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One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
I hear stories of an ancient land so pure.
I see photographs of bluer than blue skies
over a lake of molten gold.

I drink kahwa flavoured with almond and saffron
and add honey, sweetened by bees from the valley,
my hips swaying in a crewel work on wool skirt.

I hear songs of freedom, I know people who fled.
The muezzin prays for peace over bloodstains and tears
while children still play under walnut trees.

Clouds gather to pray at Shankaracharya Temple
on a mountain dipping its toes into water
while empty shikaras speak of visiting ghosts.

Mothers whose eyes never tire, looking over the sunset
for long lost sons; wives who still lay out their husband’s
slippers on a carpet with frayed edges.

Postmen deliver letters to addresses long abandoned;
a generation of elders, eyes of agate, gnarled fingers, brew tea
surrounded by memories of children killed, daughters *****.

I write for all people who live in war.
I write for the age of innocence to return.
I write for soft rain to wash away sin.

I write for the return to reason.
I write for peace to flutter gently through groves
of apricot, almond, apple and walnut.

Feel the pain. Hear the refrain. Smell the emptiness.
This is now. This is now. This is not in the pages
of a fading history text. This is now. This is now.
Paul Hansford May 2016
~ ~ (on front of envelope)

La lettre que voici, ô bon facteur,
Portez-la jusqu'à la ville de NICE,
Aux ALPES-MARITIMES (06).
Donnez-la, s'il vous plaît, au Receveur

Des Postes, au bureau de NOTRE DAME.
(Son nom? C'est MONSIEUR LUCIEN COQUELLE.
Faut-il vraiment que je vous le rappelle?)
Cette lettre est pour lui et pour sa femme.

I won't lead English postmen such a dance;
Just speed this letter on its way to FRANCE.
Sender's address you'll find on the reverse.

~ ~ (and on the back)*

At Number 7 in St Swithun's Road,
Kennington, Oxford, there is the abode
Of me, Paul Hansford, writer of this verse.

- - - - - - - - - - - - -
For non-speakers of French, the first bit goes approximately -
"Dear Postman, Please take this letter to the town of Nice, in the département of Alpes-Maritimes, and give it to the postmaster at the Notre-Dame office. (His name? It's Lucien Coquelle. Do I really need to remind you?) This letter is for him and his wife."
More expert readers may notice that this is written in pentameter, whilst a real French one would have been in hexameter, with twelve-syllable lines.

BTW, this is from the archive, so the addresses are no longer current.
I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
- The good not done, the love not given, time
Torn off unused - nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear - no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anasthetic from which none come round.

And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape,
Yet can't accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
Marshal Gebbie Apr 2013
Dripping ***, she stood there, completely unaware
That every man about her had turned around to stare.
For in her nubile innocence and when her red lips smiled
She was causing utter mayhem as distracted drivers piled.
The Postmen stopped delivering, Policemen stood agape,
Conductors missed their trolleybus and Superman his cape!
…And as she sashayed down the street leaving bedlam in her wake
And all the while her red high heels were causing earth to shake,
Perambulating gracefully, impossibly demure,
She sauntered down the causeway, with a loveliness so pure.
Whilst just behind and following, a ravenous hot mob
Of nature’s gift to manhood, all slavering at the gob.
Quite suddenly with a swish of skirt she swirled about and laughed
At the frozen apparition there immobile and aghast.
Acutely frozen with embarrassment at having looked so ****** absurd
They all dispersed their different ways without a single word.
“Bye boys” she chortled, with a devilment in play
With flick of skirt and toss of hair she turned and walked away.
Ha!

Marshalg
Laughing to myself at the silly old mating game we play.
Pukehana Paradise
14 April 2013
Natalie Clark Apr 2013
We go together like
Digestives dipped in tea.
Your girlfriend and a hike.
A sting and a bee.

I love you like
Dogs love chasing postmen.
Halfords love a bike.
Teachers love red pen.

I need you like
Meerkats need you to go to a different website.
Aunt Josephine needed Ike.
Ghosts need to fright.

In summary, then,
We go together like
I love you like
I need you like

Really poor metaphors.
A reference to popular culture.
An ironic rhyme scheme and rhythm that vanishes towards the end.
Don’t you love a flirt, darling?
matt nobrains Aug 2011
pestilence and
rapture,
two key elements
of
western civilization.
what is the difference
between a moth
and a
butterfly?
coffee stained teeth
catch soft whispers in the dark.
as we sit, surrounded by people,
frankness and penitence,
the priests, cops, postmen,
stockholders, school teachers,
slaughterhouse workers,
dishwashers,
garbage truck drivers,
prostitutes, strippers,
and hobos,
all working towards
what they believe to be the common good.
while we sit
in our chairs, wearing nothing,
clipping our toenails
each fractured fragment a whole.
we aren't alone anymore.
Raj Arumugam Sep 2010
I’m a stamp -
no, I didn’t say “I’m just a stamp”,
or “I’m but a stamp” -
but I am a stamp
a postage stamp, that is;
unique and proud, in my own class,
for I’ve carried queens and kings and emperors
(I still do)
and I carry Presidents and Poets and Rock Kings
and Pop Kings
and Musicians and Legends and Heroes
and Gods and Nations;
and I carry **** blondes
and old dames who’ve dedicated their lives to others

I’ve borne with no complaints
the weight of genius
and soldiers and founders of nations
and martyrs; and I do not discriminate
and with like gusto and color
I’ve carried tyrants and murderers and charlatans
and once-were-legends now the shamed;
and look, I can encompass the universe
and within the shapes formed by my perforations
I’ve held together flowers and birds
and all wonders of nature
I am each a poem, a work of art
I’m a stamp -
no, I didn’t say “I’m just a stamp”,
or “I’m but a stamp”
(What? You heard me the first time, did you?
Well, I’ll say it again for emphasis!) -
but I am a stamp in my own right, unique and proud -
though, I acknowledge,
the image of Royalty or Heroism or Greatness has
not saved me from various knocks and hard presses
and the ******* bin!
But then, so have mighty royal heads rolled!
but look, hee…heee….heee…
I can be absolutely adorable,
and I just love, love it when you lick me;
and often too
I’m a collector’s item
increasing in value, and even with artistic merit -
though no doubt, there are countless with no idea
of how so darling precious I am
which is I why
I say proudly again:
I’m a stamp
no, I didn’t say “I’m just a stamp”,
or “I’m but a stamp”
(And what? Why do I repeat myself?
Well, there are thousands of copies
of one issue, aren’t there?) -
but I am a stamp in my own right, unique and proud
and I’ve created worlds all of my own
with pen pals and commerce
and industries and clubs round me;
and I’m not alone, you know,
well-supported by relatives
like prepaid postal envelopes, post cards,
letter cards, aerogrammes
all of us served loyally
by unquestioning Gurkha-style postmen and women;
and I’ve brought hearts and minds together
and I do it in a day or days and or weeks
and if I feel like it, I even arrive decades later! –
and there’s nothing you can do about it!
And oh yes, I can see, you’re prone to neglecting me -
you ungrateful scoundrels! -
first replacing me with cold
Franking Machines,
and cheap, unimpressive, unimaginative franking marks
and with postage meters
imprinting an indicia;
and all of you now
deriding my world as snail pace
in your world of instant e-mails -
but I persist, and I still am of much use
for - listen carefully -
and I say proudly again:
I’m a stamp
no, I didn’t say “I’m just a stamp”,
or “I’m but a stamp” -
but I am a stamp in my own right, unique and proud;
and if you, once in a while,
want to show me your loyalty –
come to a local post office and lick my royal ****!
Little Bear Mar 2016
Things that make me happy..
I believe it is the little things
that are the biggest
...if you know what I mean :o)



little things make me happy
the biggest kind of happy I can be
and so I thought that I would list them
so that you can see.

okay so sunshine makes me happy
and cats and birds and dogs
and smiley happy postmen
and kittens and hedgehogs

I like bus rides that are easy
warm socks and and being tickled
walking home in daylight
burgers with extra pickles

I like holding hands and kissing
hot coffee, the colour yellow
children playing happily
sweet toasted warm marshmallows

I like friends that make you smile
even ones that make you frown
and ones that give you butterflies
and they will never let you down

I like sleeping late and bubble baths
words and reading books
blanket forts and fairy lights
sleepy mornings tender looks

I like chocolate coins in summer
iced cold drinks on hot hot days
words of love and of kindness
that make me smile for days and days.

And I like to know you're happy
no matter who you are or what you do
what makes me the biggest happy
Is knowing you are happy too.

internationaldayofhappiness :o)
Kari Jul 2013
I've always been an unusual girl,
and while other girls and boys made friends,
I fell in love with stories inside my head.
My childhood was never on earth, but
spent in far-off places in castles, where I was
a princess, or a wild viking warrior queen,
and my people loved me, they bowed, they would
clap and sing songs of praise at my benevolence,
my demure and generous character, and beauty.
And back on earth I was alone, but content with
the characters inside my head.
As years passed, their voices faded, and though
I would struggle to keep in contact, postmen won't ship
to figment places, and pen-pals are hard to keep when
they don't exist.
It's hard to realize that conversations with friends in the dark
were only really with yourself.
I became overwhelmed with
Loneliness, determined to find the people from
my stories in reality, and always hoping, always dreaming,
and always searching for the Prince, who I knew already--
who I'd spent countless nights with, laying in fields of flowers
and holding hands under the starlight, and watching the moon
pass through the night sky.
And at night, sometimes, in the real world, I would watch the
moon pass through the sky, and know that somewhere , on some distant shore in a land far, far away, that you did
exist, that maybe, at some point, we were looking at the same
moon at the same time, and for a split second, maybe, we were
inevitably and invariably connected, that our hearts could collide
even across time and space and realities.
I remember when I was a child, that I thought time stops
when you meet the love of your life, like in those stories
your parents always tell to you about how they met.
And when I saw you I knew I had seen and felt those eyes before,
that these were the eyes that had locked with mine across time and
space and reality on lonely nights spent watching the moon
pass through the night sky,
and time really did stop.
Reading this a year later, I realize how wrong I was...woops!
Tim Knight Jan 2013
I’m the son of my Mum,
product of Dad-
just with his mid seventies look instead.

Sown and grown in a house
from the past,
fixed by the full swing of
the can-do and will do,
not by the we’ll get through
or the *******.

****** by the plum tree
because its root system
sat lower than the toilet seat,
in the downstairs bathroom,
working radiator- never any heat.

Tantrums on the second step
because bad-mannered children
never want what they get.
But in hindsight, and I’ll admit,
they were doing it good, doing it right,
doing it by the book
printed in black and white.  

Nothing but rocks and stories where I’m from:
pebbles in the path
between the herb garden grass;
box hedge borders that’ll protect
and last;
stone walls hiding cancers and dangers,
unwanted gifts from door-to-door strangers;
postmen in shorts
with their all-weather legs;
women up the road
with their cool-box eggs;
neighbours behind curtains
hiding help not guns;
children in the street,
they’re somebody’s loved ones.

I’m the son of my Mum,
product of Dad-
just this time round
tall, grateful and glad.
more poems @ coffeeshoppoems.com
Trevor Gates Oct 2014
“Breathe it in
The stardust air
The lung-clamping smoke
And vile pious inflammation.”
Listening to sounds of irritation:
Humming of the fluorescent bulbs;
Shoes sticking to linoleum tiles;
Flies buzzing behind my ears,
Leaving me to count the years
And spaces between spaces
Fill the lonely night
until


All is silent now.


Then,
Tooth and nail and eye crust
Fading away to off-beat lunacy.
Her spine slithers sinisterly as she performs
With Vaseline greased hair that stands like horns
People stalking like beasts with mental disorders
Hobbling penguins and droll-*** walrus punks.
Cold liquor manipulating my contemplation
And I have moments of primal desperation
A monster suckling another monster
Bodies tangled like olive tree roots
Delicious and dreadful
Fraught and shameful


It’s the way of all flesh.


Among
Modern Soothsayers
and plenty of culinary racists,
Spraying ***** onto parchment pages
With forked tongues dancing on ***** stages
Coffee for blood and computer screens for eyes
With cool cats strutting to unknown leeching voices
Bottle-slung pistol whip hooligans with eyes of yellow stains
From chronic ink-sprayers of riots in narrow sectioned lanes
Snapping fingers to juke box ghosts and royal jazz sires.
Fourteen gypsy demons wanting to pull me apart
Showcasing trinkets and rubies she adorned
All while she smiles and performs
And the weight of the world
falls between my fingers,


Like cascading sand.


As I write,
The rhythm is changing
Like seasons in secluded eternity:
Orchestrations of sexplosions overtake the carnal scene
With hair pulling and gnawing teeth on the table in front of me
Those Bohemian idolaters basking in acid kiddy pools
Using tired variations of apologies in eastside sin city  
Arousing the vortex of virtuous degradation
In a hole of sunken matchstick validation.
Eyes of judges like the public census
And taboo connotations
Rule this attrition.
Rusting
Leaking stalls
Blue-plate special
Of sprayed blood on walls
The essence of color and voice
The culmination of illusory choice
Dances of erasers and procreators
Fever dreams of police shooting children
Like movie monsters and misunderstood heroes
Specters and Banshee sympathizers
Marching to ******* synthesizers
Burning ***** blue postmen
With afropunk priests
Of astonishing feats
To whom
May
Be


Concerned.


This deep sleep exists
To mediate the social cysts
The reprimand the blundering kids in the mists
From dreaming of their world without the risks
Of falling into fields of blackened earth
Where it all burns like a first world birth
And greater souls speak of my worth.
So I cannot wake up

The deep sleep
Is there for that.
It's been a while since I submitted some poetry.  This is like a combination of a rant, meets free-verse and urban spoken word.  It's just what's been on my mind lately.  I'd love to hear what you think it all means, or at least know your interpretation.

~

Exulansis: n. the tendency to give up trying to talk about an experience because people are unable to relate to it—whether through envy or pity or simple foreignness—which allows it to drift away from the rest of your life story, until the memory itself feels out of place, almost mythical, wandering restlessly in the fog, no longer even looking for a place to land.

Food for thought.
Marshal Gebbie Feb 2015
Thoughts of then when days were slow
When young boys beards refused to grow,
When girls were cute with big round eyes
And innocence was no surprise.
When that old grocer rearranged
To slip you extra…plus the change,
When ten bucks spent would purchase gas
And guarantee the trip plus cash.
And postmen…how they never missed
Despite those storms and gales that ******.
And sun that shone with heat that earned
That golden tan which never burned,
Sweet songs were sung with golden voice
When radio was ours by choice.
Ripe apricots, right off the tree
Made such a juicy mess of me,
And apple pie was Sunday’s best
When first those chores had passed the test.
People nodded passing bye
And chose to smile and meet the eye.

Thoughts of then when days were slow
When young boys beards just wouldn’t grow.

Thoughts of then with honest grace
When dignity depicted pace,
Where simple pleasures held the key
For a kinder… happiness to be.

M.
Julie Grenness Sep 2019
A pensioner's long walk today,
Yes, the mailman's been, no yah!
What  bills did arrive this way?
Postman, postman, stay away,
I am putting up a sign,
"BAN THE BILLS!' about frigging time!
If all bill payers went on strike,
Bills would go down, not upwards hike,
Yes, it's that dreaded long walk again,
Should I throw the bills down the drain?
A gutter too far, or in the bin?
Bringing us bills is the postman's great sin,
Can't afford that, can't afford that,
"I'll shoot you, postman, now don't come back!"
Is shooting postmen a capital offence?
"BAN THE  BILLS!" on everyone's fence!
Sort of not funny, feedback welcome.
James Gable Jun 2016
|PART TWO|
D’YOU KNOW
THAT FEATHER
TOOK 23 ½ DAYS
TO LAND

Courtesy is not making fuss
Swallowing the disatisfaction
That grows as you
Realise this is the end
Quickly think up some wise words
To sign off with




ENTERING NOW, like
A man marching in honey:
A birdwatcher with a foot-long prime
on his single-reflex camera,
Also, enter with pages stuffed in your pockets,
On which are shown pictures of birds to identify,
Explaining where they nest and
The altitude at which they fly with
A detailed history of their forest-call-cry

He left in a rush,
A cup of tea (milk, no sugar, weak, hard water)
Was left untouched cooling,
But not at the speed that he sped down the road,
Spotting a thrush and releasing the wheel,
Fumbling for binoculars with excited hands,
Faith until death or heaven!

Even when he’s identified the bird, still
No one is steering his burgundy rover, still,
His hands are busied
By the focus wheel,
Won’t look away,
In focus, out again,
In once more,
Look at him! Show off!

His shutter snaps shut and alarm spreads
Amongst the birds and they dart away in groups
Fast as watercolour, laboured
And blurring in mid-flight

It takes a second or two for the echoe to die
Echoes find places to rest
Amongst the blades of grass
Humming in wait of a second coming

A matchstick structure, sublime
In its intricacy and *******
Of classical architectural traditions
Starts to collapse, later,
In good time, wait, and see
The matchsticks hit the surface,
Almost in reverse, it rattles
The table with fine-rain
Levels of cymbal crashes and violence,
If an ear was to listen
It would register the tinnitus that
We hear in our denial of pure silence.

Our denial of mortality
In its entirety, we laugh at those who
See ghosts on the west country coasts,
Those who dare catch a glimpse
Of long-departed lovers
On the boats that return from
Here or there,
Or solemnly sink
With conviction, miles from land
And there will be those who will
Want to understand

This woman we now see,
Was once married to a captain of ships
That sailed in the formation
Of an arrow, long and narrow,
He sank them all, bequeathed
His fleet to the icy grips of
That body of water famous
For having strong arms and
Snatching hands. She will never
Know if it was part of his plan.

He wrote her once to explain,
But the postman was caught
In the rain of springtime,
That time which is known to be
The season of showers,
And, attached to the grim mornings
Are the cruellest of hours
That postmen share with no one else,
But the letters, have so much life sealed inside,
Sealed by a human tongue
With traces of every kiss

In his pride, the postman did not give the
Soggy letter to the captain’s bride,
It ended up floating from here to there
Unintelligible for sure, the ink
Ran carelessly into puddles and drains,
When the ships all sank
They said nothing remained
The envelope was sealed by a kiss
By now it has found its way back to the sea
By way of rivers, tributaries,
Carried by wind and leaves,
On the feet of hikers that rest
On their backs under a canopy of trees,
It ran down the hills and salted
Ever so slightly more the sea
Where her captain’s body is found
And if he opens his eyes he’ll
See how his letter was returned.

If he opens his eyes.


She is running towards the house
Love, restless as the wind that determinedly
Keeps us all awake, it makes dull noises in its
Late night reflections on an unfulfilled existence,
It rubs its snout on rocks and stretches
Itself around their base to release frustrated energy,
They start to come loose and tumble into the sea,
Splashing the coastline with the tears of
Shipwreck tragedies,
The fallout of her uncertainty
In the ways of love,
Feeling so high up above her captain and unable to touch
His memories
That in fact never set foot on land

Her skirt is up above her knees,
Both feet off the ground,
The jangling sound of her keys are
Like thunder in this slowed down world
Where the worm is still journeying
To his hole and the bird
Is like a badly tuned channel
Where you can’t make out a single word

She runs towards the front door
Her moist eyes, familiar with
These skies that describe ominous clouds
And rain that hammers the floor
Again and once more and soon
She feels she will be buried in ice
With both of her husbands,
She sees him doubled over by the window
Panic in slow motion is like
A ship slowly upturning
In the drama of desolate sea stretches
That have swallowed so many
She moves, fast as a fastened shadow
Stretching.

Like life, reflected on the back of a spoon,
And the sun, finally, swallowed the moon
Part Nine (2) of The Man Who Longed to be an Oyster
blushing prince Aug 2018
i've hidden a note in an old library book that i never returned
i ripped the sleeve off and wrote my name in red permanent ink
it smells of oak wood and dust
i felt a warm guilt that i haven't felt since i was 8 years old
when my shoe slipped on dog ****
and i went into class with muddled shoes that smelled of underdeveloped intestines twisting
i think you would understand the embarrassment
the itching sting that my chest surrendered to when everyone asked where it was coming from
this particular note was written in a momentary relapse of admonition
an answer to a question that wasn't answered
will you look in the rubble, where i told myself to stop talking about god all the time
the moon never replied to my letters so i drank my weight in wine
and when i woke up the sender's address was swindled between postmen whose hands were too crooked to open the mails slots
is it poetry to talk about dog **** on your shoe
jeffrey conyers Aug 2012
She promisicuous people say.
But have you noticed,
The good men that came her way.
They not the type you would expect.
And not all of them totally henpecked.

When she called a freak.
Many just join in.
Least, until they figure out.
One were their man.


Pastors, postmen and even the police.
Have example your favor?
Just for the thrill taste.

Strangest thing of them all.
Is when the politicians makes their usual call.

Who's to say she's not a lady?
She probably taught many that visted her.
What to bring to the love table?

We describes, exactly what a lady should be?
But behind doors.
That's not the scene.
They pretends to be strippers.
Or some type fantasy that became a reality.

It just that the lose woman.
Don't hide her schemes.
So everyone called her a freak.
Some behind her back.
Others to her face.

But when many are exposed upon the news.
It's the lady of society that respected by many.
That seems to be living a lie.

So, Who's truly the freak?
Before our very eyes.
Jonathan Finch Dec 2016
I climb the buckled road:
always the smell of dampness
from the moss and in my clothes
the soaking rain.

Scotland’s lost.

The high hills shrug the clouds off
but the mists descend.

Along the road
the ancient deer graze slowly
where the raindrops shatter on bleached stones.

I turn the dead page of her letter
where the ink runs slowly under
water and begin that old procedure:

I will forward every sheet by hand
to hills where clouds burst:

those mysterious postmen
nullifying my deliveries.
cheryl love Feb 2016
Commuters, traffic stuck in various jams
yes we have all been there.
Exhaust fumes choking passengers
enjoying coffee in the square.
Market stalls set up
crates of fish align the pavement
cauliflowers and cabbages
blocking stairways on basements.
school children being awkward in four by fours
dominating the single traffic lane
meanwhile platform two at the station
annunces the arrival of the early train.
The departure lounge at the airport
cross legged pinstripe suits wait
eye balling the screens for the appropriate gate.
Taxis called, and then whistled for
wet, cheerful postmen frog march
to your red painted door.
The milkman has been
the bread has risen and been cooked.
Toll roads are heaving
and the motorways over-booked.
Queues for tickets, the cars have been parked
time to compose yourself from the drive
get through day with relief
and then it all starts up again at five!
Mohan Boone Sep 2020
frying plantains in Tanzania
with rice - so much rice
ageing postmen with bus passes and metal knees
carrying keisters of it
a thousand different ways

slow walkers
married, always
frittering away chances or just
connected,
with the mortal coils of the market?

big coat on in the Kalahari

your scorpions absent from the guest list,
exiled.
the brown bears caged, but should things have
really.
come to this?

fierce heat.
fizzing geysers rumpled by grey fluorescent lights and
plagued,
by the speeding steam trains of their past that took them to
SO MANY GREAT PLACES but they only recall the
endings.
the crashing off the tracks,
the unexpected landslides

revolve
navigate the ridge and don’t funk from looking down.
it is better this way.

stamp the scorpions in.
£5 on the door.

take the free round and dance around their nimbus because even though you WILL NEVER
know them,
you would NOT
BE HERE.
without them.

your corner patch
a feral patch given over to woodworms and weeds
but a patch without chains,
shaded by roses suffering a kind of pressure you will never understand.

the naan breads arrived 40 minutes early and ruined your bath but
WHAT
A
PRIZE.

to exist in a rainforest where naan breads are possible.
and ferns unfurl,
then hang,
and rise again.

frying plantains in Tanzania
slow married women bearing grain

carry your cactuses out into the sun.
feed them.
watch them.

be naked with your scorpions and really feel the
football finals
the canal gates
the shooting stars, zooming by
through the windows of the train.
Through the tumbledown town the tumbleweed blown by the lateness

of wind that flew like a swan unused to stretching her wings comes

a tattoo of the morning that rises with breakfast and brings hope with

the postmen and the howling of cats on the tiles.

I have slept, walked, burnt and burst a hundred thousand miles in my search for the questions to question each answer I get and I get nothing but more answers to question the questions and each answer cancels the answer before

I wonder what answering questions is for, but for questions to answer and each one the cancer, no **** and no cure.

The swan flies away, the wind dies away, the tumbleweed brown in the tumbledown town blows away and there is but for another day my life in a nutshell.
Madelaine E Base Feb 2018
what happened to ink on parchment
pen on paper
long-hand love letters sent with anxious glances
hopes and prayers that the postmen would be there soon
that my letter would arrive safely to you

one day i wait, outside the door
looking to the postman
"a letter for me?"
"no," he says,
"just some bills for he."
days turn to months as my heart begins to crack
like old parchment paper
torn through the back

as years go by, i flip back through the memories
with tears in my eyes
remembering the old days
when love letters passed by

i miss my love letters, to you i would send
for now all we send is a vague text message
jagged and cruel, for how truly impersonal they are
unlike long-hand love letters
to you i would send
with warmth in my heart
and love in my hands
just waiting for you to open
what is sealed within a man
© Madelaine E. Base 2018
Got a ticket to travel
a seat and
time to unravel my
thoughts.

January
neither here nor there
only a slight chill to
the air
and electric running
through me
chewing my bones into
manageable pieces.

The lady in the wig
quite big
but it suits her
not so sure about the hair
but she looks happy so
why should I care?

Two postmen
matching jackets,
the Royal Mail
taking off to deliver
envelopes and packets
to
unsuspecting customers.

There's a spectrum of humdrum
and then some.

Young lady with an iPhone
which looks a bit like
my phone
but it's not

and the geezer with the trainers on
born long ago before Adidas,
all these people stood and
waiting
hyperventilating
waiting for their station
to arrive.

For all the world
they are faces to let
until they get
to
where they are going
and
I am just the same.
Hank Helman Aug 2022
There is a difference between,
Lost and not wanting to be found.

Lost is eating fruit loops in the park
While people step over you.

Not found in under the stairs,
Inside the trunk full of dead people's clothes
Counting five seconds between each breath,
So you can listen for mice and postmen.

— The End —