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AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Lipi Apr 2015
when arrived, feels like home
like a bubble, like a dome
peaceful people all around
enjoying this crazy sound

so much colors, crazy figures
all this smells pulling my triggers
intense, incense, aromatic
be tense? no sense, just be static

entering, meeting the fellows
or should I just say some jellos
wiggling with the rhythmic music
for us this is therapeutic

waves of sound hitting my face
punching hard with deepest bass
I believe that things will turn
I choose not to be concernded

this 'so crazy, this 'so good
here we find the greatest brood
jewls of every generation
some eletric, others pacient

colored waters, not for thirst
only if you need a burts
shining patterns underneath
make it hard for me to breath

then the sun comes up for us
contributes for the new buzz
now you see who's there with you
and who didn't make it through

sunglasses get pulled out
soon the sun will loudly shout
soul, mind and body fused
into one nice breakfeast juice

that's when people start to leave
not what I like to archieve
"I will stay", I always say
until the end of the day

molly, goa, lucy, prog
buds and buddys, love and fog
I'm so glad this moments caught me
this is just my type of party
Julius Dec 2013
How Dare You Tell Me - What Is Literature?
When I, waking pre-8:25 alarm, from some engulfing dream
Roll out of bed, read poetry when the day has hardly dawned
The wind surges through the crack in everything
Through my window, leaning and weeping
Screaming and tearing at me in Greys
Grays I've neglected in favour of Drakes
Socialising, absorbing this post-everything
Hearing echoes of Alex Turner
Soulful Amy drowned in Wine
The Magic Mushroom experiments of my early years
My late teens, which should have come earlier
Forced to grow fast to the sounds of Lennon and Kendrick

We live in a generation of not being in love, and not being together

When I first heard 'good kid, m.A.A.d city' I was still young
Because who told me what to expect?
Who told me but the Mothers and Teachers of the 80s?
The Bleeding Hearts and Artists make their stand
So Far Gone, falling free from the wall, unhinged
Leap of faith, like washing up the first cup in a student kitchen
Lemon drizzle flow and Drizzy seeping through every artery
A modern century, reaching 21 in 21

But back to the scene set to the Ice Age
Liverpool is my hometown,
London is frozen in memory, the pressure has us crash together
Our minds blend like time, concepts, musical genres
'Blurred Lines' - Feminist uproar defines this '4th' Wave
3rd Eye: We are living in the Future, in ignorance of the present
We are Generation Y, or Z, or just a generation of terrorists
Sages, Mystics, Heroes...

Sweeping winds through my window on a dreary morn
I read 45 pages of poetry because I feel like it,
Not because I have a seminar
University's red bricks fading away for me now
I'm just staring at a man's soul,
Attaching myself, this is why I write
I reach for the ceiling, in this small room
Yawning, the stretch of a new day
Going for gold (the sun, the stars)
Going for breakfast, alone downstairs with Paul Farley

As I stretch I look out the window
See four attractive, modern girls walking
(Probably to lectures, though it seems amidst the hour)
I can lecture too, with my arrogant, contemporary voice
I think - if they see me I will smile and wave, wink maybe
(Perhaps not, I am a feminist after all...is this ironic?)
These are products of angsty teen poem generators
They don't look, but I feel it may as well have happened
(I am in such a good mood I would smile at myself)

This generation seems to lounge in apathy
Girls in beanie hats, tripping off Raider **** (RVIDXR KLVN?)
Obey Snap Backs giving me Flash backs
I wish it was the 60s, I wish I could be happy
Trap is the new Rock and Roll, Prog-Rap is coming, sit tight
(Was this always about hip hop, girls etc?)
Am I as readable as Holden Caulfield?
Reading about John Lennon drinking Milk
I felt like Sylvia Plath on 10th February 1963
Well, I feel like Lennon on 11th February 1963
Am I even an '13 Ye?
Screaming 'R.I.P STEEZ', or 'Twist and Shout'
How far have we come now..?
When will we redefine 'Post-Modernism'
Or give this era a Literary title
Like PBR&B; or Indie
Like Blues or Jazz
Like the wind that rushes through my window and my follow up 9:45 alarm telling me I need to set off
On the outer Barcoo where the churches are few,
And men of religion are scanty,
On a road never cross'd 'cept by folk that are lost,
One Michael Magee had a shanty.
Now this Mike was the dad of a ten year old lad,
Plump, healthy, and stoutly conditioned;
He was strong as the best, but poor Mike had no rest
For the youngster had never been christened.

And his wife used to cry, 'If the darlin' should die
Saint Peter would not recognise him.'
But by luck he survived till a preacher arrived,
Who agreed straightaway to baptise him.

Now the artful young rogue, while they held their collogue,
With his ear to the keyhole was listenin',
And he muttered in fright, while his features turned white,
'What the divil and all is this christenin'?'

He was none of your dolts, he had seen them brand colts,
And it seemed to his small understanding,
If the man in the frock made him one of the flock,
It must mean something very like branding.

So away with a rush he set off for the bush,
While the tears in his eyelids they glistened —
''Tis outrageous,' says he, 'to brand youngsters like me,
I'll be dashed if I'll stop to be christened!'

Like a young native dog he ran into a log,
And his father with language uncivil,
Never heeding the 'praste' cried aloud in his haste,
'Come out and be christened, you divil!'

But he lay there as snug as a bug in a rug,
And his parents in vain might reprove him,
Till his reverence spoke (he was fond of a joke)
'I've a notion,' says he, 'that'll move him.'

'Poke a stick up the log, give the spalpeen a prog;
Poke him aisy — don't hurt him or maim him,
'Tis not long that he'll stand, I've the water at hand,
As he rushes out this end I'll name him.

'Here he comes, and for shame! ye've forgotten the name —
Is it Patsy or Michael or Dinnis?'
Here the youngster ran out, and the priest gave a shout —
'Take your chance, anyhow, wid 'Maginnis'!'

As the howling young cub ran away to the scrub
Where he knew that pursuit would be risky,
The priest, as he fled, flung a flask at his head
That was labelled 'MAGINNIS'S WHISKY'!

And Maginnis Magee has been made a J.P.,
And the one thing he hates more than sin is
To be asked by the folk, who have heard of the joke,
How he came to be christened 'Maginnis'!
topaz oreilly Sep 2013
It could not be better than
to discover the music of the early 70s
It was so more than Prog
the singer songwriter hold his sway
under the tree cultivated by Bob
and his one time bandmates the Band,
gave a template back to basics
The Beatles shadow set the standards
in creativity.
before Glam rock lifted the lid,
leading a fallacious path into Punk Rock
and our music savious were truly shot.
the dirty poet Feb 2019
(for my fellow dharma bums)

why is this backpack so heavy?
chicken & country cole slaw
forks & knives & spoons
a bicycle helmet hanging off
a sketch pad
books
          the next 100 years
          how the beatles destroyed rock’n’roll
a walkman & cds
          the soundtrack to the darjeeling limited
          faust’s first two albums
          tom waits & alan holdsworth
          compilations of local prog rock
          modern blues & albert king
old newsweeks
a black t shirt & blue scrubs
a folder with poems & instructional material
          the brain death protocol
a stethoscope
but why is it so heavy?
must be the hot sauce
A piece of paper,
Pale skin,
Hands....
full of sin,
Bad choices,
Regret and remorse,
Into depression they sink,
Ink,
An author's blood n' tears,
A tool to which they might write about their fears,
Stains,
Of which faded memories remain,
A tainted soul,
A poet is made of Words of bold,
to reflect feelings untold
What a true poet is made of.
Though use of line breaks is art,
it needn't use them at all to be so.

Punctuation isn't necessary, per se,
yet some tend to opt for it anyway.

Sometimes rhyme serves only to detract,
but it can also catalyze familiarization of the abstract.

Meter is a byproduct, but it can be deliberate;
some people like pop, but others jazz or prog;
rhythm means more to some than others,
and some recognize in places where others do not.

Some find it unnecessary to consider; a waste of time.
Some find it to be balancing and are compelled towards it,
and would have it no other way.

Whatever it means to you
is what's truly important;
you have to feel something
so you might as well express it.

Those who will understand
will truly understand-
though that is a different group
than those who may well say so.
Be not jaded: they overlap!

The Traveler does not so much choose the Way
as the Way seems to Shepard certain Travelers;
how is it that can be?

Call it:
God, Tao, Zen, Consciousness, or the Universe itself;
it is all and nothing; inside and out,
it's neither a thing, nor nothing,
so tread lightly and embrace the paradox
because it really is irrelevant
how One chooses to effigize it-
it's what One has within already
that will serve as One's salvation,
and that's really all that matters.

Should we seek to harbor that of others, as well,
we could become as we've seldom been known to be.

In any case, we'll meet in the light;
whence we've all come, to begin with-
whence we've been ever since-
whence we've been blinded
seemingly of our own volition.

Be conscious of what makes you Live
and then help it to actualize,
all the while seeking that others
may do the very same.

Blessings upon thy Path-
Basically became a prayer.

— The End —