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“Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons.”
                                                    ­ George Orwell, 1984* (published in 1949)

Which brings us, of course, to the subject of torture since 1949.
Come with me to the Casbah, Babaloo.
We begin in the 1950s with the French in North Africa,
****** baguettes in Algeria,
Couilles frits, anyone?
Electrodes wired to Mustapha’s *****.
And "Bigeard's Shrimps,” as the bodies were called,
Dumped over the Mediterranean from aircraft,
All things considered a je ne sais quoi,
Though Camus and Sartre gave it a whack.

Then the 1960s: the CIA dabbling in mind-control and LSD.
Later, a Phoenix Program,
Very secretive, sympathies with the Cong required,
Various elders selected,
The village disinfected,
**, **, ** and a bowl of Pho.

Apartheid anyone?
Thirty years of South African terror & torture.
Torment in the townships,
Shaka Zulu gold and diamonds,
De Beers in Swaziland swing.

1971: riots at Attica,
Prisoners abused and tortured,
Rockefeller’s overcrowded slammer,
An upstate New York katzenjammer,
Nelson’s finger on the trigger,
39 dead and counting,
But who’s counting?

The CIA, back in the news in 1973,
Torture chambers under Chilean soccer stadiums,
And the Khmer Rouge:
Those Wacky Cambodians with skull racks.  
And let us not forget the British,
With centuries of colonial experience behind them,
Occupy six counties in Northern Ireland.
Finally codify the imperial process,
The Five Techniques:
Sounds like a Motown group,
Satin smooth colored boys,
But more method than music:
(1) Wall-standing,
(2) Hooding,
(3) Subjection to noise,
(4) Sleep deprivation,
(5) No food and drink.

And there’s a bunch of horrible ****,
We still don’t know about the Argentine ***** War,
And other Mai Lai-like,
****-fest massacres in Vietnam.

How about torture since 1984?
Abu Ghraib and Guantanamo,
Come quickly,
(www.prematureejaculatorsanonymous.com)
To mind,
As do US-sponsored rendition facilities,
Spread throughout the NATO alliance.
And closer to home, it’s never a dull moment in the 5 Boroughs:
Brooklyn, Queens, Staten Island, The Bronx and Manhattan.
Take your pick from Giuliani’s Greatest Hits,
Rudy Kazootie’s campaign of law and order,
Not necessarily in that order.
More awful than lawful,
A bathroom plunger rammed up,
The Haitian voodoo ****** of Abner Louima,
While he be handcuffed at a Brooklyn station house.
Or, the NYPD partying like it was 1999.
When in fact, it was1999,
And a curious death it was for Amadou Diallo,
Would-be American citizen from The Republic of Guinea,
(No connection to Italy or Italians),
Abner & Amadou: a pair of cautionary tales,
Either/or reflecting standard procedure for the Po-Po,
Time and time again from coast to coast.
Either/or: poor Abner, no Haitian Papa Doc.
Poor Amadou, on his way home from night school,
When police squeeze off 41 rounds,
Most of them in his direction,
Hitting him 19 times.
Just the facts, ma’am:
Diallo had reached into his jacket.
A trigger-happy police officer yells “Gun.”
A jungle warfare quartet springs into action:
Shenzi, Banzai, Ed & Zazu,
Four equally trigger-happy colleagues,
Empty their weapons.
No gun was found on Diallo,
Only the wallet he tried to pull out,
Containing his Green Card,
4 U.S. dollar bills;
And a laminated,
Credit card-sized copy of the U.S. Bill of Rights.
(I just didn’t know when to quit, did I?
The wallet was there with Green Card and the bucks,
But I made up the part about the Bill of Rights,
Trying to add poetry to tragedy, as usual.)

I don’t have to say much about Rodney King (RIP).
You watched it on TV a hundred times,
And a picture’s worth a thousand words.
Or ten thousand or a million, I suppose.
“Can’t we all just get along?” asked Rodney Glen King.

Last but not least there’s Kelly Thomas (RIP),
Another incidence of police insanity,
It was July of 2011 in Fullerton, California.
Thomas, a 37-year-old homeless man,
Schizophrenic, but unarmed,
Beaten to death at a bus depot,
During an altercation with six Fullerton police officers.
Read more: http://www.dailymail.co.uk/news/article-2019225/Kelly-Thomas-Poli­­ce-beat-taser-gentle-mentally-ill-homeless-man­-death.html#ixzz1e­3­4QnHtr

Mervyn Lazarus | Attorney | (www.mervlazarus.com) Police Brutality, Excessive Force and Jail Injury cases | California . . . Albuquerque

Jackie Chiles perfect attorney -YouTube, (www.youtube.com/watch?v=jpcEietIoxk) Nov 17, 2010 - 13 min - Uploaded by Kroeger22 All the scenes with Jackie Chiles from Seinfeld."Chiles is a parody of famed attorney Johnnie Cochran; both ... www.seinfeld.com

Perhaps the greatest torture of all,
Is that which artists subject us to.
Let us examine the case of Roberto Bolaño:
Roberto Bolaño, the great Chilean writer,
Tells a fabulous World War II story,
About a Spaniard--an Andalusian--
Fighting for the Germans against the Russians.
Captured by the Russians,
He is tortured for information.
The Spaniard speaks no Russian,
He knows only four words of German.
The Russian interrogators strap him into a chair,
Attach electrodes to his *****,
Attach pincers to his tongue.
The pain makes his eyes water.
He said--or rather shouts--the word coño.
It is Spanish for ****.
The pincers in his mouth,
Distort the expletive,
Which in his howling voice comes out as KUNST.
The Russian who knows German looks at him in puzzlement.
The Andalusian was yelling KUNST,
Yelling KUNST and crying in pain.
KUNST in German means art,
And that was what the bilingual Russian heard, KUNST.
“This ******* must be an artist or something.”
The torturers remove the pincers,
Along with a little piece of tongue,
And wait, momentarily hypnotized by the revelation:
The word ART had soothed the savage beasts.
So soothed, the savage beasts take a breather,
Waiting for some kind of signal.
Meanwhile, the Andalusian bleeds from the mouth,
Swallows his blood liberally mixed with saliva, and chokes.
The word coño,
Transformed into the word *KUNST,

Had saved his life.
It was dusk when he came out of the building.
Light stabbed at his eyes like midday sun.

So, it’s a fact that I love,
Truly love the simple blunt Anglo-Saxon expletive ****,
****: I pray that while I am being tortured some day,
I have the dignity to scream the word out loud.
And if I am screaming **** at the very end,
When my nervous system finally fails,
When I **** my pants,
When my pulmonic heart and lungs collapse,
Is that so bad?
Is that so wrong?

Do you realize that 1984 came--
Came and went, without any significant cultural hoopla?
The networks ignored it.
As did the cable pundits.
No significant comparative analysis between,
Orwell’s book 1984 and the year 1984,
Was broadcast electronically or publicized in print.
Steve Jobs got it, but as usual no one else did.
Mr. Jobs (RIP) did his best,
To mainstream its profound cultural relevance,
But ultimately failed,
Despite the $1.5 million he paid one of the networks,
To air a one minute nation-wide commercial,
During the 3rd Quarter,
Of Super Bowl XVIII,
January 22, 1984.
Despite Ridley Scott’s astonishing spell-binder,
His 60-second spot for The Macintosh 128K--
Still considered a watershed event,
And an advertising industry masterpiece,
…YouTube it and watch it.  (www.youtube.com/watch?v=Z8ji0B98IMo).
See the hammer throwing athlete chick,
See her fling the sledge,
That huge sledgehammer,
Smash into Big Brother’s flat screen face.
Despite Jobs’ global presence,
Despite Steverino’s unfettered microphone access,
Whenever he felt an oraculation coming on,
Despite everything,
He was unable to move the powers that be,
To either hype the book or the prophecy come true.

So, what’s my point? I have two.
First, in April 1984 the estate of George Orwell,
And the television rights holder to the novel 1984,
Considered the edgy Jobs/Scott commercial to be,
A flagrant copyright infringement,
Sending a cease-and-desist letter to Apple Inc.
And the advertising agency that produced the spot: Chiat/Day Inc.
The commercial was never televised as a commercial after that.  
Score: Lawyers 1, Artists 0.

My second point is that in November 2011,
The U.S. government argued before the U. S. Supreme Court,
That it wants to continue utilizing GPS tracking of individuals,
Without first seeking a warrant.
In response, Justice Stephen Breyer (one of the sane ones),
Questioned what this means for a democratic society.
Referencing Nineteen Eighty-Four, Justice Breyer asked:
"If you win this case, then there is nothing,
To prevent the police or the government from monitoring 24/7,
The public movement of every citizen of the United States.
So if you win, you suddenly produce what sounds like 1984 . . .”*

My third point,
(Yeah, I know I said two, but *******.)
My third point is that I’m just so ******* angry,
All the time, late and soon like Wordsworth,
(Was anyone more aptly named?)
I am angry about so many different things,
And every day that goes by I relate more and more,
To the thousands of Americans that occupied,
Zuccotti Park and Oakland,
And countless other venues,
Out into the streets.
Across the country.
Around the world.  
I am humbled by their courage and perseverance.
Yet, I am afraid for them.
I am made paranoid by the scope and power,
Of the government,
Of the ruling class that controls it,
And the technology they allow us to embrace,
Technology’s sinister potential,
Now that more and more knowledge and information,
Has been digitized,
Existing only in cyberspace.                                                      ­                                                 
What frightens most is the realization,
That anyone with a word processor,
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.
The scary part is—
Repeating myself for emphasis—
That anyone with a word processor
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.

Does anyone out there give a ****?
Does anyone out there share my nightmare?
Do it to Julia.
Do it to Julia.
Pushkar Mishra Jun 2015
Thousands of years I have lived
And now I feel like little bacteria
My heart is filled with pores
And people call it ostia

The night's are glazing with pleurobranchia
And thank God I didn't get ******* hemiplegia
Solitary I feel in my animal kingdom
I wish I could do something with my boredom.

How amazing are these euplectellian shrimps
Dieing together imprisoned
Symptoms of true love they show to me
Together up to death they are known to be.

Maybe I am the class imperfecta
But by birth I am a mammalia
I wish we could both be mycorrhiza
And get hallucinated with amanita.

Someday we would make a synapse
And get into the love with mitochondria
And there our nervous system stops
And there the impulse will walk .

No special organelles I have
I'm just 70s ribosome
My heart is incipient
With foldings of mesosome
Hope you like it :)
King and Queen of the Pelicans we;
No other Birds so grand we see!
None but we have feet like fins!
With lovely leathery throats and chins!
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!

We live on the Nile. The Nile we love.
By night we sleep on the cliffs above;
By day we fish, and at eve we stand
On long bare islands of yellow sand.
And when the sun sinks slowly down
And the great rock walls grow dark and brown,
Where the purple river rolls fast and dim
And the Ivory Ibis starlike skim,
Wing to wing we dance around,--
Stamping our feet with a flumpy sound,--
Opening our mouths as Pelicans ought,
And this is the song we nighly snort;--
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!

Last year came out our daughter, Dell;
And all the Birds received her well.
To do her honour, a feast we made
For every bird that can swim or wade.
Herons and Gulls, and Cormorants black,
Cranes, and flamingoes with scarlet back,
Plovers and Storks, and Geese in clouds,
Swans and Dilberry Ducks in crowds.
Thousands of Birds in wondrous flight!
They ate and drank and danced all night,
And echoing back from the rocks you heard
Multitude-echoes from Bird to bird,--
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!

Yes, they came; and among the rest,
The King of the Cranes all grandly dressed.
Such a lovely tail! Its feathers float
between the ends of his blue dress-coat;
With pea-green trowsers all so neat,
And a delicate frill to hide his feet,--
(For though no one speaks of it, every one knows,
He has got no webs between his toes!)

As soon as he saw our Daughter Dell,
In violent love that Crane King fell,--
On seeing her waddling form so fair,
With a wreath of shrimps in her short white hair.
And before the end of the next long day,
Our Dell had given her heart away;
For the King of the Cranes had won that heart,
With a Crocodile's egg and a large fish-****.
She vowed to marry the King of the Cranes,
Leaving the Nile for stranges plains;
And away they flew in a gathering crowd
Of endless birds in a lengthening cloud.
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!

And far away in the twilight sky,
We heard them singing a lessening cry,--
Farther and farther till out of sight,
And we stood alone in thesilent night!
Often since, in the nights of June,
We sit on the sand and watch the moon;--
She has gone to the great Gromboolian plain,
And we probably never shall meet again!
Oft, in the long still nights of June,
We sit on the rocks and watch the moon;--
----She dwells by the streams of the Chankly Bore,
And we probably never shall see her more.
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!
lexxiehelbig Dec 2014
It was a feeling of euphoric sensibility.

There was a gymnasium full of shrimps,
all squirming around,
trying to gain insight on their miserable minds.

As a sat their watching them squirm,
I accepted the feeling of wonderful greatness.
Just happy to be alive and among these other cool things in the gymnasium.

All the same beings,
but minutly similar personalities.

And as I blew my smoke,
and cleared the pass to me greatness,
I realized,
its these shrimps who make me who I am.
Raj Arumugam Feb 2011
Heee! Heee! Hooooooo…..
Well, Hello, lovebirds…making love are we?
One on top of the other
still with flesh and organs all intact
and making all sorts of crude noises
and getting into this messy business –
getting your bed sticky and wet with sweat;
ah, you beings of flesh and blood and ecstasies
unlike me
just bones and a mere ghost me now living
lonely and in airless worlds
sent there by you my wife under that man
and you the man who helped poison me -
now you are over my wife
and you raise your **** to the gods
Hheeee…heeee….heeee… Heee! Heee! Hooooooo…..
Well, Hello, lovebirds…making love are we?
I’ll be back every time the two of you fornicators
make love in my bed – shame on you, you murderer;
you took my wife, my home –and can’t even afford
to buy a new bed;
and you even use the condoms I left in the wardrobe...
Heee! Heee! Hooooooo…..
but I’ll be back every time the two of you close each other
like two palms raised in prayer ;
and I’ll pull the mosquito net down a bit and peer in
to see the two of you naked in bed
and I’ve got a bony tongue
long enough to lick the both of you!-
and to see me with my horrendous eyeballs
your phallus will shrink immediately;
and that woman, my former wife and eternal betrayer,
who mixed poison into my rice and shrimps
- every time she sees me, in her shock and fear
she’ll **** you out of bed, every time for sure...
Heee! Heee! Hooooo….
Well, Hello, lovebirds…making love are we?
Heee! Heee! Hooooooo…..
It's a bit too late - but be warned, this is a rather crude poem - so all of you who are pure and spiritual, stay away...Heee! Heee! Hooooooo…..poem based on Katsushika Hokusai's The Ghost Kohada Koheiji, Ukiyo-e color print
murari sinha Sep 2010
1.
any colour may be applied to the
night-dress

this city actually has no cart
driven by horses

before a pretty long time the shepherds
had also told adieu

by secret signalling the red-hat addiction
called the pigeons  sitting on the broken sticks
of the antenna to come nearer

on those dead-news the travel-story
keeps awake by whole night

and pours down on eye-lids
clouds
wrapped with cellophane

one day that wave sent
rolling-down-on-the-back hair
to the yellow balcony

those are all ancient drama

in the glow of the back-light you can see
civic humps have grown up on the back
of the birds every day and night

yet
under the dead-stop ceiling fan the dance
of the ****** reel wet with sweat does not fall short

the paper-buckles with the flowers painted on it
gets more and more tight on the air of the throat

velpuris of the evening
offer full enjoyment

2.
the night that comes all walking on the sands of the desert
how much concern does she has about the navigability of the river

when the husk of the water-chestnut is got open
flowing down the waves bursting into a blaze

to that flow is open the motor-car
the wan procession
and all the fishes that want to go upward the wave

so many varieties of floating

if the matter of clouds be let off
the multi-coloured fingers
also have so many infotainments  

if the question of  moveable property is  raised
it is only a suicide-note from my father

and a knot
in the robe of the blue trouser

3.
the trees and creepers of the night
and the plants and herbs of the day
do all of them have the same blood-group

there is much flora
inside the jail-custody also
and in this ruins of the old palace

how much is it justified
to express eagerness about the geography
of one’s character

specially of the trees
of the fishes
or of the humans

it is said
all rivers
flowing through the bodies of the great men
are totally ******

there is also the blank desert
on the silent snow-valley
in the corner of your
lips

4.
on this spine
having a mouth of crocodile
always jump down
the climate    

everyday
the sunglass changes

look at the soil and the sky
no one of them has any body-guard

the open mouth of the light
swallows the grey coin

here the wall becomes more tamed
the wild jasmine comes nearer to the heart
and hums

then ripping open my veins
should i also ***** the blue elocution
accumulated on the ****-pit

after recovery of the flower-mill from fever
the harmonium is being played on  

even introduction with the gas-balloon
has not been done yet

5.
arrangements are being made

the green shirt will gradually
turn reddish

the culverts that have become exhausted
within the travel-format
will get recharged again to sit up straight

and the hawker will get passed the silent-home
shouting with undressed coconuts in hands

from the lap of the stand-still rocking-cradles
of the children-park
the amaltas will say
i’m ready

then to escape the sun-shine
the boy who comes to attend the private tuition
will embrace… oh margosa … its your pierced-heart

you may tell him that the name of the girl
who is eating guava and swinging her legs
sitting on its branch is munni

6.
the horse is running
just above 3 feet of the yellow cornice

his back is full of dreams
or a girl named miss dorothy  

around it is the mid-night
around it is the wind that wants to be printed

and in every corner of its flying
are hundreds of skirts
  
all are of free-size

what may be their market-price
there is no shop-keeper there

in that valley
a shadow is proceeding on

do you know whose shadow it is
he is philip the teacher who gets irritated easily

this time there is no thin cane
in his hand

in the pieces of papers dumped in the waste-box
under his window there is a manuscript eaten up by the worms

there is ‘darling’ there
and ‘yours beloved greta’

in which skirt
a touch of that greta does remain  

is it being searched even today

is it greta or margaret or eliza  
there is no bar if it is dorothy

in whose smell there is no greta
who has no such horse flying just above three feet
of the yellow cornice  

each mid-night fills the fountain pen
with the flow of blue ink

7.
the leaf of jack-fruit is luxuriant
i can’t remember whether i ever notice
the portrait of your face on it  

there are so many words
that are slippery

how much rustic is the dust of the legs
of the young person is known to the road of the city

daubing green on both palms
i call for rain …oh rain ..oh rain

and into that rain i let my wrist-watch float

thus the great rainbow unfolds its wise mirror
on the scaffold of bottle-gourd  

from the bright cloth-end falling down
the odour of detergent

thus the applied mathematics of the diesel
is learnt to a greater extent

8.
behind the change of colour of the swelled wind
the samovar plays no role

though you know it you tear off tears
from your eyes

and the merry biscuits that are kept in the jar
raise a joint demand to serve them
after wrapping with new banana-leaves  

and the funny thing is that no accounts is found out
of the expenditure on the lip-stick that was used
by the fishes in the aquarium  at the time of illness
of the antenna

by the hands of the clock stretching their shanks apart
is it possible to know the actual age of a comb
either it’s costly or cheap  

9.
like the light
like the dark

yet it is full of the sound of steps
again it wakes up on the forest-road  

taking leave from the yellow construction
all the sound of the bamboo-flute
sinks today into the green minerals

it is not moonlight
on the road it is some north-east sadness

he who comes admits his body
with the divine sin

if you are sorry be water for three days now

through out the day and night
there is the paraffin of fire-flies

the blue cough is not from the sky

it may be some tusu-gaan fly off
from the chest of the straight-line
that has been wiped out

10.
i’ve deposited my metallic heart
to the archaeological-store of the wind

and i send rolling this bare eyes towards the fog
frequently

i make the crystal of her hair soft

i can see those crows
whose jaws are not closed

the colour is also
as if it were burst into cotton

can the anchal of danekhali sari swallow the kernel
and water of the blue tooth-brash after opening its husk

i say to the head with earnest request
oh my father keep cool
and look at the rain-pipe inside which
there is all the dances of the peacocks

11.
in the dim light
the predecessors of the dead stars
tell stories

this dhaba
is beside the long bus-root

yet it is still not satisfied
with the shrimps

the tail of the black drongo
hanging from the farakka bridge
is divided

towards the ganga
towards the padma

the gramophone of the mid-noon
continues to sound at the midnight

those who are doing pilgrimage
on the back of tigers

within the lighting zone of their torch
all the nearest of men who get lost
cover their faces

you know very well that the memory-gland of the wind
becomes how much river-minded when it walks through the fire
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
I

On the Coast of Coromandel
Where the early pumpkins blow,
In the middle of the woods
  Lived the Yonghy-Bonghy-Bo.
Two old chairs, and half a candle,--
One old jug without a handle,--
    These were all his worldly goods:
    In the middle of the woods,
    These were all the worldly goods,
  Of the Yonghy-Bonghy-Bo,
  Of the Yonghy-Bonghy-Bo.

II

Once, among the ****-trees walking
  Where the early pumpkins blow,
    To a little heap of stones
  Came the Yonghy-Bonghy-Bo.
There he heard a Lady talking,
To some milk-white Hens of Dorking,--
    ''Tis the lady Jingly Jones!
    'On that little heap of stones
    'Sits the Lady Jingly Jones!'
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

III

'Lady Jingly! Lady Jingly!
  'Sitting where the pumpkins blow,
    'Will you come and be my wife?'
  Said the Yonghy-Bonghy-Bo.
'I am tired of living singly,--
'On this coast so wild and shingly,--
    'I'm a-weary of my life:
    'If you'll come and be my wife,
    'Quite serene would be my life!'--
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

IV

'On this Coast of Coromandel,
  'Shrimps and watercresses grow,
    'Prawns are plentiful and cheap,'
  Said the Yonghy-Bonghy-Bo.
'You shall have my chairs and candle,
'And my jug without a handle!--
    'Gaze upon the rolling deep
    ('Fish is plentiful and cheap)
    'As the sea, my love is deep!'
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

V

Lady Jingly answered sadly,
  And her tears began to flow,--
    'Your proposal comes too late,
  'Mr. Yonghy-Bonghy-Bo!
'I would be your wife most gladly!'
(Here she twirled her fingers madly,)
    'But in England I've a mate!
    'Yes! you've asked me far too late,
    'For in England I've a mate,
  'Mr. Yonghy-Bonghy-Bo!
  'Mr. Yonghy-Bonghy-Bo!'

VI

'Mr. Jones--(his name is Handel,--
  'Handel Jones, Esquire, & Co.)
    'Dorking fowls delights to send,
  'Mr. Yonghy-Bonghy-Bo!
'Keep, oh! keep your chairs and candle,
'And your jug without a handle,--
    'I can merely be your friend!
    '--Should my Jones more Dorkings send,
    'I will give you three, my friend!
  'Mr. Yonghy-Bonghy-Bo!
  'Mr. Yonghy-Bonghy-Bo!'

VII

'Though you've such a tiny body,
  'And your head so large doth grow,--
    'Though your hat may blow away,
  'Mr. Yonghy-Bonghy-Bo!
'Though you're such a Hoddy Doddy--
'Yet a wish that I could modi-
    'fy the words I needs must say!
    'Will you please to go away?
    'That is all I have to say--
  'Mr. Yonghy-Bonghy-Bo!
  'Mr. Yonghy-Bonghy-Bo!'.

VIII

Down the slippery slopes of Myrtle,
  Where the early pumpkins blow,
    To the calm and silent sea
  Fled the Yonghy-Bonghy-Bo.
There, beyond the Bay of Gurtle,
Lay a large and lively Turtle,--
    'You're the Cove,' he said, 'for me
    'On your back beyond the sea,
    'Turtle, you shall carry me!'
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

IX

Through the silent-roaring ocean
  Did the Turtle swiftly go;
    Holding fast upon his shell
  Rode the Yonghy-Bonghy-Bo.
With a sad primaeval motion
Towards the sunset isles of Boshen
    Still the Turtle bore him well.
    Holding fast upon his shell,
    'Lady Jingly Jones, farewell!'
  Sang the Yonghy-Bonghy-Bo,
  Sang the Yonghy-Bonghy-Bo.

X

From the Coast of Coromandel,
  Did that Lady never go;
    On that heap of stones she mourns
  For the Yonghy-Bonghy-Bo.
On that Coast of Coromandel,
In his jug without a handle
    Still she weeps, and daily moans;
    On that little hep of stones
    To her Dorking Hens she moans,
  For the Yonghy-Bonghy-Bo,
  For the Yonghy-Bonghy-Bo.
Bustopher Jones is not skin and bones—
In fact, he’s remarkably fat.
He doesn’t haunt pubs—he has eight or nine clubs,
For he’s the St. James’s Street Cat!
He’s the Cat we all greet as he walks down the street
In his coat of fastidious black:
No commonplace mousers have such well-cut trousers
Or such an impreccable back.
In the whole of St. James’s the smartest of names is
The name of this Brummell of Cats;
And we’re all of us proud to be nodded or bowed to
By Bustopher Jones in white spats!

His visits are occasional to the Senior Educational
And it is against the rules
For any one Cat to belong both to that
And the Joint Superior Schools.

For a similar reason, when game is in season
He is found, not at Fox’s, but Blimpy’s;
He is frequently seen at the gay Stage and Screen
Which is famous for winkles and shrimps.
In the season of venison he gives his ben’son
To the Pothunter’s succulent bones;
And just before noon’s not a moment too soon
To drop in for a drink at the Drones.
When he’s seen in a hurry there’s probably curry
At the Siamese—or at the Glutton;
If he looks full of gloom then he’s lunched at the Tomb
On cabbage, rice pudding and mutton.

So, much in this way, passes Bustopher’s day-
At one club or another he’s found.
It can be no surprise that under our eyes
He has grown unmistakably round.
He’s a twenty-five pounder, or I am a bounder,
And he’s putting on weight every day:
But he’s so well preserved because he’s observed
All his life a routine, so he’ll say.
Or, to put it in rhyme: “I shall last out my time”
Is the word of this stoutest of Cats.
It must and it shall be Spring in Pall Mall
While Bustopher Jones wears white spats!
The Pobble who has no toes
Had once as many as we;
When they said "Some day you may lose them all;"
He replied "Fish, fiddle-de-dee!"
And his Aunt Jobiska made him drink
Lavender water tinged with pink,
For she said "The World in general knows
There's nothing so good for a Pobble's toes!"

The Pobble who has no toes
Swam across the Bristol Channel;
But before he set out he wrapped his nose
In a piece of scarlet flannel.
For his Aunt Jobiska said "No harm
Can come to his toes if his nose is warm;
And it's perfectly known that a Pobble's toes
Are safe, -- provided he minds his nose!"

The Pobble swam fast and well,
And when boats or ships came near him,
He tinkledy-blinkledy-winkled a bell,
So that all the world could hear him.
And all the Sailors and Admirals cried,
When they saw him nearing the further side -
"He has gone to fish for his Aunt Jobiska's
Runcible Cat with crimson whiskers!"

But before he touched the shore,
The shore of the Bristol Channel,
A sea-green porpoise carried away
His wrapper of scarlet flannel.
And when he came to observe his feet,
Formerly garnished with toes so neat,
His face at once became forlorn,
On perceiving that all his toes were gone!

And nobody ever knew,
From that dark day to the present,
Whoso had taken the Pobble's toes,
In a manner so far from pleasant.
Whether the shrimps, or crawfish grey,
Or crafty Mermaids stole them away -
Nobody knew: and nobody knows
How the Pobble was robbed of his twice five toes!

The Pobble who has no toes
Was placed in a friendly Bark,
And they rowed him back, and carried him up
To his Aunt Jobiska's Park.
And she made him a feast at his earnest wish
Of eggs and buttercups fried with fish, -
And she said "It's a fact the whole world knows,
That Pobbles are happier without their toes!"
Brujo Alligatore Mar 2013
Some playful shrimps clean the octolord's suction cups. One of their antennae buzzes a message up one of his orange tentacles and registers in the Octolord's mind: the silly sun is playing! Another shrimp: what's that sun up to now? The Octolord opened his mighty eyehole lids. The sun! What's...
NOTHING
sing, magic sea horse!
          about marine depths
         about vivid day dreams     
             
                                   the song of the waves echoes at the bottom
                    shallow waters             pearl shells            rainbow ears

                  someone should tell the colorful depths:

                                 about my sighs
                                located                    ­  on the edge of the horizon
                                   resting in the arms
                                    of a hundred salty flowers
                                           swaying and dancing as
                       golden midsummer breeze
              runs through scented branches    

marine shrimps are running
               toward tanned ankles
            silver bracelets
               toward brown feet
                             bronze *******

       young boys catching their first fish

sailing boats gliding
    sea gulls
Sharina Saad May 2013
She took a slice of a rice paper
Hold it delicately ... careful not to break it
Expertly placed it on a plate..
Mixed the fresh salad, some noodles and shrimps
Nervously rolled it one by one, though...
All eyes are on her.. All ears are on her
She and her famous Rice paper ...the subject of attention..
... the rolls she promoted..
A traditional cuisine, a local pride
She dipped the rolls in some kind of fish sauce
Shyly she offered the delicacies to us..
We .. the so called “International people” were amused
this tantalizing Vietnamese cuisine..
Specially made in Vietnam.. only in Vietnam..

Rice paper rolls.. repeat the demonstration
Wet it with water..
Choose your favourite fillings... roll it and roll it..
Its done.. Its ready.. its super unique...
Fish sauce.. fish oil and dip one... dip another
one by one.. so sensational taste..
Looking so plain never you doubt the taste
Superdelicious!!
Yummy the Vietnamese Rice paper..
Only in Vietnam..
During my visit to Vietnam for an academic paper presentation., I took sometime to explore the villages and learnt their special dish.
Anne Davies Oct 2014
Golden sand tickling your toes
Pebbles gleaming, glistening, slushing
When the tide comes  back  to shore.
Sand dunes hiding wildlife,
Multitudes of migratory birds,
Safely returning every year to
This beautiful, marshy paradise.
Skies so orange, pink and red,
An artists palette of natural art
Greet you at sunrise and sunset.
*****, kippers, cod and plaice
Shrimps, cockles and whelks,
Mushy, minty peas and chips,
The show at the end of the pier.
The lifeboats and their hardy crew
Risking their lives to save others,
When visitors run into trouble
At the mercy of the cold North Sea.
Crumbling coastlines, cliff walks
And nature reserves full of the
Scent of wild garlic and herbs,
Norfolk lavender. Steam engines,
Fishing boats, river boats,
Paddling boats and cycles
Take you on journeys
Around the Broads or
Past the famous Castles.
Tigers and leopards peer
Through the bars of their
Zoo homes by the sea.
Easterly winds that bite your
Fingers as they whistle and
Howl through the City.
Guest houses closed for
The winter as you stroll
The lonely promenades
Breathing in the air.
Queen Bodicea,  Normans,
Vikings and Romans all
Marched through this
Historical  landscape
And yet we remain
Stalwart and strong
Proud of our heritage,
Our roots,  our birthplace
There's only one place
Better than Norfolk,
And that's the
Beautiful Ozarks.
Torn between Norfolk in UK and the Ozarks in Missouri
I

Once Mr. Daddy Long-legs,
  Dressed in brown and gray,
Walked about upon the sands
  Upon a sumer's day;
And there among the pebbles,
  When the wind was rather cold,
He met with Mr. Floppy Fly,
  All dressed in blue and gold.
And as it was too soon to dine,
They drank some Periwinkle-wine,
And played an hour or two, or more,
At battlecock and shuttledore.

II

Said Mr. Daddy Long-legs
  To Mr. Floppy Fly,
'Why do you never come to court?
  I wish you'd tell me why.
All gold and shine, in dress so fine,
  You'd quite delight the court.
Why do you never go at all?
  I really think you ought!
And if you went, you'd see such sights!
Such rugs! Such jugs! and candle-lights!
And more than all, the King and Queen,
One in red, and one in green!'

III

'O Mr. Daddy Long-legs,'
  Said Mr. Floppy Fly,
'It's true I never go to court,
  And I will tell you why.
If I had six long legs like yours,
  At once I'd go to court!
But oh! I can't, because my legs
  Are so extremely short.
And I'm afraid the King and Queen
(One in red, and one in green)
Would say aloud, "You are not fit,
You Fly, to come to court a bit!"'

IV

'O Mr. Daddy Long-legs,'
  Said Mr. Floppy Fly,
'I wish you'd sing one little song!
  One mumbian melody!
You used to sing so awful well
  In former days gone by,
But now you never sing at all;
  I wish you'd tell me why:
For if you would, the silvery sound
Would please the shrimps and cockles round,
And all the ***** would gladly come
To hear you sing, "Ah, hum di Hum"!'

V

Said Mr. Daddy Long-legs,
  'I can never sing again!
And if you wish, I'll tell you why,
  Although it gives me pain.
For years I cannot hum a bit,
  Or sing the smallest song;
And this the dreadful reason is,
  My legs are grown too long!
My six long legs, all here and there,
Oppress my ***** with despair;
And if I stand, or lie, or sit,
I cannot sing one little bit!'

VI

So Mr. Daddy Long-legs
  And Mr. Floppy Fly
Sat down in silence by the sea,
  And gazed upon the sky.
They said, 'This is a dreadful thing!
The world has all gone wrong,
Since one has legs too short by half,
  The other much too long!
One never more can go to court,
Because his legs have grown too short;
The other cannot sing a song,
Because his legs have grown too long!'
How pleasant to know Mr. Lear,
Who has written such volumes of stuff.
Some think him ill-tempered and queer,
But a few find him pleasant enough.

His mind is concrete and fastidious,
His nose is remarkably big;
His visage is more or less hideous,
His beard it resembles a wig.

He has ears, and two eyes, and ten fingers,
(Leastways if you reckon two thumbs);
He used to be one of the singers,
But now he is one of the dumbs.

He sits in a beautiful parlour,
With hundreds of books on the wall;
He drinks a great deal of marsala,
But never gets tipsy at all.

He has many friends, laymen and clerical,
Old Foss is the name of his cat;
His body is perfectly spherical,
He weareth a runcible hat.

When he walks in waterproof white,
The children run after him so!
Calling out, "He's gone out in his night-
Gown, that crazy old Englishman, oh!"

He weeps by the side of the ocean,
He weeps on the top of the hill;
He purchases pancakes and lotion,
And chocolate shrimps from the mill.

He reads, but he does not speak, Spanish,
He cannot abide ginger beer;
Ere the days of his pilgrimage vanish,
How pleasant to know Mr. Lear!
She sits from where
the rainbow arches into the river.

As I eye her fishing net
she reads the question in my mind.

I'm waiting for three thirty
when tides begin to fall
but the shrimps can't go back.


When the bank begins to bare
she glides into the waves
till the water cools her *******.

I walk away knowing
she would bob up to the hour
the moon is upon her face
and she has made another morrow
from the river.
K Balachandran Jul 2013
If he lacked polish and was avaricious without any limit,
he could have taken her  by force and justified that she provoked,
knowing from each move she made,
she was teasing him, and taking it to the extreme,
he may have gone over to the top, any moment.

They stayed in two rooms adjacent
in that backwater resort, a breath taking delight,
in the mornings she paraded
in front of his room, skimpily dressed,
as he came out, her beauty seemed to overflow
from bra top and she encouraged him in many ways
by suggesting many possibilities of pleasure.

A waiter comes and knocks at  his door
he gets a complimentary drink, his favorite
courtesy to her(obviously she has made meticulous research)
along with shrimps and clams cooked in olive oil.
When he came out for an evening stroll,
at the far end of the compound, in the shallow part of the lake,
she was taking bath, with an exhibitionist flourish
when he smiled at her visibly timid, she amorously pursed her lips,
she was in an adventurous mood, like nature at the time of bloom.

"Seen your paintings, loved those sensual nudes
reminds me more of myself, in front of a mirror,
obviously they are all seekers of pleasure, I am sure.
I am a singer, they say my voice seduces, all
you to me do the same when I see you as the painter,
in flesh and blood" she paused for a  breath.

"If I lacked polish, my paintings wouldn't have the magic,
you speak about; it's not deliberately created, that's impossible.
It's pure poetry, that oozes by itself, a blessing I earned.
There is no wanton desire here. Magic of the sensual
is charged in the atmosphere.I feel it all the time,
be it morning, evening or night,
the possibilities of pleasure is limitless.
Express the best way one deems fit, be liberated."
Marshall Gass Oct 2014
sushi?
no
combination fried rice?
no
nasi goreng?
no
casserole?
no
shepherds pie?
no
are we getting closer?
maybe
tacos? that must be it?
no
yep. i think i know
shrimps, hot dogs and buffalo wings?
nope. too far away
curry?
closer!
jalapenos, habaneros, chilli?
yep. as hot
but tastes and temperaments
from all mixed.

food channel addict, chef?
nope.

© Marshall Gass. All rights reserved, 2 months ago

- See more at: http://allpoetry.com/poem/11608284-all-mixed-up-by-Marshall-Gass-noguest#sthash.Syfk2KZn.dp­uf
little tommy turtle booked a holiday
to the barrier reef so very far away
he packed up his snorkel and his little mask
and he took his suitcase and a little flask
tommy started diving and jumped in to the reef
putting on his snorkel and swimming underneath
he saw lots of fish swimming round his face
floating there so happy as if they were in space
then he saw some ***** as big as big can be
with lots of lovely colors swimming in the sea
then he saw a swordfish with a great big nose
and lots of little shrimps swimming round his toes
tommy he just his little holiday
swimming in the reef and all around the bay.
Where the river abandons herself to the creek
and the mudbank is cratered with crabclaws
waits the old man.

He doesn't know his years
but his ears are a sonic gift
catching the tonal variations of tides
seemingly for eons
evolving with the mangrove map
into a flawless tracker
of how far the moon would recline
for ***** to be holed out
and what shoreline the water would touch
before the shrimps starlight driven
make a beeline for the net.

I encountered him once
in the absurdity of a time
when I was high
and he lowly crouching
was making art by the creek.

Who was the poet
I could never tell.
little tommy turtle booked a holiday
to the barrier reef so very far away
he packed up his snorkel and his little mask
and he took his suitcase and a little flask
tommy started diving and jumped in to the reef
putting on his snorkel and swimming underneath
he saw lots of fish swimming round his face
floating there so happy as if they were in space
then he saw some ***** as big as big can be
with lots of lovely colors swimming in the sea
then he saw a swordfish with a great big nose
and lots of little shrimps swimming round his toes
tommy he just loved his little holiday
swimming in the reef and all around the bay.
K Balachandran Jan 2013
Walking over ice,
above thick frozen sea surface,
how could one imagine,
a sunken ship is below there,
that once carried lives and hopes,
wrecked and buried-
now part of a  myth
our frozen past unseen.

One understands things,
the way one pleases,
and makes oneself believe
it is the truth.
In certain moments,
silence alone speaks,
making you aware of
other realities.
You see wonders and realize,
you need to change,inside out
to be in tune with realities;
often times fantasies in masquerades.

The water world below
has its own realities,
I see the water bed, clear,
eerie and desolate.
smooth rounded pebbles,
bearing mysterious meanings,
imbibed in their lives in rolling,
from mountain to plains,
on their way to sea.
Marked stones peered at my face,
with petrified dense smiles.
I felt a stranger, a fictitious being.

"Come on" they said,
"time is cruel,
we are trapped here under,
beds of rivers and lakes,
unable to unburden our
ancient memories
of primordial world,
heaped on us through ages."

I felt the presence of an invisible sea,
mermaids of the past,
with mysterious stories,
girls drowned and took
refuge there never to go back.
Water world is the other side of
darkness, permeated by
a yellow light in which
strange life forms masquerading as
eels, shrimps and cuttle fish,
tell you strange tales
you never want to believe.

I came up quick,
surfacing in another world
and found,
the girl i love to be with,
stands perplexed.
"Did you by any chance
find a world down there
and decided to stay back,
I was wondering" she teased.
"And perhaps there would be a girl,
who would  have enticed you,
with her cold charm
and voluptuous curves"
*"Truth" I told her," is stranger indeed,
There is a world, but it shouldn't
keep you enthralled,
we should forget it for now"
though told her this,  I didn't
name  that maiden wearing dark
whose eyes are all expectation
crashing
lashing
smashing
the waves came to shore
beating the craggy rock ledges
with their salty paws

crashing
lashing
smashing
the waves came to shore
scuttling the shrimps and *****
into the rock pool floors

crashing
lashing
smashing
the waves came to shore
stirring the sandpipers to flight
as they've done so many times before

crashing
lashing
smashing
the waves came to shore

— The End —