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Terry Collett Dec 2014
The walk
from Peckham Rye
train station
to my aunt's
is quite a trek,
but Lydia and I
set off along
Rye lane.

Never been here before,
Lydia says.

I been here tons of times;
I was born up the road.

What this road?

No, at the hospital
nearby.

She has a thinness
about her,
her lank hair is caught
by the sunshine.

We pass by shops
and cross side streets;
pass people shopping.

Dad hates shopping,
Lydia says,
he says it's a ****
of a game,
worse than kissing
his boss's backside.

She laughs;
a link of light
brightens up
her eyes;
there's a hint
of beauty
about her.

Your mum
wasn't too keen
on you going with me,
I say.

Anything that hints
of spending money
and she's up in arms;
she wouldn't care
if I went
with the milkman
as long as he paid.

We walk on
and down a street
that leads
to my aunt's place;
the shops have gone now,
just houses and flats.

I heard your old man
singing in the Square
the other night,
I say,
drunk as a lord.

I know, I heard him, too,
Mum wasn't none
too pleased;
she dragged him in
and gave him her tongue;
I couldn't marry
a man like that;
does your father drink?

No, only the odd pint
or port at special times.

We pass a dog peeing
against a wall;
it wags its tail
as it runs off
down the road
leaving a pyramid shape
of wetness behind.

My brother Hem does that,
Lydia says,
***** ***.

There is an aspect
of light
when she's angry,
like a birth
of a new world.

Is your dad Irish?
he seemed to be singing
an Irish song
the other night?

No, he always sounds Irish
when he's drunk,
like he sounds Welsh
when he's sober.

She holds my hand
as we cross a busy road;
it's thin and bony;
I feel it
with my thumb
as we walk along,
her bony knuckles;
I squeeze it gently
and she softly
chuckles.
A NINE YEAR BOY AND GIRL IN LONDON IN 1950S
Paul Butters Jan 2015
Remember David Beckham
The footballing great from Peckham.
He would always bend it
So no-one could defend it.

Paul Butters
Shame Beckham didn't play for Leeds.
Joe Bradley Jun 2015
As the waves fall on stony shore
the sword just sits there,
blunting in the washing sea-foam.

England’s winds carry the sand
from England’s rock to the grazes
on our ankles, our feet and hands.
They from the toes of Cornwall to
rocky Dunnet head
will our courage forward
through the first crawl on cam-corder,
to the last drop to earth.

‘We all began at the seaside’

Though days are gone, we linger
snaking through London with those southern scrubbers,
those diamond white men,
the Caribbean accents, the Guajarati, the Jews -
‘A Coke is a Coke and no amount of money can get you a better one’
- we all patter round Oxford Circus and
climb aboard the number 9 bus.

‘Who so pulleth out this sword is trueborn King of all Britain’

And we watch the waves fall.

‘Hold very tight’

It’s there behind our ray-ban’s, our fake ray-ban’s,
their halcyon glint.
It’s the same secret, not one of us can keep -
Under the setting sun between
England's canals and sheep
the living live, cry and sleep.


-

It was London and my mother that
raised the muscles in my thighs to look firmly planted
and my face to look resolute when turned to the sun.
It was my mother and London.
They grew me up to look like I could pull out
Excaliber.

‘Lay me down trepanner man, but take the stories with you, if you can’.

So I, always King Arthur,
not a yank, not from Roehampton’s towers,
or Peckham. Not Tintagel, or Camelot,
escaped on an eddie to Manchester,
to bury stories with distance
and stare at cobwebs after rain.

'I’ll hear easy music, find out it’s easy, man.'    

But in Manchester’s plastic, in Manchester’s rain
It ran all the same.
Of a blunting blade, I dreamt,
until the Phrenologist came
and I asked him if I was torn up by London grit,
London loves and London’s spit.
But he said no,
no matter where you go
there’s just one secret that you’ll never keep
Under the setting sun between
England's canals and sheep
the living live, cry and sleep.


-

The sword just sits there,
honest as a dog.

And the sun has more secrets than any man on earth.

my shadow scuttles through the suburbs,
the seaside, the city, sideways like a crab.
The sandy cuts on my toes, ankles and knees
are bleakly investigated by a fly.

Has anyone sat at the round table?

It’s out of reach of my skinny wrists.

Lash me to a pole and wait for the Avalon tide
to slowly roll my English soul.


I better keep on living.
All stories, tears and sleep.
We are all just the living secret,
that not one of us can keep.
We drift into and out of the light
casting shadows that catch us
erasing the night
raising statues to dead men and
drift off again.

When the men with the ***** have the walls to write words on
they will write up a storm to take down the statues
use crayon and paint to explain in some detail
the fall and the fail.
I sail with the pirates who sail on the sea where the light dips into the ocean for all men to be equal
for all men to be...
...the wind blows hard and the thousand yard stare stares icily back,
bolt action,my
reaction is to attack, but I throw
daffodils instead.
The sun shines out loud in the kipper tie sky as clouds of orange peel puffs drift slowly on by,
If I got as high as that kite up on Parliament hill
I could chill with the zest of it, taste of the best of it, but I'm stuck here and down in it
watching as the day goes slowly away from me, hoping there'll be some of it left for my tea.
John Bartholomew Oct 2015
Was he a disciple or just a friend of Jesus
So many to choose from it carries on through the ages
Whether you hail from the sunny realms of Brazil as Juan
Or lead your life on the bus tops of Paris, showboating to the tourists as Jean
you are always just John

Did you see that goal on Sunday in Barnsley from Pedro
crossed in on a sixpence by that guy on loan from Bristol
Parading as the next man to steal the footballing thrown from Beckham
Just a council house kid from the block down in Peckham
again, just John

Kissing the Blarney stone an excuse for his gob
the banter the laughter hiding the rile in his job
that day in Ireland that Sean always dreams of
going back would be heaven, to find the girl he should have once loved
again, just John

The shores of Naples looking out over the sea
Ischia, Procida, Capri, the place he’d rather be
behind lays dormant, Vesuvius once angry
Pompeii, Herculaneum destroyed in its fury
now time to spread his net and look for new shores
only Gino knows it’s time to open new doors
again, just John

No matter where you are from
there is somebody like you just struggling along
troubles brew in every corner of this planet
don’t think it’s just you who really cannot stand it
again, just John

Difficulty is rife no matter where you seem to look
your boss is a grievance and you wish them long gone
but it’s not just you, it’s you and every other John
so I’ll say it again without a look in the mirror
I know your stress my friend because I am that man
yes that is me
I am just John
Stanley Wilkin Jun 2017
Is it possible for a land to dream
Of Harakiri.
Gouts of screams and tears abound
Self-destruction is such a sweet sound
Particularly when told from afar
By those so clearly in the know.
But is that the truth, what we are told?
Does this land dream of a death all of its own?
Or perhaps tales of its expiry are greatly exaggerated
For profit and shock.
Could this be true, that they are lying to you?
Or does Peckham wish to fall on its sword?

Perhaps once, in the span of three days
Did this land wish to see itself burn,
To see itself consumed in the fires of greed,
Of hatred,
Of ignorance.
Tell me, is that all that this land has to offer?
Will it willingly trudge to such a dishonourable demise?
Or will it rise
And show those in the know
That in truth Peckham dreams of a fate more honourable than Harakiri.
BY my son: Stephen Francis
Terry Collett Dec 2014
Lydia follows her big sister
out of the flat;
she is tall
and has a blonde
explosion of hair,
eye-shadow so thick
she appears clown like.

She walks off
with her tight-dressed
backside swinging away.

I watch her go,
fascinated how
she manages to balance
on such high heeled shoes.

Be glad
when she leaves home,
maybe then
I get to have
my bed back,
Lydia says.

How does she balance
in those shoes?

Practise,
she's worn them
since she could walk,
Dad says.

Her big sister, Gloria,
goes down the *****
and out of sight.

Where we going?
I ask.

You decide.

What about
taking a train
to Peckham Rye?

Have to get some money;
I'll scrounge off Mum.

So she goes indoors
and I stand outside
the door
looking out
at the Square,
hearing voices
from within.

An old guy walks past
with his Boxer dog,
he nods to me
as he passes.

Lydia's mother
comes to the door
with Lydia behind her.

Think I have loads of money?
Think I can afford
to let her go here
and there
just on a whim?

No, I have money,
my old man gave it me
for polishing his shoes,
not that they needed polishing,
but he likes them
real bright brown.

I don't give a ****
where you get
your money from,
but I haven't money
to waste
on a train journey
for her.

I can pay.

You?

Sure, I have enough.

She is silent
(miracles happen).

She stares at me
with her beady eyes.

If you are paying,
then she can go,
but no monkey business,
no getting in people’s way.

She walks indoors
and leaves Lydia
standing there wide-eyed
and open mouthed.

I can go?

Sure you can,
but no monkey business,
whatever that means.

No climbing trees,
I guess.

We set off together
through the Square
and down the *****,
she looking back,
I taking in
her thinness
and lank hair,
and that look
of uncertain
despair.
A BOY AND GIRL IN LONDON IN 1950S.
power and beauty
stone and steel.
rise above
mud and wood.
swarmed by
worker ants.
world without end.

wyn is a poet.

a visionary.
monkeys and tigers
stalk welsh hills
the
satanic mills
of his imagination.

he is the blake
of the a470.

did he once see
angels on peckham rye
too?

i expect he did, i expect.

we will not know
unless i ask him.

he will tell.

yet not when
his colleagues
are listening.

he may be shy.

balfour beatty.

sbm
Donall Dempsey May 2017
'BESPANGLING EVERY BOUGH WITH STARS."

Was as if
time had become

visible.

He could see seconds
hanging in the air there

the architecture of a moment
the shape of an hour

laid bare.

Was as if
he could see atoms dancing

into being

becoming one thing
or an other.

Guess he would have been
three or a little more

and the mystery of the world
stood naked before him.

A sort of angels over
Peckham Rye moment

the world lived
in slow motion.

Was as if
he could see

the whole process
an intense focus

one moment the red ball
hurtling towards the sun

and then and then
as if years years later

dropping into his hand again
not the red plastic ball

but the sun.

That is how memory
remembers it.

But at the time
it seemed the universe

had come apart
at the seams

and he could be
part of the great wonder.

Here was Mr. Blake's tree
moving me "...to tears of joy

...rather than only a green thing
that stands in the way."

A universe within me
expanding continuously

the big bang
of being

3.
In 1765 at the age of 8, William Blake saw his first vision while walking on Peckham Rye. 'A tree filled with angels, bright angelic wings bespangling every bough like stars.'


"The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see nature all ridicule and deformity... and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself."
Michael John Oct 2017
we are to marry
before we make 60
i figure as good as
a time as any..

dress up in finery
write some poetry
two gold bands
for all eternity..

we shall honeymoon
in the fenlands
see peckham house
stay at my mums house..
There are a lot of wide boys
on the South Side,

I put it down to their diets

— The End —