Dosn't thou 'ear my 'erse's legs, as they canters awaay?
Proputty, proputty, proputty--that's what I 'ears 'em saay.
Proputty, proputty, proputty--Sam, thou's an *** for thy paains:
Theer's moor sense i' one o' 'is legs, nor in all thy braains.

Woa--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eather a man or a mouse?
Time to think on it then; for thou'll be twenty to weeak.
Proputty, proputty--woa then, woa--let ma 'ear mysen speak.

Me an' thy ******, Sammy, 'as been a'talkin' o' thee;
Thou's bean talkin' to ******, an' she bean a tellin' it me.
Thou'll not marry for munny--thou's sweet upo' parson's lass--
Noa--thou 'll marry for luvv--an' we boath of us thinks tha an ***.

Seea'd her todaay goa by--Saaint's-daay--they was ringing the bells.
She's a beauty, thou thinks--an' soa is scoors o' gells,
Them as 'as munny an' all--wot's a beauty?--the flower as blaws.
But proputty, proputty sticks, an' proputty, proputty graws.

Do'ant be stunt; taake time. I knaws what maakes tha sa mad.
Warn't I craazed fur the lasses mysen when I wur a lad?
But I knaw'd a Quaaker feller as often 'as towd ma this:
"Doant thou marry for munny, but goa wheer munny is!"

An' I went wheer munny war; an' thy ****** coom to 'and,
Wi' lots o' munny laaid by, an' a nicetish bit o' land.
Maaybe she warn't a beauty--I niver giv it a thowt--
But warn't she as good to cuddle an' kiss as a lass as 'ant nowt?

Parson's lass 'ant nowt, an' she weant 'a nowt when 'e 's dead,
Mun be a guvness, lad, or summut, and addle her bread.
Why? for 'e 's nobbut a curate, an' weant niver get hissen clear,
An' 'e maade the bed as 'e ligs on afoor 'e coom'd to the shere.

An' thin 'e coom'd to the parish wi' lots o' Varsity debt,
Stook to his taail thy did, an' 'e 'ant got shut on 'em yet.
An' 'e ligs on 'is back i' the grip, wi' noan to lend 'im a shuvv,
Woorse nor a far-welter'd yowe: fur, Sammy, 'e married for luvv.

Luvv? what's luvv? thou can luvv thy lass an' 'er munny too,
Maakin' 'em goa togither, as they've good right to do.
Couldn I luvv thy ****** by cause 'o 'er munny laaid by?
Naay--fur I luvv'd 'er a vast sight moor fur it: reason why.

Ay, an' thy ****** says thou wants to marry the lass,
Cooms of a gentleman burn: an' we boath on us thinks tha an ***.
Woa then, proputty, wiltha?--an *** as near as mays nowt--
Woa then, wiltha? dangtha!--the bees is as fell as owt.

Break me a bit o' the esh for his 'ead, lad, out o' the fence!
Gentleman burn! what's gentleman burn? is it shillins an' pence?
Proputty, proputty's ivrything 'ere, an', Sammy, I'm blest
If it isn't the saame oop yonder, fur them as 'as it 's the best.

Tis'n them as 'as munny as breaks into 'ouses an' steals,
Them as 'as coats to their backs an' taakes their regular meals,
Noa, but it 's them as niver knaws wheer a meal's to be 'ad.
Taake my word for it Sammy, the poor in a loomp is bad.

Them or thir feythers, tha sees, mun 'a bean a laazy lot,
Fur work mun 'a gone to the gittin' whiniver munny was got.
Feyther 'ad ammost nowt; leastways 'is munny was 'id.
But 'e tued an' moil'd issen dead, an' 'e died a good un, 'e did.

Loook thou theer wheer Wrigglesby beck cooms out by the 'ill!
Feyther run oop to the farm, an' I runs oop to the mill;
An' I 'll run oop to the brig, an' that thou 'll live to see;
And if thou marries a good un I 'll leave the land to thee.

Thim's my noations, Sammy, wheerby I means to stick;
But if thou marries a bad un, I 'll leave the land to ****.--
Coom oop, proputty, proputty--that's what I 'ears 'im saay--
Proputty, proputty, proputty--canter an' canter awaay.

Hom-ouses



1. Allentown, Pennsylvania. A cream-colored home with reddened shutters. Age 0 to 1. Only known from photographs, the street blew up one decade later during a gas leak. The neighborhood was evacuated. No one died, but you’ll never see your first home, except for your first eyes, ever again.

2. Tulsa, Oklahoma. Age 2-3. A one-floor home with a cement tornado shelter—something straight out of the Wizard of Oz or Twister—in the backyard, right beneath the clothesline, your great grandmother, Juanita, still used to break chickens’ necks rather than wash your toddler clothes.

3. Green Bay, Wisconsin. Age 4-6. A two-floor suburban home, built at the top of a hill which iced over frequently in the blizzards. Your brother jumped from the tears, and played with your husky dog, before picking flowers for the first and only bus driver you’d ever have.

4. Atlanta & Alpharetta, Georgia. Age 7-9. You were a minority, and you lived in a brick house, built atop a mound of red-brick clay. You made your first friends—a catholic, a reader, and two black girls. None of them were allowed to see one another, so you had to choose which. You hated girl scouts—but your dad had an addiction for discounted cookies and calendars.

5. Kansas. Age 10-21. You’ve lived in four different parts, but it’s close enough to return to the house your grandfather died in (by smacking his head on the toilet) or the house your mother died in one year later (by a drug overdose) or the house your husky dog died by (drowning in the lake) or any other house someone died in, even the most recent. At least you published a book and got a cat.

....


I read this at the University of Kansas during their Undergraduate Reading Series. Read more about this event here:

http://shannonathompson.com/2013/02/11/my-undergraduate-reading/

Her

In the deep blue abyss, Wider than the ocean you lose track of self.
Guided by her gaze your mind wonders across her warriors reflection.
You see only the purest of creatures, with hair wavy and gold, like the parched cotton grass of the moorland Heath, shimmering late in the low October sun.
She smiles, illuminating the room with her fire.
Warmth ouses from her dimpled, cherry coloured cheeks as you find the courage to touch her.
The finest silk could not compare to the soft delicate touch of her battle scarred skin, you see the warrior and the raging fire in her soul.
It compels you to gaze deeper, in to the deep blue abyss.