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judy smith May 2016
Don’t take them at face value. Several leading actresses in Mollywood have shown themselves to be keen businesswomen too. So, if Poornima Indrajith, a fashionista in her own right and designer-in-chief of fashion store Pranaah, was the lone name in the list till recently, Kavya Madhavan, Lena, Kaniha, Shwetha Menon, Rima Kallingal and the like too have joined the fray to establish their credentials as entrepreneurs.

While Kavya owns Laksyah, an online fashion store, Rima runs Mamangam, a dance school in Kochi. Lena is busy with Aakruti, her weight-loss centre. Kaniha’s focus is on health care, as a franchise partner of Medall Diagnostics in Chennai. Shwetha, meanwhile, has opened a restaurant, Shwe’s Delight, in Dubai. Mallika Sukumaran owns Spice Boat, a restaurant in Doha, Qatar… The actresses talk at length to MetroPlus about why and how they went about it, the lessons they learnt and what lies ahead.

For Kavya it was the realisation of a long-cherished dream; of starting a business venture while she is at the peak of her career. “I zeroed in on a fashion boutique from several other options, such as dance school, beauty parlour, restaurant…,” says Kavya. “It was the safest and best choice because my father had been in the textile business back home in Neeleeswaram for nearly four decades. My brother, Midhun is a graduate in fashion technology and my mother and my sister-in-law too share the same passion. Laksyah is really a family-run enterprise,” she adds. Laksyah, which sells a range of one-off designer saris and daily wear and based out of Kochi, will be celebrating its first anniversary next month.

It was a photoshoot that lead Lena to open Aakruti. She had to lose a few kilos to get in shape for the shoot and her childhood friend, Louisa David, a physiotherapist, helped her achieve that goal. “I was happy with my weight loss and so we decided to launch a physiotherapy-based slimming centre. Louisa has been running her centre at Thrissur for five years and she helped me start Aakruti, in Chevayur, Kozhikode, in September last year,” Lena says.

Kaniha, always a multi-tasker, has a solid reason for taking the health care route too. It was the closest she could get to her childhood ambition to pursue medicine! “After coming back to India from the United States, my husband, Shyam Radhakrishnan and I wanted to start something. Since I couldn’t fulfil my dream of becoming a doctor and had to study engineering instead, I thought I should do something related to healthcare and that’s how Medall happened,” says the actress.

In Shwetha’s case, her restaurant was a venture waiting to happen. “In fact, those who know me for long are not surprised with my decision to open a restaurant. I am an absolute foodie. I am so very careful about what I eat that my cook always travels with me on my shoots. I also love hosting family and friends and often hold pyjama parties at home. That’s why a restaurant was the obvious choice when I thought about starting a venture,” says Shwetha. Shwe’s Delight [“I was called Shwe by my friends in modelling circuit”], which opened its doors last month, is a North Indian fine dining restaurant. “I wanted to give expatriate Malayalis in Dubai a different taste from the usual fare. We dish up a bit of Chinese food too,” she adds.

Being a celebrity helps, most of the time, especially to get publicity, say the leading ladies. For instance, Kaniha says she could bank upon her celebrity status to get corporate tie-ups. They also talk of brand value going up when a known face opens a venture. “There is a certain level of trust with potential customers because you are a known face,” explain Shwetha and Lena. “On the flipside, you are always under scrutiny. At times, I feel acting is much easier,” adds Shwetha. Kavya says it is not easy being the face of Laksyah. “I can’t go wrong with what I wear!” she adds, with a laugh.

Celeb status and a pretty face, though, is no guarantee for a successful business. All the actresses say that they put in a lot of hard work to get their businesses up and running. “The execution part was not easy, be it finding the right location, getting the interiors done, purchasing the machinery, appointing qualified staff, training them and even finalising the colour of the uniform. But I have become more confident now that we are opening a new branch in Kochi,” explains Lena. Kaniha, meanwhile, admits that she has learnt to be “more patient and be diplomatic.” Well played.Read more at:www.marieaustralia.com/cheap-formal-dresses | www.marieaustralia.com/****-formal-dresses
Hannah Thomas May 2014
You are
the sky to me
clear and bright and endless

You are
laughter to me
loud and happy and peeling

You are
sugar to me
sweet and small and fine

You are
the computers software to me
the Indiana Jones adventure to me
the pyjama-wearing Sunday to me

Comforting, Comforting

Stop hugging me, it’s annoying you said
In the style of Grace Nichols' "Praise Song for My Mother"
Clemence Huet Apr 2012
I'd been trying to write a poem
Just one ******* poem
But he said
Just **** around
Swallow down a bowl full of squares
Let’s play games with each other’s minds
Spend a night lost in a house of cards
Where the joker cackles despite your begging
A reminder of what I could do without
Shouting at the world from the white pavilion
You suckers!
With your skirts hitched up and tongues hanging out
Gagging on a lover’s loneliness
All I see is your undergarments crying for attention
With a liquor solace barely down your throat

Eighteen silver blades
Smile at me with their perfect teeth
One to mark each year that past
A nineteenth will not be necessary
Ready to drag
Like the man trailing his head on a string
Across the surgeon’s winking knife
Tapping their toes on the bathroom counter
Anxious to mingle with my flesh
I’ve already scrubbed in
The survival rate looks dismal
The cotton reel loosens and my halo slips
Down - the noose around my neck

He sat across the room in plaid
Remarked upon the crosshatch of red
That drew the crooked red grin on the white of my thigh
Like loops of raspberry liquorice
Seeping out sticky tears
He misses handling the vegetables
Who ordered cocktails in lurid colours
Well, I’ve a mélange of my own
A collection of prescriptions from the doctor’s office
Stored in a heart shaped box
To swallow down like jelly beans
I’m waiting for that deadly sugar rush

Death’s been dancing on my doorstep
Absent minded as I sit at the dinner table
Head in hand, foot in grave
There’ll be no morning migraine
Perhaps a little mourning in the peripheral vision
Swept up from beneath the climbing frame
Under a soil blanket with a tomb stone mattress
Coughing up the sand in my throat
That I emptied from the egg-timer
Those darling quadrilateral crystals
Blissful in their ignorance  
Disturbing my quiet complacency
Drowned in a glass of tomato juice
That I poured from my skull
Death holds my hand in the dark
And I whisper to pass on the message
Bury me with pyjama’s and a pillow
judy smith Aug 2016
Aneeth Arora refers to herself as a ‘textile and dress maker’ rather than a fashion designer. That’s because she makes her own fabrics, a process she enjoys, and says that if it’s only designing, then there is not much left to it other than giving shape to the fabric. Aneeth will be showcasing her collection in the city at an exhibition titled Nayaab, which features creations by 12 handpicked designers, who work with craftsmen to produce intricate garments.

Aneeth’s collection is entirely in off-white with gold and silver details. She’s transformed luxurious brocade and wispy Chanderis into shimmery jackets, summer dresses, flowy maxis and tunics, smart scarves, skirts of varying lengths and long kurtis. Adding a dash of colour to the display is the capsule featuring clothes with hand embroidery and beads. Her trademark anti-fits find their place here. The collection is laidback, with a few elements of androgyny and some downright girly.

A part of what’s on display here was showcased at the Amazon India Fashion Week Spring Summer 2016, where she put together the famous pyjama party with sleeping bags and models in comfortably trendy shorts and dresses.

For Nayaab, she’s also specially created a few outfits that are not available at the stores.

Pero, which started in 2009 with one tailor and one runner out of Aneeth’s house in Delhi, now has 80 people working out of a bigger space. “If you count the weavers I work with, the number is far more,” she says.

Right from the beginning, the 32-year-old has worked with handlooms from all over India. For example, the block prints are done with weavers in Gujarat and Rajasthan, ikat is done in the South and the woollens are from Himachal… “We are inclined to anything that’s handmade,” she says. This includes Mexican braids, lace from Europe and crochet from Afghanistan.

The last decade has seen a revival in handloom, with more designers incorporating them in their designs. This has, in turn, brought about a change in the buying pattern of clients.

“There was a point when weavers didn’t see a future in what they were doing and sent their children to work with construction companies. Now, they know there is a market for weaves and they are confident. Their families are getting involved in it again. It’s all going uphill from here,” says Aneeth, contented.Read more at:www.marieaustralia.com/purple-formal-dresses | http://www.marieaustralia.com/long-formal-dresses
Odd Odyssey Poet Dec 2024
Oh, please tell me why I still care for the side of you that always
lets me down – my mind becomes your fence, picking at all of my
thoughts – each one a slat in a picket fence to surround your own
insecurities.

Tell me what lights are coming on, to keeping on pretending that
love still turns you on; have you truly spent the nights restlessly
trying to fall asleep in a **** pose, draped in nothing but a pyjama
thong?

You shed your clothes more readily than your skins, that could
unveil the core of your true self –  “this time, I am changing,” you
proclaim, yet what truly changes if you harbour such shame for
the loose parts of yourself, tell me what’s the point of looking for
change, if you don't want to fully change?
martha Aug 2017
Friendship
What is the first thing to enter your head when I say this word?
It could be rainbows
or braided bracelets
or that infamous song from spongebob

For me, it is that first time I hadn't seen you in a while.
summer had pulled us apart to follow in our own ways the paths our parents set out for us to follow
and your arms opened wide and your legs took the form of a film reel long finished as soon as I came into view
and I followed your lead
as if running towards the softest
warmest
most loving embrace I would ever receive
from the worlds most adorable teddy bear.

It is the time you cared enough to ask how I was with a stern face
and tried to trick me into being alone with you so you could talk some sense into me
after giving you a heart attack the night before in the form of Helvetica text font filled text messages dotted with guilt and crossed with "I'm sorry"'s.

It is the countless sleepovers that seem to have all blended into one neverending night
full of dreary eyes and cheeks worn from the pushing of grins
smiling at the most simple things became customary
and laughing morphed into tears around 3am or so
and I held your hand as sharp words flew from your mouth and rolled down your cheeks as you spoke about a demon long since diminished.

It is the way we arrived back late after a 4 hour drive in the middle of the night and our dreams took place under a duvet in a double bed shared between 3
our ears were still ringing from the sound of overplayed static and our feet were sick of standing but we managed to fit anyway,
I sleep so well surrounded by the bodies of the two people I admire the most with every fibre of my living being,
just close enough for the comfort of 3 in a single bed after too many cans on your 18th birthday.

It is the time I couldn't walk straight after only 3 pathetic glasses of gallery wine
you had to leave
but all I wanted was for you to come back so I could spill secrets I couldn't tell the others yet with ease
because your ears always seemed the softest to rest my worries on
and you are so skilled in the art of dissolving them afterwards
that I only hope I can always do the same for you.

It is the slow walk up the driveway each morning to the desolate institute filled with others draped in the same navy fog that comes with waking up
which became so much lighter when I would remember that you were inside its walls
waiting for me with a warm smile and a laugh that could move mountains and shakes my very soul
something it still does so well even after weeks of missing you
and the way your radiating joy infects me so easily every time
no matter what kind of walkway brings us together.

it's the time you came over equipped with glass bottles and liquid happiness
and I never felt more at home than I did after seeing the sky stretched out above us and the nights cold breath causing goosebumps to erupt beneath our pyjama-clad frames
and we were all that existed in our cocoon of comfort,
how when we sat down to contemplate the reality of our existence
I was suddenly okay with the idea of physical affection
and I still am.

it is the time I was choking on everything I felt I could never get far enough to move past my lips
but you sat there
smiling
held my hand in yours
and helped me to dilute all the poison that had seeped into my blood because of him for 2 years too long
while you justified the importance of me to myself
and your eyes were the most reassuring thing my own had ever had the comfort of witnessing.

it's the way you embody everything beautiful I've ever admired the human race for
and how, no matter the weather,
I know getting coffee, tea,
or chocolate soya milk
and talking about your new favourite song
how you found this great new band
the impossibility of the ethereal beauty of girls
and even boys sometimes
or how this one character in that tv show you told me about makes me feel things I can't describe,
will always eliminate the clouds my shoulders find too heavy to hold on a sunday morning.

I will never be capable of expressing how grateful I am with the words 'thank you'
because those two syllables barely scratch the surface of the immensity of hope and happiness you bring into my life unlike any other I could begin to try and imagine

I am blessed with the most beautiful souls who have shaped my own in ways I will never forget
and I will never forget the way your hand gestures tell your stories
or the way your eyes illuminate electric blue when you talk about that band you love so much
or the way your whole body laughs uncontrollably at the most ridiculous of things with me
or the way your smile makes me feel like everything is going to be okay in the end
or how the reassurance of your small hands and eternal hugs is a constant reminder that I am, in fact, loved.

I don't know how long you will stay in my life.
if we will be stretched to the edge of our reasoning
pulled apart by distance
or unmissable opportunities
kept barely intact by group chats or late night phone calls that aren't the same as the times each others faces were the only sources of light at the end of too many long and tired days.

but for now
I thank you
and I love you.
TheExpat Jun 2014
Pyjama top, buttons just two.
Old dressing gown, elbows worn through.
Slippers frayed with holes worn at heel.
Is this how old age soon will feel?

Eyes blurred and spots a float in front
Joints ache as you kneel with a grunt.
My glasses, they’re, not in their place.
Memory is losing the race.
.....to be continued (if I remember :-P )
Olivia Kent Jan 2015
In Auschwitz the air hung still.
The dragons are imaginary.
Once they had their fill.
The only gold fell from the fingers of those now perished chosen ones.
The birds crying relinquished flowers.
Lilies all dressed for death.
The classless funeral attire of the blue stripey pyjama death.
Now the camps be emptied.
Those passed inside be free.
Camp be closed.
All souls released, but still the sky hangs heavily.
May God please bless the free.
(C) Livvi
Shevek Appleyard Nov 2022
sensations under a primary sun spread through generations
wax drips like sweat on to sweat dripping like rain that clings to our canvas shield
the daybreak smiles as it dries the dewed tarps
At fuzzy minds
That refuse to yield
immersed in enchantment
And Scuzzy with field
ears catching natter spewed as clatter builds
the happy daze that sweeps reality away,
anxieties at bay
primary sun rises above another day
to be blurred into every colour created and yet to exist
sigh to witness the mornings mist
hung to frame this picture of bliss
I try to resist
I grasp to the sounds and movements of the night
Knowing sleep will separate me
Till they are pickled pages of a story I'll half tell
amongst the days of this week that seep together
We seek the fantasy of this forever
Where we are home in the lyrics that swirl through the air
And our feet know the patterns of the beat
Our emotions howl as my feelings digest
a jumble of potions and poisons
and unfinished sentences
I need to rest
but now it is the present
reality is tearing at the seams
dance myself to bed
as the day begins

Little bug whispers
sweet dreams in my ears
As we crawl towards oblivion
moonshine and make believe
Nonsense echoes around my skull  pyjama parties
Suddenly we're in our twenties
Substances and sandwiches
We slumber in our
Gigantic wigwams
Battered old vans
More human that I was before or am I even human anymore?

I sit alone, in a circle
on the soft green carpet of the world
i feel safe
my eyes so dry i shield them
sun fast fading in the sky
my nose crusted rusted shut from the inside
i cry
the wet salt fills my barren pupils
sadness an oasis for my sight to swim through
my breath raspy and raw
throat sharded with sniffs full of backdrip
lungs swollen from heavy tokes on spliff
its tugging me back to reality
i feel defeated and completed
still i want more
and endless sesh of happiness
a party of all of those i adore
my head hits the floor
tomorrow my ceiling will not be the sky
i will not have drugs to help me fly
the hardest part is always goodbye

i hope your shade of smallworld blues is a nice shade
the clouds always seems grey
when summer slips away
the world beneath mirrors it
confidence depleted
hearts defeated
it all feels synthetic
no one sympathetic
my serotonin trapped in
flashbacks of myself, energetic
surrounded by the swish of everyone dazzled up swimming through the same rhythm
primary sun holds us all as children
bodies of movement glittered with sweat
feathered with freedom
shedding regrets
we form circles shapes
and sparkled squiggles
we feel eternal
suppressed only by giggles
we colour skies
we paint our skin
we dance on highs
with solidified grins
im only 9 months away
i cannot give in

Every moment we cherished
Sweet seconds divine where
I am home in her lyrics that melt in the air
My feet bare and bruised with a good time, and the memories I don't want to fade
August runs out so I daydream of May
Throughout the winter we may grow apart
but at the first peep of spring
We know what starts
Studded with those darker sins
We reach out as the festival begins
We forget our troubles and our pain
To cuddle beneath our primary sun again
I wrote in 2019 without realising it would be more than 9 months of no festivals
Joe Bradley Apr 2015
Turn on

I
This is the BBC news at 1 o'clock.
A rambling diatribe,
lost boys, a lost war.
The falling cost of stamps.
'What do you think of the deficit,
Graham from Newquay?'


II
Some bald man
holds a cadaverous gaze.
'She don't want me no more Pauline.'
The ware and tear
of Albert Square
immortalised
in one ***** stare.

III
Ella looked into the eyes of
the African children with bloated
stomachs, scooping up brown water
she wouldn't even dip her toe in.
For a moment, they were face to face.

VI
Margret! Margret!

Look what they're...

Check the cupboard,
have we still got...

uh...

tinned peaches and caster sugar.


V
Our hands, in every listless waft,
wander through an electric soup,
thick as frog-spawn.
Spermatozoa of information.
A gentle fuzz of creation,
our atmosphere is
pregnant with
separate universes that
embed themselves
inside our own.
We broadcast
our noisy planet
to the skies.

VI
'I've seen what's going on,
you don't have to tell me!
I know what they're doing.'

The walls are closing in,
as each breath from her
dusting lungs is getting tighter.
'Besides, my eyes won't let me, or
my knees these days, It's all i'm
good for'
  
She wheezes.
'I can see all I need from here.'

VII
Click
I swear 400
*******
channels
And there's nothing on

VIII
As I approach the blue glare
of the living room, I know
she's in there. Not even
watching,
she's on her
iPad. We don't talk.
We went to the
Maldives
once,
after the wedding.
she couldn't keep her eyes off me.

IX
Dead square.
Silent pixels.
Nothings watching.

X
We crept down in the morning - my sister
and me, before anyone else was up and squabbled
what loud cartoon violence would take our attention.
Nightie, pyjama cotton siblings, sewn in to the 7 to 9 o'clock schedule,
we were as vital to each other as sleeping bags and cereal.
Our building blocks stood in a castle,
we were unaware that one day,
they would be strewn across the floor
as we grew up.

XI
We're not going out tonight.
I just want to slip my hands down your
pants and touch you while
we watch game of thrones...
Deal?

XII
Smoke rises behind the mosque
in an arabesque twirl.
The blinding sunlight behind the minaret
crashes on the lens, like a flash bang.

The call to prayer is empty bodies, iconographic art,
cars hollowed, alien tongues, history, a melting *** culture,
cockroach romances, squalid graves, body hewn tunnels, little cuts on
trigger fingers, trained monkeys, orphans, marble carvings,
the stench of petrol, jobless drug habits, brickwork, wiring,
forbidden love, lust, teenagers, plastic explosive, god, work,
prayer, tears, life and death
    

and briefly the box is the world in our homes.
We must see who's behind it.
Ramonez Ramirez Feb 2011
They come for her in red and blue
ambulance lights disco dancing fragmented beats,
purple intent drumming against flaking graffiti art on the garage door;
aerosol skeletal rose garden shadows cower
under twist-rust razor wire
fencing
in the flowerbed graveyard strewn with dogs’ delights—
there is neither bark nor howl,
those sounds echo deep within the basement walls;
lumps of meat a’thudder,
twisted growls
for the boy, Timothy,
which both Rottweilers had been fond of as well.
Until the very end.

Neighbourhood eyes scowl,
wide-eyed middle-aged pyjama-children
fresh from midnight escapades;
arms folded tight,
everyone glares at her night-stained blood dress,
and the dogs’ heads held high above her pretty head,
revenge-trophies served lukewarm
on a school night against the backdrop of suburbia
crying
under ambulance sirens’
apocalyptic announcement regarding Amy:
had she not answered that phone call and left little Timmy unattended,
she might still have been able to hold him in her arms.
Until the very end.
XIII Apr 2016
A pyjama worn
you come along
together with my yawn.
Zywa Sep 2020
Pyjama days of being ill
with closed curtains
thinking of being free
with closed curtains
enjoying each other

Being ill is an ardent desire
for sparkling energy
sunlit rooms
never sleep again
sing, laugh, feed

one another tirelessly
and suffer at the most
from the desire
to be immortal
with friends
Collection “Mosaic virus”
Alone at home
The house is a symphony of day-sounds,
And wants me gone.
Scattered toys express sullen resentment at my pyjama'd presence,
The cats just stare.
I force my working self upon this world,
With keyboard clacks,
The kettle,
And boiling pasta.
I try a hum, then Spotify,
But it all feels alien, too forced.
The house wants the others;
Shrieking, laughing, conversation,
Clashing plates,
A Disney movie
The warmth of family.
This house
wants to be a home.
i said it were a lovely day, i did not mean the weather.

i talk about the feeling, the mood that did not change, all day,

little tasks that please. planting chives in treacle tins, ironing pyjama pants,

and cotton handkerchiefs.

he warned me the rain would come, and when it did

heavy, we tucked in tight here, enyoyed the darker

green.

then, the rain will stop.

sbm.
n stiles carmona Apr 2022
SCENE I: A CHIAROSCURO OF IDYLLS AND TAINTED ZONES. Curse the newsagents and bless the chain-store coffee shops; forgo zero-cal drinks for chai lattes. Time might heal the hospital's harm, but the sand in the hourglass promises nothing. Back from Uncanny Valley, she's here for one day only: please welcome...

UNDERSTUDY
[warming up for the performance of her second-rate lifetime; faults and failings all dolled up in costume jewellery, consoled by every artifice except the Self:]
They brought me back button-eyed.
I'm by the bus shelter in last Body's clothes,
recalling our trips here one Body ago:

[an ILOVEYOU loiters on the corner of this street —
it tips its chin and stares a greeting.]

UNDERSTUDY
I lower my gaze
in routine
fashion.

SCENE II: A GUIDED TOUR.
ILOVEYOU stalks a metre behind.

ILOVEYOU
[bellowing intermittently:]
Charity-shop libraries (plural) wherein mundane spectacles
were made of ourselves; hushed confrontations cause
scenes behind stage curtains. Shopfronts that site
your effigy in my mother's eyes. Kisses, tears, the
tying of scarves, Starbucks, ducks, parks, book-cover
inscriptions, living a love story while not lucid
enough to document it—

UNDERSTUDY
[syncopated; mumbled into crescendo:]
—five-lap treks, pyjama-clad, year-round shivers through phantom autumn gales. Empty quests amid off-licence shelves; chip-shop smells, taunting; slo-mo supermarket crawls, clearance sections, the listless skimming of labels; sleepy insomniac; brick walls upon which I sat hunched and feasting like some rabid feral dog, 'consumed' in passive voice and 'wasting away' in active, walk it off WALK IT OFF—

ILOVEYOU/UNDERSTUDY
One meeting without warrant for apology. No words to shepherd back into the ribcage they'd tunnelled out of.

ILOVEYOU
I swore no-one would touch me and then melted in your palms—dread being seen at all, but devour your "you look good". No personal growth, but raised by stilts; no less virulent, but restrained behind masks. The sickness takes a different shape. I fear you'll discern the difference. I also fear that you won't.

UNDERSTUDY
A half-finished narrative or a blackout poem? You've gone from 'knowing too much' to having only the chapters we co-write: "Better this way," I say, and stand by it. I can starve and starve and still never master how not to Want; how to tell my heart these Wants aren't Needs; how to stop them escaping through the craters between bones.

ILOVEYOU
I feel larger than life but I'd cast off my limbs to fit inside your pocket. My friendship must taste like eagerness to please; still, you'll eat from my spoon and I'll open wider than required for yours...

ILOVEYOU/UNDERSTUDY
...yes, we'll name it 'nourishment'.
guess who's back with their old gimmicks!!! so, uh... '21/early '22 sure did occur. i dare myself to let streetcar die and not reach for a reference at the first opportunity. if this *****, it's a warmup exercise; if not, it's a poem :)
mikey Sep 2024
that's just the way the body goes i guess
wanna mould my hands around his shoulders
through t-shirt and pyjama pants
wonder what the mirror shows him

that perfect mouth is smiling
do i wanna be him or ingest him
i wish that i could memorise it
wanna put my mouth around the reflection

kiss him everywhere until he sees red
hold his perfect imperfect face and
taste myself on his breath
take his arms or be held in them
i wanna feel and i wanna know
i guess that's just the way the body goes
everyone knows the waist / is just the way the body goes - mccaferty
Katie Ruby Apr 2010
I remember the day we met,
What feels like centuries ago,
Gone in the blink of an eye,
Pink Pyjama's and dad's old slippers,
Only a child, you repeated to me
The glimmer in your eye
still remains today,

The years passed,
Me - Growing older every hour,
You - Never aging, withering,
Promises still growing strong,
Your presence becomes my life,
Clinging onto childhood, By
Clinging onto you,

I hold your hand, Both
desperate to stay in the imaginary,
Without slipping into reality,
Each day, a new adventure,
Yet you have to fade so quickly,
I rest, we talk for hours,
When I awaken you're never by my side,

As the years go by,
I fear you'll disappear completely,
My mind is weakening,
It's only a matter of time,
Until I forget.

My daydream, hope, fantasy,
You finally escape from my mind,
And now I have to face reality.
Joe Wilson Apr 2014
He sat there, always looking out of a small round window
That could easily be a reflection of his tragic mind
Since the day he knew he’d been left on his own
It seemed like there was nothing in there left to find.

Every day from half-past eight and all day till five-past five
He sat immobile staring out, a sad look on his face
He’d never notice anyone, nor speak a single word
He’d sit there never stirring from his lonely lonely place.

He may have wondered where they’d gone, for they looked after him
But his parents, both of them now dead, had done their very best
Now here he was at fifty-three, an only child yet still
Just left to stare through windows, in old pyjama bottoms and vest.

He’ll be swallowed up by the system, and churned back out to the street
He’ll wander about in his own little world, and we won’t understand
He’ll be doing his best with what he knows and what he tries to follow
But our complex welfare system just won’t deal with his demands.



©Joe Wilson – An Inadequate System 2014
Violet Jul 2014
it's never you he will remember it was her
he was a car crash
and you were an unreturned library book
he caused thousands in damage
you; a late fee
she was EMT's and flashing lights
and bandages and scar kisses
she was storm clouds and
lightening strikes and screaming between sheets
and you were condensation
on shower ceilings and crackling
speakers in beaten up cars with roll up windows
you were floral patterns and pastel shades
and grey socks and tidy bedrooms
you were studying hard and drinking with friends
you were beach trips and family photo's
and B grades
you were wavy hair, no make up pyjama sundays
she was studs and torn denim and
laddered stockings and lace up boots
she was binge drinking and pill taking all alone
she was road trips and  broken frames
and "I didn't finish College" grades
she was last nights make up and strangers clothes sundays
she was hushed whispers and angry words
and 100 things you did wrong today
you are child hood friends and same class time to graduate
she is loud and grubby and free
you are shy and calm and soft
you are memories and happy dreams
she is crying in the middle of the night and aching touches
she is broken fingers and hearts
you are bashful smiles and spring clouds
you are april showers and she is winter downpours
your touch is sacred
her touch is a fabrication of a half-dream
just chemicals and adolescent love
you were 2 kids, suburban homes
you were safe
she was fear
you were alive
she was living
Luce Apr 2014
do you ever wonder how you ended up in a car with this boy, that a year ago you didn't even know?

a year ago you didn't know his name,
you didn't whisper it in your sleep or feel it in your skin

you didn't see reflections of his eyes in the stars or stars in the freckles on his cheeks

a year ago, you didn't think you'd make it to the summer
a year ago, you could never even imagine the possibility of loving someone else

do you ever wonder why you've gone halfway across the country for him and now we're going down these country lanes at 80mph with the full beams on

80mph with the full beams on and I trust you endlessly
80mph and you have classical music on and instead of being scared of the speed, I'm comfortable and tired
80mph in your tshirt, jumper and my pyjama shorts
80mph and I can't see the road ahead of us
but speed up, baby

I'm fallin' for you at 80mph
Violet Oct 2014
and i am still waking up at 3 am as if i can still hear you breathing
next to me
but you're not there and the bed is cold on the side where you slept
only when it is dark and the house is still to i let myself
be surrounded by things that remind me of you
your ***** pyjama top and that stupid ******* sweater
my pillow still smells off you so i singed the edges when i was drunk
and it's just another thing to add to the list of things i regret
5 days // please don't have somebody else waiting on you
Megan Dec 2015
Almost two years ago, the place I once called home began crashing down beside me while I was surrounded by flames. Who knew that with my suicidal ideologies I would clench on to my life as my lungs began to fill with smoke. When I was standing outside in a blizzard with a t-shirt, pyjama pants and no shoes on screaming while on the phone with 911, I watched all my childhood memories, home, and everything I've ever owned burn in front of me. The firefighters, the media, the company who salvaged anything they could and the town couldn't stop saying how lucky my step dad and I are to be alive; that we should not be here today, but we have an angel watching over us. The girl who who was hospitalized for attempted suicide and depression four months before this incident was begging for her life and is so thankful to be here today. I have learned that I am meant to be here, that I have a purpose. Who knew that being so close to death because of something I had no control over would make me love life, and everything about it. It was the fire that took everything, but gave me everything all at the same time.
Julie Grenness Oct 2019
I was asked to create a holiday,
What about a pyjama day?
We would not get dressed at all,
Stay in bed, hide and stall,
Sit around in flannelette,
Stay in PJ's, don't get dressed,
In fact, don't wash or cook,
Do mental slumming with ****** books!
Feedback welcome.

— The End —