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Duncan Brown Aug 2018
Archie was smart; at least he reckoned he was, because he had what he considered to be the good things in life: dosh in his wallet, a Cat in the garage, and a detach. in the green belt; all of which he had worked hard to acquire. Worked, is not exactly the word for it. Archie did deals. He reckoned he could always turn a fiver into a tenner an’ a tenner into a pony; a pony into a ton and a ton to a grand. He was one of the cash economy’s natural alchemists.  The folding stuff was the measure of a person, he reckoned. Archie never thought about anything; he reckoned everything, and nothing on God’s good earth was beyond reckoning, he reckoned. An ever-ready reckoner; that was Archie, and he loved himself for it. Only John Wayne did more reckoning than Archie, his old dad, bless him, used to say, thought Archie. In Archie’s world a grand was currency; less than that was just spare change. He reckoned he gave superior meaning to the expression ‘it’s a grand life’. The only blemish on Archie’s horizon as far as he could see was the lack of a class bird, or ‘ream sort’, as he preferred to say; hence this evening’s extravaganza at a posh French restaurant in the company of a beautiful lady. Archie only had two serious weaknesses in his existence: a fondness for the last word in a dispute about anything you care to mention, and his infatuation with his dining companion, the beautiful Carmela.


Carmela shared a common background with Archie. They grew up on the same council estate in the inner city. They were aware of each other’s existence as kids and teenagers, but they didn’t really know each other. Carmela was a quiet child and very singular; even in company she could be by herself. None but she was wise to her sense of solitude. She had three passions in life: knitting, sewing and weaving; the blessed trinity of her existence. Carmela interpreted the world by these three gifts. Here she was, she thought, weaving her way through an evening, in the company of three strangers. One she knew, herself, another she didn’t know at all, despite proximity and semi-shared origins. Then there was the complete stranger to the trinity: the waiter in his new and very polished shiny black shoes, “You can tell a lot about a person by their shoes”, Carmela’s mum used to say, she was thinking about that as the waiter appeared to almost pirouette into vision.


The waiter was a patient soul, it goes with the territory. The waiting game wasn’t something you should rush in to, he often told himself, in one of his more existentialist moments. He appreciated the irony of the comment in a Sartresque kind of fashion. He was from a steel town in the Rhonda Valley of South Wales. Iron was in his veins if not his appearance. A creature of paradoxes, that’s what he told himself he was. He liked that assessment of himself. It complimented his passion for all things French: French food, French wine, French philosophy, literature and art. He was learning the language at night school. Alas, his accent was as lyrically refined as the landscape that bred him He shovelled the words onto a conveyor belt of sound and meaning as best he could in the general direction of the person he was talking to, more in hope than in faith that they understood what was being said .The other passion in his life was tap dancing, and as luck would have it he could wear the same outfit for work and leisure, hence the very shiny shoes which allowed him to dance around the tables of the restaurant, practising his language skills on the clientele, His life work and leisure dovetailed with his ambition and he was pleased to wake up in the morning and set about the mortal trespass with a skip in his step. The waiter imagined himself to be a cosmopolitan and enlightened soul, in a very Fred Astaire kind of way, and life was a flight of stairs which he could ascend and descend in a Morse code type of style, just like Mr Bojangles.


The fare was fine. the wine was rare, but the conversation was spare until the cheese board arrived.” Good grub”, said Archie to the waiter. “We don’t do grub, sir, we only serve the finest Gallic cuisine in this establishment,” replied the waiter, in his usual mangled French, whilst smiling that smile that only waiters can manage when registering disapproval. Archie looked blank. It was Carmela who spoke: “C’était magnifique! Mes compliments au chef.” “Streuth! You speak better French than Marcel Proust here” said Archie.” I studied Fashion and Design in Paris for five years “replied Carmela.” “An’ I joined the Common Market many moons ago. It’s good for business” said Archie. The waiter was impressed: “Food, fashion, wine, Proust and Paris. This must be Nirvana” he said. “Great band, but a very dubious heaven.” replied Carmela, knitting together the threads whilst changing the pattern of the conversation in a very subtle fashion that was more to her liking.” “It’s only rock ’n’ roll” said Archie, an’ if you’ve ever heard French rock ’n’ roll it’s enough to make you believe in Foucault” “Foucault, my hero!” said the waiter, “a philosophical genius”. “According to Foucault, a knitting pattern is the hieroglyphic of a consumerist and decadent capitalist society.” intoned Carmela.” “And ‘A recipe is a critique of a cake’, said the great Structuralist philosopher,” interjected Archie, so if you serve the gateaux we may effect the collapse of western civilisation as we all know and love it”. “Allors, Let them eat cake” said the waiter, and everybody smiled at the irony of the comment.

The waiter bojangled his way into the night, tapping and clicking the pavement as he went.  Carmela and Archie got into a black cab. “That was a night to remember,” said Carmela, “very Proustian”. “A la recherche du temps perdu”, replied Archie, pleased as punch to have the last word. Carmela just smiled as she looked at Archie’s shoes.
Jesse Osborne Nov 2015
Dear Ian
The First always tastes like honeyed-sunlight on cheek and windowpane:
first kiss, first cigarette, first rooftop.
I never wanted to come down.

Dear Greyson
Beautiful and empty.
Our hands didn't fit right.

Dear Anton
Thank you for kissing prayers into the crosses on my forearms.
It wasn't enough.
I'm sorry I kept you on your knees.

Dear Eli
*******.

Dear Wyatt
We were high and you were there.
Your mouth tasted like sour milk
and I was lonely in the morning.

Dear Ian
Snorting coke off my naked body was all you needed.
I think I caught you too late.

Dear Cody
Thanks for the ****.
I'm sorry I made you leave--
I couldn't stop looking at the orchid petals falling on my windowsill.

Dear Howard
I never realized my power
until the day I let you finger me in the seasonal section of a CVS.

Dear Sky
Loving you was like loving river currents.
I lost myself in the way you looked at me like
you were looking past me.
I'm still learning how to let go of dead things.

Dear Jessica
I was high on painkillers for the 6 months you tried
to bring me back down.
But if you had a condo on a cloud
I'd have stayed at your place.

Dear Robert
I just needed a prom date.
Don't read into it.

Dear Sarah
You and spring rains are synonymous.

Dear Vanessa
Venus.
Someday I'll come back.
We'll paint piazzas into dusk.

Dear Maya
Your lips were swollen honeysuckle and I was all hummingbird.
I wish you could've held me after.

Dear Alyson
We never met in person,
but the way you glittered behind my phone screen
fogged up the glass with light-hot possibility.
Our timing wasn't right.

Dear Amélie
"On n'aime que ce qu'on ne possède pas tout entier."

Dear Izzy
I would've sewn stars down your backbone.
That night at the End of the World, we held eternity in our fingertips.
or maybe it was just the *****.

Dear Brendan
Drunken lapse in judgement.
I'm not "experimenting", I'm actually gay.

Dear Sara
I wish I was looking for something casual.
The Washington Sq. Park fountain will always be holy.
Bless my forehead whenever.

----

Dear Jesse*
It's time to fall in love with your palms.
They fit together perfectly.
Plant chrysanthemums in your abdomen
and let yourself bloom again.
Like it's the first time.
Like you owe it to yourself.
StuKerr Jun 2014
Glistening blackness flows before me and slowly the tinge of dawns burning light begins to run across my vision.

The still gentle waters begin to glow at the horizon, dazzling through the spectrum of light.

The sky awash with umber and azure conceals the glittering majesty of infinite.

As light passes the darkness recedes creeping out of sight.

The shadows lengthen then begin to darken as in contrast the warm rich brightness envelops me.

At once a ray bursts from the edge between azure and umber and they are swallowed by the white.

I gaze out onto the ocean. Its glimmering majesty losing the sparkling wonder of the night above.

Blinding it sears across the sky and hesitates at the edge of my vision before fading, a memory of bright.

The glorious halo of white fire reaches above the limit of the edge of the world and the day begins anew.
Autumn Jan 2019
Something funny about airports
My childhood
Teenage independence
Young Adulthood

Two hours
I said goodbye to you
One week from now

I’ll see you again

But airports are funny
My body thinks I’m leaving you
Until next summer
My body’s been conditioned

To believe goodbye means indefinitely

I know you may not get it
And that’s okay
Please don’t think I’m being clingy
When I say “I’ll miss you”

The fiftieth time

It’s just a Proustian moment
juicy mint chewing gum
with crackling eardrums
Sends me back in time

To that funny thing about airports

Where hellos are met with goodbyes

Impatiently, I wait

When the goodbye is met with hello
Terry Collett Jun 2013
Summer recess had come
and she sat with you
out in the field
over looking her house

and the railway
was not far off
where the occasional train
puffed by sending

a sprouting of white smoke
as it went by
and she looked at it passing
and spoke of after school days

when she would begin
her adult life and settle down
and have children
but you were thinking

of a train trip with your parents
years before
to some seaside place
and you watched

the scenery go by
and the steam go by
the window
and the smell

and the sight excited you
and stuck itself
inside your head
and Judith said

what do you think?
and you said
about what?
and she said

about children's names?
what names
would you choose?
your brain struggled

to the surface
and whirled through
a list of names
that came to mind

boy or girl?
you asked
she sighed
either

haven't you been
listening to me?
sorry got distracted
by the train smoke

had a Proustian moment
you said
a what?
she said

a Proustian moment
you replied
what the heck is that?
she said

pulling her skirt
over her knees
where it had risen up
as she moved  

Marcel Proust wrote
that eating a certain cake
took him back
to a certain moment

of his life
but you
haven't been eating cake
Judith said

her hand rested
on her knees
her eyes focusing on you
no it's just an example

you said
about how things
can remind you
of other things

or places or times
do you recall
the first time we kissed?
she asked

yes
you said
of course I do
it was near Christmas

and we were carol singing
and it was dark
and the moon was out
and the stars were bright

and your lips pressed
onto mine
ok ok
she said laughing

at least you remember
and as she moved forward
the buttons
of her white blouse

parted briefly
to reveal a hint
of fleshy *******
so what names

do you like?
she asked
none come to mind
you said

she shook her head
what about Rachel or David?
she said
fine

you said
nice religious names
although David
brings to mind

a kid with a catapult
and a girl I once knew
with buckteeth who smelt
of old socks

she looked skywards
and sighed
and lay back
on to the grass

and you lay beside her
both of you  
gazing up
at the expanse

of blue and white
her hand reaching out
for yours
in that one moment

of life
in the great
out of doors.
Literary allusions: the curse of
Those who overdo—or, as some say--
Overdid the reading thing.
I speak of close associates,
Imaginary friends you’ve not met,
Let alone read (pronounced "RED") about.
Like this guy down at Moe’s Tavern,
An 8th Avenue writer’s bar I frequent.
Let's call him Paulie Muldoon,
A fat Irish slob who claims to be
Poetry Editor, "The New Yorker."
Paulie likes to give me tips on
HOW TO GET PUBLISHED!
Like me, he’s never
Been in print anywhere,
Other than his ***-encrusted laptop, &
A letter he once wrote to the editors of
"The National Kreplach Review,"
A radical Zionist quarterly
Funded by The Mel Brooks Foundation,
Harvey Weinstein & Condé Nast.
Nevertheless, Paulie seems to know
A lot about the publishing business,
Particularly after six stiff Jack & Cokes.
He says the thing is this:  
The best of the Ivy-League’s
English majors wind up in Manhattan,
Slaving away in cubicles,
Working for peanuts—literally,
The publishing industry has some sort of
Barter agreement with Planters.
(www.planterspeanuts.com)                                       ­            
They sit around on their ***** all day,
Getting their kishkes in a twist,
Eating peanuts, perusing manuscripts,
Like chimp Zoo valedictorians.
The manuscripts submitted by the hopeful
And--for the most part--delusional.
According to Paulie, these Yalie, Princeton,
Harvard, Columbiana WORDMEISTERS
Are more likely. . .
(Urban Dictionary: word-meister (www.urbandictionary.com/define.php? 1. Something yelled in place of a cuss word. 2. a rare species of humpback whales. 3. small children whose mother's name is Debbie.)
. . . More apt to be impressed with your scree
If you lay siege their psychic CPUs,
Pushing a few obscure,
Mnemonic function keys, remembrances
Of past Proustian peregrinations.
That's right, you get a much
Better shot at sidestepping that
First smug obstacle of arrogance,
If you slather them; go right
Ahead & flatter them with
Lotions, potions & emoluments,
Arcane passwords,
Vain secret satisfactions,
Tidbits of titillation,
Things that only some mook
That actually had read "The Crucible."
Or "The Scarlet Letter,"
Could possibly know,
Let alone, remember.
For a publisher’s water-boy,
A synaptic switch is keyed,
Tripping off an avalanche of
Marginally relevant,
Yet ultra-literate,
Cognitive highlights.
And, while we're on the subject,
Has anyone actually read Melville's "OMOO?"
Terry Collett Jan 2014
Miryam slept
most of the way
through Paris
that evening

her head
on your shoulder
her eyes closed
like pink shells

her mouth
slightly ajar
an innocent
sleeping child

kind of look
on the coach
as it travelled
through the bright lights

and sights of Paris
Beethoven's
5th Piano Concerto
pouring

from the coach's
loudspeakers
you gazed
at her tight

red haired head
sense of her
laying there
a soft sound

of breathing
a barely felt sense
of her pulse
and feeling

that the most
important thing
at that moment
that pulse

that sound
of breathing
that the whole world
would cease

if she did
neither again
you lay back
your head

on the headrest
taking in the sights
the lights
people passing

street scenes
bars and cafés open
couples walking
arm in arm

a kissing couple
here and there
the second movement
of the Beethoven concerto

easing through
the coach
and looking down
at her hands folded

in her lap
as if they too slept
fingers holding
thumbs touching

her knees visible
where her skirt
rode up as she sat
and as you lay there

taking in
her being there
that eternal moment
sinking in

the Proustian connection
of her sleeping so
and the Beethoven episode
the piano easing out

and her head there
on your shoulder
rested childlike
and all or most

of desires kept at bay
seeing her lay so
like untouched
untrodden snow.
A BOY AND GIRL IN PARIS IN 1970.
Dave Robertson May 2020
The balm of sun and charcoal smoke
instantly evoke lost togetherness
from the very first time in the eighties
when beguiled by a well fired banger
and Russ Abbot opined a party

Hold fast to the Proustian rush
as soon enough the dim seasons will return
and the muted, sterile days withhold
all but a sense of cold and pause,
so revel in the glut and sing
Megan Sherman Jul 2018
I love the hunted not the hunt.
Pursued, they want to hold your warm heart,
My trophy, gold-gleaming and thunders with love,
Proceeding from your great soul's core.
More beautiful than a rainbow.

Maybe you consider yourself a messenger,
Megaphone for the wisdom oppressed.
Fifty years now you have, wide-eyed,
Rendered the world with beauty,
And Proustian sensual bliss.

Pacing little alleys with just my passport and mauve dress
I crawl towards the dead-end, its van
And its suited men; they point and laugh.
To save myself I turn back, run;
A car swerves in, fast as a gun.

An obsidian dread engulfs my heart,
Running faster, ever fast
Underneath the emerald green parasols of Harrods.
I am the hunted now, they want my heart
Too. For being one who is kin to you.

Anarchy on the streets, I scream!
And then as if on the zephyr of a dream
You, abrupt, enter my sight,
Drifting through the pacing crowd
And I turn back, to distract the police.

Counting the beats of my thundering heart
I, coy, catch glances. You glance back.
Seeing you return, your back, head to the ground, the lady officer swivels,
Sees you! Fills my heart with dread.
I do not flinch: the questions resume.
A true story
Last Arpeggios Jan 2015
Grab a seat, don’t take your coat off
    in your own house, I’m not staying,
    only until it clears up; if I go out now
    I will sink into the ground, You say
    as you sink into a chair - a creaking noise,
    to remind you.

    You survive on the short sugar rush
    of a Proustian coffee; the past is a gentle
    unfaithful lover
    I’ll call them. Put on your nicest voice,
    sing yourself to them.
    But you push in so many words;
    they can’’t understand.

 Fall asleep, don’t take off your coat
    in your own bed, I’m not sleeping,
    so when they ring, my phone or door,
    I can open up. I can go home, You say,
    but the blinds have been down so long
    you can’t see when it stops raining

    It hurts to see you try.
irinia Aug 13
a Proustian quest for original wonder gets illuminated among pine, olive, palm trees
the eye needs delicacy and moderation to grasp the breeze of thoughts
is it the soul or an architect of joy who blends the harmonies in a pointilist smile on my face
an atmospheric fluidity in my hands between land, sea and light
maria Oct 2024
Sometimes, I’ll fall asleep on my couch,
while my bed sits a couple feet away.
It reminds me of the sleepovers I had,
of the holidays where the house was filled,
of movie nights and drunken collapses,
of the Proustian disorientation in misplacement.
I’ll sleep next to my ashtray of Marlboros,
my dropped keys, and haphazardly placed gloss,
my leftover coffee and capped waxy candles.
I grow a fondness and rapport with my mess,
a familiarity I sought with myself for ages.
Make yourself at home, I’ll say.
Stay a while.
Eugenia Dubinova Dec 2024
Dreams have not yet left,
the skin of eyes in solace.
Only omnivorous vermin
are eating the waiting time,
ready to French kiss minutes themselves and,
by far,
engaged; in a hurry, impatient to marry the seconds;
ready to do the job after a Proustian search for the lost bits of it.

But what is this yearning?
What if
it’s already the dream of a butterfly,
in which this addiction of ours
has fundamentally been an illusion—
still soaking us to detect
if we are able to purchase nothingness,
hoping for no gravity while falling,
anthropomorphizing inanimate concepts.
its not unlike humanity to seek answers. we look toward our largest, most near satelite and; well nothing--at least until a few decades ago. Nothing more could be done than to gaze at its surface and ponder the texture and deformations of its outer most layer. we have, since, spent billions of dollars to, in my best aproximation, spend a few hours there trapsing around on it. to smash a golf ball a little bit farther than one could on their best day on the green.

the stories contained herein, are little more than testaments of how individuals, without golf clubs let alone space craft, have sought the same relationship with foriegn textures.

and, while these inner-efforts have been as costly as those toward our moon, and that their gleanings have been equally fleeting, and the fact that their experiences provide more questons than answers, it remains that, just like our excursions toward a spinning rock, the dabblings of psychonauts are just as much an undertaking of a serious narrative--whether personal or univeral.
and here we find ourselves half-way understood, and even less understanding searching for a narrative. yes, and now, the narrative may even be abandoned in search of it, as DiVinci would have never imagined the telescope without first dreaming to travel amongst the stars.
may these entries be only a comma in a Proustian sentactical excursion. a pause amidst a thought still forming. a psychological hypothesis, equally ready to be both further tested or discarded.
it may have begun

— The End —