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The Arabian Sea
A sprightly sight to behold
The cascading Sunbeams veil the sea in a platinum shimmer
The gusty wind blows
Sparkling diamonds roll up on the ocean waves
The golden Sun unravels the beauty of the bejewelled Sea

The picturesque Mumbai Skyline  
Gloriously, rises up in the evening Sky

The mellowed Sun ,beauteous as an orange Rose
Leisurely dips down at the horizon
The Sky cools down to Prussian blue
The stars glimmer across the sky in the dim lights
It's showtime

Bedazzled
I quietly sit and watch the magical scenes unfold
Thank you all for your support here.

It's IPL (Cricket) time and my sons were extremely happy to meet a few world class cricketers from across the world and country .
Couple of teams stayed in the same hotel as ours.

Had been on a small vacation with family!!
Martin Narrod Apr 2014
Oakes-photo, hypocrisy and flagrant mirky plateau. Brimming celestial warrants overcrowding public housing systems. North-South lights, sell costly iPhone Apps; and then there are Social Societies of non-verbal delight. Password protected non-profitable and over-costly educations of no reward or biblical synonyms. Catastrophizing hash-tag dot.com. Weary party going poster children with glowing anemone guts, fruity looped cantlings, ravenous scattered supper clubbed coughing up ******* on their strange and central affairs unit. Overcome the candisation and sugary affairs of any of the ***** and pops that erstwhile matter less and less. We are speaking of nomenclatures that don't arise. Promises and by which confession aloof romanticizes every Tom dicking Mary that carries the theory of sustainable energy, prussian blue, and irregular browsing.
Kaycee33 Jan 2013
The prussian stache, on the wafty pine,
sticky black *****, on your stache has dried,
I excuse your tobacco dipping while I climb,
just to sway with the wind,
in your many tiered mustache ride.

As I reach the zenith of my ascent,
a small french stache of upward bent,
offered no more for me to climb,
so downward tickle of the mustache pine.
Emily Dec 2018
I want to say being with you was like coming home, but that seems so over-done.
Despite the truth it holds.
I think maybe I’ll try and speak your language. Because being with you was homemade paint.
Mason jars lining shelves, oil and pigment and a palette of your own creation.
When you ran your fingers over my skin it wasn’t Cadmium red, no, it was more like, the setting of the sun after a hot summers day. Orange so deep it feels like you are going to fall into it. Not Permanent or Transparent. No, it was like a fire, warm and so, so bright. Like the world around me had gone up in flames and I was happy to burn with it.
Or when you laughed, the air lit up like a sunflower. Not Hansa or Nickel or Indian yellow. Think something between gold and the shade of a lemon. Honey, sweet and sticky.
And my heart twisted and turned inside my chest, adapting to the mix of colors, oil dripping into my veins.
When you smiled. God, when you smiled. The world seemed to converge. Nothing made sense. I was spinning in a circle in the middle of a carnival. Too much to process. Stained glass windows at noon, playing out across the floors of the church. Iridescent and never ending.
The only thing that brought me back was your brush hitting the canvas, your voice calling out to me, and then it was green, so much green, like a perfectly polished suburban yard and standing beneath a canopy of trees in August, looking up and up until the sun forces your gaze to turn, and the green depression glass that sits pretty on my mother’s bookshelf. I think of light dancing off an emerald ring, not Viridian or Olive or Sap. Nothing you can find in a crafts store. Nothing that can be manufactured. Only that which can be bended and built from your own mind and hands.
And then you were gone. Twice now you’ve left. And it is blue like I have never known. So dark it feels black if I dwell for too long. Richer than Idanthrone, not quite Prussian. Have you ever gone to the ocean at night, just before a storm hits the coast? Or, went up into the country, where the stars illuminate the world around you and the sky is spread out like a blanket above you? Not Cobalt or Cerulean. No, this blue is only something you can make. Something you’ve brought with you. With your sunflowers and your sunsets and your stained glass.
We talked about the way colors can change when they’re next to each other, next to something similar or vastly different. The way the depths can be altered, and just a little more oil can thin it out.
There is nothing to compare anymore.
Just blue. So blue I can’t breathe. So blue my fingers shake and my head aches.
The blue is okay when you’re there. When you’ve laid your palette out before me, when your canvas is full, and beautiful, and I can’t look away. But now, you’ve taken every other color with you, and left me with blue.
Not store bought or easily replaced.
Your blue. From your words and your touch and your voice.
I thought I saw you the other day, for just a moment, the world exploded around me. All the color I thought I’d never see again. A storm so rich with color, I could have gone blind.
But you’re still gone. And I’m still blue.
to the artist i loved and lost
andy fardell Nov 2012
Poems of Remembrance

War is defined as a form of political violence however I rather hate to like the following quote by this Prussian military general in 1832

"War is thus an act of force to compel our enemy to do our will."

We vote in our leaders to refrain from such yet allow them to use us as pawns in their world.I will be remembering and thanking all those who have will and do give up their life's so that i can at least be free to make such thanks

............................................
Lest we forget

The stench of decay hung in the air
Along with the gases from the badlands
Rain had turned the trenches into another bog for the day
STAND TO LADS !!!
the Sergeant barked his mornin song

Spell broken by the first shell of the morning
lucky day ...BOOM .....lucky day
Breakfast usual as the new boys showed no fear
Hide ya head son as another disappeared
Snipers doing their work already...
A scream now silenced short

The morning hate over
Patrolling life began
SHhhhh!! no gunfire
The 2 sides master plan
Machine guns a ready shall cut you complete
Hand to hand and man to man
Bayonets flash besieged

Returned to base to lick their wounds
A fight amongst the rats
Black and brown did rule the roost
A feeding frenzy plan
The lice did all they could to help
Trench fever did its dance
Another day
STAND TO!!! he barked
We stood with baited breath

This was what they signed for
A short war all at plan
And what did they all die for
This life I thank you man

Lest we forget

.......................

A Poppy Remembered

A flower held hand as the young girl
reaches up for her mothers grasp
The reddest of velvet's reflected from
her tears on eyes as her poppy
stands proud and straight

Remember their sacrifice
As you join in their stand
An honour to hold one
Red poppy to hand

She knows why she's standing
She know no return
Her father not here now
His never come home

He fought for his country
He fought for his life
He fought for his honour
His family
Our life

Remember this girl that cries every night
No father to hold her
Is gone from this earth
Yet she is the proudest
A daughter could be
Because of her father
Gave life
For you
...and for me

........................
Poppy day

In between the hills lays a land of green green grass
Where the heavens made their love of life
And gods sung of such sight
Be the lands that they did fight for us the green green grass

Oh green the land of warriors
The land we all do dwell
Green the grass the layman loves
True paradise be felt

In battle times and truces found the land did best it could
Yet all of them who fought for us they knew and understood
The green land see found their place to die for poppy's blood
A land we wished we all could live a world of peace and love

Oh green the land of warriors
The land we all do dwell
Green the grass the layman loves
True paradise be felt

Someday the land will fill our souls and peace will win the day
The green green land will be our rest god bless to all we pray
In those who fought so we could see the green green land this way
We praise and silence once a year remembrance poppy day
.....................

Remember

Remember what they fought for
Remember why they fell
Remember all the killings
The living life in hell

Remember what they did for us
Remember who they were
Remember all the people
That they did fight and fall

A day to show our pride
A day to bow our heads
A day to mourn our family
Lest we forget
Megan Sherman Jul 2018
To write of Love, of Heaven, and of God,
Hills of joy, o'er which Angel pursued
Of that Boy, a sublime hippie shepherd,
Who in Heart the wisdom of Heaven had,
My pen, it labours, I give sweat and blood,
To paint world in cerise, a sweet red flood:

Or Prussian blue, depending on the scene,
Let Poets tell true folk from chess piece Kings,
Feign benevolence, when they are mean,
Who strut and rule above, superior things,
Who on the carcass of the suffering wean,
Drunk on power, Almighty sovereigns.

To write of Love, Heaven, apart from days,
Spent in drudgery at whim of Lords,
Who sit engorged by gold, wealth as they graze,
Upon the fruits yield by the mass, that horde,
As mass toil deep 'neath sun's sweltering rays,
To give and barter time they can't afford.

But they will be the ones in Heaven crowned,
As all time vindicates the plight of souls,
Who in port, or wine, have never drowned,
Rich gluttony the faithful mind abhors,
Upon which Saints and angels incensed frown,
So to tyrant's whims take pious war.
I now delight
In spite
Of the might
And the right
Of classic tradition,
In writing
And reciting
Straight ahead,
Without let or omission,
Just any little rhyme
In any little time
That runs in my head;
Because, I’ve said,
My rhymes no longer shall stand arrayed
Like Prussian soldiers on parade
That march,
Stiff as starch,
Foot to foot,
Boot to boot,
Blade to blade,
Button to button,
Cheeks and chops and chins like mutton.
No! No!
My rhymes must go
Turn ’ee, twist ’ee,
Twinkling, frosty,
Will-o’-the-wisp-like, misty;
Rhymes I will make
Like Keats and Blake
And Christina Rossetti,
With run and ripple and shake.
How pretty
To take
A merry little rhyme
In a jolly little time
And poke it,
And choke it,
Change it, arrange it,
Straight-lace it, deface it,
Pleat it with pleats,
Sheet it with sheets
Of empty conceits,
And chop and chew,
And hack and hew,
And weld it into a uniform stanza,
And evolve a neat,
Complacent, complete,
Academic extravaganza!
Naples yellow
Prussian blue
Burnt umber
Cadmium Red Deep
Napthol Red
Quinacridone
Phtalocionine Blue and Green
Portrait Pink Light
Yellow Oxide
Raw Sienna

Can you make a painting without these?
Dorothy A Dec 2014
I think of her often, for thoughts are all I have—not a single memory. She died before I was the age of two.

From what little that I heard, there was little reason to view her in a good light, but now I can see something admirable about her.  After all, this woman endured so much, and the odds seemed stacked against her. Incredibly, between the ages of eleven and sixteen—at least five times—this poor Lithuanian girl crossed the Atlantic in attempts to get into America. Twice, she was turned away. Some may not have had high regard for her, including her own son—my father—but I can see a heroic nature, a survivor, through and through. Just a toddler when she died, I missed out in knowing her. Throughout the years, I really had only gathered bits and pieces of information while trying to know better about her. It has been like constructing puzzle in which the pieces fit here and there, but the gaps are too big to cover.

This woman that I write about is my paternal grandmother. Out of all my grandparents, her story is the one that stands apart, an amazing, heart wrenching and most thought provoking portrait. Evoking emotions of anger, sadness and sympathy, I find it a rich tale of a poor woman.

This has been in the works for quite a while now—in my head, that is. I pictured what I wanted to say, the words playing out in my mind.  What a story it is, too, a tremendous one of sorrow and struggle, of need for love and acceptance, of perseverance and strength of the human spirit. Yet things get complicated when they come from my mind to the page, as I try translating my vision down into words. Before long, like a snake, hesitation surely comes slithering through, as it quickly snuck its way within, fueling my fear, a fear of disapproval and rejection by two people who are now dead and have been for some time—my father and my grandmother.  

And while writing, I imagine what my audience thinks—critics in my head abounding before I even finish. Well, I am the first to stand in line for that.  It’s kind of scary relating such things. I am not sure I am doing the story any justice.  I’m not sure I’ve captured the essence of it well.    

And who would want to read this anyway? Is it too long and of no significance to anybody but myself? I have my doubts. Celebrities do this all the time, and people just eat that stuff up.  I think we all just want to relate to what others have to say about themselves. But it does bare you—your thoughts, your secrets, your soul, —and it feels a bit unnerving, to say the least.  

So, naturally, I still drag my feet. If she were here right in front of me right now, what would my grandmother think? Would she throw the papers in an old fashioned stove—in the fire—as she angrily did to my father’s flowers?  I can only imagine my father as a child—in an impoverished scene that I only have sketchy knowledge of—with his young heart being crushed and shamed, his sign of affection and desire to please his mother, drastically rejected. In return for his small token of love, my father’s mother was furious that her boy spent a few coins on something perceived as useless, a waste of good money. Away like trash, they went. Like the flower story, would my father be ashamed and angry that I revealed some family history for others to read, stuff that he would rather have kept quiet?

This is why I am mentioning no names. Nothing is sugar coated—it is what it is—often not very pretty. Yet this is not intended as an exposé or a smudge on any family members. A slam on my father and grandmother is surely not my intent—far from it.  Rather, it is my offering of affection. It is my little bouquet of flowers to a history that includes me as a part of it.

Like those flowers of long ago, I’ve so wanted to scrap this story in the garbage. Often seeming like a knotted mass of yarn, I have had to work and work to get a smooth flow.  Like a sculptor, I wanted a fine piece of clay to emerge into form, but the chunks, lumps and bumps just frustrate me to no end.

It’s complicated to relate it all. It is revelation about my father’s origins which hold no real pride for him.  There was much pain and shame associated with his mother’s mental illness, his distant father, his broken home and lack of a solid, safe family structure, his constant poverty and fight for survival—the list goes on and on  As I unravel this tale, I continue to fight with the many tangles. As I try to find the face, I feel that my sculpted story is left wanting. So I continue to chip away.

Dishonoring? Embarrassing? I hope it this tale is not.  I envision an admirable purpose instead of the pain and the shame, redeeming the pride that was lost. My father’s origins are mine, too, and they help me to know myself better, and my father—to build that better, more complete puzzle of my grandmother.

Much of what I heard was unflattering terms. From a young age, I knew she was mentally ill. But what did that mean anyway?  Well, to my father she was crazy and nuts, not a good mother. No, she wasn’t mother of the year. Clearly, she had a temper and was known to instigate fights—with her husband, with one of her sisters. When my young father was physically disciplined it was by her, and it was probably quite harsh. If I didn’t like her, it was due to all that I heard. And when I had problems with my father, who had a bad temper, too, I probably felt that the apple didn’t fall very far from the tree.  

But in spite of all the remarks, I grew to have great sympathy for my grandmother. It makes me wonder how mistreated she was as a child.  My father deemed her as neglectful, not in tune to her children’s needs. It is obvious to me that she was in lack, herself.

So what was she really like? I very much wanted to understand her, to be able to relate with her. I don’t know—perhaps, it is because I root for the underdog.  Often, I felt like one, too. And Lithuania is the perfect underdog, under the thumb of Russian rule until much recently.  Perhaps, it was because my dad’s dislike for where he came from made me all that more interested to discover what his roots were all about.  

History often repeats itself—what has shaped my father had a strong influence on me. Like my father, I grew angry and bitter from the upbringing I had. Getting a similar brunt of problematic parenting made for a tough go of things.  I could have easy said, “Who gives a ****?” I could have been thoroughly disgusted about my dad’s old baggage that I had to handle—all the wreckage of rage and shame that became dumped into the next generation.  I evolved from a more sensitive, inquisitive child to one who battled between the feelings of hate and love, painfully clawing my way out of the emotional garbage and with the terrible stench of it.  

Thankfully, the war is over. I am enjoying the peace.  
  
With insight, I grew to understand my father, to accept what he was—capable of good and bad. I can relate quite well in that sense, for I made plenty of mistakes that I wish that I could do differently, ones that hurt others as well as me.  I could not deny that, in my dad, there was a wounded man who could not really figure that out—not until he was much older. I saw a man who was remorseful, and humbled by his costly mistakes. I was able to heal from some of my wounds with that forgiving perspective, though it was not easy and did not come overnight.

Unlike my dad, I’m surely a talker and I ask questions, perhaps my father’s worst nightmare in that sense——he had to have at least one child who always wanted to know things about him and who he came from. That means both sides of my family. Perhaps, I was born that way, with a tremendous sense of wonder. Curiosity always got me, and I am much too hungry to remain clueless about my more secretive father.

Maybe that’s good. Maybe it’s bad. It involves risk which can lead to a boatload of hurt. Where do we come from? What were your parents like? What were your grandparents like? When where they born? When did they die? Do you have any pictures?  Can you go any further than them?  Sometimes, the answers aren’t what you want to hear.  

It’s nice to belong to something, to somebody. It isn’t always possible or realistic to relate to one’s family, I wanted to belong. Not just to my mom’s side did I want to identify—I wanted to fully belong—to both sides.

My mom and dad both had common backgrounds, both coming from poverty and chaos. The fallout from my mother’s unstable father created a similar unease within her childhood home. Yet her family actually seemed like it existed. I knew all of my mother’s seven younger sisters and five younger brothers, as well as all nineteen cousins. We used to visit mom’s parents in Detroit fairly often. My best knowledge of life in this unfamiliar, yet close by, city—my native city—arose through this connection. I heard stories of grandmother’s German immigrant parents and learned of my grandfather’s Polish and Prussian roots, part of his family’s rise from poverty to wealth—to poverty once more.

Born in the latter part of the nineteenth century, my father’s parents were much older than my mom’s. Impoverished Lithuanian immigrants, my dad’s parents surely wanted to be Americans. My grandmother really had to fight to even be on American soil, and my grandfather sought out citizenship and became naturalized. I have likely seen them both, but had no relationship at all. I heard that my dad’s mom came over our house for Thanksgiving dinner—a rare visit—and she died not long after.

My grandfather died the following year, when I was closer to three. Possibly having a primitive, early memory of this man, I am told my dad had him over the house once.  I have a vague recollection of sneaking into the living room, when I was supposed to be in bed, and got a smack on my behind from my dad, crying in protest as I walked past an older man starring at me. But I’ll never know for sure if that is even a real memory.

Since my grandfather was a supporter of the Communist party—a big taboo in those days with the McCarthy era and the Cold War—my dad was mortified and afraid to mention it.  I doubt I’ll ever know much about this grandfather. My father found only one photo of him in his wallet while trying to claim belongings from his flat after the man died. My father eventually gave it to me, and I was shocked by one of the most bizarre photos I ever had seen. In it, my dad’s father was photographed with a woman that my father cannot identify, but the likeness between her and me is so uncanny. I look more like this woman than I do my own mother, but I cannot say if she is even related. My dad knew almost nothing about his father’s family except that he came from a big one back in Lithuania.

Family must have been like foreign word to my father. I can see why. Since boyhood, my dad lived apart from his dad, and they became more strangers than father and son. My dad even admitted that he hardly understood his own father because of his thick, Lithuanian accent. My dad’s background still remains more like shadows in the dim light.  I don’t clearly remember my father’s older brother— out of the two that he had—because I only saw him three or four times. Since my father cut ties with his younger brother, I hadn’t laid eyes on him. Not even a picture was available. When my estranged uncle called on the phone to try to talk to my dad, I would speak to him, instead. One to be sympathetic, I never got why my dad wouldn’t bother with his brother, though the call usually involved asking for money. I was pretty much told that he was a no-good ***, plenty to keep me fairly leery of him. His first wife kicked my uncle out.  Most of his six sons—just as unknown as their father was to me—wanted nothing to do with him. No doubt, the guy was an odd and deeply tormented man, yet we both wanted to meet one day. If I remember one thing he said, that was it, and I agreed. This did seem unlikely, for I didn’t want to stir up the hornet’s nest, not creating more friction than there was.

Years later, that wish came true. One day my dad did get a picture of his brother from the older brother. Much later on—several months after my dad died—I was able to meet this troubled man when he was dying in the hospital and had tubes down his throat. unable to speak to me any more.  

My mom was my source in finding out about my grandmother, but she knew little.  She admits she didn’t know what to say to her mother-in-law, being young and not very savvy when it came to making conversation. What she remembered about my grandmother was that she was very quiet and often stared out from the position of an obscure woman in a room full of people. My mom thought her “spooky”. My mom recalls that my dad said that she smoked down her cigarettes the nub, burning and blackening the tips of her fingers.  She even might have started a small fire in her sister’s waste basket with a burning cigarette.

There is one thing that sticks out that my mother recalls that is sweet. What my grandmother asked my mother shows her humanity: “Do you love my son? “ It shows a woman who has genuine feelings, has desires, and caring. I could see the love that she had for my father when I heard that she brought his boots to school in bad weather, and he was embarrassed by the look of her—rolled down socks and an old fur coat.  I doubt, though, he ever heard the words of “I love you”, as my father did not say these things to his children.

Near the end of his life, when my father was getting dementia, I knew the time was short for us to talk and now was the moment to ask questions. “I know so little about your childhood”, I told him. He said there was nothing worth mentioning, and when I probed him a bit, he told me, “We were the lowest of the low”. It saddens me that the pain was still very much there.

What my parents couldn’t or didn’t tell me, I learned from a few other relatives. I called up my dad’s cousin—who lives in Las Vegas—with plenty of apprehension, never having met her, and not knowing if she’d want to talk with me. Slowly, I sensed her grow from suspicious of my intent to warming up to me a bit. She said she liked my father, but “he could have been nicer to his mother”. This cousin told me that he avoided her a lot, and she felt my grandmother was aware. My dad’s younger brother did, too, I am told. My mom related to me that once when my grandmother would knock on their door back in their flat in Detroit, in their early years of marriage, my dad told her not answer the door to prevent her visit.

If it wasn’t for this cousin’s mother, my grandmother’s sister, as well as two of her daughters, the poor woman would have been quite lonely—though I’m sure loneliness defined her. I am glad they took an extra interest in my grandmother. They would take her out for coffee or have her over.  This sister “felt sorry for her”, the Las Vegas cousin told me.  I’m glad, but she “felt sorry for her? I hope it was more than that.

Considering all what she went through, I am wondering what went through my grandmother’s head. Did this woman ever feel loved? If she did, it must have been like a glass of water in a desert.

Another of my dad’s cousins, from another sister of my grandmother’s, helped me out. Her family stories filled in some gaps, but what she couldn’t tell me records did. The records seemed to prove the stories correct, as some family stories can be more fiction than fact.

I did my own research, as well as get records from others, and finally hired a genealogist. I verified that my grandmother was born in 1892 in a village in Lithuania, not ever knowing the exact date. Loss began early in her life, as her father died of small pox when she was four months old. He was twenty six, and he wasn’t even married a year. Records show this bit of oral history to be almost spot-on.  My parents made a single visit to my grandmother’s youngest sister, and this great aunt told me that my grandmother lost her father at six months old. My dad never knew his real grandfather died, thinking his youngest aunt had a different father. He was surprised to find out that his mother was the one set apart from the others.

So my great grandmother was left a widow with a baby to care for all on her own. This would have been bad for both, so this gr
Grandmother, may you feel the warmth of God's embrace now, and hope you can know that I care and you DO matter.
JDH Jun 2017
Some introductory food for thought...

"Manufacturing and commercial monopolies owe their origin not to a tendency imminent in a capitalist economy but to governmental interventionist policy directed against free trade and laissez faire."
  - Ludwig Von Mises

"Bureaucracies are inherently antidemocratic. Bureaucrats derive their power from their position in the structure, not from their relations with the people they are supposed to serve. The people are not masters of the bureaucracy, but its clients."
  - Alan Keyes


The European Union as the New Eastern Bloc?
The Eastern Trading Bloc of the Soviet system had it's origins in the tail end of the Second World war, where, through the suppression of the whereabouts of Kremlin manipulation, had purported itself as democratic agreement, initially giving itself the appearance of a 'bourgeois democracy' as the Soviets called it. Though, inherently was, and clearly became an imperial establishment of control from the Soviet Bureaucracy. Likewise, the European Union, when originally advertised to the nations of Europe was propped up in a similarly unassuming manner, despite having been previously discussed and having the concepts of such a union already organised further back into 1948 at the Hague Conference. The parallels of such such unions (Eastern/Euro) are that they garnered the consent of the public through their foundation being merely upon an economic transnational policy, and not a political one, and therefor their basic parallels are that of deceit.

The Eastern Bloc formed what was essentially a symbiosis of the state and the economy, something that naturally would be inherent under a Communist regime. However, the European Union, too, follows a similar reciprocal foundation, for it binds the state and economy, removing the separation of powers by Capitalistic enterprise, and instead, Centralises governance in a more oligarchical, corporate and bureaucratic apparatus. Operating through a complex arrangement of multitudinous committees and boards, whose members form a body of non-elected representatives. Essentially the European Union, on the guise of an economic market, has formed a centralised, quasi-private parliament akin to the Soviet style hegemony of the Eastern Bloc, and through soft-intimidation and misinformation, keeps it's members bonded. Lest it be forgotten that the Union is allegedly one of 'free trade', yet, when discourse begins to brew of leaving, as it did in Britain, why are we met with threats of economic disability and ostracization? That shows more the signs of a protection racket; of bureaucratic gangsterism, than it does of a voluntary cooperation of national markets.


The unification of Germany and the amalgamation of the European continent?
In a more predictive sense, the European Union shares similarities in it's unifying policies, as it it does to the unification of the German states circa 1871. Spearheaded during the Bismarckian era of the late nineteenth century, Germany, well within a period of two decades transformed from a collection of trading states, to a fully amalgamated nation under Prussian dominated rule, but by what means did this occur, and in what ways does the unification of Germany share similarities to modern Europe?

Of course, the chief processes of German unification lied in the economy, the political structure and culture, the political structure I have already covered. The establishment of a newly amalgamated economy among the German States was created through the breaking down of trade barriers between the previously independent states, one of which ways in doing so was the introduction of the single German currency (the Mark) along with a centralised banking system that allowed for both monetary control by the state and the removal of currency exchange between regions. Likewise the European Union brought with it the introduction of a common European currency (the Euro) and too, a European Central Bank. The new Germany also extended its unification to the creation of a common German culture that evoked a sense of nationalism, for instance, the establishment of a new national anthem and German military, to be paraded with pride. Too, the standardisation of the school system to create a state of coherent socialisation among the German generations. What we see with the European Union is also the creation of a common European national anthem and a cooperative European military (though a centralised European military is still developing) and through policies such as the Bolonga Process, the education system of Europe as a whole has been standardised to the specific image of the European Union, even a single European emergency number (112) is under proposition.

It is said that history repeats itself, and perhaps what we are living through today is the amalgamation of the European states as transpired nearly 150 years ago within central Europe. And that the non-representative, self appointing parliament of the European Union, resembles almost a kind of bureaucratic Kaiserreich; a kind of Prussian hegemony of the modern day.


- a short essay by JDH
Ranjini Malhotra Dec 2014
You asked the color of my dreams.
In sleep, my eyes have sought
The inky black of raven lashes.
Starry nights and sooty ashes.
Prussian blue of fading violets
Indigo of clouds and silence
Beryl skies and turquoise seas
Blue-green waters of the deep
Peacock feathers of emerald green
Mossy dells of faery queens
Fields of wheat and brilliant suns
Amber gold in mid-autumns
Coral reefs and salmon streams
Marmalade and tangerines
Auburn sunsets, titian lips
Hennaed hands and fingertips
Blushing brides and rosy cheeks
Pink hued walls and white topped peaks
Silver moons and crystal nights
Downy geese in graceful flight
Ask not the color of my dreams
The question is not whole;
Deep within my rainbow’d sleep
Lies the color of my soul.
one day a man who lived across a vast ocean asked me the color of my dreams and I sent him this in reply.
Najwa Kareem Feb 2017
A backdrop of gorgeous hues, tints, and shades peeking in from afar draw near, I on one side, it on the other, the two of us bidding for a glance at two white doves on center stage.  
 
Their eyes converging, their glance coinciding, a replica of the simplicity in which they were brought together, a dual recognition ignited by the burning of hearts and the lumination of souls. 
 
Affectionate hands coupled in an orbit of serenity, her passionately embracing his with a tug of excitement gushing I’m yours, his tenderly and securely supporting hers and in acceptance of gifts of admiration and approval, he is humbled whilst mesmerized by her captivating beauty and elatious smile.  
 
Two distinct bodies standing still between an air of transparency and vulnerability, they occupying an endearing space serenading to sweet melodies reminiscent of one exclusive life. A bit of haze lingers behind her, her ***** drumming to a cheerful step toward his, there she waits in an affirmative reply of what much he has to offer her, what much he has given her. He consumed by her presence, his face speaking something his mouth cannot. A yearning for each other unspoken, the romantic harmony of a moonstruck light and a synchronized kiss. Their bodies held captive by their souls set free. 
 
An impartial unfinished hallow sits as a canopy above, gracing its cascading rays on the couples’ faces creating unique shadows on each, one caressing the other in a playfully warm exchange. Overwhelmed by his serenade, emotions overflow and an innocent blush appears, his heart unburdened, skipping to a resounding beat and the words, I found my soulmate. With a slight rise of her jaw, she’s smitten with this king, the delicate skin of her countenance warmed by the glow of his, a pink dusting of her freshwater pearls.  
 
A love affair unconventional, a duo in adoration, a marriage of crisp airiness and a desire for discovery ringing true, a fondness between man and woman precious like a round cut diamond, weightless as dandelion fuzz blowing in the wind, beaming identical to that of a fluorescent night star, the twosome looking into one soul rejoices intimately at their romantic chemistry and unyielding bond. 
 
A gracious audience of ink, navy, and Prussian blue, antique and porcelain white, emerald green and scarlet pink in a pose of calm celebration, honors the mister and missus with an exuberant ovation. Entangled in a web of love with a sincerity stringing them in unison, the two in a trance cherishes a declaration so glamorous, a devotion so light.
This poem is dedicated to a soul's light romance of a recently married couple whose display of love moved and touched me.
tread Dec 2012
I hope I see the moon in the British Aisles
So I can imagine myself staring from home.

I hope I see the moon from Belgium
as I imagine the old lover I will never forget gazing, exhausted, from Uxbridge.

I hope I seee the moon from Paris
so I can imagine the millenia of poets and I-love-you-till-it-kills-me romancers gazing from French cafes, sipping on their
wine, coffee, tea

and I think of great friends in Victoria, glancing towards it from busses 9 hours later on a commute to Uptown
Downtown
what town?

I hope I see the moon from Vancouver
so I can imagine child-me watching the white of the cheese-like craters wondering nothing
but so, so very curious.

I hope I see the moon from Toronto
past smog and spring-time city shadows
so I can imagine the short-lived friends I made in Ottawa looking to it with awe and smiles
grasping the fingers of a loved one.


Everytime I see that great omnipotent orb I imagine
Marcus Aurelius in the court of Rome
Julius Caesar on the battlefields of Gaul
Charlemagne crossing the Rhine
St. Augustine marching through the desert
Micochondrial Adam tossing a spear into  the heart of a boar
Soldiers of the American Revolution
the British war for South Africa
the Prussian Empire
the Third *****

Siddhartha and his son
Li Po hugging his moonlit reflection
Han Shan on cold mountain
Kerouac in San Francisco
Burroughs in Morocco
Snyder in Japan

Thomas walking to work
Brian out on a stroll

My future life lover
future girlfriends

all gazing at that wonderful omnipotent moon
the same moon
that gazes so still

so patient

forever
as far as
I'm concerned.
Aaron Wallis Sep 2014
Burly bleak plumes roll out aloft corn
Where the dragon fell post spin and ditch
A wretched hulk of ruin splintered and worn
Amongst endless blanch green fields which

Arc with a gust and apart where he treads,
Dragging his silk cape afar from flame
Clueless and concussed to a near house he heads
With a tattered scarf that constricts yet ***** about his mane

Black fists of cloud had boomed around him as they soared
His beast spat metal fire whilst the pale sky turned dull
The zipping ballet of warfare smiled throughout as motors roared
Gnashing its teeth and making forgotten martyrs of them all

Shuddering not from demise rather conflict as a whole
He is as content with death as he is to survive
Just not burn the world and condemn his soul
A horror; men of rule seem keen to keep alive

An agrarian self-dines rancorous and crocked
Half sat, improperly perched from where he was shot
Monsters had come for him once before this day
They took his spouse and his daughter and then took them away

He can hear but does not hark to the battle aloft
It is now like the rain and the trees in a gust
But to the boom and the shake he stands with a cough
And as he cites the invader he sees he must do what he must

The grower limps out with a Chassepot in his arms
As the airman’s hands reach up and he falls to his knees
With beads on his brow the man pleads with met palms
The crofter sees naught but a Prussian blue monster disease

The pilot knows his death, ‘Ich bin nicht sicher, wo ich will gehen?”
The old Frenchman just sniggers as he thinks never again
With the rifle’s slug now spent and the horror sent back to his hell
The farmer mumbles to himself, ‘je dois me chercher une pelle,”
Wars happen. It is *******
annanotherthing Apr 2017
“However long we live, life is short and however important man becomes, he is nothing compared to the stars. There are secrets, dear sister, and it is for us to reveal them.”

The world was against her, right from the start,

Wrong time and wrong gender; a mother’s hard heart.

Typhus as a child, fever and chill,

And though unlike many, recovery from ill

She never grew much beyond four feet tall

Perhaps this is why she rose above of it all,

To become a groundbreaker, a real pioneer,

Caroline Herschel – the woman once here.



Denied education, trained only to serve

It was going to take some dedication, some dare and some verve

To get the hell out of 18th Century Germany

And join her brother William across the wide sea.

He was already the talk of the town,

With his songs and his concerts and his wig and his gown.

She joined in the singing but never did blend

Into life, society – no status, no friend.



But now was her chance to start to learn,

And now was her chance to start to earn.

A sibling as your tutor is a real mixed blessing

For algebra, geometry, trigonometry lessons.

He also taught her to sing like a bird,

But she felt trapped in his cage, and refused to be heard,

At any concerts that weren’t his own.

Blood thicker than water and loyal to the bone.



Soon the sky became William’s wanderlust,

Astronomy called, leaving scores gathering dust.

And although she desired to still share her own voice,

She worked to support him, did she have any choice?

She referred to herself as his “well trained pup”;

Doing as he commanded, as they both looked up,

To the stars and recorded whatever they found.

Through the telescopes he built and the lenses she ground.



In March 1781 he was victorious!

His superior telescope discovered Uranus!

It meant one last concert and then her voice no longer heard,

As he became court astronomer to King George the Third.

But it wasn’t just her singing that she felt had been taken,

But her own astronomy practice, as she was always making,

The parts for his scope – hours of polishing with care,

And climbing to fit them, fifty feet up in the air.

“I am much hindered in my practice by my help being continually wanted in the execution of the various astronomical contrivances.”



This Celestial Cinderella was told to ‘sweep’ the sky,

She found she had quite a flair for it; she found she had an eye,

For nebulae, comets, hundreds of stars no man had seen,

Sitting for hours in dark frosty fields with no other human being.

Then after years as his go to girl, events begin to change,

William fell for rich widow Mary Pitt – Caroline’s life was rearranged.

He moved in here, they moved her on, she’d lost her role, for now,

But when William died her nephew John took her back to The Observatory in Slough.



The first ever woman in the world to be paid,

For the contribution to science that she made.

Honorary Member was bestowed on she,

By the totally male Royal Astronomical Society.

They awarded a Gold medal in 1828,

The next woman had 160 years to wait (Vera Rubin fact fiends)

And in her 96th year, for doing her thing,

A Gold Medal for Science; from the Prussian King.



Buried with a lock of William’s hair,

The headstone of her grave declares:

“The eyes of her who is glorified here below

turned to the starry heavens” – yet though,

where other mortals just have granite to be remembered by,

Caroline has markers in the sky:

A place on the moon, ever dancing with earth;

A Comet of ice with a tail of fire bursts.

A remarkable woman, an inspiration to us

Who made her mark on the cosmos, without any fuss.


But there’s just one thing that’s getting me down –

Remembered in this universe, but not in this town.



I’ve minded the heavens, but now I must,

Return to the universe, once more to star dust.

A century of this life for me is enough.

The cosmos is within us. We’re made of such stuff.



anna jones ©2016
Universal Thrum Oct 2014
Staring off into the distance of a ***** carpet ridden with living trails of ants, a crawling black river of desolate hunger, counting days of visions, wandering naked in the lake treading water, kissing, spitting out lips and liquid
shifted in dreams
memories poke like a cactus needle open to a room of steam heat and *****
flooding with words that digest imagination and burn eyelids, a cigarette held too close to a crowning flame
incinerating eyelashes and clattering TNT onto the serene image of our drunken antics while the rest of the world is howling for us to see ourselves for the raving lunatics we are, their tired look of exasperation an exhausted mother left alone to raise a hopeless child, wicked only for his ignorance
The last speakers of the paleolithic age journey forth from the depths of the amazonian jungle to heal our souls nailed to the cross as drug dealers because ingested plants grow in the ground

I saw the most beautiful soul weep in fear against a diner booth at midnight
amid plates of burgers, fries and green beans laid on the lineoleum table with no signs of starvation or danger
yet the signs of the apocalypse resonate in all psyches because reptilian brains would rather die than change, conform than bring forth the messianic transformation of our own radical self acceptance as God
and we shun those who are insane on the streets
***** outcasts, poor filth and ugliness
human animals unfit for this society of plastic and image, a mirage over substance
I cross the street rather than look the beggar in the eye because he stinks of desperation, and tell him no no no, I'm sorry I'm sorry I'm sorry, I can't share with you all
MOLOCH!
The holy yell
flooding the empty headed street
we abandoned our mother and forsaken our selves to flickering images of lust and prestige, **** and *****, ****** and ***, thick wads
idolizing our own form,
the sirens of the modern age, the golden calves danced around in supermarket check out lines,
capturing us on the jagged cliffs of inattention, glories husked and barren, cultivate likes and followers sweet nicotine in the bloodstream, social media mogul reigning over a grand bazaar of ghosts in a room, talking to other ghosts in rooms of faraway lands, ignoring the living flesh in front of their twitchy eyes, cast down for a screen, forgetting themselves for a profile, a small picture in a corner, an Ignominious massacre of life cast through a digital lens, concerts meant for full expression of a cathartic moment of ****** movement, lost to a sea of hand held recording devices to remember how you didn't feel at that moment  with other people milling about as cattle who would rather document and never watch again then dance and live and be a part of the happening, look, Rip Van Winkles throwing pins with revolutionary prussian ghosts in a sleepy Catskill hollow, zombies behind wheels typing to ****, these words will not save you, they will not fill the siphon hole,
I am with you in this burning sodium night on my back in the grass of a night with no darkness
I am with you where the army of madness will overthrow the living dead and shake their working class dreams to the core with the sudden eternal war of nothingness and contemplation and silence screaming out for someone to save us
Everything is HOLY!

Throw open the church doors
think nothing of paying for poison, (as advertised)
but refuse to confront your self possessed greed because the man holding the cup is tired and desperate and I am tired and desperate

A truck hauls a horse
broken wilderness, cleaved concrete, cracked spines wretched scars,
killing anything that isn't hard, impermanent and futile, the land reclaims
but no land to ride, only the black road with its machines spewing the smokey remains of dead ancient animals
nature perverted, mobility imprisoned inside a metal box to be driven when it can run
so apt
for the potential inside coffins of daily lives
talking of dreams gutless to pursue
settling instead for the easy cruise of routine
******* our own hands

We all matter
but this world doesn't work without slaves
so take pride in your nine to five
get some ***** with that job title
and two sentence description
of how you can make the dreams come true, in the suburbs with three kids a couch and security from whatever danger lurks outside of us on TV
our own kind
murderous and malicious
homicidal tribalists
merrymaking nihilists
The fear The Fear
the light the light

I grab her hand and stare into dark eyes deadlocked on the momentary plane, a revealed saint testifying to God's truth Mary Maria, she tells me there is something beautiful outside this current mode of existence, but she's only had a fleeting glimpse
WIP
it's high midnight and I'm up to my old tricks again

in an hour I'll have my nose prepared
in two, I'll sweat and pray

praying the windows I opened last year give way to Carolina air

me chewing an ice cube
with you pressing my shirt

and a shiver breathes into me

it's a funeral, you tell me

in twelve hours time I ask you how I got here

another hour and it's your voice
causing me to laugh from my belly

pounding my fists into your tombstone

too angry to light my cigarette

the willow hides the moonlight
sheds no tears on this chapter

the willow hides night sky
a reflection from my dark eyes

they warble in fear

for the sound my heart is like to make

so if it'd make you stay
I wouldn't act so angry all the time

it's three years later
chewing soil from your grave


the worms but ash

my heart
a muted trumpet

pale imitation
crystalline defeat

silhouette of a cursed shade


it's five years and the marble runs smooth

it's ten years and the willow roots join mine

a legacy of agony
countless copper dishes of bitterness

thirteen years a testament of longing and needless suffering

every smile bled to death
every night a star turned inside out

it's two years ago and I hear your name
past and pleasant
fleeting present
Tragedy
Raquel E Mar 2017
It was meant to be the
most important line
of all known history
but you forgot it
screenwriter
your sheer deed
equips your script
with perpetual discretion
                                     prompting props
                                     praising speeches
                                     persuading species
                                     Prussian Blue and Russian Spirits.
mark john junor Jun 2013
shuffled quietly into the busy day
transit thru layers of faces
and the thousand random sounds
meant to distract
but i keep pen to page till image surfaces
and words flow however uneven

almost seems like my poems are crossing roads
only every other phrase survives to the page
the rest lay unadorned baking in some
unrelenting internal sun
like roadkill my thoughts
strange and laughing
like prussian soldiers aligned wait for
the drunken magician to send
them charging into battle marching
lockstep backwards
they are sure to be slain
but they know they will be resurrected
later in my life as some odd little ditty
about some random babylon nubile kitten
**** and sweating at the door
looking for a fresh spike

perpetual motion in this silent sky
the clouds form up white grey along the east
and in slow parade move thru my vision
'brisk eastern wind says rain' whispers a companion
'best be done with your writing friend'

the boat rocks slowly in the waves
and there on this un-named atoll lay the wreck of
some long beached sloop
her mast snapped in some long forgotten storm
and the poem i labored to give birth to
surrenders to such an image
of loss and forlorn dreams

goodnight my love
goodnight and sleep well iv got the watch
and nothing shall disturb
no storm nor pirate shall approach unheeded
lay back and dream of my poems to you

perpetual motion in this silent sky
the clouds form up white grey along the east
and in slow parade move thru my vision
'brisk eastern wind says rain' whispers a companion
'best be done with your writing friend'
so i close my book and put aside my worn pen
for the night
take the tiller
and make haste for open sea
we did not attempt to board her.
topaz oreilly Nov 2012
Colours buy silence.
I publicly deny Prussian Blue was my first,
the colour of a Paratrooper
but my Lover bequested the time.
I subterfuge the lower end scale of green,
like hopeless moss
coilling my Adversaries dreams
I am sunk with a kiss -
deeper than quagmire
she will obtuse my decree,
home is the tireless winds
further than the cut of her high cheekbones
Anthony Williams Jul 2014
I arrived at my station in Kaliningrad
as if posted there by an army of desires
entering through the gate with a firm set jaw
into the guarding teeth of iron girders
driven into the soft soul of the soil
by hammering heels as bold as yours

approaching a fateful encounter quite naughty
amidst ghosts in an Eastern European night
its sights built when all roads led to Königsberg city
taking pretty daughters of frightening Prussian knights
to a military parade past the rust of heavy industry

a call to arms wrapped tight up against youthful skin
dark forces dressed in lace trimmed girdles of passion
its secret codes covered by accents slightly Russian
sounding like love slipping into a cold war assignation

you were too beautiful by half
too perfect to wear jeans
so like the uniform concrete paths
abandoned to such ghastly stains
they attract me like works of art
that someone envious of being outlasted
had to spray with swirling tattoo paint
yet the matt camouflage fades fast
while your beauty is chiseled into my days
its ageless gloss defying the wind and dust

whipping across the wonderful blocks called home
built by socialist bloc labourers whose ***** hands
must have toiled for the day you were born
and set free the naked ambition of men that yearn
for a dessert of finely moulded vision
beyond the blue vein cheese and a little wine
into warm baths steaming away the tension

which had crossed our paths with precise chains
snapped together in a demand for attention
“stop - no tourism beyond here after 5pm”
but you knew diversions locked in 'till round 2am
a stress release submitting to the pull of a comforter
gentle in the peace of the goose-down we slept in
the softness of the rattles
the worst
of your corrupters
by Anthony Williams
Himanshi Apr 2014
Screams my soul, my heart, my mind
Looking for possibilities of every kind.
Beneath the stars and sky Prussian Blue,
My questions linger, finding answers few.

To be or not to be,
Is life a facade or is it just me?
Fixing puzzles with edges rounded,
Spaces left unfilled and unmounted.

Pulls us, the Earth, a magnet strong,
Away from the right , towards the wrong.
A gruesome character each soul wears,
In the cosmic world no one cares.

Lost souls in this alluring world,
Each moment find possibilities, hurled.
Make me a feather or a stone,
For I came alone and I shall leave alone.
The right, the wrong and the in-betweens.
Ancient wars and potatoes

It is the biggest potato farm in the world,
a giant field of tubers as far as eyes can see;
new potatoes boiled with a pat of butter; delicious, no need to slam in a lamb.  
Once a battlefield thousands of Russians and
Germans soldiers bled to death here the soil grew fertile,
absorbed all flesh only bones and uniform buttons left.
The soldiers didn’t die in vain, saved from old age debilities, Alzheimer,
renal diseases, hip replacement and triple bypass.
I found a rusty gun, a German Luger pistol it fell to pieces in my hand,
bullets inside still intact, owned by
an officer telling his men to die like Prussian heroes.  
Long furrows of edible tubers, made into fries, full of fat,
grandchildren of dead soldiers are obese and only fight virtual games.

— The End —