Her presence cannot be denied,
She stands tall and strong with pride;
You cannot overlook her magnitude,
Because she has beauty with attitude;
What a woman,
What a woman indeed,
What a strong Black woman,
For her just even be.

She defines the essence of perfection,
In each notable fashion without exception;
Highly cognizant of her forefather and mothers,
Therefore she paves paths for so many others,
What a woman,
What a woman indeed,
What a strong Black woman,
Even for a crazy world to see.

Her smile is like heaven's gate open,
Bringing joy to all who are chosen;
A lady of strength beyond any measure,
And a heart too big for one person for treasure;
What a woman,
What a woman indeed,
What a strong Black woman,
Who wound up inspiring me.

For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney

IV. TO HERMES (582 lines)

(ll. 1-29) Muse, sing of Hermes, the son of Zeus and Maia, lord
of Cyllene and Arcadia rich in flocks, the luck-bringing
messenger of the immortals whom Maia bare, the rich-tressed
nymph, when she was joined in love with Zeus, -- a shy goddess,
for she avoided the company of the blessed gods, and lived within
a deep, shady cave.  There the son of Cronos used to lie with the
rich-tressed nymph, unseen by deathless gods and mortal men, at
dead of night while sweet sleep should hold white-armed Hera
fast.  And when the purpose of great Zeus was fixed in heaven,
she was delivered and a notable thing was come to pass.  For then
she bare a son, of many shifts, blandly cunning, a robber, a
cattle driver, a bringer of dreams, a watcher by night, a thief
at the gates, one who was soon to show forth wonderful deeds
among the deathless gods.  Born with the dawning, at mid-day he
played on the lyre, and in the evening he stole the cattle of
far-shooting Apollo on the fourth day of the month; for on that
day queenly Maia bare him.  So soon as he had leaped from his
mother's heavenly womb, he lay not long waiting in his holy
cradle, but he sprang up and sought the oxen of Apollo.  But as
he stepped over the threshold of the high-roofed cave, he found a
tortoise there and gained endless delight.  For it was Hermes who
first made the tortoise a singer.  The creature fell in his way
at the courtyard gate, where it was feeding on the rich grass
before the dwelling, waddling along.  When be saw it, the luck-
bringing son of Zeus laughed and said:

(ll. 30-38) 'An omen of great luck for me so soon!  I do not
slight it.  Hail, comrade of the feast, lovely in shape, sounding
at the dance!  With joy I meet you!  Where got you that rich gaud
for covering, that spangled shell -- a tortoise living in the
mountains?  But I will take and carry you within: you shall help
me and I will do you no disgrace, though first of all you must
profit me.  It is better to be at home: harm may come out of
doors.  Living, you shall be a spell against mischievous
witchcraft (13); but if you die, then you shall make sweetest
song.

(ll. 39-61) Thus speaking, he took up the tortoise in both hands
and went back into the house carrying his charming toy.  Then he
cut off its limbs and scooped out the marrow of the mountain-
tortoise with a scoop of grey iron.  As a swift thought darts
through the heart of a man when thronging cares haunt him, or as
bright glances flash from the eye, so glorious Hermes planned
both thought and deed at once.  He cut stalks of reed to measure
and fixed them, fastening their ends across the back and through
the shell of the tortoise, and then stretched ox hide all over it
by his skill.  Also he put in the horns and fitted a cross-piece
upon the two of them, and stretched seven strings of sheep-gut.
But when he had made it he proved each string in turn with the
key, as he held the lovely thing.  At the touch of his hand it
sounded marvellously; and, as he tried it, the god sang sweet
random snatches, even as youths bandy taunts at festivals.  He
sang of Zeus the son of Cronos and neat-shod Maia, the converse
which they had before in the comradeship of love, telling all the
glorious tale of his own begetting.  He celebrated, too, the
handmaids of the nymph, and her bright home, and the tripods all
about the house, and the abundant cauldrons.

(ll. 62-67) But while he was singing of all these, his heart was
bent on other matters.  And he took the hollow lyre and laid it
in his sacred cradle, and sprang from the sweet-smelling hall to
a watch-place, pondering sheet trickery in his heart -- deeds
such as knavish folk pursue in the dark night-time; for he longed
to taste flesh.

(ll. 68-86) The Sun was going down beneath the earth towards
Ocean with his horses and chariot when Hermes came hurrying to
the shadowy mountains of Pieria, where the divine cattle of the
blessed gods had their steads and grazed the pleasant, unmown
meadows.  Of these the Son of Maia, the sharp-eyed slayer of
Argus then cut off from the herd fifty loud-lowing kine, and
drove them straggling-wise across a sandy place, turning their
hoof-prints aside.  Also, he bethought him of a crafty ruse and
reversed the marks of their hoofs, making the front behind and
the hind before, while he himself walked the other way (14).
Then he wove sandals with wicker-work by the sand of the sea,
wonderful things, unthought of, unimagined; for he mixed together
tamarisk and myrtle-twigs, fastening together an armful of their
fresh, young wood, and tied them, leaves and all securely under
his feet as light sandals.  The brushwood the glorious Slayer of
Argus plucked in Pieria as he was preparing for his journey,
making shift (15) as one making haste for a long journey.

(ll. 87-89) But an old man tilling his flowering vineyard saw him
as he was hurrying down the plain through grassy Onchestus.  So
the Son of Maia began and said to him:

(ll. 90-93) 'Old man, digging about your vines with bowed
shoulders, surely you shall have much wine when all these bear
fruit, if you obey me and strictly remember not to have seen what
you have seen, and not to have heard what you have heard, and to
keep silent when nothing of your own is harmed.'

(ll. 94-114) When he had said this much, he hurried the strong
cattle on together: through many shadowy mountains and echoing
gorges and flowery plains glorious Hermes drove them.  And now
the divine night, his dark ally, was mostly passed, and dawn that
sets folk to work was quickly coming on, while bright Selene,
daughter of the lord Pallas, Megamedes' son, had just climbed her
watch-post, when the strong Son of Zeus drove the wide-browed
cattle of Phoebus Apollo to the river Alpheus.  And they came
unwearied to the high-roofed byres and the drinking-troughs that
were before the noble meadow.  Then, after he had well-fed the
loud-bellowing cattle with fodder and driven them into the byre,
close-packed and chewing lotus and began to seek the art of fire.

He chose a stout laurel branch and trimmed it with the knife....
((LACUNA)) (16)
....held firmly in his hand: and the hot smoke rose up.  For it
was Hermes who first invented fire-sticks and fire.  Next he took
many dried sticks and piled them thick and plenty in a sunken
trench: and flame began to glow, spreading afar the blast of
fierce-burning fire.

(ll. 115-137) And while the strength of glorious Hephaestus was
beginning to kindle the fire, he dragged out two lowing, horned
cows close to the fire; for great strength was with him.  He
threw them both panting upon their backs on the ground, and
rolled them on their sides, bending their necks over (17), and
pierced their vital chord.  Then he went on from task to task:
first he cut up the rich, fatted meat, and pierced it with wooden
spits, and roasted flesh and the honourable chine and the paunch
full of dark blood all together.  He laid them there upon the
ground, and spread out the hides on a rugged rock: and so they
are still there many ages afterwards, a long, long time after all
this, and are continually (18).  Next glad-hearted Hermes dragged
the rich meats he had prepared and put them on a smooth, flat
stone, and divided them into twelve portions distributed by lot,
making each portion wholly honourable.  Then glorious Hermes
longed for the sacrificial meat, for the sweet savour wearied
him, god though he was; nevertheless his proud heart was not
prevailed upon to devour the flesh, although he greatly desired
(19).  But he put away the fat and all the flesh in the high-
roofed byre, placing them high up to be a token of his youthful
theft.  And after that he gathered dry sticks and utterly
destroyed with fire all the hoofs and all the heads.

(ll. 138-154) And when the god had duly finished all, he threw
his sandals into deep-eddying Alpheus, and quenched the embers,
covering the black ashes with sand, and so spent the night while
Selene's soft light shone down.  Then the god went straight back
again at dawn to the bright crests of Cyllene, and no one met him
on the long journey either of the blessed gods or mortal men, nor
did any dog bark.  And luck-bringing Hermes, the son of Zeus,
passed edgeways through the key-hole of the hall like the autumn
breeze, even as mist: straight through the cave he went and came
to the rich inner chamber, walking softly, and making no noise as
one might upon the floor.  Then glorious Hermes went hurriedly to
his cradle, wrapping his swaddling clothes about his shoulders as
though he were a feeble babe, and lay playing with the covering
about his knees; but at his left hand he kept close his sweet
lyre.

(ll. 155-161) But the god did not pass unseen by the goddess his
mother; but she said to him: 'How now, you rogue!  Whence come
you back so at night-time, you that wear shamelessness as a
garment?  And now I surely believe the son of Leto will soon have
you forth out of doors with unbreakable cords about your ribs, or
you will live a rogue's life in the glens robbing by whiles.  Go
to, then; your father got you to be a great worry to mortal men
and deathless gods.'

(ll. 162-181) Then Hermes answered her with crafty words:
'Mother, why do you seek to frighten me like a feeble child whose
heart knows few words of blame, a fearful babe that fears its
mother's scolding?  Nay, but I will try whatever plan is best,
and so feed myself and you continually.  We will not be content
to remain here, as you bid, alone of all the gods unfee'd with
offerings and prayers.  Better to live in fellowship with the
deathless gods continually, rich, wealthy, and enjoying stories
of grain, than to sit always in a gloomy cave: and, as regards
honour, I too will enter upon the rite that Apollo has.  If my
father will not give it to me, I will seek -- and I am able -- to
be a prince of robbers.  And if Leto's most glorious son shall
seek me out, I think another and a greater loss will befall him.
For I will go to Pytho to break into his great house, and will
plunder therefrom splendid tripods, and cauldrons, and gold, and
plenty of bright iron, and much apparel; and you shall see it if
you will.'

(ll. 182-189) With such words they spoke together, the son of
Zeus who holds the aegis, and the lady Maia.  Now Eros the early
born was rising from deep-flowing Ocean, bringing light to men,
when Apollo, as he went, came to Onchestus, the lovely grove and
sacred place of the loud-roaring Holder of the Earth.  There he
found an old man grazing his beast along the pathway from his
court-yard fence, and the all-glorious Son of Leto began and said
to him.

(ll. 190-200) 'Old man, weeder (20) of grassy Onchestus, I am
come here from Pieria seeking cattle, cows all of them, all with
curving horns, from my herd.  The black bull was grazing alone
away from the rest, but fierce-eyed hounds followed the cows,
four of them, all of one mind, like men.  These were left behind,
the dogs and the bull -- which is great marvel; but the cows
strayed out of the soft meadow, away from the pasture when the
sun was just going down.  Now tell me this, old man born long
ago: have you seen one passing along behind those cows?'

(ll. 201-211) Then the old man answered him and said: 'My son, it
is hard to tell all that one's eyes see; for many wayfarers pass
to and fro this way, some bent on much evil, and some on good: it
is difficult to know each one.  However, I was digging about my
plot of vineyard all day long until the sun went down, and I
thought, good sir, but I do not know for certain, that I marked a
child, whoever the child was, that followed long-horned cattle --
an infant who had a staff and kept walking from side to side: he
was driving them backwards way, with their heads toward him.'

(ll. 212-218) So said the old man.  And when Apollo heard this
report, he went yet more quickly on his way, and presently,
seeing a long-winged bird, he knew at once by that omen that
thief was the child of Zeus the son of Cronos.  So the lord
Apollo, son of Zeus, hurried on to goodly Pylos seeking his
shambling oxen, and he had his broad shoulders covered with a
dark cloud.  But when the Far-Shooter perceived the tracks, he
cried:

(ll. 219-226) 'Oh, oh!  Truly this is a great marvel that my eyes
behold!  These are indeed the tracks of straight-horned oxen, but
they are turned backwards towards the flowery meadow.  But these
others are not the footprints of man or woman or grey wolves or
bears or lions, nor do I think they are the tracks of a rough-
maned Centaur -- whoever it be that with swift feet makes such
monstrous footprints; wonderful are the tracks on this side of
the way, but yet more wonderfully are those on that.'

(ll. 227-234) When he had so said, the lord Apollo, the Son of
Zeus hastened on and came to the forest-clad mountain of Cyllene
and the deep-shadowed cave in the rock where the divine nymph
brought forth the child of Zeus who is the son of Cronos.  A
sweet odour spread over the lovely hill, and many thin-shanked
sheep were grazing on the grass.  Then far-shooting Apollo
himself stepped down in haste over the stone threshold into the
dusky cave.

(ll. 235-253) Now when the Son of Zeus and Maia saw Apollo in a
rage about his cattle, he snuggled down in his fragrant
swaddling-clothes; and as wood-ash covers over the deep embers of
tree-stumps, so Hermes cuddled himself up when he saw the Far-
Shooter.  He squeezed head and hands and feet together in a small
space, like a new born child seeking sweet sleep, though in truth
he was wide awake, and he kept his lyre under his armpit.  But
the Son of Leto was aware and failed not to perceive the
beautiful mountain-nymph and her dear son, albeit a little child
and swathed so craftily.  He peered in ever corner of the great
dwelling and, taking a bright key, he opened three closets full
of nectar and lovely ambrosia.  And much gold and silver was
stored in them, and many garments of the nymph, some purple and
some silvery white, such as are kept in the sacred houses of the
blessed gods.  Then, after the Son of Leto had searched out the
recesses of the great house, he spake to glorious Hermes:

(ll. 254-259) 'Child, lying in the cradle, make haste and tell me
of my cattle, or we two will soon fall out angrily.  For I will
take and cast you into dusty Tartarus and awful hopeless
darkness, and neither your mother nor your father shall free you
or bring you up again to the light, but you will wander under the
earth and be the leader amongst little folk.' (21)

(ll. 260-277) Then Hermes answered him with crafty words: 'Son of
Leto, what harsh words are these you have spoken?  And is it
cattle of the field you are come here to seek?  I have not seen
them: I have not heard of them: no one has told me of them.  I
cannot give news of them, nor win the reward for news.  Am I like
a cattle-liter, a stalwart person?  This is no task for me:
rather I care for other things: I care for sleep, and milk of my
mother's breast, and wrappings round my shoulders, and warm
baths.  Let no one hear the cause of this dispute; for this would
be a great marvel indeed among the deathless gods, that a child
newly born should pass in through the forepart of the house with
cattle of the field: herein you speak extravagantly.  I was born
yesterday, and my feet are soft and the ground beneath is rough;
nevertheless, if you will have it so, I will swear a great oath
by my father's head and vow that neither am I guilty myself,
neither have I seen any other who stole your cows -- whatever
cows may be; for I

Enemy training, one, two three
Is notable for its simplicity.
You just arm yourself thoroughly
And shoot people with alacrity.
Don’t worry about being wrong
Or whether an action is right.
That they don’t want you to shoot
Is enough to start the fight.

Please take this as truth
That this is how it is done
If you see someone as enemy
You cease to see a human.
The fact that they are armed
And don’t like who you like
Is enough to create words like
****, ****, ****** and ****.

Enemy training, one, two three
Is notable for its simplicity.
You just arm yourself thoroughly
And shoot people with alacrity.

Line up the opposition forces
Against a bullet-riddled wall
And shoot them many times
And see how many will fall.
The ones who do not die
Must be minions of the devil.
They are the enemy, you see.
That’s all. That’s on the level.

Don’t worry about being wrong
Or whether an action is right.
That they don’t want you to shoot
Is enough to start the fight.

And those people that don’t
Believe in your own form of Jesus,
Like Aerabbs and Jews and such,
Shoot them as much as it pleases.
Because they won’t go to heaven,
And are just heathens anyway
Like them Buddhist dingdongs
Like them ****** lesbians and gays.

Enemy training, one, two three
Is notable for its simplicity.
You just arm yourself thoroughly
And shoot people with alacrity.

And people in foreign countries
Well, you can guess how that goes;
Take a look and easily compare
Canadanians to them from Mexico.
The French are Frogs, Spanish spics.
None as good as us Americans.
And nothing good can come out
Of any **** place that is African.

Don’t worry about being wrong
Or whether an action is right.
That they don’t want you to shoot
Is enough to start the fight.

Now if you find some of this offensive
And if this is revving up your motors,
Just bear in mind, this is what goes on
In the mind of the average voter.
Want to change this, make life better?
Drop your representatives a letter.
Tell them you are on to their villainy
And see them as supporting the REAL enemy.

To put our current legal situation into context you have to ask one basic question; what is law? Is law as we have been lead to believe, the codification of statutes defining what is illegal or not? Or is there some inherent property of moral righteousness that must exist for that law to have force?

I will argue that there is a moral component of law that must be present to make the system of law work. I am, of course, aware that there are many places that laws are passed that have no moral basis at all. There are dictatorships around the world that oppress their peoples and use their codified statutes to imprison and **** any who dissent.

The ultimate example of this is was the **** Germany government who made it legal to **** Jews. It was not only legal, but a system of laws was implemented to guide their extermination. But those laws, even though written out with penalties for those who did not follow them by the legislature, were illegal.

It is a basic component of the human being to know right from wrong. It is the reason that human beings set up laws in the first place. They are set up to make sure that innocents are not victimized by the predacious in our societies. In virtually every place that a human society exists, whether on a group, tribal or civilization level, there are always laws that govern behavior. Even those that break the laws have a sense of righteousness. In prison populations, if the prisoners feel that they are being treated in a fair and just manner they will comply with the rules and follow the system. Take away that feeling of just and fair treatment and prison riots and mayhem ensues. The prisoners realize that they have broken the law and when treated humanely will accept their punishment for the most part. The prisoners know that they have committed a wrong and they knew the possible penalty beforehand and knew what they risked. If torture, mal-treatment and other injuries are added to the punishment then a situation of self-righteousness is set up. The only way to control a prison population under those circumstances is with solitary confinement and complete isolation; if left to exist within prison society it would quickly conflagrate into confrontation.

In places where law exists without any moral authority there is always rebellion brewing just under the surface of society. The dictators and bureaucracies of these societies must rule with an iron fist because they know that one moment of slackness will have them swept from power and executed or exiled. Every single individual who is subject to these laws knows that they are illegal. How can they be illegal if they are written into law you might ask; Is that not the definition of law?

My argument is that it is the moral component of the law that is essential for it to work. It has nothing to with writing a statute and everything to do with human nature. We are after all the ones who create the laws, then write them and in the end follow them. It is at the very core of our nature to organize and codify law because we are innately social by nature and always end up forming some type of society that must have rules. It is also our own feeling of self-righteousness that makes us create the laws.

Certain things are innately wrong and one person should not be able to do this or that to another, and that is the basic creator of law. Laws don’t start out as regulations to govern society. They start out as basic rules of moral behavior; don’t steal from those in our community, don’t **** anyone and don’t try to take my wife. It is this same sense of self-righteousness that drives us to rebel when we know that a law is being applied without any righteous basis.

Take traffic laws for an example. Someone is driving down the highway when they suddenly see blue lights in the rearview. They were oblivious to their speed, lost in thought, and look down at the speedometer and see that they are doing 70 M.P.H. When the cop walks up and gives them a speeding ticket for doing 70 M.P.H. in a 50 M.P.H zone, there is little room for self-righteousness. Most people knowing that they broke the law, and one enacted for public safety, will accept the ticket and pay it without even showing up in court. The next example is the opposite.

Someone is rolling down the highway and the only difference in the scenario is that when they look down they see that they are only doing 45 M.P.H. They continue on for a while, waiting for the cop to go around them. When they eventually pull over, part of it is curiosity as to why he would be stopping them. In this case when a 70 M.P.H. ticket is handed out the reaction is going to be entirely different. That person will go to court. In addition to going to court, if not resolved there, they will spend large amounts of time and money to right the injustice. They will actually spend time and money far out of proportion to the actual injustice that happened because they are self-righteous.

Now imagine that the law was written like this: If you are driving down the highway you can be pulled over and issued a speeding ticket at any time no matter what your speed was. That is the point where the law goes against human nature. People would naturally begin to rebel against it because of its inherent injustice. In the second case it is not only that person’s right to rebel against the law, but also their moral obligation. They have a moral obligation to rebel because they should be seeking to re-establish moral law. If they live in human society then moral law, compatible with human nature should be the rule. If this is not the case, then they are being set up to have very bad things happen.

The Jews in **** Germany also had a moral obligation to fight and for the most part they did not (With the notable and heroic exception of the Warsaw ghetto and a few others) and were led to their slaughter. They had a moral obligation not just to themselves, but to their fellow Jews and compatriots. They were obligated to save their children, their mothers and fathers and other humans and in the end, for the most part did not.

Instead they followed the laws of **** Germany. (Just as the German soldiers at the Nuremberg trials did) They agreed to be registered because to not do so would be breaking the law. They showed up in groups to be transported away because to not do so would be breaking the law. They gave up their goods and businesses and money because not to do so would be breaking the law. There were, of course, severe penalties for breaking the law such as being imprisoned or just disappearing into the night and that drove most to comply.

I know that faith also played a part for many and I am not judging their actions or inaction. I am simply stating the results of what happened by their following the law and putting forward the fact that we are all morally obligated to act when law becomes illegal or immoral.

When law has lost its moral authority and becomes nothing more than something punitive to arbitrarily punish enemies then it is not true law; or at least not true to human nature , by which we all act. In that case all the law becomes is a fear of retribution. No one cares if they break the law for they feel no guilt about doing so and we humans, for the most part, are moral beings. Personally I don’t rob people because it is against the law. I don’t rob people because of the fact that it is morally wrong and I have no desire to violently take from another to gain wealth. I will die before I take the sustenance of another to live.

Once the moral component of law is removed only fear of punishment remains. If someone follows the law it is only because they don’t want to be fined or imprisoned; It I not because they have a moral imperative. But fear only goes so far; when the law becomes illegal its moral authority is transferred to those against whom it is used. They now have righteousness on their side and righteousness has a way of cancelling out fear.

Counter-intuitively, the more injustice that is piled on the more it is met with resistance. The IRA is an excellent example. By the 1960’s their membership was flagging and their armed struggle against the British was at very low ebb. That all changed on ****** Sunday when British troops opened fire into a crowd of demonstrators and killed and wounded a number of them. Instead of being frightened by this, they were outraged and active resistance against them doubled. A vicious cycle was started as the British escalated their actions in response to the increase in attacks and therefore caused even more.

The result of the British crackdown was the highest membership in the IRA in history and the start of a real shooting war. The level of violence escalated to a point never seen before and eventually drove the Brits to sue for peace. The danger of enrolling in the outlawed organization was more than offset by the sense of self-righteous outrage that was generated by the deaths and military lock down of entire neighborhoods. When one joined the IRA it was not a matter of if you would die or be imprisoned, but rather when. Still, even knowing what the outcome would be the ranks of the IRA swelled to enormous numbers. When the British military began a covert assassination program to **** suspected IRA members and affiliates, instead of instilling fear it just added to the sense of outrage and drove more to join and fight.

It was the (Legal) injustice of what was being done that gave the moral righteousness to the IRA and drove them to war. I bring this all up because we are now, in our own society, entering an era of legal lawlessness. We will be forced to make choices about how we respond when confronted with these laws. From the patriot act to the NSA spying, the NDAA authorization of indefinite detention, the IRS and the DOJ it is becoming clear that we are living in an increasingly lawless society.

The lawlessness is not on the part of the people, but rather on the part of those writing the law. The irony is that as the laws become more illegitimate the numbers of them are increasing exponentially. There are already so many federal laws on the books that at any given time any given individual is guilty of a crime. We have now become beholden to the very institutions that are supposed to be serving us as a society. Instead of serving us, the people, they now serve the bureaucracy instead. The bureaucracy and the institutions thereof have become the center of law giving rather than we as citizens. The law, rather than protecting us has become an instrument to protect the bureaucracy and punish those who disagree with it.

We have come to the point where our laws are becoming as corrupt as any given banana republic and if we do not actually want to become one, then we need to make a stand and say enough is enough. I am sure that while I have been writing this that I have committed at least three crimes; either by what I have written or done or thought or possibly what type of lighting I used. Do I care? No not at all. My sense of self- righteous indignation has grown to the point that I have no fear. I have no fear of death or imprisonment. The level of outrage has grown in me to the point that I will go to war.

Will they put me in prison? Go ahead lock me up with a captive audience and let me speak the truth to them; I will leave with an army of self-righteous individuals. Of course the speaking of this truth is illegal in prison, but at this point what is law? We all have hard choices coming up in the future; choices that could affect the rest of our lives and need to decide how to act. In the end how we act is going to be influenced by how the legal system acts. Let me end this with a question: If you receive a letter from the IRS informing you that you are subject to an audit, is your hard drive going to crash? I know that mine is.

A most pious man
whose well-tempered music
brushed the cobwebs
from the throne of God

Evolution was made manifest
across deep time
these lyrical figures
achieve the same purpose
in the space between the morning star
and the dawn

A fallow field
is sewn with pearls
a moonlit beach
illuminated by shadow
every scrape of the fiddler's bow
merges mind with the present
harvests the meaning
in the moment

The composer
that good man
was
for a time
church organist at St. John's
its notable steeple leaning
all askew
as a rebuke against God
or perhaps the drunken architect

A finger of candlelight
plays across the manuscript
a fugue echoes
through the still church

And though no living person
on that still winter's night
shares the organist's solemn delight
the stirring mass of possibility
that is posterity
awaits

Alexander K Opicho
(Eldoret, Kenya;[email protected])
The Al shabab on 22 day of September 2013   attacked Kenya again. It has attacked and lynched siege on the Nairobi’s biggest mall known as the West Gate. This is one of the severest after other similar attack in 1998.The people who are averagely assumed to be killed are  one hundred.Al shabab is a regional east African arm of Arabo-islamic global terrorist group known as the Algaeda.But something notable about all the terrorist groups in the world, inclusive of Alshabab, is that they all have an Arabic, communist and Islamic bias with overt expression of anti-American movements.
The Lynching of the Mall in Nairobi has affected all the Kenyan communities. Asian and African, Europeans and Americans. However the survivors of the West Gate mall attack has narrated out that the attackers were discriminately asking for ones religion before they shoot. Thus Muslims were not shot but non Muslims were shot and then held hostage. The military sources on the site shared out that the terrorists were foreigners but they perfectly worked through their plan through co-operation of locals and citizens of a victim countries; Kenya and America.
Immediately after this terror attack in Nairobi, a group of social researchers in Kenya carried out an electronic survey on the social media to find out why the Alshabab has easily recruited the followers and why an African youth can easily accept recruitment in to the membership of terror groups like Boko haram, Al shabab, and Al gaeda.The responses gathered from diverse digital socialites  skews into one  modal direction which  shows that America alone with its ostentatious international relations  will not win the war on global terrorism.
The motivation for easy recruitment into membership of the terror groups was established by the social media survey as diverse factors but most august among them are ; extreme conditions of poverty among the youths in contrast to the rich and wealthy elderly echelons of the most African societies. Also, sharp contrast in the economic conditions between America and Africa where American societies wallow in extreme riches whereas the African societies contemporaneously are stark deep in idyllic poverty perpetually wallowing in the mire of need and economic challenges. Some respondents cited the crooked way through which the state of Israel was formed as well as the atrocious nature of American foreign policy towards the Arab world through which there was perpetration of killing of Muamar Al Gadaffi and regular Military bombardment of Arab countries like Syria and Afghanistan.
Also the current American presidency and the preceding one of George Bush provoke distasteful responses on the social media. Especially in relation to the Prison maintained at quatanamo bay which basically was established as a basic torture facility used by the American government to torture terrorist suscepects from North Africa, Arab emirates and Europe. But the prison at Quatanamo bay is composed of a large number of North African as detainees. A respondent on the social media quoted Pravda, the Russian Newspaper in English version which had a revelation about the Quatanamo prison. The Pravda projected number of North Africans in the Quatamo prison to be currently standing at one hundred and thirty seven. The Newsweek also concurs with this position by narrating in its july 2013 edition that, there are very many prisoners of North African descend in quatanamo prison who began a hunger strike sometimes ago but they are forcefully fed through a tube.

The facebooking ,tweetering and charting thematically show one modal position that American discriminatory foreign policy towards Israel and Persia, American extreme capital amid critical world poverty, poverty in Africa especially among the youth, presence of weapons of mass destruction in Israel to which America is oblivious or nonchalant  ,Russian technological casuistry and Chinese economic dominance combine into a blend of extensive anti-American feelings that  make the world youths not reliable when it comes to the moral duty of desisting from joining the terrorist groups. American hard politics and hard diplomacy will make America not to win war on global terrorism.

Welcome to the land of golden trout

Where black bears roam and hawks still shout

In the eastern Sierras, hills of the west

Tales of the Adventurers and their first test.

Forming an alliance in Santa Cruz

They left together, unwilling to lose.

Packing up and heading down the trail

They knew as a team they would never fail.

Without a moment’s hesitation nor shred of doubt

The crew took their Tools of Tenacity out

And in less than three months flat

The Adventurers finished, exclaiming “that’s that!”


But who composes this mysterious crew?

Wait just one moment, I promise I’ll tell you.

First, there’s Nico the Noble, the leader so fearless

Who also frightens many when he’s not beardless;

Followed by Ben the Benevolent with his hearty laugh

And never without his Capitals hat;

Kahn the Courageous has his wild antics

Telling stories with Buckeye semantics;

Jamie the Just and her vegan ways

Had to eat lentils for most of her days;

See Jen the Jubilant with camera-in-hand

Shaving logs for as long as she can;

The team’s newest member, Maggie the Merciful,

Has now experienced the wilderness in full;

Tim the Wise lacks alliteration, unlike the others

But has chased many cows, some scraping their udders;

And at last there’s me, the Notable Narrator,

So our crew’s legacy can live forever.


In our quest the crew has changed slightly.

Those unable to handle the tasks lightly

Had left- like Mary, Bobby, and Stary the Skeptical

All well-admired, and mostly respectable.


Now let’s shift our story to the work completed

In the struggling meadow, its health near-depleted.

Using fallen trees that have long-since passed

We found a clearing with their numbers quite vast.

Cutting the deceased into sixteen-foot longs

And lugging them over thickets and bogs

Our team stacked them perpendicular

To the stream, or creek, in particular

And in a magician’s “ta-da!” moment

Water rose up to our new component,

Flowing over the freshly-made dam

Then briefly meeting with dirt and sand

At the bottom. Multiplied by thirty

And that was work: rigorous and *****.

But why were the Adventurers sent there,

To build check-dams and do repairs?

It was, in part, human consumption

That led to the meadow’s near-destruction:

America’s insatiable need for beef

Will not, for a long time, see any relief,

So Industry has pushed forward, sending cows to the fields

Grazing and growing to become our future meals.

But little did Industry know how devastating

Hundreds of cattle leave an ecosystem suffocating.

Trampling grass and dispersing banks underhoof

The bovine are easily guilty, there’s so much proof.

Stupid, noxious, and obnoxious creatures

Recognized by these, easily their best features.

Incessantly screaming day and night

They are more like demons by every right.

Yet the Forest Service lets ranchers send

Hundreds of cattle, seemingly without end.

And while the Golden Trout crew fixed things,

It’s not enough to ease the strain the cows will bring.


So what can we do, if anything at all

If we go veggie will Industry stall?

Can the end of beef save the earth

Is society only worried when we gain in girth?

That’s not for me to say right now

It’s up to you to answer the “how?”


But I digress, I must end the story

Of the Adventurers and their summer glories.

In the end they saved the meadow, saved the day

Held the bovine rampage at bay,

Raised water levels, erosion erased,

Then was the time to leave that place.

So the Adventurers hopped in their van,

Eight warriors mean, lean, and tan,

And took off down the mountainside

To Santa Cruz and the oceanside.

Each followed one’s own path

But only after taking many baths.

The Golden Trout legacy will live forever,

Only made possible by the best crew ever.

So it came to pass at last and sad to know a Timber has fallen
It stood in strength tall and strong for over seven decades
Resplendently toned it spread an uncompromising foliage
Masterly in domain magical in reach attaining untold grades
Humble in origins yet grew with endeavour and knowledge
Distinguishably it cut sway in tundra and in lush green glades

Son of sons of the Land held roots countenancing no crawling
It reached for the stars and danced reasons with every shades
Ran with the sun and sat with owls and vipers for tutelage
Sweeping the very highs and the lows in communal trades
In the jungle of sharks and vipers it be known who's in Charge
A Timber has fallen while the rains falls and blue clouds fades

There's now a mighty hole in the earth and rivers are swollen
Leaves scatter and branches beckon hundreds of onward bridges
Leaving best Princess, flowers and saplings for love and largesse
A notable trunk laid supine free to roam without worldly cages
Odes will enter dancing in guises and tears flow without finesse
A Timber has fallen and dirges will ring out for a man of all ages

Yemessia bows and says Adieu My Senior, we will meet again.....


[email protected].

Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!

Keywords/Tags: Tagore, translation, Bengali, come, forget appearances, hair, bodice, feet, anklet, bracelet, beads, necklace, sky, clouds, cranes, cattle, toilet, lamp, wind, mascara, eyeshadow, mrburdu



These are modern English translations of poems by the great Indian poet Rabindranath Tagore (1861-1941), who has been called the "Bard of Bengal" and "the Bengali Shelley." In 1913 Tagore became the first non-European to win the Nobel Prize in Literature. Tagore was also a notable artist, musician and polymath.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



This Dog
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Patience
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

If you refuse to speak, I will fill my heart with your silence and endure it.
I will remain still and wait like the night through its starry vigil
with its head bowed low in patience.

The morning will surely come, the darkness will vanish,
and your voice will pour down in golden streams breaking through the heavens.

Then your words will take wing in songs from each of my birds' nests,
and your melodies will break forth in flowers in all my forest groves.



Gitanjali 35
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been divided by narrow domestic walls;
Where words emerge from the depths of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not been lost amid the dreary desert sands of dead habit;
Where the mind is led forward into ever-widening thought and action;
Into that heaven of freedom, my Father, let my country awake.



Gitanjali 11
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Leave this vain chanting and singing and counting of beads:
what Entity do you seek in this lonely dark temple with all the doors shut?
Open your eyes and see: God is not here!
He is out there where the tiller tills the hard ground and the paver breaks stones.
He is with them in sun and shower; his garments are filthy with dust.
Shed your immaculate mantle and likewise embrace the dust!
Deliverance? Where is this "deliverance" to be found
when our Master himself has joyfully embraced the bonds of creation; he is bound with us all forever!
Cease your meditations, abandon your petals and incense!
What is the harm if your clothes become stained rags?
Meet him in the toil and the sweat of his brow!



Last Curtain
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

I know the day comes when my eyes close,
when my sight fails,
when life takes its leave in silence
and the last curtain veils my vision.
Yet the stars will still watch by night;
the sun will still rise like before;
the hours will still heave like sea waves
casting up pleasures and pains.
When I consider this end of my earth-life,
the barrier of the moments breaks
and I see by the illumination of death
this world with its careless treasures.
Rare is its lowliest seat,
rare its meanest of lives.
Things I longed for in vain and those I received, let them pass.
Let me but truly possess the things I rejected and overlooked.



Death
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

You who are the final fulfillment of life,
Death, my Death, come and whisper to me!
Day after day I have kept watch for you;
for you I have borne the joys and the pangs of life.
All that I am, all that I have and hope, and all my love
have always flowed toward you in the depths of secrecy.
One final glance from your eyes and my life will be yours forever, your own.
The flowers have been woven and the garland prepared for the bridegroom.
After the wedding the bride must leave her home and meet her lord alone in the solitude of night.



I Cannot Remember My Mother
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

I cannot remember my mother,
yet sometimes in the middle of my playing
a melody seemed to hover over my playthings:
some forgotten tune she loved to sing
while rocking my cradle.

I cannot remember my mother,
yet sometimes on an early autumn morning
the smell of the shiuli flowers fills my room
as the scent of the temple’s morning service
wafts over me like my mother’s perfume.

I cannot remember my mother,
yet sometimes still, from my bedroom window,
when I lift my eyes to the heavens’ vast blue canopy
and sense on my face her serene gaze,
I feel her grace has encompassed the sky.

Keywords/Tags: Tagore, Rabindranath Tagore, India, Indian, poet, Bengali, sea, seashore, children, mother, dog, love, lover, patience, curtain, death

the irises have passed,
their existence, entirety,
a three week, 21 day, gun salute,
to which I was witness to but an
abbreviated four short generational
days

the Kabbalist among us say Kaddish,
and a-Buddhist chants so-be-it,
both celebrating the brevity cycle
of natural things, both notating,
that death makes room for more

ugly yelloe'd and black now,
these irises are now
misfits on a breezy,
dancing summer lawn

today, shriveled and misshapen,
they compare and contrast
on a normative, glorious,
June Sunday that
picturesque presents
the living and the deceased,
side by side

all comrades,
all summer sundries
on a dancing grass blanket
half-graveyard battlefield,
the half-heaven

oft I have writ of the beach detritus,
the shells, the sun burnt *****,
a recycled funeral rectory where
no one utters prayers for the
no longer alive historical artifacts

what has this to do
with that human construct,
artifice of memory,
a string on the finger
of the mind,
a pausation, a man-made creation
to momentarily recall another of
nature's cycle -
your children

Have children.
Am a father.
Had a father in my youthful days.

this is a boy scout qualification medal,
marker of me as Expert,
permitting me to commentary
with gravitas, now that I’ve graduated
to grandfather status,
I enjoy superstar freedom
to opine inanely on such matters

of my father have I writ,
of my sons, those remain unseen,

likely neither will mark these day
with a telephone call
or an all-I-got-was-this-lousy-t shirt
gift of gall

I say that's ok for what else is there,
certainly not an unthinking, dismissive
whatever

it saddens me some for sure,
but it makes judge myself as human being
on a gradation of one to none

but more than this internal reflection,
I ponder this hallmark'd day,
as life cycle point notarized,
in verse and rhyme,
for that is what I do best

for before,
many father's day
in the priory passed,
most unrecallable,
just another ceremonial checkmark,
habitually acquitted,
but somewhere
in a drawer of shirts,
in a home I store stuff in,
I do believe, there are some cards
from decades past,
that prove nothing,
other than life goes on,
and we best capture
what we can, as best we can...
with small, objet d'art of sorts

Perhaps one will call after all...
in any event,
to honor the dead,
to mark the existing,
the bannered ship's bell rung,
its sonorous sound,
notable and onerous,
fades as well

but man and animal,
plant and tree,
a living fraternal sorority,
who all look over my shoulder
as I compose on
that Adirondack chair you
by now, we’ll acquainted

they know,
for whom the bell tolls this day,
and why as well,
as we all pause and contemplate
where we are on this day,
on our own overlapping cycles

tell me why
the people who want to change the world
are the ones that have nothing
but the ones who refuse to change anything
have everything-
money, notoriety, and most notable of all
greed.
can some please explain why
we send money to hungry kids overseas
yet we're blind to the young ones
that are starving right in front of us?
i just want to know why a hijab is
considered a weapon in america
but a gun is not.
more importantly what i don't understand
is how come women slave around for 9 months
producing the human race
yet we have no choice over our own bodies?
we have made "progress"
things are apparently "moving ahead"
however, the right-wingers are putting that into your mind.
if you look really close at what's happening
you'll see you've been living an american lie.
no one is free, really,
no freedom of love
or freedom our bodies
we are the property of a corrupt government
that apparently nurture us but only lie to us in the end.

"Nyamama owada in e mara ma oingo nyiri duto"-Ongoro Jakarachuonyo.

Busy listening to luo music; What a cool evening of inspiration.

I felt a lot of connection hearing my brothers defining love with such honesty.
   "Nindo otama yawa nindo tama yaye kaparo nyadundo"

The purity of rhythm was soaking my blood . Rhumba is soothing with notable songs like “Elector Nyarkano” by Madanje Perimeter.

Prezda “Igwe” Bandasson
“Nyisuba” one of his best creations. What i love most about Bandasson is that he got unique style and writing skill not like his fellow benga artists; If you like  Ferre Gola, now this the man to listen to.

My evening was going on well with some ohangla likes of ; "Kanungo".

“Kanungo is one of the song that you must have heard wherever you are in this country. Its one of the top songs of both 2014 and 2015 even though it's not my musical taste but Otieno Aloka defines Ohangla in a creative way; The drums are well arranged and composition is just amazing.

That brings me to a funny question who is Emma Jalamo?  He is not old in the game but the guy has come up with a unique Ohangla sound that takes him at par with the rhumba musicians as old fork and young people alike listen to his music with zeal. His new album, “Sherry” is a master piece with hits like “Wivu mbaya”.

Luo music is intelligent entertaining and soothing .

Tony Nyadundo is another seasoned musician who has traveled wide with his Ohangla beat which spread across the country like bush fire. He released hits like "Mapenzi Kizunguzingu".

My playlist couldn't be complete minus The bird aka Osogo Winyo;
he has taken a low profile of late, musically, but he has some of the best Ohangla sounds of this decade.

Musa Juma and Limpopo Band is so common in luo with sweet resonating songs like ; "Aggrey ,Maselina,Lake Victoria" .

It didn't stopped their; i went deep to discover heartbreak sounds likes of "Our Only John Juniour".
John juniour, is one of current trending names in Nyanza due to his sweet voice and romantic writing skills. "Nyoremo and kalisto baba" are well crafted when it comes to composition.

Another talented artist is ; Wuod Phiby who is also a producer and sound engineer at Barikiwa studio. He's the owner of hit songs like " Cham gi ****'i" and many more.

Makadem is one of the the artist signed to Ketebul music is known worldwide with a brands that precedes him as he is commonly known as the Ohangla man.

We have alot of talented luo artists but let me focus on our own few who are so creative when it comes to fusing . I'm talking of Owiyo ; She is one of the first female artists to fuse the Nyatiti beat with modern fusion and with songs like “Kisumu 100”, she still remains so relevant in the industry that her new song, “wamiel” is doing quite fine.

I've listened to a lot of modern Benga maybe ones played on the radio. I was not well informed that much on old sounds but when i dug the tapes and crates to so called luo "thum gi timbegi".
Abila gi thum machon ; I discovered names like;
1) George Ramogi
George ramogi died but left a name for himself with songs like Affline the Pretty and Wiya Chandore Malit.

2) Ochieng Kabaselleh
When we were growing up we use to hear  songs like," Zainabu,Achi Maria and Dunia mokili".  Kabaselleh and Luna Kidi Band were the voice of love within Nyanza at that time.

3) Okatch Biggie
"Nyathi nyakach atimni ang'o?"
Before his death he sold thousand of copies of the same record. He had countless hit songs like "Okatch pod ngima,Hellena nya kabondo e.t.c".

4) Osito Kale
Osito and Ogina Koko termed to bring some of remarkable songs like "Rapar Angelina" .Asembo born artist is one of luo musician with aggressive thoughts and creativity.

5) Ouma Omore
Many of new generation might not have known him but he got massive Jams like "Atwech Nyaduse" were so common in my parents mouth. He wrote many songs on him like "Perry Odhi Chuth,To Natimi Nade e.t.c".

5) D.O Misiani
The late misiani and Shirati band was and still one of the voices who spoke against corruption in moi regime with songs like "Bim en Bim,Lee tinde mor and Amolo piny Pako Te". Tanzania born Benga star rose to fame with songs like "Auma Lando and Wich Teko Ok Kony".

6) Collela Mazee
I don't have much to say about Collela but lyrics like;
"Kare piny luoro ka aleki nya john" caught my attention. Collela was a great composer with every rhyme and sense falling at their place".

We have thousand artists(some died)who did and still doing music from Nyanza i couldn't mention all even though there are different genres associated with Luo music like Benga , Ohangla, Rhumba, Afro-fusion and the likes, the musicians have always strive to be at the top of the music game. By Luo music, I mean those music sang partly or fully in Dholuo,the music is honest,creative and enjoyable.

I'm blessed to say;This artists have done great with their music and still doing it.

By Quoting The Late Ongala lyrics..."Mziki haina mwenyewe", As long as you can create;
Educative
Entertaining
And melodical changes a persons life don't stop doing it. Music is power. Let's support our own.

   Compiled By Budding Dirt.

"Wagons East (1994) - IMDb www.imdb.com/title/tt0111653/ Internet Movie Database Rating: 4.7/10 - ‎3,545 votes (stylized onscreen as ‘Wagons East’) is a 1994 western comedy film directed by Peter Markleand starring John Candy and Richard Lewis. The film marked one of Candy's last film appearances although it was not his last film release. His last film, Canadian Bacon which he had completed before “Wagons East,” had a delayed release in 1995. The film was notable for its leading actor Candy dying of a heart attack during the final days of the film's production. A stand-in and special effects were used to complete his remaining scenes and it released five months after his death."

And it’s Wagons East!
John Candy’s last mega-bomb,
Released 5 months postmortem.
Alas, even the sympathy vote stayed home,
Reject the we-owe-it-to-him-for
“Planes, Trains & Automobiles”(1987, IMDB).
The role, like money in the bank,
Earning diminishing returns,
Yielding interest but losing value over time.
The myth of INTEREST:
Das Capital, 2015.
The Prime is at 0%,
Yet, Inflation soars at, well,
At inflationary rates,
Digit-pounding inflation,
Higher food & shelter prices,
Masked ever so cleverly,
So deftly obscured by benevolent gasoline prices.

“Planes, Trains & Automobiles” (1987, IMDB)
Meet Del Griffith,
An obnoxious slob,
A complete schlemiel
(Also shle·miel (shlə-mēl′),
A serene shower curtain ring
Salesman and tour de force.
A film illustrative of everything
We love about farce,
(Merci beaucoup, Molière!)
And love about any
John Hughes/Steve Martin collaboration.

Needless to say,
I watched “Wagons East”
On TV the other day.
It was ten o’clock in the morning.
Will-o'-wisping in the ashtray,
Smoke from my first joint of the day.
The ashtray, a mosh pit carbonara--
Actually, an inverted exoskeleton dome--
One of dem big muthas,
I once free-dived for,
Offshore Mendocino Coast,
Back in the day,
Back when THE FRENCH LAUNDRY . . .
(The French Laundry: Thomas Keller Restaurant Group, www.thomaskeller.com. Chef Thomas Keller visited Yountville, California in the early 1990's on a quest for a space to fulfill a longtime culinary dream: to establish a destination for fine --314 Google reviews · Write a review 6640 Washington St, Yountville, CA 94533 (707) 944-2380. Daily Menus - ‎Make a Reservation - ‎Restaurant)
Back when THE FRENCH LAUNDRY
Paid beaucoup bucks for
Well-tenderized,
Sledge hammered slabs of illegal,
Black Market abalone.
Most assuredly, I digress.

So where else would I be?
My laptop was open & willing,
Legs spread, wet and waiting for
Whatever comes what may.
What came was a film
Earning pitch perfect
Dramatic chops for Candy.
We owe you, Del.
We owe you for this Anthem:
“You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you . . . but I don't like to hurt people's feelings. Well, you think what you want about me; I'm not changing. I like . . . I like me. My wife likes me. My customers like me. Cause I'm the real article. What you see is what you get.”
But that was then,
This is now.
Wagons East:
A disastrous ****** bomb.
A vapid character jambalaya:
(1) A defrocked doctor
(2) A sagebrush *****.
(3) A queer book vendor.
(4) A Donner Party Survivor
Sounds can’t miss, right?
Or was it a classic Broadway/Hollywood sting?
Redux: “Spring Time for ******.”
N'est-ce pas?
Four *******
Heading east by wagon train;
Giving up on The West,
Heading east for Saint Louie,
Where freaks & geeks go undercover.
Down go their guards.
Camouflaging the chimera,
Transits the urban Wasteland,
Vast & nasty, as it were.

St. Louis, Missouri:
A much more tolerant
Hideout place.
THE WEST:
Just too much of
A hassle, I guess,
Too much for one’s
Flat-lined human mind,
Bored too shitless by
Buffalo turds to venture thought.
THE WEST:
Neorealismo italiano.
Complete Jolting-Joe reality,
A veritable wake-up call
Devouring any & all
Residual romantic fantasies . . .
THE WEST:
Struggle & Drudge,
Life lived west of the Mississippi.

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That’s right: another advertisement,
Smack dab in the middle of
Of the ******* poem!
My invention, by the by,
Putting herein another plug for
A preferred memorial gravesite,
The Shrine To Me!
Situated in Scituate,
(Always wanted to say that.)
Scituate MA (www.scituatema.gov)
Knowing my kryptonite crypt,
My not-marble-nor-gilded
Princely-monument,
Had no chance to outlive
This fakakta rhyme scheme . . .
The Shrine To Me!
My final resting place:
My very tony, exclusive
Sub Zip Code?
The South Transept
Westminster Abbey
The so-called Poets’ Corner,
Of course!

Which brings me to my true purpose:
My true intentions for you this morning?
To publicize the strange Case of
CHARLES ROCKET:
(Go ahead, ******* Google him!)
“Charlie Rocket, found dead in a field near
His Connecticut home on October 7, 2005,
His throat had been cut.
He was 56 years old.
The state medical examiner
Later ruled the death a suicide.”
And if you believe the Coroner,
A Medicine Man &
Master of Self-Interest;
If you give that sharp-dealing,
Proverbial Connecticut Yankee his due,
Then you will probably also think
That millionaire Robert Durst
Didn’t **** Susan Berman,
Even as we see him
Getting away with ******.
Again.

At a time when I was held prisoner
By my shy nature
Especially when it comest to talking with girls
You put your best foot forward
In order to break the ice
Which was doing its best
To try and freeze me to death
As though I were but in Antarctica
So, I thought you my friend
Mind you, an assumption it wasn't
You called me your best friend
Not once or twice
But many a time
You even called yourself my sister
A trusting person that I am
I took you at face value
Which was probably one of the biggest mistakes
Of my life in entirety
If Australia dominated cricket
You were my dominator
Your name stands for desire
And all you desired
Was getting your way
When it comest to anything and everything
You were such a drama queen
You put the Kardashians to shame
Only your "bestest friend" escaped
From your terrifying glare
Which burnest everything in its path
Much like Lord Shiva's third eye
You were always right
We were always wrong
Again, with a notable exception
Your precious little "bestest friend"
What he saw in you
Only God knowest
Marking you absent in the attendance register
Which was but my duty
Turned out to be a crime
Fouler than ****** itself!!
How dare I mark the "Queen" absent
Even if she were indeed absent!!
How dare I support Chennai Superkings
Even if I were but from Chennai
Not to mention, a huge fan of MS Dhoni!!
East or West, North, South Or Central
Mumbai Indians were always the best
All other teams were trash
You and your whims and fancies
Driveth all of us mad
Quicker than a tracer bullet
As Ravi Shastri would say
Even to this day
But you were my best friend
Not to mention, my sister!!
So mum I kept
As would a fiercely loyal dog
Even when ignored by its master
After our college days endeth
I stayed in touch
As would every friend in the world
In particular, a best friend
But best friend you were certainly not
I can forgive even an enemy
But not a friend who cuts me off
For the flimsiest reason in the world
To you, I was wrong
Though reality speaketh otherwise
But hey, why would I want to lose my best friend?
So did I apologise
Not once or twice
But many a time
Though for the kind of response I receiveth
Might I have spoken to the wall instead!!
After ages and ages
Cometh your response
As arrogant as James Potter in his school days
You showeth me your true face
Nothing but a jumped up rich Punjabi Brahmin
Who thinkest she were the best
In not just India
But the world in its entirety
Gone was your sweet tongue
In full display was a mini Bellatrix Lestrange
Ready to **** even her best friend
As the real Bellatrix did
With her cousin Sirius Black
Well, I would rather I died
Than maintain a friendship
With a cunning ***** like yourself
You deserve not
A single true friend in the world
Not even your "bestest friend"
You smashed my self-confidence
Into a billion little pieces
Pieces that I continue to pick up
Even to this day
Something I could but have avoided
Had I not taken you up
On your offer of friendship
Which was but as fake
As the smile of a Kardashian
I endeth on this note
It is but a lesson to all
Not to get swayed by sweet tongues
Scratch beneath the surface
Then only showeth up the true character

Old Deuteronomy’s lived a long time;
He’s a Cat who has lived many lives in succession.
He was famous in proverb and famous in rhyme
A long while before Queen Victoria’s accession.
Old Deuteronomy’s buried nine wives
And more—I am tempted to say, ninety-nine;
And his numerous progeny prospers and thrives
And the village is proud of him in his decline.
At the sight of that placid and bland physiognomy,
When he sits in the sun on the vicarage wall,
The Oldest Inhabitant croaks: “Well, of all …
Things… Can it be … really! … No!… Yes!…
**! hi!
Oh, my eye!
My mind may be wandering, but I confess
I believe it is Old Deuteronomy!”

Old Deuteronomy sits in the street,
He sits in the High Street on market day;
The bullocks may bellow, the sheep they may bleat,
But the dogs and the herdsmen will turn them away.
The cars and the lorries run over the kerb,
And the villagers put up a notice: ROAD CLOSED—
So that nothing untoward may chance to distrub
Deuteronomy’s rest when he feels so disposed
Or when he’s engaged in domestic economy:
And the Oldest Inhabitant croaks: “Well, of all …
Things… Can it be … really! … No!… Yes!…
**! hi!
Oh, my eye!
My sight’s unreliable, but I can guess
That the cause of the trouble is Old Deuteronomy!”

Old Deuteronomy lies on the floor
Of the Fox and French Horn for his afternoon sleep;
And when the men say: “There’s just time for one more,”
Then the landlady from her back parlour will peep
And say: “New then, out you go, by the back door,
For Old Deuteronomy mustn’t be woken—

I’ll have the police if there’s any uproar”—
And out they all shuffle, without a word spoken.
The digestive repose of that feline’s gastronomy
Must never be broken, whatever befall:
And the Oldest Inhabitant croaks: “Well, of all …
Things… Can it be … really! … No!… Yes!…
**! hi!
Oh, my eye!
My legs may be tottery, I must go slow
And be careful of Old Deuteronomy!”

Of the awefull battle of the Pekes and the Pollicles:
together with some account of the participation of the
     Pugs and the Poms, and the intervention of the Great
     Rumpuscat

The Pekes and the Pollicles, everyone knows,
Are proud and implacable passionate foes;
It is always the same, wherever one goes.
And the Pugs and the Poms, although most people say
That they do not like fighting, yet once in a way,
They will now and again join in to the fray
And they
Bark bark bark bark
Bark bark BARK BARK
Until you can hear them all over the Park.

Now on the occasion of which I shall speak
Almost nothing had happened for nearly a week
(And that’s a long time for a Pol or a Peke).
The big Police Dog was away from his beat—
I don’t know the reason, but most people think
He’d slipped into the Wellington Arms for a drink—
And no one at all was about on the street
When a Peke and a Pollicle happened to meet.
They did not advance, or exactly retreat,
But they glared at each other, and scraped their hind
     feet,
And they started to
Bark bark bark bark
Bark bark BARK BARK
Until you can hear them all over the Park.

Now the Peke, although people may say what they please,
Is no British Dog, but a Heathen Chinese.
And so all the Pekes, when they heard the uproar,
Some came to the window, some came to the door;
There were surely a dozen, more likely a score.
And together they started to grumble and wheeze
In their huffery-snuffery Heathen Chinese.
But a terrible din is what Pollicles like,
For your Pollicle Dog is a dour Yorkshire tyke,
And his braw Scottish cousins are snappers and biters,
And every dog-jack of them notable fighters;
And so they stepped out, with their pipers in order,
Playing When the Blue Bonnets Came Over the Border.
Then the Pugs and the Poms held no longer aloof,
But some from the balcony, some from the roof,
Joined in
To the din
With a
Bark bark bark bark
Bark bark BARK BARK
Until you can hear them all over the Park.

Now when these bold heroes together assembled,
That traffic all stopped, and the Underground trembled,
And some of the neighbours were so much afraid
That they started to ring up the Fire Brigade.
When suddenly, up from a small basement flat,
Why who should stalk out but the GREAT RUMPUSCAT.
His eyes were like fireballs fearfully blazing,
He gave a great yawn, and his jaws were amazing;
And when he looked out through the bars of the area,
You never saw anything fiercer or hairier.
And what with the glare of his eyes and his yawning,
The Pekes and the Pollicles quickly took warning.
He looked at the sky and he gave a great leap—
And they every last one of them scattered like sheep.

And when the Police Dog returned to his beat,
There wasn’t a single one left in the street.

someone asked why i was never happy
for any notable period of time.

"i need the darkness to appreciate the light."

someone asked why i was never in the neighborhood
anymore.

"i never feel content in one place for more than a day."

someone asked why i was always alone.

"i've been looking for Her."

someone asked if i believed in war.

"i am bored."

someone asked if i struggled with pride.

"i'm on social networking sites."

someone asked if i felt a heavy sense of regret.

"i've gotten over the feeling."

someone asked if i was ready to die.

"no, my head is still full of all the whys."

I CALL on those that call me son,
Grandson, or great-grandson,
On uncles, aunts, great-uncles or great-aunts,
To judge what I have done.
Have I, that put it into words,
Spoilt what old ***** have sent?
Eyes spiritualised by death can judge,
I cannot, but I am not content.
He that in Sligo at Drumcliff
Set up the old stone Cross,
That red-headed rector in County Down,
A good man on a horse,
Sandymount Corbets, that notable man
Old William pollexfen,
The smuggler Middleton, Butlers far back,
Half legendary men.
Infirm and aged I might stay
In some good company,
I who have always hated work,
Smiling at the sea,
Or demonstrate in my own life
What Robert Browning meant
By an old hunter talking with Gods;
But I am not content.

Patience
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

If you refuse to speak, I will fill my heart with your silence and endure it.
I will remain still and wait like the night through its starry vigil
with its head bent low in patience.

The morning will surely come, the darkness will vanish,
and your voice will pour down in golden streams breaking through the heavens.
Then your words will take wing in songs from every one of my birds' nests,
and your melodies will break forth in flowers in all my forest groves.

Keywords/Tags: Tagore, translation, Hindi, patience, heart, silence, night, vigil, morning, voice, golden, streams, heavens, songs, birds, melodies, songs, jubilation, flowers, forest groves, mrburdu

These are modern English translations of poems by the great Indian poet Rabindranath Tagore (1861-1941), who has been called the "Bard of Bengal" and "the Bengali Shelley." In 1913 Tagore became the first non-European to win the Nobel Prize in Literature. Tagore was also a notable artist, musician and polymath.

The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



This Dog
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Gitanjali 35
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been divided by narrow domestic walls;
Where words emerge from the depths of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not been lost amid the dreary desert sands of dead habit;
Where the mind is led forward into ever-widening thought and action;
Into that heaven of freedom, my Father, let my country awake.



Gitanjali 11
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Leave this vain chanting and singing and counting of beads:
what Entity do you seek in this lonely dark temple with all the doors shut?
Open your eyes and see: God is not here!
He is out there where the tiller tills the hard ground and the paver breaks stones.
He is with them in sun and shower; his garments are filthy with dust.
Shed your immaculate mantle and like him embrace the dust!
Deliverance? Where is this "deliverance" to be found
when our Master himself has joyfully embraced the bonds of creation; he is bound with us all forever!
Cease your meditations, abandon your petals and incense!
What is the harm if your clothes become stained rags?
Meet him in the toil and the sweat of his brow!



Last Curtain
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

I know the day comes when my eyes close,
when my sight fails,
when life takes its leave in silence
and the last curtain veils my vision.
Yet the stars will still watch by night;
the sun will still rise like before;
the hours will still heave like sea waves
casting up pleasures and pains.
When I consider this end of my earth-life,
the barrier of the moments breaks
and I see by the illumination of death
this world with its careless treasures.
Rare is its lowliest seat,
rare its meanest of lives.
Things I longed for in vain and those I received, let them pass.
Let me but truly possess the things I rejected and overlooked.



Death
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

You who are the final fulfillment of life,
Death, my Death, come and whisper to me!
Day after day I have kept watch for you;
for you I have borne the joys and the pangs of life.
All that I am, all that I have and hope, and all my love
have always flowed toward you in the depths of secrecy.
One final glance from your eyes and my life will be yours forever, your own.
The flowers have been woven and the garland prepared for the bridegroom.
After the wedding the bride must leave her home and meet her lord alone in the solitude of night.



I Cannot Remember My Mother
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

I cannot remember my mother,
yet sometimes in the middle of my playing
a melody seemed to hover over my playthings:
some forgotten tune she loved to sing
while rocking my cradle.

I cannot remember my mother,
yet sometimes on an early autumn morning
the smell of the shiuli flowers fills my room
as the scent of the temple’s morning service
wafts over me like my mother’s perfume.

I cannot remember my mother,
yet sometimes still, from my bedroom window,
when I lift my eyes to the heavens’ vast blue canopy
and sense on my face her serene gaze,
I feel her grace has encompassed the sky.

Keywords/Tags: Tagore, Rabindranath Tagore, India, Indian, poet, Bengali, sea, seashore, children, mother, dog, love, lover, patience, curtain, death

In a building not concrete of origin
Near a forest we used to forage in

In the village we muck and wander
Towards the river over yonder

On the isle of sacred Avalon
There was new ground to tread upon

Amidst the brier, bog and heath
Among the thistle, needles and oak leaf

Round the timber fire we sang
Of lady luck’s mercy and lady love’s pain

We drank a drink of potent potables
Phrases spoken few of which notable

From the lambs leg we feasted
While the mystic death we cheated  

Nights never ending and those yet experienced  
We roam them on and on, ever-delirious

In symmetry
and colors
a notable image..
meditative model
Hubble finding
in night sky
light years
from here
and Now..

Science musings:

How created..?
A creator or
creation..?

A centered aging
binary system..?
Polarity energy
says it all..?

The unusual shape?
Sacred geometry
expresses itself..?

A definite torus..
All Reality
and Consciousness
expressed as Torus..?

Boundaries of cones
form an X..?
Creation of symmetry
interconnectedness
recognized..?

Why unusual colors
Red and Blue..?
Left and Right
Male and Female
oppositions prevail..?

As hydrocarbon molecules
colors building blocks
for organic life..?
Center Light transforming
to component colors..?

In a few million years
the Red Rectangle nebula
will probably bloom
into a planetary
nebula..
New birth
Now announced...?

some may say a man
with a beard
has something to hide

some may say a bearded man
is a lonely man

let me tell you a law
of the known universe

all great influential men
had beards

Consider this: The Soul is set aflame by the constant ruminations of the mind that venture beyond one’s stagnant self. This leads to great inspiration and ultimately inspiring others greatly.

so you see
only the bearded man can
transcend himself

List of Great Bearded Men: Frederick Douglas, Ulysses S. Grant, Ernest Hemingway, Jesus, Abraham Lincoln, Confucius, Karl Marx, Sigmund Freud, John Lennon, Vincent Van Gogh, Albert Einstein, King Leonidas, Zeus, Poseidon, Billy Mays, Most notable Pirates.

Polka Dot, Polka Dot, a one pony show
Strange name for a child, but she loves it so
Cheerful wee girl with sweet smile aglow
Adores all round shapes, expects you to know

Her twenty one garments sport assorted dots
Basic eight pairs of footwear, orange and green spots
Gaudy bows for her hair, with colored rings, lots
Dot sees spheres imbedded in her eyes and thoughts

Blankets and curtains, guess what, dots and lace
The spotted mouse toy for the cat to chase
Walls with orbs and specks on all space
In the right light they reflect on your face

Dot's off to school with a polka dot hat
Coat, umbrella with circles, imagine that
Polka dotted notebooks, pencils and backpack
Rides pink spotted two wheeler, parks in bike rack

Poor Polka Dot started feeling sickly ill
Sent to school nurse where she refused a pill
Saw the Doc, calamine lotion and advice to chill
Spots! Chickenpox! Polka Dots notable thrill