a box. Now, I can’t help but wonder from my resting place: where have they drifted to, and how have they had to change to keep going?

Needlepoint threadbare caucus with an instant Kodak box camera filled nitrite
Like the sun-kissed barely lit beaches over Normandy
Stormed into the kitchen with a missile and an avalanche to overpower the pirates
With their long-forgotten and ill begotten flagship armada
The flowers hang low and the nooses lower with ever-present danger of going over
The needle hits skin puncture left right down touch your toes uplift like the cross
Arms hung low over the alabaster sky with a long trench-coat and wary eyes
Cloud cover start to blow the cover and touch the roller coaster coffee cup sitting
With an eye to the glass and the telescope lens flare catch like the door latch
Down to the basement with the worn out sofa sit alone like the bedraggled soldier
With his dog tags hanging like a sign of the times down to where his feet locked
To the floor in an instant with the bombshells all around and a seductive twist
The ring and fling the pin out count down begins to the gravity shift consciousness
Like the cancer patient under the knife the tumor’s removed the chemo begun
With the bulb burning down over a hospital bedside and the white sheets lingering
Smell of a machine gone bad turned tail like the redcoats running down the chute
With the mail to the end of the day the laundry’s out to dry on the steel clothesline
Their bolt cutters damage the elderly couple hanging from the tree with the cymbal
Underneath like the gong of the undertaker the dam’s release
The water runs down to cleanse the disease and carries the pathogens to find their caprice and restraint held back on the man in the chair with vacant eyes and half
Muttered prayers to an unknown God with long white beard
Sitting alone under a payphone like the cold-dead wires of a long gone bee hive
Mind pictures play off the words on my tongue like an over-told rhyme
The nursery songs and bells and whistles come together to form an indignant sound
Like the steel clap trap of the boot black against the pale white walls of the by-gone
Era with a viscosity of ancient monolithic capacity
Sourdough rising like the falling red sun over the horizon sit and contemplate the weather-worn-battle-torn visage of man remembered yet never met
Till death and earth turn and burn in the ascending light of the pale moon
Wolf-howl over the distant city lights like the mournful wail of a banished soul
Away from home for ever so long with a comb to the palace in the heart of the beast
It sings for summer and faraway places of the corporeal magic in an elemental fashion show sip the martini glasses ***** and break and shatter like popcorn
In the kettle boil over the levee let it sink down into the visage of a man in the underground coat around the tails of the whipped dogs running like hell.

The cafe we meet at is one of those old meet new italian cafe's in North Beach: marble table tops with beige wicker chairs lined up outside the window; clean faced and freshly cut waitresses and waiters; salami or some kind of italian meat hanging by a thick white string from the ceiling, presenting itself to the streets like a ***** in Amsterdam; thick egg white ceramic coffee cups with thin saucers underneath them to catch whatever mistake may happen during conversation or solitude. Hanes was just sitting there. I ran into him. He never called me. His sunglasses are on - usual of him - and he seems startled when I sit down, as if he doesn't recognize me. I can see that it takes him a second to remember that he had called me at all, soon after making sense as to why I'm sitting there at all.
"Sup?" I ask him. There's a tiny glass filled with a frothy, light brown espresso inside. His right pointer finger is wrapped inside the small handle, resting there like a crow on a branch.
"Hey," he says, looking at me, unsure where his eyes actually are, "Thanks for coming to meet me."
"No problem," I say while trying to catch the waiter's eyes. The waiter's a tall, skinny, handsome italian guy in the typical pressed white button up, black dress pants, black apron, and jet black pointy shoes. Why his attire and build is of any interest at all makes me curious. Maybe I'm jealous? "No problem at all," I say again,"I was in the area."
"You should get the food here. It's good."
"I rarely hang out in North Beach, so I have no idea where to go. Have you been here before?"
"I've been to a couple of these places. Framed City Bookstore is right down the street."
"No ****?"
"Yeah," he nods, taking a sip of his espresso, "They're really nice in there."
"I always assumed they would be pretentious literary types. Never went in there on that assumption."
"Some of them are, but there are a few that just like books and write and hold no entitlement from that."
"That's nice. That's rare."
"Very rare," he says, taking another sip. He looks over his shoulder to try and catch the waiter too. "I want to get some food, too. Starving."
"He give you the menu's yet?" I ask, looking around and under the table.
"I told him to wait until you got here," he says, still looking for him.
We finally get the waiters attention. He apologizes and tells us they are very busy. The inside is nearly empty and we are the only two sitting outside. I'm unsure what he means. But it doesn't matter. We order the same thing, panini on sourdough bread with chicken breast, tomato, pesto, and arugula, with a few thin slices of prosciutto on the side. Hane orders a side salad and I order a pumpkin soup. It's cold outside - even with a coat - and the soup, I know, will do me good. I also get a regular drip coffee, which he brings immediately after we order. We exhale, glad to have gotten it out of the way. Then, there is that silence after one orders at a restaurant; that matter of getting down to business and discussing why we are even there in the first place. I wait for Hane to begin, but, because of his lapses in memory and general awkwardness, I start, watching him run his finger around the circular edge of his espresso glass as I do.
"Claire...," I pause, on the edge of stammering, "She left?"
Hane takes off his sunglasses at my question and sets them on the table. He looks down at his lap and blinks, rapidly a few times and says, "Yeah. She left. Back down south. LA or further I think. She said something about San Jose, but I have no idea why she would ever go there. She doesn't even like hockey. I've never heard her talk about it before."
I drink my coffee, looking over my glass into his eyes, acknowledging that I heard him, that I understand, but I say nothing. Everything all seems too sudden, too planned out, like Claire was scheming this from the beginning of everything. I was searching for someone to blame for everything, but then Hane starts again.
"If I think back on our problems, I can see why certain things that I did drove her away. There were a lot of things she did that forced me to get away, in my defense. But," he reaches for his sunglasses on the table and slips them back on, "To her defense, I had my days, ****, I had my weeks, where I'm sure I was pretty unbearable to be around."
"Why is that?" I ask him, "What were you doing that would upset her to the point of leaving for good?"
He turns his head toward me that was before gazing out on the street, "I never said she was leaving for good."
"Ok. What were you doing that would make her leave at all?"
"****, I don't know. I would go out. I would have fun. I would do things that I knew I wasn't supposed to really do, but I did them anyway."
I push my chair back a little to stretch out my legs, getting comfortable. Dark, grey clouds have gathered over head and everything is starting to look like a very depressing circus. I finish my coffee and can't wait to order another. It's an endless cup.
"I know what you mean," I agree. I feel him pulling away, defending himself of actions he's yet to specify to me, "Sometimes you just need to go out and get a little weird."
"Exactly. I was doing that. I was going out and getting a little weird, even though Claire wasn't always for it."
"That's norm..." I start, but he cuts me off.
"And you know what? Sometimes she would even want to come with me to wherever I was going, but I really didn't even want her coming along. I needed to do whatever I was going to do alone certain nights. Don't ask me why. Some nights I just needed for myself to get away from my life that I set up for myself to feel satisfied or fulfilled or..." Hane looks up into the clouds like he wants to float up into them, "Acceptable, if that's even the word."
I can see what he means and I can see why he feels the need to get out. Being in a relationship is hard. One builds up these walls, these boundaries, and then asked to follow the rules of said relationship according to one's social surroundings. Two people making an arrangement most likely based in feeling and sexuality, both of which, as Bukowski put it, Like a fog you see in the morning before you wake up, before the sun comes out. It's just there a little while and then it burns away. Nothing lasts and I'm amazed to see certain things last so long.
I give him a solicitous look as I let these thoughts ramble around in my head, but he doesn't see it. He's still looking up into the sky, looking for something to give him a reason to look other then the clouds. He could say just that and I would be fine with it, but he's looking for something. An answer, maybe. A solution. A color for a painting he's started a million times, but never finished.
"Who knows if we've ever really gotten love?" I ask profoundly, dripping in clichéd of philosophy.
"Who knows?..." he trails off.
Our food comes. The waiter puts it in front of us quickly, asks me if I want anymore coffee and I nod yes. Hane says he's alright for now, but maybe later.
"Who knows?" he laughs lightly, shaking and bowing his head. The waiter gives him a confused, awkward glance, then walks inside for my coffee. I feel bad for him for some reason. Waiters have it bad. All they get is **** all day and most of the time it's from crazies. I'll have to tip him an extra buck or two, I tell myself. Looking down at my sandwich, examining to make sure if its even what I ordered, I see Hanes already started to eat. I watch him as he peels the toasted bread away from the arugula, the tomato, the pesto, and chicken with the mozzarella clinging to it all like great white tentacles. He heavily salts and peppers the guts, plopping the bread back down and squishing it with the palm of his hand. All of this is done very quickly, very violently, and like he's done it many times before. I remember Hanes talking about how he would eat panini's everyday in college. Now I can see he wasn't lying.
I take a bite of my sandwich. It's good. Not great, but decent. Hanes has not said a word and is nearly done after my second bite. I take a sip of my coffee and then another bite. Hanes is done, looking around for the waiter, wondering where the hell he went off to this time.
"You getting another drink?" I ask.
"A drink drink," he says, "Like a ***** soda."
"I'm game. Ill get a beer."
"Ahh," he moans, "Get a drink drink."
"Like what?" I'm amused by his pushiness.
"Like a whiskey or a ***** or something."
"Why?"
"Beer is so boring. All of it tastes the same."
"You really think so?"
"Yeah, I do." He raises his hand, catching the waiters eye. He comes over and Hanes orders us two ***** sodas and two Pernoi's. Light beers. The waiter nods, takes Hanes plate, sees that I'm still eating, and leaves me to it. "There's your beer. Happy?"
"Ecstatic."
"Good." Hanes coughs, smirks, lights a cigarette. He blows the smoke downhill, away from me.
"I'll get the beers, you get the vodkas."
"Good."
"It's only 2pm. We have all day," I say.
"Good and good," he says.

As her eyes feasted
on the spectrum of * colors

Fighting the love dust she
speared a smile traced quite
a while
like sartorial

Pardon me if this isn't love
What could be traceable
We need to face out fear
“Facebook” pictorial.

Seeing wings clean_ lines of elegance.

Whole again or fall again world negligence

Depending on someone like an alliance

To do something dependent or trust reliance

She flicked open her fan midsummer night dream

All she could see was the dust of his  jacket
and seam, ((Judy Jupiter))
My mom the tailor seamstress

Her angelic feathers coming
out of his pocket

Exquisitely detailed he towers over her locket

He traced her fingers felt
plug-in software delicate care

Hotwire too many people swear or ridicule

Biblical sense of satire molecule he traced your fire
and desire "Saint Andrews" cross

Sal-tire flames building caught inside
Bruce Spring teen fire

Women of the fairies mound of
ghost felt superior

Fairies Emperor of any kind to boast
But why so inferior was it written inside
the interior
Those chandeliers she was sung
like their musketeers

Supercilious with an arrogance, not quite a host.

Red ****** heart wine toast.

Cruel to be kind love her madly composition.

“Like Dust” modern ages better times ammunition

“He Seeks” her let it be.

Ancient Greeks nymphs Eve me
Apple Jubilee so "Glee"
So fumble he doing the crossword jumble

Further away fairies French art- traceable  so notably
pulled you a noticeable another trace of her divine waist

He lifted her torso how he admired you
felt his breeze like the instrument Mastro

Took the bad spirits away he sneezed.

Wickedly shadow face he lurks on the wall dark ages,
English Tudor in fairy of stages rock and roll ages
He wasn't the bread sourdough  so much to plow
poppy seeds like a paradox pardon me I never promised
you
Fairy Rose garden or lovely maiden
That salmon  solitude soft and moist
She loves surfing for foes and fairies
The winner  medieval sword suitor  
Being fed by the lover

Emails flew like dust things were as
old as rust
lingered all around Robin Redbreast
What eggs of a fairy nest

So traceable he touched you lovable

computer flickered tinker bell

Swift steps Nutcracker Ballet
from Vancouver to ponder over

Celestial Fairies around Mystical

Blowing in the wind speaks of the
dust of a click

Scarlet fever resolution in flocks

Like Monk reunion wings spread to live it

Just breath it traces of another angelic face
To be reborn again the revelation

How it enhanced transformed digital form slick

Strong spiritual being she’s picked

Her name was Joan of Ark

“Robin Good-fellow” shined over the Lunar

Like her chosen fairy of the tooth all marked

Those fairies always near us to guide us and tell us

Who we really are
The world unknown who cares?

Shakespeare to be or not to be
Let it be fairies, diaries. Monasteries,
Please freshen my Blueberries, Sherri babies
Four seasons fairies traceable or their wings
pulling me back
Love uncontrollable, my feather pillows remarkable,
What eludes like a prelude to the faires the
Epcot  center middle of attention her
drawing you could see the lines incredible
40 winks of fairies the Grecian oceans
Smiles in one blink unstoppable

The fairies powerful hands to trace

All over your good spirited complexion face

The careful moon maunders through the glass ceiling
on these long nights

when I try to alchemize my visions into ships.
I imagine the mist moping among the larches—

the dewy bark that wakes,
looking for shadows of loggers in the grey.

On cold nights like this I sleep beneath a sheet, sweating,
dreaming of China’s violet sky exploding with hues

of a butterfly’s paper wings.
The summer air crackles above the pale girl’s tent—

a counterfeit ankh hangs between
her naked, sagging *******—

and she sees the future in the reflection of her eye
on an Opinel’s blade—her iris wheezing into shapes.

She tells me there are gales ahead
like ones in schoolbook etchings of Poseidon.

Boys will choke on salt, she says,
or the ice will kiss the little princes to sleep.

But she coos how they look like dancers at a ball.
How many boys will be lost? I ask the girl.

All of them, she says with ***** on her breath,
but this won’t stop you, will it?

In my favorite dream yolk sizzles on a cast iron as mother sings.
My older sister laughs, cheeks full of sourdough and jam,

and father’s wet hair drips onto his paper—
the ink of little letters smearing into bare branches.

The dream helps me forget that rain never ends where I wake,
where guilt’s proboscis feeds on hardened veins.

To whomever’s my son, please don’t put me in an elegy
where the memory of me will rot like wet wood.

Life is the flat side of a butter knife-
Relentlessly turned upwards, upon a
Battered cedar coffee table. His muffled
Silver skin glistens amidst the two week
Old newspaper and hardened crumbs of
Sourdough toast, catching the reflection
Of his  weary hosts, as loud voices and silence
Rapidly bounce off the walls and onto his
Credit card-thin body:
Jesus, Jesus, Jesus.
Purposeless, he waits for someone to rescue him-
Pick him up from his five foot grave
Covered in peeling wood and sentimental scratches,
And slowly slide his cold, frame across the counter-
Anything to remind him of his relevance.
As the rusty butter knife lays, abandoned,
So life carries on- oblivious to his melancholy
Wails that fall dormant to the loud, blaring stereo,
And shifting feet that tread so softly
As to keep the monster from waking from her slumber.
Thus, the routine drones on and on,
To the soundtrack of 2am infomercials
Claiming indestructible silverware sets:
Oh, but they have yet to enter the finite world of Father Time.
As he sets his place at the table, wearily awaiting what's to come,
The butter knife exhales hope, and suffocates in an air of subtle indifference,
Claiming his stake as a hollow prop, within an afflicted stage.

The saddest day, it was yesterday.
Smoky sullen pushy congested lightless sky day.
Wrecked and weathered, gluey, obtuse and penned with
Melancholy and wanton desire. Wanting on and selling off

The Vampires and wretched thieves hibernating back in coach,
Seated in peacock-scoundrel dress. There's was the rudimentary
Yet pertinent foulness of childlike hatred, but they wore it under
Coarsely fitting suits to cover their hefty bags of ginormous fat.

Fatty ***** to scrutinize. Fatty ***** to wallow in the throes of
Dark fatty dementia.
Purses of alabaster filled with hemoglobin. Obfuscating zilch.
Scurvy on the arms, reptiles in their ears, and a million miles of
Stenchy, noisome, in glut. Wallowing, heavy and anti-professional.

Loff-less, un-catchy, unkempt, and in a clamor.
Boarish and obtrusive.
Gushy of anguish and the uncomfortable hide of rhino
Replaced for the swill excrement vetted porcine hocks of a
Kaleidoscope rich, aftermarket slug-pact for the bowels of
This century's egoes. Heavy on the cheeses, Cheetos, and Pathos.

In the hutch, a gaily brimming sunswept valley chimes
With the fruitful gaiety around the crowned Pantone TX1333 and Sienna heads that does keep. Homes are heavier, heaving the shrills.
Archaic muted cries of childhood, upsetted tummies serving at the Sighs of Lucifer. There are scoundrels here and in the underwear and in The water and under the water.

Frogs moo, chimney's weep, most other's Mother's have done true **** Jobs keeping their reared up to par with the others to avoid being Other'd. And our own language isn't being kept. It's undoing itself atop The bridges of mouths and the ridges of jawlines, and they have faded Swiftly, and no surrogate or custodial colloquialism has lived up to the Shadows and forethought of our greatest grandparents. And what has Your Jesus brought you except uncertainty, foul-play, and foul players And despondent and boarish chicas.

So now there you have this: brevity.
Another soft-tipped dactylic hand for undertaking.
By the end of days there will be the licking of butts,
Poor movies with Salma Hayek, and the lot of children's books
No children, not even these triplets will remember their fine names:

Tee, Bee, and Cee.
Crocus and sourdough lilies
Brimming over the nostril opera's of
These adopted gospels.
Only the ramparts of our literary apartheid and totally ******
Sexualness in kids and dults of all ages.

Septuagint prince scribing on scrivello detail
Emerges from the frogmarch grave of revenants sheepish about ghoulish masquerade
The tribes whittle puckered shibboleths and charismatic vengeance evades
The henpeck of roosters harmonizing sand into grassy knolls of carapace cathedral light
Walks beyond the whimsical despair the conniving conservatories of manufactured fright
Spurned by smokestack confusion above a plastered reconnaissance of abundant life flocking between small awakenings curtailed by fulgurant swelters of blistering white
The spectral dance assumes primordial shades to dampen the windowed elegance of betrayal complicit in the haze
Mojo’s rise and fall with moonshot decades flashing intimacy lived twice barking like a squelched gyrovague relishing the kantikoys of burlesque night
And yet among the bemused stars unbuttoned by the prolixity of the Russia ruse the smear indelible flaunts with decadence in the pleonasm of sluggish articles of flight
How long must the messianic age shelter the nebbich halls of crambazzled piety in science to an upbringing of oligochrome
How many dastardly wernaggles of the rusticated elitism flomp with desultory banquets reminiscent of boiling Rome
Incinerated in an ageless day revived only after a historic lapse of barbarity in the ferule exacted such immeasurable despair
That the prejudice of pride is forever shelved as redundant because the filigrees of geometry only permit curvature in flatness
Convex movements captured in still-framed pillories refract nothing but Blazing Saddles of a caricature full-bloom sun
Yet we marvel at storybook ghosts and the isangelous carapace of marauding instincts forever brave and encaged
Erratic by delivery but sciamachy knows no identifiable age
Scrawny fossarians dig entrenched charnels voraginous with skeletons of brackish regelation enthused by immemorial decay
Must we abridge a hearty ocean in a month’s sublime regaled design of trespasses of unsung heyday spaying its weakest defrocked knight
Armed to the Teeth we seek the terminus of apocalyptic capsules destined for gluttons braving annihilation in the vacuum of orbital planes plain only to the ken of the keenest sight
No we make no petitions in prayer for this Soft Parade of vigor verging on flair
We ransack littoral virtues in nexility bronzed with Stayin’ Alive shoes in remission of staircase blight
Beamish in beatitudes of milquetoast pregnancies of salted Matzah brimming in the yeasts of cesspool emergent from scarecrow metaphors flagrant hauteur gliding on air
Witness the spearhead of revolution in the metagnomy of oracular aubades to future brimstone caverns
Lurking like counterstrokes in revision blackguarded by the feisty prowl of outpaced labtebricole whipsaws of timber readied into foisted brown-brick comestion of elegant emerald errors
Dancing with galactic improvidence concealed by the rigor of lurched liars enthroned with prerogatives of stain-glass adumbration
We parcel up parsecs because clairvoyance among titans is a swank in need of 20/08 visions spectral in the clouds of all prominent registries of memory
Lost to faint delicacies of swift serpents outlasting gnats in the tabernacles of ribald ecbolic promontories on the verge of futile tomorrow pastimes spinsters flummox with slimmerback rigmarole flanged by whinks and escorted by the maskirovka of positive bears in absolute value alone
Yet Enola Gay found its destruction profitable to hominist lore enough to attenuate its evaporation of suffrage in the glint of pervasive remedies to stranded gore
Embanked on the sidelines of conquistador flaunts that a Titanic missive of classy regard found the damsel at the steerage slipping on zalkengur irony the anticlimax of lore
Traipsing fellowship of many a ring is a phony artifice for an ostentation that bellows so loudly when isolated perjury must not whimper but sing
The loudest plaudits afforded to a parallax incumbent white horse in the shadow of Dark Horse occultism a barbed flying wing of the West becoming the king of behest
Scurrilous are many jeers because their similes are baseline just as much as the storged conglomerate behind ensnared rapture looming with less ecstasy and blunt fear remains the kilmarge of simple foresight wrinkled behind the sum of many tears
We await our Creator’s Throne insuperable even with the blandishment of piecemeal craters that are superlative bolides of the weirdest attenuated into the spectrum of eldritch weird
Yet the riches of hobohemia found in “invisible lockets” worn by the travesty of jerseys measuring up to Roadhouse beer
The cartels of citadel cascades built on mountebank fortunes reaped from venal psephology collectively embody the unconscious gamut of javelin cloaks of sardonic sneer
Threnodies written long ago in the Hidden Tracks of sophistry welcome the intermissions of antiquity abridging the donnybrooks of charlatans bossed around by facetious gibes of manicured belletrist humid enough that evaporation itself of rarefied tabacosis has few if any peers
Yet the peerless sketch thrombosis in the oxygeusia of deceptive schadenfreude only to topple jengadangles that glabrous gravity muscles to barely if it all steer
In a vacant reality eager for surrealist bounty the sidereal question of moribund placards supplanted by vibrant living semaphores fixates upon figments of acatalepsy rather than ruddy enumerations of partition despite beloved chalky rudiments filibustering with courtesy rather than jeer
Amicable are ravenous betrayals for chieftains cloffined by warm sapwood integral to equated tantamount mountains festooning firmaments in quaffed delights rigid and keen
The most welcomed blasphemy fragrant with jejune originality celluloid enamors splenetic with sprees of perishable profanity lurking ever more obscene
Regaled in the modest jostle is the forsifamiliation of heterodyne dins of honest applause from the blackguarded periphery among which there are no visible beacons no visible stars
Scarred by diacope enumerated in prescient revelry the trollops of tune and attunement magnetize a riveting weld of seamless geometry that is permeable to ineffable lychgates both porous with prowess and ajar against a golfer’s remediable par
Wizened ghosts flirt with tucked bushes in the forlorn deserts jolted by oasis and flagrant with confection torn asunder by wide-eyed gallantry skipping stones on ataraxia from a distraught afar
That lake of goldmines is scattershot with limey limelight squandered on profligate wrikponds of propinquity but not prolixity in scores and bounties of exoticism in glaikery’s fugitive charm
In proximity there is usucaption but the usufruct of sustainable obelisks to liberty must have the forbearance to bear many witnessed eyes to the Right to Bear Arms
Skirmishes of benighted fracking obsolescence ragged with vitriol and poison-ivy nostalgia flaunt the bromides of algedonic flash over consequences that many disregard
Spiraling with vertiginous pain the scowl of obligation is both seamstress of emblazoned effronteries and the proper reflection of seasoned but not seasonable garb
This barbed quandary riddled with rapacious tendency mixed with myopic bonhomie devours a rickety cacophony of diminutive scopes of ******’s glare to prove each atomic indivisible atrocity a carbonated fulmination heavily barbed
This is all why the killjoys monopolize their gangster vices behind tinted windows and chockablock morality are uxorious bridewells for the bridgewater of garbology sketched by vanity in the outrecuidance of gallionic chasms of an absolute value of firebrand regard
No difference does it make if the recoil is whimpered by hordes of sheep in pretenses of authenticity or whether decapitated delopes emerge from visagist dacoitage snuffed like flavors orbiting self-injury by clockwork towers apace to outlast tertiary bribes for secondary bards
The atocia of freckles in recognition of frail pinnacles summited by daily alpine dilettantist dualisms of polarity are a gullywasher to cleanse and launder indelible regrets carved by aboriginal pottery to memorialize primordial penury
As the slick oleaginous tilts of wicked smart Northeasters swarm the hindsight of Southern Weather afflicted by tempests beleaguered first on recapitulations of Calvary and then deposited evidence upon bourgeoisie
Fumes of the modest flambeaus torching sunken apostasies of hungry spasms of the wind meeting the brusque celerity of the ribald waves rarely etch sublime hint in etch-a-sketch lapses of untimely mobility
Instead that perspicacity of conservatory silence bludgeons Lisbon in the fright before the fall of so many a Phoenix in a foreign land can bear the assaults of the heaved seas
Lambent upon a craggy regularity extinguished by sentinels of the tattered womb for a grimace of prestige by primipara seduction we find no justice of known and knowable terminal disease
Figurative in spoken wisps that predate evaporated concepts of precipitous time the triumph of exalted adoration belongs to hubris but vacant of the prideful decline of crime
To each outspoken verve witnessed on sublunary turf the absolution is nearer to fertility than the craggy soil is to dirt as blemished prowess is a furlough to the sensitive pink tucked manifold beneath each authentic skirt
Liberated by ophelimity but flexed by vicarious pomp in serenade only of hauteur for the hottest we slice and dice a cavern of temptations regardless of enumerated patterns of clearly lopsided dice
We think we live and die but You Only Live Twice in ******* to the oriental bolides of meteoric meteorology preeminent in governing plantations of rice
In jubilant proclamation, I graft from venereal skin a renewed girth of purpose that all enchanted fantasia is a birthright of pleasure more than a vapid drawl of purpose
Glitter bores the scintillation of a denuded naked glory of gore because intimacy is antecedent and consequent to immovable revolutionary procreation of service
To conclude this homily the apothecary in persiflage renounces the role of kilns in both poverty and pottery because his shaken dreams are yelps of a disgusted ornery camaraderie
Listless by oracular dreams of titanic parvenus immune to the sway of tentative croons of Suburban Muse because the grisly subversion of vetust honor that honors not verdict but version of ghastly spools of flimsy epitaphs and not the paragon surgeon is the downfall of a diatribe of petty men
Littering their taradiddles on owleries in overclocked jaundice drowning for purpose among hatcheries of the privvy roosters that own the consequence of audacious pens
Dodgy in interrogation, flummoxed with deracination, isolated by time for time’s recapitulation of surrender in katzenjammer vibes it is time for gossamer servant surfers to borrow nine and hang ten
But the noose of the wednongue nun specializes in puritanical Model Ts for DeLoreans trendsetting years ago because listless lethargy benights the glory that cineastes already won
Teeming on the brink of tomorrow is the progeny of hopeless yesteryear engraved on the iconoclasm of the weak after the next debacle because the Earth after Christ has already borne a Ton
Liturgies revised to reflect corsair trigonometry aimed forever at zephyrs of plight bathe in July 3rd infamy doctored by Generators and Generations before and beyond Walter White menacing the saber with imperious might
Flowered in the nuisance of death is the womb of the arena participant to infinite relapses of contention gladiatorial only when the shunamitism of shanachies sheds serpentine grit for the blench of ligonies of redoubled sight
Towering from the knave inferno of a tramontane elusive cordial imitation of captive citizens of attentive sites the illusion is the vanguard of centuries guarded gingerly by Canada Dry sprites
Rollicking in vehement magpiety attuned to machismo if marginally the sultry philander of naked ruse medicates the charmed Apache Indian on his brief encounters with limousine cruise
Stark in sunken destination glimpsing coal-fire recursive ironies the cloned subversion is a golden calf so effete because it never moos about instinctual muse relegated by twin terrors riddled with sparkplug truce
Limited by scopes enlarged by scales mired in funereal pyres to rigmarole sensationalism worthy of nativist coercion and pivoted lyres the riddle of terminus remains an acquiescent scoff, cough and quaff that never expires
It reaches planetary dread of vast distances regaled against gambits of the spread so the richest sourdough appeases the riper vipers of the nested bed
Recalcitrant with frugal uxorious creed the leader of esquivalience is the headless horseman of innumerable tractions but no mouth to feed
He digests the gallop of the gallant interregnum specious in caitiff ploys and the recessive allele of commiserations against the piety of apolaustic joy because rambunctious speed always attracts a resignation professed from the tailspin of a crass voyage of ludic greed
Tricksters boast of passionate lubrications of finessed bread recocted from useless toasts glowering with insipid pallor as heat and humidity reckon billows of hype congregated more in cisterns of apostasy for remark than a marksman headshot of a Head Hunter wed tightly to a pregnable visions of proactive Ghost
Recidivism and time have a vendetta against verdant drolleries coated by waxen plenilune accordions rampant with polyacoustic rhymes
The tridents of mercurial weather bent on the ineffable vacillations of whether are the brazen opponent of Sterling fatherhood of life’s only father the clockwork animation of a living patronage of eternal existence cobbled from immutable time
To the glory of the Father the sun shades its whimpers and the moon alights as the frontispiece of nocturnal revisions to the New York Times but the hues of rocketed ingenuity coax the ingratiated few to the laureates of genius reckoned with both designation and superlative artifacts of pristine design
Haunted by Green-Light Politics for Greener-Eyed Ladies masquerading in star-crossed tomes of existential dread of lollygagged playful mischief tucked in the coach as he leads his team with sophrosyne feel-good invictive treacle we witness the fumiducts of fortune blitzing Hail Mary contrition with earnest specialty in defense of offensive precision
Games won by the squirrel are outnumbered by the stars in the heavens flagrantly devoid of specialized electricity enough to encapsulate the ommateum of collectivized insights found only in the most evolved sequence of cell division
Incarcerated by the scrappy schlep of bad beats and bronzed chariots roiled by the momentum of angular spears we seek oracular transcendence that cements decades into the span of days that portend the deliverance of future years from past and present fears
Presiding as proctor in the redacted exoneration of crash-course pilots glowering with the effluvium of recensed perdition the heyday of one becomes the mayday of anarchy tested only by the alacrity of the summation of its beloved yet maligned cheers
Against a prosperity hard-won by earnest husbandry commandeered by gammerstang notoriety spawning the recrimination of star power into centupled peers negligent of zero-sum opinionation wagered by Country Club fraternities embedded in the taxonomy of wilted hackumber for hegiras minimized by outcry but cemented by Dear Johns’ twinged with sultry pleonexia in taxed tears
So with the whipsaw of the individual between the collective funnel and the idiosyncratic insubordination that amplifies outcry galvanized throes of insemination built on cross-pollination is melliferous to a pretense of alchemy outstretched to sidereal wonder
Hardest to guess is intimacy clothed in Platonic virtues crumbling because puritanical pilgrimage is appraised as a joyous thunder for a abnegation from all potential blunders
To wager such a life is a depredation of the abundance that John breathes as a ceremonial birthright cast aside by latent regrets stampeding the realm of nosocomial reflections of the pallor of a lurid squander
So we are left to bemuse the decrepit bodewash of realism taken to such a virulent extreme it leaves few artifacts of nostalgia to croon about and ponder and fewer abstractions to yield to manicures of elegant troponder
Diminutive sinews in the intertesselations of heft profess a fidelity of notoriety carving life before and after death
Unsung by the beadledom of the usucaption of exotic tailored musician brutes upon my landlocked assault of chryselephantine usufruct I lampoon nescience as it lurks in murky graveyards of anoegenetic zombies covered in thick pigments of piggish soot
Yet this fuliginous bronteum of warped clarity transfixed by the ulterior wednongues of atrocious spans of provenance jilting providence makes betting interests of rivalry outcomes harder to win earnest roots
The trees of the gamboled skittish resignation of checkered blinks obscuring the curtailed discernment of bedizened slogans of future campaigns yet distasteful in ornery churning the bootstrapped tie their tethered laces to their acquired boots
Barnstorming through afflicted spandrels of abeyance shepherded by notions of public dereliction by imperium of centrobaric centripetal philters of concubine rhymes I surge beneath cordial flonky redhibition because of redshorts in estimable traction cemented by supernal design
Weak in luster my potent pollination for synergistic aplomb evades the fringe of corrugated affections mounted upon quixotic escapades of jockeyed statistics flourishing by reticence rather than frazzling the prolix emulation filibustering the mundane ignorance but garnering the harvest of the plevisable sequence from prime to prime indivisible by liberty alone or complicit with cadence sublime
Finishing the sermons of modern apostasy to a gallant cause my laments outnumber the muzzles belonging to the quorum of begrudged applause in the rawest spectacle of unheralded genius clawing insistently at the heart of electric gravity
The nuances of plausible nuisance bicker in emerald harlots of the tantamount nature of derelict frikmag to calculated prosodemic solidarity around insanity because the vein of the golden ore should see ivoride as nullification and inanity
We all stoop on counterfeit stencils of pretense hearkening a clairvoyant sun to droop for closer inspection but detective remonstrance is outmoded by dreary witless defections
Thus the drawl scrawled by the genius flonky in gadzookerie but gilded in rhapsodies of ineffable cadence fighting orthodoxy to a relegated draw sketches the outline of the special talents of lying claws
Because stipulated in the vast oversight that predicates reprisals of retches glazing in obtuse effronteries with eccedentesiast odontoloxia we witness the corrosion of race and gender into pontificating audits of nomadic treason in a fortress militarized by niche applause
Trickling from repcrevel faucets implicit degradation is a casual casualty of an abbreviated motive gestured in ponderous stupidity to distract abiding legislation into the giggled gaggle of tinsellated glitter
Fatuous by vacuums of gaudy prizes worthy only of token motions rather than locomotive strains of virulent and compassionate respect lapsed on vigors of vehement regret is a sing-song ridicule of a still-framed pillory erected as the obstacle that gouges the riddles of impediment and deprives the luxury of preferential emolument siphoned off to lurid jeers of mockery propaganda sizzling in the cauldrons of tilted marginalization
So we witness the faded declension of the hubris of fair-weather camaraderie as a flux dispersal of invidious buoyant bloviated streaks of temporal grit into inverted revelry never shared by the proper ubiquity of streams of personal recompense for plodding fragments of invasion
If I veer away from bickering cackles of denounced preeminence swiveled to face the shadows upon the great cavern of insuperable bounds of fickle human ignorance I deplore the vaunted toadies that shrink my shadow and diminish my viable conceptual and vibrant footprints
Few extinct creatures know the annihilation of petty fame quaffed on Whiskey Bars I never met because the insipid banal pleonasms of restructured irony grimace at my complexion as the scent of the game alerts the foibles of a champion begotten once before as a shark-tank prince
Livid is my grief in the aborning moral quandary of sunken priority overlapping with piebald skeumorphs of retches of blinkered allegiance faltering prior to the primary day of my true awakening because the completion of nesiote subterfuge  rusts on creaky hinges of noncommittal regressions of pointed but pointless deluge
I spar with the augury of irrelevance with a five-pointed star bequeathing rigid but plentiful provision to assist with more than a petty dime of tithe to a 20/20 flash of perfect prescience and hallowed vision
The eve of all destruction is the lollygag of subordinate squawks redacting convenient priorities on the slowpoke walks through teenage immaturity found in the infamous “talk” that the world is governed by evasion in supremacy rather than by the bywords of the perennial stocks in sublime stalks
This nation perishes with my visionary clarity because the bifocal constraints of delimited defenestration remands my custody beneath ****** upheaval documented by useless historians of deliberation in gaffe and ammunition for agitprop flickering away the aubades of praise for the stilted pretense of sclerotic values inflexible to authorship thus scuttled by crowdsourced dictatorship
How sad a spate that the welters of sciamachy hide behind the glaring shadow of immeasurable genius for an unwarranted earwig to steal the echoes of my thunder and poison the servitude of the minions to companionship to highlight aggrieved infamy over walloping feats of refrain found in an isolated rather than protracted celebrity
The guilt of the reproachable beams through the frikmag of tyrannical bouts of circular wernaggle as I carve spherical reckoning that outstretches in all viable directions so that “The Mailman” and the Male Man both succeed in historic insurrection
Flashy benumbed brutish ferules of ferocious dainty dances with an arbitrary cage highlighted among a voiceless heyday for an auditorium which perceives insanity more dangerous than inanity is a profane stipulation by wrinkled mediagenic hubris which scours planetary limitations for excuse to recourse and recourse to excuse
We find marvels in subtlety finicky on the apothegms of heterochrony divergent even further from syndication as the regimented nuances of abuse become plucky daredevils that cozen robust vital sapwood from anglers seizing by seizure the roundabout logic of the innumerable minority characterized forever obtuse
I writhe in delicate contortions of flexed directional bypass surmounting orthodromic velocities capering with the anenometers that spar against spangled enthusiasm only to become an anointed slave of the flagging moral resolve fulminating a huffed crusade with silentiums of false asylum for true achievement brusque against any resourceful tempest scurrying the hidebound illusion of pandemonium for scrappy shenanigans of vergers and emptied pews griping with the dearth of the day-to-day despite the known tomorrow
We cannot affix primary focus upon constellated wasms of puckered abstention borrowed from a maskirovka of secret hedonism wed to many vices among wives but deprived of sacrosanct remuneration for abiding expenses yet an atoll upon a continent decisive in its aborning revolution
Ribald wiseacres of a jovial dismay flanged on rectiserial exaggerations of sebastomania is a stranded frigate of a fugitive escapism wandering with nomadic insistence against cosseted blackguard of assertion without plenipotentiary verdicts against the suborned crater of overstated flimsy truculence in sardonic dissolution
In trespass of a reservation of recoiled tender of tutelage proctoring unseemly haggardly refuse to creak into noisome and noisy cacophony armed by centurions of merciless scorn that lackadaisical winter belies the meteoric riches of autumn mainour fungible with the retches of remorseful decay dangling retreat above entreaty for exasperated wednongues lacking curiosity or the backbite of counterfeit engastrimyths seeding an unknowing complicity to fallacy forked over by chiefs and chefs to an amounted dubiety reserves the armaments of glib sedition for inopportune blacklists by a whitewashed Listerine amenable to launder travestime into oversight rather than belabor banal graft upon the agelasts of a toilsome operose labor to trivialize Herculean monuments to creativity as backwater residence of restive plucky percurrent revivals of infamy as a primary thorn rather than a secondary abreaction
Sentinels swift to the expedited squalor intrepid in sclerotic simpers of renowned defalcation bludgeoned by the tridents of harmonized trauma healing the brayed complaint while regaining the quixotic statute of plevisable mobility belongs to the froward counterpunch to the flippant underminnow of savagery yet among noble personage a blip on furloughs rather than a singed diacope perishing in Wasting Light for denuded darkness to supplant the vacated stage of ironic upbringing bartered from a treasury of obsolete wasms of trivial shadows in the amounted lineage of time.
Elected by the purblind fudged cadge of intransigent solidarity behind unhinged proclamations of lewd lunacy the reset of wibble-wabble and conflagrations of trenchant visibility will cloud the cloudiest tempest with hurricane-force devastation by the healing stripes of the piebald idiosyncrasy of gerrymandered defamation failing where insular regeneration outlasts hamartia and blinkered foibles of girouettism to pillory the excess but not transmogrify the whittled progress of seminal generativity unbounded by harped lyres of discord for secret concords of select femicide
With outstretched hands I point to the tapestry of the Heavens as eternal folksy witness that to endear the temperance of time bullishly roaring on the laureates of prolific servitude to the malleable substance of capered argument the enigmatic punctuation outweighs the baragnosis of miscreant opportune glares at personal prospect for aggrieved sockdolagers of redstrall over the filigrees of innate geometry to cackle above the shouted gnash and the dissoluble squirms of blackened cremation of living memories into insipid fracking of sapwood caitiffs flowing on the motion of discredit rather than honor in valuable endeavor for future genuflection
Totems value me as much as they stalk grazed hinderbaggle of cosmetic devolution of ragged popcorn theatrics in the desuetude of normative ethics beneath the carcass of rotten dastardly cowardice brandishing an ulterior discretion beneath the level of the lowest stoop of any breed founded on loyalty verging into flagrant snipers of integrity for the integral unshakable paragon of broad illumination the guidepost for many spectral truths overshadowed by one miserly fool flummoxing with albatross without the overhang  of pluvious integrity shepherding his hauteur in zig-zagged wallops rather than buoyant serenades
Thus entrenched in juicy poignant barricades against virulent spawn of the katzenjammers of squawking femicide I spout the blossom, bequeath the gift, renounce the delusion and form a formidable bastion against depredated valleys blemished from sight by intolerable patches of darkened verdure hiding from commonwealth perception the pearl of ecumenical salvation swimming in the naked tongues of honest profession dancing with conventional demarcated demerits of Rimbaud ramshackle deracination as a humdrum belittled squander of a prop of craven filibuster rather than beavers outsmarting the delignated destruction of habitat because of outright distaste for plucky individuation above the squalor of relativism in minor octaves of gnashed betrayal rigged by hamsters rather than owned by the men trigger-happy with rat race motivation only to the servitude of degrees rather than plausible recovery embedded into the fabric of fickle society
Hidebound tomes fishing for destruction but grappling with the enormity of the plagued pitfall of ceramic skirmish with brittle conscience emerge with epincion rather than sulk in brooded hyperbole of convenient drapes of flocks postulating irrelevance clearly in the light of the truest day frolicking with gigantic swaddles of curated support etching masterpieces of traipse into the frescades of future calenture beyond the petty misestimation of hemitery politics
Thus the weapon serves two masters of row rather than regatta and the besieged rankles the testy predicament to a teased poetry riveted by years of rhapsody rather than moments of tomfoolery emergent victorious rather than dilapidated by what-could-have-been chary brinkmanship on the precipice of modern sacrilege
To instruct the herds of men to hoard and the wisdom of the wise to circulate that apothegm of reclamation owns superlative traction fundamental to whimsical festivity even forsaken on a churlish masquerade outmantled by frenetic activity famigerated by the true Richter Scale of public fanfaronade because justice is truth and only in germane truth beyond germ scares will decrepit scarecrows demolish their Fear Factor even when the gullible squirm for nexility on bounded continents rather than novantique frontiers
Conscription demarches for assembly beyond relegation and celebrity above frays of discordant rumination feasting advenient rather than cherishing internal and integral the virtuoso wrabble of residue generations churning wheels of acceleration rather than quibbling extinguished vitality as principal complaint exercised in negligent abodes of facetious barnacles to outlandish freckles in the majestic pulchritude of a Titanic salvation beyond and considering the curglaff of sunken resources pitted to my registry by slot-machine audiences incognizant of brittle whittled henpecks of adoring truth and perdurable verve
We sink and die by destructive tongues but abide and live by righteous exemplary prowess capable of scraping the towering canvass of the firmament and the retches of the deepest sea inhabited by any curiosity worthy of emolument
So in token liturgy I decry sidelong cursory squandered affronts that drive the Jehus madcap with fractious celerities of formal destitution rampant on flonky menace rather than modern hypertrophy
In The End, we see triumph in every nuance and bristling concord with every perspiration of ennobled effort truckling into serrated selachostomous and fractious bromides of wrecking-ball fashionistas fumigating cultural pederasty with subtle bailiwick but ragged travesties of taxidermy celluloid
Marvel in-between the serenade and grandstand and cull the turnverein of triumph from banished evasive rundles of the outlasted calculus to neuter the estranged and to estrange the atocia of vibrant surreal vibes no stranger to an alien hand in a desolate world.

My father uprooted the linoleum tile
after purchasing the house and noticing carpenter ants.
The owners of the house before had laid down
their best pine colored flooring in the kitchen
back in 1959.
I would toddle in and out of the doorway
playing with the grout spacers,
and reaching for sourdough in the pantry.
All while stepping tiny pink sandals
around the dead ants.
I wanted to help my father, but was too afraid
to go near the oven.
The oven, whose
exhaust fan would snarl
like an animal of the night.
Incandescent, where they found Sylvia Plath.
Stained with oil
like a forgotten Jackson *******.

Foreboding
of it’s adjacent countertop
where eventually would lay
divorce papers.

8:30 A.M.

She wakes him up with breakfast
on the night stand.
Two eggs over-easy and lightly burnt
on the bottom so the yolks don't run,
two pieces of sourdough toast cut
diagonally, and a cup of coffee /
no sugar, no cream / brewed
at 8:15, two hours after
she got up to clean the house.
She mopped the floors twice,
tied the trash bags and set
them at the curb. She tested, dusted,
and retested the stagnant ceiling fans.
She vacuumed the rugs and wiped
down all wood, granite, and steel
surfaces.

She lemon Pledges allegiance to him.

While he's at work, she cleans his laundry.
She clean-presses his button-ups, making
sure to cut any stray threads and neatly
mend any loose seams. She irons a firm
crease in his pants and shines his all-black
wingtips.     She doesn't use Kiwi. Something high-class
                      that I've never heard of.
When he comes home and sets his briefcase
near the furnace vent to sulk in his leather
chair, she consoles him. She pulls the lace hem
of her sundress to her waist and ***** his ****
until he comes to his senses.
You look like a billion-dollar, gold-plated
monument feeding the world rosegold birdseed
from your immaculate palm binding my hair
like a Dutch Warmblood's tail, darling.
She dabs the corners of her mouth trying
not to smudge her lipstick, straightens
her dress, and hurries off to wash
his car.

Spent my New Year's eve
staring at my walls.
They have not always been these four,
should have been walking out the door.
Leave without making sure I'm missed.

Dressed warmly,
with some solid shoes,
and a smile as wide as the rust belt.
Feeling like I can't loose,
hoping to find something to make the pain melt.

It didn't melt, it froze,
In the Colorado cold.
I did it to people that were old bros.
Makes me really ill.
How did I make it this low?
My soul is as smelly as some fermenting sourdough.

Wish we were between our four walls.
Twelve ***** and a cement goose,
48 beers feeling like we can't loose.
Probably put someone in a noose.
Leave the facade at that tree,
or else you cannot talk to me.
Golly ******* gee,
lets go to the mailbox to ***.
Give us all a good laugh like hehe.

those were the walls I wish I stared at,
covered in Tyvex home wrap,
and all kinds of other crap.
With more memories than we can all remember,
until we meet after we go to the big slumber,
and hang out together with Hoone, Buffet, Slug, and all the others that were with us,
at our highest of highs,
and lowest of lows.
for now life doesn't blow.
it's all about the food,
and not the show.
Hope that wasn't rude,
yet it seems I need to go.

Where... not sure but out that door is all I know.
new job, city, state, country, career...
where to go, not ******* sure,
but hopefully to fix all the wrongs I have ever done,
can't even think of a funny pun,
thinking that I am shunned, and on the run.
Feeling like I should give up and be done,
but I don't want to get rid of the two things that make me feel whole,
my memories and my love.
all I got left to get me to the
new place to be at,
maybe get a cut,
and a new Oakland raiders hat,
possibly a new Louisville bat.

I kissed my lover here,
Sandwiched between the smells and the sells;
Turkish delight and baklava,
Over ripening fruit,
Roast, moist meats in sourdough,
And him, heady, ready and in my spell.

So excited, we both were,
To be kissing, at last,
Surrounded by delicious.
All these succulent wonders,
But I wanted to eat him,
Eat him, with my eyes, my mouth,
Savour every moment
Every morsel, while I could.

Lost to me now, my Prince of Feasts,
Do you ever wander, among the fruits and flowers,
Hoping for a glimpse of me?
Do the scents and sounds evoke
The ghosts of us, kissing?
They do, for me, every time.
I close my eyes, and salivate,
Longing to devour you again.

how on earth
could steaming squash and Brussel sprouts
be as good as Doritos and a soft serve swirl…
sure, I desire to be a healthy old man
but my taste buds wish me dead at 45
they long for sweet wheat and extra large
portions of meat
indiscrete feedings at fried food buffets
all the while maintaining the look of a fella
only slightly over-weight
…..still, I feel poorly
headaches and joint pain
racing brain and an inability to refrain
from the foods that are doing this to me
I never thought after conquering
8 years of ****** addiction
and 15 years a tobacco ******
that candy bars would be my greatest foe
forget candy bars
let’s talk bread….
loaves of sourdough golden roasted
rye to die for
and cinnamon…rolls,
banana or zucchini
sprinkled on toast with a touch of sugar …
it is no wonder I am larger than need be
the BMI calculator says I am 84 pounds
from defeating obesity
so much for my professional lineman physique –

Dreams
Dreams of Grandmas house
Dreams of The Pond
of Nahla the golden dog
of Mohka the black dog
of Pablo the horse
of Abraham the donkey
and ******* if I can't remember the cats name.
I do remember how I would only see it around meal time and then only briefly; descending from the attic to eat Fancy Feast.

Cutting cold hot dogs to mix in with the dog food, taking a bite or two from each dog, hot dog that is.
Stacking
Stacking
and stacking more hay.
Then, slowly, one bail, split in two, half for the *******, mixed with Alfalfa the other half for the horse.


I was, maybe (I'm a little too drunk to remember), 7 or 8, when my sister and I captured a box full of tree frogs from The Pond. Excited with our new box of living toys, we brought them back to the red house/trailer Frankenstein. Sitting outside in the sun we attempted to count them, fruitless, but convince a couple of dirt stained, sun baked, white trash kids of that.
Yelling (always yelling, never brash, rarely angry, always loving yet, always yelling) our Grandma called us in for lunch, stouffers lasagna with Truckee Sourdough Company bread greased thickly with tube garlic butter.
We ate, drank our whole milk, did our best to avoid the tantalus sin of sunscreen, and scrambled back outside, no thought or worry for our frogs.

It must have been July or August. the famed drought of the Western United States, aided by childish disregard, had slaughtered our maybe two dozen tree frogs.


I'll tell ya, I don't remember when or how Grandma (a lover of all things living, besides Bush 1 or Bush 2 perhaps) found the frogs but I do remember her often and automatic exclaim of "Son of a gun!" was replaced with the real version, replaced and amplified and aimed.
I can't remember our punishment or if we received one, but, rest assured, Joslyn and I never jammed a plastic handheld aquarium full of tree frogs ever again.

Thank Grandma Vicki for that one.
Thanks Joslyn, for reminding me of the attic cats name: Poe

Faded brick streets,
Iron-colored pathway
Leading us downtown
Lilac shirt,
**** black raspberries,
Bursts of sweet, floral blueberries on my tongue
Old ladies in long dresses
with baskets full of vegetables
Saturday morning
Honey in espresso
Bluegrass in the blue grass
16, 17, 18 windows
Waving at little ones
while fathers' backs are turned
Sweet little braids and pink bows
Brown, but golden in the sun
Busy streets on market mornings
Moss-covered picnic tables
Giggling under shaded hide-aways
Breathe in the present
Sunshine shimmering through Maple trees
Beads of sweat;
rolling down water bottles and my forehead
Glass, pottery, and macrame
Herbs, microgreenery, and fruit
My mouth waters
with thoughts of sautees and soups
Robins chirp over the bustling morning crowd
The scent of fresh baked sourdough
carried by the breeze
Young, hip parents intermingling with kind, old farmers
All of us captivated with the now

I am a French horn, a bottle neckless hourglass and butterscotch tape

You're a red harp with veins painted on the side

When I come home, you see me as an acrylic heap with chips of lead and belly aching homing words

Scotch sticks and smoke smells and the stitches are uncomfortable on my neck where you often warm your hands

I am a masquerade of shellfish clamoring on about the epitome of burlesque humor

You’re alien to anything other than sourdough and design

I have structured my thesis around burlesque and you fail to see the humor

When I fear the apologists

You fear the escapists

I am the tigers of the world, borrowing viciousness

You’re a long pause, loved and disquieted, painting my stripes as veins

I’m freaked out now because the apologists are escaping and the escapists are apologizing

At this clear impasse, you pity and press on until my fingers at the French horn drain to my sides

I am an island in a puddle of sand