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I
They went to sea in a Sieve, they did,
  In a Sieve they went to sea:
In spite of all their friends could say,
On a winter's morn, on a stormy day,
  In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, "You'll all be drowned!"
They called aloud, "Our Sieve ain't big,
But we don't care a button! we don't care a fig!
  In a Sieve we'll go to sea!"
    Far and few, far and few,
      Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue,
      And they went to sea in a Sieve.

II
They sailed away in a Sieve, they did,
  In a Sieve they sailed so fast,
With only a beautiful pea-green veil
Tied with a riband by way of a sail,
  To a small tobacco-pipe mast;
And every one said, who saw them go,
"O won't they be soon upset, you know!
For the sky is dark, and the voyage is long,
And happen what may, it's extremely wrong
  In a Sieve to sail so fast!"
    Far and few, far and few,
      Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue,
      And they went to sea in a Sieve.

III
The water it soon came in, it did,
  The water it soon came in;
So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
  And they fastened it down with a pin.
And they passed the night in a crockery-jar,
And each of them said, "How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
While round in our Sieve we spin!"
    Far and few, far and few,
      Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue,
      And they went to sea in a Sieve.

IV
And all night long they sailed away;
  And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,
  In the shade of the mountains brown.
  "O Timballo! How happy we are,
When we live in a sieve and a crockery-jar,
And all night long in the moonlight pale,
We sail away with a pea-green sail,
  In the shade of the mountains brown!"
    Far and few, far and few,
      Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue,
      And they went to sea in a Sieve.

V
They sailed to the Western Sea, they did,
  To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry ****,
  And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
  And no end of Stilton Cheese.
    Far and few, far and few,
      Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue,
      And they went to sea in a Sieve.

VI
And in twenty years they all came back,
  In twenty years or more,
And every one said, "How tall they've grown!
For they've been to the Lakes, and the Torrible Zone,
  And the hills of the Chankly Bore!"
And they drank their health, and gave them a feast
Of dumplings made of beautiful yeast;
And every one said, "If we only live,
We too will go to sea in a Sieve,?
  To the hills of the Chankly Bore!"
    Far and few, far and few,
      Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue,
      And they went to sea in a Sieve.
Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.
Gods1son Nov 2018
A lot has been said about environ-mental pollution
Okay, can we drop the environ for a second
How about the mental pollution in this generation

The internet loads us with data but not necessarily useful information
I wonder, do we have a sieve in our brains
that filters the data as it drains
Or we absorb them all, to clutter up our minds
Gigabytes of junks downloaded into our mental and emotional system

I was on the internet to seek information
But my mental system received Ads injection
Causing a buy this, buy that stimulation
You are not okay if you don't have this or have that
You don't look good, if you're not shaped like this or like that

What we ingest from the internet is 40% information and 60% malware
Don't quote me
Just an opinion that I want to share
This pollution is **** real and it scares!
When awful darkness and silence reign
Over the great Gromboolian plain,
  Through the long, long wintry nights;--
When the angry breakers roar
As they beat on the rocky shore;--
  When Storm-clouds brood on the towering heights
Of the Hills of the Chankly Bore:--

Then, through the vast and gloomy dark,
There moves what seems a fiery spark,
  A lonely spark with silvery rays
  Piercing the coal-black night,--
  A Meteor strange and bright:--
Hither and thither the vision strays,
  A single lurid light.

Slowly it wanders,--pauses,--creeeps,--
Anon it sparkles,--flashes and leaps;
And ever as onward it gleaming goes
A light on the ****-tree stems it throws.
And those who watch at that midnight hour
From Hall or Terrace, or lofty Tower,
Cry, as the wild light passes along,--
  'The ****!--the ****!
  'The wandering **** through the forest goes!
  'The ****! the ****!
  'The **** with a luminous Nose!'

  Long years ago
  The **** was happy and gay,
Till he fell in love with a Jumbly Girl
  Who came to those shores one day,
For the Jumblies came in a sieve, they did,--
Landing at eve near the Zemmery Fidd
  Where the Oblong Oysters grow,
  And the rocks are smooth and gray.
And all the woods and the valleys rang
With the Chorus they daily and nightly sang,--
    'Far and few, far and few,
    Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue
    And they went to sea in a sieve.'

Happily, happily passed those days!
  While the cheerful Jumblies staid;
  They danced in circlets all night long,
  To the plaintive pipe of the lively ****,
  In moonlight, shine, or shade.
For day and night he was always there
By the side of the Jumbly Girl so fair,
With her sky-blue hands, and her sea-green hair.
Till the morning came of that hateful day
When the Jumblies sailed in their sieve away,
And the **** was left on the cruel shore
Gazing--gazing for evermore,--
Ever keeping his weary eyes on
That pea-green sail on the far horizon,--
Singing the Jumbly Chorus still
As he sate all day on the grassy hill,--
    'Far and few, far and few,
    Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue
    And they went to sea in a sieve.'

But when the sun was low in the West,
  The **** arose and said;--
--'What little sense I once possessed
  'Has quite gone out of my head!'--
And since that day he wanders still
By lake or forest, marsh and hill,
Singing--'O somewhere, in valley or plain
'Might I find my Jumbly Girl again!
'For ever I'll seek by lake and shore
'Till I find my Jumbly Girl once more!'

  Playing a pipe with silvery squeaks,
  Since then his Jumbly Girl he seeks,
  And because by night he could not see,
  He gathered the bark of the Twangum Tree
    On the flowery plain that grows.
    And he wove him a wondrous Nose,--
  A Nose as strange as a Nose could be!
Of vast proportions and painted red,
And tied with cords to the back of his head.
  --In a hollow rounded space it ended
  With a luminous Lamp within suspended,
    All fenced about
    With a bandage stout
    To prevent the wind from blowing it out;--
  And with holes all round to send the light,
  In gleaming rays on the dismal night.

And now each night, and all night long,
Over those plains still roams the ****;
And above the wall of the Chimp and Snipe
You may hear the sqeak of his plaintive pipe
While ever he seeks, but seeks in vain
To meet with his Jumbly Girl again;
Lonely and wild--all night he goes,--
The **** with a luminous Nose!
And all who watch at the midnight hour,
From Hall or Terrace, or lofty Tower,
Cry, as they trace the Meteor bright,
Moving along through the dreary night,--
  'This is the hour when forth he goes,
  'The **** with a luminous Nose!
  'Yonder--over the plain he goes,
    'He goes!
    'He goes;
  'The **** with a luminous Nose!'
kevin morris Dec 2013
“Exams are important don’t let anyone try to convince you otherwise. People will try telling you that they don’t matter in the great scheme of things
“There is more to life than exams Lisa. It isn’t the end of the world if you don’t obtain the grades to get into university” mum said.
This is all *******. I’ve no intention of spending my life flipping burgers in some crummy burger bar. Do you know they have the cheek to call these places restaurants?! Problem is strictly between you and I, you won’t let it go any further will you? Promise, cross your heart and hope to die? Well as you only have my first name and it would be impossible to trace me I’ll let you into a little secret. The truth is that I am not academically gifted. Don’t get me wrong I try. No one tries harder than me. I’ve spent weekends huddled over my books cramming for my exams, “Lisa no mates that’s me” but it goes in one ear and comes out the other. I just can’t remember things, head like a sieve thats me!
Well here I am now in my room at uni. You should have seen my mum’s face when I got the grades. There she stood her mouth gaping open like a stranded fish. Quite comical really. Did I say that all my hard work paid off? Well it wasn’t that difficult for an 18-year-old bomb shell like me to ****** the head master and get my hands on the exam papers prior to the examination. Perhaps academic qualifications aren’t everything after all”.
Erin C Ott Jun 2018
Fallow brown, like he's poured his whole soul out through the gold sieve and lies in wait to be replenished.

2. The color of the ocean. Blue, I guess, but that’s not even the half of it. All the ruggedness of the waves—forming up, breaking, and forming again like life is only the motions. Her eyes are blue, but you could hardly tell.

3. A hand-painted bowl of fresh chocolate frosting from which the most immature hands soonest get a mouthful.

4. Beautiful. Like, drop dead gorgeous. I’d dig my own grave and stick to rolling in it if she ever looked at me some type of way. Their color? I don’t know. But most of all, I dare to wonder about the bludgeoned scar between them.

5. Sturdy cobalt. Far more indicative of her steady heart than gold could ever hope to be. Still susceptible to tear, but not so easily warped by heat or stress.

6. Simply brown. No, red? It’s always been hard to tell through the fog. Truthful like the rawest earth, I’ll call her mahogany.

7. Faded blue spray paint over a slate gray wall. Forcibly muted after her years of blasting music, but there’s still that rogue twinkle to them that I pray slips through the cracks.

8. Coffee, with all the vim and vigor to make you click your heels and fall in love.

9. Unripe lime seen lazing in the shade. Not fit for a margarita just yet, but straining at the bit nonetheless.

10. Hazel, although I still don’t know what the **** that actually is. Whatever. It looks nice on her resume.

11. Green. Or were they blue? The memories of her were too wonderful, too important, that I had to let the littlest details fade away first.

12. The crystallized seafoam that made me realize I deserved to feel alive, too.
Dedicated to any pair of eyes that's ever struggled to raise itself from the sights they've grown used to.
St. Agnes' Eve--Ah, bitter chill it was!
    The owl, for all his feathers, was a-cold;
    The hare limp'd trembling through the frozen grass,
    And silent was the flock in woolly fold:
    Numb were the Beadsman's fingers, while he told
    His rosary, and while his frosted breath,
    Like pious incense from a censer old,
    Seem'd taking flight for heaven, without a death,
Past the sweet ******'s picture, while his prayer he saith.

    His prayer he saith, this patient, holy man;
    Then takes his lamp, and riseth from his knees,
    And back returneth, meagre, barefoot, wan,
    Along the chapel aisle by slow degrees:
    The sculptur'd dead, on each side, seem to freeze,
    Emprison'd in black, purgatorial rails:
    Knights, ladies, praying in dumb orat'ries,
    He passeth by; and his weak spirit fails
To think how they may ache in icy hoods and mails.

    Northward he turneth through a little door,
    And scarce three steps, ere Music's golden tongue
    Flatter'd to tears this aged man and poor;
    But no--already had his deathbell rung;
    The joys of all his life were said and sung:
    His was harsh penance on St. Agnes' Eve:
    Another way he went, and soon among
    Rough ashes sat he for his soul's reprieve,
And all night kept awake, for sinners' sake to grieve.

    That ancient Beadsman heard the prelude soft;
    And so it chanc'd, for many a door was wide,
    From hurry to and fro. Soon, up aloft,
    The silver, snarling trumpets 'gan to chide:
    The level chambers, ready with their pride,
    Were glowing to receive a thousand guests:
    The carved angels, ever eager-eyed,
    Star'd, where upon their heads the cornice rests,
With hair blown back, and wings put cross-wise on their *******.

    At length burst in the argent revelry,
    With plume, tiara, and all rich array,
    Numerous as shadows haunting faerily
    The brain, new stuff'd, in youth, with triumphs gay
    Of old romance. These let us wish away,
    And turn, sole-thoughted, to one Lady there,
    Whose heart had brooded, all that wintry day,
    On love, and wing'd St. Agnes' saintly care,
As she had heard old dames full many times declare.

    They told her how, upon St. Agnes' Eve,
    Young virgins might have visions of delight,
    And soft adorings from their loves receive
    Upon the honey'd middle of the night,
    If ceremonies due they did aright;
    As, supperless to bed they must retire,
    And couch supine their beauties, lily white;
    Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.

    Full of this whim was thoughtful Madeline:
    The music, yearning like a God in pain,
    She scarcely heard: her maiden eyes divine,
    Fix'd on the floor, saw many a sweeping train
    Pass by--she heeded not at all: in vain
      Came many a tiptoe, amorous cavalier,
    And back retir'd; not cool'd by high disdain,
    But she saw not: her heart was otherwhere:
She sigh'd for Agnes' dreams, the sweetest of the year.

    She danc'd along with vague, regardless eyes,
    Anxious her lips, her breathing quick and short:
    The hallow'd hour was near at hand: she sighs
    Amid the timbrels, and the throng'd resort
    Of whisperers in anger, or in sport;
    'Mid looks of love, defiance, hate, and scorn,
    Hoodwink'd with faery fancy; all amort,
    Save to St. Agnes and her lambs unshorn,
And all the bliss to be before to-morrow morn.

    So, purposing each moment to retire,
    She linger'd still. Meantime, across the moors,
    Had come young Porphyro, with heart on fire
    For Madeline. Beside the portal doors,
    Buttress'd from moonlight, stands he, and implores
    All saints to give him sight of Madeline,
    But for one moment in the tedious hours,
    That he might gaze and worship all unseen;
Perchance speak, kneel, touch, kiss--in sooth such things have been.

    He ventures in: let no buzz'd whisper tell:
    All eyes be muffled, or a hundred swords
    Will storm his heart, Love's fev'rous citadel:
    For him, those chambers held barbarian hordes,
    Hyena foemen, and hot-blooded lords,
    Whose very dogs would execrations howl
    Against his lineage: not one breast affords
    Him any mercy, in that mansion foul,
Save one old beldame, weak in body and in soul.

    Ah, happy chance! the aged creature came,
    Shuffling along with ivory-headed wand,
    To where he stood, hid from the torch's flame,
    Behind a broad half-pillar, far beyond
    The sound of merriment and chorus bland:
    He startled her; but soon she knew his face,
    And grasp'd his fingers in her palsied hand,
    Saying, "Mercy, Porphyro! hie thee from this place;
They are all here to-night, the whole blood-thirsty race!

    "Get hence! get hence! there's dwarfish Hildebrand;
    He had a fever late, and in the fit
    He cursed thee and thine, both house and land:
    Then there's that old Lord Maurice, not a whit
    More tame for his gray hairs--Alas me! flit!
    Flit like a ghost away."--"Ah, Gossip dear,
    We're safe enough; here in this arm-chair sit,
    And tell me how"--"Good Saints! not here, not here;
Follow me, child, or else these stones will be thy bier."

    He follow'd through a lowly arched way,
    Brushing the cobwebs with his lofty plume,
    And as she mutter'd "Well-a--well-a-day!"
    He found him in a little moonlight room,
    Pale, lattic'd, chill, and silent as a tomb.
    "Now tell me where is Madeline," said he,
    "O tell me, Angela, by the holy loom
    Which none but secret sisterhood may see,
When they St. Agnes' wool are weaving piously."

    "St. Agnes! Ah! it is St. Agnes' Eve--
    Yet men will ****** upon holy days:
    Thou must hold water in a witch's sieve,
    And be liege-lord of all the Elves and Fays,
    To venture so: it fills me with amaze
    To see thee, Porphyro!--St. Agnes' Eve!
    God's help! my lady fair the conjuror plays
    This very night: good angels her deceive!
But let me laugh awhile, I've mickle time to grieve."

    Feebly she laugheth in the languid moon,
    While Porphyro upon her face doth look,
    Like puzzled urchin on an aged crone
    Who keepeth clos'd a wond'rous riddle-book,
    As spectacled she sits in chimney nook.
    But soon his eyes grew brilliant, when she told
    His lady's purpose; and he scarce could brook
    Tears, at the thought of those enchantments cold,
And Madeline asleep in lap of legends old.

    Sudden a thought came like a full-blown rose,
    Flushing his brow, and in his pained heart
    Made purple riot: then doth he propose
    A stratagem, that makes the beldame start:
    "A cruel man and impious thou art:
    Sweet lady, let her pray, and sleep, and dream
    Alone with her good angels, far apart
    From wicked men like thee. Go, go!--I deem
Thou canst not surely be the same that thou didst seem."

    "I will not harm her, by all saints I swear,"
    Quoth Porphyro: "O may I ne'er find grace
    When my weak voice shall whisper its last prayer,
    If one of her soft ringlets I displace,
    Or look with ruffian passion in her face:
    Good Angela, believe me by these tears;
    Or I will, even in a moment's space,
    Awake, with horrid shout, my foemen's ears,
And beard them, though they be more fang'd than wolves and bears."

    "Ah! why wilt thou affright a feeble soul?
    A poor, weak, palsy-stricken, churchyard thing,
    Whose passing-bell may ere the midnight toll;
    Whose prayers for thee, each morn and evening,
    Were never miss'd."--Thus plaining, doth she bring
    A gentler speech from burning Porphyro;
    So woful, and of such deep sorrowing,
    That Angela gives promise she will do
Whatever he shall wish, betide her weal or woe.

    Which was, to lead him, in close secrecy,
    Even to Madeline's chamber, and there hide
    Him in a closet, of such privacy
    That he might see her beauty unespy'd,
    And win perhaps that night a peerless bride,
    While legion'd faeries pac'd the coverlet,
    And pale enchantment held her sleepy-ey'd.
    Never on such a night have lovers met,
Since Merlin paid his Demon all the monstrous debt.

    "It shall be as thou wishest," said the Dame:
    "All cates and dainties shall be stored there
    Quickly on this feast-night: by the tambour frame
    Her own lute thou wilt see: no time to spare,
    For I am slow and feeble, and scarce dare
    On such a catering trust my dizzy head.
    Wait here, my child, with patience; kneel in prayer
    The while: Ah! thou must needs the lady wed,
Or may I never leave my grave among the dead."

    So saying, she hobbled off with busy fear.
    The lover's endless minutes slowly pass'd;
    The dame return'd, and whisper'd in his ear
    To follow her; with aged eyes aghast
    From fright of dim espial. Safe at last,
    Through many a dusky gallery, they gain
    The maiden's chamber, silken, hush'd, and chaste;
    Where Porphyro took covert, pleas'd amain.
His poor guide hurried back with agues in her brain.

    Her falt'ring hand upon the balustrade,
    Old Angela was feeling for the stair,
    When Madeline, St. Agnes' charmed maid,
    Rose, like a mission'd spirit, unaware:
    With silver taper's light, and pious care,
    She turn'd, and down the aged gossip led
    To a safe level matting. Now prepare,
    Young Porphyro, for gazing on that bed;
She comes, she comes again, like ring-dove fray'd and fled.

    Out went the taper as she hurried in;
    Its little smoke, in pallid moonshine, died:
    She clos'd the door, she panted, all akin
    To spirits of the air, and visions wide:
    No uttered syllable, or, woe betide!
    But to her heart, her heart was voluble,
    Paining with eloquence her balmy side;
    As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her dell.

    A casement high and triple-arch'd there was,
    All garlanded with carven imag'ries
    Of fruits, and flowers, and bunches of knot-grass,
    And diamonded with panes of quaint device,
    Innumerable of stains and splendid dyes,
    As are the tiger-moth's deep-damask'd wings;
    And in the midst, '**** thousand heraldries,
    And twilight saints, and dim emblazonings,
A shielded scutcheon blush'd with blood of queens and kings.

    Full on this casement shone the wintry moon,
    And threw warm gules on Madeline's fair breast,
    As down she knelt for heaven's grace and boon;
    Rose-bloom fell on her hands, together prest,
    And on her silver cross soft amethyst,
    And on her hair a glory, like a saint:
    She seem'd a splendid angel, newly drest,
    Save wings, for heaven:--Porphyro grew faint:
She knelt, so pure a thing, so free from mortal taint.

    Anon his heart revives: her vespers done,
    Of all its wreathed pearls her hair she frees;
    Unclasps her warmed jewels one by one;
    Loosens her fragrant boddice; by degrees
    Her rich attire creeps rustling to her knees:
    Half-hidden, like a mermaid in sea-****,
    Pensive awhile she dreams awake, and sees,
    In fancy, fair St. Agnes in her bed,
But dares not look behind, or all the charm is fled.

    Soon, trembling in her soft and chilly nest,
    In sort of wakeful swoon, perplex'd she lay,
    Until the poppied warmth of sleep oppress'd
    Her soothed limbs, and soul fatigued away;
    Flown, like a thought, until the morrow-day;
    Blissfully haven'd both from joy and pain;
    Clasp'd like a missal where swart Paynims pray;
    Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.

    Stol'n to this paradise, and so entranced,
    Porphyro gaz'd upon her empty dress,
    And listen'd to her breathing, if it chanced
    To wake into a slumberous tenderness;
    Which when he heard, that minute did he bless,
    And breath'd himself: then from the closet crept,
    Noiseless a
Marc Nov 2012
Living this life is unpredictable until the end;
conclusions of the statement are only made from opinionated experiences.
At the dawn of birth, there is "choice"
and "choices", are for better or worse.

There is an expression that goes,
"everything is likely fifty-fifty in choosing",
consequently believe it to be true.

Humanity exemplifies a just way of living,
in an understanding that people make
poor decisions due to the life they may
have been brought up in, however,
this life is full of petty mistakes as we know it,
some unfortunate souls are born into a dysfunctional
or broken family and others of a different situation i.e.(poverty).

This could cause unjust mannerisms
that occur in the daily lives we so often face.
These situations very freely throw more
than the average curve ball growing up.

Sadly, I ask that we feel sorrow
for the majority of individuals
with an intention that in reading this;
it would justify some clarity in my eyes through yours.

With clarity, let there be a world in heartthrob,
which could potentially change mankind towards purity.

A very specific conclusion led me to this;
When a man struggles at his own destiny
because of his nature vs. nurture,
his good along with his bad leak like a salivating sieve.

However, his “good” shows his mentality
and lust for life, yet his “bad”,
shows his incompetence relating to
a moral dignity for the greater good of living (if unfortunate).

As this revelation evolves,
humanistic mannerisms slowly slip away
in a young society and fade from
the common core values we once knew from our elders.

Surrounded by an ideological critical society,
a fear trembles for our youth has no future
in a sense for they may be too deaf
to hear their state of “consciousness”,
to the extent of being blind to see their own “actions”.

"The unknown spectator of our world;
is the light beyond the dark,"
Mike West Oct 2012
Diaper duty's not that bad.
The first few months go well.
Baby doesn't go that much,
And the poo does not yet smell.
When baby's very little,
And gets fed only milk
Baby's little excrement
Resembles brown mustard 'til...
Baby starts to grow a bit
And so does baby's poo.
The food they eat is more complex
And they poo much more like you.
Changing baby's diaper
Becomes more interesting.
And the smell that baby generates
Starts your nose to sting.
You learn real fast which foods cause
Your nostrils so much gloom.
And which of baby's foods are safe
And don't cause deadly fumes.
You also learn what kind of foods
Make baby's poo too stiff.
And what makes their poo so runny
They could poo through a sieve.
So take care of little baby
And always feed them right.
And be sure to check their diaper
Before turning out the light.
Sarah Spang Jun 2015
Seldom though eventually
His words will wash away
The human mind's a yawning sieve
That siphons thoughts away

For all we are is flesh and blood
And dust, in all due time
His face embedded in my thoughts
Will someday leave my mind.

Each grain of sand; each thought of him
Will slither down the glass
Slow and steady, one by one
Until he's in the past.

For now my mind's a youthful cache,
No wave can wear or wash
Impressions left upon my soul
Cannot be staved or quashed.



-Un-rhymed Notes-

*Every once in a while
The human mind is all it's built up to be;
A sieve, where the balm of time
slowly mends and knits
The torn edges of the chasm.

Every once in a while
It is as if the wound has healed
And the flow of muscle memory
Ripples beneath the unmarred surface
Robin Carretti Jun 2018
Business the Guinness
of records
Of the
Drunkin drivers
The presidential
audience all
together

We love one
white or dark lie
conifers thinking like
the Beatle song
I'm a loser
having respect for
yourself be the defeated
M-L-M morons, losers,
So nice you are linked
into my millionaires
The marketing scam
You will be broke
Those 69 lovers to
be ******
off shorter life
just smoke  PM
ATM money goes
pop the weasel
painting it dark
drunk
wearing your
heart out on the easel

Not for sale dancers
need exotic drink taking off
their Drunk Zen shirts
Chirp that Chippendale
dance her out
Until she is drunk
Drunk Zen Rocker
of punk

So ***** light thinker side
Phone drinker fantasize
about the trip
Link me on my
mountaintop- stamp
collection glue-stick
philatelic reinvention

Doing my exercise why so
Absentminded
Wow such beauty Judy
sunrise recent
memory-guided
What meeting my heart all
depends to remember
September but October
November Drunk Zen
Thanksgiving food
with crying pillows
Quite the Yam and
marshmallows
before I was drunk

The new navy blouse said
I'm not drunk abbreviated
Inebriated linked-in
private club
Like an initiation or
Sorority only drunk
I'm not sorry invitation

Drunk Club Zen
adventurous men
The hair club Oh! no
shipwrecked
He got her by her
drunk-in neck

The Mediterranean
Going French Canne
Itsy bitsy tipsy bikini
The monk was like
the morning hot flame
Glitch or twitch of the nose
Jeannie
What a Red-Robin Rooster
making

Kevin Bacon lovers
Melted cheese and him
couldn't hold his sneeze
The Bed and breakfast
This wasn't Hamlet
or Camelot just
drunken Dunkin donut
drive-in
For God's sake
(O) outstanding omelet
 drunken sea of eleven
Steven Universe
Glick Pearl chick
Email one universe click
Linked deep-sea hoarder
of junk
At her summer house
Strawberry wild hair he was
drunk forever Irish lad
Like the pub in
London Abby lane

Nancy Drew mystery
tour Zen men pour
In Georgia stays in her
mind what would it be
without nature, we need
air the water the sound

The trees grow in Brooklyn
Robin me birds spoke in
Those hubs on the go
In there Mercedes
having yogurt? Their drunk__

Drunk Zen be brave not
to be hurt his head cocked
A million in none
cars parked
The cheer was in beer the
lover of darkness
sky malt drunk
They were bushy eyed
with a  drunken masseuse
Drunk Zen was having sweet
tooth French kiss mouse  

Hands numb she is falling
over her  tweets of words
So jibberish dumb what
******* but silence
That number lottery Freddy
Halloween what Diva Queen
13 shots
High school drop out

Guilty ever Greek
to ever think cop out
Spiritual caller like the
winding road babes of pigs
in a blanket the helicopter
Head spinner Eifel Tower
Frenc kiss got plugged
drunk never a hug

Hangover flower mugs
The Drunk-Apple* of his eye
computer the Zen dogs'
Alaskan Husky Buddhism
Shiba Uni from Japan
They got the realism

Heavy rain tents you walk
out on me
Woodstock Jefferson Airplane
Or those Cocker Spaniels
Elton John with Daniel

The adoption they were crazed
with high tech gadgets
The adopters named Danny boy
Zoolander commander was drunk
I wasn't really drinking you have
a brain of a sieve

Man, water, the green earth just live
Like the four-leaf clover hey
this isn't over
(The Planet) or her
drunken eyes who wins
I could see a glimpse of
garnet Oh! **** it like
a dragnet or the Zen
The Roobus tea faraway
thought
In Ireland hilly garden

Men with ladies cat milk
purr Kate Perry
Linked into the
materialistic Madonna
lady of silk he's the
hangover she
gave him her soy milk
what a guy
The pry coexisting to
ever think to pray

The super lady drink
never thinking blue
that he ever existed
Not remembering who you're
with he was on the
wanted list
Linked In the army
green wearing
a tank top bullets firing
in his chapel getting
married in his tank
Blue uniform acting
drunk

Disguised as a cop
My acting role for
both like Darth
And hey we are
not drunk!!
In the name of a
drunken love
Before I was drunk

My higher flight parachute
twenty-two jump street right fit
yourself as oneself linked
onto the mountain
the Ancient spiritual awareness
Grecian  love fountain harness
Maybe a lonely shot
of darkness
Maybe a lovely shot
of wellness
Linked into so many things do you feel pressured or you have an acting role but you better be drunk Ay Vey just pray when you show up don't give up we are all friends in the same boat. Let us sail away or no let's show the world what we really need to say
ryn Jan 2015
Been a week since the new year arrived at dawn's door
Seven sunrises had passed making way for many more
Resolutions, wishes, aspirations cast into winds of new days
In hopes they'd be carried forth on each dawn's new rays

Let us welcome the fresh air that come
Inhale it deep as reminder that we're luckier than some
Let us embrace the opportunity of time
A privilege bestowed so we could still pen in rhyme

Let us cherish the love from family and new found friends
Shower upon them the gift of verse that never ends
Let us strengthen existing virtual and physical connections
Reinforce them with kindness, fortitude and good intentions

Let us sieve past experiences that mar us black
Dispense with animosity, ill thoughts and considerations that lack
Let us trudge forward into the unknown together
Hands in hands and hearts to hearts into the unforeseeable future


No matter who you are or where you've been
We'll all get our fair share of twenty fifteen
We've all been granted if you'd only take advantage
In the great book of life, on a fresh, brand new page

Do note that this is just ideal advice not so much as a plea
I know the journey is long, arduous and never easy
I hope these words I've penned would lighten your load
Little bites of wisdom (I hope) for the long meandering road

I can't promise the rise of the nightly moon
But the sun will rise where you are; and it will arrive very soon
This is me being optimistic. I don't wear this garb for too long at a time so I'd like to spread it for as long as I have it.
.
Riley R Jun 2015
My brain is a sieve.

Most of the words of this poem have dripped out
on the road
on my shirt
on the front step as I fumbled for my keys.

I think it was something about
starlight and loving you
but then that’s no surprise.
At this point the structure of my DNA
is sonnets I composed for you
and free verse you’ll read and think
is about someone else.
The kinds of words you’ll coo about
and caress in your mind
and shower me with praise over
like a warm hug and a kiss on the cheek
when I want and want and want you.

But I suppose we’ll never know, now
what this poem was going to be about.

It’s my brain, you see.

It’s a sieve.
As I was saying . . . (No, thank you; I never take cream with my tea;
Cows weren't allowed in the trenches -- got out of the habit, y'see.)
As I was saying, our Colonel leaped up like a youngster of ten:
"Come on, lads!" he shouts, "and we'll show 'em," and he sprang to the head of the men.
Then some bally thing seemed to trip him, and he fell on his face with a slam. . . .
Oh, he died like a true British soldier, and the last word he uttered was "****!"
And hang it! I loved the old fellow, and something just burst in my brain,
And I cared no more for the bullets than I would for a shower of rain.
'Twas an awf'ly funny sensation (I say, this is jolly nice tea);
I felt as if something had broken; by gad! I was suddenly free.
Free for a glorified moment, beyond regulations and laws,
Free just to wallow in slaughter, as the chap of the Stone Age was.

So on I went joyously nursing a Berserker rage of my own,
And though all my chaps were behind me, feeling most frightf'ly alone;
With the bullets and shells ding-donging, and the "krock" and the swish of the shrap;
And I found myself humming "Ben Bolt" . . . (Will you pass me the sugar, old chap?
Two lumps, please). . . . What was I saying? Oh yes, the jolly old dash;
We simply ripped through the barrage, and on with a roar and a crash.
My fellows -- Old Nick couldn't stop 'em. On, on they went with a yell,
Till they tripped on the Boches' sand-bags, -- nothing much left to tell:
A trench so tattered and battered that even a rat couldn't live;
Some corpses tangled and mangled, wire you could pass through a sieve.

The jolly old guns had bilked us, cheated us out of our show,
And my fellows were simply yearning for a red mix-up with the foe.
So I shouted to them to follow, and on we went roaring again,
Battle-tuned and exultant, on in the leaden rain.
Then all at once a machine gun barks from a bit of a bank,
And our Major roars in a fury: "We've got to take it on flank."
He was running like fire to lead us, when down like a stone he comes,
As full of "typewriter" bullets as a pudding is full of plums.
So I took his job and we got 'em. . . . By gad! we got 'em like rats;
Down in a deep shell-crater we fought like Kilkenny cats.
'Twas pleasant just for a moment to be sheltered and out of range,
With someone you saw to go for -- it made an agreeable change.

And the Boches that missed my bullets, my chaps gave a bayonet jolt,
And all the time, I remember, I whistled and hummed "Ben Bolt".
Well, that little job was over, so hell for leather we ran,
On to the second line trenches, -- that's where the fun began.
For though we had strafed 'em like fury, there still were some Boches about,
And my fellows, teeth set and eyes glaring, like terriers routed 'em out.
Then I stumbled on one of their dug-outs, and I shouted: "Is anyone there?"
And a voice, "Yes, one; but I'm wounded," came faint up the narrow stair;
And my man was descending before me, when sudden a cry! a shot!
(I say, this cake is delicious. You make it yourself, do you not?)
My man? Oh, they killed the poor devil; for if there was one there was ten;
So after I'd bombed 'em sufficient I went down at the head of my men,
And four tried to sneak from a bunk-hole, but we cornered the rotters all right;
I'd rather not go into details, 'twas messy that bit of the fight.

But all of it's beastly messy; let's talk of pleasanter things:
The skirts that the girls are wearing, ridiculous fluffy things,
So short that they show. . . . Oh, hang it! Well, if I must, I must.
We cleaned out the second trench line, bomb and bayonet ******;
And on we went to the third one, quite calloused to crumping by now;
And some of our fellows who'd passed us were making a deuce of a row;
And my chaps -- well, I just couldn't hold 'em; (It's strange how it is with gore;
In some ways it's just like whiskey: if you taste it you must have more.)
Their eyes were like beacons of battle; by gad, sir! they COULDN'T be calmed,
So I headed 'em bang for the bomb-belt, racing like billy-be-******.
Oh, it didn't take long to arrive there, those who arrived at all;
The machine guns were certainly chronic, the shindy enough to appal.
Oh yes, I omitted to tell you, I'd wounds on the chest and the head,
And my shirt was torn to a gun-rag, and my face blood-gummy and red.

I'm thinking I looked like a madman; I fancy I felt one too,
Half naked and swinging a rifle. . . . God! what a glorious "do".
As I sit here in old Piccadilly, sipping my afternoon tea,
I see a blind, bullet-chipped devil, and it's hard to believe that it's me;
I see a wild, war-damaged demon, smashing out left and right,
And humming "Ben Bolt" rather loudly, and hugely enjoying the fight.
And as for my men, may God bless 'em! I've loved 'em ever since then:
They fought like the shining angels; they're the pick o' the land, my men.
And the trench was a reeking shambles, not a Boche to be seen alive --
So I thought; but on rounding a traverse I came on a covey of five;
And four of 'em threw up their flippers, but the fifth chap, a sergeant, was game,
And though I'd a bomb and revolver he came at me just the same.
A sporty thing that, I tell you; I just couldn't blow him to hell,
So I swung to the point of his jaw-bone, and down like a ninepin he fell.
And then when I'd brought him to reason, he wasn't half bad, that ***;
He bandaged my head and my short-rib as well as the Doc could have done.
So back I went with my Boches, as gay as a two-year-old colt,
And it suddenly struck me as rummy, I still was a-humming "Ben Bolt".
And now, by Jove! how I've bored you. You've just let me babble away;
Let's talk of the things that matter -- your car or the newest play. . . .
I'll tell thee everything I can;
There's little to relate,
I saw an aged, aged man,
A-sitting on a gate.
"Who are you, aged man?" I said.
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.

He said, "I look for butterflies
That sleep among the wheat;
I make them into mutton-pies,
And sell them in the street.
I sell them unto men," he said,
"Who sail on stormy seas;
And that's the way I get my bread--
A trifle, if you please."

But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That they could not be seen.
So, having no reply to give
To what the old man said,
I cried, "Come, tell me how you live!"
And thumped him on the head.

His accents mild took up the tale;
He said, "I go my ways,
And when I find a mountain-rill,
I set it in a blaze;
And thence they make a stuff they call
Rowland's Macassar Oil--
Yet twopence-halfpenny is all
They give me for my toil."

But I was thinking of a way
To feed one's self on batter,
And so go on from day to day
Getting a little fatter.
I shook him well from side to side,
Until his face was blue,
"Come, tell me how you live," I cried,
"And what it is you do!"

He said, "I hunt for haddocks' eyes
Among the heather bright,
And work them into waistcoat-buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.

"I sometimes dig for buttered rolls,
Or set limed twigs for *****;
I sometimes search the grassy knolls
For wheels of hansom-cabs.
And that's the way" (he gave a wink)
"By which I get my wealth--
And very gladly will I drink
Your honor's noble health."

I heard him then, for I had just
Completed my design
To keep the Menai bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for his wish that he
Might drink my noble health.

And now, if e'er by chance I put
My fingers into glue,
Or madly squeeze a right-hand foot
Into a left-hand shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know--
Whose look was mild, whose speech was slow,
Whose hair was whiter than the snow,
Whose face was very like a crow,
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo--
That summer evening long ago,
A-sitting on a gate.
Expect us not to believe
You could miraculously fetch
Water with a sieve!

Till we return to dust
You, nothing better than a rust,
Could not quench our thirst.

Collecting taxes
Without combing out lechers
That spare not even the broke
Or the stone to siphon
Rather has an impact adverse,
For it is allowing few
Nation's wealth unfairly amass
At a cost of harm to
The credulous and
For air gasping broad mass!
Tax in  most developing countries infested by rent seekers.Tax is enforced but tax out flow is shrouded in mystery.
the girlie man of Australian politics
had the term coined just for him
the tough man Arnie Schwarzenegger
from California was thinking of him

Bill Shorten is a *****
when it comes to fiscal matters
that's why his statements
on the budget are all in tatters

soft approaches toward
spending will never do
the nation's finances are in need
of a tightening *****

the treasury office stats
don't mislead of go awry
a salient tale they tell
about a well running dry

there are no Jesus Christ figures
in Canberra to divide the loaves and fishes
a certain amount is in the nation's war chest
which must fulfill the people's many wishes

the Shorten alternative economic policy
has great sieve holes in it
the nation's well being under it
would be rendered unfit

at the end of the day
the taxpayer always pays
so the ledger should be in balance
without any stalling delays

fiscal responsibility
is good for a nation's health
marshmallow centered Shorten
has no interest in stock piling our wealth
Donall Dempsey Nov 2015
HORSE OF A DIFFERENT COLOUR

Auden & Isherwood
strolling in China

trying to soak up
The War

by the process of
osmosis

staining it
with words

observe
(at first what seems)  

green horses

but turns out to be
only white horses

painted green
for camouflage purposes.

That evening in Canton
also offering them

the futility of two men

trying to put a rat
into a bottle

a woman who lived
in a beehive

pouring water
into a sieve.

War knocks
over the inkwell

spills
into men’s lives

covers the white pages
of their wishes

makes the idea of Hell
...all   too   real.

The spilt ink eating
the words of men

who send letters home
and die in pain

never to return

only in other’s memories
& useless dreams

marble memorials

while green horses
champ the grasses

the bridles & the bits
clanking & glinting

in the hot sun
of Now.

as this last lost evening
dies.
D Conors Sep 2010
"Cash, Grass or ***-No One Rides Free!"*
reads the bumper-sticker slapped on the ratty Harley.
Its black leather seat is cracked, tattered and torn,
the headlight is busted and there's no friggin' horn;
with mismatched saddlebags strapped to each side,
the panhead leaks like a sieve, but it's still quite a ride.

The gas-tank is dented, scratched and coated with muck,
the chrome no longer shines, but who gives a flyin' ****?
Its tires are bald, the spokes are all rusted to ****,
and the frame is off-kilter from a cage-driver'*****.

The biker just puffed the last hit from his pipe,
slammed down the rest of the J.D. from the bash last night;
then he hops on his hog, kicks the monster to start,
the muffler-pipes blast flames and roar like a ****.

Together they roll down the road like old pals,'
with nowhere to go, just obnoxious and loud:
the tombstone tail-light flashes bright red on this mess,
'though Cashless, Grassless and Assless, they couldn't care less!
D. Conors
30 August 2010
its pleasant to be warm
yes it was a pun
dont judge
cross my legs
and vent
i never knew my skin was so permeable
so inviting to the radiation
from internal nuclear fusion
well and fission too
puff the oak pipe
of navarro gold tobacco
and nod
smile
that sweaty-toothed smile
and nod
im warm now
but is there anything more active
than being cold
warm always seems false
when youre chilled
at least youre completely honest
NO *******
"im ******* cold"
taut
warm is so slack
investigating the disruptions of the slinky
piling trash up upon the heap

core this crisp fuji
i want the meat only
forget a shade tree
i want pitch black
this is not a time for a rocking chair
time for hanging upside down only

its true though
my epidermis is as holey as a sieve
pervious as cheese cloth
and it goes both ways
in and out
i fight for you
as much as i need to be fought for

no such thing as skin protectorate
or umbrella
or a silent moment for that matter
and never salient
or sober

better to just stare directly into the core
become blind
and be happy
q: what would a sunburn be?
a: over exposure to the above
q: sunglasses?
a: no. just frames only. and those are intended to protect me from NOT indulging the impulse to stare at him/her (what *** is the sun)
ju Oct 2011
intoxicating

Pour yourself into me,
until you are sweet
and I'm on fire.



tongue, tied, valentine

I am listening, it’s just...

(I got distracted)

...you have the
most
beautiful
wrists
I’ve
ever
seen.
x


restraint

I’m not interested
in cheap nylon confession.
I’d rather unravel
a good quality secret-
Make a beautiful bond
from its thread.


Hangman

I should warn him:
My soul leaks like a sieve.
Instead I listen silently
to words that steal
my breath.



You and I

You are
delicious
And I am
greedy.
You are
generous
And I am
needy.
You are
experienced
And I am
learning.
You are
flammable
And I am
burning.
Devin Weaver Feb 2013
I have not been well lately
But I have a secret to tell you
It’s a success story: my most secret success
You see, I’m very skilled in crafting holes
And I’ve punched a massive hole
Right through the middle of my life

Please, don’t mistake this accomplishment for the result of talent
This is a skill and it takes practice to master
I went to college and learned to turn theories and ideals from basin to sieve
I learned to critique everything hopeful
And punched a hole right through the heart of hope
I honed my ability to close out creativity
I built a track down which to guide concrete linear thoughts
And I learned to use said thoughts as a battering ram with which to
Knock a hole in the barricaded door to dissatisfaction

And, though this skill is often practical
As you know, one cannot walk around wearing an open hole
So, a corresponding skill has successfully emerged
In parallel with nurturing voids
I have learned to conceal each and every hole
Sometimes with a thick canvass and
Sometimes with a paper-thin veneer
I may have learned to wrap a package
And to tie a bow
With the express purpose of packaging
The broken gift of life
Full of ugly holes

And, now, all that is left to complete the perfect ending to this success story
Is to grow old in a neatly kept apartment
Filled with the unseen haunts of relationships neatly hole-punched and
Filed in a hidden mental cabinet
Next to a night stand where I keep my phone and glasses
And across from the bed
There will be a glass trophy case
Full of trophies denoting various acceptable successes
But, just between you and I
The largest trophy denoting the largest success
Will be a lifetime achievement award
Bestowed for hollowing out what could have been
A beautiful life.
written from a psychiatric ward
zebra May 2016
i'm a sick ****
i like to hurt girls
some i know love it
even more than pearls

some like the knife
wanting to bleed
death turns them on
and cry for the deed

others the gun
a bullet will do
right in the ***
after one they want two

then some  love fire
please cook me they beg
love to be soup
or boiled like an egg

some love to be drown
cause the bathtub is fun
bend them over and **** them
till the water is run

some beg to be impaled
thats what i like
til there breathing has failed
as i drive up the spike

no matter the method
be it poison or glass
they often lose there bowels
and **** out  there ***

i always love it
real ***** fun
there such good sports
my **** is there sun

and then one day
one came to me
and said hey honey
would you drink poison tea

i thought for a while
it wasn't my thing
but for you my love hmmmm
when it goes down will it sting?

oh yeah it will hurt
you'll cringe and you'll die
then my ***** will squirt
and i'll bite off your thigh

well i love you for sure
a small price to pay
i would do it for ***
or even for a lay

she said i love it
i like the knife and gun
hurting you like that
will be lots a fun

then she said, a problem i have
i need pain too
have you ever played the game
hurt me and hurt you

what a great idea
i can hit you in the head
and before you fall
you can shoot me with lead

o my god its *****
i can ******* in bed
wont it be ****
we will soon be dead

well hold on a minute
i want to lick your ***
kiss you all over
before i pass

oh that sounds good
ill swallow your ****
you can cut me open
**** me with a stick

i'll poke you with holes
and make a big mess
hurt you real bad
and relieve my stress

please use a drill
I'll bleed like a sieve
ow what a thrill
i'm sure i won't live

let's get in the bathtub
all naked and stripped
and hurty each other
i love that you're ripped

we cut and we shot
beat each other to death
each other we loved
til our last ****** breath :)
PhiWrit Dec 2014
The heights of which my heart doth soar
Above the clouds golden topped from the sun
A place it has never traversed before
Encompassing the loving light angel spun
This creates a tapestry of stars at night
On opposite ends these figures dance
They could not withstand their light so bright
On a hallowed eve they met happenchance
The luck of that night one couldn't believe
Two hearts of gold with stories to be told
Through each other's experiences they sieve
To retrieve the treasured stores untold
So it may be sacred and kept aside
For it is precious beyond compare
To be cherished along this ride
A union of souls through fire shall fare
My fire burns so bright,
It is set to consume the world
Edward Alan Mar 2014
Canto I: Exposition

A dampened quill and wrist unstill
Dare gallop ‘cross the page
Scribbled lines in black do shine
With much and fervent rage

And without fail, they tell their tale:
A passage tried and true
Lasting years, through hopes and fears
On page of yellow hue

Epic tales and loss at sea
Are listed in its text
The hand that writ this hallowed script
Can be no less than hexed

It begged, it sailed, it led a crowd,
It took a lady’s life
It stole, it smote, and always wrote
In volumes more than rife

He took this hand to unknown land
To carve a profound path
He set the sail for times to come
Yet tore himself in half

He lay awake in warm Toulon
In misty-morning May
The yellow birds in shrillest words
Alert him to the day

For too long days and longer nights
He’s waited for the word
The morrow here will mark the first
Of correspondence heard

Bonaparte has rallied here
To Toulon’s bustling bay
Three-fourths a score of battleships
To Egypt make their way

Before the high and mighty men
Joined with the water’s ebb
A note was slipped beneath the door
Assigned to M. Lefèbvre

Finally, a true decree
Has blest his merry course
Soon, eagerly, he’ll set to sea
Lost time his one remorse


Canto II: Aleron

Out to sea are thirty-three
That with me sail the tides
With these men, I trust my life
They follow where I guide

And so we’re gone from warm Toulon
Just days from the decree
Noble men off far ahead
And me with bourgeoisie

Bonaparte has aimed his fleet
To Egypt’s sandy shores
Through pirate gangs and ill intent
His roaring cannons tore

We follow in this taintless route
As far as we can trail
But soon we’ll turn half-way to stern;
To Gibraltar we shall sail

Days upon the Aleron
Are short but riveting
My men maintain their cheery air
And working still, they sing

No more of cloudy restlessness
No more of shady days
The blazing sun and windy waves
Have chased off my malaise

We pull our sheets and head from east
To curve around southwest
Past Ibiza, whose northern shore
Our Aleron caressed

The choppy sea grows thinner
And our nerves become unstill
The pirates of the Barbary Coast
Could leap in for the ****

And now, a sign above the line
Where water meets the sky
A tow’ring plume of certain doom
Is growing ever high

The heavens choke with blackest smoke
As fires burn a boat
The raw, impending fear of Death
Is clawing at my throat


Canto III: Skull and Bones

‘Tis hours later and we’re chased
Beneath the star-dogged moon
We tried to break away to north
But broke away too soon

Unknown, we tailed the pirate ship
Then saw the far black dot
The crow’s nest signaled skull and bones;
We held onto our knot

We much too late had turned around
My Aleron spun slow
Sheets so white in plain of sight
Had sold us to our foe

Our heaviest of itemry
Into the sea we cast
Rusty tools and iron spools:
Submerged, and sinking fast

Yet still we could not make a pace
To lose the rotten crew;
On our backs, they sailed our tracks
And split our wake in two

And so the misty moon is here
And watches like a ghoul
As we divorce our southern course
For Pillars of Hercule

The flick’ring light behind us
Like a glimmer in an eye
Stares and preys upon us
In cover of black dye

It grows and throws upon our ship
A light of fear and blood
It digs into our drowsy eyes
With sharpness of a spud

We hold on to our frantic pace
Till night invites the day
When to our right, in bright sunlight,
An ally heads our way

With Godly sound the cannons pound
The scoundrels far in back
Our brothers there in ship so fair
Repelled the foul attack


Canto IV: Gibraltar

In safer seas, our Aleron
Met with Le Taureau Bleu
We buy and sell and trade our stock
And praise and thank the crew

For safety’s sake, along we take
Two cannons of our own
We’ll stand a better chance against
The skull and crosséd bones

On we sail, on more and more
On through the placid day
No longer faced with poor intent
We make our merry way

Finally, from the vociferous chum
Upon the tall crow’s nest
“Land **! Land **!” Enthused, we know
Gibraltar’s over the crests

I decide to park (good-will flag on ark)
At the British colonial base
With cannons in stow, civilians are we
Attacking is surely bad taste

Just then, as I stood face-front on the deck,
A shrill squawking was cast
To the back I turned, and quickly discerned
A yellow bird up on a mast

How dare it perch there! I’d **** it, I swear
But I’d fire not a gun
Britons who spy me would surely deny me
Fair entrance, if that’s what I’d done

Instead I’ll sit tight; my crew is all right
They don’t mind the bird at all
I’ll listen and bear it, and try to forget
That the bird is the cause of my fall

Closer we draw to Gibraltar’s port
The Britons are within clear view
With a wave of a flag, they accept us in
But my anger cannot be subdued

I ready my gun; to the bird I have spun
And fire my shots to the air
The Britons, upset, rush onboard and get
Me constrained; and ensued despair


Canto V: The Crimson Owl

Silver chains kept me detained
As questioning carried on
Was I a spy for whom I ally?
Or was I simply a con?

I kept face as the questioner paced
And the brute slapped me around
Lastly, I smiled, as after a while
They had no evidence found

With regret, they set me free
Determining I was no harm
But seconds before I went through the door
A fellow rushed in with alarm

Cannons, found inside my ship
As rifles point at me
Again, they had me cuffed and chained
And threatened hostilely

“Smuggling arms to enemy ships”
Was written in their book
Chained and gagged and stowed was I
No better than a crook

Between the pillars I was passed
But not as I had hoped
Both my arm and legs were bound
My fragile neck was choked

In the bowels of The Crimson Owl
I slept in dark distress
No other day, with truth I say,
Had I known such duress

The days had passed and I’d amassed
A hunger, fierce and true
All my thought was set aside
To find something to chew

When suddenly, the shrillest sound
Came flying from afar
A cannon shot had hit its mark
The mainmast it would mar

Sounds of death came all around
And finally toward me
My blind removed, I held in view
The pirates of this sea


Canto VI: Captain Riceau

I stepped aboard by point of sword
And left the burning Owl
“Bienvenue à Le Chat Fou”
Said a fellow through his scowl

But when I talked, they stopped and gawked
Surprised at me they were
A fellow French, I was embraced;
The Crazy Cat could purr

They brought me on, my captors gone,
And took me as their own
And for the time, I went along
And made this Cat my home

I was kept live, and was used for
My knowledge of the sea
For vengeance ‘gainst the Britons
I complied happily

For months - perhaps three seasons passed
I rode upon this ship
Captain Riceau valued me
He named me second skip

For cause unknown, we crossed the sea
Old Captain held his tongue
He would not tell us why we trekked
And chased the setting sun

He brought us ‘round the chilly tip
Of Chile’s southern shore
No reason from his crazy lips
Though long did we implore

Then at last, the day had passed
When Riceau caught a cold
His eyes were red, his limbs were dead
His breathing: hoarse and old

I became the skipper then
And buried him at sea
We cut up north to flee the cold
But at a loss were we

Confused and crazy we’d become
Just like the Cat, rode we
I thought to keep Old Captain’s path
And that meant mutiny


Canto VII: Mutiny

Two days it’d take for them to make
The foul and bitter plan
That I’d be through with Le Chat Fou
And they’d return to Cannes

I lay asleep, in sleep so deep
Dreaming of Calais
The maiden fair with yellow hair
Who one day would betray

In this dream, I heard her scream
And went to touch her cheek
But standing as a statue does
Her gaze was still and bleak

They dragged me back into this world
Then dragged me off the port
My lungs too filled with shockéd air
To object to this tort

They threw my pants and diary,
And sandals, as they laughed
For shoes could serve no purpose
On the ocean’s liquid draft

The flick’ring light before me
Like a glimmer in an eye
Stares but grows more distant
And retreats into black dye

An injury had placed me in
A lesser swimming league
Then again, it’d only serve
To cause me great fatigue

Three days, I had rode the tide
Of the western ocean’s waves
No shark, no squid, no slimy thing
For my flesh did crave

The crests came up like daggers
And fell like hulking trees
I prayed to God almighty
I survive the vicious seas

Finally, I set my stare
Upon the northwest sky
Far away, but clear as day:
An object in my eye


Canto VIII: Abyss

Although I swam me ‘cross the sea
As fast as my arm can
Dry throat and sun win victory
O’er me: a fainted man

Trapped in darkness once again
I spy my fair Calais
Screaming, shrill in bleakness then
With not a word to say

Over me her head hangs low
Her arm is slightly raised
Blood drips off her elbow
Her expression leaves me dazed

She’s gone; the air is hard to breathe
The wind is biting cold
A canopy of restless leaves
Is stirring uncontrolled

Lost inside this world of wood
I struggle to emerge
Feels like years have I withstood
While searching for the verge

No chirpings from my yellow bird
No noises all around
Not a sound is to be heard
But footsteps at the ground

No rodents gnawing at the bark
No insects in the trees
Alone I sleep in brush so dark
With nobody but me

In the drying mud I’m laid
Despondent of my fate
Looking through the verdant shade
The sun does penetrate

Streaming down, the light is rich
Bespeckled on the floor
Dancing ‘round without a hitch
Its presence I implore

I call upon the pouring light
To lift me from this hell
To nullify the chilly blight
Incite the warmth to swell


Canto IX: Land Forgets Itself

The burning light lends me its faith
Yet suddenly absconds
The dulling light projects a wraith:
My soul from the Beyond

The day retreats and turns to night
The moon in place of sun
Mute, and without touch or sight
I desperately run

Fleeing from my fading soul
Myself, I do berate
For no such being should extol
Escaping from my fate

Luscious leaves all turn to brown
They wither and fall fast
Suddenly, upon the ground
A dune of sand’s amassed

Crawling on the desert floor
And shaking from the cold
I hate and bitterly abhor
The night’s begrudging hold

In the distance, at the line
The land forgets itself
The beaming rays of light do shine
And warmth indeed does swell

Basking in the drenching sun
My coldness is expelled
Frigidity that night had won
Has fully been repelled

In the sands, I’ve laid to rest
To steal the heat of day
Yet no sooner had the sun caressed
Than sourly betray

Melted on the scorching sands
My body burned and scarred
I cannot lift my torrid hand
My feet have both been charred

The burning heat has ripped my lust
For life and will to live
My last resolve is brutely ******
Through Death’s unyielding sieve


Canto X: L’Oiseau Jaune

I coughed and spat the water that
I swallowed with my snores
Upon the sand my hand did land;
I’d made my way to shore

The beach was bright with fiery light
My skin was hot and red
I tried to get out of my head
Those visions that I dread

A novelist I once had been
Writing was my joy
With pen in hand, I could withstand
Each plot set to destroy

Yet Calais came and stole my heart
But also my free time
We wed and had a baby boy
Our life was too sublime

I raised my pen to write again
To feed the family right
I spent my days filling the page
And toiled all the night

When finally, she’d lost her mind
She needed to be loved
I tried to calm her shrill attacks
With no help from Above

My raging wife had grabbed a knife
And stabbed my writing hand
Yet somehow I had speared her eye
I couldn’t understand

At the elbow, I was chopped
And no more could I write
The widespread fact I’d killed my mate
Had augmented my plight

I beached onto an island;
This was no Chilean land
I walked around the grainy ground
And found nothing but sand

But soon a rescue ship had come
I was not too long gone
I read the name upon the port;
It was l’Oiseau Jaune
This was my senior thesis in high school, primarily inspired by "Rime of the Ancient Mariner" by Samuel Coleridge.
fisharedrowning Nov 2013
They say
"Time heals
all wounds."

"It glues
the pieces of you
that broke
when you were torn
from your lover's heart
and thrown onto
the ground."

I say
that's a lie.
For after 3 years,
5 months,
12 days,
22 hours,
42 minutes,
and 50 seconds;
you are still
haunting me.

The puzzle
never fits.
The heart
still aches.
The candles
stay unlit.
And at times
I break.

No,
time does not
heal all wounds.
But it gives you
the strength
of a 10-ply tissue,
the memory
of the finest sieve,
and the melancholy
of a young literati.

It gives you
threads of silver and red;
and it's up to you
to weave the mess
into a conceivable,
beautiful,
tragic scar.

— The End —