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judy smith Aug 2016
It’s New York Fashion Week, and there is a frenzy backstage as models are worked into their dresses and mob the assembled engineers for instructions of how to operate the technology that magically transforms a subtle gesture into a glowing garment suggestive of the bioluminescence of jellyfish. I know there’s not enough time for them to do their work. Almost instinctively, I find the designer and bargain for 20 more minutes.

While I wonder to myself how I got here, backstage at a runway show, I also know I am witnessing what may be the harbinger of how a fourth industrial revolution is set to change fashion, resulting in a new materiality of computation that will transform a certain slice of fashion designers into the “developers” of a whole new category of clothing. By driving new partnerships in tools, materials and technologies, this revolution has the potential to dramatically reshape how we produce fashion at a scale not seen since the invention of the jacquard loom.

The jacquard loom, as it happens, inspired the earliest computers. Ever since, textile development and technology have been on an interwoven path — sometimes more loosely knit, but becoming increasingly tighter in the last five years. Around that time, my colleagues and I embarked on a project in our labs to look at “fashion tech,” which at the time was a fringe term. These were pioneers daring to — sometimes literally — weave together technology and clothing to drive new ways of thinking about the “shape” of computation. But as we looked around the fashion industry, it became clear that designers lacked the tools to harness the potential of new technologies.

For a start, all facets of technology needed to be more malleable. Batteries, processors and sensors, in particular, had to evolve from being bulky and rigid to being softer, flexible and stretchable. Thus, I began to champion “Puck [rigid], Patch [flexible], Apparel [integrated],” an internal mantra to describe what I felt would be the material transformations of sensing and computation.

As our technologies have steadily become smaller, faster and more energy efficient — a progression known in the tech industry as Moore’s Law — we’ve gone on to launch a computer the size of a postage stamp and worked with a fashion tech designer to demonstrate its capabilities. In this case we were able to show dresses that were generated not just from sketches and traditional materials, but forward-looking tools (body scans and Computer Assisted Design renderings) and materials (in this case, 3-D printed nylon). At the same time, we integrated a variety of sensors (proximity, brain-wave activity, heart-rate, etc.) that allowed the garments themselves to sense and communicate in ways that showed how fashion — inspired in part by biology — might become the interface between people and the world around them.

Eventually, a meeting between Intel and the CFDA lent support to the idea that if technology could fit more seamlessly into designs, then it would be more valuable to fashion designers. The realisation helped birth the Intel Curie module, which has since made its way down the catwalk, embedded into a slew of designs that could help wearers adapt, interpret and respond to the world around them, for example, by “sensing” adrenaline or allowing subtle gestures to illuminate a garment.

As the relationship between fashion and technology continues to evolve, we will need to reimagine research and development, supply chains, business models and more. But perhaps more than anything, as fashion and technology merge, we must embrace a new strand of collaborative transdisciplinary design expertise and integrate software, sensors, processors and synthetic and biological materials into a designer’s tool kit.

Technology will inform the warp and weft of the fabric of fashion’s future. This will trigger discussions not just about fashion as an increasingly literal interface between people, our biology and the world around us, but also about the implications that data will generate for access, health, privacy and self-expression as we look ahead. We are indeed on the precipice of a fourth industrial revolution.Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | www.marieaustralia.com/black-formal-dresses
Envision the acceleration
Of your heart and mind
As the truth is delivered
Upon you, replacing
Your salvation with a
Glimmer of thought
To inspire you to
Reimagine an existence
Without the excess of a god.
Time, energy, and motion
Becoming interwoven as you
Refocus on a new existence
Where you don't *******
Squander away your time
Worshipping false idols
Warning you against
Worshipping false idols.
When armed with a thought,
The creation of a
Revised world isn't
Such a foreign concept,
But an attainable reality.
Strive for a redefinition
Of the corrupt system
For in action, change
Can be forced on
The unwilling establishment.
Abandon the petty squabbles,
Brother against brother
Over an imagined salvation
Leading only to extermination.
Realign your thought process
And adjust to a world where
Brother allied with brother
Fight for the freedom
From class division,
From monetary idealism,
And from religious ideology  
Picture an existence
Where we no longer divide
But combine to form
A unification
Of revolution.
The first of three I wrote yesterday.
I S A A C Feb 2022
I hate seeing your face, I really do
You painted me like a landscape, green and blue
Green with envy, Blue and subdued
I still question, what I mean to you
I try not to let the abandonment issues win
I try to reimagine myself partying in Berlin
I miss the blaze of the blunt, the bass in the club
I miss the days when I felt enough
without anyone other than myself
Henk Holveck Nov 2013
HE always gets the higher rank,
Not just  HIM but any
Of the fall soldiers.

What do they fulfill,
That you are missing,
Are you troubled behind closed doors?

You have a youth of your very own,
Standing right here,
Tacitly craving just a loving expression.

You wound me when you advise tactfully,
that I should vacate,
So you and your vernal pibe,
Can take in abortive entertainment.

Little did I know,
Lounging in the same environs,
Was a taboo in the posh palace.

I would reflect,
Reimagine & rationalize.
If you neglect to
You may find a solitary soul.

My heart hopes for the highest,
But days past tell me otherwise.
Humans argue, fuss and struggle,
But those who,
Value and treat unconditional loves,
Warmheartedly get the real pleasure.

If I ride off from this declining,
Tormenting cliff, like a lost knight,
Know why.
&
When things get distressing,
Maybe then you will understand.

Love & Art,

Offspring

1991-20??
Mitchell Aug 2018
I was there
Beneath it all
Stubbing my nose
Catching my eyes
On the most soulful of gifts

There was a promenade
Then music
A chef in a tall white hat
Shouting at the top of his lungs
As cracked eggs
Desperately tried
To reimagine themselves
As whole again.

They did not wish to change.

I am a poem
And I am nothing

I am a man
And I am nothing

I am a before
Yet to embark
On an after

Could this be it?

I think of
What could have been
If I had done this
If I had done that
And switch
Paralyzed.

The horizon
Fades at dusk

And is reimagined
At dawn

How I wish
I were content
To be ok
With such a simple

Routine

Progress
Achievements
Recognition
Advancement
Aw­ards

Realization

The ***** turns to tighten
To hold
Only to rust
Be forgotten
Put in the back of the pantry
Read from afar

The days of the sun
Are over

Darknesses lengths
Are upon us

Taste of the hubris of the moon
Its position is fixed
Such a fact, such a reserved space

Where will the moon go
But anywhere
But here?

And of us?
Where will our bones go?
Our me minds?
Our fleeting psyche?

The I is none other
But the billionth petal
Of a flaming sunflower
In a field
Surrounded by the identical

Taste ash
Mixed with honey
As the buzz of the bees

Fade.
Jon Tobias Nov 2012
On the end table by the bed
A tiny Styrofoam cup
Full of unwrapped candy

In child’s writing
All caps and struggle

HAPPY HALLOWEEN
I AM SORRY
MOM

It is hard to stay angry
When you have an imagination

I picture her at a round table
******* a hospital bracelet

There are other people with her
Some have construction paper
Some have glue
There is glitter
And painted fingertips

I still get homesick
For places I have never been to
Sometimes miss people
I never even knew

There is a city inside my chest
It bustles
Pre pollution
But ***** is still legal

I have made homes there
You have a home here
In a city with
No hospitals
No graveyards
Just a cul-de-sac that starts at my throat
And double loops along my lungs
So many streets
My chest x-rays look like upside-down trees without the leaves

And when you leave
There is a house
Inside the city inside my chest
That stays empty forever

So much left behind
There is no room for anger to stay long

It exits like forgiveness
When you’ve given up all hope
When you can only reimagine so much

Some of these homes are condemned

Though it is hard to stay angry
Ken Pepiton Feb 2024
Look out,
across time, go
windborn in our mind being,

look out,
into the depths of ever being,

rethink the processes time used,
reimagine the silence at the moment.

All for us to have our own being in,
confined in common sense of the we
the one we of us since ever was a time,

before now, and later, still,
this same concurrency of events…

our crossing point in time.

Instants of peaceable knowing, growing
into states of conscious knowing use.
Hexambicality, six points from any center leaves seven total points.
Any point made remains made... a little here, a little there, precept reception.
leave your ideas at home.
on the hatstand. forget all
that you have learned, things
may not be so.

all people have ideas, so
yours is not so precious now,
elder.

she told me that even things
at home have changed.

looking round we see they have.

reimagine the world, forget
the learning, start again,
then we may understand, or not.

king david.

sbm.
Shipley Jan 2018
A couple hours from now, as we are toasting a farewell to a neoteric past, a new year will emerge from the ashes of 2017. Like a phoenix, it will rise again, and sing sweet songs of new beginnings and manifest hope for a better year. We wait for this day in anticipation praying the months to follow will be anything but a repetition of a life once lived. We convince ourselves that we will be more productive, that we will be more active, and that THIS is the year that will change our lives. So we set New Years resolutions, we mark our calendars with exciting new adventures, we establish new goals and reimagine our old dreams hoping that in this new year, we can accomplish them all. But, for many eager and willing people, months will go by without any true transformation. And as the year draws closer to its end, they are again transfixed by old habits and excuses. Their excitement and determination will have faded into the mundanity of reality setting them back to where they were before. For a new year can’t be the driving force for change. A new year shouldn’t be the starting point for innovation. Because refinement shouldn’t be pushed to a certain date and time. And if someone really wants to revolutionize their life, why wait?
Kelly Mistry Aug 2021
Cycles of pain
Circles of healing
What did I learn

Did I hold on
                         to the pain and miss
                                                              th­e lesson

Trauma can teach
But how do you know
The right lesson

We need meaning
To contextualize our pain
To start healing

If there is no meaning
Then we create one
It’s our greatest strength
Or possibly
                      our greatest weakness

I may make one meaning
You may make another

Which is right?
Both?
Neither?

Time will tell
Time will heal

But in time
                     Lessons can fade

We reimagine our past
With the meanings that we make

Who can say who’s right
And who’s wrong
In your own history

Does it matter in the end?
When the lessons we seem to learn best
Are the ones we already believe

New ideas are harder
Does harder mean better?
More real?
More right?

I don’t know

I guess I will just
Continue to make meaning

Seek to heal
         And hope for the best
Vivian May 2014
I always hated art.

as a kid, the forty-five minutes
every ******* Friday and Wednesday was
excoriating. even though
the other kids adored
fondling their fingers through paint
swatches, it just wasn't for me.
until I met you, my muse and my
canvas, your shuddering skin a
cream tableaux for my
lust to reimagine
pointillism cubism impressionism
le renaissance haut
in scratches and bites and
streaks of saliva criss-crossing
goosebumped skin.

I always hated art.
50:53

Strobe
   when  revealing  a  smile  variegated
your polychrome
   soul  within  sight
   does not know where to go but to pine away
from   the single light  to touch
   the innards  of your   button-down
    making intimate the body  contorts  dancing with another
                a minute past  a  gyratory

if   belief  is a  grave:   let   stasis be  metamorphosis.
   this rained-on house will not give way any minute

else  there is the  wreckage  springing from a singular
  hiding behind  the  music ballasting ground
                    and from a convinced consequence of being
   became fracture as if salacious to withdraw nothing but noise

   from the quiet or vice versa. If when  breaths were postponed,  inert – they will
  start    estimates  from  outside
      the   neon sign that  says Pulse and  reimagine the lives when divorced
     from  the daily, and is  then  summarized

  in a  fusillade.   When  on the  ground

    they  must  have been  dreaming   of  wings,  or  falling asleep
               constantly  with   a warm  body   stranger  tomorrow in  that  evening
   a  contingent

                   this   place   they  have   not   reached  yet against  their head
  said  it  was  the   most  sincere of  blankness at  any  given  rate,
               when   movements  statistical,  numbered, unwarranted like a metaphor
     or a glib downpour – the aftermath

                       becomes   sleep so tender with a dream which resonates
   They must  have been   dreaming  of  wings  but  by  the  time  when someone
   waiting  for  them
               inside  homes,   they have  already   flown into    days.
for Orlando.
E Townsend Oct 2015
The scary thing about
how time heals
is that I forgot
the only person I wanted to remember.
I force myself to be okay with that.
I started to lose

all the details about her, all the fights I knew I'd lose
before the arguments began, because I couldn't stand to think about
her being upset with me. I was quick to let her think that
the tension between us healed
that neither of us could remember
the reason we were fighting in the first place. I forgot

her coffee order when she's sad, I forgot
how she freaked out when she lost
the callback to someone we despised. I forgot how she remembers
that I counted how many chicken nuggets I ordered. She was all about
knowing the little things that kept me at ease, that healed
my stress away from her. But then I knew that,

with the poison I kept on the tip of my tongue, that
would be impossible. She tended to forget
even though she was the one to heal
me emotionally when no one else could, she would lose
me at the same time with disappointment. It was not her fault. About
four years now, I'm still alone in pictures. I remember

that we were always together in a single frame. I remember
I kept my mouth closed and she smiled with her teeth. That
passenger seat remained empty, beneath a full moon about
to transform into new. Once I forget
eclipses only last a few hours, I lose
the nostalgia that never did get me healed.

Replaying my memories will not heal
what I once had. I will not remember
everything I thought I'd never lose.
Once it hits, I am on the floor, pressing into the cold tiles, so close that
I can reimagine her skin, and I will never forget
all of the things I thought about.

I believe she can no longer heal me and that kills me.
I can't remember to forget her.
I constantly wonder about her, and the universe I lost.
Leilani Dec 2016
These eyes, no longer my own
My heart changed its beat
A snake has a hold of my stomach
My body admits defeat

It's merely following suit
After all, the body trails the mind
Rage overtook that system
When my father decided to resign

You might think a job
I guess you would be right
Twenty-five years of marriage
Forsaken overnight

Now if you are uncertain
This was not foreseen
He was fairly content a man
Although a bit extreme

He had all he wanted
That was insufficient
So he went quietly searching
And one lie became malignant

As I reimagine the events
Not by choice or reason
I can't un-hear my mother
Her sobs weak, uneven

I struggle to relinquish
The semblance I have left
Of the life I knew just days ago
Before this unthinkable theft
Alexander Coy Oct 2016
when i was a child
i drew an outline
of my future
with broken chalk
across the side
of a road that
no longer exists

you see
when the eyes
persist
they reimagine
the past as some
kind of bad joke,
or a science
experiment

when i was a child
i was forced to make
love to people
who didn't deserve
it;

i guess asking
for permission
didn't exist back
then

or were we all too
scrambled in our brains
to get our bodies
to do what we say?

instead they just gave
into their instincts
and impulses

our tiny naked bodies
under ***** blankets;
tightened fists, kicking legs
and strained muscles

the trees outside
still swayed as though
they never had mouths
to feed, as though
they weren't desperate
to think, feel, or be
free

it all came so naturally...

when i was a child
i broke twigs in two,
kicked empty beer
cans, and poked
rollie pollies
in their bellies
until they got
sick and threw up

i laughed, cried
and wished that
i could die

i did this well
into my late
twenties

until i realized
i was going to live
for a long time

then i said **** it,
**** the world,
**** the creator
he, or she
doesn't exist

they were never
there to stop
my father
from his routine
abandonment

they were never
there to stop
my mother
from withholding
nourishment

sometimes
there aren't enough
words and wishes
to conceal the truth
from it's own existence

it has to live
in order for
me to die

perhaps, it's been a joke
all this time and i've
been to stuck up
to spare a laugh
or two

i smile more
than i often believe
i should

but at least
i know my body
is strong enough
to rebel against my fate

when my mind is
too afraid to make
the change
Why must I feel this void?
Emptiness to fill with, questions?
On how or what to fill it with.
Maybe a new car or reaching Fame's status?
Get a Nobel Peace Prize and Solve the World's Dilemmas.
Even though I feel alone without a light to shine my pathway
Down the corridor to the right way to fill life's emptiness?
I see my achievements. I mark my calendar.
Maybe the end of this man's lifespan ,in length of times to come,
It isn't many calendars afar.
I feel numb to once exciting and fulfilled activities ..
The Lack of cheers, funds to spend for a more colorful life, or notoriety published for things I've created in my name..
To show in history books..?
To enjoy fruits of my toil and Labor..?
Much Needed Acknowledgement for a gift of artistic love to my community?
Could it be me feeling like a small ant in a huge colony called my "City?"
Eventually, I shall find my answers and my way. A little help from spectators couldn't hurt.
When romance is never and closer.
When long and quiet nights go on without my love's signal
noticed as I see her return my flirts?
I thirst for a bottle of excitement and a sweet pastry of romance to dine on, these frightful nights.
Finished with Chocolate Emmy Truffles and a glass of a family labeled milk?
Here I lie shaking with fright.
I know I'm simply longing for a more eventful existence within excitement's vine swung to a surprise ending...
to this life with success and a wedding ring?
A man old enough to research his life that has fallen ill with "wheretogoitis" cured by mature hands of a doctor, that is in me, to learn to reimagine himself and just be able, inside, to earn the drug, the curing chemical witch  such is Newermomentus Fastistique?
Odd Odyssey Poet Sep 2022
A reason to love, a reason to touch,
to add a little spice.
Freedom isn't a crime, but just a dream
inside of my eye. As the temperature rise,
heating our passions that come with no surprise.

The taste of your lips, the glare of your dirt
eyes. The warmth of your breath, in the cusp
of the bodies; two curves meeting inside.
Pillow soaked emotions, crisp sheets of a former
time. Kissing and cuddling, to reimagine anew
reason why I call you mine.

The tickles down spine, river flow in streams
in it's continuous body. A candle at night,
by the side to light this activity of a nightlife.
Brushing affection under covers beneath the feet,
and such a treat. Blood rushing to the face, of
red cheeks. As like two of the sweetest overripe apples.

Toes so shaky as business hands at the longest meet
and greet, Overjoyed as if it were a last dance,
Would you at least dance one last dance with me?
A tango in the sheets—rhythms and postures, and
abrupt pauses.

Oh your sweet perfume, blows loveliness in the wind,
in a kiss of a breeze—as our tongues caught in a knot.
Twisting in the unturned direction of an advance,
a paid forward gesture of asking you out on a dinner date.
Hoping in simple conversation, we could relate. And by fate
I hoped from that day, you'd be my forever mate.

A tiny spark can start a fire, so I hoped to kindle
a little joy to burn eternally throughout the years.
For the echo flame to continue on after the children's birth.

Mother earth, of your womb and breast as a giver and
sustainer of life. Tis a pen *******; of words cutting deep
of my favourable piece. I'm seamlessly inspired as I write.  
You're a sight for words, breathless at the first take, and I
could bet my words to describe, such a passion of love has even
more words to express.

But for this time, three hundred and fifty two words
is all I could get. I hope that's okay?
Tupelo Feb 2016
-
On loving you,
I write down a lot of things
Most of them meaningless
scribbled on napkins or in the backs of notebooks,
Sometimes I look back on them
reimagine the moments captured,
This has left me with a timeline of us,
The first day we held a conversation,
Me, drunk out of my boots
Fumbling with words I do not remember,
You, kind eyed and laughing
Only knew patience
-
Traveler Oct 2021
I’m sorry to see
you’re falling apart
It could be different you know
We could strive to make things better
  Reimagine our roles…
These dreams manifest themselves
in clusters of agreements
Sort them out and sigh…
Accept the moment
and in the light you’ll receive it
Catch ahold and fly!
Traveler 🧳 Tim
his woebegone **** dental daze today May 5th, 2021

No particular rhyme nor reason
garden variety indentured flunky (me)
revisits his salmagundi salad days,
when oral blight smote
left front adult tooth,
which hellacious quandary commenced
when yours truly experienced
broken said central incisor.

Inxs of cold playing air
froze natural pond, where over head
Canadian geese (imitating
black counting crows) did blare
honking the latest goose sip loud and clear
when from behind a (Georgian) bush
(color of smashing pumpkins) did peek a deer

alert to any danger by parking
upright either one or both ear
lest predator doth lurk and induce fear,
while Harris Family and friends
oblivious among themselves
attired in wintry gear
which protection from cold
caused difficulty to hear

necessitating cupped gloved hands
to punctuate every muffled word
to be but barely heard
akin to talking with mouth full of custard
above the quiet riotous mirth
from this then gawky child nerd
precariously maintaining balance
on his skates heed glide like a bird
such attempts made
this boy didst appear quite absurd

ah, if only this mind of mine
did two step quick think
but woe misfortune awaited
across the bumpy natural rink
blithely jettisoning myself hither
and yon like a rolling stone going plink
unaware while in camouflage pose
disguised as one sneaky slippery fink
that snuck up in a blink

that found me squarely
face down shattering left front tooth
immediately discovered via
tongue as private sleuth
finding me in extreme agitated state forsooth
as if on fire from red hot chili peppers
wrought from jagged booth

winning sympathy from parents,
who did level best to tend distraught son
who ushered playback of events
with less disastrous rerun
praying for an angel
to grant reverse outcome brought none
gut wrenching grief
immediately terminated former fun
damage irreversible and
perfect white smile forever broke.

So much of my precious existence since
found me rooted with mouth ajar
as sigh asper the dentin-cementum
so mud dear reader (with dem perfect
enameled pearly whites), aye har bar
envy for those with a complete set

of eight incisors, four cuspids (i.e. canines),
eight bicuspids, and twelve molars
(including four wisdom teeth) tabulating
many hours in the car (engendering
saddle sore bony tuckus)
plus regarding chunk whereat,

pernicious cementum funk
viz distraught psyche,
when muss self as a lil monk
key decades after being examined
by family dentist Doctor Marcus (NOT WELBY),
excellent practitioner (button irate pulp pill

people, especially children) hater –
the grinchy, grouchy, and grumpy,
whose private practice located
in Levittown, Pennsylvania,
and when prepubescent self underwent

pertinent more explicit focused
intense noninvasive procedures
asper subsequent cause of speech impediment
determined why air didst jump

thru nostrils, (speech therapist
at Henry Kline Boyer),
neither thin nor plump informed parents
of Lancaster Cleft Palate Clinic –
fifty plus miles one direction),

where chief prosthodontist (the curt
Doctor Mohammad N. Mazaheri, DDS, an Iranian
whose expert reputation,
sans strict manner didst trump
his aura, karma evincing clipped commands
forceful as a vocal whump

before launching into meat and potatoes
of crux comprising real aim
constituting modus operandi
(and cresting away from details indirectly tide
into main intent, nobody aye blame)
for thine dental debacle quandary

(managed by gumpshun,
whereby eons hyperbolically
toted beyond google),
and despite optimistic stance
wool worth anesthetized numb skull claim
nascent malocclusion faintly affecting,

hinting, pointing toward Periodontitis
(despite diligence attending
to oral hygiene frame)
the manifestation
of major looming crisis compromising,
forgoing, instigating, et cetera loss of teeth,

this (after agony in league with separate occasions
twice wearing braces, concomitant extractions
of wisdom and removal of crowdsourcing –
close up toward the front of mouth teeth - game
some microbial bacterial
agent provocateurs didst maim

self-acceptance, and (found thyself
as a boyish twenty something
weathering onset of gum recession,
maxillofacial surgery, impressions,
x rays galore, scaling)

necessitated (score years later) urgent intervention
i.e. treatment plan under auspices
re storied name
University of Pennsylvania
Dental School to mitigate malady

entailed every last tooth plucked with ease
since no other recourse could tame
accompanying jaw bone loss,
which destabilized rootless choppers,
and despite the state of the mind turning to pulp
(this haint no “fiction, nor FAKE)

thus I acknowledge sincere gratitude
vis a vis thru poetic aire
for the entire fleet of dental students,
and staff that didst care,
who assuaged distress,
exceeding the best expertise flair
which eventually warranted

being fitted for dentures here
bringing an exemplary end result
encompassing yours truly writing in his lair
after about a dozen years encompassing
so many wing (bitten) angels far and near
across webbed wide world to help repair

chronic distress minimized now, cuz there
prevailed the most blessed delight
when Medicare picked up the tab
now smile more willingly
with artificial dental wear
donning blitz end until
mine last mortal year.
Udit Vashishth Apr 2018
When the world gives me pain.
When everything makes me insane.
When each & every effort goes into vain.
I recollect all the sweet memories
that I have captured in my brain.

When I get distracted from my goal.
When I lose hope and cannot stand tall.
When I deal with the things that cannot control.
I relive all the moments
that I have captured in my soul.

When anything I see is nothing but a lie.
When I can't unsee bad things no matter how hard I try.
When I am hurt so badly but I cannot cry.
I reimagine all the beautiful pictures
that I have captured with each eye.

When I see my world falling apart.
When nothing goes right whatever I start.
When my brain denies to take part.
I revisit all the lovely feelings
that I have captured in my heart.
In today's world we sometimes lose hope and then we need a refresh button kinda thing to restart our daily life. The moments captured in our pasts help us to restart everything.
Rhyme scheme a a a b ***
A review of the book
The Poetry Of Mark Anthony's Phoenix and Short Stories;
Here’s an in-depth review of The Poetry Of Mark Anthony’s Phoenix and Short Stories by Theresa Rose—a work that boldly intertwines the lyrical essence of poetry with the narrative depth of short stories.
An Intimate Tapestry of Emotion and Form
Theresa Rose’s collection invites readers into a world where every word is imbued with stirring emotion and sensory detail. At its heart, the book offers vivid poems—like the evocative piece “Ashes On The Beach”—that dance between the tangible beauty of nature and the intangible realm of memory and longing. Lines such as “the sounds of a heartbeat / Nestling through the mist” effortlessly transport us to a quiet moment of introspection, inviting a cathartic pause in the midst of life’s rush. The writing is both delicate in its imagery and forceful in its emotional resonance, a combination that promises to leave a lasting impression on anyone who has ever felt love, loss, or the bittersweet rush of recollection.
A Harmonious Blend of Genres
Not one to be confined by strict literary boundaries, this book seamlessly fuses poetry with short narrative forms. The poems flow like soliloquies—each a stand-alone vignette—while the incorporated short stories provide narrative arcs that give context and further texture to the overarching themes of rebirth and transformation. The title itself, invoking “Phoenix,” suggests a powerful motif of rising from the ashes—an allegory for renewal and reinvention. Readers who delight in works that balance the brevity and emotional intensity of poetry with story-driven insights will find this synthesis both refreshing and deeply engaging.
An Aesthetic Experience
Beyond its thematic richness, the physical presentation of the book speaks to its artistic ambition. With its compact 182 pages available in both hardcover and paperback formats, the collection is designed to be a portable haven of reflection—a book that invites you to pause and savor every crafted word. The careful attention to layout and form echoes the work’s gentle yet persistent call for mindful introspection, encouraging readers to create their own quiet space amid the chaos of everyday life. It’s a format that doesn’t overwhelm but rather enriches the reading experience, as every page serves as a canvas for Theresa Rose’s heartfelt expressions.
Final Thoughts
Overall, The Poetry Of Mark Anthony’s Phoenix and Short Stories is more than just a book—it’s an invitation to feel deeply and to reconnect with the quiet, often unspoken parts of ourselves. Whether you’re a lover of poetry, a fan of short stories, or simply someone in search of a literary experience that speaks to the soul, this collection offers an authentic glimpse into the artist’s heart. The interplay of vivid imagery with narrative insight makes each piece resonate long after you’ve turned the final page.
As you consider diving into Theresa Rose’s work, you might also explore how similar themes of rebirth and raw emotion are echoed in contemporary poetry or how narrative fragments can beautifully encapsulate life’s transient moments. Perhaps next, you might seek out interviews with the author or similar works that have been described as both lyrical and transformative—a journey that celebrates art in its purest, most heartfelt form.
An explainion of the theme of rebirth in this collection?
The theme of rebirth in The Poetry Of Mark Anthony’s Phoenix and Short Stories is a multifaceted exploration of how endings give way to beginnings, illuminating the cycles of loss, destruction, and revitalization that are part of the human experience.
At its core, the collection uses the legendary phoenix as a central metaphor. Traditionally, the phoenix represents renewal—the idea that from an end or an apparent demise comes a transformative beginning. In the poems and short stories, this imagery is woven into the fabric of everyday life. Whether it's the subtle evocation of a fading love or a life upended by circumstance, the narrative consistently hints that what appears to be the end is often just the prelude to a more profound, reimagined existence.
Delving deeper, the collection suggests that rebirth is not merely a spontaneous miracle but a process of gradual transformation. The language—rich in visual symbols like ashes, flames, and tender new buds—mirrors the internal journey of the self. Characters and lyrical voices often confront moments of despair or dissolution, only to emerge with newfound strength or clarity. This dynamic of breaking down and building up again encapsulates the personal struggles many face when reinventing their identity or redefining their paths after hardship.
Furthermore, the thematic emphasis on rebirth invites readers to reflect on their own lives. The narrative encourages us to see emotional and experiential endings as fertile ground for growth. Just as the phoenix is reborn from its own remnants, the individual, too, carries the potential to rebuild and reimagine life from the fragments of past experiences. This sense of empowerment—that even in the deepest crises there lies the seed of transformation—resonates deeply through the evocative passages and carefully constructed story arcs of the collection.
Beyond personal transformation, rebirth in this work also touches on the universality of change. It suggests that reinvention is an inherent part of nature and culture—a continuous cycle mirrored in both the natural world and the evolution of human societies. In doing so, the collection not only becomes a narrative of individual metamorphosis but also a broader commentary on the enduring resilience of life itself.
In essence, the theme of rebirth in the collection serves as both a poetic motif and a philosophical invitation. It calls readers to embrace the inevitable cycles of endings and beginnings, reminding us that from the ashes of the past, new visions and possibilities can arise.
Exploring this theme further might lead you to consider how personal adversities can become catalysts for growth in your own life. How do you interpret moments of significant change or loss? And in what ways do you see your own experiences echoing the symbolic resurrection of the phoenix?
Here are examples of rebirth in specific stories.
Let's delve into two specific instances within the collection where themes of rebirth shine through vividly:
Example 1: "Ashes on the Beach"
In this poem, the imagery is both stark and cleansing. Theresa Rose uses the metaphor of scattered ashes washed along a shoreline to evoke the remnants of a past identity or love lost. The tide—both relentless and gentle—symbolizes the passage of time, gradually sweeping away the old and worn-out, and in doing so, making space for something new to emerge. The transition isn’t explosive; it’s subtle and cyclical, much like the phoenix’s quiet but inevitable rise from its own remnants. The ebb and flow of the beach scene positions loss not as an endpoint but as a necessary precursor to personal transformation, inviting the reader to see each ending as fertile ground for rebirth.
Example 2: A Short Narrative of Transformation
In one of the short stories, a protagonist finds themselves at a crossroads after enduring a series of personal setbacks. Here, the literal decay of a once-vibrant cityscape—where faded murals and crumbling facades are interspersed with tender signs of nature reclaiming the space—mirrors the character’s internal journey. The narrative carefully tracks their evolution from despair to hope. Small yet meaningful symbols appear throughout: a burned, half-ruined letter transforms into a work of art, and a desolate park becomes a meeting ground for rejuvenated aspirations. These symbols are deliberate; they reflect that rebirth, much like the myth of the phoenix, is a slow process of recognizing that within destruction lies an inherent and often hidden promise of renewal. The character’s gradual reassembling of a fractured identity underscores that renewal may be messy and uncertain, yet it is always laden with the potential for transformation.
Both examples illuminate a central idea in the collection: rebirth is not sudden or magical but is instead an intricate, evolving process. This theme challenges us to reconsider our own moments of profound change. Moments of apparent collapse might, with time and care, transform into opportunities to rebuild and redefine ourselves.
What resonates most for you in these portrayals of rebirth? Do you see parallels in your own experiences, or does the gradual, almost organic unfolding of change in these stories inspire a new way of thinking about personal transformation? Perhaps further discussion on how these literary symbols compare to timeless myths of renewal—like the phoenix—could spark deeper insights into both art and life.
How the symbols of rebirth function within these stories.
Symbols of rebirth in this collection operate as multifaceted signposts—they guide us through layers both literal and metaphorical, inviting readers to explore transformation as an intrinsic, cyclical part of life.
Evocative Imagery and Metaphorical Significance
Consider the emblematic phoenix referenced throughout the texts. Traditionally, the phoenix is a powerful symbol of renewal—burning away the old to emerge renewed from its ashes. In these stories, the phoenix is not merely a mythical bird; it becomes a resonance for personal and societal transformation. This imagery encapsulates the idea that endings are not final but are instead productive, fertile moments where decay gives way to new life. Such symbolism encourages readers to view destruction not as ruin but as a necessary clearing process that prepares the way for fresh beginnings.
Symbolism in Visual and Narrative Elements
In "Ashes on the Beach," for instance, scattered ashes and the rhythmic movement of the tide serve as poignant metaphors. The ashes represent the remnants of a past self or relationship—a painful history gradually worn away by the steady erasure of time. The tide, then, functions as the agent of change, symbolizing the inexorable flow of life that cleanses what is no longer needed and ushers in a new chapter. This cyclical dance of loss and renewal is a vivid reminder that what appears broken can birth a new form of existence, aligning with nature’s inherent rhythms.
Likewise, in one of the short narrative pieces, symbols like a crumbling cityscape, decaying murals, or even a burned letter transforming into art, serve as concrete manifestations of internal rebirth. These images are carefully chosen to mirror the protagonist’s journey—from disintegration into a state of vulnerability to the reassembly of a renewed identity. Each symbol operates at a dual level: it is both a physical signifier of change in the environment and a metaphorical representation of internal evolution and resilience.
Emotional Resonance and Reader Connection
By weaving these symbols into both the poetry and the narrative, Theresa Rose crafts an experience that invites us to introspect. The symbols function as bridges between the external and internal realms—they convert abstract notions of rebirth into tangible, emotionally resonant images. As readers, when you encounter these symbols, you’re nudged to reflect on your own cycles of transformation. The realization that each ending holds the promise of a new beginning is a deeply human sentiment, and the collection artfully emphasizes that metamorphosis is both natural and empowering.
In exploring symbolism through these layered images—whether it be the transformative fire of a phoenix, the wistful scattering of ashes, or the rebirth emerging from decay—the collection urges you to reconsider the narrative of your own experiences. How do you see the ashes of past struggles giving way to the new chapters of your life? Perhaps you recognize, in your own journey, that moments of loss and ruin quietly herald the seeds of rejuvenation.
What additional symbols or personal analogies have you encountered in literature that mirror the idea of rebirth? We could further explore how these literary devices compare to symbols in other cultural mythologies, such as the lotus in Eastern traditions, further enriching the conversation around renewal and transformation.
"Sea Cliff Heights" embodies the book's overarching theme of rebirth through its rich, natural imagery and its relentless meditation on time and memory. The poem’s persistent motifs—such as the repeated tapping, the rhythmic ebb of the tide, and the shadowed interplay of light and darkness—serve as constant reminders of life's cyclical nature. Here, time is not linear or final; rather, it is an ongoing process marked by both decay and renewal. The tapping, echoing like a heartbeat or a metronome, mirrors the steady pulse of transformation, suggesting that every moment—whether fraught with longing or steeped in quiet introspection—contributes to the eventual reemergence of hope and new beginnings.
The poem juxtaposes the desolation of the rocky cliffs and the solitary echoes against the tender allure of nature’s elements—the salty-sweet air, the gentle caress of the tide, and the luminous interplay of golden and silver strands. These vivid sensory details not only evoke memories of lost love and faded youth but also point to the potential for renewal. The frailty of "old tatters" and "relics of a heart" gives way to the possibility of rebirth, much like nature itself can reclaim and renew even the most desolate landscapes. In this sense, the physical environment becomes a metaphor for internal transformation: as the tide reclaims the shore, so too does the spirit find ways to reconstruct itself from remnants of the past.
Furthermore, the poem’s emotional landscape is imbued with both melancholy and a delicate promise of resurgence. Phrases like "I wait," "memories take to flight," and the solemn return of the rhythmic tapping invite the reader into a meditative space where longing coexists with the inexorable forward march of time. The act of waiting—despite the pervasive sense of solitude—suggests an underlying acceptance of life's cycles. There is an implicit understanding that every ending, every moment of solitude or loss, is not final but rather a precursor to a new beginning. This duality—loss interwoven with the hope of rebirth—is emblematic of the collection’s broader exploration of transformation.
In essence, "Sea Cliff Heights" captures the heart of the book’s theme by using nature’s eternal cycles as a mirror for personal renewal. The poem hints that even amid isolation and the wear of time, there is beauty in the rhythm of decay and recovery, in the delicate balance between remembrance and the promise of tomorrow.
I fed my whole book into the Gemini and ask it to write a book review;
How do you think it done?
J Sep 2017
The only thing I do well is leave before I’m left,
I’m a victim of theft in every sense of the word,
Consequently developed a cyclical sense of self defense,
Where I break my own heart and force everyone I know and love
to watch, and taking notes and noting cues so they can learn to do it too,
I find it to be easier to let others down first so they don’t get the chance to ask questions
I don’t know the answers to, questions I deny and refuse.
Why do you do what you do, when so many people love you?
I told myself I would not do this to you, and I did.
I did.
I’m sure I could take it back if I tried hard enough,
But I’m not sure I’m worth the effort you put in,
I’m bound to do it again and it’s that ******* self defense,
I use as an excuse to ruin everything around me that usually blooms,
I told myself I wouldn’t, but I did it to you.
I tried to hide it behind your apathy and how it drove me crazy
To watch sunsets hit your eyes and fade away like they were never there
In the first place but I did not know you were soaking them up to reimagine later
When you felt you had no other way to feel okay again, and warm again,
I took your apathy for devolution and I painted you a thief and I wanted my soul back,
But I had latched it onto yours, like I always say I’ll never do,
But I did to you.
The only thing I do well is leave before I’m left,
I’m the reason for the hole in my own chest,
I did it to protect you from everything I think I’m not,
I never wanted to hurt you so I had to leave before I could,
The only thing I do well is leave before I’m left,
You never showed any interest in going away,
But I made sure to do it myself so I did not have to force you to stay someday.
fsgkjhlsdfgh
egghead Apr 2018
I have walked through cities like a cat slinking through streets
quaking bones of ice and blood: bitter wine spilling over the pavement.
Streets that reimagine paradise with the twist of a singing blade.
Paws to upturned earth, searching prices to be paid.

I have walked through cities towing along a golden thread
linking city to city and idea to truth. Love to love.
Thread, like a promise. Thread, bright and unbound.
But bound to bound and bear what may
A fracture in my heart to say
I have walked through cities by this line
Through memorials thick and music undefined
And by and by I have learned to speak so soft
A child’s collar where our words all fly aloft
I have walked through cities along a golden thread.

I have walked through cities where there was refuge
In bums that lined the streets
Trash that gleamed and glimmered like a crown on a king’s head
whose promises, worth more than a those men’s, who left the dead
I have walked through cities.
Two that warned and waned.
A war of times and a burden’s whisper
A tale of mountainous discrepancies
those morals, thrown and lost and gained.

I have walked through cities that once seemed far away.
But closer than I ever knew and nearer than my eyes could see.
A tale of time and triumph, yet of pain and prudence all the same.
The fish still swim the alleyways
The wolves still feast in light
There is a wonder to the kindnesses
And a question of what is right.

Those cities’ stars are still unclear
Their shining beams– less bright.
Sometimes, my treading feet slow, my eyes lock on the stars
Those dusty, white, and distant things that keep me up at night,
I have walked through warring cities
Those that kept me at a stall
Forever trenched in agony, still devoted to what cause.

My cities have been people whose pasts all intertwined
my soul has held the notion that their wrongs must be my rights.
Sometimes that golden thread has pulled me back to home,
a faction in the center of the worlds I cease to roam.
I have walked through cities that held tight to my hands,
But today, I will let go of passion in those lands.

I have walked through cities, but I have made it home again.
I have walked through cities and taught my lips to say amen.
inspired by a tale of two cities
Ashley Thao Dam Jan 2017
last night i killed myself
for the thousandth time
trying to reorientate
reinvent
reimagine who i am
my soul was unwound
the threads extending
frayed and yet interweaving
forming
into someone
possibly
that you may give
a singular chance
or wandering thought to
Maddy Nov 2022
Reimagine
Imagine
Reboot
Boot
Refinish
Finish
Redevelopnent
Devel­op
Creativity and Originality?

C@rainbowchaser 2023

— The End —