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Terry Collett Oct 2013
Polly wants to sleep more,
but the bell
from the church
tells it's time
to get up.

Susie's beside her,
just beginning to wake,
opening her eyes.

She smiles that stupid smile,
Polly thinks,
remembering her cold feet
against her legs
in the night,
her arms about her waist.

If only it was Master George's
hands about her waist,
his feet on her legs.

But he is at war,
some cold wet trench.

Susie sits up
says something
about wanting to turn over
and go back to sleep.

Polly tries to push thoughts
of the day ahead
from her mind.

A maid's work
is never done.

Fires to start,
cleaning to begin,
breakfasts to help prepare,
on beck and call.

If only Master George
was home,
she could look forward
to his bed at night,
his arms about her,
his lips on her skin.

Susie looks at Polly.
She had managed
to get her arms
around Polly's waist,
feel her skin on hers.
She had wanted
to kiss her neck,
but refrained.

Temptations always there.
Watching her undress at night
getting ready for bed,
seeing her standing there,
semi bare, waiting there.

She remembers her lips
being just inches
from Polly's back,
her lips wanting to settle
on Polly's shoulder.

Polly sits up,
pushes the blankets back,
and sits on the edge
of the double bed.

Feet dangle, hands in lap.
The chill air about her.
The wash basin
on the washstand.

Break the ice in the jug,
cold wash.
*** first
in the chamber ***
under the bed.

Susie watches Polly's back,
the way her body
narrows in at the waist,
her bottom on the bed,
her hands in the lap.
She sighs softly.

Polly gets out
the chamber ***
and squats.

Susie looks away.
Closes her eyes.
She can hear
the musical sounds
of water on metal ring.

She kissed Polly's arm once
(pretended she was sleeping)
Polly pushed her lips away,
muttered words.

If only she'd let her
kiss her just the once.
She could store it away
and bring it out
and relive it each day.

Polly stands up
and goes  
to the washstand
and breaks the ice
in the jug,
pours water
in the basin,
washes quickly.

Susie watches,
eyes searching Polly,
taking in each
aspect of her,
each inch of skin.
If only Polly would relent
and let her in.

Polly dries
on the rough
white towel,
face, neck,
arms and hands.

She peers out
of the attic window.
Cold dawn.
Light beginning.

If only Master George
was in bed
instead of Susie,
if only,
then she wouldn't be
so fed up
and bed time lonely.
Two amids in 1916 at break of a new day.
Matt Dec 2015
Meet my parrot Polly

"Polly want a *******"

Polly responds,

"Polly wants a *******"

"Crunch, Crunch"

Listen to Polly

Munch on those crunchy crackers

I think I will have a ******* too

Polly and I send our love to you
JP Mantler Jan 2017
(Puh)

“The power to perceive something impossible persuades me. I must pick a place.” The Clairvoyant Gulch.

This person pounds the ground with persistence. A penchant to procreate perception. The Clairvoyant Gulch.

Passing away into peach fuzz and polyandry. Pretty Polly plans to participate in the process. The Clairvoyant Gulch.

Princess Penelope ****** on Polly. Paczki the predator penetrates the preposterous Polly.
The Clairvoyant Gulch.

The President of the Polyandry Psychics proposes: let Polly go but only with the presentation.
The Clairvoyant Gulch.

The Polyandry People peer and pry for what will Polly present. The poor prissy presents her *****. The Clairvoyant Gulch.

She placidly plucks the ***** to pay the People. But she then panics and pours pomegranate red over a ***. The Clairvoyant Gulch.

The *** then becomes an urn so precious that the People pray. Polly feels penitent of her peccadillo. The Clairvoyant Gulch.

The President points to the urn. Paczki the predator places ingredients into the ***: pig’s tail, pesto and plantar’s wart. The Clairvoyant Gulch.

The Polyanderthals round about and puke into the ***. Polly prepares a peyote dish that will pause time. The Clairvoyant Gulch.

The President and People consume the ***. It tastes vile and profane, they puke again. The Clairvoyant Gulch.

The Polyantherhals turn around to find Polly unpresent. They **** and pant in confused anger. The Clairvoyant Gulch.

Polly is passing the time, possessing a power within the Earth’s core. Her polyethylene pants protect her from the core’s melting point. The Clairvoyant Gulch.

As for the People, it was not practical for them to be presented such profane magic. Their perception of the universal paradigm had been inverted in perpetuum. The Clairvoyant Gulch.

As for the Polyanderthalic *** of ****** pomegranate juice, the President sold the item through Paypal to a polyandry professor living in Piccadilly. The People never practiced polyandry in perpetuum. Ever again.

~The Clairvoyant Gulch
Oliver Gottlieb Apr 2020
When the nut was plentiful, when the nut was tender.
Because I’m passing from the nut I go outside to clear my mind, but I see a nut tree, I see nuts of every kind.
I begin to wonder, if passing from the nut is a blunder.
Shall I just go crazy? Shall I release the thunder?
But oh-no, I made a bet that I could resist the nut; and I am not a baller, so you’d best believe, I ain’t paying that ten dollar.
A week left for my journey, for the nut I am yearning.
The nut will not bug me, for I am not a Rolly-Polly, thereafter I am a man, the nut will not control me.
December comes blooming, blooming like a daisy, so you’d best believe, your boy’s going crazy.
Make it past day 12 and I’ll make a second one.
A dream tree, Polly's tree:
a thicket of sticks,
  each speckled twig

ending in a thin-paned
leaf unlike any
  other on it

or in a ghost flower
flat as paper and
  of a color

vaporish as frost-breath,
more finical than
  any silk fan

the Chinese ladies use
to stir robin's egg
  air. The silver-

haired seed of the milkweed
comes to roost there, frail
  as the halo

rayed round a candle flame,
a will-o'-the-wisp
  nimbus, or puff

of cloud-stuff, tipping her
queer candelabrum.
  Palely lit by

*****-ruffed dandelions,
white daisy wheels and
  a tiger faced

*****, it glows. O it's
no family tree,
  Polly's tree, nor

a tree of heaven, though
it marry quartz-flake,
  feather and rose.

It sprang from her pillow
whole as a cobweb
  ribbed like a hand,

a dream tree. Polly's tree
wears a valentine
  arc of tear-pearled

bleeding hearts on its sleeve
and, crowning it, one
  blue larkspur star.
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
EP Mason Feb 2014
I will become a Polly Jean
I will start throwing kerosene
and living in a dream

I'll grow my hair to twice my size
and keep journals and fantasize
(oh when oh when will I leave my town
when will I wear the gypsy crown?)

I want to get out in a vagabond cart
and transform my life into incarnate art
and fall in love twice with the same man
because he is the only person I can truly understand

Yes, I will become you, Polly Jean
I will be the next bohemian beauty queen
I will rip out my eyes and replace them with jewels
and make the world an offer
it simply cannot refuse

I'll make my bed fifty feet under the stars
and surround myself with broken people
playing on broken guitars
I will never look back again
I will spend my whole life wandering

I'll paint my face different every day
and discover new ways to take the pain away
in some papers or a needle or a pile of ashes
Polly Jean, I can't wait to see it as it crashes

Polly, I will paint you
like you are painted in my heart
Polly Jean, infinite
and never-ending art
© Erin Mason 2014
Ken Pepiton Aug 2018
******. No white guy can say that, right.
People who can truly call themselves ******* can. *****-***** ****, W.O.P.,
maybe they can say ******, okeh. But they say it mean,
knowaddamean.
What'sbout Jewboy?
Can the Kaffen kid say ******?
Sand-******, but not ***** ******. Hecan say ****, too. And *** and *****.

Oy vey, okeh. We can take it. We can take it all. Rules is rules.

That's right. Wanna fight? Wanna be my enemy?

--- Grandpa had a play date. ***- Where's the Fun?
These kids got no guns.
And no enemies. Except imaginary ones.


Greedy little master mind sprouting odd fruits from Pokémon.
Can we make this work? Perfect it, in effect?

Marbles, maybe we can teach that old game and go from there to the funnest parts of FTA... Findtheanswer, like God and Adam played. The rules are some same, bounds, fudges and such. Keepsies, ante-ups and such, too.
Risk is right if-I-can-tation.
Losses can be baked, clayballs,
while momma bakes our daily bread.
Poor kids can make marbles in the sun, since forever, I am sure. Rolly-polly patti and johnny cakes roll marbles into spoons,
Momma knew that stuff. She could shake butter into cream, singin' along Que sera, sera, whatever will be
will be,

but it won't be the death of me,
watch and see,
babu boy oh boy
---
We can play war until we die, but don't tell the children.
They are the price we are to pay. They must believe.

We swore allegiance for security. We thought it best
for the kids to lie.

You know?
I believe, you know. It's unbelieving I need help with.

Can't you see? We swore allegiance and taught it has become the  honor-us-course-us-po-deserve-us ritual. A rite we pass for the protection of the eagles gathered around the body.

We are proud of our children who die taking
the courses called for, we never ask why,
except when we cry. Silently, inside.

It's our role to remember the glory
of our children dying for the IDEA that lives
in the statue of Freedom
under which our laws allow
might is right, if God was ever on our side.

You know what I mean.
Say so. You know the lies are being told.

Stop believing that is okeh, eh?

---
Mussleman dominance meme manifests once more to battle the flood of knowing being re-leased or bought, outright, to aid the seekers seeking the meta game.

F.T.A, remember? Find The Answer. Same rules as Hide and Watch,
"All ye, all ye, outsiders hidden in our midst, in free."

"Send me your- poor, huddled masses",
remember being proud of that idea.
Poor thing, lady libertine, so tarnished now that not even Iaccoca's glory loan could gild the actions she sanctioned in the name of the republic for which she (a proxy mate, feminine aspect of God) stands. Sig-n-if-i-cious-ly.

Seig Freud, we say, with the statue of freedom watching over the legislative body, she stands
quite similar to Diana of the Ephesians,
in her role as mob solid-if-er, if I know my mythic truths been told.
---
Trink, trink, trinkits gits the good good luck,
light m'fire witcha spark and see
a light in the night when the noises pending terrors flee.

Rite, we passed those places ages ago, now we hear echoes, only we know them, for we have been taught,
what echoes ever are.
Our own terrors screaming back at us.

Alot of lies are taught wrong
and a sleeping giant in a child may dream
of other ways to see.
New windows on new word worlds expressed in
HD Quad-processed reality
simulations. You know,
child eyes see right through those.

Exactly that happened. Slowly at first.
Good is more difficult to believe
you are expert enough to try doing than is evil.
Read it again.
This couplet or line, as time will tell.

Don't ignore known knowns,
stand up under the weight of knowing good and knowing evil.
Be good.

We know from conception,
we think,
whatever it takes means
take what ever we think right,
pursue happenstances in the favor of my father's world,
provided for me, the kid.
\
The son, a first-man son,
some several thousand generations removed.
Lucky some body stored the good stuff in the mitochon'orhea, right.
We'd be powerless. O'rhea, double stufft, blessusall.

Otherwise lies are left for kids to learn,
but not to
be left true,
as when they first was told.

Our sibyl e-gran mals tol' em true,
as they knew what they passed through, to the moment, then...

Around the fire, dancing shadows, make them play.
All ye, all ye outs, in free!

See dancing shadows, en-joy my joy, be strong,

long strong, sing along, long, long song

and laugh until you die.
---
Some con-served ideas will land a man in a prison with no keys.

Imagine that. Take your time, it is no passing fancy. Be here,
with me, a while. Pleased to meet you I am, no comma needed.
Now, we may wait, whiling away a time or two is common, in mortal pauses. Are you dead or alive?

Is it dark or light? Do you see in color here, or in gray?

Who built your prison? I built mine. You'll love it, I imagine,

whenever forever flows past those old lies striving for redemption,
recycling-clingy static hairballs and ghost turds
touch, once more,
*** potentia amber atoms in cosmic chili for the soul
of the loaf-giver, warden of the feeding forces life lives
to give dead things. There's the rub.

Spark to fire? Watts to fuel the favor, Issac, can you lead us in a song? A con-serving song for when the cons a fided or feited,
defeat my sorrows and my shame,
let me see Christ take the blame.

Confidencein ignowanceus. Worsen dignitatus evawas.

Blow on it. Soft. The spark landed in that ghost **** you thought you swept away or ****** into a vortex of hoovering witnesses,
if you whew too strong, you blow yer own little light out, and have to wait for lighten-loadin' bearers
to take care from you.

That can take time, too.

It always takes a while to get deep enough to see the bottom.

Cicero, old friend...

ne vestigium quidem ullum est reliquum nobis dignitatis 

[not even a trace is left to us of our dignity]

From <https://en.wikipedia.org/wiki/Dignitas(Romanconcept)>

See, from a single spark,
touching a volatile bit o' whatever,
you may see the root of the Roman canker sore
yomamma kistyawit.
And be on yo way,
satisfied minded there do seem to be a way, each day, just beyond the evil sufficiency we find soon after the morning's mercy's been renewed.

And may, if it may be,
ye see a rich man wit' a satisfied mind
and may that man be me in your mirror, as it were.

Carry on, as you were.
Or walk this way, a while,
mind the limp. I'll set the pace.
It ain't a race, y'lil'squirt.

Wait'll y'see.

Waiting is time's only chore this close to shore.

What manner of men are we, who could be our enemy?
What name makes me your enemy?

What peace can you imagine when no words carry hate?
Can you imagine evil peace?
Cromwell n'em said they could make peace wit' war.
They lied.
Their lies remain lies,
evil knowns
good to know, on the whole.

Knowing makes believing count for more than idle
oaths of loyalty to memes mad
from the first of forever to now.

now. stop. This is the bottom. I know the way from here.
Do you?
You can say so, but you never know,
if you never make the climb.

And that can take forever, I've been told.
Fun, for fun. Bees in bonnets and such archaic antics, no pun un intended.
The N word test. I chickened out, but under protest. If I say/said a word to hurt a childlike mind, or an innocent ear, I am not being kind. And the black magi said He could care less, he's moving back to Kingston.
Polly Perks Jul 2012
So here i write. In a parking lot outside CVS in a town in Virginia, I now sit holding a notepad and the cheapest mechanical pencil money can buy, ticking away. Here I write, though I'm not sure I am (I mean I'm unsure about my existence, not my current writing state) (Yes, Descartes, I think therefore I am, but what if I don't feel?)
At this point in a story, you'd start getting hints about my 'tragic past'. Well, in reality, it might sound pretty ******. It'd go like this;

"Polly Perks, born April 17, 1993 once deeply and profoundly felt. She held lust and envy, bounded in happiness and spun out thoughtfulness, wandering with curiosity, released lust, her body was a compendium of emotions (whatever that means). And sometimes she felt them one by one or glutted herself on many feels. Then, as per usual narrative style, came a boy who made her heart beat, her brain swoon and then her insides scream all within a school year. That boy was no good for her because he was, you see, deeply forbidden (translated to exclude melodrama, he was dating her best friend, that *******). Polly carved through that summer with whiskey, daydreams, and a quiet ripping noise coming from her chest as the emotions shanked their way out. Then her dad died. Then she went to college."

You see, after I watched my father's skin turn yellow and his eyes churn milky tears, after i left behind my life with shallow and fleeting throes of excitement for books and tests, after I was finally escaped from this man-child who pulled and pushed me like a yo-yo, i made a pact subconsciously, or maybe hallucinatory, or maybe completely aware-ly, but from that day on I abandoned emotion, and so I have lived for nigh on 279 days (I made that number up, but the gist is its been awhile since me and feelings have hopped into any kind of bed).

Well today, nearly one year later, Polly has had enough with emotionless-ness. Let's get back to narration, shall we?

"One day after work Polly finds herself shaking her head. Not in a manner of saying 'no' or conveying confusion, more like a 'wet dog shaking off the rain' shake. rain is what she wants, and like a fairytale rain is coming. She hears thunder and strikes up, leaves the house and enters rain. Inside, she feels (not emotionally but in a scientific way, as if she's taking inventory of her organs and thoughts and building blocks) movement, like her pulse is bracing to start. She's felt it before this year, while watching shooting stars with a cute, drug infested boy in college, and while witnessing the comedies of friends, and after telling the nightmarish apparition of her yellowed father he died and must leave her dreams alone. She feels she should feel."

So I run. I run and run and run in the rain, and God, I'm feeling like emotions might not ****. But then the rain starts slowing, and I start skimming, and soon I'm on a tree, a fallen fractured tree upon a metal playground (there's probably symbolism in that, so go ahead and rejoice, high school english teachers). I think 'i don't want to be empty' and then I whisper it and soon I find myself standing on this tree, yelling at empty clouds and the bricks and the metal climbing bars i don't, I Don't, I DON'T.
and then... a heart beat. a strong one. I feel it.  I feel the story, I feel colors, I feel inspired and man, I feel like ****. But I'm feeling something.

"Delirious with this re-discovered feeling, Polly decide to challenge the skies. She sees a flag pole with an shiny brass eagle on top sitting as a bright and proud beacon of America, home of the free and the brave and those who eat their feelings or starve them out.She sees the clouds, she hears the thunder, and the eagle speaks. 'So you feel now, Polly? Come put it to the test. Feel reckless. Come and feel my skin, cool metal, during a lightning storm.'

So she does. And she dies. And her feelings die with her. That, or she lives to write her odd, slapdash story in a frenzy in a parking lot outside CVS, to the pitter patter of mad rain.
Robin Carretti Dec 2016
He's singing
Bergdorf Blonde
Conde Nast Traveller
Rude or ****
Explode Bombshells.
He's singing I'm getting
married
Such a Pushover puppet?

Slave over the silken magnet
Oh so swift and swell let
the show begins

Those ritual love sin's
Miss Polly String smile say cheese
He's the Maneater enticing grins
His Trump Tower bell?
Oh! Hello Poetry
People like twin packing
Playgirl smooching
her lips pillow talk

The puppet stalk
their suitcases, but surprisingly
she falls down and trips
Play up your string's
Love act of rings
Her killer lace went into his face.
They all had a puppet inside.

A daredevil ride
Nowhere to hide
Las Vegas Nevada,
Like no other place.
She was in her prime
Diva,
Donna so Dollie, he had
a craving bank her they all
had to thank him
The foursome the Follie's
Do him
Torn to be so trendy
Such a spendy

Walmart of walnuts
Two amazing dollies
She's the magazine of
Italian Fendi.
Pulling her hair more flair
The whole shebang cashew's
Pushed by his split so
picky pecans.
How it went to her
Big little liar nephew's.
Like puppet curfews
  Hello, Poetry New.
The white wedding blue's
Magnifying big lip's.
He needed a Holly-doll
The next clue?
Silk strings taped up
That puppet took a mighty
long trip...

Did I say plastic puppet is real porcelain skin faces?

Playgirl's cries needed
a dominating diet
Hefner smoking jacket suit

What a demonstration,
pulling on hemming mini
skirt trims chances
dangerously slim
So condemning
caused a riot.
The other crowd what
Oscar Meyer Wiener.
Going to the Vet doggie collar he
was tied to be fit silk suit
Las Vegas show trainers.
Who got caught with the puppet
Honey tricked peanut butter playgirl
Puppet show went all hobbit
over "Twitter" mixed whirl
        
What a nut sometimes you feel
like a nut
sometimes you won't and she
knows you don't

The rest going to H---.
Must I B dreaming?

He's singing I'm your puppet man,
Elephant nose cleaned out the planter's
Such a big spender and tipper.
Brooklyn his name Lucas @ the circus!

Like a physic knows your inner thoughts,
hanging on a string.
Everything that comes out of his mouth is two!

I have a puppet surfing the internet
wrapped her around
Felt an undercurrent_ it was
like pieces of glass
soundproof,
his crafty fingers.

Is he doing the best he can?

He's pulling her madly
Puppet computer search
Penny the dreadful
He expects us to jump when
he's oversexed active
looking for his puppet chair,
in the back.
A ****-day puppet!
He's the pig face twilight zone
muppet's
Well doing the can-can two
Playgirl's
hit the fan
The puppets became
the Gentleman

  Playgirl's shuffling "Rose" deck
   Hollywood screen bedding
    Puppets skillful  making

        The Poem Day.
         Puppets pray
         String cheese display

Obsessed stories Puppets.

Playgirl's color gypsy Rose Leah  
Miss Natalie from the woods preach
Silken Marionette.  
So wrapped like someone's gift
But used thrifty bed
He's in his red-hot Corvette.
Instead of roses, his thing french brie
Stock market up and away tie
I rather have my pasta bow-ties
Swiss, the air she's the playgirl
  Swiss Alp's skiing
he ripped his pant's Swiss Alps hole.
Marilyn Monroe playgirl presidential
dancing on the Christmas pole
Love tropic Pineapple dole
  The bed red hot Corvette. console

Instead of roses, his thing was cheese.
"So Swiss" with holes of lace my face
I hate to burst your cheese,
He dragged his shirt open

Twice the fun playgirl she eloped
I became his string cheese pet!!
I'm not your string cheese.
Hello Godzilla, puppet collection
Bella bella Genie mozzarella

"Puppet overpriced sales
All your friends are a puppet male.
Make a wish blowfish

In all the year how I tracked men's nuts,
she had to string together nut job's,
eat a string cheese.
Polly didn't want animal crackers,
Groucho became like a ******.

The puppet master showing
his game piece
and pull on someone else's
This is kinda playful and with quite strings of an edge
Ju Clear Sep 2017
Polly Anna
Pollyanna you are my wheel of nutrition .
For 8 yrs you have empowerd me in your humid heat
You have made all the veggies for our plate
Lifted the weight of decisions from my head.
Seasonal is how we role .
Thank you Pollyanna for your warm embrace .
The ambudence of your veg is emense
Polly Anne oh my polly tunnel of nurtritional love 
With a new skin your keep on giving
Keeping a family in your season grow.
Seasonal is how we role
I love you Pollyanna my tunnel of meditation
My kitchen would not be the same without you .
Your solace is much needed come brexit
Seasonal is how we role
Food for thought while in my Polly tunnel
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
Mike Hauser Jul 2013
Polly Urethane
Girl with a peculiar name
Born into the oddest of times

She walks through the fields
Picking flowers at will
Tying them in bundles of rhyme

She then takes to the street
Corner of Humble and Meek
And gives flowers to the societally blind

Polly Urethane
The girl with a peculiar name
Looks at life and just has to laugh

Polly she knows
The silly world never slows
Here and gone in a flash

Polly she tries
To take it in stride
Though at times she doesn't understand

She's here to save all that's right
To the tune of delight
Played by a number nine piece magical band

Marching Main Street
Near the corner of Humble and Meek
Where Polly stands, flowers in hand

Polly Urethane
Girl with a peculiar name
Born into the oddest of times
Mike Hauser Apr 2015
I chanced upon Polly Wolly
Walking one day after school
Clearly without her doodle
Something she thought she'd never lose

She told me she had sat it down
As it was out of tune
And when doodles sound more like poodles
What else is there to do

So I took a hold of Polly
And led her by the hand
Downtown to the lost and found
Where all that's lost is left

She went on and on about her doodle
Like a long lost friend
She asked the lass behind the desk
If she'd ever see her doodle again

The lass asked the doodles color scheme
And how large it was in size
Seems people lose their doodles often
If not most all the time

When they handed her her doodle back
There really wasn't much to say
As Polly Wolly and her doodle
Waddled arm in arm merrily away
Danielle Shorr Mar 2015
Woman is a title that comes with too many consequences shoved into the spaces between each letter. I have worn it proudly, not fully understanding the heaviness it carries, or exactly what it means. I still don’t.

Summer camp teaches me how to shave my legs when my mother neglects to. I am eleven, with hair on my skin barely long enough to pull out when my bunkmates coach me on how to erase it. "Boys don't like girls with prickly bodies," my counselor tells me confidently. I soon understand that to be woman means to be bare, stripped, and clean, always. Being woman means catching the changes of your morphing body before anyone else can point them out.

I am raised to keep secrets. We call the parts of ourselves that we aren't supposed to talk about private. I learn to be silent in more ways than one.


Haley is my best friend. Together we uncover the mystery of womanhood untold. She loves a boy two years older than us and gives herself to him in his parked car outside her house during one of our many sleepovers. I listen as she confesses the details to my eager ears. We learn more about *** from each other than we do health class.  The information given out is too much and not enough at the same time. We are taught enough to do it, but not enough to ease our unknowingness.

Condoms are given out for free. Tampons are not.

Virginity was a concept we were told to maintain from early on. At 14 I want to get losing it over with so I do, with a boy two years older, in between his childhood sheets. I am high enough to blur the details, but not high enough to forget it happens.

I learn how to cauterize undesirable memory with substance, the way too many women do.

When a sophomore girl comes to school with a broken face, everyone is quiet. We all know about the fight, the pushing down the stairs, the bruising that swelled violently like her love for him. "I think he's even hotter now," I overhear someone say.

The first boy I ever love treats me like ****. I let him because that's how it works in the movies.

I love a straight girl with curly brown hair and a smile too much like summer. She kisses me and then tells me about whatever boy she is pursuing that week. It confuses me to no end.

Mia meets her first love when we are 17 and gives him all of her too soon. When he dumps her, I come over ready with a box of popsicles in hand.

We play with Polly Pockets well into our teenage years. The dolls live out dreams impossible for us to reach.

I realize vulnerability is not an option, but something we are born wearing.

A friend shows me how to keep my keys peeking through my knuckles at night. I hold them through scared fingers as I navigate the side streets necessary to get home.

Mom buys me glitter covered pepper spray, "because it's cute." I know her unsaid words and what she really means. "There are too many bad people in the world to not be cautious, you can never be too careful."

When a girl I don't know well is attacked in a back alley by strangers, we sit nervously the couch and talk about the terrifying reality, how bad we feel for her, and how awful it must be to go through something like that.

I call my best guy friend immediately after someone I know takes my body without permission. I explain the details to him of what happened, still shaking from the shock of it. I wait for his response, hoping for open arms ready to hold while I shatter. He sighs and says, "you should have been more careful." I don't counter. I shower three times in a row, tuck myself into the same bed where it happened, and pick up the cracked pieces of myself in the morning. I tell no one else after that.

**** is the punch line to too many jokes.
I don’t laugh.

In an anonymous thread, I read as people discuss the topic of ****** assault. My eyes lose count of how many times strangers say, "just because you regret it, doesn't mean it is ****." I have seen doubt ******* too many faces hearing the stories of survivors with dull eyes from telling theirs over and over again to people who will never believe them. Their truth is taken with a shot of uncertainty.
They ask, "Why survivor? Why not victim?"
They say, “It doesn’t **** you, you’re not a survivor.”
I want to answer that survival is a choice made in the aftermath of destruction, that we either chew our way through the broken glass or swallow it whole, letting it break us from the inside out. I want to say survival is not as simple as we didn’t die. Survival is consciously refusing not to.
Instead I say nothing.

I know girls with too many piercings and tattoos because they had run out of room on their small bodies to let out any more anger. I watch darkness fill their skin with its reminder, young girls who know pain all too well.

A man on the street calls out to me. I shake my head quietly because I'm afraid of the bomb my response could set off. I have seen too many ticking men explode for me to want to fight back.

I learn about abortion when I am too young to understand it, too self-centered at the time to try to imagine the fear of unwanted growing inside of her. I have grown to understand the importance of choice.

A guy tells me that if a woman has *** with more than five guys in her lifetime, she's a *****.

Someone I hook up with shares with me about how his friends audio record their girlfriends during ***. He laughs, I shudder.

"Guys don’t like it when.."  is a tip I hear almost daily.  

School dress codes mark my shoulders unholy, my shorts too miniscule. I am sent to the principal's office in 10th grade when I refuse to change into a top that doesn't show my lower back. I ask what my body did to have to learn this kind of shame. I am suspended for the rest of the day.

Beauty pageants teach me that perfect woman is exactly what I am not.

My ex boyfriend calls me a ****.

My other ex boyfriend calls me crazy. I’ve learned that crazy is synonymous with “she had an opinion that did not align with mine.”

In my college lecture we talk about the origins of hysteria, remembering how women in history had their voices twisted into insanity. I think about how often “calm down” is used as a modern-day-tranquilizer.

Us weekly tells me every week, in one too many advertisements, how to lose weight.

My campus paper posts an ad for breast augmentation deals. "Get spring break ready."

The size of my chest is too much a reflection of my brain’s capacity.

Being woman means too much in a language I do not fully understand. It is skin and bones, it is raw and blood, it is a mouth filled with words unsaid, it is fear and worry, it is an unspoken connection between us all, it is 75 cents to a dollar, less for those of color, it is censored body, it is *******, it is being too much to handle, it is being equated with less, it is we are the same but we are not treated so, it is we are human in a world we call man’s, it is we have been struggling under the waves for centuries, it is not drowning, it is still swimming, always
Terry Collett Jan 2013
Susie polishes the silver.
She hates polishing the
forks, the bits in between,
the stink of the cleanser.

She’d rather be in bed
with Polly in the attic.
Holding her close, feeling
her body next to hers.

The cold weather offers
a good excuse. Polly’d
say, get off me you queer
***, otherwise. She rubs

the cloth over the prongs,
the stink making her feel
nauseous. Dudman, the
butler will be along soon.

He’ll snoop up close to her,
look over her shoulder;
press his body next to hers.
Maids are as nothing, he

often said, pressing his
finger into her back, or
pinching her ****. She holds
her breath as long as she

can; the stink is getting to her.
She thinks back to the night
before, Polly’s nightgown
against her flesh, her smell

invading her nose, spooning
close. She recalls the moon
in the skylight, captured like
a painting, the stars spread

like ***** on a dark cloth.
Mrs Gripe the cook called her
a lazy cow over breakfast,
the fat ***** staring at her

with her cow like eyes. She
rubs between prongs, eases
along the handle. She’d love to
shove the fork into Dudman’s

****; push it in with all her
might.  Soon the bell would
ring, someone would want
morning tea upstairs. She

breathes out, puts down
the fork, picks out a spoon
and begins the cleaning again,
thinking of Polly, her fingers

caressing the spoon’s end,
imagining ******* along
Polly’s waist, moving her
thumb into the indentation,

sensing her body move, that
weird overriding sensation.

— The End —