My aged mum excitedly points outside
White flowers burst open bright overnight
She says they look like popcorn
I love her metaphor and play along
Flowers white like popcorn bright
Tickled by the heat of the micro light

Mum speaks of small things in her big age
Sun, rain, wind, hot, cold, quite days
The unrelenting pain in her legs
and memories of things she could once do with ease

She speaks of the coming and going of mischievous monkeys
real monkeys - not metaphors
She tells of how they brazenly steal her fruit
when she is alone at home - teasing her
as they walk backwards out the glass door
slinging their stolen bananas like a colt 44

My mum sits across from me
the sun gently brushes her short silver grey strands of hair
Today she wears a pretty pink dress - patterned bright
with pretty pink and blue flowers - reflection
of the pretty flowers outside
She sits in serenity - she is at peace - inside

My niece pops corn in the microwave
My sisters biryani fills the hungry air
My brother in law awaits his birthday party
I am at home

The pretty white flowers
silently blossom in the yard
I sit across from my metaphor mum
My poet, my muse, my loving bard

Stanley Arumugam
Richards Bay

teaching a wild creature to feed from your hand is a feat maybe maybe not Mom taught me from a young age then never let go in June 2013 the estate will cease all the coats hats shoes scarves skirts dresses blouses belts purses from Ultimo Saks Neimans wherever steaks from Gene and Georgetti’s Gibsons whatever will be consumed and she will be forced by the bank to resign her condo on lake shore drive and go live with her sister and i will be left with nothing

nothing feels better than fighting back gathering the strength courage to do that to fight until there is no daylight

the world is a mysterious place it is Sunday December 26th 2010 6AM pitch dark outside in several months daybreak will come earlier a remarkable surprise yet always been this way in several minutes firmament turns light i open eyes stretch legs look out window pink blue gray blue morning skies tree tops mountains watch flock of birds maybe 30 or 40 flying back and forth east west why do they do that how would you like to be one of those birds flapping around searching from above at the earth hmmm what if everyone had a ***** and ****** feathered wings fin distinctive tail floppy or pointed ears what if you could share breakfast or lunch with Kim Gordon Patti Smith work on poem with e. e. cummings James Joyce William Faulkner paint with Mark Rothko Anselm Kiefer play football with Payton Manning Drew Breeze jam with Jimi Hendrix Keith Richards race with Secretariat sniff with Lassie mix with Max Ernst Georgia O'Keefe Donald Judd meet with Gandhi and J.F.K. make love with Charlotte Gainsbourg Kate Moss dinner with John Lennon Friedrich Nietzsche dance with Albert Einstein Isadora Duncan share a smoke with Sam Clemens (Mark Twain) Sam Shepard last drink with Sylvia Plath Virginia Woolf then go to sleep next to Sphinx Pyramids wake with Cleopatra Mata Hari on Bali beach look up at tiny puffy clouds that resemble strange script do you understand the possibilities mysteries of everything

old is lecherous but i’m still trapped in childhood hurting wanting to be grown-up

i think i said i don’t know how to talk i was speaking to this **** greedy landlord trying to negotiate between 2 different spaces long distance and i meant to say i can’t talk right now i’m in a restaurant or shop but instead what came out was i don’t know how to talk he was insulting me bullying hollering at me on cell phone accusing me of dickering about price lease and it slipped out my terror from Dad my childhood fears repression inability to negotiate i froze fumbled finally uttering i don’t know how to talk then disconnected

i’m running scared gasping for breath heart pounding yearning praying crying for love beauty happiness success i’m smart creative powerful yet inept too shy or fearful to know how to properly spontaneously speak in person

what if consumerism is realized as a mental disorder a method to suppress genuine hunger with fetish products

what if money is identified as disease actual legal tender found to source fatal viruses

what if humanity is discovered to belong to an alien predatory race independent from Adam and Eve or monkeys

what if all knowledge is found to be deceptive invention concealing real world truth

what if existence is a chess game or trial enacted by higher forces and your every thought feeling recorded in eternity

what if progress is the enemy and primitivism the remedy

my whole life i’ve learned about infidelity my mom sister dad uncle i don’t understand i’ve never been unfaithful to a girlfriend (one is enough one is more than i can handle) why do people speak those vows then get married only to violate themselves their mates maybe that’s why i am afraid to ever get married infidelity is the most painful betrayal to find out your partner with all your shared secrets compromises them with someone else oh god

April 19th 1995 a bomb explodes in Federal building in Oklahoma City killing 168 people injuring 759 what are Timothy McVeigh and Terry Nichols thinking did they act alone there are so many lunatics running around out there so much misunderstanding disenfranchisement in America

Arlington Street Asheville North Carolina June 1995 Odysseus and his dog Farina keep mostly to themselves something is wrong with his voice he sounds hoarse when he speaks it is uncomfortable to talk he goes to free clinic and waits half a day elderly doctor attempts to stick long metal instrument down Odysseus’s throat Odysseus gags coughs elderly doctor becomes irritable he warns Odysseus to quit smoking Odysseus wonders what it would be like to be loved possibly married in loving positive relationship to know all the endearing enduring connections between caring couples other people manage it why can’t he? he thinks i’ve never been a good provider nor placed enough value in money i believe in freedom and love i chose to make art and pursue a life of self-discovery experiment dang i am wrong from the moment one’s work hangs in a gallery the artist’s integrity is compromised individuality becomes commodity typically people who buy paintings have so much money they scatter a trifle on art the artwork provides the consumer with a look of ‘soul’ to be shown off to their envious friends the artist becomes needy pet of dealer and client maybe converting one’s spirituality into commercial merchandise is like making deals with the devil he thinks about Native American artists whose work is immediately esteemed and utilized in their culture he has spent his whole life seeking validation in art world he wonders how many other unknown artists feel similarly useless discarded he considers i’m forty-five years old now and i don’t have a penny to show for all my troubles i still believe i have much to give insights to reveal but no practical plan for survival i don’t know how i’m going to get through this existence the world wants young promising talent not some older painter striving for another chance women want nothing to do with an impoverished aging dreamer my dog loves me she knows who feeds her i’ve got academic degrees a long resume of legitimate shows i know how to use a computer solve problems fix toilets sinks strip and paint serve food and liquor but i can’t land a decent job i never learned how to properly market or barter my work and i’m not interested in the position of sacrificial lamb i want a home and female partner like other men have i want to be needed respected loved a creative member of a community instead of an expendable outsider working menial jobs for minimum wage what good are paintings if no one looks at them what good are noble values in a corrupt society the world runs on money and greed not freedom and love

“One of the effects of living with electronic information is that we live habitually in a state of information overload.”                                                      
                                                                                      Marshall McLuhan
So, let’s review:
Man is a thinking animal.
Stanley Kubrick took us to space to get us to think.
Marshall McLuhan:  “There are no passengers on spaceship earth. We are all crew.”
Hemetucky: what was I thinking?
The Rapture for the 1%:   The Language of the World and The Language of Enthusiasm explains why Sir Richard  Branson’s ****** Galactic will only be taking the richest among us to space.
Ian (Limey Futurologist) Pearson:  “Binary is already the dominant language on Planet Earth with today’s machines having more conversations in 24 hours than the whole of humankind since the birth of Eve.”
Larry Flynt:  “**** is the answer to everything.”
Goofy:  “Yeah, I ****** Minnie. I shagged her rotten, baby!”  
Winston Smith:  “Do it to Julia!”
McNugget Buddies:   “Parts is parts.”                                          
Stunod: “Donuts-a -spella backwards issa stunod.” Think about it.
Tony Soprano.  “You ****** stunod, it's a joke.” (Stunod:  in southern dialect Italian means stupid, or a stupid person) http://(www.urbandictionary.com) define.php?term = stunod  / buy stunod mugs & shirts
Marshall McLuhan:    “Jokes are grievances.”
Mike “The Situation” Sorrentino:  “Antonio Gramsci thought that Stalin and Bolshevism could save him and Italy from Fascism:  stunod.”
The Cloud:  My acceptance of the Cloud into my life and my changeling cyborg self is by no means a capitulation to the surfing life.
Paulo Coehlo:  “The God you seek; that someone who awaits you is you.”
Howard Beale:  “That’s the God *******.”
God:   “Because you’re on television, stunod!”
The Elders of Zion:  Nu?
Meir Kahane:  “Let us not suffer from a national amnesia that causes us to forget who and what we are. No trait is more justified than revenge in the right time and place. I know that American and Israeli elections must be limited only to those who understand that the Arabs are the deadly enemy of the Jewish state, who would bring on us a slow Auschwitz - not with gas, but with knives and hatchets. Vote for Newt!”

**** Jagger:    “Get Yer Ya-Ya's Out” (40th Anniversary Edition, Rolling Stones)
Keith Richards +Fijian palm tree = Stunod.  
Marshall McLuhan:   “The more the data banks record about each of us, the less we exist.”    
Howard Beale: “If there's anybody out there that can look around this demented slaughterhouse of a world we live in and tell me that man is a noble creature, believe me: That man is not only full of *******, that man is  stunod.”
The Nam, Part I:   a demented slaughterhouse within a microcosm and grains of beach sand inside micro-Cosmo Kramer’s shorts. When I was in the Kingdom of The Nam I was always under the influence of some drug, mostly my own pure adrenaline when scared shitless--a frequent condition for me—not only my own piquant adrenal juice but other stuff like ****, hash, Thai stick, *****, amphetamines, H-Horse ******, quaaludes, horse tranquilizers and Russian *****. The drugs were always a welcome and needed friend, a respite from the horrors of war in Southeast Asia. To meditate & levitate, to transmigrate & navigate, to negotiate & regurgitate myself, I needed a head start if I was going to SLIDE through what would be called a wormhole today, making a three-dimensional movement between different parallel universes, a conquest of time and space. Cue our favorite narrator:
Rod Serling:  “You unlock this door with the key of imagination. Beyond it is another dimension--a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.”
WWII, Part I:  A slider now, I SLIDE to my father’s war—the War in Europe in the years before V.E. Day, May 8, 1945. Suddenly I’m flipped right out of the jungle to Germania, to Deutschland in the winter of 1945. I am a P.O.W. of the Germans, sent out into the economy as slave labor. It’s February in Dresden, Germany, the Baroque capital of the German state of Saxony, the city called lovingly by her (****!) many lovers: “The Florence of the Elbe.” It was a long time ago, during the war and I Survived to Tell the Tale. I am a wet floppy Kilgore Trout; I’ve flopped right out of the Twilight Zone into what appears to be an underground meat locker in Dresden. There are animal carcasses hanging from the ceiling and the building is known as Slaughterhouse Number 5. I am a lucky ******* because even though I don’t know it yet, I’m in the safest place in the entire city. Cue the Bombing of Dresden, a strategic military bombing by the British Royal Air Force (RAF) and the United States Army Air Force (USAAF).  In four raids, 1,300 heavy bombers dropped more than 3,900 tons of high-explosive bombs and incendiary devices on Dresden. The resulting firestorm destroyed 15 square miles (39 square kilometers) of the city centre and killed many thousands, according to **** figures-- largely discredited by the victors who not only get the spoils but get to spin the history any which way but loose. Casualty figures were 200,000 and death toll estimates went as high as 500,000. Or maybe just 25,000 total, if you believe the ******* Anglo-American valkyries who unleashed the wrath of Khan’s Smoking Joe’s Barbecue Ribs and Hotlinks. Win a war, get a medal and a seat in Congress, maybe the White House; lose a war, get indicted. You’re going to Nuremberg, pilgrim, or the ******* Hague.
Kurt Vonnegut: “World War II was over and I was standing in the middle of Times Square with a Purple Heart on and a purple hard-on.”
Colonel Kurtz:  “We fight for the land that's under our feet, the gold that's in our hands, women that worship the power in our *****.  I summon fire from the sky. Do you know what it is to be a white man who can summon fire from the sky? ...What it means? You can live and die for these things, not silly ideals that are always betrayed  . . . I swallowed a bug. Who are you, captain?”
Willard:   “Please allow me to introduce myself, I'm a man of wealth and taste. I've been around for a long long year, stolen many man's soul and faith. Stuck around St. Petersburg when I saw it was a time for a change. Killed the Tsar and his ministers, Anastasia screamed in vain. I rode a tank, held a gen'rals rank when the blitzkrieg raged and the bodies stank. Pleased to meet you, hope you guess my name.”  
WWII, Part II:  The bombing of Dresden had to have been some kind of a violation of some International Code or Geneva Convention. But, of course, the bombers, the Victors, ran the Nuremberg show trials. The bombees didn’t get a chance to say much, didn’t want to make a fuss, seeing how generous the Army of Occupation was with their coal, gasoline, clothing and food handouts. But I was there when it was safe to climb out of the meat locker, and immediately got put to work on the après les bombes clean-up. I was there doing the ***** work, a corpse miner, tasked with collecting the fried grasshopper remains of so many unlucky Krauts who were simply burned alive, like heretics at the Inquisition. So it goes.
William Tecumseh Sherman: “War is Hell, Babaloo!”
Colonel Kilgore: “You can either surf, or you can fight!”
Sam Bottoms: “I dropped a tab of acid at the Do-Long Bridge, so I think I’ll surf for awhile: ‘I see a world in a grain of sand, and a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.’ Reading Blake: for years it was the only way I could block out the war, that and losing myself in a bunch of undercover assignments. Yeah, it was William Blake, I-Spy and lots more acid; that how I dealt with PTSD.”
The Nam, Part II, LT DAN:  “Good job, trooper; those ******* drugs got you coming and going, sliding so fast you’ve missed latrine duty 3 times this month. Now go get 5 gallons of diesel fuel and gasoline, mix it together and torch that ******* feces, soldier.”
** Chi Minh:  “This ain't no party, this ain't no disco, this ain't no fooling around.”
***** Friedman:   “The Democrats and Republicans are the same guy admiring himself in the mirror.”

Muhammad Hosni El Sayed Mubarak:   “Vote for Pedro.”
Drew Gilpin Faust, Harvard:    “Fight Fiercely!”
Marshall McLuhan:    “I wouldn’t have seen it if I hadn’t believed it.”
The Author:   I am a disaffected angry old man, formerly a disaffected angry young man; a Hopi-Italian Jew with Chinese offspring, namely my left-brained son, a mathematical genius but having a tough time dealing with idiots, the many truly stunod people in the world.  Then there’s my Rose, my sweet King Lear-jet daughter, like her half-brother, not yet finished paying for my sins. My offspring are haunted, visited upon daily by their father’s  ghosts, ghosts created, ghosts hovering over me, from wars hot and cold and peace lukewarm and cloudy, like the uranium ground contamination on the mesa, visited upon mothers and infants  and children who seek only a glass of cool water from the spring not to be glow worms in the dark, leukocytes made insane by something in the water. My sins, a father’s sins; things I did to curry favor, to ingratiate and advance myself with the 1%, things I did to get ahead in life, to get what I thought my father and others in the ancestral slipstream had failed to get, twice to the Rabbi for a get (Hebrew: גט‎, plural gittin גיטין), to get the edge my kids need now, the edge I never had, and life reduced to an exercise in ultimate combat, little more than a cage fight, man against man and God against all. The things I did for money and position shame me now. And shame is a large  source of my anger.  I will remain angry. I will hang on to my anger at God and myself and all who have been disappointed in me, by me, especially the cavalcade of short-term caretakers, women used, abused, left behind and forgotten. Why am I me? Sometimes I think that’s the way I’m programmed. But it’s okay, like Gaga: “I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track, baby I was born this way' Cause God makes no mistakes, I'm on the right track, baby, I was born this way and will I continue to surf the Cloud: even though God is dead and I don’t believe you, or me, or them.
Basic: remember Basic?

10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30   GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30  GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30 A IS FOR ANGER NEXT 30
30  GOTO 10 Ad infinitum

Mr. Rory Richards
Lived his life,
Taking garbage
Out at night.
He shovelled drives
He swept walks,
He listened intently
While others talked.
Others talked.

When Rory wasn't
Weeding the garden,
He was outside
Hanging laundry.
Moms were jealous,
Dads were shamed,
But whispering neighbours
Never complained.
Rory's good
At the husband game.
He presented well.
The neighbours continued
To tsk and tsk.

On his way home
From work,
He picked up the kids
From daycare,
He'd find time
To volunteer there.
He'd have treats
At home for them,
And their friends.

He volunteered with
Cubs and Scouts,
Always finding
Extra time
For jamborees
And overnights.

One day the cops
Came on the scene,
Rory wasn't
What he seemed:
His computer
Showed a different man,
A lurking, luring
Child **** fan.
And the neighbours'
Tsks cresendoed.

At his trial
He sat abandoned,
But neighbours there
Gave witness to
A man they thought
They surely knew.
A family man
In his pew.
All his life
He lived beside them,
A man they let
Their kids rely on.

Martin Luther had a dream
Geronimo had visions
People use all sorts of ways
To come to their decisions

Tea leaf readers in a cup
A Psychic with some cards
Looking at a twirling disc
And dancing in the yard

Decision making's easy
If you have the correct tool
You may get the right answer
Or you may end up a fool

Shaman in a sweat lodge
Chew peyote just to see
What the others can not visualize
But what comes easy to folks like me

Some roll dice, and others bones
To get the answer that they need
Others ask the dead to help
To get their answer freed

I myself use none of these
None of these at all
I sit down with a bourbon
And my old Magic Black 8-ball

I switched the little answer ball
It has answers....only two
One is just the one word "dude"
And "what would Keith Richards do?"

"Dude" is universal
It has helped me win not lose
Because it's meaning changes
Depending on the "u"'s

Say it with one U...dude
it means don't even think it
But add eight more and make it duuuuuuuuude
And there's no question you should drink it

The other answer's simple
What would good old Keefy do?
If it didn't **** old Keefy
It won't **** me and you

So, use your magic mushrooms
Dance with spirits in the hall
But I'll make my decisions
With my plastic, black eight ball

There was this time before the going home. The supers bowled off with cheery parents or elder brothers a good fortnight before the big day. There were lessons, but despite the best efforts of the staff who remained nobody could take this between time seriously. Mr Gayford for maths was hardly a substitute for Alfie's lively lessons. But Alfie we knew was climbing in the Alps this Christmas and would return with photos and tales that kept us enthralled despite the sums he invented - calculate the air pressure at 4107 metres on the Jungfrau. We all loved him with his self-raising Citroen Safari that smelt enticingly of Gitanes and that scent Claudia his girlfriend favoured. Oh Claudia, so wonderfully and exotically dressed, who seemed a world away from any boy's mother or sister.
 
Mornings were quite different. A later breakfast and then a two-hour practice with Dr. B . Hard work, with new music to learn. But the carols! Oh those sounds, and so different from what we sang all year. Boris Ord's Adam lay y bonden, Praetorius A Great and Mighty Wonder, Torches, In Dulce Jubilo. and as Advent progressed that magical verse anthem by Orlando Gibbons This is  the Record of John.
 
I was just eleven when Dr. B said, as we opened the music folder for the morning rehearsal, 'St Clair, Can you do this for us please?' Not so much a question as a command; you didn't say no to Dr. B. The introduction was well underway before I grasped it was to be me. How I stumbled through it that first time I don't know. I could never hear this piece without tears welling or indeed falling. ' Look Mog is getting tearful' said Richards the head chorister, and the little boys would snigger. And I would blush:  through my freckles to the roots of my auburn gold hair. Did nobody understand what this music did to me, what it said and expressed? At eleven I think I had began to know, and later when I heard it in Kings Chapel, and then conducted it variously to those bemused American students, listened to my gramophone recording, its affect always, always the same. I was experiencing truly what Vikram Seth has called an equal music, something so entirely right, a true conjunction of words and music, a coming together beyond anything as a composer I could ever imagine, a yardstick life-long; it became an acid test of sensitivity to my love of music and has been passed only four times by serious friends and lovers. To know me you must know and feel this music . . .
 
And so on the second Sunday of Advent at Evensong I sang this jewel, this precious flower of music's art. The candles flickered in Her Majesty's chapel and we stood for the anthem. The chamber ***** began its short introduction already weaving together the four-part texture - and then the first solo statement. This is the record of John when the Jews sent priest and Levites from Jerusalem . . . and then the tears fell and the music swam in front of me as though glazed in the candlelight.
 
Who art thou then? And he confessed and denied not, and said plainly, 'I am not the Christ'.
 
Oh that melisma on the 'I', that written out ornament, so emphatic, and expressing this truth with innocent authority. I sang it then as I hear it now. Nobody had to demonstrate and say 'Don't let it flow, let each note be separate, exact, purposeful'. So it was and ever shall be, Amen.
 
And they asked him, What art thou then? (Art thou Elias? x 2). And he said I am not. ( Art thou the prophet? x 2) And he said I am not.
 
The verse anthem is such a peculiar phenomenon of the English Reformation. Devised it is said to allow the hard-pressed choirmaster to train the main body of his singers in a short response, the soloist singing the hardest and most expressive music on his own: the verse. It is also so well suited to the English choral tradition with its Cantores and Decani ordering of voices. I was always a ‘Can’, even later when I joined the back row as a tenor.
 
Then they said unto him, What art thou? That we may give an answer unto them that sent us. What sayest thou of thyself? And he said I am the voice of him that cryeth in the wilderness. Make straight the way if the Lord.
 
And so I wonder still about the place of this text in the liturgy of Advent and why, cloaked in Gibbons’ music, it has remained affecting and necessary. And who is John? a prophet of the desert, the son of Elizabeth to whom Mary went to share the news of her pregnancy and whose own son quickened in her womb as she heard of her cousin Elizabeth's own miracle - a childless woman beyond childbearing age unexpectedly blessed and whose partner struck dumb for the duration of her confinement. Is it just another piece in the jigsaw of the Christmas story in which prophecy takes its part?
 
When I was eleven I thought to 'cry in the wilderness' meant exactly that - tears in a desert place. I learnt later that this was a man who stood apart, was different, a hippie dressed in the untreated skins of wild beasts, who lived amongst those who sought the wild places to mourn, to place themselves in a kind of quarantine after illness or bereavement, who then became wise, and who cried.
 
Such meditations seem appropriate to the season when there is so often the necessity of travel, much waiting about, the bearing down of the bleakness of winter time, though strung about with moments of delicious warmth when coming in from the cold as with the chair by the library fire I craved as a chorister to escape blissfully into fictioned lives and exotic places.
 
How these things touch us vividly throughout our lives; as we watch and wait and listen.

for Mark Richards

It was a spur of the moment thing -    
     One message freed us from Tuesday’s calling -
The next offered a morning's sailing.  

So rather than spray water for Rocky's plants,  
     We skimmed over Carter Lake’s, crystal waves
With steady and ample winds at our backs.

Boaters and tubers speckled the waters
      While verdant foothills smiled assent
From every shore and horizon.

Captain Richards skippered his Flying Scot    
     Toward the far off shore before tacking our
To and fro way back to the mooring ball.

In years past Mark had captained the Health works    
     For all the good folks of Pennsylvania,
But this morning he guided a much smaller tiller.

So we sailed and sailed under fairest of skies    
    In a swift and charmed little craft
Mark chose to call, Spur of the Moment.

Robert Charles Howard

This is one of the great memories I have of the, rare but precious, moments I spent with my daddy. I was all of,maybe, six years old. And this is how it went dow that night...

It was during a wedding party for my dad’s good friend Billy Phibin, where he and I would pull off more than a couple of our wonderfully delicious pranks.  Mostly though, we would put to test our excellent skill in ******* off his wife, while amusing all the  wedding guests. And with a style all our own,  we would leave our  mark on a couple of “celebutants” of the New York, Atlanta art scene. My dad and I were quite a team.
I am sure we left our mark, to this very day, on those silly chicks!

As I recall,  one of the two, along with a terrible fake British accent, and some funky 70′s, pre-punk eclectic outfit, was wearing this pair of truly, unforgettable, green sunglasses.
...The kind that would put ol’ Elton to shame!

My dad and I,  when we weren’t throwing bricks, with Harold Kelling, off the top of the old Atlanta warehouse, followed the two celebutants around the party, heckling them through out the night.
...Or, when we weren't reaching for the neon coca cola sign, which seemed so close I thought we might actually be able to touch it, we razzed and heckled the crowd.

The warehouse seemed more like a huge tree house, full of everything wonderful and exciting, than a downtown loft, in the worst neighborhood possible, and where a man might actually be mugged and left for dead in the street!

My dad and I had indulged ourselves in all the boring fun we could stand at this point. Plus, the celeb chicks were getting ready to leave.  So we set our mischief into action.
It was crazy.
Like syncronicity.
...We never planned a thing,  yet we both knew what the plan was, and what the next move was going to be.
So like we were one entity, and in unison, we followed those two chicks to their swank little antique convertible, where we inevitably ended up, absolutely, tricking one of those silly chicks out of her “funky green sun glasses”!  
Not to mention her phone number, for my dad, no less!
My daddy and I were on a roll!
We laughed and laughed as I put them on, then ran.
Wearing those funky green sunglasses!                                  
"Well, that was fun!", my dad exclaimed.
"What's next Daddy?", I screamed with delight!
With a wink and a smile, we were off again....
That is when we really did it up!
We threw it all to the wind!
..and the real fun began!
Hell, we were already in deep **** with Linda Phibin and Da Mama!
....why not have some REAL fun!

...So, as we watched the little antique sporty speed off into the distance, my dad and I set our plan into action...

Let me take a moment to explain the entrance to this loft. It had a very narrow and steep stairway, which led, abruptly, to the sidewalk outside.
So if a man were to loose his balance, it would pretty much be over!

Back to the scene of the crime...

I will, again, note that this staircase was very narrow, steep, and old.

If a man were to fall, he would, inevitably,
land, face first, onto the ***** sidewalk.

...As my dad got busy positioning himself to look as if he'd fallen down the staircase.
He went on to position his face and wine cup just right...
... with them both spilling out onto the sidewalk...!

Now, my job was to sneak back in to the loft's tiny kitchen to get some "blood" for around his mouth and hand.
Off I went...
... I sneaked past the front room, then past the swing, onto the kitchen, people smiling at me the whole way.
... never knowing what was up my sleave...
Finally, I arrived in the cramped little kitchen.
I proceeded, in stealth mode, on to the fridge for ketchup.

Hah! mission accomplished!

I was headed back to the scene, when the
bride caught me by the arm, as she was mixing up some drinks.
She smiled and winked.
...I will always think, because she knew my dad,
and by reading the look on my face, as I stood there with her bottle of ketchup in hand,
she secretly loved whatever  it was, we were up to!
So she gave me the go ahead with then nudge of her chin. T
Then off  I was, once again!
We proceeded to put the finishing touches on our grotesque scene....
... A scene that would most probably now, cause, even, me to have a heart attack,
were I to come upon it!
As I reached my dad, who was all sprawled acroos and down the stairway, I screamed, in my kid voice; "Mission accomplished, daddy!"
"Here's the blood!"
We squirted it in all the right places....
After everything was just right, I  already knew my next mission:
collect the crew, and bring them out to the horrific scene!
Now, I must remind the reader, that "the crew" consisted of my step mother, who had been fed up long before now, and then there was Linda Phibin, who'd been over my dad's antics since 1972!
They made up the "crew"!
Just so you know, they were acting as if they'd had less no fun that evening.
and if they had to put up with “just one more thing out of us”, they would both implode.
Thinking back now, I can say with pride;
The scene was perfect!
We had everything in place.
Now for the theatrical perfomance of my entire childhood...
...My dad looked like **** Jagger, or even Keith Richards during the thrushes of a major overdose, or perhaps Joe Cocker, on a bad drunk...
....With his head all ******, from all the ketchup we'd squirted all over the  place, there he  was.
.. My dad with his bloodly head hanging out into the city’s dark, *****, and dangerous sidewalk!

After, once again, climbing the stairs, I rushed in on the crowd.
I was a kid in hysterics!
I was screaming about, how my dad had lost his balance.
and was, now, lying on the stairs, bleeding into the street.
I led them back to “the scene of the crime”,
sobbing the entire way.

...It was better than we ever could have imagined!
They swallowed it all, hook line and sinker!
They were all freaking out, screaming for an ambulance, medic, anything!
I even remember hearing someone scream,
“Oh God, I think his neck is broken!”
...Then another scream,
”And so are his legs!”
I'll never know how he continued to lay there without cracking up,
but then at that very moment,  
my dad sprung to life, acting as if he were some kind of zombie creature!
They really freaked at that.
... crying and screaming, and freaking out!
Then they screamed some more...
...I was ecstatic, bursting with pure admiration and awe of my daddy’s brilliant performance.
I was walking on air knowing we'd pulled it off , once again!
Meanwhile,
Let's just say, the others were a lot less amused.
So we all piled back into the momobee.
Then headed home, with them scolding us, and ******* the whole way.
....Some things never change!

Even then, my dad and I kept our private little buzz going....

...on  Ketchup and Green Sunglasses!

4am On the drunken floor of my Wingmans apartment I place my red solo tankard down to instigate a quest.
"ROADKILL!"
That's what we call my wingman.
"Roadkill! Lets go on an adventure to king richards faire tomorrow!"
"Sure! When do we leave?"
"Don't worry, I'll wake you up."

See. When your best friend says they need you,
you don't just call them.
You drive.
Tonight,
on the anniversary of Roadkills worst tragedies,
we are getting drunk.
In the morning,
We're going to prove that life is worth living.

7:30am our alarms go off.
"Uhhhg."
"Curse you phone."
Hands slap towards the noise,
Spilling last nights wounded soldiers.

"Roadkill your shirts inside out."
"Thanks man."
Actually, while you have it off.

Black doesn't go with brown.
Pick a whole different shirt."
"It's fine."
"*******. There's a blue shirt right here."

Belting sailor shantees
Roadkill and I adventure three hours in
My four wheeled ground Zepplin.

"A curse to you lads,
a curse on your head,
Drinking pint after pint
until I am dead
I just keep drinking
and I don't know why,
But tonight is the night
that I drink 'til I die!"

Upon arriving at the faire we spot an ocean of goregeous maidens.
The ticket booth doth not take credit cards, however.
So we needed to speak to the gatekeeper.
"Excuse me, where's the atm?" I Ask.
"it's right over there, Handsome.
I'll need your id's first, though.
Don't worry, I don't bite
... hard."

Roadkills eyes grow the size of stormwind.
"I need to bring you everywhere man.
You make everyone love us."

we return with cash in hand
The gatekeeper pulls our ID's from her corset
looks them over before handing them back.
"How are you boys younger than me?"
"It's the beard. "
I wink.
"Keep a secret?"

Swords on hips
songs in chest.
Mead was flowing
Boots were clomping

Roadkill paused to look around
Standing like a pleased statue.

I bounced excitedlly around like a child.
ROADKILL
LOOK AT ALL OF THESE GOREGEOUS OUTFITS ON THESE BEAUTIFUL WOMAN!
"Hey!"
handsome men, too.
"Thank you"
It's like we teleported to Flurb heaven!
Look!
a garb shop!
Oh my god
A boot store!
They have a whole store
for leather larpy boots!
There is a tail shop!
I could buy and wear a fuzzy furry tail!
This is amazing!
There is a giant duck
Being pushed back and forth by two huge jacked dudes.

"I need to hug everyone!"
I am in love with everything!"
"Can i please hug you?"

"I swear to god, Nick if you touch me."

We try the knife throwing challenge.
The crossbow challenge.
The dart throwing challenge.
We **** at all of it but we have a blast.

We walk into a leather shop.
A small redheaded girl dances around us. She puts fur around our necks
Her hands trace our chests as she ties them up
You boys look like the type to rock these.
She drags us by the belts to a mirror.
Look at how handsome you both are.

"Roadkill" I whisper.
He is already lost in her eyes.
I place a hand below his chin and close his mouth.
They talk about where they're from.
Their families.
What they do for fun.
"Oh you do larp? We do dagohir it's like full contact grappley shield kicking larp"

A group of customers walk in and she leaves to tend to them.
A brunette helps take off roadkills stole.
"How much are these anyway?"
Roadkill asks the brunette.
"$600" she answers.
"I feel ashamed for even trying it on"
Says roadkill slipping off the precious treasure.
"Goodbye ladies! have fun today!"
I say, pulling roadkill by the arm.
"Oh... okay then... bye."

"They seemed sad we left.
What was that about?" Asked roadkill.
"Well do you want the blunt educated version or the ignorant positive version?"

"Ignorant of coarse."
Then they're dissapointed because they were interested in us.
"Out of curiousity, what's the blunt educated version?"
"They're upset We didn't fall for their act and buy their expensive wares."
"Whelp... there goes my self confidence. Ignorance really is bliss"
"Yes it is roadkill. Yes it is."

We Travel back home.
Again, singing sailor shantees.

"A curse to you lads,
a curse on your head,
Drinking pint after pint
until I am dead
I just keep drinking
and I don't know why,
But tonight is the night
that I drink 'til I die!"

Park the four wheeled ground zeppelin in front of the Apartment.
Clonk our boots up the stairs
Grab angry orchards out of the fridge
Slunk into the beaten brown couch
raise my bottle into the air
"To living one more day exactly the way we want too, Roadkill."
Roadkill raises his bottle.
clinks it against mine.
"To living."

Hindi ako Balagtas
Hindi ako Kabesang Sisiw
Ngunit igagawa kita ng binalaybay  na epiko

Hindi ako Amorsolo
Hindi ako Botong Francisco
Ngunit ipipinta kita sa dalampasigan ng aking puso


Hindi ako Rizal
Hindi ako Bonifacio
Ngunit buhay ko'y iaalay sa'yo


Hindi ako si Alden Richards
Hindi ako James Reid
Ngunit sa tingin ko, God gave me you.

Getting the fashion industry excited about an event is no plum task. And yet season after season, Anna Sui does it with her thoughtful and fun runway shows. Blame it on her ability to transport her audiences deep into her world full of references that range from Pre-Raphaelites to Diaghilev to disco. (Of course, the retro soundtracks and top models don’t hurt, either.)

Lately, Sui’s been sharing her passion for fashion history with a wider audience by taking on many collabs, the latest of which is with O’Neill, in stores now. Just in time for summer, the designer crafted a selection of swimwear and cover-ups that echo the bohemian mood of her main collection but also target a new kind of customer. We caught up with Sui at her Soho store to reflect on her career, her favorite muses, and texting with Anita Pallenberg.

You’ve been doing more collaborations in general lately—why is it important to you to diversify into these arenas?

Well, there are certain limitations that we have as far as production for what we’re able to do. A great way to overcome that is to work with somebody who has the expertise in that product. So working with Frye, they make the coolest, sturdiest boot that you can imagine, and so I think this is my third time collaborating with them. They’re just dreams to work with. It takes you to another place. And also you learn so much, because we’re so limited as far as resources now that it opens up new avenues. I did the same with the Coach bags and with the luggage with Tumi and now this collection with O’Neill.

How did you get involved with O’Neill?

Our sales manager knew somebody at O’Neill, and she started thinking that it would be such a great pair-up between O’Neill and Anna Sui because O’Neill is very much our girl. They’re very print-oriented and known for their surfer style, but we wanted to incorporate our bohemian style with it. I think that we’ve blended it so well. The clothes are just so dreamy; we were all just oohing and ahhing over these lace pieces.

That perfect white lace dress is a very necessary summer item.

It’s so true. I remember one summer I was looking at Naomi [Campbell] pictures on a yacht on Daily Mail or something, and every day she had the most beautiful, little white baby-doll dress. I thought, Where did she find all those?! But she can just zero in on something, too. That’s always been my dream, to have all those gorgeous white baby-doll dresses.

You have the best references season after season—who was the beachy surfer girl that you looked to for this collab?

We wanted to capture that true bohemian feeling of the ladies of Laurel Canyon: Joni Mitchell, Michelle Phillips, all those girls you put pictures on the wall and are like, “I hope I grow up and look like this.” So what we tried to capture was that dream.

I think fashion in general is really swinging toward the Anna Sui vibe, very bohemian.

It’s exciting. It’s kind of like a new beginning again. We’ve had so much reaction from all the stores and press—it’s like when I first started. It’s got that same feeling. It’s wonderful.

How do you define who your customer is and continue to change and grow with her over the years?

I think that somewhere I never grew up, and it’s still that same dream as when I was looking at the pictures of Michelle Phillips. It’s still always that same thing, and no matter where I go with the collection, Vikings or Pre-Raphaelites, there’s still that bohemian girl there. That was always my ideal. As much as I try to veer away from it, there are always a couple of those Michelle Phillips and Joni Mitchells in the collection. Through every collection you can find them.

So what’s the secret to staying young forever then?

I think loving what you do. You can’t ask for more. This is what I wanted to do since I was 4 years old, and just the fact that I’m able to do it and do it globally—I work in Japan and I work in Europe and I work in New York—it’s kind of a dream. It’s a lot of hard work and I’m very, very dedicated to it. I do a lot of sacrificing of other things, but it’s what I’ve always wanted.

As someone who’s been in the business for so long, how do you stay inspired and not get worn out or jaded?

One of the things that I love the most is research—learning new things and exploring new things. That’s what I do when I work on a collection: I find something that sparks my interest and then I’m obsessed with and I just go into it. It’s like going into the rabbit hole. Then all of a sudden you find out all these other things because one thing leads to another. Like when I did the Ballets Russes collection [Fall 2011], I saw that beautiful Diaghilev exhibit at the V&A; and I thought, OK, now I can be inspired by those Léon Bakst drawings. I remember one of the Ormsby Gore sisters was telling me that the way they started wearing vintage was because of a sale of the Ballets Russes costumes in, like, 1968. They couldn’t afford the principal costumes, but they could afford the costumes of the Sugar Plum Fairies, all these crushed velvets. So they started wearing them on the street, and all of a sudden the Beatles and the Stones and everybody else started following what they were doing. Well, don’t you know, in the Diaghilev exhibit, there was a film of that auction. I was just like, “Oh, my God.” That’s what sparked that whole thing where everyone was looking romantic and medieval. I love finding that connection. That makes my day—that makes my season when I find that out.

Do you feel like it’s harder or easier today to communicate that to your customer? I feel like with the pressures to make Instagrammable moments, it’s become very hard to get people excited about the history of fashion.

There are so many levels in what I do. Somebody like Tim [Blanks] will get the really intricate things, but then the obvious things will be the things that people talk about the most. I always try to bring it all back, make it current, and tie it in to something that’s happening in our pop culture, like the Viking thing. It’s really true—I was watching [the History channel TV series] and I got that idea. It wasn’t an intellectual idea, but that’s really how it happened. I think that you have to put it on different levels.

Is there one specific era or muse you feel like is the most Anna Sui?

My biggest idols are Anita Pallenberg and Keith Richards. So at the end of the day, it’s always like: Is there something that Anita would wear? Is there something that Keith would wear? Is it cool enough for them? And then I usually send Anita an image and say, “This is the outfit that I did for you.”Read more here:marieaustralia.com | www.marieaustralia.com/evening-dresses

I come from a town with no identity.                          
It had one, once, but I think it was                              
uprooted with Shales forest                                            
to make way for outlet malls                                  
and housing complexes.  
Every street, every tree, and every person
was like a wrinkle on an otherwise
unblemished face, marking our
individuality with age and experience.
It’s amazing how fast cosmetic surgery
can destroy the past.
                                            
I hail from the smallest                                                  
large suburban town of our area.                                  
Growing up, we used to know everybody
that lived on our block, and no one was
in short supply of a handshake or hello.
Now, social courtesy ends at the foot
of your door, before you step into the world.
When I was a child, every person had a sense
of purpose, a contribution to the street.

Mrs. Henderson made the best
chocolate chip cookies around, and
all summer long her house was filled
with the smell of melting chocolate
over warm cookie dough, a scent
that would sneak out of her window
in the late afternoons, when you
could still see the sun setting in the sky,
and find its way over to mine. Now,
apartments block the view.

Nick Potts had a key to the private pool,
which was members only,
but every weekend he’d find
a new way to sneak us in.
John Probst owned the pool,
and would sit in the same yellow
and blue striped lawn chair by
the concession stand next to the
diving board, laughing at each
new scheme we conjured up to
help save a few bucks on a
humid summer’s day.

Kyle had a trampoline, that
despite the stupidity of all
nine-year-olds, never saw a
broken bone. Carl had his garden,
bursting with shades of colors
that could only be mirrored by
the burning dusk light.
Duncan had a tree fort,
the Richards, a tire swing.

I never knew how fast the changes
would come. It started small, a simple
lift here, some aging creme there,
but this was just preliminary measures
for botox and nose jobs. As a town,
we soon became an obsession of trends.
Individuality was outdated.
Every driveway had a minivan, every home,
a schitzu and a soccer ball.

A skin graph covered the sun spot
that was Mrs. Henderson.
A face lift cured the sagging skin
of Nick Potts. The pierce
of a needle and flowing
injection of toxins smoothed
the wrinkles that were
Kyle, Carl, and Duncan. In what
seemed like a few hours time, the
town that taught me integrity, respect,
and the value of a hard day’s work,
altered to the point of being unrecognizable.

Manufactured and fake, we’re nothing more
than a shinning porcelain doll straight off
the assembly line, distinctively similar
to all the others that follow. Every layer
of cosmetics cover another part
of our character, another aspect
of our history. We became lost
in the crowd, and in our own way,
faceless.

this time, when i went
to meet Death at his place,
he showed signs of weakness.
he was watching a cricket match
relaxing in his arm chair, legs stretched.
yawns kept rolling
in slow progression
towards the boundary.

'are you well?’ i ventured.
'nothing wrong,’ said he.

stammering, i quizzed him:
which one do you fear most?
allopathy, ayurveda, or
homeopathy?

dear wilson,
have you observed sachin
facing the ***** of shane warne?
brian lara, wasim akram?
chris gail, brett lee?

i was thrown into confusion.

death admitted, unwillingly,
that like vivian richards
confronted narendra hirwani,
he was laid low by the
secret herb
of an old tribal man!

aaha! the panacea
became then
a spin ball!
(aaha…Nothing official about it!)

i forgot to ask
how our people
smuggled away by him
were faring now.

he forgot to comment
“you will see for yourself
when you face it.”

In the land of Coleridge and his Ancient Mariner,
    In a time of coal fires, wooden boats and horsepower,
There is a story of the Lynmouth Lifeboat Louisa
    And the night horse and man over 13 miles pulled her.

Two of the afternoon clock struck a chime,
    On January 12th, 1899.
The wind howled and the sea it roared,
    Flooding ports and railways, taking off windows and doors.
The ship, Forest Hall, with masts a three
    Was being towed up Bristol Channel with a crew of 15.
Bound for Liverpool, at St. David’s Head she cast off,
    But the wind, it blew stronger and the waters grew rough.
Suddenly the cable grew taught and then snapped,
    The tugboat immediately came about to get back.
For over an hour they tried to re-fix the line
    But the storm was upon them, they had run out of time.
Captain Uliss made haste to anchor at bay
    But another obstacle was thrown in their way.
The rudder of the Forest Hall was broken by a squall,
    To the mercy of Poseidon and ****** they were all.
The ships’ anchor dragged, no purchase it found
    The ship was headed for Exmoor’s rough ground
At 6:33pm a telegraph was sent
    From Porlock to Lynmouth the Postmaster went
“Large vessel. Distress. Offshore Porlock”
    Five minutes later the first signal rocket went off
Out into the pounding rain they ran
    Those lifeboatmen and locals to lend them a hand
The waves loomed over the watch tower on the pier,
    Then crashed down in fury which deafened the ear
“Tis hopeless” the Coxswain, Jack Crocombe, said he
    “ain’t a crew in the service who could launch safely”
“From a more sheltered station we’ll call a new boat”
    And to the post-office they went, to send a telegraph out
Tap, tap, tap on the Morse key he pressed
    But nothing was happening, there was no line left
Blown down by the storm, and all hope with it,
    “The duty is ours, but we cannot fulfil it”.


Part 2:
“The duty is ours, it’s us or nobody” he shouts
    “it can’t never be nobody, go we must”
The protests did start, and questions did fall,
    But the Coxswain had an answer to silence them all
“Now, I know that we can’t launch her from ‘ere”
    “but it’s thirteen miles to Porlock Weir”
The voices were shouting, no one knew what to do
    But the Second Coxswain’s voice carried on through
“Jack, we’ll need ‘osses, every ‘oss can be spared”
    “if we got enough power, we’ll get her there”
The choice had been made, the die had been cast,
    The crew had a plan, a solution at last
Around came the Lifeboat Louisa, so grand
    Standing 34ft long and 7ft wide on land
3.5 tonnes was her unladen mass
    The add thirteen crew, oars, rigging and two masts
The shafts had been fitted to the carriage with ease,
    Rarely used but kept in the boathouse for needs
The horses were hitched, the carriage coupled on.
    In total, the train was one hundred and thirty foot long
“Right then” said the Coxswain “let’s be off”
    “up Countisbury Hill!” but as soon as they started, they stopped.
The horses did not pull together as a team,
    The wheels were stuck in the parapet, of the bridge over the stream
In minutes it was fixed, and it started again
    This time all horses were pulling the same.
Up Countisbury hill, they walked on and on,
    Until they reached open ground, then the protection was gone
The rain thundered down; the wind raged again
    Still the team kept on going, the pace slow and same.
All of a sudden, the carriage plunged to the right,
    A four-foot wheel came off, then rolled out of sight
“There’s a wheel off!” the cry rang “get them scotches under!”
    It was the front offside wheel that was causing this blunder
Nearly forty minutes it took to replace the wheel
    Still the great storm refused to heel
But then they were off, nearly conquered the hill
    But many more challenges faced them still.
The Blue Ball Inn marks Countisbury Hill peak
    And hot cocoa and brandy helped restore the weak.
Now they pressed on, ten miles to go.
    They were making good progress but painfully slow.


Part 3:
The rain had stopped, the lamps shone bright,
    This brave crew continued through the night.
The party had by now reached Ashton Lane
    Where their troubles soon were to begin again
On this narrow road, the walls were strong and thick
    Impassable for the carriage, but Coxswain Jack had a trick
“We’ll pull the boat through the lane on the skids”
    “The carriage can go o’er the moors with the kids”
So once again horse and train were detached
    A new plan at work, only recently hatched
Eight horses pulled the carriage away,
    Leaving ten to continue to Porlock Bay.
The boat was pulled down Ashton Lane
    Later, all men agreed this was the worst part of the way.
Mud underneath, and walls closing in
    Barely inches to move and soaked to the skin
Boast, horses and carriage finally together again
    Made their way onwards, leaving the lane
Half past one, on that stormy black morn
    County Gate was passed, conversation was born
The crew started talking, spirits, they grew
    But a challenge was coming and this they all knew
Porlock Hill was coming their way,
    Navigating this death path was tricky even in the day.


Part 4:
Porlock Hill, as the locals say
    Is the devil incarnate come night or day
But the brave men from Lynmouth at the top they stopped
    Safety chains, drag ropes and skid pans were fitted against the clock
Four horses at the front to control the bends
    Ten at the back plus men to see this through to the end
Down the twists and turns the crawled
    On the drag ropes and harnesses, man and horse hauled
Round the last corner “We’ve done it!” “We’re down!”
    Sighs let out, smiles put on, it was an inspiring sound
Then all at once, morale took a plunge down,
    As they stared at the entrance to Porlock Town.
Old Widow Washford had a cottage this end,
    It would be impossible for the carriage to round the bend
The wall of the garden would have to come down
    So, the crew started trying to widen the ground
“What are ye thinking at this time o’ night?”
    “How dare ye start bangin! Gave me a fright”
Old Widow Washford’s head poked through the door
    Was there no end to the troubles faced on this moor?
Once again, the Coxswain had the answer and said
    “Don’t worry, we’re just widening the road dear. Go back to bed”
The old woman was dressed and out in a flash
    Shouting encouragement, soon the wall was hashed.
Six inches more, they needed to pass
    The corner of the cottage came off at last.
Five of the clock struck the morning chime,
    For most people here, that was rising time.
Out of the town, and past the Ship Inn
    The last part of their journey was soon to begin.


Part 5:
Half past five when they reached Porlock Weir
    They were soon stopped by people when drew near.
“You can’t go no further” the Anchor Hotel Landlord said
    “the road’s gone, Jack, to the beach, nothing’s left”
Only half a mile stood ‘tween the crew and their goal
    They would not let this stop them, oh no.
The top road they took, almost as narrow as Ashton Lane
    An exercise none of them wanted to repeat again.
The train drew on, till they reached a tree
    An old Laburnum standing between them and the sea.
Down it came and then back on their way
    The light was beginning to turn night to day.
The boat reached the beach, the flares had been lit,
    The ****** poised with their oars, ready to hit.
Holding the stop, Second Coxswain yelled “HAUL”
    And down shot the Louisa, into the squall
The oars struck together, through the roaring sea
    Sails hoisted, oars beating, wind blowing hatefully.

It was on the morning Friday 13th January,
    That Lifeboat Louisa of Lynmouth launched at Porlock from Countisbury.
Ten and a half hours, over thirteen miles
    This crew and their boat had endured many trails
The Forest Hall was reach, her crew all safe
    Back to the mainland they made at pace.


Jack Crocombe, George Richards, Charles Crick, Richard Burgess,
    Richard Ridler, David Crocombe, Bertram Pennicott, William Jarvis.
George Rawle, William Richards and John Ward
    John Riddler, E.J. Peddar and Richard Moore.

All of them crew members on that historic day
    And for this they are remembered in every way.


But I give my thanks to the crew mate who gave this story to me,
    My Great Great Grandfather, Lynmouth Lifeboatman
        William Sellick Pugsley.


Sophie J Pugsley
Great Great Granddaughter of crewmate William Pugsley of the Lynmouth Lifeboat Service.

He's Uncle John to you, but John to the rest of us
Got a way of telling stories without the fanfare or the fuss
He can jump into any conversation, has a lot of stuff to say
and every bit is interesting 'cause that always been John's way.

There was one about his summer job before 1970,
paid to push a Swan-shaped boat off a dock in Asbury
With a grapple hook on a ten foot pole, or something of that sort
well he'd push 'em out and pull 'em in wasn't doing it for sport~
The same guy who owned the swan boats, tunneled love across the way
twice a week John worked the darkness, but preferred the light of day.

Played rhythm at the Upstage in band called 'Cory' later
workin' Perkins in West Belmar, took the name from the percolator
Around that time he grew his hair out, it was like an Afro-sheen
mistaken for Tinker, a surfboard chinker and drummer with Springsteen.

Cruisin' down around Brookdale in his '39 LaSalle
Met 'Stinky' Tink at Thompson Park, where he was singing with his pal

Hey John, you look like Tinker,
but now you favor Gere
a live ringer for Mike Richards,
and don't forget DeNir-

Oh, if you can't remember anything from 40 years ago
just ask your Uncle John who knows the time in Tokyo.

In the mountains of winter, hats hung to the west, on the North Star we've ridden into tomorrow instead. The natives can smell the fear that's starving your dog, that keeps the anger inside you bottled up in you alone.

And the acres subside, the girls lay in their shorts, but I hate disappointment. I hate being let down. I say you have the prettiest blue eyes that I've ever found.

In the valley, if they come, we'll read ourselves into history. Rocks for the eyes, and sticks for the knees. Against all that's wicked, inside something strong. We've all had our guts pulled out to a Keith Richards song. And the drums break, the strummer hums back, the words mix and there's a cacophony of wrong.

Even the hero will be our villain before we've come too far along.

Take a group of chimpanzees
used to swinging through the trees,
and sit them down at keyboards in a row;
lots of paper, lots of ink,
lots and lots of time, I think,
and what the theory says I’m sure you know.

Yes, along with all the junk,
all the gibberish and bunk,
somewhere there’d be the full works of the Bard:
As You Like It, Cymbeline,
Richards 2 and 3, the Dream,
though Hamlet, Prince of Denmark, might be hard.

But I’m sure the little blighters
would get on fine with Titus
Andronicus, The Taming of the Shrew,
The Moor of Venice (that’s Othello),
the other Merchant fellow,
and Antony and Cleopatra too.

The Winter’s Tale would hold no terrors,
nor The Comedy of Errors,
and Verona’s Gentlemen would turn out right;
Love’s Labour might be Lost,
or it might be Tempest-tossed,
but All’s Well That Ends Well, even on Twelfth Night.

Lear, King John, and Much Ado,
Henry 4, parts 1 and 2,
Henry 5, and 6 (in three parts), Henry 8,
Troilus, Timon, Measure for Measure,
Pericles (a neglected treasure)
and how Romeo and Juliet met their fate;

all the Sonnets, and the ****
of Lucrece (typed by an ape!)
and if they worked for ever and a day
they could fit in Julius Caesar,
that Coriolanus geezer,
the Wives of Windsor, and the Scottish play.

I grew more and more excited –
even thought I might be knighted
if I could be the one to make it work.
But to realise my dream
I had to try a pilot scheme,
to prove I wasn’t just a reckless berk.

I bought one chimp from the zoo -
didn't have the cash for two -
and gave him a typewriter, just to try
for a short while. Well, a fortnight
was the time-scale that I thought right.
You see, I’m quite an optimistic guy.

Now everyone who heard
of my project said, “Absurd!”
when I told them of my striking new departure.
“Get a chimpanzee to type
the works of Shakespeare? Oh, what tripe!”
Still … he did produce the works of Jeffrey Archer.

When I was a child, every year I had my eye exam. The doctor would always say, "Tell me when the line on the left meets the dot on the right." It never did. I always told the doctor this, and every year, he would say nothing, just go on to the next part of the exam.

In 4th grade, my best friend was Bruce Patrick. His father was training at the Menninger Foundation to become a psychiatrist. Bruce was very smart. He sat across from me. Ms Perrin, our teacher, would devote part of every school day to reading. Each student had a copy of the same book. Ms Perrin would say, "Start reading." As we all began reading, I immediately saw that Bruce was ready to turn to the second page while I was only half way down the first. This puzzled me as the two of us were pretty much equal in every other subject.

Because I was pretty much a straight-A student during those years, my Dad had me apply to Andover, often considered, as I was to find out, the best prep school in the USA. I had never heard of it. I went to Kansas City to take the entrance test. When the results came back, I had done well except on the reading section. Out of 15 reading sections, I was able finish only 3 or 4 of them. I was rejected by Andover, so dad had me attend Andover summer school. No ordinary summer school was it. It was eight weeks long and we had class on Saturday mornings. Two of the classes I took were English classes--a lot of reading. It took me twice as long, or longer, to read each
novel than it took my classmates. But I got good grades notwithstanding.

Dad had me apply again to Andover the following year. Same thing happened I now know for the same reason. I was rejected. So Dad sent me again to Andover summer school. Same thing happened there, too, including both my need to spend twice as long reading a book, but getting good grades, nevertheless. When my Dad came to pick me up at the end of summer school. we both went to the office of Dean of Admissions. I don't know why, but we did. The first thing the Dean--I can't remember his name--said to me, the very first thing--was, "You're in! We have accepted you for the fall of 1960. You don't even have to apply."

In those days, if you graduated from Andover, you just decided which college you wanted to attend, and come Fall, you just walked through their gates. It was that simple, because Andover had such clout. I chose Columbia over Yale and thoroughly enjoyed my four years there, but I still had to study more than twice as much as my classmates.

One evening back in Topeka where I had grown up, I sat in a booth at Pore Richards sipping coffee with my friend, Michelle, who was a psychologist at Menninger's. I was 27 then. She was telling me about a workshop she had attended the previous week-end in Tulsa. I found the things she had learned most interesting. The more she shared with me, the more I began to feel that she was talking about me. Finally, I interrupted her. I said, "Michelle, what you are describing, what you are telling me about, sounds like what I have dealt with my whole life." I elaborated. She said she thought I had been suffering from monocular vision, the eye doctor's specialty. Michelle said I should drive down to Tulsa to see him. I did.

The doctor put me through a three-hour series of exams, the final one being when he hooked up both eyes separately to tracking machines that recorded on tape the movements of each eye, then asked me to read a paragraph. When I had finished, the doctor got the long, narrow tapes that had recorded both eyes separately and showed me both. The first tape showed the movement of my right eye. I was fascinated. The tape I looked at reminded me of an EKG. For about an inch-and-a half, the line on the tape showed my right eye reading, but then flat-lined (as when your heart stops beating when you die). Then the doctor showed me the tape for the left eye. Then line indicated my left eye kept reading, but not like a normal eye. The doctor said my left eye was moving "in a jagged manner," which meant it was not functioning properly. I shall never forget what the doctor said to me at that moment:  "Tod, I'm surprised you can even read a book, let alone get through college."

As I drove back to Topeka, I thought about the eye doctor whom I had seen every year through grade school "Tell me when the line on the left meets the dot on the right." And that doctor never responded for years when I told him every year they never met. That condition is a classic symptom of monocular vision.

That *******, I thought, as I made my way home.

TOD HOWARD HAWKS

"I don't blame you for writing of me as you have. You had to believe other stories, but then, I don't know if anyone would believe anything good of me anyway." - Who is it?

1859 -1861, month and day unknown.
As of this writing that's the closest we've come to his birthday.
So many records of his life are now all gone.
His tragic, short and violent life began when he was only just a very young child.
He was a lamb among wolves trying desperately to survive
the untamed Old West's most merciless and vile.
He was supposedly born in New York City,
but the state of New Mexico is where he'd be raised.
It would be there where he'd grow to young adulthood
and become familiar with the west's outlaw ways.
His first foiled crime occurred in New Mexico's Silver City.
He stole some butter and then sold it to a local merchant.
Upon discovery the local sheriff spanked the young boy silly.
Sheriff Whitehill then let the lad go with this stern warning,
"No more will I put a belt to your hide if we ever meet this way again.
If you again break the law, of this you can be sure, You'll Be Going To Jail My Friend!"
The sheriff was actually sympathetic. He wanted to give the boy a healthy fright.
He knew the kid was orphaned, alone and all on his own.
He could see that his future wasn't looking too bright.
It's sad for this boy was no dummy. Mary Richards, his teacher would say,
"He was a student who always had his homework in on time each and every day."
He would enthusiastically help with the classroom chores.
Schooling was not just education, it was an activity he adored.
He loved to read. He loved to sing. He loved to dance and even act.
He'd spend many days involved with his school plays.
His mother's death however would put an end to all of that.
Her loving memory probably grieved him all the rest of his short days.
He loved her devotedly and he lost her at a time when she was the whole of his life.
A large part of his heart surely died as he cried beside his mother at her deathbed that night.
After Mrs Catherine Antrim was laid down to rest,
her two sons would be separated and go from one foster home to the next.
The kid must have wondered if he'd ever again see his brother Joe.
Was Joe his older or younger brother? This is another fact we don't know.
We do know that their step father, one William Antrim ,
abandoned the offspring of his departed wife Catherine.
Catherine knew she was dying and probably married Antrim to insure
that her boys would always have a family and home.
If he promised to care for and love them, his promises weren't pure.
Catherine no sooner died and Antrim was gone.
He wasn't even there on the day that she died,
nor during the days that preceded the end of her suffering pneumonia.
With one last look into their eyes, he gave the brothers their final separate good byes.
William Antrim then left the boys and moved to Clifton, Arizona.
And so began the short and violent life of this unfortunate child.
Legend doesn't accurately portray the brutal harshness of the true life he had lived.
His was the tragedy of a promising young boy forced to become a man while still a child.
All would one day know him as Billy, the Kidster.