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Love, the world
Suddenly turns, turns color. The streetlight
Splits through the rat's tail
Pods of the laburnum at nine in the morning.
It is the Arctic,

This little black
Circle, with its tawn silk grasses - babies hair.
There is a green in the air,
Soft, delectable.
It cushions me lovingly.

I am flushed and warm.
I think I may be enormous,
I am so stupidly happy,
My Wellingtons
Squelching and squelching through the beautiful red.

This is my property.
Two times a day
I pace it, sniffing
The barbarous holly with its viridian
Scallops, pure iron,

And the wall of the odd corpses.
I love them.
I love them like history.
The apples are golden,
Imagine it ----

My seventy trees
Holding their gold-ruddy *****
In a thick gray death-soup,
Their million
Gold leaves metal and breathless.

O love, O celibate.
Nobody but me
Walks the waist high wet.
The irreplaceable
Golds bleed and deepen, the mouths of Thermopylae.
judy smith Nov 2016
Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses
Poemasabi Jul 2012
The human mind is an interesting thing
Mine is very
As it tends to wander
I mean
Explore

I have been told by an authority
My wife
That she's never seen one like it
Although how she can see a mind
I don't know

She has seen a lot in her life
Both with and before me
She was a Travel Agent
She's been to Turkey
I like turkey

I made an interesting stuffing for turkey once
It was during my time in the seafood retail business
In a fish market
It, the stuffing I mean, had shrimp, scallops and crayfish in it
My wife didn't like it much, she's of Irish heritage

She's been to Ireland too
Twice
Once in college and once with her family
Ireland is where Delorian made his cars in the 1980s
Before he was arrested for trafficking in *******

I have not been to Ireland
I have been to France, Belgium and England
I stayed in Waterloo Belgium for two weeks
In the 80's
When I was 25

Waterloo is where Napoleon was finally vanquished
Beaten by an Englishman
They have a monument, the lion, on top of a big hill there
I had to climb it twice
The first time I forgot my camera

I got a new camera recently
A Pentax
I have had several since Waterloo
The camera hasn't been anywhere interesting
Just my back yard

I use it to take pictures of birds
At our feeder
In the big maple tree
On the ground
There is even a turkey that comes in our yard

My wife's been to Turkey
She was a Travel Agent
Sarina Aug 2013
***
It made scallops on my shirt, dried like salt
in seashells —
the final appearance of our love.
I
could have mourned it
as if it were more than the possibility of life
disguised by a million tadpoles. A whole

day, it took him to get home
it may be even more
miles than my body fluids travel in a week.
His, still on my shirt. Hits my knees

(always the knees, have built oceans on them)

He thinks he left, but it was I
who cleaned sand castles from all my crevices

he thinks he left, he
the snail
I have
caught up in years of needing to be ******.

He thought he left, but white beaches
are still in my dresser —
it is what remains.
I am so tempted to say, "your *** outlived you"
but it would not be the
first time his **** did the work for him.
NDevlin Mar 2012
Buy me chrysanthemums
Not lavandula or geraniums
Or phalangium with their low hanging bulbs
Why don’t you know I love chrysanthemums!

Chrysanthemums, Dahlia…Hera…Willow?
Lillian! Lillian,
How could I take chrysanthemums from Lillian?

You should know. I shouldn’t have to say anything! You should know.

Buy me Viognier
Not Muscat or Chardonnay
Or Furmint with its corky taste
Why don’t you know I love Viognier!

Viognier, Vionnier…Vienne…Vienna?
Dalmatia! Dalmatia,
How could I take Viognier from Dalmatia?

You should know. I shouldn’t have to say anything! You should know.

Dalmatia, near Sibenik
From where I dine on scallops,
Or do you not know that I love scallops?
If not then you should know that I love fickle, false and fair
It’s my nature and you are my nurture
If you did not know then know this, love’s a hapless farce
Lauren C Sep 2012
The scallops squat
in their queer little cesspool,
small moon-white
skulls, vulnerable
like bare flesh
and hissing and spitting
in their juices,
gelling on the edges
like late November lake ice.
Dumpy little membranes,
they're applauding! -
percolating and foaming
at the mouth, and quickly,
now roaring - ecstatic
in a watery grave
that looks and feels like home.
An exercise, of sorts
zebra Jul 2020
with the lust
of a 14 year old ***** boy
playing hooky
eyes   blink orbs
riding the bumpy
**** grind yields
a mental representation

her ***

a Coney Island ride
reciprocity of tongue and groove
a big dipper
and a hot dog
in a bun eating contest

i eye the shape of her legs
brahmana of form
**** cake butter scallops
with a prune skin ****
***** dark little sister
going along for the ride
with hidden talents

om shakti om
holy donut with a zit


rubbing myself
a peripatetic command
like I had the junkies itch
in a bearded clam sea
of black nail claws
like musical notes
that tear flesh
hegemony of *** art

make me bleed *****

Tangula The Exotic Shake Dancer
moves infallible hips
and dancing hands like octopi
tickling bloated *****

ta-ting go the finger cymbals

smiling she called pip squeak
colossus of her dreams
flick tongues the meringue
licking the
shimmering tantra pistol

finger up the **** hole
brings a prostate exclamation point
and a throat gag lyric
for a wagon train
of wrap around lips
zooming spit and spray
wet like scungelli

her *******
like cloud cookies
****** my mouth
gasper boy
chokes on
a marshmallow fire

i kiss her feet
and work my way up
the slippery *****
a starved dog

God told me to lick a girls *******
as a test of faith
The Devil himself couldn't stop me
Am I not to be congratulated into saint hood :)
PK Wakefield Jul 2010
d
softly
         and deep
                           and
                                    infinitely
and on and on and on
the night yawns  strenuous  **** limbs
uncoiled precisely fingers splayed groping the
hillocks. and loves the land with gentle laps
of the moons tongue. refreshed wholly with pleasure.
       pale towers undescent pillaring dully.
and the flaccid dawn scallops the piles of mountains.
    or about the lips, whom the (day sprays dew), glistening
on the cheeks. and i go quivering between its ivory legs. kissing
         her flexing belly. exactly arched. lip biting.

                                                                 emoc
                                                    rehtih; hither coming
giddy mystery.
                                  pumping string. gasping on my stomach.

                    naked sliver grin for me.
K Balachandran Mar 2014
On a white conch shell
like flowing teardrops
her name was written,
in his heart's blood;
this is the only record
hitherto, of his sacrifice.

On a coral reef
with every imaginable color,
his name was sculpted;
a real marvel that belies
the labor of love of long days,
her final dedication to the love of her life.

A deep sea diver, exploring
a long time after, strayed
in to this chamber of love secrets
by chance and finds
the relics of a mysterious love affair
that got lost to the human world for ever,
but  found an abode deep down
in the ocean depths
amidst crowding scallops, calamari and mussels

The explorer's eyes brim
a stream of tears,
though do not know
for whom, it was shed
adds salt to the ocean floor.

Love makes heroes out of
even timid and docile persons
let me tell this. it is difficult
to predict the ways love treads.
Johnny Noiπ Oct 2018
. During the summer, cats, two mothers and two mothers were very large. Hungry animals. Take care of the bat. Fishing is the main shoe. He died in Africa. And then he burned it into it. I have a golden ribbon in his hand. After play, plants, animals, wolves. I'm going to a temple. I have not followed your orders for many years, I could not find it on the cattle farm and killed my friends with a greasy calf. Great vegetation. From that day until night and evil. Is he the soldier? Flowers often clean the products scattered. Joseph Joseph Martin, 1790 Eastern Greece desert. All Martin Nantes is a high-quality black group, city brothers during the day, musicians, music awards, buying acid. "But in my anger, I washed the river from the pit Blood and sugar in the blood Blacks Tahitians Do not trade with money please Brittany Milk Italian smile Smile Another smile is born American girl ****** purpose Dejang, for example, Russia and the ideas of children I have to do what I need to meet my lover. "Christian Danger: Public Secrets Mysterious secret windows, windows, windows and windows and translations and tattoos, goats, scallops, squirrels. The new square is an awesome helper. Friends of young children and Japanese night performances are full of books, aircraft, gypsies and gypsies. We're full of sweet liquor, toys, regular reefs, rifles. "Leaves are my first job, what is the reason for the clothes? . During the summer, cats, two mothers and two mothers were very big. Hungry animals. Take care of the bat. Fishing is the main shoes. He died in Africa. And then he burned it into it. I have a golden girdle in his hand. After the game, plants, animals, wolves. I enter a temple. I have not followed your orders for many years, I could not find it on the cattle ranch, and I killed a fat calf with my friends. Major vegetation. From that day until night and bad. Is this a soldier? Flowers often clean products scattered. Joseph Joseph Martin, 1790 Eastern Greece desert. All Martin Nantes are high quality black team, daytime city brothers, musicians, music awards, purchased acid. "But in my anger, I washed away the river from the pit. Blood and blood sugar Black Tahitians Do not trade with money please Brittany Milk Italian Smile Smile Another smile is born American girl ****** purpose Dejang, for example, Russia and children's park ideas, I have to do what I need to meet my lover "Christian danger: secrets of public opinion Mysterious secret windows, windows, windows and windows and lintels and tattoos, goats, scallops, squirrels. The new square is a terrible help item. Young kids' friends and Japanese night shows are full of books, aircraft, gypsies and gypsies. We are filled with glory liquid, toys, regular reefs, rifles." Leaves are my first job, what is the reason for clothes?

. In the summer months, cats, two mothers and two mothers were great. Take care of the lost विच, witch in Africa. And then he burned it. There is a golden movie in the hands of O. After the game, no plants, animals, wolves go onto church that do not follow their orders for many years with no one taking over a beef farm and killing their fat friends with a pistol. Great vegetation from that day to evening and evil. Is he a soldier? Flowers are often deserted in Greece; Martin Nantes is a high quality black group before scattering products cleaned up by Joseph Martin, 1790; Brothers City, City Buy, Nusicians, Music Awards, Acid "But with my rage, I do not do business with black blood and blood sugar washing with Black African मनी," Britney Smiles, Christian At Risk»: Public Secrets' Your Ideas include hidden windows and window translations and tattoos, kids, cocktails hidden in shadows, new class of helper and a large gypsy. Sweet drinks, sports, regular Shelves, Bulldog "Gender is my first job, what is the reason for clothes?"
TOD HOWARD HAWKS May 2022
LOVE AND LOVERS

by

TOD HOWARD HAWKS


Chapter 7


“Read me some more of your poems,” said Bian.

“OK,” said Jon and went to get the box that contained his poems in the  closet. He looked through the stack and selected several of them, then sat down next to Bian on the living room sofa.

“The first one I’d like to share with you is titled SOUTHWESTERN KANSAS.


SOUTHWESTERN KANSAS

When you fly to southwestern Kansas,
you see a different kind of Kansas.
The land is flat,
the sky is big and blue,
and the folk, the common folk, well, they get along,
the common folk get along in southwestern Kansas.

On a ranch down near Liberal,
the black night roars
and the wind is wet.
All are happy tonight, for there is rain
and tomorrow the pastures will grow greener.

In the morning when the sun first shines,
the hired hands
with leathered countenances
and gnarled fingers
awake in old ranch houses
made of adobe brick
and slip on their muddy cowboy boots
and faded blue jeans
to begin another day of hard labor.

On the open prairie made green by rain,
tan and white cattle huddle together,
munching on green grass and purple sage.
A new-born calf bawls.
Her mother, the Hereford cow,
is there to care
and the baby calf ***** her belly full
of mother’s milk.

About 60 miles to the north
and a little to the west,
The sun stands high in a blue sky
dotted with little puffs of white.
At noon in Ulysses,
folk eat at the Coffee Cafe:
Swiss steak, short ribs, or sweetbreads
on Tuesdays
with chocolate cake for dessert.

The folk, the common folk, well, they get along,
the common folk get along in Ulysses.
They got a new high school and a Rexall drug store,
a water tower and a drive-in movie theater.
They got loads of Purina Chow,
plenty of John Deere combines,
and co-op signs stuck on almost everything.
And they got a main street several blocks long
with a lot of pick-up trucks parked on either side
driven by wheat farmers
with silver-white crew cuts
and narrow string ties.

Things are spread out in southwestern Kansas.
A blanket woven of green, brown, and yellow
patches of earth,
sown together by miles of barbed-wire fences,
spreads interminably into the horizon.
Occasional, faceless, little country towns,
distinguished only by imposing grain elevators
spiraling into the sky
like concrete cathedrals,
are joined tenuously together by
endless asphalt streaks
and dusty country roads,
pencil-line thin
and ruler straight,
flanked on either side
by telephone poles and wind-blown wires
strung one
after another,
after another
in monotonous succession.

But things, things aren’t too bad in southwestern Kansas.
Alfalfa’s growing green
and irrigation’s coming in.
Rain’s been real good
and the cattle market’s really strong.
The folk, they got the 1st National on weekdays
and the 1st Methodist in between.
The kids, they got 4-H clubs and scholarships to K-State.
And Ulysses, it’s got all that the big towns got–
gas, lights, and water.
So the folk, the common folk, well, they get along.
the common folk get along in southwestern Kansas.


“The next poem is SIMONE, SIMONE," said Jon.


SIMONE, SIMONE

Simone, Simone
I’m all alone.
Simone, Simone
I’m all alone.
Simone, Simone
please come to me
and bear your breast
for me to rest
my weary head
and shattered heart
upon a part
so soft and warm.
Simone, Simone
I’m all alone.
Simone, Simone.


“The final poem, Bian, is TREE LIMBS,” said Jon.


TREE LIMBS

A long time ago,
I used to lie on my bed
and look out my window
and watch the big elm tree
as it died slowly.

And I used to watch the cars
as they traveled by,
some fast, some slow,
from right to left, and left to right,
and wonder where they were going to
and coming from.

Once from my window
I hit a bus with my BB gun.
I was scared
because I knew I wasn’t
supposed to shoot buses,
even though it was kind of fun.

And sometimes I used
to hide behind my curtains
and watch the pretty
girls walk by my house
in their swimming suits
coming back from
the pool in the park.

But mostly I just used to lie
on my bed and think,
and watch the big elm tree
as it died slowly.


“I love not only your poetry, Jon, but also how you read each one,” said Bian.

Jon gave her a kiss.

They drove to the tip of Cape Cod to watch the sunset, then drove back to the Twenty-Eight Atlantic to have dinner. Bian ordered oysters, lobster “Carbonara,” kale salad, and scallops. Jon had salmon tartare, chowder, baby green salad, and grilled octopus.

“Well, I’m excited!” Jon said. “We have a tremendous amount of planning to do, but we will have the experience of our lifetimes, and my greatest pleasure will be sharing it with you.”

“D’accord!” said Bian.
Del Maximo Jul 2014
our part of Guintarcan
where family and relatives resided
was called, Li-og Li-og 1
a very large boulder at area’s end
resembled a disembodied head
lending the name, “small neck” 1

before the war
a peaceful private paradise
miles from town
beautiful birds
coconut trees
all sorts of seaside foliage

young married women
walked barefoot and *******
wearing only a sarong
wound at the waist
they carried round, flat baskets
atop their heads
full of food and other things

early morning, noon or just before dusk
men would be out fishing with nets
sometimes signaling each other
by blowing into conch shells
Father would come home with large conch
baby conch called bucawil
scallops and oysters in their season
he kept a jar of large black pearls
and small white ones

harvest time gathered us all together
Father would go fishing
to bring home a good catch
Mother, aunts and Grandmother
would prepare the treats
sweet potato, cassava and other goodies
men would bring chicken
and pigs to roast
and plenty of tuba to drink

they would build a big bonfire
by the shore
to light up the festivities
women would roast newly harvested palay 2
men would take turns pounding it
in a large mortar and pestal
starting slow then faster and faster
till they had to rest
and let someone else take over
onlookers cheered them
hooting and clapping
it would get so noisy
as the children watched in awe

after the pounding the women took over
shaking and shaking palay in flat oval baskets
tossing husks to wind with movements like artwork
what remained was placed in earthenware bowls
for all to enjoy this delicious 'pilipig'

singing and dancing into night
revelers went home drunk and happy
supporting each other as they staggered
waving goodbye to host and hostess
with a heartfelt and hardy
“Salamat!”


2 - rice with husks
© July 6, 2014
Ron Hurlbut Nov 2012
Gnats-eye lace scallops over
whisper-skin lady mounds as my free
range gaze, three thin sheets
to the wind, spies her midriff eye,
and tiny star-burst lines invite
tonight's tired sigh to imbibe life.
Lin Cava Oct 2010
In dreams I see her blonde hair
always in a pony tail
She walks along the shoreline
Scouring the sand for treasure

Light blue shorts and a striped shirt
She quietly wends her way
Bare feet in and out of foam
In her hands, she holds small shells

Delicate and colorful
Orange, pink, yellow and white
These were wampum long ago
Gone now, all gone from this shore

But there she is, eight years old
Golden, tanned, happy alone
Treasures, wampum in her hand
She slips them in her pocket

Stepping into the water
She sees something moving there
A scallop!  So carefully,
She reaches down patiently

Leads it with her hand until
The live mollusk slips right in
Clamping shut as she lifts it
It is beautiful, alive.

She knows they have many eyes
A bright blue like no other
If opened, they look like eggs
Cracked, sunny side up inside

Return it to the water
Watching for the many eyes
It hesitates, then opens
Jets away, ever backward

She lifts her face to the sun
One must notice those blue eyes
Then they cloud, time is short now
Soon the sun will leave the sky.

She runs for her red bucket
Half fills it with salt water
The water to her ankles,
She twists her feet, digs up clams

Chowders and some Cherrystones
Digging clams with little toes
Fills the bucket, off she goes.
Wednesday’s child is full of woes.
© Lin Cava 29-August-2008

I grew up on an island.  Clams and scallops, ***** and flounder were plentiful and available for the taking.  No one took more than they could eat.  I had bay fishermen in the family – and they earned their living from the bounty of the waters around us. This poem is about a girl growing up in just such a place.  Children this age are often not left to themselves.  She thrives in solitude, happiest there.  Notice there is no running or jumping or laughter.  This is meant to be a somber work.  The child knows that she is older than her years, yet she takes her happiness in those simple things that children do.  So might we all be awestruck at the beauty of shells, the feeling of a living creature with its own beauty, in our hands.  If only we could take the time.  In whatever life holds for her, the girl takes her childhood in whatever way she can.  Gazing over the water, whether it is the ocean, the bay or a lake, she often sees a woman there, a projection from within.  I often see the child in my work.  I am a Wednesday Child.
Creative Commons Copyright
Joe Cottonwood Jul 2017
El Niño scooped the sand 
clearing every scrap of driftwood, 
every construction playful of a summer’s dayful 
the slapped-together forts, dinosaurs, castles
now launched to Mexico, to Tahiti, who knows?
replaced by fresh fragments of forest 
twisted logs, battered beams
shed by Oregon, by Vancouver Island and Alaska
bobbed by current
to this windswept cove.

Beneath swirls of sunset
as Van Gogh might render
among scattered scallops, kelp, 
sandpipers by the hundred, 
one joyful dog
dances the landscape
expressing with his grin
this vast chaos
of delight.
I live back in the hills about 10 miles from this, my favorite beach.
First published in *The Avocet*.
Lesley Feb 2017
O'blessed Darkness cover me
Blanket the rushing words & flashing blurs;
The disjointed fragments of blinking walls,
Lights crashing off and on,
Blue, red, green-the marionettes dancing,
So many together and all alone.
It is all a show.

The hiccup of life, the vomiting dream.
I see my life before me;

A slush of goo,
The stink of this world,
Or is that the scallops & escargot?
What have you done to me?

Everything I do myself-
This dream, this life...
Why do I hurt myself so?

Punching mirrors, ***** on porcelain.
Dark, thick-
My throne for many minutes...

Time ticking, time ticking-
I was unaware.
My wooden box was silent,
My wooden life is tragic.

The voices through the walls,
Through the fog and haze-
You okay? You okay? You okay?

I croak a positive.
I have no steady legs-
When have I ever?
I have no:
stable brain
clear thought
decisive moment
steady action
fruitful journey-
All slipping through my fingers...
Like the vomitous goo of tonight.

Everything we have, we lose.
Owning anything is an illusion.
Holding on is meaningless.

I want to go home.

(Everything is nothing)

I want to go home

(there is no sense in anything)

i want to go home.

Please, hold me now.

*©Lesley Wood
To hear reading:
https://soundcloud.com/lesleywood/riding-the-nitsua-dragon
Khoisan Jun 2022
I
wonder
what happened to our love
for
nature
was told new ships get old
now I look up
enterprising scallops
trepidation
us
you and me
immature encrustations
at
the
bottom of the sea.
This time last year, I was waking up on a Sunday morning
Late, you brought me  home around midnight the night before
It was our first date as an official couple
You took me out to Madeline's, before it burned down
I was so uncomfortable, I didn't know what to wear or how to act
I wasn't use to it
You laughed at how bashful I was acting and ordered the scallops
This wasn't the usual for me
Eventually I warmed up and loosened up
We left and hadn't decided what to do yet, you thought about taking me to your house
Little did I know it was right down the road and soon I would be there at least once a week
We talked and smoked for a little
You told me how much you liked me and it made me nervous, I didn't know what to say
Then we drove to Reading, to save my friend and take care of Zach
We were good at it but we didn't want to be there
So we left and went to Blue Marsh were we sat and talked for hours and even fooled around
When we left I feel asleep, sitting next to you as I would many times in the future
No light weight pick up sticks or childrens game
these streets of age all look the pain we travel on
and along the way
that road of well versed stones speak to me of
skeletons and dead men's bones
and harlequins that never win the coloured robe.

Global warming swarms
more food to feed the flame
that leaps and shouts out 'who the hell am I'?
no wings, can't fly
can't feast on clouds that rule the sky
no name
more pain
more streets and terraced vol au vents
more wants than needs
the fire's feeding well
and who the hell am I?

The game of jacks and random court cards
highway tightwires trapped in backyards
tripping through the cabbage patch
match this if you can,
the cooking *** that will not get hot
the trying man that does not try
the winds that wail but never cry
a merry go round
but why?

A rest,
the day I test the temperature and paddle in just to be sure
it covers me
and the sea that doesn't see will take me
to the place where blind men congregate
and wait for..
..but it's far too late for me
whatever was meant that I should have seen
has been and gone.

Sticks more stones
no lack of mobile phones to spread the word of this disaster
stifling an insane desire to laugh at my own misfortune and already five before the hour of noon, when the Sun scallops lightly across the other sea of sky
I pull my socks up,don't know why they ever fell
who can tell?
Not I.
Sarina Jan 2013
Perhaps I will have love made to me
soon by a kiss that sloshes like sewage
and feet hung limp over the carpet:
our entrails laced in its plush, a spiral.

Mine tried so hard to reject yours –
as you sipped my pink flesh, coral hit
a very funny part of us I thought I
would bleed. But it was just me
opening, closing, opening & shutting.

The words were local: I need I need,
still enveloped an umbrella above
our pea-shaped, wintery things.

And spherical as scallops or stone,
I had mind enough to breathe in body
air, dust, slivers of your bedroom –
the corner where another love
will be warped & coiled inside of me.
Kate Lion Jul 2015
a shell of a man sat in a cavern by the beach
barely willing to breathe
and he watched as the fishermen in their boats went by
deep inside he would let out a sigh,
"if only my father had taught me how to fish
and we had been wealthy and had servants to dish
up our food
then i would not be sitting here in rags

i would be in a nice little house with a pretty lady and we would have three children or four
if i had the money, perhaps we'd have more
but, alas, i cannot

i am poor and this will never change."
with what little he had, he fed that rage
he sat for days
begged for food from the passersby
they brought him shrimp, which he claimed was too dry
"and these scallops do not have enough salt.
yes.  everyone else is at fault."

with an upturned nose he'd cry 'bout his lot
his body was famished but his pride was not
it grew and reared its head like a lion
all while the leftover food would go flying
in tempter tantrums of rage
because his lot would never change
he loved his pride more than his own head
so he fed the lion of pride instead.

one day, a man (new to the town) saw him sitting in the cavern as people gave him food
the man, as usual, in a sour mood.
the new man had never seen anything quite like it before.

"Why," he asked himself, "I'll be darned if this man has never been taught how to use a net.  If I be a man of God, I ought to teach this poor fellow what he'll never forget.  I shall go out in the morning and teach him how to fish."

True to his word, the man was there the next morning before the sun peaked, while the corpse-like body of the man was fast asleep.

"Good morning, sir."  Said the man, shining his lantern into the cavern.
No answer.
"Good morning.
I am Cornelius.  I saw you yesterday being helped by the people of the town, and I could not help but want to show you how to get around.  Teach you to fish, how to make it a dish, I would even let you steer the ship.  How would you like that?  If I teach you, it shan't take longer than a month, and you'd get money to get you out of this slump.  Why, any employer would love to hire you on if you could figger it out and show some brawn.  You would earn more than enough to eat.  Could even buy yourself some nice new sheets.  Perhaps build a home, wouldn't have to be alone.  Find yourself a wife and have a happy life.  Would you like that, sir?"
There was silence for a moment, and the voice from the bed of rock and seaweed mumbled, "It is far too early for me to be awake."
Cornelius said, "Why, sir, there is no reason not to be awake right now.  I am offering you a day on the sea, I won't let you down.  Some people pay money for that, they do.  I haven't much time, I need to know if you'll come, too."
The mumbled voice, "I haven't any shoes, I could get splinters in my feet.  Besides, the morning mist is sweet."
Cornelius, "Why, I have an extra pair on the boat.  They might not be the right size, but they'd be perfect and nice."
Voice, "No, no.  I have bad vision, I will never be able to be a fisherman."
Cornelius, "Well, you don't have to look out long distances unless you are the one steering.  That won't be a problem, sir.  Come out, I will teach you to fish."
Voice, "I cannot be out on the waves too long.  Motion sickness, see, so much could go wrong."
Cornelius, "I had motion sickness as well, but you grow accus-"  
"And my arms are too frail to use a net.  No, it's best that I stay here and get some rest."
"Well, it wasn't for nothing, I suppose.  Maybe tomorrow you'll want to go."

He didn't move, his lips barely stirred, he said,
"Good sir, when you get back with the ship, will you bring me back those shoes and some fish?"
Pride Ed Jun 2015
i.

you were petals i once
submerged —a fistful i let
go of under a foggy sea
when i was succumbing
to myself

you were the surface tension
screaming my name;
a diaphragm’s lullaby —
old thunder in the rain…

i’ve been fond of storms
ever since


ii.

no one told me
how slow clouds would be —
i would have held my
breath a bit longer…

charted constellations
a bit better before
i spoke of love in light-years

and there you were
on a shoreline,
carrying salt in your palms


iii

how many times
will I walk here, —
a wreckage of bramble
in my side?

“the sea is much too old,”
i heard someone say…

and the wind was salt
on my brain

it left a hole;
a stain,
and i felt a burning
behind my soggy
ribcage

can stars erode
in the tide?


iv.

night adorns it’s veil —
scallops tug at the lace

and i toss inky petals
in the sea

nocturne’s dreamboat
a dead man’s float; —
how i’ve internalized
my hatred for romance

“the sea is much too old,”
i heard someone say…

and i realized my
lungs could speak
for days about sunken
ships returning home


v.

i ignore a
distant moon  — inertia
rocking my cradle

but she stays there
all the same…

there’s stardust
on her breath — whiskey
on mine

“you’ve grown much too old,”
i heard her say…

so i closed my eyes,
and felt sand between
my toes for the first time

it will be eons before
i swim here again
For yet another contest on allpoetry.
Aditya Roy Aug 2019
Who is buried under the rock
It's a friend of mine, in Barros
Walloping scallops in French Kitchen, cradling reserved Paris
In the free, memories are made often
Of these great following, greetings today
Now tomorrow now comes yeses and sclera
Is a rocking soup, in the full stomach, day after and after

Hue, in the colorful streetlight
Imagine the night of the thunderous clap, when the fly is a ****** hull
And it just hit me, and I kicked the dirt, you're life has to full of sons
If I had music like this ramble on the porch, bleeding by the fire with the letter of tout wheatish complexion
By the dog who waits on the Mitya and Alyosha is your friend in the thought that you will survive the thing that stays after that is what survives in my mind, the Ivan remembers you in his searching elegant looks

Hooking for readable pages that him to a crime of the senescence wailing, waters won't come back again tainted by the hint at the story and talk oh human nature and passion, a bold letter took from your open book, now strewn hanging in the room

Even when I'm in the drunken haze in the clear, swarthy and dressed, lilies wilt in cold art nouveau, talk of colorful tambourines
Dietrich, Lithuania rebarbative is not subjective
Folgen Sie nur auf der Ersten unlike this we search for some facts between the lines of anticipation of something crawl from under
Auf Wiedersehen from the sending  halls that for romance was once, breadth, lengths to go if you're in dearth sickness and you just keep looking to change how you react
Now, you don't even attract me anymore with stories of Lithuania and unspoken in the loveliest languages, how slovenly though
In need for love, drugs can keep this warm, the finding a drunken haze in drugs, ******, are we arriving at the naked frumpy girl or your heaven's in crisis

Hue in the callow streetlamp, your glib about Ibsen, and talk of centuries and blazing etudes that your soul collates, a thrilling merit
When they told her, that she was "yelling."
They asked her to stop making the noise, forgetting that it was music once
They saw the determination in flowery spokes, that follow the sunflower
Parallelogram van in the dim light, strong verses terse hearses
Towers calls and church were we young once, are we full of ourselves
And becoming romantic, philosophizing on knowing you and I
We must have a purpose to do this, applying and ousting ourselves of comforting minnows yarns of jocular joints cracking by the Thomas Munroe book and fireplace, trust the recesses of your mind they aren't distinctly, but, a warm gun
A free drug and Englishman couldn't prevent the brew from brimming
The drudgery of a different time and passion
Time machine, wheels on fire that talks to us and also tells us to sleep, making sure that we keep a mindful eye optioned out of the dinner sleep and talked about that
Well, we are titillating, scintillating, coruscating, shiny friable animated
Frisco bay, curiosity in the shell-shock of the freedom that talks of captivity and caitiffs, call me a coward
We are soldiers in the prisons of our mind, except most of are in the kitchen making the derelict talk, a black cat crosses the street
Talk, and talk, then the electric silence missionaries, a tabled missionary serving food to the few toward the city in pursuit of the curious one.

— The End —