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By David John Mowers

Oceanus, Acheron, Styx and Gyges, Phlegethon,

Phaeacians lament, mourn the loss, Scheria, dissolved in froths.

Virgil’s tale, found correct, a land too good, a nation wrecked,

Nausikaa, burn the ships; their minds released, cool airy nips,

Below the wave, watery grave, submerged to bottom, fathoms by stave,

Fathoms some more, until the whorl, descending to, another world.

Through Omphalos, to Land of Sleep, awaits a beast, where time has ceased,

Darkness here, underworld, cold and frigid, below the whirl,

In solemn grave, souls released, judged and counted, by the beast,

Deeper than, the deep itself, past drowning fairies and dying elves,

Who did mourn them? Those golden men, magic mariners, Mino's kin?

What wrong was seen? What vice not true? What awful sin? What did they do?

One thousand years, first black age, Two thousand more, to find the stage,

Cast off Aries and cast Orion, to find beginning, of Golden Lion.

Man of Heavens, Beast agrees, Bull of Sky, Ox of seas,

Land of Punt, Land of Éire, Ogyges blue, hearts on fire,

All the seashores, all the mines, Tribe of Dan, from ancient times,

Port of Sais, Port of Thera, Port of Lagash, bygone era,

Sailor’s horse, Minotaur, a lyre is crying, strummed guitar, nation dying, abattoir.

Ochre foams to sanguine depth, there they rested, where Kronos slept,

He’ll never answer, he doesn’t care, we’ll never know, if this was fair.

Our hearts in sadness, hands on the gates! I curse you Poseidon!

. . .and your Sea of Fates!
Every historical and mythological reference to the kingdom of Atlantis which was destroyed by it's founder; Poseidon. All of the characters including the archaeological agreement on the historical basis along with Geo-location as well as an approximate age of occurrence, extent of the kingdom set to metered rhyme.
Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro' at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather'd flower,
Might break thro' clouded memories once again
On thy lost self. A sudden nightingale
Saw thee, and flash'd into a frolic of song
And welcome; and a gleam as of the moon,
When first she peers along the tremulous deep,
Fled wavering o'er thy face, and chased away
That shadow of a likeness to the king
Of shadows, thy dark mate. Persephone!
Queen of the dead no more--my child! Thine eyes
Again were human-godlike, and the Sun
Burst from a swimming fleece of winter gray,
And robed thee in his day from head to feet--
"Mother!" and I was folded in thine arms.

Child, those imperial, disimpassion'd eyes
Awed even me at first, thy mother--eyes
That oft had seen the serpent-wanded power
Draw downward into Hades with his drift
Of fickering spectres, lighted from below
By the red race of fiery Phlegethon;
But when before have Gods or men beheld
The Life that had descended re-arise,
And lighted from above him by the Sun?
So mighty was the mother's childless cry,
A cry that ran thro' Hades, Earth, and Heaven!

So in this pleasant vale we stand again,
The field of Enna, now once more ablaze
With flowers that brighten as thy footstep falls,
All flowers--but for one black blur of earth
Left by that closing chasm, thro' which the car
Of dark Aidoneus rising rapt thee hence.
And here, my child, tho' folded in thine arms,
I feel the deathless heart of motherhood
Within me shudder, lest the naked glebe
Should yawn once more into the gulf, and thence
The shrilly whinnyings of the team of Hell,
Ascending, pierce the glad and songful air,
And all at once their arch'd necks, midnight-maned,
Jet upward thro' the mid-day blossom. No!
For, see, thy foot has touch'd it; all the space
Of blank earth-baldness clothes itself afresh,
And breaks into the crocus-purple hour
That saw thee vanish.

Child, when thou wert gone,
I envied human wives, and nested birds,
Yea, the cubb'd lioness; went in search of thee
Thro' many a palace, many a cot, and gave
Thy breast to ailing infants in the night,
And set the mother waking in amaze
To find her sick one whole; and forth again
Among the wail of midnight winds, and cried,
"Where is my loved one? Wherefore do ye wail?"
And out from all the night an answer shrill'd,
"We know not, and we know not why we wail."
I climb'd on all the cliffs of all the seas,
And ask'd the waves that moan about the world
"Where? do ye make your moaning for my child?"
And round from all the world the voices came
"We know not, and we know not why we moan."
"Where?" and I stared from every eagle-peak,
I thridded the black heart of all the woods,
I peer'd thro' tomb and cave, and in the storms
Of Autumn swept across the city, and heard
The murmur of their temples chanting me,
Me, me, the desolate Mother! "Where"?--and turn'd,
And fled by many a waste, forlorn of man,
And grieved for man thro' all my grief for thee,--
The jungle rooted in his shatter'd hearth,
The serpent coil'd about his broken shaft,
The scorpion crawling over naked skulls;--
I saw the tiger in the ruin'd fane
Spring from his fallen God, but trace of thee
I saw not; and far on, and, following out
A league of labyrinthine darkness, came
On three gray heads beneath a gleaming rift.
"Where"? and I heard one voice from all the three
"We know not, for we spin the lives of men,
And not of Gods, and know not why we spin!
There is a Fate beyond us." Nothing knew.

Last as the likeness of a dying man,
Without his knowledge, from him flits to warn
A far-off friendship that he comes no more,
So he, the God of dreams, who heard my cry,
Drew from thyself the likeness of thyself
Without thy knowledge, and thy shadow past
Before me, crying "The Bright one in the highest
Is brother of the Dark one in the lowest,
And Bright and Dark have sworn that I, the child
Of thee, the great Earth-Mother, thee, the Power
That lifts her buried life from loom to bloom,
Should be for ever and for evermore
The Bride of Darkness."

So the Shadow wail'd.
Then I, Earth-Goddess, cursed the Gods of Heaven.
I would not mingle with their feasts; to me
Their nectar smack'd of hemlock on the lips,
Their rich ambrosia tasted aconite.
The man, that only lives and loves an hour,
Seem'd nobler than their hard Eternities.
My quick tears ****'d the flower, my ravings hush'd
The bird, and lost in utter grief I fail'd
To send my life thro' olive-yard and vine
And golden grain, my gift to helpless man.
Rain-rotten died the wheat, the barley-spears
Were hollow-husk'd, the leaf fell, and the sun,
Pale at my grief, drew down before his time
Sickening, and Aetna kept her winter snow.
Then He, the brother of this Darkness, He
Who still is highest, glancing from his height
On earth a fruitless fallow, when he miss'd
The wonted steam of sacrifice, the praise
And prayer of men, decreed that thou should'st dwell
For nine white moons of each whole year with me,
Three dark ones in the shadow with thy King.

Once more the reaper in the gleam of dawn
Will see me by the landmark far away,
Blessing his field, or seated in the dusk
Of even, by the lonely threshing-floor,
Rejoicing in the harvest and the grange.
Yet I, Earth-Goddess, am but ill-content
With them, who still are highest. Those gray heads,
What meant they by their "Fate beyond the Fates"
But younger kindlier Gods to bear us down,
As we bore down the Gods before us? Gods,
To quench, not hurl the thunderbolt, to stay,
Not spread the plague, the famine; Gods indeed,
To send the noon into the night and break
The sunless halls of Hades into Heaven?
Till thy dark lord accept and love the Sun,
And all the Shadow die into the Light,
When thou shalt dwell the whole bright year with me,
And souls of men, who grew beyond their race,
And made themselves as Gods against the fear
Of Death and Hell; and thou that hast from men,
As Queen of Death, that worship which is Fear,
Henceforth, as having risen from out the dead,
Shalt ever send thy life along with mine
From buried grain thro' springing blade, and bless
Their garner'd Autumn also, reap with me,
Earth-mother, in the harvest hymns of Earth
The worship which is Love, and see no more
The Stone, the Wheel, the dimly-glimmering lawns
Of that Elysium, all the hateful fires
Of torment, and the shadowy warrior glide
Along the silent field of Asphodel.
Lorelei Adams Aug 2011
Coranalled with ruby lumanecents,
She purified her hands sanguinary,
Disdaining her heart's curt, desperate repents,
She plunged into Phlegethon pensively.

Like a mother nursing her one child,
A metal bottle played her heart's succor,
She saw the world: imperfect, defiled,
And laid herself to rest on the wood floor.

Then she prayed, "If I die before I wake,
I pray the lord my branches don't break"
Àŧùl Aug 2021
Midriff burning sensation,
Exactly as if it will explode,
Nocturnal timings help,
Stark daylight is undesirable,
Troublesome five days,
Ripe burning inside the temple of life,
Under the wicked sky,
Awry is the cup for collection,
Lopsided is its construction.

Cusping the proof of life,
Unfailing burning sensation,
Pouting by the end of a month.
Phlegethon is a stream of fire or fiery light.
My HP Poem #1940
©Atul Kaushal
Ana Kruscic Dec 2012
How lonely infidel
He that passeth I;
in Phlegethon dwells.

Son of the Seas,
seasoned with algae.
Had a plea
about how he happened to be:
"When you threw me to the
depths, into the heart of the open sea,
then a very river encircled me"

Melpomene holds her Mother's dress
while sailing the temptuous tide.
Recalls the sight of hundreds and
hunches over to address.

"Lead by a primitive spirit" she wails
and solemnly stoops to ponder.

Their ship's prow now plunges deep and
through the ripples, Melpomene meets the
seedy yellow iris' of the beast
reflecting the clouds. She squints upwards
and beholds hoofs with Faithful and True.

As the river streams into Tartarus, Mnemosyne's ears
begin to ring with a thousand cries and pleads.
But the whinnies ring out louder to deafen her
while the tail of Leviathan disappears into the blue.

Through the cave and into Lethe, the earthy smell
of the tops remain as the last but dizzy to remember;
of all those who swam lightly past its mist. But to her,
tears to enter the watery abyss:
"Many must have passed through here,
lived long to see,
but not enough to learn--"
But the ship sailed on.

The stream narrows and an opening reveals. They
see melted hail with blood on the only land they recall.
A Tree glowing brightly in front of a black sky; counted many
swords gathered at the foot. Three days they traveled in
their ship, but now their oars were put on land.

Thunder whips and trumpets horn, the fallen fruit
comes ashore.
THEIR voices bellow to ask a question:
"Was it needed for a war?"
An answer, but no pardon:
"Many a pang I have felt, those aches
violently sprung up from the seven lakes,
Is nothing but a genuine mistake.
Those worthy time and day,
Will surely be given a way."

Mother and daughter wiped the tears from their eyes,
while gently lifting them to the skies.
Above them the sun shone on the wet mass,
they see high and colorfully cast:
A reassuring Promise and eternity.
Gregory Bowman Aug 2010
i choose to be a misfit, it's part of my artistry. i choose to be a misfit, a pirate and a bandit. a slave to my ministry. i outwit your chemistry and scream from the pulpit. i awoke to explosions and time lapsed erosions. the air filled with fire and rainbow smoke. i couldn't find my breath, the bed was ablaze. i inhaled the nightmare and began to choke... just then, things went fragmentary. i was more than just a dignitary. i found myself in a cinerary, facing someone legendary, and they were me. so i looked up my apothecary, knowing that i should be wary. i quickly dispensed with commentary, avoiding all things monetary. but nothing's free. speaking briefly of the goings-on, i stopped to berate the hangers-on. my mouth wove a verbal marathon, it was a virtual phenomenon. lost in my ego. restless, like the myrmidon, i was unsure of my prolegomenon. when i heard the ringing carillon, i went for a swim in the phlegethon. like abednego.
Welcome to darkness, tis imagination which
reaches the darkest valley  

In the valley of Hades resides I, darkness prevails,
moons and skies of deepest purple,
they are black enveloped in darkness here

Black roses fall above dead skies like obsidian glass,
they smash here into millions of red dancing eyes
Rushing forming the Phlegethon River of blood fires,
Erinys the dead mind, the lost, are all welcome here

Night walkers roam without eyes,
Suffocation is sweet death, no air can you breathe here,
Vrykolakas shift dimensions in night’s payment,
Fresh dead are the souls

Spiders of eight whip, bite and sink deep into eyes,
Scorpion’s sting at rotten limbs, no light shines,
No sun lingers upon flesh,
─ Reserved is your place here ─
Death by imagination, shadows creep and walls scream

Screaming souls run through mind,
Bodies severed and blood fountains rain,
─ Yes it is ******* and dark here ─

Werewolf’s roam, ripping, dripping, devoured bodies,
Feast your eyes upon black mother snakes,
Coiled they crush bones, Venomous fangs sliced flesh,
Hissing the mothers laugh,
Orinein you dead of dismal blackness

Gorge you from this table of cold fleshes; hear flesh screaming
as you open, squirming inside,  cold blood pounds in your head,
Blood runs from your ears, eyes bleeding into blooded wine
The knife before you, as you slice from head to toe,
Laughing there is no escape,
─ For you are dead ─.

She, Hades and Cerberus will hold you here, her walls are portraits,
Withering fleshes, long dead beauties pinned black paper;
ice cold diamonds drip in her gallery,
His gift of black blooded roses fill her chest,

Polished to points her bed sharp coals, purple flames burn evermore….
her throne weaved mothers, eighty eight heads,
before them you are dead,
A miserable dream, no hope as you pass through Adamantine gates,
Black fading submerged into the Lethe, slowly to nothingness,

~Dead are you here ~



© Arnay Rumens / A Sol Poet 2013
A small warning to readers,  this will make you shiver in the bowels of imagination...
Vernarth says: “We will be able to find in this path of Light that is my life, what is the wood that stretches and upsets the material surfaces in the gifts of God, with the prevailing low water of the minimal plastering of rainfall, but if in the flow of astonishment that will leave us all in the breath of knowing how to be and understand, which is my hand directed by Vitruvius, and that his interval measures do not cease to outline everything that can or could generate cracks that cross the rules of Survival, where everyone who is a survivor of the Arbela Site, will be identified as an unfolded constituent of all solid material, providing the minimum percentage that will make up the majesty of a revived heart. Vitruvius remains with me ..., and his hands sustain greater fantasies that reside in the divine architecture that will be the origin of everything that existed and will exist. The long wattles will extend in the new layer that resides between the Kidron Valley to Gethsemane, and from Nazareth to Eilat, and that those who walk around will winnow footsteps that will later lead them to Bethany, and that Alexander the Great ... my General! Will be protected by the holy mantle of Mashiach, after we are both released from this mega Purgation. That the magnitude of the planks and the broad-headed nails will be hammered by the antlers of the Uilef, and that the utopias will make me see from above and it will be like being on the shoulders of Brisehal or the Colosso of Apsila so that wattles be always and permanently sprinkled by my prose of advent and passion of my Redeemer. I am prepared with the edge of my Xiphos ..., every day I cut a piece of my arm! As I heal again, I fissure the meats that closed, letting the softness of my skin be the skin that restores the nail that will slice the second rows of concession arteries, so that they are assimilated to the third that could reach the same way as those received by the Mashiach. The length of the miracle is imperishable and the nails with a small head will make the break where they will not be finally nailed, interweaving the preparation vines that will cover my arm and that of Alexander the Great, more distant from the third arteries that still bleed, so that they are prepared in the fourth row of the syntagma group in the arteries that will be those that hold posterity carrying everything with my sectioned dexterity, but always holding onto the Xiphos behind the brilliant mortar of Arena. Nothing exists, everything only existed for the first entelechy of Zerubbabel when rebuilding, and our Redeemer uttered that everything will be turned into pieces of stones with bones of long wattles that would extend to the layers of clay being his tomb, that yes passing through the mortar that will make all mankind redo the sawdust of the whole earth towards the devastated earth. In this way, the four rows of arteries will lie in the preparation rows with my right arm burning when I first touched the Empyrean taking me with it from 775 BC. C. until the time of the first century of the Era of Our Lord ”.

Cosmic thought crossed the four brains of its component of unfolded time, after being attracted by the foolishness of the thoughts that traveled without generational limits of Tikun, in such a way that the thoughts that were fixed on the orthogonal of infinity were detached from time imperceptible with the summation of the loss of the unknowable space of the abstruse of the Vav Hei Vav, creating the total dissociation of the past from the peristyle of time, leaving the future numbed in the antiquity of the Hellenic past, but reviving it in the passing of the transgression mean, between the antitragus of the head of the four assistants of the Vav Hei Vav, to transfer them through the shell of each one in their inner ears when sizing what will pass silently through their cognitions and in their Over Being, or Quantum Being that will take them along paths from the 700 years old to the first century in the constitution of Hera in Olympia, and rather towards the recalcitrant subjection of the stones that made it up to be subject to the nurse nomenclature of the understanding of the cosmic thought of Vernarth, who had slender few sponsored in all the naturalities that tried their mimicry, doing nothing else what has not been noticed far from it, from where the natural deformation of cosmic thought will bend as it is transcribed in all the textual evolution of the four united minds of Vernarth, Alexander the Great, Saint John the Apostle and King David. The luminescence would be attracted by all the rivers in the Vernarth Opera with the Bumodos, Eygues, Lethe, Euphrates and Nile, Acheron (the river of sorrow), Cocytus (laments), Phlegethon (fire), Lethe (oblivion), and Styx. The Bumodos would be the stigma of the pain of the Thymus of Vernarth that would be even more active and sensitive than his heart, and the Eygues that would be his faithful companion that would help him to promote the pains of lost loves with Wonthelimar, when the haze and storm left him alone in the sugary sand with labyrinths and the contact of the last frictions of his loved ones, leaving only messes in a Siddartha that would tend to be tempted by humanity, making us believe that nothing is more powerful than the propensity of evil to have in the constitution transgenerational family, to remain anchored in Ha-Shatán's slander, harassing immanent relics of the worship of man who settled on the banks of rivers in the expectation of quenching their thirst for wisdom or for the Vav Hei Vav, as a portal of entry of the trip around the world that unites us with our encore adventures, that are always united to the past of the upper ***** and that does not leave us any second of the present in his waves of contemplation as a Hoplite man in the fantasy of his dreams, managing to make the rivers of oblivion or Lette propitiate the future that will not make him forget what in the past was an underground part of the currents of a watery thought, what is The verb will be and should be the subjugation of those around him who harasses himself.

In this way, the words ran in the sorry speed of the harassment of the immobile Ha-Shatán but fiercely restrained by what surrounded the verb as in the meadows of Ein Kerem that was surrounded by the contours that made her not fatigue in the gaze of the heaven, when everything that was close was in fullness with the organic nature that contained it, and everything that was summarized from the rhythm of the Hexagonal Chapel of the Shepherds in its rhythm, like a swarm between winds that carried pollinations in the first words that they contained themselves from the latter to later reconnect themselves by means of the buckles carried by the offspring of the lambs and the primordial respiration of the Cosmos, which they said above all as a verb that sprouted in the seeds themselves that were escaping from their reproductive capacity. Vernarth already knew that he had little time left to be near his Hoplites and that the ocean of arrows that would fall on his destiny would be from bittersweet Theosophy that would fall on the back of the herd, like Manna that would emancipate itself in tons of languages that can define the Thought that may pre-exist. Perhaps thinking, but anchored in the turn that contains him, between words that would no longer be writing or any wisdom that reduces him, rather the gesture of the Peri Kosmous that would transmit something to us through those who do not speak or indicate ..., rather of the same abstraction of all the Pelicans that would advance by the vital energies that wear away the concepts that sway between the waves by the Aegean seas, and of the silence that of this same thing already begins to lose the horizon in the gaze of your observer. Nothing was friction that generated words that could be the sustenance of an Era that was spent for more than seven hundred years in the hands of the oppressors who would waste it in seven seconds, leaving everything in the hierarchy of a reality as the Plan of the Spare Universe. called Duoverso, which was precisely the simple river that joins both Universes lying between themselves as the appearance of the river Acheron or permanent misfortune, imagining ourselves in every bad good fit to balance our thoughts where the first will be offshoots of the Vernarth principle, until four o'clock. arteries that prosper to reach an occult knowledge, where every being that walks twice the same way is not the reality of the times in which every day the footsteps of the Mashiach are seen from Bethany to Ophel or from Ophel to Bethany, like an anthroposophic hill and foundations that will make the city of David seven hundred meters high, carrying this peristyle in the gallery of time, going through the majestic iteration of the journey of the imperceptible quantum being seven times in a row with the seven long paths of the rebound between Bethany and Ophel, on the very promontory of Saturn reviving them in the narrow promontories that make you see that thought is more than a sacred place to remember what is dear, which is precisely what is to be appreciated and observed when some steps escape and are not of the forged walk of the Mashiach from Kidron to the Tyropoeon; towards the escarpment that would put the relays of the new sheep that will also graze on Patmos, and that despite the turns of antiquity will be the strip between the ancient era and the Middle Ages, as precepts of the sacred mountains that will grow in the eschatological of the advent of Thuellai when Profitis Ilias was the source of synergy in the figure that will unite them among the evil that grows Vg The Golgotha and the sacrifice *** Bei Himnom, proceeding with Zion of the Earth and David, as a precept of the plains of forgiveness in the Moriah from where Abraham, already provided with his “Hey”, mediated and possessed the benevolence of the Maker to bring to life to his Son Isaac, to shelter him in the rubble in everything that was not of his patriarch's fruit, and then it could be reissued in the nobility of an epigram that would be the return to Ophel after having crossed the circumflex of the word used in this paragraph, to continue through the mountains that will be the emphasis of Patmos, constituting the square for its defense and blocking all the walls of history that will be carriers of all the threat of installed evil, making them the systemic forces reluctant and doomed on the southern ***** of the Temple Mount in Jerusalem between Tyropoeon to the west and the Kidron Valley to the east dominating the ill-gestated shadow of Ha-Shatan.
Enthasis
sol Nov 2020
yew
i’m in the same place where i wrote a poem about yew
where eye compared the dawning sky
to your aura of light
but i forgot yew can fall just as much
for potential instead of for who
yew are.
eye saw what i wanted to see.
yew bristles around me
sap drizzling thru my wounds
words of red berry yew dripped
onto me like a cloying poison.
i choked sweet in Faerie
hungering for more which i cannot
taste. hollow bark hollow branches
reaching for my spirit(s) as eye
cross onto another plane of existence
where yew cannot follow.
eye am hardly free in this place
childhood memories under the
yew tree making virulent memories
laurels & wreaths wrap around me
eye am guided? eye am saved?
by yew? following yew across
Hell’s rivers. the Styx looked back at me
in the eyes of myself. Acheron stung
like the needle of yew thistles.
The Lethe offered me cleanliness
but as eye cannot forgive
i do not deserve to forget.
Phlegethon scorned me like yew jealousy,
the Cocytus bade me deafness
thru my own wails & eye ran
these yew trial me, seeing if eye
cling like a cicada to your bark
screaming and shedding skin in graphic
rebirth of the self against yew.
eye run from the truth but i have yew
to thank. guide me threw
steer my path correction course.

the axe finally lands. yew fall.
eye use yew bark to burn away
what remains of you
&
eye.
the yew tree is a symbol of death & is often used in necromancy
Passion Pete Oct 2018
He is the way into the city of woe,
He sees all dark deeds
but doesn't care so.
He'll take me wherever
I've been sent to go,
But at least someone accepts my sorrow.

Over the cliff and down, down.
When there is no more descending.
Styx, Acheron, and Phlegethon are one now.
And the Lake is unending.

I'll see them all.
I'll see them all.
Brandon Conway Jun 2018
No moon showing her lustrous wonder
No stars set ablaze
Only clouds sounding of thunder
Plunging rain greeting my gaze

Drops tasting of flame and damnation
Through a gap a gossamer star palpitates
Lonely and lost in its constellation
Only dolorous moans encapsulate
  
Gasping at fetid air
Face gurgling above scalding blood
Phlegethon, river of despair
My flesh becomes the mud

A figure appears over the precipice
A living body one that is whole
A lost man seems not necessitous
None that can help this tortured soul

A half horse is with he
Bow strung aimed at me
Risen higher than I should be
Arrow loosen my flesh stings

Awaken in sweat, four walls surrounding
A guilty conscience stewed this dream
Enclosed in darkness, alone, wailing
Recurring... haunting... blaspheme...
I'm on fire again
and it burns like a dæmon.

I find myself reveling in this
feeling, feeling so much more
than I had before. I worry that
I'd lose myself in this
quiet inferno, or return to those
forgotten shores, that I'd bathe
in the Phlegethon or the Lethe
once more. Pyromancy and tranquillity.

“Everything has its wonders, even darkness
and silence, and I learn, whatever state I may be in, therein to be content”.

Time is a river whose waters we stand in,
Memory is the fountain which overflows.
Quote:
Lines Eleven and Twelve by Helen Keller
Wonthelimar
Casus Infernalis  
Volumen I



Ultramundis Altior Caelum


Índex


Page      3 / Episode I…………………..Wonthelimar / Styx

Page    15 / Episode II………………….900 Hundred of Darkness

Page    29 / Episode III…………………Casus Infernalis / Lete

Page    35 / Episode IV……………….....Marielle meus Spiritus

Page    40 / Episode V…………………..Ultramundis / Acheron

Page    72 / Episode VI………………….Ibics Ring / Phlegethon

Page    85 / Episode VII………………....Wonthelimar / Cocytus



“Ultramundis Casus Infernalis”


Episode I
Wonthelimar / Styx

Wonthelimar, holding Persephone's hand, crosses the abyss of the Styx, the vast shore where he will find Persephone's sacred groves; he will discern towering poplars and willows bearing prophesied, dying fruits. There he will dock his boat on the shore of the most hidden ocean, heading for the drenched oikos of Hades; there in the Acheron the river of Hamas and the river of lamentations meet, gushing forth in the Styx, which gather me at the foot of a rock and its roaring waters, there My Marielle rests, bound with willow branches, tied to her brushwood with Beelzebub's twigs.

When the ship arrived from the confines of the abysmal ocean, in the city of the Cimmerians, where the sun never rises and is shrouded in darkness, I will cautiously follow one of the tributaries that lead me to the Underworld that Circe had indicated to me.

From Erebus at that time will emerge the souls deprived of life, betrothed, young men, long-lived with a thousand sorrows, tender Muses gone there with their first condemnation; many Hoplite soldiers wounded by bronze spears, warriors who gave their lives in battle with their bleeding Xiphos. They approached in a great multitude, each from one side with a horrifying clamor. I, Wonthelimar, seized by the livid fear of the Infernalis, ordered my steed to follow the points of the dark sunset that are gathering the cattle that are slaughtered by cruel bronze, resting in the world, without letting them reach the torrid blood until speaking with Tiresias, towards the blind canons of my prophet of Thebes.

It would preexist the Ultramundis and the contingency that teleported it from thousands of years stored in its ******* Godmothership; such a Dryad that, asleep in the gravitational graphics that it held out to them from the annals of the 5,000s, of cultured ruggedness and nefarious slumber that transported them in shreds of the figurative tributary, coveting to awaken its Celestine part of an extreme, strenuous suffering from the dormant, potentially expectant Paleolithic. They flow back from an arid awakening of their doomed and inert constituent in sniffed-out, univocal belligerent virginal materials, which, spirited, were jealous from the steep decanted cliffs, climbing into Celestial Paradises that were opening, sad-faced, gurgling in imbalances of lushness and pertinent shyness. Brilliant columns and balustrades will glide through such saturated imbalances and river strata, linking to contracted biological messages… not yet incited! Totally far from the fleeting tremor of gravity and its lifeless trance its lucid revival choked, dozing in juxtaposition against the lap that converged between the blinded flanks of the eyelid of stone azure and earthy silicon, a tangle of lost silences and seas of the braided talented ellipse of the stunned darkness.

Wonthelimar awakens from a thunderous dawn and from the poisonous cessation of its frightened period, just as the favorite Ibex had been in its line of disoriented role. Thunders in poorly delayed have illuminated sufferings that are born from his shoulders barely able to go intuiting to harass him and go conceiving of reuniting him from gestated pastures, and forces to meet with the sustainable humanity of the Canonized Petrified Mammoth or of huge colonies of Vampires that will fight on the bed of a dim Jurassic light decimated by ruined Corinthian dynasties.

Never will there be left behind more sackcloth or midwives who will go to mourn him, nor caustic reasons from the anti-specimen that cautiously devolves from the fleeting Sauter like a skilled Vampire who appears ankylosed from his biomechanics. Lightning flashes radiated between swollen pilasters and ideologies from a stuttering with nuances of a compromising Being struck down, incontinent to deprecate, drinking from the scented threshold between the stench and hieratic anabaptized waters of blunt skilled hands and uncrossed consecrations that visited him, falling from an animal profile, like a divergent ruler in his frivolous, cloying grotto of a defective past, aspiring to issue a new law to sustain him.

I was a brother of Admiral Horatio Nelson's illegitimate son at the Battle of Trafalgar; Josiah Nisbeth was my cabin boy, and he was my confidant when I was able to speak to him once after Horatio Nelson was wounded at Santa Cruz, during a night landing. Josiah saved his life, since he was my friend. I witnessed strenuous efforts to stop his bleeding, which was usually understood to involve manipulating a tourniquet, but the endearing thing is that it was from a palisade that was lost in fiction, being floating timbers from the Trafalgar fleets that had been smashed to pieces. It could have been an act of anonymity, but as it could have been a son lost at sea picked up by Aphrodite giving him tasks to fulfill, being Deimos who intervened in personification of Nelson's terror towards the Franco-Spanish soldiers, not conceived by Josiah Nisbeth in Trafalgar by not participating in the battle, I was a classmate of Admiral Nimitz's son in Midway, Chester Jr Nimitz, of whom I had exclusive attention when he said goodbye to this world with his wife; I Wonthelimar received him in my arms in this way taking him safely to Chauvet, I was seconded by Vlad Tepes who keeps him honored with his episode of a heroic family trunk, just as he saved his son, Îngeraș from his own Wallachian vampire subjects, protecting him from the thirst of bloodthirsty that had been unleashed among them. I stood on the deck of Vlad Tepes's ship, able to see the oozing of a dissolute world oozing from its bilges; I was an animal in Tel Gomel that on its side behaved after morbid barks to the divergent screams of slaves on the Clippers through torn seas, denoting that the ocean lives in its frustrated springs with such morbid obsession... alluded to the shepherd Jethro in Madian; with such bravado of raising licentious shells for the nations that lived execrated and the expectations of the forearm of the libertarian Executioner. This is how rivalry arises in the Hundred Years' War, being able to resist stinging fearful wounds in my cervical-dorsal, clinging to another equal who was pierced by a ****** dagger through his ******-ventral canal in Poitier and Agincourt. Here is my dexterous pen or quill, writing with the meager light of my lapsed candle, unbridled by what it will see in the Grisels; perhaps in the Griselles of Orleans or from where I was able to shield myself from the struggles of Frederick I Barbarossa, appealing to a mechanism of the forearm that decides whether to dare to live or ****, residing in the aforementioned moral paradox, which does not pivot by destroying, but rather fluctuates in its counter order like the thousands who were massacred in the Crusades in the buttresses very close to Moriah.

I have lived desolate for millions of years in total darkness, or rather in the depths of the Cave of darkness where the lost glory of Salvation resides. I have millions of Bat Colonies that depend on me, all covered like species of Madian to cure them of their glaucoma, of buried Saracen mothers with their open wombs wanting to resonate in the salvific lights shrouds of their fallen sons in the Crusades between West and East for the three years from 1093 to 1096, or the Third Crusade three times being of Frederick Barbarossa. Perhaps they are electrographic war neurosciences that experiment from the brief field of the visual range of every Crusader soul that tries and tries again in the visual fields that have been eaten away by the Evil Hemispheres of the Seventh Station of Sorrows; jagged by their fragility at the Seventh Station of the octagonal Way of the Cross, where seated on the Throne, everything is finished in the Second Crusade, just as Jesus falls for the second time, showing his extreme weakness and the weight of the suffering he carries upon himself. At this station, we reflect on perseverance and God's help in rising from falls, both physical and spiritual, perhaps distant from the Menorah or Teshuvah, mostly rusted by Louis IX of France; at the Eighth Station of the Way of the Cross, Jesus comforts the women of Jerusalem. At this moment, while Jesus carries the cross, some women are weeping for him. Jesus tells them not to weep for him, but for themselves and their children, because if they treat the "green tree" (Jesus) like this, what will happen to the "dry tree"? Perhaps this eloquence speaks of the matriarchs, abandoned and resigned in their homes awaiting their beloved Templers, who ended up signing the Treaty of Tunis, granting trade rights to non-rebellious Christians. With such pretension, having revealing territorial permutations, the Crusaders returned to Europe after the arrogant death of Louis IX, presuming to place snowy ribbons on the heads of their condemned.

The hypotheses will be political, foretold of a cerebral, non-political act, rather a feudal believer-skeptic. Wonthelimar has been a witness to this, which later leads him backside, escaping from the Quentinnais family mausoleum, taking him missing from his beloved Marielle. A scientific expedition managed to declare that MRI scans have proven that the act signed by the Papacy before starting the Crusades, already displayed heavenly icons of the Green and Dry Tree, growing from the dry autumn tree that Pope Urban II instigated with the Crusades in 1095, during the Council of Clermont, called on the Christians of Europe to recover the Holy Land from Muslim hands, marking the beginning of the First Crusade with the phrase "Deus vult!" God wants it, but not from a dry tree or Vel Arbor Arida!

I have been captive to heartbreaking voices with enriched ****** fields, while I saw the great armies fleeing with weak aesthetics of a perception, whose plasticity was accentuated with the identification of wounded souls that came for its asylum, here in Chauvet where all its magnetism attracts us from the common brawl, carrying the material on their backs like Atlas, the titan whom Zeus, the supreme god of Olympus punished in a terrible way for rebelling against the gods and against the established order: condemned to hold the weight of the world for all eternity on his shoulders; Perhaps carrying the imprisoned souls they carry within their inner world, resisting him even with their deep and high-pitched shrieks, piously chirping at them and letting them fall upon Hydor and not the fiery roar of Hephaestus, like mournful stars swaying in the house of Fire of his forge, where he worked with metals and created objects for the gods, often located in the volcanic heart of the island of Lemnos.

My Germanic roots make me tremble, abandoned by wicked solitude with few populated doubts, by a heritage where prehistoric fetishes speak with their orientation of images that carry within me, like an Atlas-Ibex confined in exile, yearning to live millions with its archetypal falls, and ambitions like trivial years of lateral syntax of Casus Infernalis that bustle more than a trunk where the digital index goes to contact the dome of the Sistine Chapel and its apostolate. I feel neither cold nor hunger, but if I beg in predictions to heal the one who supplanted my prophetic nurse Amalthea, to see him face to face like the brilliant Sun of Lemnos, attractive where I could forge myself, as if it were the sagittal cut in the murals of Chauvet and the Sistine Chapel as the Last Judgment as divine intelligence that takes away and then grants with its golden chisel or brush of the Archangel Saint Michael amidst the hives of Cherubs, making a delay in the unrevealed Mysteries of Michelangelo Buonarroti aspiring to be a Seraph.

Horses emerged from their confinement, their crimson-colored adornments clinging to the Corpus, which was described as millions of years old, from the same externalized Corpus, since the noble first piece was fragmented from the flashing Genesis. Distrustful and subtle materialized bodies could be seen emerging from this Grotto, some were mounted on their horses, thirds represented from the total of thousands of animals that could not endure the light of Day, making Night another dimension of day that was not, for night sheltered animals that could not endure night as a frontal vision that made them heirs of the nights without having a single day passed. It was random, with the probability that it owed to fluctuations that could never harmonize night with day, leaving in its only sample empty caverns where those who could not grasp the horn of the primeval Aurochs of an indivisible Torah were distributed, leaving them with the penultimate luminescence that could barely be placed in the surprising mud-covered hooves, perhaps of the nubile rhinoceros that dared to cross the fortified walls of the great fortress of Castel Sant'Angelo, originally called the Mausoleum of Hadrian, a preeminent military stronghold in Rome. Originally built as a mausoleum, it was transformed into a defensive fortification during the middle Ages, playing a crucial role in protecting the city. Its original design, along with defensive modifications, was transformed into formidable structures symbolizing the power and preservation of the papacy. Here is the sign that reveals a careful examination, of this species among species, lifting the veils of a surprising episode.

It would be the sixth day, just as in Genesis full of nascent beings of a living being in a morning that refused to be of the Day, but rather of the evening of black birds that upon raising from the sixth day the image perched on the backs of beasts. Wonthelimar was a witness to the declared tablets of Genesis that one day saw him born, being a fundamental piece of the poured out expression of the Shekinah (or Shejiná, שכינה in Hebrew) refers to the divine presence or the glory of God in Jewish theology. It is associated with the manifestation of God's presence in the world and, often, with his dwelling among people. They were the first rows of biomechanics that were compensated by the Equines that tried to revive them from the Crusades as an exceptional Universal rule. Casus Bellis proclaiming the liberation of Jerusalem, from the barony of Wonthelimar, that this lack of foresight in supplying the Crusaders was causing the arrival of such a large number of crusaders from the west, causing tremendous damage to the food and crops of Constantinople. The Emperor of Byzantium was transferred to the distant Bosphorus Strait, bordering, according to the testimonies of those hosted by Chauvet, located in Asia Minor, and to the field of Kibotos (called Civetot by the crusaders). For their part, the crusaders separated and began to plunder fields, wandering in the territory of the Seljuk Turks, around Nicaea. Wonthelimar greatly estimated how much affront could be estimated by having to argue having to move through so many sewer passages and disturbed geographies as the event of ghostly banners surpassing them in the Battle of Dorylaea, diluting the Turkish borders even before reaching Jerusalem. I was the deponent, here my jinxes commemorated the pacts in Avignon of incorruptible supplies that were generously diverted by Klaus Rittke; formerly patron of the Cathedral of the same place. A large number of civilians have circulated distributing the Bread and Wine of the year of our Lord 1099, God is ours said the Ghost of Adhémar next to me, declaring sacred wines to the deceased with the golden chalice and protective layer of poisonous fires of the pagans, running from the fractal of 1098 with the judicious ghost resorting to lighting the candles of sparks of the reduced pagan hell-lit, and plump emulators paralogizing their severed heads between slices of limp ardors of exsufflation of Raymond of Saint-Gilles who smiled suffocating from the chalice, going by supernatural emanations of the Adhémar confluence with the similar hemp of Raymond Bragasse; Dominican cleric who substantiated the coexistence of the Ibex Wonthelimar Ultramundis, this gifted and visionary Demiurge who emerged from his kneeling knees under the patronage of a vain mortal. Raymond Bragasse, after being expelled by Beelzebub, alluded to saying, believing himself to be Lucifer in the sackcloth of Atlas, ****** with the indecency of a despot, Zeus transformed into his iron plumage, tracing the cremations of those who were his deceased soldiers and honored by the forges of a soldier who emerged from the dissipated dreamscapes or dream worlds of Hephestos.

From the pillar with such a visionary spear…, as a Hellenic who fought at Gaugamela would say, I utter, saying that only from the most harmful and most kindly evil sieges do we become pious, that neither Akkadians nor Phoenicians will go searching the Dorus towards the encounter with the filial trunk of Noah, as a Semitic Akkadian people, at the free will of the nautical Phoenicians speaking with the underlying languages of the Semites also attached, who lavished crowning Canaanite visions currently prescribed to them by Wonthelimar of Bishop Adhemar, judging themselves to be children of all those who fell in Jerusalem.
My Casus Infernalis is the poise of a truly villainous revelry, I only have the droppings of my Chiroptera being supplied by Vlad Strigoi from Transylvania, who with Cave Faith and replenishment had their shelves decreeing Vespasian's survival tactics as emperor, using effects to govern and consolidate his power. Among them, highlighting his skill in his intendance and finances, his ability to end trances and his ability to promote the construction of great government works that colossally benefited Rome perhaps captivated by Apollo, to whom he erected a colossal statue that would later serve as messianic inspiration for his son Titus, destroying such catharsis in the firewalls of Jerusalem arranging tunics with their purple stripes that were invoking the esteemed Zeus, deifying the nine lunar days that would remain to have the visions of my advocated Demiurgy, authorizing the preexistence that was being formed with the channels of living Medieval Europe and Judah with its vibrational entity. Great influence of the Visions of the Bishop of Adhémar suggested walking barefoot around the perimeter of the walled city for three days and three nights, just like the prodigious mitzvah of Joshua in Jericho. Intrinsically, the memories of Greece and its ancient polis were being collected in the Chauvet Cave until July 15, 1099.

Wonthelimar was part of this Crusade under the command of William of Embriaco, a prophecy that Vlad Tepes had announced to him in the cockpit of the Strigoi Frigate, from the moment he set sail with his ship from Hormuz, to later join the Genoese forces, marking the first contingencies with effective seafaring reactions to approach Egypt, Ashkelon, and from there, Judah. Throughout that same afternoon, the night, and the morning of the following day, the crusaders unleashed a terrible massacre of men, women, and children, Muslims, Jews, and even the few Christians from the east who had remained in the city. Two thousand Jews were locked in the main synagogue, which was then set on fire. Vlad Tepes levitated from ships, fighting over sulfur fumaroles, hovering over the palisades that were being dismantled to later build the turrets of the illustrious fortifications of Jerusalem. He did not participate directly in the Crusades, but he saw himself as a crusader in his fight against the Ottoman Empire.

Vlad Strigoi says: I was regent in the Principality of Wallachia, incredibly we boasted with Wonthelimar conversing in extended days of who would finally survive whom or how incorrupt we would be over the millennia. A resplendent Ottoman convert was revived in my chamber, which still remains intact as it was from the monastery of Snagov, where we both also resided in a great monastic millennium that made us confreres, Wonthelimar and I played Karniffel shuffling with the German, French, and Romanian symbols. We also went elbow to elbow around the lame one who escaped from the fox and the goose that wandered, breaking the board when we were cooking, and we emptied the glasses with goat's milk and blood from his internal jugular, covering two inches of his clavicle. The crypt, which was commonly referred to, remains intact until Wonthelimar set out to search for Marielle in Gaul, after escaping the inquisitorial armies of Frederick I Barbarossa. He was able to attest that Marielle's death in the Mausoleum of the Quentinnais would be revived in the blazon hanging from Barbarossa's banner or ancient Vexillum, which struggled to keep her cadaverous body intact, only to understand and observe that it wasn't so much her heart, torn out by Beelzebub, that it shone brightly, more in conformity with a tender heart before an execrable banished soul. I am from Wallachia, and I have little and short-sighted knowledge of the descendants of my 3rd lineage, in this attribution of Count and Prince Vladislaus Szekys. As precocious children, Wonthelimar and I played at being active monarchs, courting the good harvests and inheritances of my predecessors and successors, since they have not enjoyed the privilege of outliving me, but I have outlived those who were and will be. In 1456, I returned to Wallachia after assassinating John Hunyadi, thus beginning my reign, but never ceasing to be a Wallachian Prince. This is where Wonthelimar and I agreed to never separate from each other in the distance, making the decision to visit him every winter when Wallachia, in solidarity, would cooperate by bringing them provisions, and my faithful 23,000 soldiers who would take territory with their colony of Bats, where I would settle permanently after being assassinated by feudatories of the Turks, soon after I was betrayed in such an instant that Wonthelimar could receive me in his arms.

I have been enthroned in Chauvet, I have been a Wallachian in exile, seizing the Principality of those who belong to Chauvet, united to the Casus Infernalis of Wonthelimar; now I am the delirium of the most beautiful, acclaimed, and venerated by the Demiurges of the Etréstles of Kalavrita, of such a magnificent ethopoeia or detailed description of the soldiers, clean-faced, without crests or allegorical protections. Sometimes we sing in unison with the wind Pontias, believing I have returned to the Saxon and Transylvanian regions of my own Dracula; I have attended more than poorly to what should be the overcoming of such holistic deaths, reviving from isolation, from none of which I could soothe my pains. The Pontias of Nyons reminds me of the Austru blowing over the canopies of Orion, on warm summer nights, sponsoring plumes with eight-pointed stars and a ruby in the center, with seven horchata pearls and five crowned, like worthy apexes of defeating a Habsburg.
www.joseluiscarreniotroncoso.wordpress.com
Yash Jan 2020
Grey in Rainbow
Blood in capillaries
Gasp, oxygen
blood, turn blue.

Regular beat, relief
Racing car, Lightning McQueen
Anxiety, rush in Aorta
Dilute, soothe, disillusion.

Greek gods, medusa´s eye
Stone sculpture, eternal
Laid bare, ****
Draw me french.

Hands, save thy dignity
clutch the *****
oh my pearls
roll over eyeballs, curses.

Put a paper lantern
over your eyes.
Put your tinted glasses
rose coloured view.

Finger on the pulse
trigger, don't shoot
don't want 49 dead
progress, fear strikes back.

Hoot hoot
the clock strikes 2.02.
Rise up from your bed
you winged sucker.

Vampire, drink your fill
no limit but 6.
1, 2, 3, 4, 5, 6 greetings Charon
One coin to River Acheron.

Oink oink
little swine you are.
Pigman, hold your cleaver.
Pig blood, Carrie´s revenge.

****** red, sacrifice Jauhar
Euphrosyne´s joy, Euphoria
River Phlegethon, the path to Tartarus.
Cocytus, bathe me in Lethe.

Hypnos, spare me.
Himeros, May it be
Aporia, Limos, Hedone
Meet Curae, Nosoi, Algea.

Phobos, I am scared.
This poem is about the fear of ***, specifically *******. The poem talks about how in different ways, *** is a thing that haunts and hurts him. From greedy pigs who just want *** to manipulative vampires who want to **** all life out of him. It also talks about how the shooting struck fear in him. The poem then uses refrences to the greek underworld to express his emotions.
Mike A Eyslee Mar 2020
A chill of Styx water runs through my heart,
Arrows cannot reach it, I will not let them.

To do so is to die,
Please understand.

Shots of Phlegethon stopped reaching my tears,
Too many times have I gone mad from it's flames.

I would rather forget,
All that icy pain.

When I die from this curse of long-lost touch,
Send me to corrode on the banks of the Lethe.
Don Bouchard Apr 2020
Five rivers, horror-full
Through Hades flow:
Acheron, full of sorrow, endless woe,
Cocytus, howls as lamentation and regret,
Phlegethon - smoke and molten fire, ever hot,
Lethe - black waters of oblivion,
Styx - bitterest of all, flows full of hate.

The boatman Kharon,
Psychopomp, deliverer of souls,
Navigates Acheron and Styx,
Plucking his coins
From passengers' eyes
(No one is alive),
Then lets them find
Their appointed ways
To bliss or dread.

Odysseus alone
Braved Phlegethon
To speak with wise Tiresius;
Tossed his sacrificial goat
Into the flowing fire,
Heard the Ancient's voice,
Then fled in terror.
Greek mythologies still fascinate me.
pluviophile Apr 2018
was the blackest night i could remember
i didn't have the voices of angels to sooth me
demons took charge that night
i feel bright blue eyes settling on my
as piercing as the dark scythe he held
another painted white creeped out
their faces smiling with the smiles i did not want to see
i try to tell myself it will be okay
but in my heart i knew it wasn't
i pray as they come closer
their prescence tighten my throat and don't allow me to speak the words i needed
i clutch blankets as a shield
but i could feel my former protection wrap around me like the chains coming up from hell
i scream
with a scream i hope was not the voice of him
i imagine the tears streaming out like the phlegethon burning the demons
but it only gives them like
arms catch me
it takes me a moment to realize that they were neither angels or demons
but soothing arms that actually cared about me
i surfaced out of my run away imagination
it is no longer black
and no demon is no longer there
but i was so sure they were still watching me
Yenson Sep 2020
indentured flying Capuchins do editorials
in ringfenced malaise the fervour holds
as soap box decorated poltroons
hail the dark arts in chalk stains
the clumsy dexterities of arthritic magicians

in peeling a brain the brain peels them
the Centurions at Golgotha are boozing
unwoke in unawareness they sing
the ballards of ***** canaries
lifted from the prints of invisible deeds

wears the stigmata of honor and truth
the reincarnated Scipio Africanus
sees the wraiths writhe in scornful shame
defunct rulers limping in the Acheron
submerged in  the Cocytus and the Phlegethon

at home in the fields of sheep and knaves
mendacity crowned in Emperor's robes seen
alas the scales peeling off the nudists now exposed
scaramouches posing and posturing as buffoons defined
going down on their mamas hailing themselves Adonis
the Asians and Africans can talk they are not so inclined
some matters in the forum are best left to the imperialist

— The End —