first step

when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide

In a playful vision sent
Your ****** homologue
Of amber shins and pale phalanges
Weaves four-leaved clovers.

In response,
***** spurs
And protean winged descent
To float into your kaleidoscopic star:
Gliding,
Freely falling,
To rest in lace extremities.

There in our bed of sensual feet,
Sunflowers breath,
Whose burnished rotating petals
Gather me in wisps,
Each spiral frond,
Gyring
Before death's voids
Is drawn in purls.

And in pleasures held,
Cossetted in latticed limbs,
A ***** lustrous rich embrace;
Denuded and alive!
And with abandon kissed:

    Bony toes
    Tendons
    Deep arches
    Shins
    Ankles,
    Sweetmeats,
    Light and delicate.

As here between pretty shins
And fleshy silken feet
Our ascent begins
Rising,
From low regions,
To scale new night,
And crown our heights.

This lovers' leap into prismatic
reproduction
In the empty Cosmic wastes
     In a web is caught!
Where feet and toes inspire
Continuity for pointed stars.

As material possibilities collide
The lust for life
Is born in non-existence:
So in our nest of feet,
Mating in the game
With heads thrown back,
Of lust drink deeply we.

Emaciated bones
Shivering in shrunken clothes.

Wrinkled faces,tired eyes
Watching the sun is their only prize.

Tears burn their cut up skin
Work injures up their shins.

They cannot speak for they weep for their farmlands
They are so used to work,even with their old hands.

They are dying,dying like flies
Because they are poor and these are their lives

outlines of red for a head
purple lines for a spine
icy pink run the length of arms
blue and green swirls for hips
silvery golden shins rise above brown feet
colored for heat and earth

the mind is deepest
here all things melt and meld
to slide down the spine
and cool to hardened action in the arm
the hips support and are friendly relief
the shins reflect the stars
and feet ground you to nature
the essence of where you are

Here.
Attempting to write something
To match your eyes.

Something that will make you see things
The way I see things.

Noticing.
Every mark.
Torn by  fences climbed
To get away from those who didn't take your hand
And fly.
They left intricate laddered rips in your jeans,
Though you try to hide the fact that you know,
That I know that is the case.

We play childish games of denial
Because all romance is to be transported to a time when we were innocent.

Back to a place where ‘I love you’ is what your parents said
When all the screaming, laughter
And the innocence of loud noises stop
And is replaced by silence.

‘I love you’ made that warm feeling
Growing and radiating out
Eventually finding the tips of your fingers and ends of your toes
And bursting out,
Moving through to the next person you touch.


Contrary to popular practice,
‘I love you’ is not just three words to be said
When you are trying to break the awkward silences
Left between two people who have simply gotten used to each other.


I love red licorice.
It gives me a warm feeling of sugary goodness.
Though artificial,
In the times when the weight of the world is the weight of your sheets
That lay a top of your body
Which you tell yourself over and over and over
It is not good enough for that person
Who gives you the inner warmth
That a campfire gives your shins;
I find that artificial red licorice warmth is good enough.
And sometimes good enough is the best we can get.

Here.
In the hope that the words that must be said
Stream from ink to page.
I hope my hand moves so fast over the page
That smoke starts flowing and my words mean something...



But no words come.
No letters.
No ink scratches the page.





*I just want you to see the way I do.

Staring back at me in the mirror
Dry weary eyes and high cheek bones that pair with a long and narrow head that headbands always despise

Skin and bones
Blood and nerves
Blue eyes and glasses
Brown and curly hair

Scars tell the stories of her past
A rock when she was four
Her grandmother's iron when she was six
The rickety banister
The church pews
The sticky track she was fifteen
Anything can leave a scar
Just some scars are more noticeable than others

But it's not just the scars-it's the calluses and bruises
The birth marks and the wrinkles
Her nails that will never stop peeling
Her calluses from bearing the hopes and dreams upon her shoulders
Her ****** noses from a softball or the cold thin air

When she walks you can see her muscles tensing
You can see the bruises on her shins-they're glaring reminders of her past
Her poise is not perfect but neither is her teeth, hair, face, skin
Its her imperfections that make her perfect

Her way of making people smile when they're down
She always finds something to complain about even though she tries so hard not to
Interruption is part of her daily struggle-inside her brain and out
Her work ethic could be a little better but she scrapes by
Her brothers can tell you she despises being late and she can be a bit bossy
The worry lines on her forehead tell you that she's tossing a question around and around her head trying to look at it in all angles before making up her mind

She also cries and wants someone to tell her she is beautiful over and over again
But when she needs to hear it most, her love might forget to tell her

She is always cautious of this-she doesn't want to give herself to someone who will break all of her hopes and dreams inside her heart in one foul swoop
but she tends to daydream about her wedding

What will her dress look like
Who will her bridesmaids be
Who will  her husband be
Who will she dance with
She knows she can't dance and she wonders what her father daughter dance will be like
Will it be like when she was little dancing on his toes?

College is always on her mind and when it isn't, her parents are always reminding her
Ask your sister about the SAT
Memorize your vocab
Don't forget about the AP U.S. history exam
You have to start now
Make sure you read the history textbook
Work harder
You will have to study new material since your teachers aren't adequate
Your math grade needs to go up
Why aren't you studying?
Why didn't you start this over the weekend?
You need to work if you want to get into a good college

When I look at this girl in the mirror and I slowly realize that she is me
I raise my grubby hand to touch my smooth face to double check

Her throat is tight
She can't speak
She can't breathe

I want to tell her that it will be alright
Your friends will stick with you
You will get into your dream college and you will find a husband and live happily ever after

But I can't see the future

I stare at this girl who loves her friends
Who loves to run so fast she forgets to breathe
Who tries so hard to pay attention in class when all she wants to do is scribble poems in the margins of her notes
Who bites her lip when she does something wrong or gets nervous
Who blushes at all the memories when she's gone against the grian

And I want to tell her that she will turn out alright

But I can't

Sunshine,
Birdsong
And children drunk on
Lemonade
And laughter.

That Welsh picnic
Has lasted forty years
And will last forty more
In daydream

And nightmare.

The stream babbled
Over pebbles,
Fern fronds
Brushed our sun-browned shins

Till the dead sheep
Slugged us in the guts.

Bloated and bulbous,
The body dammed the stream,
Its lifeless eyes
Crawling with life.

Those pearly marbles were
A child’s looking glass into death.

The rocks we hurled at it
In reckless revulsion
Were the screams
Of violated youth,

And those empty dead sheep thuds
The dawning of our mortality.

i wrote a poem. it wasnt about the leaves falling or growing back. it was about a boy that was too sad to
even look at himself in the mirror. sometimes he believed that if he looked in the mirror for too long he wasnt who he was supposed to be, sometimes if he looked in the mirror too long he became a monster and thats particularly the reason why he avoided the mirror at night because thats when monsters become real and he was tired of thinking of himself as a monster.
i wrote a poem but it wasnt about summertime or the way the sand feels between your toes or the cold rush of ocean water on a hot day. it was about the salty tears that he would cry because demons were haunting his room at night. and not the demons like ghosts but the demons from within. the kind of demons that you cant run away from.
i wrote a poem it wasnt about a bride blushing when the groom snuck a kiss when the priest wasn't looking it was about the funeral we gave you. it was about the hundreds of people who stood in line just to see your face one last time before youre put in the ground. it was about me staring at your chest from afar hoping that it would move that maybe this was one of your famous jokes and maybe your lungs would start working again along with your heart and your organs and your brain and maybe your eyes would open. perhaps itll scare someone whos standing right next to you but who cares bc youre alive. but you didnt. and now now youre in the ground.
i wrote a poem and it wasnt about me it was about finding the demons. i found the demons inside of you when you were put into the ground. i found the demons because as they lowered your casket into the 6 foot hole they dug for you i saw one slip out before they closed it. the demon was dancing on your casket and as they lowered you to the ground, i jumped. i didnt jump up i didnt jump back. i jumped in and i started hitting that demon as hard as i could because now that youre gone the demon had no place else to go. the demon knew he had won but even the best fall down sometimes and i made sure he fell as hard and as far as he could.
i wrote a poem but i couldnt save you from yourself. if i could have shrunken down and fought that demon before you left me i would have. but i couldnt. i had all these words left to say to you but they started in my chest and never made it to my throat and now im sitting here with all the words that couldnt have saved you anyway because the demons were trapped inside of you. the only way for you to be happy again is to cut yourself open & rip them out yourself, so you did. the demons were trapped & stuck inside you, and i know because i have demons stuck inside of me too. but sometimes i get so mad because if im still here then why arent you? if im still here fighting myself trying not to rip out my own demons, then why couldnt you have done the same? i needed you.
i wrote a poem. and it was about my demons being stuck inside of me and theyre crawling and theyre running around and sometimes they run to a dead end and they hit my fingertips and they bounce  back and run straight into my heart. they run through my veins, through my arteries. sometimes they break my ribs in the process but they heal so quickly that the doctors dont believe me and call me crazy but i promise them that theres a demon inside of me and hes breaking my ribs and hes breaking my soul and hes breaking my heart but i can still feel the demons running inside me. and i dont know how or why or when but i just want them to go away i dont know how im going to do that but i said some day i would. and i think thats the reason i cut myself open, to try and find a way to show the demons a way out but they run through my blood stream and i can feel them in my fingertips and i can feel them
in my forearms and i can feel them in my elbows and i can feel them in my shoulders and in my neck and i can feel them going down my throat. and i can feel it in my chest and i can feel it in my liver and i can feel it in my stomach and i can feel it in my pelvis. and i can feel it in my knees and i can feel it in my shins and i can feel it in my ankles and i can feel it all the way down to my toes and suddenly its like an electric current and it flows all the way back up to my head and shock the hair in its roots. it feels like i cant say anything fast enough or correctly.
i wrote a poem & it was about sometimes i believe that why i write & not speak is because i cant say the right words and maybe if i state at a blank piece of paper long enough the right words will come out but i know, i know they wont bc the demons are still stuck inside of me and i think thats why you wrote so beautifully that night and didnt ask for help. the demons knew that they were finally coming out and sometimes when the demons come out its the best time to say things.
i wrote a poem and it was about wanting peace. i just dont have peace but rather i have pieces of myself.
i will never have peace until my demons are gone. but im trying to find a way to get the demons to leave me alone without dying im not sure if i know the right way but im sure as hell trying. but the drugs dont work and the alcohol doesnt work and the cigarettes dont work and the blood doesnt work and the pills dont work. but i have to find a way to stop them before they eat me up inside and they tear me apart. in order to stop them ill have to tear myself apart and thats why i break things and thats why
i throw things because i have to find something to destroy other than myself and sometimes i pull my hair because i cant understand whats happening to me.
i wrote a poem and i started to see red for a bit but i stopped seeing red because the curtains are red and the walls are yellow. the candle on top of the cabinent is red brown and yellow and the book on the couch is  yellow and red the couch is yellow red tan green blue. the table is brown and the floor is brown but the carpet and the drapes are red.
i wrote a poem. maybe i should stop talking about them before they come back its like a taboo its like the  field of dreams and the saying"if you build it they will come" and i promise you that if i built a bridge from my heart to my brain the demons would make their way back & i would be consumed by them and im not sure if i can deal with that so ill cut the bridge in half before they start walking towards my brain.
i wrote a poem. and it was about me snapping that bridge in half and watching the demons fall down my throat and into the acid in my stomach, but that doesnt make any difference because once one does another one is born. so as long as the demons keep walking they will die with my secrets but the new ones will find  a new way to torture me, and maybe thats worse because if they need new ways to torture me then every thing will torture me. perhaps thats what happened to you.
i wrote a poem but im not sure what its about anymore. but i do know that its not good and im tired of speaking.

i share my name with a hurricane
how fitting

a set of bruised shins in running tights
who can't get much of anything right
and still hasn't remembered where she set her drink

that's me

i sometimes think they should've named me tiffany
or brittany
or stephany
something pretty and normal

maybe then i would have been a ballerina
instead of just a mess
in a second-hand dress

sometimes i swear
the wind calms when i laugh
and the thunder cracks
when i finally let go
and let myself fade
back into the sky that shaped me

i make it rain


some things never change
not names
or headstones
or birthdays

and some things always do


the sky shifts slightly
setting a yellow kite to sail
and a pair of hawks to soar

maybe they named the storm after me
so that i could see
how beautiful turbulence can be

maybe i just wasn't looking right

besides
a rose by any other name
wouldn't seem as special

a home, above all else,
is familiar.
it does not have to be comfortable,
nor does it have to be full.
a home is probably a favorite place to be,
or maybe it houses some of the cruelest memories.

I like homes where I can drive quick and still avoid each upcoming pothole--
ones where old neighbors and new couples hunker down for their respectful chapters of life.
I like homes where I can walk around each obstacle in the kitchen with my eyes shut tight and only bang my shins a little bit.

a home is a sense, an intuition.
it is a place where you can dance while no one is watching.
you can fling your tears and regret at the walls and let them absorb your true feelings,
hushing you with their pillows and soft sounds and views.

a home is a home anywhere you choose it to be,
but above all else,
a home is familiar,
and that is a home to me.

In the dour ages
Of drafty cells and draftier castles,
Of dragons breathing without the frame of fables,
Saint and king unfisted obstruction's knuckles
By no miracle or majestic means,

But by such abuses
As smack of spite and the overscrupulous
Twisting of thumbscrews: one soul tied in sinews,
One white horse drowned, and all the unconquered pinnacles
Of God's city and Babylon's

Must wait, while here Suso's
Hand hones his tack and needles,
Scouraging to sores his own red sluices
For the relish of heaven, relentless, dousing with prickles
Of horsehair and lice his ***** *****;
While there irate Cyrus
Squanders a summer and the brawn of his heroes
To rebuke the horse-swallowing River Gyndes:
He split it into three hundred and sixty trickles
A girl could wade without wetting her shins.

Still, latter-day sages,
Smiling at this behavior, subjugating their enemies
Neatly, nicely, by disbelief or bridges,
Never grip, as the grandsires did, that devil who chuckles
From grain of the marrow and the river-bed grains.

Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan

Sunlight

There was a sunlit absence.
The helmeted pump in the yard
heated its iron,
water honeyed

in the slung bucket
and the sun stood
like a griddle cooling
against the wall

of each long afternoon.
So, her hands scuffled
over the bakeboard,
the reddening stove

sent its plaque of heat
against her where she stood
in a floury apron
by the window.

Now she dusts the board
with a goose's wing,
now sits, broad-lapped,
with whitened nails

and measling shins:
here is a space
again, the scone rising
to the tick of two clocks.

And here is love
like a tinsmith's scoop
sunk past its gleam
in the meal-bin.

2. The Seed Cutters

They seem hundreds of years away. Brueghel,
You'll know them if I can get them true.
They kneel under the hedge in a half-circle
Behind a windbreak wind is breaking through.
They are the seed cutters. The tuck and frill
Of leaf-sprout is on the seed potates
Buried under that straw. With time to ****,
They are taking their time. Each sharp knife goes
Lazily halving each root that falls apart
In the palm of the hand: a milky gleam,
And, at the centre, a dark watermark.
Oh, calendar customs! Under the broom
Yellowing over them, compose the frieze
With all of us there, our anonymities.

A note of seeming truth and trust
                      Hid crafty observation;
                And secret hung, with poison’d crust,
                      The dirk of defamation:
                A mask that like the gorget show’d
                      Dye-varying, on the pigeon;
                And for a mantle large and broad,
              He wrapt him in Religion.
                   (Hypocrisy-à-la-Mode)


Upon a simmer Sunday morn,
     When Nature’s face is fair,
I walked forth to view the corn
     An’ ***** the caller air.
The risin’ sun owre Galston muirs
     Wi’ glorious light was glintin,
The hares were hirplin down the furrs,
     The lav’rocks they were chantin
          Fu’ sweet that day.

As lightsomely I glowr’d abroad
     To see a scene sae gay,
Three hizzies, early at the road,
     Cam skelpin up the way.
Twa had manteeles o’ dolefu’ black,
     But ane wi’ lyart linin;
The third, that gaed a wee a-back,
     Was in the fashion shining
          Fu’ gay that day.

The twa appear’d like sisters twin
     In feature, form, an’ claes;
Their visage wither’d, lang an’ thin,
     An’ sour as ony slaes.
The third cam up, hap-step-an’-lowp,
     As light as ony lambie,
An’ wi’ a curchie low did stoop,
     As soon as e’er she saw me,
          Fu’ kind that day.

Wi’ bonnet aff, quoth I, “Sweet lass,
     I think ye seem to ken me;
I’m sure I’ve seen that bonie face,
     But yet I canna name ye.”
Quo’ she, an’ laughin as she spak,
     An’ taks me by the han’s,
“Ye, for my sake, hae gien the ****
     Of a’ the ten comman’s
          A screed some day.

“My name is Fun—your cronie dear,
     The nearest friend ye hae;
An’ this is Superstition here,
     An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair,
     To spend an hour in daffin:
Gin ye’ll go there, you runkl’d pair,
     We will get famous laughin
          At them this day.”

Quoth I, “With a’ my heart, I’ll do’t:
     I’ll get my Sunday’s sark on,
An’ meet you on the holy spot;
     Faith, we’se hae fine remarkin!”
Then I gaed hame at crowdie-time
     An’ soon I made me ready;
For roads were clad frae side to side
     Wi’ monie a wearie body
          In droves that day.

Here, farmers ****, in ridin graith,
     Gaed hoddin by their cotters,
There swankies young, in braw braidclaith
     Are springin owre the gutters.
The lasses, skelpin barefit, thrang,
     In silks an’ scarlets glitter,
Wi’ sweet-milk cheese in mony a whang,
     An’ farls, bak’d wi’ butter,
          Fu’ crump that day.

When by the plate we set our nose,
     Weel heaped up wi’ ha’pence,
A greedy glowr Black Bonnet throws,
     An’ we maun draw our tippence.
Then in we go to see the show:
     On ev’ry side they’re gath’rin,
Some carryin dails, some chairs an’ stools,
     An’ some are busy bleth’rin
          Right loud that day.
…

Here some are thinkin on their sins,
     An’ some upo’ their claes;
Ane curses feet that fyl’d his shins,
     Anither sighs an’ prays:
On this hand sits a chosen swatch,
     Wi’ *****’d-up grace-proud faces;
On that a set o’ chaps at watch,
     Thrang winkin on the lasses
          To chairs that day.

O happy is that man and blest!
     Nae wonder that it pride him!
Whase ain dear lass that he likes best,
     Comes clinkin down beside him!
Wi’ arm repos’d on the chair back,
     He sweetly does compose him;
Which by degrees slips round her neck,
     An’s loof upon her *****,
          Unken’d that day.

Now a’ the congregation o’er
     Is silent expectation;
For Moodie speels the holy door,
     Wi’ tidings o’ salvation.
Should Hornie, as in ancient days,
     ‘Mang sons o’ God present him,
The vera sight o’ Moodie’s face
     To’s ain het hame had sent him
          Wi’ fright that day.

Hear how he clears the points o’ faith
     Wi’ rattlin an’ wi’ thumpin!
Now meekly calm, now wild in wrath
     He’s stampin, an’ he’s jumpin!
His lengthen’d chin, his turn’d-up snout,
     His eldritch squeal and gestures,
Oh, how they fire the heart devout
     Like cantharidian plaisters,
          On sic a day!

But hark! the tent has chang’d its voice:
     There’s peace and rest nae langer;
For a’ the real judges rise,
     They canna sit for anger.
Smith opens out his cauld harangues,
     On practice and on morals;
An’ aff the godly pour in thrangs,
     To gie the jars an’ barrels
          A lift that day.

What signifies his barren shine
     Of moral pow’rs and reason?
His English style an’ gesture fine
     Are a’ clean out o’ season.
Like Socrates or Antonine
     Or some auld pagan heathen,
The moral man he does define,
     But ne’er a word o’ faith in
          That’s right that day.

In guid time comes an antidote
     Against sic poison’d nostrum;
For Peebles, frae the water-fit,
     Ascends the holy rostrum:
See, up he’s got the word o’ God
     An’ meek an’ mim has view’d it,
While Common Sense has ta’en the road,
     An’s aff, an’ up the Cowgate
          Fast, fast that day.

Wee Miller niest the Guard relieves,
     An’ Orthodoxy raibles,
Tho’ in his heart he weel believes
     An’ thinks it auld wives’ fables:
But faith! the birkie wants a Manse,
     So cannilie he hums them;
Altho’ his carnal wit an’ sense
     Like hafflins-wise o’ercomes him
          At times that day.

Now **** an’ ben the change-house fills
     Wi’ yill-caup commentators:
Here’s cryin out for bakes an gills,
     An’ there the pint-stowp clatters;
While thick an’ thrang, an’ loud an’ lang,
     Wi’ logic an’ wi’ Scripture,
They raise a din, that in the end
     Is like to breed a rupture
          O’ wrath that day.

Leeze me on drink! it gies us mair
     Than either school or college
It kindles wit, it waukens lear,
     It pangs us fou o’ knowledge.
Be’t whisky-gill or penny-wheep,
     Or ony stronger potion,
It never fails, on drinkin deep,
     To kittle up our notion
          By night or day.

The lads an’ lasses, blythely bent
     To mind baith saul an’ body,
Sit round the table weel content,
     An’ steer about the toddy,
On this ane’s dress an’ that ane’s leuk
     They’re makin observations;
While some are cozie i’ the neuk,
     An’ forming assignations
          To meet some day.

But now the Lord’s ain trumpet touts,
     Till a’ the hills rae rairin,
An’ echoes back return the shouts—
     Black Russell is na sparin.
His piercing words, like highlan’ swords,
     Divide the joints an’ marrow;
His talk o’ hell, whare devils dwell,
     Our vera “sauls does harrow”
          Wi’ fright that day.

A vast, unbottom’d, boundless pit,
     Fill’d fou o’ lowin brunstane,
Whase ragin flame, an’ scorching heat
     *** melt the hardest whun-stane!
The half-asleep start up wi’ fear
     An’ think they hear it roarin,
When presently it does appear
     ’Twas but some neibor snorin,
          Asleep that day.

‘Twad be owre lang a tale to tell,
     How mony stories past,
An’ how they crouded to the yill,
     When they were a’ dismist:
How drink gaed round in cogs an’ caups
     Amang the furms an’ benches:
An’ cheese and bred frae women’s laps
     Was dealt about in lunches
          An’ dauds that day.

In comes a gausie, **** guidwife
     An’ sits down by the fire,
Syne draws her kebbuck an’ her knife;
     The lasses they are shyer:
The auld guidmen, about the grace
     Frae side to side they bother,
Till some ane by his bonnet lays,
     And gi’es them’t like a tether
          Fu’ lang that day.

Waesucks! for him that gets nae lass,
     Or lasses that hae naething!
Sma’ need has he to say a grace,
     Or melvie his braw clathing!
O wives, be mindfu’ ance yoursel
     How bonie lads ye wanted,
An’ dinna for a kebbuck-heel
     Let lasses be affronted
          On sic a day!

Now Clinkumbell, wi’ rattlin tow,
     Begins to jow an’ croon;
Some swagger hame the best they dow,
     Some wait the afternoon.
At slaps the billies halt a blink,
     Till lasses strip their shoon:
Wi’ faith an’ hope, an’ love an’ drink,
     They’re a’ in famous tune
          For crack that day.

How monie hearts this day converts
     O’ sinners and o’ lasses
Their hearts o’ stane, gin night, are gane
     As saft as ony flesh is.
There’s some are fou o’ love divine,
     There’s some are fou o’ brandy;
An’ monie jobs that day begin,
     May end in houghmagandie
          Some ither day.

I know whose toes
Peek out below:
Beneath their nose,
Under lips,
Lower than their waist and hips;
Past their knees and their shins-
Toes they’ll use to count to ten.
Better yet,
With our twins,
They’ll count to twenty to begin,
Then move to forty without linger,
Counting on each other’s fingers.
Toes and fingers, fingers and toes,
Twenty wigglers they’ve come to know,
With twenty fingers to catch and throw.
For now we’ll rhyme toes off to market,
And play Pat-a-Cake
With Ophelia and Brigid.

There was a town beyond the woods,
Ne’er there any water stood,
Alas, a Well, of the purest kind,
The aquifer under, is here described,
Beyond a thousand gallons under
The diamond-esque rubble and sunder.
But one bucket, at but one time,
Kind, the town, taking turns of rhyme,
This essence, used to bathe and cook,
To drink, to create, a cozy nook.
-
The happy town, the gorgeous shire,
The crops grown there as green as Ire,
No law exists, they live but civilly,
A fetching, quiet community,
But always there exists a one,
Who would want power, want this undone,
So it was said regretfully,
Poisoned their Well, emotionless he.
-
Now this village was quite secluded,
No one not there born, ne’er intruded,
Deep in the forest, behind a mountain,
Over a peak, under a cloudy curtain,
It existed in secret and abolition,
And one did seek its demolition,
Knowing the only flaw to here exist,
The essence of life, no man resists.
-
He crept at night, while the guard did sleep,
Promising the pure water to weep,
Dropping the genocide with bucket and crane,
Releasing its Demonic Alchemic Strain,
The Well did hiss as the poison moaned,
Recoiling at this unwanted drone,
The assailant then brought to his steady lips,
A cup and was first to take Devil’s Kiss.
-
On the morrow of the mentioned crime,
Busy bodies awoke to start the day’s time,
Queuing at bucket and awaiting turns,
Each family there a portion yearned,
Not one did from the water strafe,
Each then bathed, then drank, unsafe,
No one could tell different taste,
Water is water, but not today.
-
The plague did start like any disease,
Sore throat, fever, stopped nose, displeased,
The people sought the witchdoctor,
But he from bed, would rise no longer,
He caught ill too, and wouldn’t budge,
Afraid for his life, afraid of this grudge,
He knew this sickness, had heard before,
But told no one, the end was sure.
-
In a week, vomiting and nausea,
Nasal passages sealed, no nostalgia
Brought to memory of any like sickness,
The virus brought about decrepit afflictions,
But slowly and steady, worse and worse,
The people became, some saw the course
But kept silent, to avoid alerting,
The so many children in need of comforting.
-
In two weeks’ time, the pathogen,
Had taken wits of sensible men,
At night, they screamed in somber fright,
Their deepest fears, real now, and bright,
The lutes died out, the bards not singing,
An unfortunate time, but this was only beginning.
-
Fingernails rotting off at the cuticle,
Too much blood for any receptacle,
Leprositic, the fingers came next,
One by one, extremities hexed,
Children lost their legs to run,
From mothers’ faces rotted, undone,
In every other step, heard were bones breaking,
Kneecaps cracked open, shins splintering,
Eyes turned cadaverous, awake, but not seeing,
Cataracts formed, blinded from viral being,
In cradles were witnessed toddlers there suffering,
Their mothers watched with empty sockets, but listening
To the cries impossible to stifle,
The pain too much for these tiny disciples.
The dogs normally to their masters zealous,
Became of them mortally jealous.
They bit the hands that fed them well,
For watering them from the cryptic Well.
Men watched their sons dive right under,
The bridge that harnessed a valley of blunder
Hundreds of feet above sharp rocks and stumps,
Their namesakes leaped, impaled in clumps,
For those lucky enough to still have eyes,
Cried tears of acid for images despised
Sickness was spewed upon the walls,
Entrails adorned the Gathering Halls,
Some had turned to mutilation,
Blood-letting for some, abomination,
Some crazed enough to “cure” themselves,
Clawed throat and stomach til flesh dissolved,
Some rich with elixir tried to embezzle,
Upon some of the poor, tired and grizzled,
Riot broke out amongst the walking dead
Fortune or lack of, irrelevant,
Black pustules broke out that looked Bubonic,
But the cure for that failed, how ironic,
That it rather hastened the steadfast curse,
Faster than iambic verse,
Molecules turned to embryo,
Rising like a great Pharaoh,
They became flesh parasites,
Taking internal organs, slow and precise,
They started with the liver and spleen,
So there lasted hours of wretched screams,
The intestines of some would close and then
Becoming septic, they passed, bile in stem,
A few had throats seeming cauterized,
Friends watched friends closest, strangle alive,
There were in fact, some optimists,
Among them, talk of being “rid of this”,
They too died while clutching life,
Endeavoring their eternal flight,
From noses, there dripped blackened murk,
Thicker than combined oil and dirt,
It then secreted as sweat from all pores,
Fatigue then struck those left to the floor.
Upon broken knees some prayed,
Usually the skin under ribs was flayed,
Trying to understand what went wrong,
Dissecting the dead was not headstrong,
It only furthered viral progression,
The open corpses breathing infection,
The cadavers would move still, the fleshbugs active,
The horror of lifeless movement, corrosive,
The minds of the weak, it pure happenstance,
One found eating dead flesh for a cure, no chance.
All in all, this lingering curiosity,
Provided once good people with animosity,
One man turned good people to hate,
Their neighbors in ways that were irate.
-
The chaos was not anarchy,
For, as I said,
It was civilly,
But verily, I do decree,
That no one knew such misery,
The inhabitants of this village,
Did not suspect innocent visage,
Or perhaps, their cherished Well.
To be culprit behind this hell
So they drank and drank to remedy,
To recompense this malady,
To no avail did blood get thicker,
Alas, they got but sicker and sicker.
-
This hell, the townsfolk then realized,
Wouldn’t end til they all were nullified,
Eliminated they were, eradicated at that,
This pathogenic virus had verily spat
In the faces of the people here,
Decimated they were, not quenching their fear,
Murdered they were by a systematic
Suicidal psychopathic,
Inflamed in the mind of darkness thereafter,
Only satisfied by his own laughter.
Not many, til now, know of this town,
From lowly peasant, to “Godly” Crown.
An explorer found the deserted hamlet,
Body parts and questions then found the hermit,
He had heard of a town like this, he wrote:
“It was a new age Roanoke…”
But the village, not a town to cause commotion,
All that was left of them, a tree scratched, “CROATOAN”.

Daniel, Peter, George and I sat in various stages of drunkenness.  Dee was sober and on the water. It was our annual dinner, the great catch-up, and most of us were drinking champagne. A great bouquet of peach roses sat in the middle of the table dropping petals by the hour.
“She’s got ginger hair.” Peter laughed.
“It’s more auburn.” George defended, pouring himself another drink.
“No.” Said Peter. “She’s ******* ginger.”
Daniel leant back in his chair with his arms behind his head, wearing his face of perpetual amusement.
“Dan. Come on, now. What colour is Melanie’s hair?”
“Oh…I don’t know.” Dan smiled. “A sort of strawberry blonde.”
Peter punched George on the shoulder."See! She’s ******* ginger!”
Boys will always jostle to be top dog. Daniel was the alpha and Peter resented it, but Daniel was everything that Peter would never be: good-natured, strong, calm, in control. Peter was loud and insulting, a bit of a bully but sort of sad with it, prone to fits of melancholy and drunkenness. We all had our role to play. George was fey and funny and got offended easily. I was the madman who did the things they didn’t dare.  The dynamic worked, most of the time.
Dee was quiet and an ‘outsider’, so he didn’t count. He sat with his glass of tonic water which was packed with slowly cracking ice, and he stuck to his usual routine : no food, no alcohol, no cigarettes, no smiling, no chit chat. Any time I laughed or told a joke, his silence would shame me. He reminded me of how desperate I was to fit in, to be one of the boys. He always shamed me just by sitting there, by not joining in, by being so ******* above it all, by being so himself.
“So, what exactly are you doing these days, Art?” Peter asked.
“Teaching. You know that.”
“Yeah but…why? Do they even allow mental patients around kids?”
Daniel leaned forwards in his chair and glanced at me, checking for discomfort.
“God.” I sighed. “******* Peter.”
“And what do you do?” Peter asked, looking at Dee. Dee took a long while to answer, focusing his eyes and adjusting his posture.
“PhD. Physics.”
“Sounds boring.”
“He’s mathematically gifted.” I said proudly.
Peter smiled with one side of his mouth.
“If someone gave me the gift of maths I’d return it and buy a calculator.”
Everyone laughed, including me. Dee started to fold his napkin, and then he unfolded it. Then he folded it again.
“Do you love maths, then?” George asked.
Dee pushed the napkin into his lap and shrugged.
“There’s something wrong with you if you love maths.” George said. “Maths is *******.”
“Do you want another tonic?” I asked Dee, putting my hand on his knee. He pushed it off with force.
“No. In fact - I think I want to go home.”
“Don’t go home!” Daniel said. “Please Dee, stay a while.”
“No, I really think I ought to go home now.”
“Hey.” I grabbed his knee again. “Come on.”
“No.” he stood up, the candlelight winking wildly in the silk wrinkles of his shirt. “I really want to leave.”
“The evening’s just getting started.” Peter said.
“The evening is not the problem.” Dee said quietly. “The problem is you.” He closed his eyes. “The problem is you.”
I felt my skin shrink. Dee stood up to his full height and exhaled.
“In fact, the problem is all of you. You’re all awful human beings. All of you. Awful, awful, awful.” His eyes sparkled as he warmed to his theme. “And you’re all so ******* boring!”
Peter and George were speechless. Daniel leant back and laughed beneath praying hands.
“Yes, you’re bores! You’re such ******* bores! Even the waiter is bored! Even the flowers are bored!”
“Dee, love.” I stood up and grabbed his shoulder. I was quite drunk.
“No Arthur, I’m going home, I’m tired. I’ll get a cab, you stay here with your awful, awful, awful, awful bores.”
He stomped off and Daniel blinked at me, his eyes wrinkled and drunk.
“Go on Art, go home. It’s ok.”
“God, Arthur.” Peter said. “What a lunatic. There’s something seriously wrong with him.”
“Oh *******, Pete.” I snapped, for the second time that night.
“Take this.” Dan said, thrusting his bottle of champagne at me. “I don’t want it. Go on, run and catch him. Go and get drunk with him.”
“No use. He doesn’t drink, remember?” I said, putting on my coat.
“Drink some water with him then. Tell him…” Dan grabbed my head and whispered into my ear, “…tell him that he’s right, that we are ******* bores.” He burst out laughing and sank down into his seat, watching me do up my buttons. “Oh my God!” he laughed, grabbing my hand like he was about to kiss it. “We’re so boring! We’re so ******* boring! Look at us! Even I’m bored!”
Daniel winked at me, still laughing. Daniel was one of Dee’s greatest defenders, and he admired Dee because Dee was honest, because he could not fail to be honest, and because Daniel loved the people that I loved, and I loved Dee most of all.
I grabbed the roses from their vase, just in case I needed them. They were wet, and dying, and they had no smell.
I caught up with Dee outside Angel In The Fields. He complained that he had a headache and told me he wanted to go home. He told me that he couldn’t have stayed one second longer.
He took the flowers from me, and buried his face in them until I hailed a cab.
Flowers were a running theme with us. Flowers in buttonholes, wisteria in gardens. Roses in his face. Buttercups in the grass. So terrible, when I think about it now. Perhaps someone was trying to tell me:
Arthur -  this story will start and end with flowers.

Dee had a habit of ruining social occasions. Perhaps the stress got to him, the terror of communicating, the fear of conversation. He became easily overtired and quickly over stimulated, if a conversation was getting too personal or staying at chit-chat level, he would begin to stress and flounder. If someone annoyed him he could not pretend to like them – he had to let them know that they were ****** or boring or dumb. He didn’t fully comprehend how offensive he could be. He didn’t understand that in order to maintain peace, you must suppress yourself a little bit, tailor yourself to fit the rest. It wasn’t that he didn’t believe in suppressing himself, it’s that he simply couldn’t do it.
Most of all, he hated people taking up my attention, whether they were talking to me, amusing me, or even hurting me – he made it very obvious that he did not like to share.
Once, he emptied an entire bottle of red wine into a young woman’s handbag because she had been talking to me all night. He placed broken bottles in front of his mother’s car tires. He sent anonymous emails to my father, threatening disembowelment.  He beheaded ivory chess pieces, snipped the heads off anniversary roses, kicked people's shins under tables.
And he had the worst temper I had ever known.
When people didn’t understand where he was coming from, when he felt isolated and flustered by his own emotional poverty, he would begin to fragment. He would rock back and forth and moan. His voice would change, his face would change, and his anger would be frightening in its desperation, he would tear at his own clothes and hurl himself into walls. A few times I had to physically restrain him, pulling his sweater or shirt over his head to trap his arms, sitting on him, trying to calm him down.
But I could always deal with it, the crazy stuff – it didn’t bother me at all. The rage, the disconnect, the alienation. I knew what it was like to lose control. I knew what it was like to feel different. I used to say to him, “I was with Dee today and I seen hell in his face, Guv’nor. It was all red and blotchy looking.” And then, sometimes, he’d smile.
It was the eating thing that devastated me. It was the eating thing that made me feel useless. That was the one thing that I didn’t understand.

We took a cab from Angel In The Fields and went back to no.23. He went straight upstairs to get undressed, and took a pair of new cashmere socks out of their little beribboned box.
“It’s too warm for cashmere.” I said. He didn’t listen, and put them on anyway.
Dee had never had much of a *** drive, so I knew I was pushing my luck by kissing him – we had made love the night before. He kept his mouth closed and pushed me away.
“No, I don’t want to."
He picked the fluff from his black velvet computer chair.
“I’m not cross.” I said.
“Cross?”
“About…tonight. With the boys.”
“Oh. Ok.”
I went to kiss him again. God, I loved it when he bent his head back and his tongue met mine, his arms relaxing at the elbows, his limpet legs clamping around my own. But his mouth pursed up at me. No entry tonight, sorry.
“Goodnight, then.” I said. “I’m going to bed.”
Something cruel took over me as I opened the door to leave.
“Y’know, Dee – sometimes I think you really hate me.”
He looked at the wall behind me, scrunching his face up, wound up and stuck.
“Forget it.” I said. “Just ******* forget it.”
As I closed the door I heard an animal noise, a miserable animal noise.

Dee was the only thing that had ever made any sense to me. I had no real connection to my parents, I loved my mother but she was silent and neurotic, full of nervous energy that set me on edge. I never felt like I could fully confide in her. I hated my father because he had never loved me, and he had told me so. The only people I loved, my grandparents and my sister, were far away and mostly busy, unavailable, and I caught up with them through letters and telephone calls and occasional rushed visits - holidays, weekends away from school, time away from parents and *******.
I once walked to my grandparent’s house after running away from school, and I fought through a cage of conifers just to ring their bell, turning up at their door wild-eyed and full of pine needles.
I always fought to be with the people that I loved. I fought and fought and fought.
I loved Dee because he was mine and he was never too busy for me. He was as quiet as my mother, as vengeful as my father, but he was mine and I loved him, and he loved me back.
Perhaps that sounds very naïve. But it wasn’t naïve. My love was grown up, full of sacrifice and sleepless nights and heavy talks that left me exhausted. I searched for him when he wasn’t there, I talked to his mother about his health, I took his blood pressure, I poured his fortisip, I calmed him down, I made him laugh and I loved him, ******* hell I loved him, and I watched him like a God and reached out for him in the morning because he reminded me that I was alive, because he made my realness real, because he was my cold fire and he burned by the side of me, coldly, to balance out the crazed orange bonfire of me.

He followed me to bed soon afterwards, brushing his teeth and taking off his clothes, sitting down next to me.
“I hung up my blue.” He said. “Could you fetch it for me?”
His ‘blue’ was an oversized shirt that he slept in sometimes. He put it over his head and it fell around him.
“You know.” He said, “Sometimes I think that you hate me.”
“Please tell me you’re joking.”
“I don’t want to talk about it.”
He got in next to me.
“I don’t hate you, not now, not ever.”
“I’m not one of your friends, though. If you had to choose a friend, you wouldn’t choose me.”
I didn’t reply, because I didn’t understand what he meant.
“Daniel is your best friend, isn’t he? But you’re my best friend. What happens when I have to talk about something, something that I can’t talk to you about? I don’t have any friends because I don't like anyone else. So who am I supposed to talk to?”
“Me! You can talk to me! I tell you everything.”
“Well, what if I wanted to do something, but I knew that you would try to stop me from doing it?”
“I wouldn’t stop you from doing anything you wanted to do. Not ever.”
“Forget it. I don’t want to talk about it.”
“Please Dee, you can’t just start a conversation and then abandon it.”
“I don’t want to talk about it anymore, I’m tired and I want to go to sleep.”
“What is it? Come on, please. What is it?”
He turned away and curled up.  I stayed with my head against the headboard, looking down at him.
‘I love you.” He said, without moving. “I thought I should tell you. I thought you should know.”
“I love you, too.”
And then he went to sleep, leaving me to the house sounds, the clanging inside the walls, the discordant duet of two sets of breathing and the occasional cough.

When I woke up, he was in the shower. His socks were bunched up at the edge of the bed, shrugged off in the night.
Like I said. It was too ******* hot for cashmere.

Doggerel

The limerick is one of the most common and most popular forms of doggerel. This is one of my favorite limericks:


There was a young lady named Bright
Who traveled much faster than light.
She set out one day,
In a relative way,
And came back the previous night.
―Arthur Henry Reginald Buller


I find it interesting that one of the best revelations of the weirdness and zaniness of relativity can be found in a limerick! The limerick above inspired me to pen a rejoinder:

***-Tronomical
by Michael R. Burch

Einstein, the frizzy-haired,
proved E equals MC squared.
Thus, all mass decreases
as activity ceases?
Not my mass, my *** declared!



These are "subversive" poems of mine, pardon the pun:

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

I came up with this epigram after reading the Bible from cover to cover at age eleven, and wondering how anyone could call the biblical God "good."



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus, for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please,
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!



***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped―
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



Low-T Hell
by Michael R. Burch

I’m living in low-T hell ...
My get-up has gone: Oh, swell!
I need to write checks
if I want to have ***,
and my love life depends on a gel!

Originally published by Light



Door Mouse
by Michael R. Burch

I’m sure it’s not good for my heart—
the way it will jump-start
when the mouse scoots the floor
(I try to **** it with the door,
never fast enough, or
fling a haphazard shoe ...
always too slow too)
in the strangest zig-zaggedy fashion
absurdly inconvenient for mashin’,
till our hearts, each maniacally revvin’,
make us both early candidates for heaven.



The Humpback
by Michael R. Burch

The humpback is a gullet
equipped with snarky fins.
It has a winning smile:
and when it SMILES, it wins
as miles and miles of herring
excite its fearsome grins.
So beware, unwary whalers,
lest you drown, sans feet and shins!
​


Apologies to España
by Michael R. Burch

the reign
in Trump’s brain
falls mainly as mansplain



No Star
by Michael R. Burch

Trump, you're no "star."
Putin made you an American Czar.
Now, if we continue down this dark path you've chosen,
pretty soon we'll be wearing lederhosen.



tRUMP is the **** of many jokes.—Michael R. Burch



Golden Years?
by Michael R. Burch

I’m getting old.
My legs are cold.
My book’s unsold and my wife’s a scold.
Now the only gold’s
in my teeth.
I fold.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Originally published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! And I believe such laws should extend to Creators who claim to be loving, wise, merciful, just, etc., while forcing innocent mice to provide owls with late-night snacks. ― Michael R. Burch



Animal Limericks

Dot Spotted
by Michael R. Burch

There once was a leopardess, Dot,
who indignantly answered: "I’ll not!
The gents are impressed
with the way that I’m dressed.
I wouldn’t change even one spot."



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



The Pelican't
by Michael R. Burch

Enough with this pitiful pelican!
He’s awkward and stinks! Sense his smellican!
His beak's far too big,
so he eats like a pig,
and his breath reeks of fish, I can tellican!



Nonsense Verse about Writing Verse

The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.

Originally published by Grand Little Things



Other Animal Poems

Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and sometimes to sting



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’
the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, “Hey, it’s great
to be alive!”

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Baked Alaskan

There is a strange yokel so flirty
she makes ****** seem icons of purity.
With all her winkin’ and blinkin’
Palin seems to be "thinkin’"―
"Ah culd save th’ free world ’cause ah’m purty!"

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



Going Rogue in Rouge

It'll be hard to polish that apple
enough to make her seem palatable.
Though she's sweeter than Snapple
how can my mind grapple
with stupidity so nearly infallible?

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



Pls refudiate

“Refudiate” this,
miffed, misunderstood Ms!―
Shakespeare, you’re not
(more like Yoda, but hot).
Your grammar’s atrocious;
Great Poets would know this.

You lack any plan
save to flatten Iran
like some cute Mini-Me
cloned from G. W. B.

Admit it, Ms. Palin!
Stop your winkin’ and wailin’―
only “heroes” like Nero
fiddle sparks at Ground Zero.

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved

I wrote the last poem above after Sarah Palin compared herself to Shakespeare, who coined new words, rather than admit her mistake when she used "refudiate" in a Tweet rather than "repudiate." The copyright notices above are ironic, as the poems above were written and published before 2012.



Nonsense Verse

There was an old man from Peru
who dreamed he was eating his shoe.
He awoke in the night
with a terrible fright
to discover his dream had come true.
―Variation on a classic limerick by Michael R. Burch



There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.
― Michael R. Burch



Dear Ed: I don’t understand why
you will publish this other guy―
when I’m brilliant, devoted,
one hell of a poet!
Yet you publish Anonymous. Fie!

Fie! A pox on your head if you favor
this poet who’s dubious, unsavor
y, inconsistent in texts,
no address (I checked!):
since he’s plagiarized Unknown, I’ll wager!
―"The Better Man" by Michael R. Burch



The English are very hospitable,
but tea-less, alas, they grow pitiable ...
or pitiless, rather,
and quite in a lather!
O bother, they're more than formidable.
―"Of Tetley’s and V-2's," or, "Why Not to Bomb the Brits" by Michael R. Burch



Relativity, the theorists’ creed,
says all mass increases with speed.
My *** grows when I sit it.
Albert Einstein, get with it;
equate its deflation, I plead!
― Michael R. Burch


　
Hawking, who makes my head spin,
says time may flow backward. I grin,
imagining the surprise
in my mothers’ eyes
when I head for the womb once again!
― Michael R. Burch



Hawking’s "Brief History of Time"
is such a relief! How sublime
that time, in reverse,
may un-write this verse
and un-spend my last thin dime!
― Michael R. Burch



A proper young auditor, white
as a sheet, like a ghost in the night,
saw his dreams, his career
in a "****!" disappear,
and then, strangely Enronic, his wife.
― Michael R. Burch
　


There once was a troglodyte, Mary,
whose poots were impressively airy.
To her children’s deep shame,
their foul condo became
the first cave to employ a canary.
― Michael R. Burch



There once was a Baptist named Mel
who condemned all non-Christians to hell.
When he stood before God
he felt like a clod
to discover His Love couldn’t fail!
― Michael R. Burch



The Humpback
by Michael R. Burch

The humpback is a gullet
equipped with snarky fins.
It has a winning smile:
and when it SMILES, it wins
as miles and miles of herring
excite its fearsome grins.
So beware, unwary whalers,
lest you drown, sans feet and shins!



Door Mouse
by Michael R. Burch

I’m sure it’s not good for my heart—
the way it will jump-start
when the mouse scoots the floor
(I try to **** it with the door,
never fast enough, or
fling a haphazard shoe ...
always too slow too)
in the strangest zig-zaggedy fashion
absurdly inconvenient for mashin’,
till our hearts, each maniacally revvin’,
make us both early candidates for heaven.



Ding **** ...
by Michael R. Burch

for Fliss

An impertinent bit of sunlight
defeated a goddess, NIGHT.
Hooray!, cried the clover,
Her reign is over!
But she certainly gave us a fright!



Be very careful what you pray for!
by Michael R. Burch

Now that his T’s been depleted
the Saint is upset, feeling cheated.
His once-fiery lust?
Just a chemical bust:
no “devil” cast out or defeated.



The Flu Fly Flew
by Michael R. Burch

A fly with the flu foully flew
up my nose—thought I’d die—had to sue!
Was the small villain fined?
An abrupt judge declined
my case, since I’d “failed to achoo!”



Hell-Bound Hounds
by Michael R. Burch

We have five dogs and every one’s a sinner!
I swear it’s true—they’ll steal each other’s dinner!

They’ll **** before they’re married. That’s unlawful!
They’ll even ***** in public. Eek, so awful!

And when it’s time for treats (don’t gasp!), they’ll beg!
They have no pride! They’ll even **** your leg!

Our oldest Yorkie murdered dear, sweet Olive,
our helpless hamster! None will go to college

or work to pay their room and board, or vets!
When the Devil says, “*** here!” they all yip, “Let’s!”

And yet they’re sweet and loyal, so I doubt
the Lord will dump them in hell’s dark redoubt . . .

which means there’s hope for you, perhaps for me.
But as for cats? I say, “Best wait and see.”


Menu Venue
by Michael R. Burch

At the passing of the shark
the dolphins cried Hark!;

cute cuttlefish sighed, Gee
there will be a serener sea
to its utmost periphery!;

the dogfish barked,
so joyously!;

pink porpoises piped Whee!
excitedly,
delightedly.

But ...

Will there be as much glee
when there’s no you and me?


Anti-Vegan Manifesto
by Michael R. Burch

Let us
avoid lettuce,
sincerely,
and also celery!


Rising Fall
by Michael R. Burch

after Keats

Seasons of mellow fruitfulness
collect at last into mist
some brisk wind will dismiss ...

Where, indeed, are the showers of April?
Where, indeed, the bright flowers of May?
But feel no dismay ...

It’s time to make hay!

I believe the closing line was influenced by this remark J. R. R. Tolkien made about the inspiration for his plucky hobbits: “I've always been impressed that we're here surviving because of the indomitable courage of quite small people against impossible odds: jungles, volcanoes, wild beasts ... they struggle on, almost blindly in a way.” Thus, whatever our apprehensions about the coming winter, when autumn falls and fall rises, it’s time to make hay.


How It Goes, Or Doesn’t
by Michael R. Burch

My face is getting craggier.
My pants are getting saggier.
My ear-hair’s getting shaggier.
My wife is getting naggier.
I’m getting old!

My memory’s plumb awful.
My eyesight is unlawful.
I eschew a tofu waffle.
My wife’s an Eiffel eyeful.
I’m getting old!

My temperature is colder.
My molars need more solder.
Soon I’ll need a boulder-holder.
My wife seized up. Unfold her!
I’m getting old!



A More Likely Plot for “Romeo and Juliet”
by Michael R. Burch

Wont to croon
by the light of the moon
on a rickety ladder,
mad as a hatter,
Romeo crashed to the earth in a swoon,
broke his leg,
had to beg,
repented of falling in love too soon.

A nurse, averse
to his seductive verse,
aware of his madness
and familial badness,
searched for the stiletto in her purse.

Meanwhile, Juliet
began to fret
that the roguish poet
(wouldn’t you know it?)
had pledged his “love” because of a bet!

A gang of young thugs
and loutish lugs
had their faces engraved on “wanted” mugs.
They were doomed to fail,
ended up in jail,
became young fascists and cried “Sieg Heil!”

No tickets were sold,
no tickets were bought,
because, in the end, it all came to naught.

Exeunt stage left.



Apologies to España
by Michael R. Burch

the reign
in Trump’s brain
falls mainly as mansplain



No Star
by Michael R. Burch

Trump, you're no "star."
Putin made you an American Czar.
Now, if we continue down this dark path you've chosen,
pretty soon we'll be wearing lederhosen.


tRUMP is the **** of many jokes.—Michael R. Burch



Doggerel about Doggerel

The Board
by Michael R. Burch

Accessible rhyme is never good.
The penalty is understood―
soft titters from dark board rooms where
the businessmen paste on their hair
and, Walter Mitties, woo the Muse
with reprimands of Dr. Seuss.

The best book of the age sold two,
or three, or four (but not to you),
strange copies of the ones before,
misreadings that delight the board.
They sit and clap; their revenues
fall trillions short of Mother Goose.



Longer Doggerel

When I Was Small, I Grew
by Michael R. Burch

When I was small,
God held me in thrall:
Yes, He was my All
but my spirit was crushed.

As I grew older
my passions grew bolder
even as Christ grew colder.
My distraught mother blushed:

what was I thinking,
with feral lust stinking?
If I saw a girl winking
my face, heated, flushed.

“Go see the pastor!”
Mom screamed. A disaster.
I whacked away faster,
hellbound, yet nonplused.

Whips! Chains! *******!
Sweet, sweet, my Elation!
With each new sensation,
blue blood groinward rushed.

Did God disapprove?
Was Christ not behooved?
At least I was moved
by my hellish lust.



Happily Never After
by Michael R. Burch

Happily never after, we lived unmerrily
(write it!―like disaster) in Our Kingdom by the See
as the man from Porlock’s laughter drowned out love’s threnody.

We ditched the red wheelbarrow in slovenly Tennessee
and made a picturebook of poems, a postcard for Tse-Tse,
a list of resolutions we knew we couldn’t keep,
and asylum decorations for the King in his dark sleep.

We made it new so often strange newness, wearing old,
peeled off, and something rotten gleamed yellow, not like gold:―
like carelessness, or cowardice, and redolent of ***.
We stumbled off, our awkwardness―new Keystone comedy.

Huge cloudy symbols blocked the sun; onlookers strained to see.
We said We were the only One. Our gaseous Melody
had made us Joshuas, and so―the Bible, new-rewrit,

with god removed, replaced by Show and Glyphics and Sanskrit,
seemed marvelous to Us, although King Ezra said, “It’s Sh-t.”

We spent unhappy hours in Our Kingdom of the Pea,
drunk on such Awesome Power only Emperors can See.
We were Imagists and Vorticists, Projectivists, a Dunce,
Anarchists and Antarcticists and anti-Christs, and once
We’d made the world Our oyster and stowed away the pearl
of Our too-, too-polished wisdom, unanchored of the world,
We sailed away to Lilliput, to Our Kingdom by the See
and piped the rats to join Us, to live unmerrily
hereever and hereafter, in Our Kingdom of the Pea,
in the miniature ship Disaster in a jar in Tennessee.



Doggerel about Dogs

Dog Daze
by Michael R. Burch

Sweet Oz is a soulful snuggler;
he really is one of the best.
Sometimes in bed
he snuggles my head,
though he mostly just plops on my chest.

I think Oz was made to love
from the first ray of light to the dark,
but his great love for me
is exceeded (oh gee!)
by his Truly Great Passion: to Bark.



Oz is the Boss!
by Michael R. Burch

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!

He barks like a tyrant
for treats and a hydrant;
his voice far more regal
than mere greyhound or beagle;
his serfs must obey him
or his yipping will slay them!

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!



Excoriation of a Treat Slave
by Michael R. Burch

I am his Highness’s dog at Kew.
Pray tell me, sir, whose dog are you?
―Alexander Pope

We practice our fierce Yapping,
for when the treat slaves come
they’ll grant Us our desire.
(They really are that dumb!)

They’ll never catch Us napping―
our Ears pricked, keen and sharp.
When they step into Our parlor,
We’ll leap awake, and Bark.

But one is rather doltish;
he doesn’t understand
the meaning of Our savage,
imperial, wild Command.

The others are quite docile
and bow to Us on cue.
We think the dull one wrote a poem
about some Dog from Kew

who never grasped Our secret,
whose mind stayed think, and dark.
It’s a question of obedience
conveyed by a Lordly Bark.

But as for playing fetch,
well, that’s another matter.
We think the dullard’s also
as mad as any hatter

and doesn’t grasp his duty
to fling Us slobbery *****
which We’d return to him, mincingly,
here in Our royal halls.



Bed Head, or, the Ballad of
Beth and her Fur Babies
by Michael R. Burch

When Beth and her babies
prepare for “good night”
sweet rituals of kisses
and cuddles commence.

First Wickett, the eldest,
whose mane has grown light
with the wisdom of age
and advanced senescence
is tucked in, “just right.”

Then Mary, the mother,
is smothered with kisses
in a way that befits
such an angelic missus.

Then Melody, lambkin,
and sweet, soulful Oz
and cute, clever Xander
all clap their clipped paws
and follow sweet Beth
to their high nightly roost
where they’ll sleep on her head
(or, perhaps, her caboose).



Updated Advice to Amorous Bachelors
by Michael R. Burch

At six-thirty,
feeling flirty,
I put on the hurdy-gurdy ...
But Ms. Purdy,
all alert-y,
kicked me where I’m sore and hurty.

The moral of my story?
To avoid a fate as gory,
flirt with gals a bit more *****-y!



On the Horns of a Dilemma (I)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?

I need an artist or cartoonist to create an image of a male rhino lifting his prospective mate into the air during an abortive kiss. Any takers?



On the Horns of a Dilemma (II)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?



On the Horns of a Dilemma (III)
by Michael R. Burch

A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!



The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch

A wine-addled rhino debated
the prospect of living unmated
due to the scorn
gals showed for his horn,
then lost it to poachers, sedated.



Less Heroic Couplets: Word to the Unwise
by Michael R. Burch

I wanted to be good as gold,
but being good, as I’ve been told,
requires something, discipline,
I simply have no interest in!



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



Less Heroic Couplets: Shell Game
by Michael R. Burch

I saw a turtle squirtle!
Before you ask, “How fertile?”
The squirt came from its mouth.
Why do your thoughts fly south?



Helen Keller
saw more than the stellar-
visioned
and the televisioned.
—Michael R. Burch



Antsy kids of the world, unite!
You don't like facts, so fight!
Call them all “haters,”
those cool, calm debaters,
then your mommies can tuck you in tight.
—Michael R. Burch



Ireland’s Ire has Landed

The luck of the Irish has failed:
Trump’s landed and cannot be jailed!
From Killarney to Derry
the natives are very
despondent and bombs have been mailed.

Donald Trump has alarmed Country Clare:
the Irish are crying, “Beware!
He won’t pay his tax,
his manners are lax,
and what the hell’s up with his hair?”

The Donald has landed in Doonbeg
(Ireland). Why? For a noon beg:
he’s running real low
on cash, so you know
he’ll fit like a freakin’ square peg.

The luck of the Irish has faltered.
Trump’s there and he cannot be haltered.
From Killarney to Derry
the natives are very
insistent his visa be altered.



Poets laud Justice’s
high principles.
Trump just gropes
her raw genitals.
—Michael R. Burch



Zip It
by Michael R. Burch

Trump pulled a stunt,
wore his pants back-to-front,
and now he’s the **** of bald jokes:
“Is he coming, or going?”
“Eeek! His diaper is showing!”
But it’s all much ado, says Snopes.



Limerick-Ode to a Much-Eaten ***
by Michael R. Burch

There wonst wus a president, Trump,
whose greatest *** (et) wus his ****.
It was padded ’n’ shiny,
that great orange hiney,
but to drain it we’d need a sump pump!



On the Horns of a Dilemma (I)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?

On the Horns of a Dilemma (II)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?

On the Horns of a Dilemma (III)
by Michael R. Burch

A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!

The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch

A wine-addled rhino debated
the prospect of living unmated
due to the cruel scorn
gals showed for his horn,
but then lost it to poachers, sedated.



A Possible Explanation for the Madness of March Hares
by Michael R. Burch

March hares,
beware!
Spring’s a tease, a flirt!

This is yet another late freeze alert.
Better comfort your babies;
the weather has rabies.



Voice of (T)reason
by Michael R. Burch

Love is the highest, the greatest, the grandest!
Love has us all and our lovers in thrall!

Love, but don’t fall.

Love is the coolest, the truest, the Yule-est!
Love is sage Andrew’s Marvell-ous ball!

Love, but don’t fall.

Love is the sweetest, the deepest, the fleetest!
Yes, that’s the problem – a pall over all.

Love, but don’t fall.



Final Ballad of the Unhappy Camper
by Michael R. Burch

I’m low on ****,
lost my fizz,
out of biz.

Flabby and *****,
morose and mourny,
gals’re scorny.

Friggin’ Low T Hell!
Unable to swell!
"More sleep"? Do tell!



Less Heroic Couplets: Weird Beard
by Michael R. Burch

for and after Richard Thomas Moore

C’mon, admit—love’s truly weird:
why does a ****** need a beard?

Should making love produce foul poxes?
What can we make of such paradoxes?

And having made love, what the hell's the point
of ending up with a sore, limp joint?

Who invented love, which we all pursue
like rats in a maze after sniffing glue?



This is my randy version of a classic limerick originally published by Arthur Henry Reginald Buller in Punch on Dec. 19, 1923.

An incestuous physicist, Bright,
made love at speeds faster than light.
She had *** one day
in her relative way,
then came on the previous night!

There was a young **** star of Ghent
whose get-up just got up and went.
Too sleepy for ***,
her fans became ex-
subscribers, and no checks were sent.
—Michael R. Burch

Fair Elle was an eely lover
who squiggled beneath the covers ...
She was hard to pin down!
When I did it, she’d frown,
then wouldn’t do none of my druthers!

There once was a camel who loved to ****.
Please get your crude minds out of their slump!
He loved to give rides on his huge, lordly lump!
—Michael R. Burch

I wanted to live like a sheik, in a harem.
But I live like a monk without gals ’cause I scare ’em.
—Michael R. Burch



Mouldy Oldie, or, Septuagenarian Ode to Cheese Mould
by Michael R. Burch

I’m getting old
and battling mould —
it’s growing on my cheese!

My phone’s on hold
to report the mould —
my life is not a breeze!

I pray and pray,
"Send help my way —
good Lord, I’m on my knees!"

But truth be told,
it’s oversold —
that’s it, I’m done with cheese!



Wonderworks
by Michael R. Burch

History’s
mysteries
abound
& astound,
found
(profound)
the whole earth ’round,
even if mostly
underground.

I wrote the poem above after discovering an article about the aptly-named Wonderwerk Cave in an ancient (March 2016) falling-apart issue of Discover that I rescued from my car. The cave in question lies in South Africa’s Northern Cape province, around 300 miles southwest of the “Cradle of Civilization.” Artifacts discovered in the Wonderwerk Cave appear to be even more ancient than the Cradle’s. According to the article, “The density of stone artifacts in the region is staggering.” The use of fire may now date back as far as 1.8 million years.



The Procrastinator’s Creed
by Michael R. Burch

It’s always, “Tomorrow, I’ll do it.”
Work? I eschew it.
I never collect money I’ve loaned
and the rest of this poem’s been postponed.



WHEN MAN IS GONE
by Michael R. Burch

When man is gone
won’t the sun still rise?

Will anyone care
that he isn’t there?

Will the porpoises
lack purpose,

the marigolds
fold?

Will the doves and the deer
weep bitter tears?

Or will life continue,
glad to be off his menu?



That Mella Fella
by Michael R. Burch

for John Mella, former editor of LIGHT

There once was a fella
named Mella,
who, if you weren’t funny,
would tell ya.

But he was cool, clever, nice,
gave some splendid advice,
and if you were good,
he would sell ya.



One for the Thumb!
by Michael R. Burch

Counting rings, the counters come,
marching to the same sad drum:

“Your GOAT has two, but ours has four!”

“Our GOAT has six, and six is more!”

“One for the thumb! Our GOAT’s the best!”

But Robert Horry’s not impressed.

Jim Loscutoff is trying on
the mantle of the GOAT, anon.

Frank Ramsey laughs himself to tears:
since he won seven in just nine years.

Tom Heinsohn, K.C. Jones, Satch Sanders
and Hondo all have eight, ring ganders.

Sam Jones has rings to fill both hands
(that’s ten for all math-challenged fans),
won in twelve years, as truth demands.

Meanwhile, the only GOAT we know,
Bill Russell, has one ... for the toe!



Mating Calls, or, Purdy Please!
by Michael R. Burch

1.
Nine-thirty? Feeling flirty (and, indeed, a trifle *****),
I decided to ring prudish Eleanor Purdy ...
When I rang her to bang her,
it seems my words stang her!
She hung up the phone, so I banged off, alone.

2
Still dreaming to hold something skirty,
I once again rang our reclusive Miss Purdy.
She sounded unhappy,
called me “daffy” and “sappy,”
and that was before the gal heard me!

3.
It was early A.M., ’bout two-thirty,
when I enquired again with the regal Miss Purdy.
With a voice full of hate,
she thundered, “It’s LATE!”
Was I, perhaps, over-wordy?

4.
At 3:42, I was feeling blue,
and so I dialed up Miss You-Know-Who,
thinking to bed her
and quite possibly wed her,
but she summoned the cops; now my bail is due!

5.
It was probably close to four-thirty
the last time I called the miserly Purdy.
Although I’m her boarder,
the restraining order
freezes all assets of that virginity hoarder!

6.
It was nearly twelve-thirty
when, in need of something skirty,
I rang up (to bang up) the reclusive Miss Purty ...
She hung up the phone
so I banged off, alone.



Hot Cross Buns
by Michael R. Burch

Lexi, Lexi, Lexi,
so lovely and perplexy,
please meet me for a meal
spicy and Tex-Mexy.

Done with hot fried fritters,
bend over, show your knickers;
then, as your *** cheeks redden,
ignore the public snickers.



New Year’s Dissolution
by Michael R. Burch

The year draws to a close ...
Who knows
where the hell the time goes?

I’m up to my nose
in ill-fitting clothes!

They canceled my shows!
My corns grow in rows!

And yet I’ll survive ...
Perhaps ... I suppose ...

So let’s ring the New Year in
with tonic and gin
and greet the foolish Babe
with an even-more-foolish grin!



Her Whirlwind Life
by Michael R. Burch

for Tallulah Bankhead

“Never slow down
or someone’ll catch up.
Virgins are boring,
give me a ****.”

“Male or female,
it really don’t matter.
Life is too short
to live it in a halter.”

Keywords/Tags: doggerel, nonsense, light verse, light poetry, humor, silliness, limerick, jingle, jangle, mrbepi

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl said he looked like Charlie Chaplin his downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance  he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in the mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in brown hair cut to shoulders she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole idea of finding someone is absolutely draining

3

they do not see each other walk right passed she in a hurry late to yoga matt slung across back handbag slung on shoulder wallet forgotten under front seat in truck he is distracted in thought wondering is he afraid of women gynophobic the air on the street is heavy dense he smells his own perspiration feels exhausted appetiteless almost nauseous they each simultaneously consider what if i lived in New York City or Chicago what is it about Tucson its small town politics gooniness poverty criminality amateurish dramas hour to Mexican border both wonder is Tucson the problem would i find a fitting lover more freely with less difficulty in some other place

Something original. Of newer words, that originate from the pleasure and happiest of timeless incidents. The happenings, back of the park, near a set of restrooms, a pool of clear sea water and a purplish-red starfish. A sea cucumber. Trailing sea lions diving off of a cliff, a vertical display of rocks, moving a millionth of an inch each year. You caught me.  --------

I can't nail it. It happens to me when I sleep, it comes around me, over my shoulders and latches onto my breaths. I'm breathing and it creeps inside of me like a mealworm, I turn to look for it and it disappears again. It lives in a shadow but it is also a shadow of itself. An anomaly, a space for time and the tell of time, its hidden agenda, its positive nature, how it yields itself to prey, how it coos for a sweet smile, runs up to me in mid-day traffic, and kisses me, noon at military time.  ------  

The blessings come. All of them. Laid out on a table in red and white checkerboard, making the eggplant parm and the homemade vinaigrette. Peanut butter chocolate chip vegan cookies. A dandelion necklace that only fits around my wrist. It makes me weep some twenty years ago on a Playskool slide, orange, red, bright. I'm looking around my neck and still it's not there. Every where I want to be, every where I've gone and could go. I should go to California too but all of this...stuff, everywhere, under my legs, in my pockets, the closets tumbling high and low, I haven't had enough to change, and still I am wanting something else. You the same, my shoulders tell me stories, I listen and I fall asleep.  -----  

Sometimes my nerves grow quiet, my words grow- but then they just fall again, skittering in a lull plash of blue-green pond water. The bench I sewed to the ground. A tale of mirth and woe. I cannot call on you, you will not come. Sleeping beauty, blue eyes, blonde hair. I wrestle you in the day to day, the hour to hour. Minutes cannot go by. Pages that turn but I remember everything. My mind will never go.  -----  

Two pink letters in the post today. Maybe neatly placed for you. A fake-tattoo puffin, upper-left hand corner. My hands are empty, they have indecent memories, they write indelible superpowers. I can't go on. I run lake water over my ankles, slowly drift beneath arcing waves and cold grey skies. Half a day blue goes black, night comes and I whisper when the sky goes quiet. Nothing is as serious as this.   ------    


In a white box there are two pairs of shoes and a soft bear. The bear without the name. He doesn't speak to me so I leave him with the sea birds. Put them in a push cart and show them off, I take them here, I take them there. No one asks his name, where he's going, what he's going to do. ------------


Tuesday's are the worst. I count and count and count. I will never forget Tuesday's, twisting like a cuneiform jelly, fingernails spoiling me-meat, breaking the Styx crossing the river Rhine, there is nowhere that I will not go, only for me to cross time. To wait, I really hate waiting. Nothing comes between, I lie to a stranger and they fall in love instantly. I see you on Monday evenings and I want to kiss you gently, the sides of your neck, on the inside of your hand. Where do you go when all the shadows go? ----

Some of me is backwards. The waves shape the sky. A rabbit goes with a fire truck, a blueberry with a cephalopod. Back to the soft wood walls of the cotton luxe room. My legs have never felt so safe, you have never made my teeth so happy. In Russia you touch my face, I see you, a picture of you, any part of your eyes or the things you draw upon and I am instantly in love. I love you, a part of you, all of the parts of you, your soul is the only part of me disconnected. You are the happiest moments of my pleasure. You taste like Tahitian Vanilla and Acai berries. Gold grains hit our shins as we go like great wild horses through the alluvial plains. -----

I cannot count to you. There are no goddesses in numbers. I only have sleep, for you to look me square away into a bliss I have in a picture of the two of us, lost in our faces, our hands wandering each others knees. I sit across from you and I am not close enough. I go closer and I want to be inside of you, all across my limbs expanding our spiritual forms, intertwining in our skins. So I speak, I lay my words gently in front of you so you cross them as you walk our path, back from the sea into a narrow slumber. Sleep is the only place we all can play. You, me, her, her, and I.

dith Baker, was born in Athens ancient greece the middle of Spring and her parents
were Tom and Elizabeth Baker and they had 2 naughty brothers
named Ned and Jonithan who teased, and they looked like 2
big tough boys with heaps of muscle in their legs, and they told Edith she was a puny little girl, and a big wimp, and the boys said
they have more power than you loser girls, So Edith let us boys win
young edith let us boys win, and Edith ran to her parents crying and
they said, don’t worry about those boys, they can be tamed, and
Edith went to her room and said, i will find a way to tame those
naughty boys, yeah i will chop them up, from their juicy legs, and
have them for dinner, you can’t catch us ya girl, and the boys went
out , and the keep it secret who they actually were.
then the boys were attacked by a nasty witch and they were kept
in the witch’s back garden shed, with the fire on high, and the boys
yell out HELP HELP, PLEASE SAVE US FROM THIS MEAN LADY
we are only young we aren’t ready to die, please let us go, you see
Athena, put her power into Edith to defeat these boys, Athena made edtih grow into an adult to scare these boys out her, cause
she is the more powerful, than anyone on earth, and Edtih was
really suffering, and then Edith/Athena brought Ned and Jonithan
down to her dungeon, where she will keep these naughty boys till
they learn that teasing Edith baker was the worst mistake of their
lives, Edith was having a great time with Athena’s power giving these boys complete hell, and Jonithan said to Edith we are just
having fun with you, ok, i don’t want to change the world this way,
and Athena said to Edith, start with fattening up Jonithan, you see
he is expressing himself, he must be Cronus, cause he is the only
one that knows how to express himself, and jonithan said, Edith
don’t **** me, you are not going to pass go if you **** me, heh, and
Athena, fed Jonithan delicious treats, and after 3 weeks, he became a nice juicy fatty boy, and Edith with Athena’s help, cooked
Jonithan up and his bones were the only thing left, and Cronus was
discovered, as a religious god of Ancient greece, and Athena let Ned go home,and got out of Edith’s head and they lived happily ever after missing Jonithan but still lived happily ever after,

and on the following christmas two twins, Hansel who is Cronus, and his twin sister Gretel came into the world and lived  on a very rundown farm, which way back somewhere used to be the city of eternity, but Wanda Gray, who is the wicked witch, who used witch craft to destroy eternity and force the whole of mother earth to be destroyed and
humans will die, and Hansel and Gretel”s parents who lived a normal life in eternity by just normal family duties, and Hansel was
a great Rugby Union player, and he was a pick of all his friends,
and he was also a bit of a joker, making fun of Gretel every day,
making their parents very stressed out, mainly because Gretel was
a lazy girl ya know, never did anything constructive, and when Gretel said leave me alone, Hansel refused to listen to her, saying he was too tough for this mamby pamby girl, she just wants to play
with dolls and do all whimsy girlie things, and when Wanda Gray’s
plan to destroy eternity worked, every human was destroyed except for Hansel and Gretels family, and the father sent Hansel and Gretel off to find peace, and they walked in the destroyed debree of what was eternity, they came up to this old house,and Hansel recognised this place as the Rugby Union football club that Hansel
was a part of, so they came up to the front door,and hansel was
hoping to see his coach, cause he was too young to understand that they were the only civilised people on earth, and they knocked
on the door and then Wanda Gray who was the wicked witch, and
she put her mouth around Hansel and Gretel and brought them down to the dungeon, and Hansel and Gretel were screaming, saying HELP HELP LET US F..N GO WE ARE STUCK IN HERE FOREVER, after a few days, Gretel became very scared, as the only human she can see is her twin brother Hansel, they spent two
years down there, and Gretel was too shy to stay strong and was
getting weaker and Hansel was still trying even with out food, he
tried to keep the mascular part of the role of the male.
then Wanda Gray came back and said hi gretel, you are weak little girl aren’t you and then said, why aren’t you like that, you see Hansel had this plan, he just managed to weaken the chain, so
when the witch came he got free from the chain, and kicked Wanda Gray in the shins and it knocked her over, but Hansel couldn’t save
Gretel, so he just ran off, and then the witch got up and then stabbed Gretel in the stomach and after 2 hours she was dead, and
Hansel was nearly 12, and ran outside and then got a few old branches and push them against the door of the witch’s den, and then ran off into the fields, and then Hansel was puzzled, he was running in a direction, that his home was, and he couldn’t find it anywhere, so he ran back to the witch’s den, and he couldn’t find it either, and Hansel was scared, it looked like that Hansel was the only kid on earth, and started to run around the fields, and he was enjoying himself, and there was a big rainstorm that came into the
fields, and Hansel was picked up and went sliding down the hill and
fell asleep for 3 hours, and then Hansel woke up, and there was this giant Tyrannosaurus rex, and he looked mighty hungry, and then it started to chase Hansel through the woods, and Hansel was
sweating from the run and the fear that this dinosaur was going to eat him, and then Hansel slipped over and the tyrannosaurus rex
suddenly got out of the picture and then a deinanychus suddenly
came into site and fixed his eyes on Hansel, and Hansel found himself cornered by the tyrannosaurus rex and the deinanysaurus
and then a Megalosaurus came down and pushed Hansel down
into the ground and Hansel thought straight away he was going to
die, but he fell down on a patch of leaves laid down in a way like a
bed and this was the work of Athena saving Cronus, who was Hansel, and Hansel slept for 23 years, and woke up, and he looked like a new man, and he had Athena and Gretel, trying to rid evil out
of Wanda Gray, trying to send her to her next life, as Jesus Christ,
and Athena said to Hansel, that for eternity to come back again, we
all must, have these new names, Gretel you will be Mary, and now
with the power of Athena, i will send you to Joseph, after this reincarnation is completed and Hansel you are Cronus, as i told you and when i give you the warning you are going out there with a combination of mine and your power, to keep the dinosaurs away from Mary and Joseph, and Cronus did exactly that, and went out
to Bethlehem and got all the kings horses and all the kings men, all together to form a wall from one side of Isreal to the other, and
they find a home in Bethlehem, and the story they tell children is a
bit happy, don’t want to scare them off, but as donkey with pregnant
Mary on top, and Joseph walking , the tyrannosaurus rex and allosaurus and the stegosaurus were trying to get to the other side of Jereasulem and as they arrived the kings men got their guns out and said ready aim fire and every man fired at every dinosaur, and
the Anklylosaurus was the only the kings men couldn’t beat, so they chased him right around the country, and Cronus while that was going on was around making sure that Mary and Joseph can get to
the Inn in Bethlehem without any problems, and then this Anklylosaurus was nowhere to be found, and the kings men, decided to track down a source, to rid the dinosaurs forever and save this world from those terrible animals, so the source they found was killing the dinosaurs eggs from the tree they were carefully put,and the kings men fired their guns 5000 times into the
ground and after 4 days of doing this, they finally are achieving their
goal about making dinosaurs and then the kings men travelled through the fields and the Ankylosaurus, was running aroung having a wow of a time, and then they fired and fired and then just as they were losing bullets, the lizard was dead, and then Cronus
got Mary and Joseph to the inn, on August 23rd and she was nursed there till december 12 where Jesus was born officially, and
this was time to celebrate for everyone, they played, silent night
and when a child is born and away in a manger and jingle bells and
a very good version of It came upon a midnight clear, that as soon
as christmas eve was finished at midnight, the start of christmas day, Jesus was christened, the saviour of God,or buddha, or mohammed, anyway Cronus did a chant to start the ceremony, saying, ummmmm ummmmm um diddly dumb  dumb ummmm
welcome Jesus Christ to this land, every girl and boy and woman and man, um diddly dumb, umm diddly dum dum you see everyone is here to see, the kings men, killed each dinosaur to bring us peace, ummm diddly dum, and Cronus, then sat down and buddha
got up to also christen Cronus, for all his great work on bringing Jesus here, said you are now ST Nicholas, and then St Nicholas had to mend the feud between david and Goliath, and this was going to be hard, but St Nicholas, said, how about this Friday night,
New Years Eve, we will see the New Year in with a great fight, first
i will fight david and after that i will fight golliath, and then, david and gollath both had a duel to end the night and they still wanted to
**** each other, you see david beat St nicholas and gollath lost to St Nicholas, and then the last duel looked like david was doomed as
Gollath had him about to fall down a twenty storey medieveil building, and St Nicholas, went up there, and, used his powerful sword to bring david and gollath to safety, but then, well, they all went down to the party, and at midnight they screamed out 10, 9
8, 7, 6, 5, 4, 3, 2 ,1, HAPPY NEW YEAR, and then they sang auld
leng zine and also St Nicholas welcomed a tiger to be trained to
protect the village from stowaways and then St Nicholas was walking around and met up with John the Baptist, and they were both having a chinwag, and Moses and Jesus who are known to be
very wise, said, to John the baptist and St Nicholas, you know the best thing that you 2 must do, is have a debate about your visions
for the future, and we will ask everyone to vote for whose views are
greater, and then, we’ll tell you who wins, and John the baptist and
ST Nicholas went away thinking about what they will say, but Athena wasn’t at all amused, because she hates competitive games, and ST nicholas said, competition is a great way to bring peace to this land, and with competitions, we can have fun stuff all
through each generations, and Athena said, ok very well, and then
after 4 months of deciding what to say in their debates, the debate was just about to start, and here it is

ST NICHOLAS

heaps of fun for children
enjoying new generation music
inventing ways to have real fun
not wanting to ****
but would **** to prove a point
keep the death cycle fun with great
stories about reincarnation, from buddha
untill eternity is reached i want all my lives to
start from scratch
and to enjoy parties in any shape or form

John the baptist

inventing the holy bible to stop people suffering
start up a building for people to feel at ease about
losing loved ones
keeping generations safe from death, cause it can
create problems
killing Jesus at age 33, on the third day of the third month
for our sins
and attempt to stop war by inventing the word religion

and then each member of the town had their chance to vote and
after 4 months of counting the votes, Moses and Jesus, announced the winner was John the baptist, apparently St Nicholas’s views were a little unrealistic, and then St Nicholas got out his sword and threaten to **** an innocent bystander, cause John the baptist was
planning to **** one of the jesus christ, he said, he is going to **** you
Jesus Christ and Jesus said, the townsfolk thought John the baptist was more right in the money, and then St Nicholas killed this 23 year old man, and then said, live in your own town without me, i quit this crazy life, and then ST Nicholas went to the ocean near by, and
threw rocks into the ocean, trying to play skidding games to see how far he can throw, and a boat of 323 armed bandits, put a blanket over st nicholas’s head and locked him in the dungeon and
started to sail toward Antarctica, and then they threw St Nicholas
into the ocean, and St Nicholas was starting swim and arrived on
Antarctica, and then walked for 3 days and then noticed this little
village, and it was great, it had great little houses and candy cane
fountains and a great stream going from one side of the village to the other, and in August of that year, St Nicholas started to dress up the place a bit, with his backyard he had the largest work centre on the island, where he got into making toys for the kids of the island and handy things for the adults on the island, you see, St Nicholas
did this all himself, no there weren’t really magic elves, no that is to
make christmas fun again, st nick did all this himself, and also made his stage coach out of fence palings and chopped up a pumpkin into very thin slices, and made that the floor of the trailer and where he sat and used Butch the brumby from the local farm as his guider, and every year till he was 323 years old, delivered
presents to every house and he will even drop in to speak to the
kind folk as they offered them biscuits to go with his nice cold beer
and on Christmas eve on St Nicholas’s 323rd birthday, Athena used her powers to bring upon the people of Antarctica a very big blizzard, which wiped out the entire village, and when the blizzard was at it’s worst, St Nicholas was given a gold beer mug, with the
words St Nick forever and ever in our hearts, but as St Nick was leaving they were snowed under, and there was no way of getting out, and all the people parished, and St Nick, was no more, just an
image, to be captured in future lives, you see Cronus took over to
rule Ancient Greece, and Cronus lived with Athena in ancient greece for 100 years, as brother and sister, never to be stopped
and i am St Nick, Cronus, Hansel and Jonithan,

© 2014 writer joe

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writer joe
Canberra, ACT, Australia

About
you see i have a mental illness and i express myself through imaginary poems and stories and my stories are in depth, but art is like that, i would like my writing to be good enough for television.. more..

Writing
<noimaget.jpg> THE PARTY THAT ROCKED LA
A Story by writer joe
<noimaget.jpg> my concert on jupiter moo..
A Story by writer joe
<noimaget.jpg> chrmical in the brain
A Poem by writer joe
[more writing]









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© 2006 - 2014 Aresta Enterprise LLC.
B

where will they take me
this thick, whirling cloud
of birds?

I lower my shotgun;
my targets were to be
a skein of geese

(corpulent, impertinent
avian freaks I have seen
peck children's shins)

these smaller birds
perform a choreography electric,
black against blue

now I know the meandering
meaning of mesmerize--my eyes
glued to the skies

more agape than the hunter
in me--wishing to watch this wave
undulate an eternity

but alas, the flock turns
into a naked sun; I am forced
to shield my eyes

my hand blocks the blare
of light, with it, the whipping tail of
their liquid flight

when I lower it, they are
but a haze near the horizon, performing
magic for another audience

You’re wishing plus wanting
to win the other side
remove your pride,
you untied tidal pool,
the wide subdivide of these paper pages.

Unrelenting numbers
remind you of the next stages,
taking you wildly to Namibia,
surrendering you to Zimbabwe,
the terminal station.
The narration vocalizes the translation of quotations,
your obligation to the violation of the rules, the regulations,
vulgarization of spoken word.

Pretty paintings plaster typecasts,
the pitter-patter of pity’s pretty ******,
quickly shifting refurbished velvet sofas.
Overcast symphonies outlast
witty recast stanzas,
scores with notes naturally quote
verses romancing seltzer spines
noticing the negotiation of sore throats.  
Oblivion’s oblivious to the people,
obnoxiously obscene with syncopated
saturation of public vital signs.

You’re the vain strain of virus
photocopying yourself within skin,
waste your sin on tattoos trapped on shins
safety pins selecting prints
pinning sets of twins to tanned wrappers
protecting official reports.
The ossuary welcomes records printed on thick paper
suspiciously missing skeleton swords.

Writing stories reversed while tipsy,
quickly preforming risky poetry smog,
sweetly omitting secret words,
trying to spell simply without the proper prologue.

And now,
Ladies and Gentlemen
The story of a man
Who lived and died inside his own head
Came into this world on a whim
And left on a whisper
Leaving behind just his footsteps
For the waves on the nights
Darkness came too early
To wash away,
Clean to the bone
Leaving just the shiny purity
And reflections for those interested
In the forest,
As all good mad men roam,
He got lost on the edge of,
Between beginnings and endings
And no real divisions.
Occasionally, finding a wise man
To split his time with
Making it the three of them
Him, the man,
And them together
Roaming with direction
But still purposeless
Because a purpose
Would be their downfall.
He feels most comfortable
When he is certain there is no guide
No difference between territory, charted
and uncharted
Because there's no one to make maps
Only forays forward
Leave the paths clear
Spontaneous insight lost soon enough
Mystic Seam on his forehead
Childish gleam in his one blind eye
The Silly Being
Cutting his way
Through the molasses, thick
Of time
Space, inconsequential
But he knows,
The only certainty he dares carry
Is that heaven,
Heaven, doesn't begin.
Cannot be reached.
The pearly gates are grim
Not a soul passes through them
But too many
Leave through the alley exit
For Heaven is not a place
Heaven is time
Time well spent
Because the burden of passing
Is forgotten
Destroying gates
And slicing meaning
Road block!
Why!
Only in my head!
Detour!
Runs out of steam
Pure words
tainted
lost again
run off the road
missed the stream
Back to a story
A story of myself
Framed in bigger terms
Thoughts, thinking of big
And ego eating dinner
It's what the doctor ordered.
Trying to convince
What it could be, nothing
to be nothing
go nowhere
while paths grow and clean themselves
Srubbed raw
swallowed by my
tallest trees, growing richly
inside a small world
with deep holes
to **** and cling to
Being Nobody is an Overcoming
Defeating the propaganda of Somebody
The self lies
It can only grasp
Fruitlessly
It finds for itself
It can't see beyond
No!
Never that simple!
To save yourself you must save the world
Only fools grab all they can

"Only fools rush in"

Only fools stay back
Playing with fire
It's a prophesy
Doing it because we can
Is the route to go
The only route we know
There are no reasons
Sometimes directions
Even if they lead nowhere
Right back atcha'
Screaming, cuddling
Cuddling?
I'm not the sentimental type
At least,
I pretend not to be
Maybe it shows
I don't know
That's what it comes down to
Yeah,
I don't know

I can't remember a single thing I heard on the news
Even if it's all engrained in
My bark brain
A pair of loveless lovers
Wanted to prove to themselves
So they cut into my soft brain
Their own story
And I would return the favor
But I lost the binding to the pages
Of my story
But if I could so humbly request
O,
Greatest Story Tellers
And Yarn Spinners
Of our time
I would very much like it
If I was, humbly mind you,
The Greatest Story
You ever told

But Nameless
It would be my overcoming
There would be no excuse
Not to do great things
Even better if no one
Knew that I did them
It would fill my heart
And be a great conversation piece

"Hey Ladies..."

Pull up one eyebrow
Flip out my pocket-halo

"I've done it, done it all.
Not that you would know"
Just the way I'd like it
Then remind myself
I hate bars
And talk a walk home
Late at night
(Okay, maybe a jog)
(Fine, a sprint)
The night suffocates
If you hold your own neck closed
It's a nice change from day.
People have finally turned on
Engaged
Maybe its the fear,
Time to relax
I've forgotten that
But seeing others alive
Is the last thing that reminds me, I am
I am, too.

And, I hate heredity
It can make folks forget
That
They are, too
I inherited nothing
Except confusion
And that's the only gift to offer
Because
You know you love someone when you can be
Confused, together
It would bore me to death
If we could understand each other
That might just be
My Neurotic Impotence talking
Looking for an excuse to shiver in place
Yes,
Neurotic Impotence
not
neurotic impotence
It's my second name
I hate middle names
People keep them secrets
For no reason
I hate secrets
Secrets don't exist
Somebody always knows them
So they can't be very secret
National Secrets, too
Give my my cut
I'm a gossip
And I've run out of stuff
To ride conversations
Straight into
I don't do enough weird things
Or get involved too often
To tell a good story
The windows to my mind
Are sufficient
I've been informed,
That they're quite pretty, also
Makes me feel a bit better
About all the time I've invested
At staring at the tops of trees

Not much, actually

It makes me look pensive, I think
Almost like I know what I'm doing
That saddest part is that
I'm not completely lost either.
Hovering in the middle
Neither here, nor There
Typical, I suppose
So's indulgence
But I say,
Kids,
Older folk devoid of experience,
Indulge
Only in yourself, however
Indulgence isn't the problem
It's not knowing why

Now let me preach a minute
True prophets
Ask for nothing in return
Not a dime,
The good ones,
Not even your attention
They stand on their private
Street corners telling to the stars
In both hushed whispers
And crashing screeches
About what they think
And the day the find
A disciple
They will be pleasantly surprised  
Because that was never part of the the plan
They are prophets
And saviors
Because they are the select few
Who saved themselves

And now,
The man we talked about earlier
He's still alone
He's a bit afraid
Enough so to not find someone
To tread the waters with him
Because he is an almost fearless man
He doesn't fear scenery
Place, and time all the same
It's the implications that weigh heavily
On a psyche that's already burdened itself
On long bus rides
To remind himself (and his good pal,
psyche)
That he isn't going anywhere
The city he thought he was bored of
Has slipped into the background
And now that the future
Might just
Actually happen
It's time to freeze in place

It's a nice break against the pushing
rush of reality
To stop and smell the roses
While right behind
His back,
The world implodes
The sky blossoms open
Only fools rush in
Only fools stand back
Survey the scene and you
will lose the gist
The parts will show themselves
And you'll miss the whole
That's where it's alive
Don't get so caught up in the pieces
It's the weight
You'll drown in
It's a little death in the family
Enough to shake it up a little bit
Thanksgiving, dig in
One less the thing to worry about
And one more thing to write off
I'm sure there's a grand deduction for it.

Remember when I said I hate things?
That's not true
I don't hate anything
Things only exist, and are
Because other things are
That they aren't
And I can't love
So there's no hate
Nothing to compare it to
It's more of an empty feeling
With a silver lining,
It passes quickly
I haven't found the thing I just Hate yet
There's always a catch
Call the Holy Hotline,
There's always a catch
We're here for your calls, 24/7!
Heaven is neon
Brothels, tight lipped doors
It's
Sanctified Skidrow
Baptized in Hard Liquor out
By the chalice alley
The heavenly Saints
Who were brought down
Straight from
"Up There (He's smiling down on us,
I swear I can feel it, if I strain really hard and pop the blood vessels in one of
my good eyes, He's there, He's always there. I swear, She told me so,
Late at night, screaming o god at the ceiling, That's when I feel him,
***** blood and Canonized ***)"
These saints, now,
Or perhaps Saints,
Mumble to themselves
And sing invisible praises
It's weird
The visionaries are all weird
But to be insane in an insane world
Offers a sliver of freedom
Between all the crucifixions and handcuffs
White noise, and head banging

I never got
What other people called
Soul Searching
Because I did it everyday
Being broken down
and rebuilt every week
Goodbye o, Worldly World!
Not too cruel
But never too nice, either

This is not the end
I realized
That there is no end,
Is there?
That's the only certainty

And the man asked me,
"There's no end is there?"
Cigarette in mouth, limp
No, no
There never is
And the walls
We have built
Will collapse
If we turn our backs on them long enough
And soon enough
The Hopeless
Caught on each side of the wall
Will have to to unwind
Themselves
From the thick braid
They've found themselves in
Insanity
Unwinds the same way
Curling inwards
From the corner of my closed eye
Fractal Freedom
In a million parts
Twisting into
The beautiful whole
To be at liberty
To uncoil again
Back here again?
Always back here
Insanity
Before and again
And the big wide world would
Drive you so
If you dared understand it

I think I
Might just be part
Of an elite class
The ****-ups
The movers and shakers
But never the pushers
The world rotating around them
Looking for an in
Exits to nowhere aplenty

But right now,
I sit Here
Sterile, and sick
The man's voice buzzes, and rattles
Like the old AC at my grandma's apartment
The air,
Almost as dry
His low hum splits would could be
A comfortable silence
And I suppose,
That's why they think we're here
For all the "could be's"
The first words out of my mouth
Are a shrieking car crash
The mechanical man
Has such a grip
On the Atmosphere
His cogs and wires
Are free from the disease
That i Am
Rotting in my seat
Outside, where I cannot go,
The sky is static

Why is it static?
I'm afraid
It's been that way too long
And now my walls melt into the sky
Buzzing and Flickering
Low Light
The worst
It's now a diagnosis
Tell me what I have
Please oh please
It's in my head
But feels like my chest
Sitting in place
Might be
Cruel and Unusual
Long walks on the beach sound nice
But alone
If you can be with me, and alone
You're the one
-Aw....thanks me!-

And it scares me,
Like many things
The dreary rounds
I make each day
That I've built my own prison
I might just find myself
More free in a cell
(Free up my schedule a bit, just a bit)

And facing that mechanical man,
My voice dries up
Pulling my thoughts
Down with it
Flush
A soft touch to
The hard lighting

Uh,
Maybe I need to lay down
Where the grass cuts my shins
I've given up
There's nothing but god above us
And nothing below us
The sky is god
And it is empty.