Martin Narrod  just now
I started working on a comment in response to "Filling A Bottle With A Tundish"

Sadly I must admit, that even for an American with a college degree, who is a self-proclaimed non-Philistine that grew up in a suburb of Chicago, IL. Where I'm from I've been told is much like some parts of Sussex(I believe it's Sussex), my friend Lili Wilde described it to me on an occasion.

So I must say martin, that for having a voracious appetite for language, language of all sorts, from **** to sin, to cinephile to cynosure, pulchritude to tup, exsuphlocate to masticate, irate, irk, perfervid, wan ewes thwapping their tails, nearly stridulating like the cricket in the thistle. The advanced undulate troche of domesticated shadows, and the sesquipedelien dulciloquent surreptitious diction and other floccinaucinihilipilification and tomfoolery about.

martin, please do tell me what a 'Tundish" is? If you haven't yet, there is a phenomenally interesting reverse dictionary, entitled onelook.com/reversedictionary , and quite contrary as it may seem, and for all the Virginia & Leonard Woolf I enjoy reading, especially his somewhat innocuously underrated novella he wrote, I also read with extraordinary gratitude Ted Hughes's The Birthday Letters, Take of a Bride Groom, The Complete Works, Sylvia Plath's Unabridged Journals, Ariel, Johnny Panic, Ariel, and other poems by writer Richard Matthews. I am still unfamiliar with this word, Tundish. Online dictionaries don't give the best explanation.

As I was mentioning earlier. The OneLook Dictionary-Reverse, will let you for example, search: beach sand. And in response it will give you up to thousands and thousands of word which relate to those two words, together, seperately, and opposing each other. Such as: water, swell, wave, arenose, peat, dirt, seagull, Pacific Ocean, suntan, bikini, The Beach Boys, vitrify. It's very fun indeed. From one Martin to another, I hope you'll stay in touch. I'm excited about your work!

Best Regards

Martin

P.S. The text below is the original message I typed before learning that my presumptions of you being Anglican were correct. Have a great day!

Another Martin, YES! How exquisite, I've never met another one. I have so many questions I barely know where to start. I love marigolds, nose-bags with oats, and as I started feeling the essences if equus and what lurking prurient pedagogy for the didactic zoology that took me and the mind of me to wonder perhaps if though I am quite certain(though not 100%) that your native tongue is English, but using that ridiculous skill-set of immense benality I seem to someone have, am I wrong for asking dear Martin, are you from Scotland or Wales, or maybe even from a country where you learnt English as a native tongue but it's your secondary language?

As aforementioned, there are a plethora of questions that this runnel of sludge and dross that've now arisen in the turpidity of your antiquary of delightful speech. To whomever invited me to play along in the debauchery, and dance merrily with merriment, mine younger docile succubus's slendering beside me, puking up their tissue paper and vegetable soup, so that my pretty girls can fit into Size 2 TuTu's, and learnedly imprison themselves into the tatterdemalion of portentously lurid self-****** and abuse. , and the opprobrious trollop-gossip the gaggle of my skinny victim women eschewing food groups, in order to appeal to my conservative eyes, thrice the child's wild idling to absorb the rancor of their stoic and noisome sedentary lifestyle in the polluted sudatorium that I myself don't use, but that these nonparticular Philistines would serve as Surf & Turf with glazed Christmas Hams for the Hebrews to eat, and another sad storm surge on another deserted quay of sea sands, and our vessel and our deserters, worshipping the Virunga, sacrificing the ghost skeletons of the million year old ape. So I ask you. If even you're capable of expressing yourself under the maddening yet advesperating evening listening to Miles Kane and The Arctic Monkeys, followed by listening to Black Sabbath play Fairies Wear Boots while we drink our childhoods free of the rod and **** the war out of our teenage girlfriends. And in the morning when awoken by the sound of Sopwith Camels arriving on the early, frost-strewn milky, azure-banded stripes of moonlit ecstasy that make for this unquantifiable gesture of succinct believers driving in Summer get stopped for blowing a rice-white swiveling consortium of dishonest affair rivaling ****** addicts, with hummus, plastic bags, and forks in their sphincters, while they autoerotically asphyxiate themselves in a plastic knockoff Mickey Mouse hat, and a Pirates of the Carribbean bandana wrapped around the ***** eyed nightmare of having unsuccessfully sedated a 400-lb crabby, Lowland living-room Silverback Gorilla. More than a primate and a prostate exam. It's like posthumously straining to push tingling 119° Vaseline through the grey and white coffee stirrers which spilled all over the floor while I was saying goodbye to our daughter, while also explaining to you why it's so important to me you love me back enough so that everyone has enough of a grasping glint at understanding yourself, that in managing to reason the arithmetic of such a conundrum and confusing calamity, a phone call free of dial tone happens to be surrendered to an independent Christian organization of the state while myself and my wife's two sons, our sons, Thomas and James, have enough free time from complaining to hire an attorney to disclose the arraignment reiterated by both legal council, city council, and the Screenwriters Guild of counsellors struggling from methamphetamine addiction.

Peace Be With You.

Martin Narrod
[email protected]

Dear Poet Friends, over the last few years I have seen some of our poets make passing remarks about Van Gog, thereby displaying their interest about this talented painter, who had died unrecognised!  Vincent gained full recognition posthumously, for which his brother Theo’s wife was greatly responsible. Hope you like this short and concise true story in verse. Best wishes, - Raj

   A TRIBUTE TO VINCENT VAN GOG’S
                      SUNFLOWERS
                        B­y Raj Nandy
  
”One may have a blazing hearth in one’s soul
  and yet no one ever come to sit by it. Passerby
  see only a wisp of smoke from the chimney and
  continue on the way.” – Vincent Van Gogh(1853-1890)

A BRIEF BIOGRAPHY :
Though during his brief life-span of 37 years he had
remained almost wholly unknown;
His artistic talents began to exhibit itself during his
early years, -
To become a colossus amongst post-impressionist
painters in his later years!
The son of a Dutch clergyman, he had worked in
various capacities, -
In his uncle’s art gallery, in a bookstore, and pursued
theological studies in Amsterdam University.
Also followed by a short stint in Belgium’s coal-mining
district as a lay missionary!
At the age of 27 years took to painting with financial
help from elder brother Theo,
Who encouraged and helped him for the next ten years
or so.
This was the most creative period of Vincent’s life,
Followed by an attack of dementia when he cut his
own ear lobe risking his life!
On 27th July 1890, he shot himself, bringing his
great artistic career to a tragic end!

SERIES OF ELEVEN SUNFLOWER PAINTINGS:
Vincent commenced his famous sunflower series
to decorate his house in Arles, France,
While anticipating his friend Paul Gaugin’s visit in
advance.
His first four canvases had paintings of cut sun -
flowers in bunches of twos and fours;
Painted in Paris during Aug-Sep 1887, which the
world still adores.
But his later Arles series of seven still life canvases
are better known to us;
And this series of paintings had made Vincent
internationally famous!
The most valued of these seven is a vase containing
a bunch of 15 sunflowers, -
Now displayed at the Art Museum in the city of Tokyo;
A Japanese firm had paid 40 million dollars at an
auction for this masterpiece to show!

                    A SHORT CONCLUSION
Vincent brought his passion for sunflowers from his
homeland in Holland.
Which became synonymous with him like those ‘water
lilies’ with his contemporary painter Claude Monet.
Vincent painted the various stages of the flowers in bloom;
From its budding stage till it wilted and swooned!
Chrome yellow and yellow ochre made them look fresh;
And arid brown and somber shades showed its wilted stage!
Thus his paintings covered all angles of spectrum of life
itself;
In turn reaching a deeper understanding of how all living
things are tied together and made !
His explosive energy was displayed through his vibrant
shades of yellow.
Using red for passion, and green for conflict to show.
Grey shades were used for life’s inevitable surrender,
with blue symbolising infinity;
Thus this Dutch Impressionist painter harnessed a
moment of time in eternity!

Foot Notes:-
Dr Jan Hulsker, a foremost scholar on Van Gogh, had said that this Sunflower series of paintings brought Vincent eternal acclaim & fame! During his short life span he made 700 paintings, 1600 drawings, 9 lithographs & one etching. His ‘Potatoe Eaters’, ‘Red Vineyard’, ‘Starry Night’, - are all famous paintings. Paul Gaugin, & Claude Monet, were his other ‘Impressionist’ contemporaries. Impressionism  emphasised changing qualities of light & colour, visible brush strokes, open composition,  creating an impression of a moment of time! Derives its name from Claude Monet’s harbour painting titled “Impressions & Sunrise”. This art form became popular in 1880s and 1890s.
*ALL COPY RIGHTS RESERVED BY RAJ NANDY

A poem by my friend Stan Blackberg (the total ******)

There are flowers standing proudly, one for each whose loved ones mourn,
Speaking out so clear and loudly, for that fateful treacherous morn,
When the aircrafts bashed them up and all their flesh got burnt & torn!

Do we honour them with killing, taking up arms to spill more blood,
Or take lesson if we’re willing, a bitter pill for common good,
Or sit unbeguiled with our faces stuffed with fattening food?

There’s no god would take such action, justify such murderous deed,
Those insane within such factions, find posthumously they heed,
It's upon such wickedosity that our nostrils froth and bleed.

Hear the painful hard earned lesson, lest their names we desecrate,
Take not slaughter as your banner making killing escalate,
And by no means forget to have a mutual *******!

Place our sentries all united, shed thee not another drop,
Silence now all angry gunfire, when’s the killing ever stop.
And the blood falls from above with a loudish plip and plop.

I will be dead
and become posthumously insane

and I will remember Suzanne Vega
every time I hear your name

I will take that look
of Vivienne Westwood's

and I will sing and sing and sing
and sink and sink and sink

and I will not think
of the appropriate things

Because I will be dead
and become posthumously insane

Even though long scarf does not suit this neck
and gas oven does not fit this head

and .38 caliber revolver is not
something a 17 year old girl would own

there is no need to worry
because now I know what loves me

It is not the explosion, not the oxygen
Not the carbondioxide, not the cyanide

It is the water, any kind of water
the tears, the saliva, the seawater

And I learnt from Haruki Murakami
that even a plastic bag would do

Mimicking the deepest sea
The sensation is true, is true ----

I remember; you liked a lot the word drown
You liked a lot the word drown

On the surface of those cheap sheets of skin
Our hungry heads next to the radio
Emerson, Lake & Palmer sing of that Lucky Man
While children of the candy corn eat the postman

Space Opera pirates courted by Tiny Dancers of Mars
Spiders, in fact, band mates to a lad named Ziggy
Like us made of Stardust, eternal and galactic—
Though not supported by a studio laugh track

So many images can flash by changing channels
On the Technicolor TV late at night, feral and ******
Passing ships, Hamlet, pigs in clothes, angels killed,
Mouths ******, mothers crowning and holes drilled

Babes crying in the street, while the heavens fall
An unreal reality that flabbergasts wet dreams
Shifting gears for the animals to rule the room
Orwellian motifs ensuring self-righteous doom

Nothing written is appreciated till the lesson is met
Charted, ridiculed, challenged, accepted, analyzed
By those who skimmed through blurred scribbles of lines,
Puking phrases of former failures for the modern times.

Vicious cycles of kids raising parents
Using TV and Internet as the windows to life
Fundamentally naïve, systematically retrieved;
Academically relieved, posthumously achieved.

All meaning was lost in making albums not worth buying
All reason was abandoned when making movies not worth seeing
All adventure was ceased in vain of endless rules and authority
All we have are gadgets, bills and jokes on conformity

My broken clock is still ticking like a mechanical heart
All veins and arteries lead outwards from the center hands
The red lights of traffic leading in and out of the metropolis
Of that homeless blues singer named “something Tatopoulos”

A Japanese couple making a tourist trip to Memphis, Tennessee
Along midnight trains where ghost of Elvis haunts Italian women
Most of the time my references don’t make sense to most
But it keeps things interesting as I’m your eccentric host

Absolute processions of White Queen marches
****-face jackals sporting Mott the Hoople Tees
******* & *******, filling audience chairs
Prophets & moppets, raising fists in the air

Ooze-dripping ******* flower creatures
Topping off mammary gland excretions
Unknown pleasures released by Factory records
Amidst the hysteria caused by deaf leopards  

Pink and orange clouds, reflected in golden hazel eyes
Her smile I can’t forget, just everything about her
You never forget your first love, with eyes like maple
Even in the middle of seeing these strange fables

In this waltz we dance to the beat of three
One, two….

Why couldn’t that love last forever?
Three

There once was a man who wrote poetry
Which alas was not read that widely.
Until, that is, he passed away
And became the talk of the day;
Lauded, albeit posthumously!

There are few things I hate more than watercolor,
I muse to myself
As I sit watching
A rigid man
With the perfect posture, really,
Casually watercolor the coffee shop around him

As if we all are just the backdrop
To a life of routine normality
Succumbing to the occasional confrontation
With hot beats of caffeine--

A subject to be posthumously entombed
Executed marginally
Flattened and kept in a sketchbook
That will,
Most likely,
Be a dust collector given one year's breadth.

The cynic in me
Hopes he mistakes the water cup
For his coffee cup
In his feverish efforts,
Sitting slack and unaware
Right next door.

But unintentionally,
It's the bias
Creeping in.
Secretly,
I've never really been
That *good
at watercolor.

http://carrothers.com/rilke1.htm

Because it is so good.  And we all need a mentor, especially, posthumously.

It's already hard enough to say anything accurately
without further obfuscating and camouflaging the soul.
The faces in the funeral pews are impassive, impatient
and the dead woman cares not what's said, isn't even present.

The poet gets innumerable do-overs, it's one of man's wonders,
revises his vision of his mother and plays her piano, posthumously.
Why not say it simply? Hers was a comity and a tragedy.
As are ours. And perform the history that surrounds us.

Are caskets boats? The ship of death rides Charon's waves
or perhaps on that solitary day you happily kayak to the huckleberries.
Is the deeper sadness incomplete achievement or never to have tried?
Any attempt to decide this question for others is to badly behave.

The pablum of Christianity, esp. the Catholics, re the after life
must be rejected. It's necessary. To be replaced by community,
perfection of the human project, nature's intelligent partner.
Dusty, sadly habitable houses along the funeral route, shapeless

people crossing themselves when ambulances or hearses pass.
I wanted to describe the sweetness of her life, how she was part
of the problem and part of the solution. How love and evolution
are passed like loaves from person to person down the generations.

Find the humor in the cholera. When my father died
he waved like a surfer riding a wave or a clown riding
an elephant out the circus tent. Mom follows the same law.
The many ways a spear can pierce a warrior's jawbone or armor.

The only boy in the family got drafted into the army. He saw that the journey away from home might be his last. "Mother, please take this rose. I will come back once it has withered," the young man said to his mother as he wiped the tear on her cheek. He went down the road looking at the sky. The rose never withered, and the boy never returned. His ashes were scattered in the winds by the explosion that devastated his journey. His name got engraved on a stone, and that is what's left of him. One time he prayed to return and two times he perished. One time he was posthumously awarded and two times he was remembered.
------------
Memorial to the people that gave their lives for their cause.
They headed to the battlefield with enormous courage,
fought for what they believe in
and caught the prize of remembrance and honor.
Even though they wanted to live happily with their families.

Many children were left without their dads
and many grandchildren had no grandfathers there to love and play with.
All of this was because of the desire to conquer
and wishes for fortune of some people.

Here this stone will remain
with the names of the fallen heroes for eternity.
For their families to remember and what they could have had
if it wasn't for the mindless people and their blade of destiny.
The flowers we put show that their sacrifice wasn't in vain.

Pusillanimous polecats
Practicing perfidy
Plan parties and
Parse probabilities proudly
Partially putting past
The paltry populace
Pornographic postulations
And potboilers
Pointing poisonous
Proclamations publically
Pitting proper people
To pathetic programs
Promising the penurious
More poverty.
Often posthumously.

Pitiful people plead
Putting need over posture
Putting parents out to pasture
Promising, but passing on
Proper placement of
Propriety and parity
Planting nothing for posterity,
Prizing prosperity
Politicizing with polemics
Post-mortems on politeness
Placing pandering
Higher in practice
By perpetrating
Practical party politics.

No, we shall never live on
Thus, we are not crazy
Posthumously stated
Although, not so lately

Words quoted by those
Who ignore the past
Lines from prose
Which ignore final acts

“It’s bombardment
Contamination
Shallow, impromptu
Callous and sad”
So dismayed
Are the critics
At what they can’t have

Without a spotlight on them
Without a solemn reprisal
They tediously sip coffee
And watch in denial

“It will never work, it just mustn’t”
“It can’t be done, for it wasn’t”
Oh, I’m tired of these children
Their fathers and moms
I’m sick of this museum
Now then, let’s all carry on

A tattered flag dances on a rusty pole,
having forgotten what color it once bore.
It has forgotten that it is a flag,
and what flags are even for.
Was it a bed sheet caught by bad luck,
or a symbol of hubris since humbled?
None can tell, the reports say,
there are none left.

The rag flutters at full mast, saluting the death
of civil servants muttering below their breath.
Everyone's dead! scream the rotting newspapers
behind the cracked glass of their rusted dispensers.

This is a planet suffocated by an idiot race
that left a running car indoors,
stayed for tea, lazed and slept,
multiplied and made merry,
then burned the bodies to hide
their monumental stupidity.
Easier to remember faces than dig holes,
and if you can fit thirty five heads
into a two body boot,
just imagine what you can do
with a billion unused cars.

It looks like they built and they built
until there was simply no more room,
and they ate and lived and fathered
and sang and thought and wrote,
made love, war and many a treasure,
and used and churned and measured
and grew and burned and murdered
until there were no more brides or grooms,
just the long prophesied doom.
There are no more funerals,
no fun in this immortal ******
that is half clay, half undrinkable,
there are none left to sing elegies,
every ending should have eulogies
so silently final.

Under layers of dust and ash,
under this meaningless, floating rag
and beside the splintered corpses of trees leafless like discarded matchsticks,
every poem is posthumously ghost-written and never read,
the bricks have crumbled into desiccated bread,
but bone persists through the ages.

Tempting fate and fighting time, no one cares while you're alive.

Hundreds of candles
Burning simultaneously
Posthumously spinning
Himself into a thousand pieces
Fingerprints embodied
In glossy copies
Respect is too little
Fingers are too brittle
Keep moving towards your passion
Lily’s smell like candy
**** right they do
So let’s agree to disagree
You are free to believe
Whatever you'd like
If symphonies are streams
In which strings are dreams
That frequently
Get watered down
Then some pineapple juice
Sounds about heavenly
To me right now

While grating gusts and gales of Winter’s winds
Mourn with a deaf’ning dirge till Spring begins,
Intently and contentiously they’ll look
For that moral compass found in the book
of such lovingly constructed wording
Of whose heart’s thoughts in our minds are painting
Their reflection to grow within our hearts;
Like wisdom to child, their parent imparts.
He transcends any cultural chasm
To reach all hearts before his phantasm.
Clarity of faith by which we can walk
Decanting the love but keeping the cork
As a stopper to stop the willing draining
To those wilfully closed eyes rejecting.

The burring and whirring takes us to task
In battle, futile for the facile mask;
The mask to mask the vacuous content
With razzle-dazzle detracting repent.
Low weaponry the opposition draws
On his ***, so preys on our many flaws.
The things at which he cannot be the best,
Hopeless to attempt, so drags down the rest.
The strength from these words is for us to draw
To fortify the truth and shroud our flaw
From the eyes and lies of the wicked one;
Weakening us ‘till easily undone.

Never must we, so never shall we yield
Lest we gamble that love that we all wield.
The love that is him, not given by whim,
Can and will be found in amongst this din
Of the towns and cities keeping alive
The corrupt, capital world of the lies.
Dangling the bogus carrot of pleasure;
Misdirecting us all from the treasure
Of something more real spiritually
than anything that’s found posthumously.

For when time grows old, all corners explored,
All things have been sold and all has been bought.
When all has been said and all has been done
With nothing unpainted, ev’rything sung,
All’s been invented, no lines left to write,
No mountain to climb, no evil to fight,
No path left untried, no words left to talk,
No niche unoccupied, no roads to walk.
To surpass anything, where is the hope?
Upon past achievements we will still dote.

All religions, legions and ligaments
Feel full force of their own eradicant.
Once blinded by their own faithful binding
They’ll begin to prove its own unwinding.
Then reluctant eyes open up to see
Their stubbornness was based on fallacy.
By this time now all chances will be spent.
Choices made by those who will now regret
Not seeing what’s evident for all sight
But those whose hearts and eyes they kept shut tight.
Regret will abound for the truth not found.
Eternity in Hades and the ground
Is the only future for the many
Who chase that carrot dangling for jenny.

Ambiguity of a single word
Begs contextual study of the broad.
Only then can a justification
Substantiate their stubborn rejection.
What will fill the void where once there was truth?
Ostensibly only eternal ruth,
Curtailed by the one whose ultimatum
Can be found in that book of verbatim.
The book written to escape the scapegrace
Our only grace and our only solace.

Those grating gusts part, exposing a path
A path enough wide for many a rath,
But the wind which once blew for all idols
Has changed its direction toward idylls.
Softly but certainly the air makes change.
With grating now gone, systems rearrange.
Where one and one equal much more than two,
Longer is forever if it’s just you.
Love is the only, the all, and ever,
The one currency we’ll grow together.

Amen.

you helped me find my voice
I will not easily discard it
and your "suggestions" resemble commands
what you call a comfort zone
is me
my feelings
my way of thinking and speaking
my representations to the world
declarations of who and what
I am
contentment can be found there
for there is peace in me
success is formulated
not in well-rounded-ness
but in focusing on one's strengths
and many of my poems were not written
in or for comfort
they were labored in life's pain
I can write in other voices
the full human spectrum is inside us all
I can try different styles and forms
experiments and departures
I have a whole heart
with lifetimes of experience
to draw upon
but in the long run
in the end
even posthumously
I can be only me

Vivacious, practical, self-directed
Mary Bailey, nice body
it makes no sense that just because George
might never have been she suddenly becomes a shy,
homely, lonely librarian without a dog or god.
No, it did not fundamentally matter
whether George was born except to his mother. Potter
might have taken over but why should the morality
of a whole community decline? As for the ship
going down, if a butterfly in China had fluttered
right instead of left 10,000 years ago
the tragedy would have been entirely averted
in fact the whole war would not have happened!

I pleasure in and treasure
my insignificance. If only
I could be overlooked
by the planning board and IRS.

One false note gives the lie
to the whole premise. God died
but was elected posthumously to the Senate
as for the Big Bang theory, when it
supposedly happened what surrounded that
golf ball of matter and now what
occupies the time beyond the farthest edge of space?
My wife over dinner laughs, says Face

it, you'll never know so stop asking questions.
That is how we must make music, mindful of our extreme
limits, our politics, our complete dependence on the theme
of God as feedback, bifurcation and correction.