Submit your work, meet writers and drop the ads. Become a member
By
Alexander K Opicho

(Eldoret, Kenya; [email protected])


Spiritual scholars of Christian Science have a concept that there is
power in the name. They at most identify the name Jesus and the name
of God, Jehovah to be the most powerful names in the spiritual realm.
But in the world of literature and intellectual movement, art,
science, politics and creativity, the name Alexander is mysteriously
powerful. Averagely, bearers of the name Alexander achieve some unique
level of literary or intellectual glory, discover something novel or
make some breakaway political victories.

Among the ancient and present-day Russians, most bearers of the name
Alexander were imbued with some uniqueness of intellect, leadership or
literary mighty. Beginning with the recent times of Russia, the first
mysterious Alexander is the 1700 political reformist and effective
leader, Tsar Alexander and his beautiful wife, tsarina Alexandrina.
The couple transformed Russian society from pathetic peasantry to a
middle class society. It is Tsar Alexander’s leadership that lain a
foundation for Russian socialist revolution. Different scholars of
Russian history remember the reign of Tsar Alexander with a strong

bliss. This is what made the Lenin family to name their son Alexander
an elder brother to Vladimir Ilyanovsk Ilyich Lenin. This was done as
parental projection through careful   choice of a mentor for their
young son. Alexander Lenin was named after this formidable ruler; Tsar
Alexander. Alexander Lenin was a might scholar. An Intellectual and
political reformist. He was a source of inspiration to his young
brother Vladimir Ilyich Lenin, who became the Russian president after
his brother Alexander, had died through political assassination.
However, researches into distinctive prowess of these two brothers
reveal that Alexander Lenin was more gifted intellectually than
Vladimir Lenin.

Alexander Pushkin, another Russian personality with intellectual,
cultural, theatrical and   literary consenguences. He was a
contemporary of Alexander pope. He is the main intellectual influence
behind Nikolai Vasileyvich Gogol and very many other Russian writers.
He is to Russians what Shakespeare is to English speakers or victor
Hugo is to French speakers, Friedriech schiller and Frantz Kafka is to
Germany readers or Miguel de Cervantes to the Spaniards. Among English
readers, Shakespeare’s drama of king Lear is a beacon of English
political theatre, while Hugo’s Les miscerables is an apex of French
social and political literature, but Pushkin’s Boris Godunov, a
theatrical political satire, technically towers above the peers. For
your point of information my dear reader; there has been a
commonaplace false convention among English literature scholars that,
William Shakespeare in conjunction with Robert Greene wrote and
published highest number of books, more than anyone else. The factual
truth is otherwise. No, they only published 90 works, but Pushkin
published 700 works.
Equally glorious is Alexander Vasileyvich sholenstsyn,the, the, the
author of I will be on phone by five, Cancer Ward, Gulag Archipelago’
and the First Cycle. He is a contemporary of Leo Tolstoy, Fyodor
Dostoyevsky, Alfred Nobel and Maxim Gorky. Literary and artistic
excellence of Alexander Sholenstsyn,the, the anti-communist Russian
novelist was and is still displayed through his mirroring of a corrupt
Russian communist politics, made him a debate case among the then
committee members for Nobel prize and American literature prize, but
when the Kremlin learned of this they, detained Alexander sholenenstyn
at Siberia for 18 years this is where he wrote his Gulag Archipelago.
Which he wrote as sequel five years later to the previous novel the
Cancer Ward whose main theme is despair among cancer patients in the
Russian hospitals. This was simply a satirical way of expressing agony
of despair among the then political prisoners at Siberia concentration
camps .In its reaction to this communist front to capitalist
literature through the glasnost machinery, the Washington government
ordered chalice Chaplin an American pro-communist writer to be out of
America within 45 minutes.
Alexander’s; Payne, Pato, Petrovsky, and Pires are intellectual
torchbearers of the world and Russian literary civilization. Not to
forget, Alexander Popov, a poet and Russian master brewer, whose
liquor brand ‘Popov’ is the worldwide king of bar shelves?
In 1945 the Russians had very brutish two types of guns, designed to
shoot at long range with very little chances of missing the target.
These guns are; AK 47 and the Molotov gun. They were designed to
defeat the German **** and later on to be used in international
guerrilla movement. The first gun AK 47 was designed by Alexander
klashilinikov and the second by Alexander Molotov. These are the two
Alexander’s that made milestones in history of world military
technology.
The name Alexander was one of the titles or the epithet used to be
given to the Greek goddess Hera and as such is taken to mean the one
who comes to save warriors. In Homer’s epical work; the Iliad, the
most dominant character Paris who often saved the other warriors was
also known also as Alexander. This name’s linkage to popularity was
spread throughout the Greek world by the military maneuvers and
conquests of King Alexander III. Alexander III is commonly known as
Alexander the Great .  Evidently; the biblical book of Daniel had a
prophecy. It was about fall of empires down to advent of Jesus as a
final ruler. The prophecy venerated Roman Empire above all else. As
well the, prophecy magnified military brilliance, intellect and
leadership skills of the Greek, Alexander the great, the conqueror of
Roman Empire. Alexander the great was highly inspired by the secret
talks he often held with his mother. All bible readers and historians
have reasons to believe that Alexander of Greece was powerful,
intellectually might, strong in judgment and a political mystery and
enigma that remain classic to date.
In his book Glimpses of History, jewarlal Nehru discusses the Guru
Nanak as an Indian religious sect, Business Empire, clan, caste, and
an intellectual movement of admirable standard that shares a parrell
only with the Aga Khans. Their   founder is known, as Skander Nanak
.The name skander is an Indian version for Alexander. Thus, Alexander
Nanak is the founder of Guru Nanak business empire and sub Indian
spiritual community. Alexander Nanak was an intellectual, recited
Ramayana and Mahabharata off head; he was both a secular and religious
scholar as well as a corporate strategist.
The American market and industrial civilsations has very many
wonderful Alexander’s in its history. The earliest known Alexander in
American is Hamilton, the poet, writer, politician and political
reformist. Hamilton strongly worked for establishment of American
constitution. Contemporaries of Hamilton are; Alexander graham bell
and Alexander flemming.bell is the American scientist who discovered a
modern electrical bell, while Fleming, A Nobel Prize Laureate
discovered that fungus on stale bread can make penicillin to be used
in curing malaria. Other American Alexander’s are; wan, Ludwig,
Macqueen, Calder and ovechikin.
Italian front to mysterious greatness in the name Alexander
spectacularly emanates from science of electricity which has a
measuring unit for electrical volume known as voltage. The name of
this unit is a word coined from the Italian name Volta. He was an
Italian scientist by the name Alesandro Volta. Alesandro is an Italian
version for Alexander. Therefore it is Alexander Volta an Italian
scientist who discovered volume of electrical energy as it moves along
the cable. Thus in Italian culture the name Alexander is also a
mystery.
Readers of European genre and classics agree that it is still
enjoyfull to read the Three Musketeers and the Poor Christ of
Montecristo for three or even more times. They are inspiring, with a
depth of intellectual character, and classic in lessons to all
generations. These two classics were written by Alexander Dumas, a
French literary genious.he lived the same time as Hugo and
Dostoyevsk.when Hugo was writing the Hunch-back of Notredame Dumas was
writing the Three Musketeers. These two books were the source of
inspiration for Dostoyevsky to write Brothers Karamazov. Another
notable European- *** -American Alexander is  Alexander pope, whose
adage ‘short knowledge is dangerous,’ has remained a classic and ever
quoted across a time span of two centuries. Alexander pope penned this
line in the mid of 1800 in his poem better drink from the pyrene
spring.

In the last century colleges, Universities and high schools in Kenya
and throughout Africa, taught Alexander la Guma and Alexander Haley as
set- book writers for political science, literature and drama courses.
Alexander la Guma is a South African, ant–apartheid crusader and a
writer of strange literary ability. His commonly read books are A walk
in the Night, Time of the Butcher Bird and In the Fog of the Season’s
End. While Alexander Haley is an African in the American Diaspora. An
intellectual heavy- weight, a politician, civil a rights activist and
a writer of no precedent, whose book The Roots is a literary
blockbuster to white American artists. Both la Guma and Haley are
African Alexander’s only that white bigotry in their respective
countries of America and South Africa made them to be called Alex’s.
The Kenyan only firm for actuaries is Alexander Forbes consultants.
Alexander Forbes was an English-American mathematician. The lesson
about Forbes is that mystery within the name Alexander makes it to be
the brand of corporate actuarial practice in Africa and the entire
world.
Something hypothetical and funny about this name Alexander is that its
dictionary definition is; homemade brandy in Russia, just the way the
east African names; Wamalwa, Wanjoi and Kimaiyo are used among the
Bukusu, Agikuyu and Kalenjin communities of Kenya respectively. More
hypothetical is the lesson that the short form of Alexander is Alex;
it is not as spiritually consequential in any manner as its full
version Alexander. The name Alex is just plain without any powers and
spiritual connotation on the personality and character of the bearer.
The name Alexander works intellectual miracles when used in full even
in its variants and diminutives as pronounced in other languages that
are neither English nor Greece. Presumably the - ander section of the
name (Alex)ander is the one with life consequences on the history of
the bearer. Also, it is not clear whether they are persons called
Alexander who are born bright and gifted or it is the name Alexander
that conjures power of intellect and creativity on them.
In comparative historical scenarios this name Alexander has been the
name of many rulers, including kings of Macedon, kings of Scotland,
emperors of Russia and popes, the list is infinite. Indeed, it is bare
that when you poke into facts from antiques of politics, religion and
human diversity, there is rich evidence that there is substantial
positive spirituality between human success and social nomenclature in
the name of Alexander. Some cases in archaic point are available in a
listological exposition of early rulers on Wikipedia. Some names on
Wikipedia in relation to the phenomenon of Alexanderity are: General
Alexander; more often known as Paris of Troy as recounted by Homer in
his Iliad. Then ensues a plethora; Alexander of Corinth who was the
10th king of Corinth , Alexander I of Macedon, Alexander II of
Macedon, Alexander III of Macedonia alias  Alexander the Great. There
is still in the list in relation to Macedonia, Alexander IV  and
Alexander V. More facts of the antiques have   Alexander of Pherae who
was the despotic ruler of Pherae between 369 and 358 before the Common
Era. The land of Epirus had Alexander I the king of Epirus about 342
before the Common Era and Alexander II  the king of Epirus 272 before
the Common Era. A series of other Alexander’s in the antiques is
composed of ; Alexander the  viceroy of Antigonus Gonatas and also the
ruler of a **** state based on Corinth in 250 before the common era,
then Alexander Balas, ruler of the Seleucid kingdom of Syria between
150 and 146 before the common era . Next in the list is  Alexander
Zabinas the ruler of part of the Seleucid kingdom of Syria based in
Antioch between 128 and 123  before the common era ,  then Alexander
Jannaeus king of Judea, 103 to 76  before the common era  and last but
not least  Alexander of Judaea  son of Aristobulus  II the  king of
Judaea .  The list of Alexander’s in relation to the antiquated  Roman
empire are; Alexander Severus, Julius Alexander who lived during the
second  century as the Emesene nobleman, Then next is Domitius
Alexander the Roman usurper who declared himself emperor in 308. Next
comes Alexander the emperor of Byzantine. Political antiques of
Scotland have Alexander I , Alexander II and Alexander III of Scotland
. The list cannot be exhausted but it is only a testimony that there
are a lot of Alexander’s in the antiques of the world.
Religious leadership also enjoys vastness of Alexander’s. This is so
among the Christians and non Christians, Catholics and Protestants and
even among the charismatic and non-charismatic. These historical
experiences start with Alexander kipsang Muge the Kenyan Anglican
Bishop who died in a mysterious accident during the Kenyan political
dark days of Moi. But when it comes to  The antiques  catholic
pontifical history, there is still a plethora of them as evinced on
Wikipedia ; Pope Alexander I , Alexander of Apamea also the  bishop of
Apamea, Pope Alexander II ,Pope Alexander III, Pope Alexander IV, Pope
Alexander V, Pope Alexander VI, Pope Alexander VII, Pope Alexander
VIII, Alexander of Constantinople the bishop of Constantinople , St.
Alexander of Alexandria also the  Coptic Pope and Patriarch of
Alexandria between  then Pope Alexander II of Alexandria the  Coptic
Pope  and lastly Alexander of Lincoln the bishop of Lincoln and
finally  Alexander of Jerusalem.
However, the fact of logic is inherent in the premise that there is
power in the name .An interesting experience I have had is that; when
Eugene Nelson Mandela ochieng was kidnapped in Nairobi sometimes ago,
a friend told me that there is power in the name. The name Mandela on
a Nairobi born Luo boy attracts strong fortune and history making
eventualities towards the boy, though fate of the world interferes,
the boy Eugene Mandela ochieng is bound to be great, not because he
was kidnapped but because he has an assuring name Nelson Mandela. With
extension both in Africa and without ,May God the almighty add all
young Alexander’s to the traditional list of other great and
formidable  Alexander’s that came before. Amen.

References;
Jewarlal Nehru; Glimpses of History


Alexander K Opicho is a social researcher with Sanctuary Researchers
ltd in Eldoret, Kenya he is also a lecturer in Research Methods in
governance and Leadership.
Paul Silbert Sep 2012
Letter Of A Young Polish Nobleman,
Warsaw, 1759

There was a farce performed the other day
In the cathedral, where, as is my wont,
I'd gone to mass.  While kneeling near the font,
I saw, when I had just begun to pray,

A mob of filthy Jews swarm up the aisle
To be baptised.  The King himself was there
And even stood as sponsor to a pair
Of thick lips with a most unpleasant smile.

Back home, I asked my steward, Mendel Gryn,
What it had been about.  "Pan Casimir,"
He said, "The man you saw was Yankev Frank,

Those were his followers: they claim that sin
Leads Man to God, but now, baptised, I hear
They've all been raised, by law, to noble rank."
Dream Caster May 2013
Violent rage befitting a man of noble status.
Slaves and servants beaten without
discrimination. Blood soaked halls echo
with moans of suffering. Cracks of the whip
inciting shrieks of pain. The count is pleased
but not yet satisfied. Naked bodies, male and
female, covered in blood. No resistance is
offered by these peasants. They don't dare to
defy the urges of a nobleman. "The night is still
young," he says. "There's still time to **** and
defile all of you. And so I shall." He laughs as
his eye catches a young girl. "You my sweet
shall go first," he says unbuttoning his trousers.
AnnaMarie Jenema May 2014
Mom should’ve been here by now. I sat on my frilly blue and purple polka-dotted bed waiting for the knock on the door telling me mom found my dress. Finally, it raps on my door. “Mom! Did you find it?” My eyes widen as the silky blue sways in her arms, it’s beauty sings as a caged bird let free. I gasp in admiration. “I-It’s wonderful!” I pick it up and it glides down into a perfect fit.  “I’m glad you love it. Come down after you finish getting ready.” The door thuds after her. Looking across the room I note my honey brown hair that curls into pigtails. Restraining the squeal that is caught in my throat, I travel the length of my room to the mirror.

     The mirror sits on an antique dresser that my mom found at a garage sale. At first I didn’t care much for the ancient wooden junk that is at least half a century old. Now the gold-tinted metal gleams with pride once again. Rusty gems were in carved into an arc surrounding the mystic glass. “Lydia! Can you go upstairs and get that box down for me?” Mom’s request interfered with my thoughts. … Go in that dusty attic? “Sure mom!”

       Out the door and into the hallway stood a door like any other in our house. It squeaked open as eerily as what you’d expect in a haunted house. ‘A box, a box’ than out of the side of my vision I thought I saw motion. I shook it off as just being a spider or mouse. Soon my footsteps lead me to come across a dresser and mirror identical to the one in my room. It was cluttered with cobwebs and spiders. “Not very well taken care of, are you?” I muttered the joke. I looked into the mirror expecting to see a light blue dress covered in dust and sparkly silk material, but there was no reflection at all. I looked even closer at the mirror, before realizing, there was no mirror at all.

     I looked around until I found it behind the dresser, sitting on the ground. I touched one of the gems that surprisingly glowed despite the rust. Something shone until I was blinded. A tingle ran through the hand that brushed the mirror’s gem and flew through my arm until it encompassed me, racing into my every feeling until I couldn’t feel anything. My eyes shut and refused to open themselves.


     A gentle breeze grasped my hair, as music descended from the air. I could smell what seemed to be a banquet of some kind, mixed with perfume. Slowly my eyes lifted their veil to lock with waves pounding against a brick wall. I was looking down from a balcony into the erupting sea. The white brick-made balcony was large and lonely even with the brush of people walking by. I hid behind the rose-red curtains to look around. People danced and talked. Some ate. The music paved the trail for their feet to follow, all very gracefully. The men wore suits that tails drip to their knees. Their white shirts buried under sashes of gold, red, or blue. Sometimes holding medallions, some only dressed in ties. The woman wore Victorian dresses of every color and shade. Frilled hats with flowers were arranged on their heads.

     Wait, I’m not supposed to be here. I was in the attic, going to the café with mom. What was I doing? My head ached from the effort to recall my actions. Why can’t I remember? I stumble backward only to reach the balcony’s edge. Where is this anyway?

      I dive back into the curtain to search for my answer. The softness of the curtain was a rose pushed to my nose. I peeked through the small gap to find a page carting some clothes past my hiding spot. I sneaked next to the cart being wheeled into a doorway, planning to find a way out. I lost the page and walked around until I went through an archway door. The cool air spiraled against my silk-trapped skin. The scent of flowers bloomed around me. I found the garden labyrinth.

     Walking through the maze’s hedges I arrive at a beautiful fountain displaying crystal clear pouring waters. Everywhere I gazed, flowers embraced the greenery. My breath deprived my lungs of air as I took in the sight. It was so magnificent under the light of the full moon. A few lamps lighted a sidewalk path maneuvering along the hedges. I circled the fountain, taking in the surroundings. My silk dress was shining in the dim glow. The sceneries beauty entranced me.






     I didn’t see a shadow before me, and almost fell to the ground. In a graceful swoop an arm latched around my waist to pull me to my feet. “Be careful to look where you’re going, please my lady.” He bowed his head while his slim rimmed glasses started to fall off of his face, suddenly he looked up at me; sliding them back on with a slight wave of a finger. “That garb isn’t from around here.” He noted my sky blue dress with interest. I’m not even sure where I am. “I seem a bit lost. Will you help me?” he stares at me closer, a deeper curiosity shines in his green eyes, daintily brushed by his dark hair. “My dear, if it brings you comfort to know, we are in London at the Buckingham palace.”

      I gasped; London was so far away from New York. It’s across seas. I gulped at my next question as sweat pricked the nape of my neck, “What’s todays date?” His eyes sparkled at the question. “Why, it is June 28, of 1838. The entire castle is bustling at these very words. It’s a day to remember. Now my dear, I must take my leave and see to the ballroom. Farewell.” He bowed, than turned to leave. His slow stride seemed like a dance all on it’s own. My gaze was caught on his figure following the foot trail until he had disappeared. I sighed at my first encounter with someone in this grand place. The Buckingham Palace, in 1838. …1838!! That can’t be right, it’s 2014. Then the shock hit me as if bricks fell from the castle onto my forehead; the clothes, the language, the pages, and royalty. This couldn’t be London in present Great Britain.

    I circle the garden once more before I decide to go back inside. The young noble had realized my clothes didn’t belong here, probably anyone who sees me would recognize this too. I start off towards the footpath. The melodic rhythm still swirled in the breeze. Than for a second I thought I heard a footstep. My head twists back only to see a shadow move. The cool air now seems icy. Multiple possible things to say to the night air gallop through my mind. “ Such a lovely night,” is the one I decide on. From behind me a few feet back I imagine a sigh. No, not imagined, but actually there. It’s too real. I turn on my heels just to catch a glimpse of a black cape caught in the wind, as it’s master floats into the open. “My, It is lovely. However, I didn’t realize such a strangely dressed commoner as you could enter this palace.” His smirk shows sarcasm as easily as his eyes. “I never intended to visit a palace, even less in London.” My honest answer only has him conceal his laugh.




     “I’m sure you didn’t. Yet, your dressed for a fine occasion.” His hand reaches for mine. I pull away from the willowy figured glove. “Why not allow me this dance in the garden?” I back away, aware that his voice is too prescient and I should be careful. “Are you going to be wary of me?” his gaze turned pained, his blue eyes that were once full of playfulness now melted into hurt. I unintentionally reach out for his gloved hand. His laugh echoes past the foliage. “Such a naïve girl.” Dread decided that this nobleman should be avoided at all costs. I ran towards the palace. “And so the chase begins.” He snickers and rushes after me.


     I pass through the archways, glancing back now and again to find the caped captor flying along my tracks. If only there was some way to lose him. I ducked into the nearest doorway. At the far end of the hall I could see a door with a sign saying, “Dressing room”. I flung myself under a table and tablecloth to hide myself as my pursuer rounded the corner into the hall. I tucked my head between my knees and waited for his footsteps to fade. The warm place that held me trapped was close and too easily discoverable. I held my breath and tried to sink into the darkness. I’m not here. No one can find me.

     After enough time flew by to ensure my safety, I crawled out from under the table. The cloth draped over my head. I looked back and forth, half expecting to see a smirking smile, and haughty eyes. A girl stares down at me. She’s at least ten years old. “Shhh.” I press my finger to my lips and gently smile at her as if we’re keeping a secret between us. She giggles, copies the motion to her own mouth, than delightfully skips away. I let out a sigh and stand up. I follow the hall to the dressing room. The door creaks open and I look around once more, startled by the sudden noise.

     I sneak inside hoping find that the room is abandoned. In the darkly lit room, only my footsteps sound. As far as I can tell, no one has entered lately. I walk over to the carts of clothes and run my hand over the first one on the stack. It’s a ruby-red dress with fine material and some gems similar to those in the mirror. … The mirror. Not in my room, but the attic. My head hurts again, but I know I touched its gem before winding up here. How? I look through the dresses until I find a light blue and white one. The bowed sleeves come down to my elbow with frills encasing the bottom. The neckline forms a squared area of similar white frills. A small white sash acts as a belt that drops into the skirt of the dress. Two similar white ones come down each side. I pick up the light material and set it near my feet.
      My old silk dress easily slips overhead, making way for the new clothing. After tugging tight sleeves and bodices into place the light dress swoops over my feet. I spin through the dark room only to stop at catching someone’s eye. I immediately turn towards the frozen face. It is my own reflection in a mirror. I face myself as my sight settles on the dress I wear. My honey brown hair curled over the dress from my pigtails. My eyes sparkled it’s matching blue to the dress. In the corner of the room, next to the mirror, sat a large wooden box. I looked through it to find that it was full of jewelry and accessories. I prodded its contents until I found sky blue bows to wrap in my pigtails.

     I walked into the open hallway, now littered with people going to and fro. Anyone from passerby’s, young nobility, servants, and pages. Once the hall emptied I fled the room, hurrying through the corridors until I met with the room that created the harmonious trance. At the ends of the great ballroom sat crowds eating and laughing. Clusters of on-goers danced and chatted. In the middle of the farthest side of the room sat a throne that was embroidered with metal marks from centuries of legends. On the throne sat a woman at least eighteen of age. Her regal crown shone despite other attractions surrounding the dance room. A page strode over to her as she flourished her hand for his service. He stood and listened intently to her whispers. Finally, he stood and roared for the room’s attention. From his mouth spilled cheer and wistfulness, as he demanded the crowd’s ear. “Our young Queen Victoria’s coronation has completed. Now starts a new era! Let the celebration proceed.” The room reverberated with hope, love, and admiration for their new ruler.

     ‘Queen Victoria has been crowned’ having no clue how to find a way home, I disconsolately decide to join in the festivities. The crowd moves into a larger room. I stagger after them; the mass pushing everyone forward. We pass the kitchens. The aroma of cakes and deserts of every kind rises into the cool night air. The only smell more perceptible than delicate delights is the perfume penetrating the entire castle. We enter a by far more spacious ballroom. Empty amphitheater seats loom overhead, tied into the walls for onlookers to watch the ball unravel. Once again I glance at these to notice black material hangs over the edge. A head moves as people fill the seats. A nobleman with a black cape and familiar blue eyes takes their seat next to men and woman of high status. I walk into the mop to hide myself, while watching him. He laughs and chats with them as if he’s known them all his life.


      Unable to watch where I’m going, I trip. The harsh, solid ground hits my knee as if I’ve met a tornado. I wince at the pain as I strain myself to stand. A firm, but careful hand grabs mine. I look up into green eyes shaded by recognizable glasses. “My dear, you are very clumsy.” He smiles at me as I pat my dress back into place. “I see we’ve met again.” My response comes weakly as the sore from my knee makes me flinch. “I don’t think you’ve told me your name.” I inquire. “You have not requested my name, so I haven’t told it. However, if you do me the honor of a dance, my secret may be leaked.”  He bowed and offered me his arm, as I timidly accept it.

     A new song disrupts the last, as new pairs take the stage. He walks me onto the floor, and diligently starts to dance. I watch my feet, not wanting to mistake my pace. “Lift your chin, my dear. You don’t seem to but much of a church-bell.” I looked up at him puzzled. “Church-bell?” As he tried to conceal a grin, his glasses couldn’t suppress the laughter in his eyes. “Your rather quiet. And most likely not from around London, are you?” I looked to the ground once more. Should I tell him or not? Will it start problems, or will I be okay? “It’s fine, I shall not expect you to answer a question you wish not to.” I looked up at him, solemnly. “I promised to introduce myself, correct?” I nodded, as the music that echoed around us faded into the next song.

      His movements were so fluid; he was a wave at the end of the day, flowing into the sunset. “Miss, I am known by most as William Anderson. It’s a pleasure to meet you.” He procured my sweaty palm into his, tenderly swiping his mouth to my fingers. I let my hand be brought back into the dance as I searched for words to speak. Once the dance ended a few moments later, I curtsey and murmur, “It’s nice to meet you. I am Lydia Olsen.” At my gesture he bows, and requests once more, “Am I trustworthy enough to understand why you are in a mysterious place you don’t understand?” My answer had been decided and started to splatter from my mouth. “Y…”









     The next sound bounces along the room, it’s symphony starting. My words mix into the noise. In my vision of the seats above, snowy dots shoot arrows in my direction. Blue eyes gaze down at me, their iciness piercing me as icicles prickle my skin. I exchange a glance with William, nod and answer, “You are. I’ll explain.” My discomfort is surely recognizable. I often peek over my shoulder above as we dance. The shadow with a glare starts his voyage through the seats to reach the stairs that pillar into the wall. He descends from the tower, only adding to my panic. My hand seizes Williams, as I give him an apologetic smile. We hurry from the room, stumbling over each other’s feet. His graceful prance, now a faltering wreak.

     Once we are outside the ballroom, I turn towards him. “I trust you, so please understand, I live In the USA in 2014. Not London, not Even in the 1800’s.” His expression is masked, but I’m sure that I’ve confused him. “I went back into time, from the future.” The simple words struck a chord with him, his glasses tilted off his nose as he listens intently. “The future? How?” even I don’t know how to answer such questions. “I’m not sure. I was in the attic with a mirror, than … ****! I’m here.” Confusion once again wonders onto his face. “I went into a storage room with old things, and found a mirror, touched a gem, now I was here.”

     “I see, but why did we run away from the celebration? I was looking forward to another dance with you.” His casual smile does nothing to conceal unasked questions. I’m not sure how to answer them ei
Hail! generous youth, whom glory’s sacred flame
Inspires, and animates to deeds of fame;
Who feel the noble wish before you die
To raise the finger of each passer-by:
Hail! may a future age admiring view
A Falkland or a Clarendon in you.
But as your blood with dangerous passion boils,
Beware! and fly from Venus’ silken toils:
Ah! let the head protect the weaker heart,
And Wisdom’s ægis turn on Beauty’s dart.

     *       *       *       *       *

But if ’tis fix’d that every lord must pair,
And you and Newstead must not want an heir,
Lose not your pains, and scour the country round,
To find a treasure that can ne’er be found!
No! take the first the town or court affords,
Trick’d out to stock a market for the lords;
By chance perhaps your luckier choice may fall
On one, though wicked, not the worst of all:

     *       *       *       *       *

One though perhaps as any Maxwell free,
Yet scarce a copy, Claribel, of thee;
Not very ugly, and not very old,
A little pert indeed, but not a scold;
One that, in short, may help to lead a life
Not farther much from comfort than from strife;
And when she dies, and disappoints your fears,
Shall leave some joys for your declining years.

But, as your early youth some time allows,
Nor custom yet demands you for a spouse,
Some hours of freedom may remain as yet,
For one who laughs alike at love and debt:
Then, why in haste? put off the evil day,
And ****** at youthful comforts while you may!
Pause! nor so soon the various bliss forego
That single souls, and such alone, can know:
Ah! why too early careless life resign,
Your morning slumber, and your evening wine;
Your loved companion, and his easy talk;
Your Muse, invoked in every peaceful walk?
What! can no more your scenes paternal please,
Scenes sacred long to wise, unmated ease?
The prospect lengthen’d o’er the distant down,
Lakes, meadows, rising woods, and all your own?
What! shall your Newstead, shall your cloister’d bowers,
The high o’erhanging arch and trembling towers!
Shall these, profaned with folly or with strife,
An ever fond, or ever angry wife!
Shall these no more confess a manly sway,
But changeful woman’s changing whims obey?
Who may, perhaps, as varying humour calls,
Contract your cloisters and o’erthrow your walls;
Let Repton loose o’er all the ancient ground,
Change round to square, and square convert to round;
Root up the elms’ and yews’ too solemn gloom,
And fill with shrubberies gay and green their room;
Roll down the terrace to a gay parterre,
Where gravel’d walks and flowers alternate glare;
And quite transform, in every point complete,
Your Gothic abbey to a country seat.

Forget the fair one, and your fate delay;
If not avert, at least defer the day,
When you beneath the female yoke shall bend,
And lose your wit, your temper, and your friend.
Marieta Maglas Sep 2015
(Chiara continued,)

''It was based on the friendship between me and the mother.
I had done some business to multiply the wealth I had.
I had an illegitimate little son and rather
Than letting him be poor, I would make money, good or bad.''



(Francesca was surprised to find this terrible secret and questioned Chiara,)



'' Did my father know about this child? '' '' Of course he knew about him.''
''What's his name? '' '' His name is Gregorio.'' ''Where is his father? ''
'' I fell in love with a nobleman as a maid, '' her eyes grew dim,
''In his parents' house, I'd gotten pregnant; then, he asked his brother



(Chiara continued,)



To talk with their parents about our marriage, but they
Immediately arranged his marriage with a noble girl,
And I was fired; they hoped that my sighs would pass away
While giving me some land and money; my mind was in a whirl.



(Chiara continued,)



A wealthy farmer wanted to marry me, but I took
The money, and I ran to the town, '' ''What have you done there? ''
''I've worked as a laundrywoman. One day, in a wayside nook,
I've met a band of actors; I was hired to play and, my dear,



(Chiara continued,)



On another day, another nobleman asked me to be
His wife; I've married him, but I've lost him shortly after
The marriage; then, one thing remained above my fame and me.
''The money! '' ''The suffering! '' Then, she said, ''Oh, my dear daughter! ''



(Chiara embraced Francesca because Francesca started to cry.)

(Francesca said,)



''You were unlucky! You were more unfortunate than me.
''Why? '' '' For thou hast known some happiness and thou lost it.''
''I've tried to convince your father not to play; he didn't see
Love; that you were his whole family, he should admit.''



(Francesca replied,)



''He was aware of the relationships in the society,
But he was hardly able to understand the women.''
''He understood them, but he didn't believe them, in reality.''
'' Lucca had a positive influence on him; then,


(Francesca continued,)



Lucca tried to help him change his life while being so busy.''
''He was shocked when he was threatened by the pirates; '' ''He was
Very resigned; '' ''While lacking his pipe that made me dizzy.''
'' He was powerful, and he joked when he was nervous because



(Francesca continued,)



He wanted to be untouchable; he loved the things
Of value, which were rare and authentic; while appreciating
The arts he didn't want to be sensitized; '' ''when the heart sings,
Love sensitizes it; eccentric while depreciating



(Chiara continued,)




The limitations, he wanted to be your partner in life.''
''He had known that this trip carried a high risk, but he needed
This danger to control me; '' '' he protected you as a wife.
He was willing to pay for his life while being mistreated



(Chiara continued,)



And while thinking that the pirates wanted wealth; did you see
How did Quintus disappear? '' '' No! I appreciate that Lucca
Has not betrayed the state secrets; in death, he started to be
A hero needing the strength to block the sun as Garuda.''



(Chiara said,)



‘’My first husband had been Italian, but your father
Has been Spanish and I was proud when he asked me to be
His wife; '' Francesca hugged her, '' I consider you a mother.
Rosa said that you're a witch, but you're like an angel to me.''



(Chiara said,)



''Rosa was able to play to the extreme for her happiness
While putting her victims in the other extreme; '' ''I think
You have a wrong impression about her; '' '' her rose of success
Withered quickly; her death was creepy upon her existence's brink.



(Francesca began to cry. Chiara said.)



''Rosa didn't help me when Bella fell into the water.
I didn't know that Bella could not swim. When that jellyfish
Attacked her, she clenched her hand so hard that I couldn't help her
Any longer'' '' Rosa helped me; if I could have one great wish



(Francesca continued,)


I would love to be instead of Bella; when Fargo and
Geraldine boarded the boat, you unbalanced and pushed me.
If Rosa hadn't kept me tight, I would have been in
Bella's place; '' Chiara exclaimed, '' So lucky how could you be?



(Chiara continued,)




How did you feel it? '' ''What do you mean? '' ''When you've painted that
Jellyfish; '' '' Yeah, it was like a premonition; maybe
We had to listen to Fargo; it wasn't good, '' ''What? ''
''To be exposed ashore; the pirates could see us; '' '' you know me! ''



(Chiara said that she hadn't known about the pirates' existence.)

(…to be continued…)


Poem by Marieta Maglas
Fatima Ammar Mar 2014
walking through the hidden realm of my heart,

whistling close by me, a poisoned dart,

burning lightning in a pearly orb,

the essence of my agony you absorb,

echoes of a dog's anguished howl,

the opening eyes of a new-born foal,

ruby tears from the eyes of an innocent child,

a Spanish bull fight gone wild,

fiery chimera in a hailstone blizzard,

a multilingual emerald, flying-lizard,

purple mountain majestic mistletoe kiss,

a rare sorrowful bliss,

a distant ringing of mournful bells,

walking along a rocky beach collecting empty shells,

carousel of blood-hounds, running on fire,

my only desire; to hear this unearthly ire,

wretched arlequin, juggling the last string of sanity,

this truly isn't a show of subconscious vanity,

reaping emotions at such surprising speeds,

along with bitter memories of horrendous deeds,

diving into a sun-warmed tropical reef,

floating with fire coral far beneath,

a lilytrotter on candy-sweet waters,

the irreplaceable smile of a cherished daughter,

a blue fish dancing on a ghastly moon,

corruption swept away by a gilded monsoon,

a flurry in a race-horse chase,

no thoughts left to chastise,

shrewd smell of ancient tree-spice,

lingers in the unreachable corners of paradise,

when the red and golden banners are hung,

a far-off nightingale's song is sung,

the cresent moon, white-light projector,

an involuntary earth-life protector,

darling Ludwig, you sly minx,

for you have put my uncontrollable will under a jinx,

I'm ****, my true colours on display,

until it comes my time to decay,

Elise trapped thee heart in Limbo,

full of shadowed stars and powdered moonshine,

in a fairytale land divine,

treacherous Elise, make a speech,

of words no Poet can breech,

to thy trespasser, rowing,

in forbidden waters of longing melody.

175 seconds of unabridged art in blood...




AN: I'm sorry about how mad this first appears to be. If any of you know the history behind the song Für Elise then you might understand what this rant-like poem is on about.

Elise, (not her real name) was proposed to by Ludwig van Beethoven but rejected him to be with an Austrian nobleman. It is thought he wrote this for her. So I tried to describe a bit of the emotions he put into tune.


(there are many theories on who this song was meant for but I just chose this one)
Johnny Noiπ Oct 2018
To love a woman, a girl runs, a woman moves in a bright light in the city, City streets, Black in the night and day in the city of Children: naked in the clouds, Brazil's "windless" girl known as Brazilian children; Young fish, blood, astronomical stars, beauty in the United States lacking material beauty. The important ones of your friends writing a true drawing of a god. The Christian ***** Trinity has worked with the Christian philosophical philosophy. Gabby is rich in history, the statue is Alkalatek al-Jarkatal. The number of birds cannot be seen. Talking about the rich history of a long story, based on a mirror mirror, is based on the dream: The messages of the Prophet, the mountains are floating. Interesting girls in robots move girls to higher levels. Robot's Robot and Bob says. Flowers, flowers for Bettie in Brazil, Southern Food, You are calling. Original pages published. Recently, colored pink, good advice, and adultery, source Pixel: Death in a garden can lead women to dancing people from drowning. One of the pillars, the eye, the other, the marriages of some mothers and one of the police mistakes, is that the color of God's sun is fastened and buried. And the dentist, in this way, the result of the antioxidant sea, the silent messenger, the Kenyan people Ivan light, the life of the city, the people of the city, the victory of the plastic products, my love, my faith and power. Key, my head, my hero, my mother and my company, wait for my dad and wait for my gun and Gun Lock. Tasty as a sweet tasting Muslim in the Muslim world, where women stand in front of one of them and plays one of them: WALL OF STEAM IN THE BETWEEN STYLE: In Islam, Muslim Women 11 Muslims in Islam are part of the drug. This dark, bitter, football game that went from darkness into the world, added, but you can still see pictures if you cannot be silly beat and **** the daughter of the Jews; Laura's *** is nature, women & football knowledge's bright desert kneels to the flames of beauty; locked blonde fingers fires the rifle holding kisses and songs of the view presented as yech St. fine returns skin drinks, leaning on a false religion that makes noise as she's seized; the broad movements of the death of any talk about taking a shower with teenage Ghosts as your muscles, the strap of the cold is moved by a strange ****'s ***** granted custody of the honorable queue against him, with, ah, the throne of one sitting in lanes burnt together with H, the black seams of her new stockings were dying, & each of those who stood these stood in the woods which he was rapt is no blemish, the point for ever,
of the gods of the parents of a part of her ******; the common people
of the medicine of the six parts of the leads in the dark, it is bitter football that follows principles adds her ****'s turn to the portrayal of the invisible
light as easily as before God has added red children day and night to his mother, in nakedness. in a white, white area of ​​the city, where many the hot bodies of many heads of the best teenager who has a song, & a leather donkey full of darkness; all at sunset where a great rescue of his blood vessels, the stars under him, the goddess of the morning; head of the morning, morning best of the sea that has the ability to force the beauty
of American beauty from the radio station of a woman who is a woman who has the lively life of children; of rhetorical children who have a guitar of wind one at a time, called yellow. a favorite book of his friends wrote the shape of the Juvenile forms of the real change of the image of the father who had unity stopped; the ***** idol goddess with the thoughtful Christian philosophy that worked in philosophical Russian windows of beauty
of the early summer fall ****** has kissed the rock, rich Medusa, a long history of her grandson, came to death the name of the invisible,
coming to talk to some of the verses of the field, her body alchemical ******* with Barbie, lady, mirror mirror in the shadow of depression
of responsibility as the brain somehow has been blessed; the man sums up the expression to what is hopeful of what he says in terms of dreams he spoke armed with the prophets' predictions in fact to the mountains; almost wanting the mountains of girls that are fighters who warned the boy, boy!
Bubibu dragged to the people in another space to fall to a high-resolution table, robot's robot, Bob had all but remembered to call football soccer flowers Bettie flowers, Southern fruit breeds, to treat his silver Azalea fingers with sand, Christian in the middle of the nurse, Maria's traditional homemade restaurant is perfect, the early angels are written, Recently the color of the pink-colored Pink color advice's advice, enhanced sounding:
and under the Glowing light g's of boys
who are preparing to play the role of the
device with dances: the source of the adulterer,
the rewards of his heart, the number of a
woman coming up, and taking us in the
garden in the city of Grenades, killing children.
the color of the head of the tongue, some
mothers of those who live in the ground
of profiles of the wedding are caught on the other side,
eyes, music failure of the police, the smell
that I started to have fallen to the man Einstein
of felled victim to knowing that they were
buried in the shade; and built towers to the people
in plastic materials, speaking over Bluetooth
to the serpent, this way, the adjacent side effects
of the coast, Satan's messenger, Julian C. Maecenas;
Ivan, bright light of life's Lover is a democracy
with confidence and strength to overcome my injection,
my heroes, calling my mother and waiting
for the long-standing corner of the hiding place,
hiding dragon, the beauty of the **** of the Jewish women.
In Islam, Women in Islam 11 Women in Islam
Women in Islam Spirit Boy Like her muscles,
the gentle neck is the sweetness of the stranger
who was a foreigner of the nobleman's opposition
against him, with a throne sitting on the throne,
hanging together with a new one in Stockings
stadium were killed, each of whom stood fast;
The stem stands in the trees that have been Raptured
in no defect, the point for eternity, of the goddess
of the parents that partially invaded the common
people of the medicine of the six versions that
lead to darkness, it is a bitter football, the following
are added to the display of the new invisible pictures
Michael R Burch Apr 2022
The Shijing or **** Jing or Shih-Ching (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.

Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!


Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.

The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.

The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.


Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.


Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.

By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.

The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...

It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.


Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.

The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.

The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.


Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!

But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.

My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.

Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.

Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.



The Song of Magpies
Lady ** (circa 300 BC)
loose translation/interpretation by Michael R. Burch

The magpies nest on the Southern hill.
You set your nets on the Northern hill.
The magpies escape, soar free.
What good are your nets?

When magpies fly free, in pairs,
why should they envy phoenixes?
Although I’m a lowly woman,
why should I envy the Duke of Sung?



A Song of White Hair
by Chuo Wen-chun (2nd century BC)
loose translation/interpretation by Michael R. Burch

My love is pure, as my hair is pure.
White, like the mountain snow.
White, like the moon among clouds.
But I lately discovered you are double-minded.
Thus, we must sever.
Today we pledged our love over a goblet of wine.
Tomorrow, I’ll walk alone
beside the dismal moat,
watching the frigid water
flow east, and west,
dismal myself in the bitter weather.
Should love bring only tears?
All I wanted was a man
with a single heart and mind,
for then we would have lived together
as our hair turned white.
Not someone who wriggled fish
with his big bamboo pole!
A loyal man
Is better than rubies.



Spring Song
by Meng Chu (3rd century AD)
loose translation/interpretation by Michael R. Burch

One sunny spring, either March or April,
when the water and grass were the same color,
I met a young man loitering in the road.
How I wish that I’d met him sooner!

Now each sunny spring, whether March or April,
when the water and grass are the same color,
I reach up to pluck flowers from the vines;
their perfume reminds me of my lover’s breath.

Four years, now five, I have awaited you,
as my vigil turned love into grief.
How I wish we could meet in that same lonely place
where I would have surrendered my body
completely to your embraces!



A Song of Hsi-Ling Lake
by Su Hsiao-hsiao (5th century AD)
loose translation/interpretation by Michael R. Burch

I ride in red carriage.
You canter by on dappled blue stallion.
Where shall we tie our hearts
into a binding love knot?
Beside Hsi-ling Lake beneath the cypress trees.



A Greeting for Lu Hung-Chien
by Li Yeh (8th century AD)
loose translation/interpretation by Michael R. Burch

The last time you left
the moon shone white over winter frosts.
Now you have returned through a dismal fog
to visit me, still lying here ill.
When I struggle to speak, the tears start.
You urge me to drink T’ao Chien’s wine
while I chant Hsieh Ling-yun’s words of welcome.
It’s good to get drunk now and then:
what else can an invalid do?



Creamy *******
by Chao Luan-Luan
loose translation/interpretation by Michael R. Burch

Scented with talcum, moist with perspiration,
like pegs of jade inlaid in a harp,
aroused by desire, yet soft as cream,
fertile amid a warm mist
after my bath, as my lover perfumes them,
cups them and plays with them,
cool as melons and purple grapes.



Life in the Palace
by Lady Hua Jui
loose translation/interpretation by Michael R. Burch

At the first of the month
money to buy flowers
for several thousand waiting women
was awarded to the palaces.
But when my name was called,
I was not there
because I was occupied
lasciviously posing
before the emperor’s bed.



The End of Spring
by Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

The wind ceases,
now nothing is left of Spring but fragrant pollen.
Although it’s late in the day,
I’ve been too exhausted to comb my hair.
The furniture remains the same
but he no longer exists

leaving me unable to move.
When I try to speak, tears choke me.
I hear that Spring is still beautiful
at Two Rivers
and I had hoped to take a boat there,
but now I’m afraid that my little boat
will never reach Two Rivers,
so laden with heavy sorrow.



Sung to the tune of “I Paint My Lips Red”
by an anonymous courtesan or Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

After swinging and kicking lasciviously,
I get off to rouge my palms.
Like dew on a delicate flower,
perspiration soaks my thin dress.
A new guest enters
and my stockings flop,
my hairpins fall out.
Pretending embarrassment, I flee,
then lean flirtatiously against the door,
******* a green plum.



Spring Night, to the tune of “Panning Gold”
by Chu Shu-Chen
loose translation/interpretation by Michael R. Burch

My jade body
remains as lovely as that long-ago evening
when, for the first time,
you turned me away from the lamplight
to unfasten the belt of my embroidered skirt.
Now our sheets and pillows have grown cold
and that evening’s incense has faded.
Beyond the shuttered courtyard
even Spring seems silent, forlorn.
Flowers wilt with the rain these long evenings.
Agony enters my dreams,
making me all the more helpless
and hopeless.



The Day Nears
by Huang O
loose translation/interpretation by Michael R. Burch

The day nears
when I will once again
share the sheets and pillows
I have stored away.
When once more I will shyly
allow you to undress me,
then gently
expose my sealed jewel.
How can I ever describe
the ten thousand beautiful,
sensual ways you always fill me?



Sung to the tune of “Soaring Clouds”
by Huang O
loose translation/interpretation by Michael R. Burch

You held my lotus blossom
between your lips
and nibbled the pistil.
One piece of magic rhinoceros horn
and we were up all night.
All night the ****’s magnificent crest
stood *****.
All night the bee fumbled
with the flower’s stamens.
O, my delicate perfumed jewel!
Only my lord may possess my
sacred lotus pond,
for only he can make my flower
blossom with fire.



Sung to the tune of “Red Embroidered Shoes”
by Huang O
loose translation/interpretation by Michael R. Burch

If you don’t know what you’re doing, why pretend?
Perhaps you can fool foolish girls,
but not Ecstasy itself!
I hoped you’d play with the lotus blossom beneath my green kimono,
like a ****** with a courtesan,
but it turns out all you can do is fumble and mumble.
You made me slick wet,
but no matter how “hard” you try,
nothing results.
So give up,
find someone else to leave
unsatisfied.



The Letter
by Shao Fei-fei (17th century AD)
loose translation/interpretation by Michael R. Burch

I trim the wick, then, weeping by lamplight,
write this letter, to be sealed, then sent ten thousand miles,
telling you how wretched I am,
and begging you to free my aching body.
Dear mother, what has become of my bride price?



Chixiao (“The Owl”)
by Duke Zhou (c. 1100-1000 BC)
loose translation/interpretation by Michael R. Burch

Owl!
You've stolen my offspring,
Don't shatter my nest!
When with labors of love
I nurtured my fledglings.

Before the skies darkened
And the dark rains fell,
I gathered mulberry twigs
To thatch my nest,
Yet scoundrels now dare
Impugn my enterprise.

With fingers chafed rough
By the reeds I plucked
And the straw I threshed,
I now write these words,
Too hoarse to speak:
I am homeless!

My wings are withered,
My tail torn away,
My home toppled
And tossed into the rain,
My cry a distressed peep.

The Duke of Zhou (circa 1100-1000 BC), a member of the Zhou Dynasty also known as Ji Dan, played a major role in Chinese history and culture. He has been called “probably the first real person to step over the threshold of myth into Chinese history” and he may be the first Chinese poet we know by name today, and the spiritual ancestor of Confucius as well.




Seeking a Mooring
by **** Wei
loose translation/interpretation by Michael R. Burch

A leaf drifts through infinite space,
a cold wind rends distant clouds.
The river flows seaward,
the tide repulses.
Beyond the moonlit reeds,
in unseen villages, I hear
fullers’ mallets
pounding wet clothing,
preparing for winter.
Crickets cry ceaselessly,
mourning the autumn frost.
A traveler’s thoughts
wander ten thousand miles
in such a night of strange dreams.
The tinkling sounds of bells
cannot disperse sorrows to come.
What will I remember
of this journey’s darkest hour?
Only ghostly veils of desolate mist
and a single fishing boat.



** Shuang-Ch’ing aka Shuangqing has been called “China's peasant woman poet.” She wrote in the 18th century.

To the tune “A Watered Silk Dress”
by ** Shuang-Ch’ing
loose translation/interpretation by Michael R. Burch

Deepest feelings are hardest to divulge.
How to reveal a hidden love?
Swallowed tears well up again, return.
My hands twist, wilted flowers.
I lean speechless against my screen.

I’m frightened by my figure in the mirror,
a too-thin, wasted woman.
Not a springtime face,
nor an autumn face:
can this be Shuang-ch'ing?



To the tune “Washing Silk in the Stream”
by ** Shuang-Ch’ing
loose translation/interpretation by Michael R. Burch

The warm rain falls unfelt
like delicate silk threads.
The farmer ***** a flower behind his ear,
trundles the grain from his field
to the threshing-room floor.
I rose early to water his field,
but he snapped I was too early.
I cooked millet for him
with smoke-reddened eyes
but he snapped I was too late.
My tender bottom was sore the entire day.



Bitter Rain
by Wu Tsao
loose translation/interpretation by Michael R. Burch

Bitter rain drenches my courtyard
as autumn wilts into winter.

I have only vague feelings
I’m unable to assemble into poems
because words diffuse with the drifting clouds and leaves.

After the golden sunset the cold moon rises out of a dismal mist.

But I will not draw down the blinds from their silver hooks.

Rather, my dreams will fly with the wind,
suffering the bitter cold,
to the jasper pagoda of your divine flesh.



LAO TZU

For Martin Mc Carthy, who put me up to all but the first translation.

Lao Tzu poems from the Dàodé Jing or Tao-Teh-Ching (“Scripture of the Way”):

An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Nothing is weaker or gentler than water,
yet nothing can prevail against it.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

That the yielding overcomes the resistant is known by all men
yet utilized by none.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Why does the Sea exceed all streams? Because it does not exalt itself but is the more lowly. Even so, the sage.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The sage wears coarse clothes while concealing jade within his *****.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The sage does not hoard; having bestowed everything on others, he smiles, content.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

When his last scrap has been spent on others, the sage is the richer still.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The sage does not exalt himself; he prefers what is within to what is without.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Heaven’s net is vast but nothing slips through its mesh.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Daring boldness kills; boldness in not daring saves.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

To recognize knowledge as ignorance is a noble insight.
To consider ignorance knowledge, a disease.
Because the sage recognizes flaws, he can be flawless.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Ruling a large state is like broiling a bony fish.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Ruling a large state is like poaching an octopus.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The Way of Heaven is like stringing a bow:
it brings down the high as it elevates the low.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The wise don’t aggrandize their virtue.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The wise don’t vice their virtue.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Be Like Water
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The highest virtue resembles water
because water unselfishly benefits all life,
then settles, without contention or needless strife,
in lowly cisterns.

Weep for the Dead
by Lao Tzu, loose translation/interpretation by Michael R. Burch

When seeing mounds of the dead
the virtuous weep for the loss of life.
When one is “victorious”
observe the mourning rites.

Avoid Boasting
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Rather than overfilling,
it’s better to stop in time
and avoid overspilling.

Though you hone it to a point,
the edge will soon be blunt.

Though the salesman’s exploits are crowed,
in the end, what real good was his gold?

Reticence, when the day’s work is done,
Is the Way of Heaven.

The Wise
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The multitudes satisfy their eyes, tummies and ears, again and again,
while the wise consider them children.

Naming the Nameless
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Tao can be discussed, but never the Eternal Tao.
Names can be named, but never the Eternal Name.
There are known paths yet the Way remains uncharted.
The origin of the universe must be forever nameless
unless we call her the Mother of All.
Always the Secret awaits insight.
Thus when seeking the Ever-Hidden, we must consider its inner essence;
when seeking the Always-Manifest, we must consider its outer aspects.
Both flow freely from the same source, despite their different appellations
and both are rightly called mysteries.
The Mystery of mysteries is the Gateway to all Secrets,
the Door to all beginnings.

The Fountainhead
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Tao is all-pervasive,
an empty vessel yet fathomless,
the bottomless fountainhead from which everything springs!
It blunts the keen,
untangles the tied,
softens the glare,
harmonizes the light,
redistributes the dust motes more evenly,
resolves all complications.
A profoundly deep pool that is never exhausted,
the unknowable child who fathered the gods.

The Divine Feminine
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The Spirit is limitless.
We call it the Divine Feminine,
from whom Heaven and Earth arose
and in whom they remain deeply rooted.
Delicate as gossamer, only dimly seen,
yet infinitely flexible, her strength inexhaustible.

The Valley Spirit
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The valley Spirit never runs dry,
the river to whom all waters run:
the Spirit of our Primal Mother.
Deeply rooting Heaven and Earth,
to most eyes a delicate veil dimly seen,
yet a never-failing Fountainhead.

Adhere to the Feminine
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Know the masculine
but adhere to the feminine
and be a valley to the sphere.
For if you’re a valley
constant virtue won’t desert you
and you’ll return to the innocence of infancy.
Know the bright
but stick to the shadows
and be an example for the realm.
For if you’re an example for the realm,
constant virtue will accompany you
and you’ll return to the Infinite.
Know the glorious
but adhere to the humble
and be a valley to the Sphere.
For if you’re a valley,
your constant virtue will be complete
and you’ll return to the uncarved block
the great Cutter does not cut away.

The World-Mother
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Something formed out of chaos,
born before heaven and earth,
inexpressible and void, is never renewed,
yet continues forever without failing:
the World-Mother.
I don’t know her name,
so I call her the Way.
Earth reflects the heavens;
the heavens reflect the Way;
the Way reflects all that is.

The Wisdom of Contraries
by Lao Tzu, loose translation/interpretation by Michael R. Burch

It’s easy to control something at rest;
easy to handle the undeveloped;
easy to shatter the brittle;
easy to disperse the minute;
easy to deal with things before they get out of hand;
easy to manage affairs before they escalate.
A tree as wide as a man’s arms
sprang from a tiny seed.
A nine-story tower
rose from rock piles.
A journey of ten thousand leagues
begins with a single step.
Whoever meddles begets ruin.
Whoever grasps soon lets go.
The wise understand the advantages of non-action;
They lose nothing by not grasping and clinging,
while foolish people in their enterprises
often fail on the brink of success.
Be mindful from beginning to end
if you want to avoid failure.
The wise desire to be desireless;
they place no value on what is unavailable.
They learn how to live without learning,
yet correct the errors of scholars.
They advise conformity to nature
and avoid rash actions.

The Roots of Turbulence
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Heaviness lies at the root of lightness;
stillness begets turbulence.
Thus the nobleman heads his caravan
keeping a constant eye on his possession-laden wagons.
At night he sleeps secure behind high-walled towers,
undaunted and untroubled.
But how can the ruler of ten thousand chariots
discard the people so lightly from his thoughts?
The branch too high above the root is lost;
the aloof ruler is lost through turbulence.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Rills to the Sea
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The Way is nameless.
The uncarved block is small,
but who dares claim it?

The world’s relation to the Way
is like rills’
to the Rivers and Seas.

True Greatness is Selfless
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Like the broadest River
the Way cannot be rerouted or deterred.
And while myriad creatures depend on it for life,
it imposes no authority
but works tirelessly without acclamation,
feeding its dependants without seeking to rule them.
Free of desires, it may be deemed “small,”
but because myriad creatures depend on it,
it may also be considered “great.”
And because it never claims greatness,
it is capable of greatness.

When the Way Holds Sway
by Lao Tzu, loose translation/interpretation by Michael R. Burch

When the Way holds sway,
farm horses plough fertile fields;
but when it fails to prevail,
war-horses breed on closed borders.
There’s no greater crime
than to pander to needless desires,
no sickness worse
than not knowing what’s enough,
no greater disaster
than covetousness.
But whoever knows what’s enough
will be content with his fate.

The Way
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The Way creates and nurtures all creatures,
rears and nourishes them,
sustains and matures them,
feeds and shelters them,
grants them life without possession,
benefits them but asks no thanks,
guides but imposes no authority.
Such is the mysterious virtue.

The Greatest of These Is Compassion
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The world calls my Way vast,
says it resembles nothing else.
Precisely! And its vastness is why
my Way resembles nothing else.
For if it resembled anything else,
wouldn’t it then be small?
I have three treasures
that I cling to, and cherish.
First, compassion.
Second, moderation.
Third, not rashly advancing myself.
Being compassionate, I can show courage.
Being moderate, I can be generous.
Not rashly taking the lead, I can command.
Courage without compassion,
Generosity without moderation,
Leading from in front rather than from behind,
are certain to end in catastrophe.
With compassion you will win at war
and be invincible in peace,
for Heaven will protect you
when you act with compassion.

Keywords/Tags: Shijing, ****-Jing, Shih-Ching, translation, book, songs, odes, Confucius, Chinese, ancient, rhyme, rhyming, love, nature
These are modern English translations of ancient Chinese poems from the Shijing as well as poets like Li Bai, Du Fu, Lao Tzu and Tzu Yeh.
Hear the banners, blaring,
In a Castle, sun-bathed white.
Wrapped in the golden sunsets
of both East,
and West.

Come closer, into this Castle's realm
see crops blazing with activity,
what might be prosperity,
or laughing children
and screams of joy, and laughter.

Talk to a farmer girl, of this Castle,
Listen to her tale:
I was wrought from Issac and Portia,
a Nobleman, and a Common-folk.
Together, they brought me,  16 years ago.
From the dusty deserts, that bloom green plants,
I sit lonely on a bench,
and by chance, I had a glance,
of a poor person, but, not a common-*****.
A man he is, and he stands tall,
with black slick hair,
and muscles all.
I looked at him,
and he looked at me,
or so it seems.
The next day,
in the market streets
of Camelot.
We met,
face, to face.
Though it were a dream.
And seemed fair around us,
though that was not what it would seem.
We spoke, in the corridor,
to the church,
and we learned of each others lore
and kept close each others worth.
The Next day, by midnight,
as I slept in my bed,
He was there.
He knocked on my window,
and I invited him in,
with suspicion,
and lusting,
for my anticipations.
And he spoke to me
"I will return, Christine, dearest,
but I must embark, upon a quest,
to the neighboring town of Cornwallis,
to discuss neighboring policies,
and alliances.
By 3 days shall I return,
and should I not,
then my death will you learn
has come.
And so he came,
and so he went,
William his name
who's life not spent
walked gallantly mile after mile
to reclaim his fiance
and raise their child.


Continuing,
upon the walls
of Camelot,
their lies what they
might call a mote,
but it has been torn,
and it might be plagued,
explaining the lack of
crocodiles.

Knocking on the Gates,
of Camelot,
leads to a few strange noises,
one of them, being,
no noises,
as you hear
distant voices,
as if they were sleeping,
and you look up,
"The moon, of course!"
And so you climb the wall,
with a vine you found in the forests nearby.
And you stumble and mingle
with the vine wrapped
around your ankle.

Alas, your free,
You look up for the first time
within the boundaries of the city,
and find,
inscribed houses,
and minor commotions,
and by mere chance,
the sun arrives
though late, he seems,
and later he rises
the brilliance and the blare like a clock
starts the peasants up as flocks.
Love round the village clean and fair
and animals rolling in parks they share.
Where birds sit in pair-trees.
Where dogs chase cats for fun,
Where bees entertain the children free
Where parents admire the creation they've done.
And as you walk these streets
in wonder, and satisfaction,
You find that street
is layered in sparkles
and clouds of snow-white dust
that enhance the atmosphere
of this,
Haven,
so to speak.
Their, in the middle,
bewitches thine eye,
with all fantasies of this Earth,
and all beauties that have worth.
For in the center, lies a fountain,
which speaks 'Heaven' to your heart,
its marble is smooth as doves,
the presence of the fountain,
creates, or so you believe, the dark
mood around,
like a ominous breeze,
that is being blown away,
infinitely stretched,
like a monkey-chain of rubber bands,
the features of this fountain,
excite your mind with wonder,
enough wonder,
that makes your life feel whole,
though man has at least one worth,
should the world fail
and all prove evil,
then at least, they praise this devil.
The shape is but a breath-taker from
what could qualify, as a statue
for to lie in God's Plaza, or something
similar. The water spraying from the Queen,
Gaia, with a lively green vine,
my apologies,
that is pure and uncut emerald
that wraps around her hair,
which is so defined,
that you could give Gaia a new definition,
Perfection.
And from Gaia's hands, holding a vial,
comes out water, seeming longer,
and more endless then the nile.
And should you lean upon this,
architecture, of majesty,
unbearably beautiful,
and unquestionably
promising,
you'd see,
the mirroring,
of Heaven, the Stars,
and all the cold void within this reflection,
that miraculously could ever dare
to try that deception, in say, 4 feet length,
that mimics the unending of space,
time and infinity.
and,
you turning your head,
you see creatures,
though creatures they be,
they, if the fountain represented God,
then these creatures represent his Archangels.
As Swans float gently,
upon the water's tip,
and even Salmon, and other fishes below
are gray, silver, or diamond clear.
And the water their, remains,
untouched,
despite the audiences
of romantic teens,
adorable, and innocent children, laughing and playing in this pool,
and adults sitting by it, enjoying  their mate's company.
Inscribed in Gaia's vial, reads
"The Fountain of Youth".

But these fond memories no longer supply me,
with the passion and love of this Earth,
I once fondly knew,
for all, even the fountain is pillaged,
and two lovers that loved each other were hewed.

But pride, forgotten,
and beauty marred,
live forever,
in glory
and love.
Aaron Combs Jul 2015
California Dreams Part I

Time is falling apart,
My heart is stumbling,
the road is ending, so

follow my eyes,

Take my hand and forget yesterday, let me
get out of the country of Texas, see all of the world.
Don't worry so much, I'm always there,
and the world is free, let me show you.
Then let’s fall in the swift winds of adventure.

Let’s go!

Now look at the map in my brown eyes, and hold tightly
my hand, and our fingers will never grow cold.

After Christmas we'll travel to Highway One,
we’ll first set our eyes to the crystal skies
of California. And your dreams could come
true, under the lime light, everything
will make sense and our dreams will
rise like skyscrapers.

The dreams, euphoria, the fights and the pain,
it'll make sense through the hard times, it will.
If we falter, I know, we can still climb the gates
of paradise.  We can do everything. And we will.  

For in one year we'll climb to the stars,
stand on the purple mountains of Alaska
and conquer the midnight hours, we'll post
our banner on our mountain, call this our kingdom.

As the lot falls, we'll work, we'll go to school,
we'll pick each subject like roses and carve our hearts
into the trees, we'll find sweet the kiss of unity.

In the season of the blue moon, when we
get weary of one another.
 I'll find unwritten ways to love,  for 
 I will love you always.  It will be all okay.
    It will all be well. I promise.

As we fall in love again,  we’ll turn under the sun
To Arizona where the valley’s our only beauty, and
our voices are thunder in the Great Canyon.  
The eagles will perch  under the sycamore tree,
for we will lie down in the
fullness of peace and rest by the
hawk and the snake at noon.


Part II

Let Me Show You The World

Now I'll show you the world.
We'll see all of it.

Let's go!
Let's go!

Let's starve, let's eat, let's see.
We'll go on ship to Africa. We'll buy a jeep and and visit the brown hills
of Zimbabwe. We'll sleep with the cheetahs and run with the lions.
Our hearts can never die here.

Knowing war and love ,
we’ll lower our hearts to the children and serve them.
And look into the eyes of the broken, the hurt, and the dying.
We can help them. For as the warrior children destroy mothers
And fathers inside the streets in Tunisia, Libya, and Egypt.
We can save that one Child.  

The following year we'll walk upon Mary's path to Nazareth,
and see where Jesus grew up and David
defeated the mightiest of armies.

We'll remember the creation of the world,
and the end of it all, on the valley of decision,
Where the world will come to ruin.

Don’t’ worry dear, we'll find our romance and rest.
We'll follow the road the road to Rome.
We’ll see the catacombs of old, the virgins and saints buried
with love so perfect.
We'll see see so many things and all the color of the world walking together, the nobleman, the thieves, and the harlots at dusk,
we'll remember our love, as the wind of our prayers
carry them.

follow me on  

Let's turn to the twisted hills of France and
find fragrance, and the lips of war.
We'll walk in the evening and lie down upon the roof of Notre Dame
and watch the morning light spill into the city of Paris.

Don't be surprised, for war will come again.
We will be ready, against our enemies we will fight.
We are mortal my dear, we must fight.

When the wars boil over and settles down
we'll escape to London.  Where books fly high,
and parties go higher, where love seems but a
gentle lying dream.

Before we die in the darkness, we can always hide
under the blood and water of our prayers, we can be forgiven.
As our sanity returns, we'll lie down on the rocks of Stonehenge
and dream once again.

Part III

Let's Lie Down, I Will Be Your King

Let's turn our way to Scandinavia,
and taste the richest cheese and
then bicycle to the home of Germany's finest chocolate.
Let's find our fill!

follow me on,

Next  we'll buy to the ticket to the mountains of Romania
the land of many orphans. We'll grow a garden
of orchards of olives, and make our wealth and peace.
And we'll feed everyone of them,
Everyone of the little children and hear their forgotten history.

Three more years later, we'll call our home in Siberia
where puffins find refuge in the white mountains.
We'll learn to fish with the Eskimo and
watch the faint heat of dawn whisper away.

Let’s Go!

In Beijing let's learn Karate and the arts.
We'll know the greatest of warriors and find peace
in the red blood sky. And we'll rent a yacht and live there for months
and make a business with great merchants. See it'll be okay.
It will all be okay. We’ll find our fortune and
lie down on the ****** shores of Hiroshima.

My dear, If the world wasn't enough, we will rule paradise
on a thousand islands near Malaysia and Indonesian skies  and
compose immortal songs about the world between you and me.

Like the kings of the northern stars we'll explore
far out. For in the land of New Zealand,
we'll see where  beauty cannot
die and mountains cannot fall, where paradise
begins. We’ll surf on the silver waves,
and write more songs till’ love draws us home.

We will lose it all and have nothing again
we’ll make our last campfire
and tell the village people our winds
of adventure.

Until  the moon turns to blood, I will be by your side,
morning by morning I will be your king and love,
your warrior outside, beneath
our  balcony we will see a thousand
blue and yellow rivers, flashing their gates of paradise!

Let's Lie Down  

The Return Part IV

In our old age, we'll go back to our home in Texas.
Where the oil never runs dry and where corn crops still grow;
where friendship is only a second away, let's go again.
Let's get on our motorcycle and visit where we grew up
and remember it all. And look at the playground where I fought
the bully in the third grade, and where you
drew your first kiss. Let's see our
first Sunday school, where the air
touched our first prayer.

As our hearts grow in splendor
like a garden of strong delight and the
fearful valley is stricken with good rain.

Let's lie down there at the white steeples
where we got married, where our eyes can close
and drink in the heavenly shores and

      thirst no more.
     
 and thirst no more.
This is my epic poem, I'm really trying to break the 50 heartbreak, so will you help with my goal? Enjoy the poem friends!
Diverseman2020 Sep 2009
A defeat I can't bare witness
I should have known
The king signed a peace treaty with the enemy
Politics behind our backs
Chancellor's participation
His engagement cost us dearly this war
Poison the king's mind for serenity
Our enemies have won
I renounce service to the king
Nobleman I am
A mercenary life I will live
Payments is my services
Death is thy drink
May the spirits keep me away?
From a nation of ignorance
JessyWrites May 2015
You deserves a lamp shade not a melting candle for woe is me, that I sojourn in obscure.

You deserves a clean sheet not a grime rag for woe is me, that I no pure.

You deserves a doctor not a band-aid for woe is me, that I no cure.

Woebegoness lingered on my soul so dont be a fool.

Then who is you to tell that thee? Saith the nobleman that captured the heart of me.

Then who is woe? If I can be the lamp shade to light the obscure sojourn of thee.

Then who is woe? If I can be the clean sheet to wipe the impurity of thee?

Then who is woe? If I can be the doctor to cure thee?

Who is woe?

Woe is me if you give up thee.
Hey follow Jessywrites :)
Saint John the Apostle says: “Hellenika and Tsambika, they will be the lily, the saffron, the rose and the violet, but also new, like the calendula and the chamomile, making of all a crown headband, to ad put the world of the Duoverse in everything its radius, for the star that illuminates par excellence as a white planet without thorns, which is the perfect one among the perfect ones, anti herbicide of language and incarnation, as in the Empyrean medieval zeal and in the highest of heavens. It is also the site of the physical presence of God, where the angels and the souls welcomed in Paradise reside, between Thistles and Roses towards the nourishing plane of the conventual voice and the tonic of the Milky Way; galactogens, ******* third grade milk to curdle in children who have not been a Messiah yet. Paths of thorns will guide the visitors of this gallery of flowers and plants, through the Panagia Monacal, for the holy homily with the Lilies and their lower valleys, where no more Lilies can evade their chains of the Liliorum genome and in their valleys of galactogenic virtue. As Mother Rosa and son Lirio, being the mother of all and of that one, behold ... your son, "I myself in the path of the three Marias. Over there in the desolate andurrial, an aquiline carries me imprisoned on my heels, as a bond of a son who makes my footsteps, the columbine sole of my saving feet.

At 320 meters of altitude, the Still Life appeared, concealed behind the Vas Auric, here everyone approached the auric circle of Morality that made them authors of the proximity of the Universe falling on Greece and Herbalism that fell with all its historical structure in the forest where many more species such as Caltrop, Laurel, Olive, Linen, Granada appeared, in a simple and flat devotional with nuances with pro delegating status; the same Hexagonal Birthright, to make the cinnabar fistulas, which was elemented by the different colors associated with the Grail tutorials, which were seen indigos on top of some Rhododendrons. If it is eschatological, it is in mystical nets of the Empyrean, further away in a form that is said to be called a form of gonism, between Cardinals and their dead Lilies. As the first among the last, the bulbous and clayey Tulip orb and basilica symbolism, peacemaker and philosophical Eritrean, for spiritual searches, which eager effusions of the Empyrean, reached the Messiah on his Pollino on the way to Bethany.

Around the Monastery, they could all be seen arriving to the beat of the cymbals and aulos, among the lyres that prowled, tickling the inquiry to rest their fingers, or perhaps by some augur Trojan villain in those of "Daedalus".  The latter being, here a tulip, with flames of a true seeker trying to sacrifice subsistence daring over the risk of the flame of saving death.

Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Talos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster. The labyrinth was a building with countless corridors and winding streets opening one to another, which seemed to have no beginning or end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave from Minos, in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth. I have to lament for the rapture of Perdix, now turned into Partridge, who now carries in his clutches the creation of the Universe-Duoverse, turned into his own, and me in envy, harassing me with the endings of my endings and not initiating nor ending. That is why I appear here coming from Crete, to wrap myself around the garden and its mystery, closing all the madrigals and trees, like a world that has created me. In its splendor, seeing the humility, fragrant of violets grafted into lavenders, with my soul now, of a somewhat  syncretism Hebrew-Hellenic and Mythological-sub Mythological, like a nobleman who walks free and without chains ..., passing through the Parthenon to put garlands, in dresses that are adorned with linen, but of evangelical lineage here in Kímolo. From here in the humility of heaven I will go with Kanti and Etrestles to unite on the prominent hills of the Hexagonal Birthright.
Daedalus
Dawnstar Nov 2018
When ancients in our eyes waged war in green Gaul,
He fought for new wealth and nobleman's glory,
He rose from mud where slave-spears lay shattered,
And raised the good name of his house from disgrace.
Binding giants in a favorable pact,
The consulship could well be attained,
But men of the day could not perceive greatness,
And barred him from beloved Rome.
So he rode out and vanquished the untamed Gauls,
Who once had brought Rome to its fearful knees,
Winning victory after victory in forests of the north,
Splitting oaks in the east, where his sword marred its sheen.
When fleets by Britain's cliffs hemmed the horizon,
When the seat of the Sphinx was polished marble-gold,
There were ten thousand Greeks could tell of his exploits,
And ten hundred Egyptians who claimed to know him.
With rude steel, he mastered the Mediterranean,
And over the Earth he brandished civilization.
In later years, his heirs spread like a stain upon the land;
The seas too were dyed with Roman sails,
And every coin minted bore the face of Caesar.
Even now, though the empire is hardened like iron,
And purple luxury replaces the crimson of war,
There are still a few among us who remember
Our young and mighty red-feathered conqueror.
Brycical Dec 2014
I am left in the forrest to die, a battered runaway slave, until a swamp mambo saves my life with some herbs and love over time, but I cannot let go of the fact she brought me back from the precipice of death, so for the rest of her breath I serve and protect her with honor and respect.  

I am an ancient Chinese nobleman betrothed to a bride for more money and land, except I'd rather spend the time with a common woman because she makes me feel and opens me up, but in the end I choose the power, and to my horror the bride has the woman's family removed from life.

I am a suave satyr, a boisterous and joyous half-goat who prefers the light of night, a rapscallion nymph chaser whose frenzied bacchanalia rife with wild ****** an ecstatic ******* even though a had a penchant for this shapeshifter whose eyes lifted me beyond an echo in time.

As an oracle, I am only beholden to the gods though I don't think the Kings and Queens understand my sister and me. Our feminine bodies flicker and dance in shadows, embers aglow as we flow between each other's souls and worlds to bring words of wisdom through smoke visions and hieroglyphic poems.  

I am a Viking, tired and hurt, our ship burns as my ****** body is momentarily buoyed in the frigid watery deep, proud yet ready to sleep until I realize this is my final battle yet won't reach Valhalla as I drown, the freezing drink slowly chokes my veins, the sound fades.

I feel free, a wild dakini gypsy between dimensions and time, with my sisterly crew of hypnotizing pirates making no bones what we want from the clients as our razor sharp bodies and piercing eyes cut through souls so we may outshine each other in stories and diamonds.
This is a sequel/prequel poem to my previous poem, found here...
http://hellopoetry.com/poem/991858/current-timeline/
In the ears of mine intention
and heart of my affection
heavier are thy words
than Mike Tyson's punches:
they struck my feelings
hard, breakimg the chords
and jaws of my passion.

Truck of snobbish display . . .
. . . plight blighted . . .
       crestfallen.

Should the sis linger more
in my marooned mind,
who hath belittled my person
and social worth?

Though i'm no Knight--
matter of fact, truly--
neither a nobleman, Miss Beauty,
with riches and a badge
of honour to show forth
my position, eminence and prestige:

wheeling thee about in a Rolls Royce
to diverse paradise of your choice;

yet deserve i no scorn of lips,
high lady,
even if belong nay to the gentry.
SøułSurvivør Aug 2016
I won't be on site for some time. I'm writing the story of my father's life. He's 91 years old. In a power chair due to severe arthritis. Almost completely deaf and going blind. He can't read properly now and, being a very bright man, is filled with ennui. He doesn't know what to do with his time. I want to find out about his life. I know parts which I will put in this poem you are about to read...

My father's not a nobleman
Born a farmer's son
He has not the title Prince
In my heart he's surely one

My father is not tall of build
He's not a rugged man
But on his shoulders as a child
I saw the Earth's full span

My father is not wealthy
Has no Goods to share
But in my heart I know his worth
He is a billionaire
He is not a Wise Man
Has not those gifts to share
But he has a high IQ
Is bright beyond compare

Raised in the Great Depression
He ate the slop for pigs
Now he's a survivor
His grave cancer didn't dig!

He saw Okinawa
Eniwetok's grim atoll
Code named "Ivy Mike"
The Bomb landed on it's shoal

He went to MIT
Far 'above his station'
And he did it with a handicap
A 7th grade education

He is not a saint
He is far from 'pure'
But in my mind he's worth it
His tale should endure

So I will write his story
I believe it should be told
He is a curmudgeon

But he has a heart of gold


♡ Catherine
Thank you for understanding that I cannot read right now. This biography will be taking up most of my time. I will be writing occasionally and doing a little reading. But I want to finish this book before my father goes completely blind. We can communicate by writing right now. But he has a progressive condition which will take his sight from him eventually. And he has mild dementia. But he enjoys talking about his life and the times he lived in. I'm sure they will make fascinating reading. I just hope I'm a good enough writer to do it justice.

Please pray for me and my father.
Anderson Ritchie Jan 2012
Through the night,
rode the poorest knight,
o’er vale, o’er innocent glade
with thundering and beating heart,
that matched the quickened pace,
of the steeds nimble stride.

Tho’ the stormy gale opposes,
and the might of winters snowy,
blizzard, should keep him at bay,
he rises to the challenge
and crushes them ‘neath his heels,

When at times the spirit is low,
and normally a liquor does restore,
he hastens past the tavern,
to where his mount does drink and eat,
and makes fast the saddle,
in order to make advances on his merry
quest.

When the day he has been riding
for presents itself with fate and circumstance,
at its left and right,
and this poorest knight, tho’ stout of heart,
and a little bit stout of figure,
might be bequeathed with one
small gaze at Her.

He had ridden many miles in many days,
for what purpose he had no knowledge,
although, now that fate has blessed him
with the cause of his lengthy travels, and quest,
he might smile, and become the richest knight,
that other might envy, and wonder at,
indeed this is what did happen.

the village, town, and city,
all were amazed that this poor
nobleman did acquire someone
such as her, whose looks were
stunning at the least, and were
nigh short of some divine providence,
and making.
That when he rode through town,
with her arms wrapped around him,
the down did gawp, and wonder how,
that he did prove them wrong, and
hadn’t a care for their rude gawping
faces.

He and She,
carried on unto the sunset,
whereupon not a soul saw them
again, nor needed to,
they knew where to find them,
they were happy, and needed not to
be bothered by the troubled
villagers, and issues.

The poor knight,
is now living as a king,
though not wealthy of riches,
or prominence, or land,
but of the true happiness,
only love can bring.
NeroameeAlucard Nov 2014
Thank you very much
for teaching me feelings are a crutch
for educating me to how my dreams will get crushed

Thank you for enlightening me
to get rid of my heart you see!
It's simply nothing more than a tool
others use to hurt you you fool!

Thank You for forging my armor
to make me stronger for much longer
opening up it seems will just get me hurt
so thank you for forging it, you did admirable work

Thank you for killing my once happy self
the world was trying but it just needed help
now I have all the happiness of a caged elf
or a nobleman lacking in wealth
This poem is essentially backhanded flattery
Aditya Roy Sep 2017
Tax is a concept
By which you measure governance and each cent from each pocket
Tax is a concept
By which you measure a homeless man’s pain and the hard rain
Tax is a concept
That only adds up but sometimes doesn’t
Tax is a concept
A technique to intercept the poor man’s invasion
Tax is a concept
That funds a government servant’s evasion
Tax is a concept
That requires frequent revision for the privileged 1% division
Tax is a concept
For the rich to market their wealth as a sales pitch
Tax is a concept
That is open ended that helps lawyers find a niche and sometimes a gaping ditch
Tax is a concept
That helped the Untouchables put away that whiny *****
Tax is a concept
That takes the interest out of the spooks
I don’t believe in being rich
If I have to pay more I think that’s a glitch
I don’t believe leaving it all to the middle class
If I criticize it the government shows a lot more sass
Tax is a concept
If it wasn’t it wouldn’t be in books and in the salaries of prison cooks
Tax was a concept
That kept out of it the clergy mooks
Tax was a concept
That kept a nobleman’s coffers’ ostentatious good looks
Tax was a concept
That kept death at bay
Tax was a concept
That contributed to the dead everyday
Tax was still a concept
If it wasn’t then in Germany there wouldn’t have been any bread for each day
Tax is still a concept
It still pays the rich and takes from the rich *****
Who has the lawyer who is smarter than Tom Sawyer
I don’t believe in law and order
I just believe in world order and peace
https://www.youtube.com/watch?v=jknynk5vny8
God- John Lennon
Sameer Denzi Jun 2016
I have a guru who comes to me from time to time
To teach me things I tend to forget.
Once he appeared as a wrinkled old coolie
Who carried my bag into a crowded train.
I gave him a generous fee which he did not count
And left, as I sat there feeling quite self-righteous.
Moments later, he returned jostling through the crowd
Teary eyed and hands joined to inquire in silence -
If I had made a mistake
Or if there was something else he could do?
For I had paid him far more than what was due.
In an instant I shrunk to the size of an ant
In front of this giant of a nobleman.
Oscar Mann Nov 2015
From within the safety of the train compartment
Memories, written in stone, glide by
There’s the Roman church
With the statue of the priest and his dog
And the enigmatic farm
Where llamas and ostriches stride
And that one funky albino kangaroo
And after that comes the castle
Which in my mind is inhabited
By an anachronistic loner
A degenerate nobleman
Who hides within his fortress
Hoping that the days of old come back
And after wasted grandeur comes earnest cosines
Carefree children playing football
While their grandfathers smoke
And discuss the Tour de France
And eat Boules de Berlin
Images that I have seen a hundred times before
But  the celebration of triviality
Has never been so precious to me
As these images, gliding by, through the window
Written inside my memory
The ladder is so simple.
It is used
to climb
to see the heavens.

The ladder is so simple.
With a grasp of its outer shell
Man
can
slip
                       away
without
a
sound.

The ladder is so simple.
But it requires such effort to move upwards
Each rung requires a jump from the previous.
A leap of faith-
Ending in the starting place with no new vertical accomplishments
OR
Continuing with a crash on the next, elevated rung,
Repeating the process once again.

                Then there’s the other option.
                To grasp the sides of the ladder when man has finished climbing,
                Slinking, slithering down the smooth sides of the legs
                Where you smack the bottom.

The ladder is so simple.
It’s easy for man to climb.
Each rung is a new goal to reach.
There’s a constant need to land on top
like a nobleman chasing the crown.

               The hard part is saying goodbye to the heights achieved.
               “Are the rungs pointless if man should pass them all coming back                        down?”
“Are the leaps of faith worth the energy in the end?”
But the hardest question of all-

*“When does man know to sink?”
Gossamer Oct 2014
I am a heavily folded
sheet of stationery.
A Roman
nobleman.
She is
so
so
sick.
You are
Shakespeare;
you are
wrong.
It took me
f o r e v e r
to decode:
The fault is
NOT
in our stars,
but in
ourselves.

She is a letterhead.
She is in
my empty bed.
She is
enough.
Rearranged words from a page in "The Fault in Our Stars" by John Green
Cat Fiske Jan 2016
When this nobleman was around,
He went town to town,
segregation, being his fight,
while brave men of black and white,
went hand in hand and were united, by one common goal,
to save america's face,
or the blacks and the whites would get the same terrible fate,
but at that same time, Martin Luther ironically had to fight,
for black kids to walk into the same schools as the whites,
ride and sit on the same bus,
and even get the same bathrooms, water, and bar counter brunch,
but we could have them be in a war together,
no if ands or butts,
because oh great america like we are now,
doesn't stay out of other countries or allow,
that country to do its thing,
has america let someone tell us how to run our land?
didn't we leave great britain for our independence?
so how come like then and now,
we get into war over problems other countries need to fix themselves,
when we havn't fixed ourselves yet either,
Martin Luther King Jr. Could've told you that,
anyone from a history book could predict the future,
because we have not learned from any mistake we have made
so america is at fault and the one to blame.
all truth
a man
has shoot
and sell
his desire
where tires
embark to
Ilium but
a nobleman
farm his
wit with
hell and
back truck
in a
parade of
fire yet
amble in
Market Square
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric
Rand J Bennett May 2012
I was once a queen in this dress.
Peasant and nobleman, child and commoner I had been, yes,
But never queen.
In this dress, autumn was my station, my birthright, my blood—
I was an heiress of field and stream,
Of tall grass, tree and sky,
Of August leaves bronzed under an Indian Summer sun.

Let me take you to that day; See as I see,
Look to the field all where the trees
Clap their hands, and shake from their branches golden leaves
To crown this small soul, their Majesty.
Standing steadfast as sentinels as they
Watch a life in reverse: I am shrinking, I am becoming
Nothing more than these blades of grass I run on,
This patch of sky I fall from,
This body, this blood, this tiny wisp of memory
In a mind so vast with humanity,
It has to spill over and splash into something like Time.
Silent, they watch as I unfold into this moment:
This moment newly-made,
ancient,
eternal,
To become queen, to become everything, to become

Nothing more than an end-of-summer’s day—
Mimi Apr 2018
The Great Wall of China is a series of fortifications made of stone, brick, tamped earth, wood, and other materials, some of which include: chips of cloven hooves, beating in rhythm with a grand conqueror on high, brethren united in one charge; sweat of a migrant, summertime rain cooling between his shoulder blades, stones callusing fingers; blood of one and many terracotta men, giving their lives for God and king; new silk chewed up by moths; jade and chrysanthemum, a nobleman’s wife’s treasury; sun and wind, a flood, grace of a new emperor - my life, reaching backwards into pockets of rice fields, scholars’ tables, great-grandmother’s childhood castle, everything I know.
written 12/14/17
‘What’s the railroad to me?’
demanded the queen,
interrupting and pointing
‘Right over there, that nobleman passed.
Right
over
there.’

You can feel the frost above
where there is a whispering.
It’s the place that I never go to see.
Up on the slate
and then slinking around
back streets
into somewhere else.

Here, the nobleman, was
blown in from the bay.
‘He only went so far,’ the queen said,
again she’s pointing out directions
‘and then he turned ‘round,’ she demurred
‘and came right back.’
Tark Wain Jul 2016
What do you want?

I want to be king

Do you don't

I d--

My father is a king
A good one
He is loved
Much more than past Kings
He solidified the realm
Kept the peace for many years
And he kills children and nobleman and peasants alike
He killed your mother
And made your father watch before he killed him too
And He is a good king
If you rebel
Even if you win
And **** my father
At best all you will ever be


Is A Good King
Elizabeth Foley Mar 2019
“Once upon a time”
The age old fairytale
About each perfect little princess
Finding her perfect little male
From birth into adulthood
We read about princes and knights
We’re promised a perfect match
To join us on our plight
So we sigh and sit and wait
Or sit and work and sigh
Always quietly wondering
If our prince has passed us by
Then with each lunar passing
And each trip around the sun
Our age brusquely informs us
That our prince may never come
No knights on noble steeds
Ride up to right our wrongs
There is no handsome nobleman
To play us his love songs
Except for those of course
Whose love proves insincere
The ones who leave us jilted
And actualize our greatest fears
With each disappointment
Another petal falls away
Slowly killing any magic
Leftover from our early days
Until one day an unassuming
Handsome man appears
Offers a ride on his white horse
Then promptly disappears

— The End —