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It was Morley’s idea, originally.

Well—technically—it was her idea. She was the one who suggested it. She’d read about the pumpkin festival in The Neighbourhood Weekly, which Dave always said was less journalism and more passive-aggressive scrapbooking. There was a coupon for kettle corn and a blurry photo of last year’s pumpkin queen.

“They’ve got a corn maze,” she said, circling the date on the fridge calendar with the kind of enthusiasm she usually reserved for yoga passes or tax rebates. “And there’s a trebuchet!”

That was the moment Dave perked up.
“A trebuchet?”
“A pumpkin trebuchet,” said Morley.
Dave’s eyebrows shot up like they were trying to escape his forehead. “Why didn’t you lead with that?”

You see, Dave had a theory. He believed that nothing—nothing—bonded a father and son more than launching something across a field using medieval warfare technology.
“Other than blowing things up, shooting things, or fishing,” he said.
Sam, his teenage son, didn’t look up from his phone, but nodded just enough to endorse the theory.

So the plan was made. Saturday. The whole family. The pumpkin festival.

Now, Dave has a history with autumn.
More specifically, he has a history with pumpkin-related injuries.
There was the Great Carving Debacle of 2003, when he tried to recreate the face of Elvis on a jack-o'-lantern using only a melon baller and a paring knife. That one ended with four stitches and a pumpkin that looked like it had seen things it could never unsee.

Then there was the incident with the gourd bongos. But we don’t talk about that.

So when Dave said, “Let’s carve a family pumpkin this year!”
Morley, already tying her scarf, just said, “Only if we carve it after we visit the emergency room, and save us the trip.”

But Dave was in full-on Dad Mode.
This was about tradition. About memories. About picking out the perfect pumpkin together.
You know—the big orange beacon that says: this family has it together.

When they arrived at the festival, the smell of roasted corn and wet hay was thick in the air. Children were running around in dinosaur onesies. A man on stilts was juggling squash. There was a booth selling artisanal cider that tasted suspiciously like Tang.

They made it to the corn maze first. Morley squinted at the map nailed to the fence.
“Dave,” she said, handing him a copy, “remember last time?”
“I only got mildly lost,” said Dave.
“You were found by a Girl Guide troop from Sudbury,” said Morley.
“They gave me cookies,” said Dave.
“They took pity on you,” said Morley.

It was agreed that Sam would go with Dave this time.
“You’re our tracker,” said Morley.
“Cool,” said Sam, not looking up.

They disappeared into the stalks.
Twenty minutes later, Sam emerged with a caramel apple and no Dave.

They found him forty-five minutes later, arguing with a scarecrow and trying to get GPS on his phone.

Eventually, they made their way to the pumpkin trebuchet.
It was run by a man named Doug who wore a welding mask and had one thumb too few.
“Safety first!” he bellowed, before pulling the lever and launching a pumpkin clear over a cornfield.
Dave’s eyes gleamed.
“Sam,” he whispered. “This. Is. Living.”

Somehow, Dave convinced Doug to let him load one in himself.
Morley, sensing doom, had already begun rifling through her purse for the insurance card.

Dave lifted a particularly large pumpkin—he said heft matters—and, with a theatrical flourish, placed it in the sling.
He pulled the release cord.
Nothing happened.

He gave it a tug.
Still nothing.
So he gave it what he called “a proper man’s yank,”
And the arm whipped forward with a medieval vengeance.

The pumpkin flew.
So did Dave’s hat.
The trebuchet did a sort of ancient, wooden backflip.
The pumpkin, instead of soaring majestically across the sky, hit the axle and exploded like an orange grenade.

Morley later described the result as “like standing beside a Jackson ******* painting made of pie filling.”

Dave wiped pulp off his glasses.
“Well,” he said, “that one’s a write-off.”

They left shortly after that.
Sam with a new appreciation for physics.
Morley with half a sleeve of emergency wet wipes.
And Dave—with a mild concussion and a bag of frozen corn on his head—declaring,
“Next year, we build our own trebuchet.
Dave and the Knee

Dave twisted his knee one Saturday afternoon in the driveway. He and Sam had been fooling around with a basketball, one of those impromptu father-son contests where neither of them actually knew the rules but both were convinced they were winning.

Sam, taller and younger, had the advantage. But Dave had experience—or at least, what he thought was experience. He made a sudden pivot, a dramatic move meant to show Sam who really knew the game, and something inside his knee gave a loud, wet pop.

He froze in place, his hands on his hips, trying to play it cool. “Just a little tweak,” he said, though the color had drained from his face. Sam tilted his head and said, “Dad, you look like you just got shot.”

Morley came outside just in time to see Dave hobbling toward the porch like a man escaping a pirate duel. “What happened this time?” she asked, though she already knew the answer. With Dave, there was always a “this time.”

The doctor told him it wasn’t serious—yet. A mild ligament strain. But he warned Dave that the next one could mean bigger trouble: surgery, long recovery, months of physiotherapy.

Dave nodded solemnly, the way you do when someone gives you very serious advice. But in his mind, he had already decided that this was going to be handled the old-fashioned way: with grit, denial, and perhaps an ice pack if Morley forced it on him.

Physiotherapy, as far as Dave was concerned, was not medicine. It was medieval. He was convinced every physiotherapist had trained by studying the works of Torquemada and the Spanish Inquisition.

“They don’t heal you,” he told Kenny Wong over coffee. “They break you. Then they tell you it’s good for you.” Kenny, who had once been told to stretch before jogging and promptly tore his hamstring, nodded in sympathy.



This was not, in Dave’s mind, his first basketball injury. No, no. His “career” had been marked by drama from the very beginning.

Back in high school, Dave had played for the North Bay District Wildcats. Or rather, he had been listed on the team. His main role was to be called in when everyone else had fouled out, sprained something, or wandered off to the cafeteria.

But Dave loved basketball. He loved the sound of the ball thumping on the hardwood, the squeak of sneakers, the roar of the crowd. The crowd, of course, rarely roared for him.

There was one game against Timmins that he remembered with both horror and pride. Dave, filled with sudden inspiration, decided he was going to dunk the ball.

He was five-foot-eight on a good day, with shoes and hair. Dunking was not in his repertoire. But Dave was not the kind of man to let reality interfere with ambition.

He charged the net, leapt as high as his legs would carry him, and slammed the ball with all his might.

The ball hit the rim like a cannonball, ricocheted back, and smacked Dave directly in the forehead.

He collapsed, unconscious. When he came to, the crowd was cheering. For Timmins.

Later, he would say this was the moment he realized his real talent wasn’t in sports but in “building character.” And so, when his knee gave out in the driveway decades later, he told himself, “This is just another character-building injury.”

The doctor had given him stretches. He had given him resistance-band exercises. He had even demonstrated them. “Do these at home,” he said.

Dave promised he would. And then, of course, he didn’t.

Morley would find the resistance band on the kitchen counter, coiled like an unused party streamer. She’d leave sticky notes: Ten reps, twice a day.

Dave would read the note, sigh heavily, and pour himself a coffee instead. “Tomorrow,” he’d mutter. Tomorrow never came.

When Morley asked, “Did you do your physio?” Dave would look wounded, as though she had accused him of a terrible crime. “I’m pacing myself,” he’d say. “These things take time.”

“You’re supposed to pace your exercises,” Morley would reply, “not your excuses.”


This wasn’t Dave’s first run-in with modern exercise either. A few years back, Morley had convinced him to join the YMCA. “Just to keep in shape,” she’d said.

On his first day, Dave wandered around the weight room like a man lost in a foreign country. The machines all looked like they’d been designed by NASA for zero-gravity torture experiments.

He finally chose the elliptical trainer. “Looks safe,” he muttered.

For thirty glorious seconds, Dave felt invincible. His legs pumped, his arms swung, he was practically an Olympian.

Then he realized he couldn’t stop. His legs churned faster and faster, like a hamster on a wheel.

Sweat poured down his face. His shirt clung to him. He reached for the stop button, but the machine yanked his arm back each time like a cruel trick.

People gathered to watch. A kindly old lady called, “You’re doing great, dear!”

Finally, Dave launched himself sideways off the machine, landed in a heap on the yoga mats, and lay there gasping like a shipwreck survivor.

That was the end of his YMCA career. From then on, he insisted exercise should come “naturally.” Like walking to the fridge.


So it made perfect sense to everyone who knew him that Dave would resist physiotherapy.

The problem was, everyone else was invested in his recovery. Morley kept track of his exercises. Sam teased him. The neighbors, catching wind of his injury, suggested yoga classes.

Even the physiotherapist herself, a cheerful woman named Stephanie, had developed a certain look. It was the look teachers give when they know you haven’t done your homework.

“You’re not doing your exercises, are you, Dave?” she said one afternoon.

“Of course I am!” Dave replied. “I do them all the time. At home. In private. I don’t like to brag about it.”

Stephanie raised an eyebrow. “Funny,” she said. “Your knee doesn’t agree.”



Soon it wasn’t just Morley and Stephanie keeping him accountable. Sam began making jokes about medieval torture.

“Careful, Dad,” he’d say, “Stephanie might bring out the iron maiden next week.”

Dave would grumble. “She already has. It’s called a stationary bike.”

Even the neighbors got involved. When Dave shuffled past Mrs. Patterson’s house, she called, “Don’t forget to do your stretches, dear!”

Kenny Wong suggested they do the exercises together, as a kind of support group. The idea of Kenny wobbling on one leg with a resistance band nearly convinced Dave to try. Nearly.

But when it came down to it, Dave always found a reason to avoid the work. There was always a book to read, a coffee to drink, a record to play.



And then, one day, while reaching for a jar of pickles on the top shelf, Dave’s knee buckled again.

He let out a strangled cry, part pain, part surprise, and part something else: the sudden realization that maybe, just maybe, he wasn’t invincible anymore.

Morley rushed in, exasperated. “This is exactly what the doctor warned you about!” she said.

Dave sat on the floor, clutching the pickle jar. “I was just trying to make a sandwich,” he muttered.

“Dave,” Morley said gently, “you have to do the exercises.”

And finally, sitting there with his pride and his pickles, Dave admitted—maybe she was right.
Here's a short story in the style of Stuart McLean’s Vinyl Cafe stories, featuring Dave, Morley, and their annual reluctant plunge into hosting Christmas: his Dave cooks the Turkey is an annual reading in our house. I hope you like this


---

“Dave Hosts Christmas (Again)”

A Vinyl Cafe-style story

It was December in the neighbourhood, and that meant a few things.

It meant the old man across the street had once again mounted a plastic Santa on his roof without any obvious method of anchoring it, which meant it would fly off sometime between now and New Year’s. It meant the mailman had switched to a red scarf and a dangerous twinkle. And it meant, most of all, that Dave and Morley were once again preparing to host the Annual Family Christmas.

Not because they wanted to.
But because they had the biggest house.

“It’s not even that big,” Dave grumbled, standing in the living room with a measuring tape and a wounded expression. “The only reason we have the most space is because I didn’t tear down the wall to make an open-concept kitchen like everyone else. And for that, we get thirty-five people and two folding tables?”

Morley, bless her, had stopped listening after the word "wall."

Christmas, you see, did not bring out the best in Dave. He was not what you'd call a festive soul.

Morley, on the other hand, was twinkly and soft around the edges. The type who decants eggnog into a punch bowl and says things like, “Oh, it’s the spirit of the season, Dave,” while Dave mutters things about the spirits disappearing from his liquor cabinet.

Which they did. Every year. Like clockwork.


---

The preparation began, as it always did, with the boxes.

Morley would go into the basement to retrieve the boxes of decorations, and Dave would follow her like a reluctant archaeologist uncovering a tomb he had no intention of opening.

One year, a mouse had gotten into the fake snow and made what could only be described as a "holiday nest." Another year, Dave threw out what he thought was a tangled mess of tinsel and lights but was actually Morley's grandmother’s antique angel hair garland. There were repercussions.

This year, things went wrong even earlier than usual.

While hauling up a box labelled “TREE LIGHTS (DO NOT TANGLE!!!)” Dave tripped over the cat and knocked over Morley’s ceramic nativity scene.

Mary lost a head.
The donkey lost a leg.
And the baby Jesus ended up lodged inside Dave’s slipper.


---

By the time Christmas Eve arrived, Dave had polished the good glassware (and by “polished” we mean run under warm water and dried with the T-shirt he was wearing), rearranged furniture, and stocked the liquor cabinet, a task he approached with all the solemnity of preparing for siege warfare.

“Do not touch the Lagavulin,” he said to no one in particular. “It’s hidden behind the oatmeal.”

Of course, it was the first bottle gone.


---

The family began to arrive.

There was Uncle Reg, who always brought the same thing: a tin of expired smoked oysters and a story about being "nearly deported" in 1978.

There was Cousin Lynn and her gluten-free stuffing no one touched, and Morley’s sister with the purse dog that barked at tinsel.

As usual, no one brought liquor.
But somehow, Dave's bar was bone-dry by 8:00 p.m.

The same jokes were told. The same stories rehashed. Someone (probably Uncle Reg) would invariably ask Dave if he “still sold records out of a van.” Dave would smile, politely, like a man being slowly buried in snow.


---

Then the turkey caught fire.

It wasn’t dramatic. There was no explosion. Just enough flame to set off the smoke alarm and sear the side of Dave’s hand.

He stood in the kitchen, looking at the charred remains, holding a spatula like a man considering new paths in life.

“We could serve pizza,” Morley offered gently.
“Or move,” said Dave.


---

But here’s the thing.

Later that night, after the pizza boxes were stacked high and the last cousin had finally left with a Tupperware full of regret, Dave stood in the quiet living room. He looked at the crooked tree. He saw the crumpled paper, the dented angel, and the half-eaten plate of gingerbread someone had left behind.

And for a moment—just a moment—he smiled.

Because somehow, despite the chaos and the flaming poultry and the looted liquor cabinet… it had been nice.

Not perfect.
Not even particularly good.

But warm.
And full.
And theirs.

Morley came in with two mugs of peppermint tea.

“You survived,” she said.
Dave took the mug. He didn’t answer right away.

Then he nodded.
“Only three hundred and sixty-five days until we do it again,” he said.
Iraira Cedillo Mar 2014
21–40 of 11462 Poems
«1234»Viewsshow detailshide detailsSort by  
Faith
BY MICHAEL *******br>When I cannot believe,
The brown herds still move across green fields
Into the tufty hills, and I was born . . .
Teusaquillo, 1989
BY MAURICE KILWEIN GUEVARA
Flowering sietecueros trees:
How easily we married ourselves
to the idea of that bruised light . . .
Bright Pittsburgh Morning
BY MAURICE KILWEIN GUEVARA
This must happen just after I die: At sunrise
I bend over my grandparents' empty house in Hazelwood
and pull it out of the soft cindered earth by the Mon River. . . .
Hanukkah
BY HILDA MORLEY
This season for us, the Jews—
a season of candles,
                                      one more . . .
Winter Solstice
BY HILDA MORLEY
A cold night crosses
our path
                  The world appears . . .
And I in My Bed Again
BY HILDA MORLEY
Last night
                     tossed in
my bed . . .
alternate names for black boys
BY DANEZ SMITH
1.   smoke above the burning bush
2.   archnemesis of summer night
3.   first son of soil . . .
Listen
Attenuate the Loss and Find
BY ANNE WALDMAN
name appears
everywhere and in dream
body armor removed . . .
From “Citizen”
BY CLAUDIA RANKINE
/ 

You are in the dark, in the car, watching the black-tarred street being swallowed by speed; he tells you his dean is making him hire a person of color when there are so many great writers out there. . . .
Listen
History Will Decide
BY ANNE WALDMAN
All writing around the sides the persons a galaxy all writing resounds a hot history. All writing is in fact cut-ups history will decide games heated and heated economic behavior. To rise up scene all sounds of Tahrir and inside supply side threatened. A long delineation. Longer than I would . . .
ICC Kenya Trials: Witness
BY SHAILJA PATEL
was it so I could
never say
across a courtroom . . .
Mosaic
BY TIM SEIBLES
A carpet of light, the
ocean alive < half a moon
muting the stars. . . .
sideshow
BY DANEZ SMITH
Have I spent too much time worrying about the boys
killing each other to pray for the ones who do it
with their own hands? . . .
The Last Son of China
BY **** PING
.......................    hello hello hello    ...    Weiwei    ...    where have you been?    ...    I see you in dreams    ...    bleeding    ...    in the darkness of the . . .
The Skin of Sleep
BY MYRA SKLAREW
The skin of sleep
is thin. It will not hold.
Its contents stumble out. . . .
What Could Have Happened
BY SHAILJA PATEL
Wa
gal
la . . .
Everybody Has a Heartache: A Blues
BY JOY HARJO
In the United terminal in Chicago at five on a Friday afternoon
The sky is breaking with rain and wind and all the flights
Are delayed forever. We will never get to where we are going . . .
Good Friday
BY MARIA MELENDEZ KELSON
Jesus, I want my sins back.
My prattle, pride, and private prices — 
climbing, clinching, clocking —  . . .
ICE Agents Storm My Porch
BY MARIA MELENDEZ KELSON
The Indiscriminate Citizenry of Earth
are out to arrest my sense of being a misfit.
“Open up!” they bellow,
hands quiet before my door
that’s only wind and juniper needles, anyway.

You can’t do it, I squeak from inside.
You can’t make me feel at home here
in this time of siege for me . . .
Tablets
BY DUNYA MIKHAIL
1


She pressed her ear against the shell: . . .
«1234»
we wuz celebratin
40 years of Hip Hop
at 5 Pointz

dashing tags
reclaiming the
lost land

speaking for a
community of peeps
routed from their
last stand

making statements
about remembering

tellin stories
about ourselves

giving the drab
dead industrial
sarcophagi a
a face lift

freeing the
entombed
mummies
to let em
walk with
the living
again

seein things
in a new light

reciting our
biographies

writing an epic
autobiography

splashed across
3D murals

spoken in the
lexicon of
gobsmack
multicolored
neon graffiti

testifying to
the ages with
our urban
hieroglyphs

the symbols of
life in the hood
may history be our
witness to aromas
rising from cracked
pavements teaming
with bodegas,
public projects and
store front fantasies
played out in all its
grueling detail
on the corner of
walk don’t walk

them snaps
real down home
expressions
of real people

until some
capitalist
*******

his pockets filled
with low interest
money

whitewashed
it away

he thinks he
owns the
5 Pointz

he thinks
he can
erase our
memories
with a gallon of
Sherwin Williams

he thinks
he owns our
perdido
graffito

and is well
in his rights
to launder our  
epiphanies over
with the bland
tag of privilege
he thinks his
dollar bills
can buy

we raised this
place from
the dead

that old warehouse
where men and women
once earned a paycheck
was murdered by
Michael Milken
and his posse of well
heeled predators
busy leveraging
livelihoods by
offshoring them
to Third World
plantations
transforming
the natives into
wage slaves
tagging this
strange alchemy
progress

now this
latest incarnation of
Morley’s Ghost stalking
Bloomberg’s Metropolis
haunts the neighborhoods
with a wrecking ball
of entitlement

razing our hood
to build soulless
high rises where
they'll warehouse
dead people
ginned up
on pilates,
chai tea and
elevating
themselves
through life
scoring the
latest fab
yoga gear
on the
urban outfitters
website

the frackers
are gobbling
the land

strip miners are
gnashing away
at the mountains

now the predators
are eating our art

always famished
never satiated
the beast gnaws
away at its
**** scattering
the bones of
of the living

but this
half assed
midnight
whitewash
will never stand

already images
of the holy ghosts
scrawled onto
the Wailing Walls
of 5 Pointz are
bleeding through
the veneer of a
landlords greed

and as the
future tenants
of the proposed
highrise columbarium
snooze away the night
dreaming of leading roles
in star studded schemes

we’ll be taggin
the streets
reciting our
righteous presence
until our last dying
aerosol breath
escapes our
paint stained
hands

Public Enemy:
Fight the Power

Oakland
11/20/13
jbm
http://nypost.com/2013/11/20/5-pointz-fans-try-to-retag-legendary-graffiti-building/
That hour made me busy
questions were easy
not yielding a moment

he was sitting glum
peeping at my diagram
of Michelson Morley experiment!

I could hear his sigh
from the corner of my eye
could gauge he felt bitter

all he had read
had quickly fled
clouding him in ether!

It was all in mist
what those darned physicist
had theorized in vain

no lover’s tryst
but a paper of physics
an agonizing pain!

My worst fear
was remembering the year
when the experiment was done

for once did it Michelson
then with Morley redone
was it ’87 or ’81!

That boy behind me
was thinking bitterly
worrying in fright

soon the time would be spent
without his writing the experiment
on the wavy behavior of light!

Tense was the air
when I heard him whisper
push your paper to the right

in his voice was despair
bothered little to be unfair
quite visible was his plight!

*With all my toil
burning the midnight oil
how this I lost sight

covered all nitty-gritty
of magnetism electricity
missed the chapter on light!
Nat Lipstadt Apr 2022
April is in my mistress' face
April is in my mistress' face
April is in my mistress' face
And July in her eyes hath place
And July in her eyes, her eyes hath place
Within her *****, within her *****
Is September
But in her heart, but in her heart, her heart
A cold December
But in her heart, her heart
But in her heart, her heart
A cold December
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, The New Grove Dictionary of Music and Musicians states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history
Dave had always lived in a world where everything worked out. Not always perfectly, mind you. Sometimes the turkey burned. Sometimes the dog ate the neighbor's Thanksgiving centerpiece. But things worked out. That was the rhythm of life in their quiet Toronto neighborhood.


So when the news came—when they heard that Stuart had died—there was no script to follow.

It was Morley who read it first. She was scrolling through the CBC news app on her phone, looking for a recipe she’d bookmarked, when the headline stopped her: “Storyteller Stuart McLean Dead at 68.”


She said his name aloud, like she was testing the sound of it in a sentence that shouldn’t exist. “Stuart… died.”


Dave was in the kitchen polishing a record with the hem of his sweater, humming a song that hadn’t been popular since disco fell out of fashion. He froze. “What do you mean?”


Sam came in from the garage. Stephanie stood in the hallway, halfway down the stairs. Murphy, sensing something unspoken pass between them, stopped scratching at the door and lay down.

It was like gravity had shifted in the house. Everything looked the same, but nothing felt right.


“But… we’re still here,” said Sam. “He’s gone, but we’re still here.”


Stephanie tilted her head. “Are we supposed to keep going? Are we… allowed to?”


Nobody answered. The question wasn’t really about permission.


Dave went to the basement. He dug out the old radio—the one he used to listen to the Vinyl Cafe on, back when he thought he was just a character in a story someone else was telling.

And that night, they listened. They sat in the living room, not talking. Stuart’s voice filled the space like old perfume you couldn’t quite place. He was there, and not there.


“He told our stories,” Morley said softly. “He gave us to the world.”


“He made people care about us,” added Stephanie, wiping her nose on her sleeve.

“He gave us Murphy,” said Dave.


Murphy thumped his tail once, then laid his chin on Dave’s foot.

The next morning, Kenny Wong opened the café early. He set out a *** of tea and a plate of oatmeal cookies on the counter. He played nothing but old Vinyl Cafe episodes through the speakers.


Customers came in quietly. Some sat at their usual tables. Some brought flowers. Some just stood near the counter, not ordering anything.


Kenny placed a small framed photo of Stuart beside the cash register. “No charge today,” he said. “Just listen.”

In the back room, Dave stared at the shelves of records. “Do you think he ever planned to end us?” he asked Morley.


“No,” she said. “But he taught us how to go on without him.”


Over the next few days, the house filled with little mementos. Letters from listeners, drawings from children, even a carved wooden figure of Dave in his apron, holding a vinyl record like a waiter holds a tray.


“We’re not just stories anymore,” said Sam. “We’re… real. Somehow.”


“We’ve always been real,” Morley replied. “We just didn’t know it.”


That weekend, Stephanie posted on social media: “My family was created by Stuart McLean. But we are held together by the people who listened. Thank you.”


The post went viral. Thousands of comments. Memories. Tributes. One person wrote, “Your stories were part of our Sunday drives. You feel like family.”


Stephanie read every comment out loud at dinner. “I thought I was just someone’s imaginary big sister,” she said, “but I think I’m more than that now.”


Dave organized a block gathering. Nothing fancy—just a potluck and a boom box playing old episodes. People brought their kids. They shared their favorite Vinyl Cafe moments.


One woman brought a scrapbook of printed transcripts. Another brought a pie recipe she’d copied from “Morley’s Famous Apple Pie” episode.


“I don’t even bake,” she laughed. “But I made this for him.”


That night, after everyone had gone, Morley walked into the backyard and stared at the stars.


“Do you think he knew?” she whispered.


Dave came up behind her and slipped his hand into hers. “He knew.”


In time, things settled into a new rhythm. Kenny renamed the Sunday brunch special “The Stuart Stack”—three pancakes, a side of laughter, and coffee refills forever.

People still asked if there would be new stories. And Dave always said the same thing: “Only the ones we keep telling.”


Because something funny had happened. Without meaning to, they had become real. Not because they were on the radio. But because they mattered to someone.


Because somewhere, in a car, or a cottage, or a kitchen, someone had laughed with them. And maybe even cried with them.


Stuart had written them into the world. But the listeners—you—kept them there.

So now, every time Dave walks through the Vinyl Cafe, or Murphy chases his tail, or Morley burns another casserole, they remember. They remember the man who gave them breath and made them beloved.

And when they tell their stories—because they still do—they begin, not with “Welcome to the Vinyl Cafe,” but with something deeper: “Thank you, Stuart."
Bobby Copeland Oct 2018
Come see black night.  Black night proposes
                                                      mo­re
Than madness in a prophet's dream, sets free
A lean uncertainty, sweet taste of all
We dare not see.

My sweet Kathryn, you were older than me,
Knew all the black mountains--Olson, Creely, Duncan, Morley, Dorn... While I
                                           was learning
Levertov.  Your dark, unshaven armpits
Drove me wild.  I understood the honor
Of that crazy night--how could feather leave you--
               our dance at the outlaw bar,
Your sapphic gaze bemused by coal miners,
In cowboy boots, as the band played Haggard,
Coe, Willie, Waylon, Johnny Cash, Kristofferson
& Emmy Lou.  I wouldn't trade it for a date
With Miss Brazil, or Russia as it were--
Some people say you made that up,
Changed heritage and grew the hair to seem more European.  I couldn't care
Less. A great dark mystery I loved
Now thirty-seven years ago with me
Just old enough to drink and you come down
From Bingington, I loved the way you said
That frozen town, where your husband lingered,
Teaching English to native speakers.
I know you still loved him. I think you loved
Me, but needed a woman's touch the same
As I.  Strange how a night can be recalled
More than years, one drunken naked sunrise,
Pillow talk instead of class.  I ditched the speech
At PBK, can't remember what they
Fed us, coming for you in a straight shift
Chevy pickup, red as the night was black.
Kyle Kulseth Mar 2015
From the top of the Terminal,
your size was splayed out,
a grey **** carpet for the Red River Valley.
And The Forks right beneath
                      our weary walkers' feet
was a thick drop setting up in the center
of your ash grey forehead.
Traced a thumb down Taché and St. Mary's
to the peak of your left cheek on Fermor.

Your traffic light glance blinked us
                    right to a stop
as blue bomb thoughts and temperatures dropped
at the base of our minds
and your wide, widow's peak sky
formed a cold iron bruise 40 minutes past 5.

I've held your muddy diamond eyes
in mine, how many times?
And you'd sigh, sometimes
         from your North End scar,
but the Assiniboine bends around Wellington Crescent,
a stifled, spiced laugh from the failed rebellion
of your Province's youth.
          And you know I'm no novice
to the uncouth barbs of the Winter,
'cuz you wrapped asphalt arms
                                       nice and tight
'round our shoulders.

Osborne & Morley for an A-frame embrace.
The face of a city, its wrinkles a sketch
of laugh line drives for donuts and coffee.
Crows' feet stretched through The Exchange.

We followed your grin
                from
corner to corner,
from Richardson Airport
to Transcona Yards; one earring a lifeline,
the other, steel bones.
From your St. Norbert chin,
to your twin St. Paul crown,
we would wander,
kiss your River East temple
                  then call it a night.

I have names for every smile you gave me:
Vi-Ann in the Village,
The Toad in the Hole,
St. Boniface Cathedral, that first time
in deep snow.
                 I want you to know,
               you frozen Great City,
your terrible beauty is written on me.

Each side-slanted grin I shared with your sidewalks
               encircles my history now,
                          even still.
Fill an eye with 5 years
                of joyous, drunk laughter
which seeds your purple sand sky with fog ghosts.

Still-frame your patchwork, frostbitten face--
the Perimeter Highway's a jaunt-angled toque;
                                           keeps you warm--
I still wear you
           when late Autumn light takes me back.
At first, I kinda thought this one was gonna ****. Now, I kinda like it. Though I never really *intended* it this way, it seems I've sort of ended up composing a series of pieces about/related to Winnipeg, MB, Canada and the people I know/experiences I've had there. I'd say it sort of began (I thiiiink?) with "Re: Bells, My Note," which I still think is the best thing I've ever written...At any rate, while I love writing these ones, I think this will probably be the last of its kind that I write (at least for the time being), as I think this one ties them all together nicely and I want to avoid getting entirely too trite with them. Cheers.
Emily Apr 2019
Dr. Morley was for me.

He helped me right quick
With my fingers quite thick.

He quickly devised and then exercised
A plan of attack, so I wouldn’t be back.

May he forever be successfully clever,
Able to think on his feet and achieve greater feats.
Doctor diagnosis
Iraira Cedillo Mar 2014
That Bright Grey Eye
BY HILDA MORLEY
The grey sky, lighter & darker
greys,
            lights between & delicate . . .
Johnny Noiπ Sep 2018
Theoretical physics is a branch of physics
that employs mathematical models & abstractions
of physical objects & systems to rationalize,
explain & predict natural phenomena;
this is in contrast to experimental physics,
which uses experimental tools to probe
these phenomena; the advancement of science
generally depends on the interplay between
experimental studies & theory; in some cases,
theoretical physics adheres to standards
of mathematical rigor while giving little weight
to experiments & observations; for example,
while developing special relativity,
Albert Einstein was concerned w/ the Lorentz
transformation which left Maxwell's equations
invariant, but was apparently uninterested
in the Michelson–Morley experiment
on Earth's drift through a luminiferous ether;
Conversely, Einstein was awarded the Nobel Prize
for explaining the photoelectric effect,
previously an experimental result lacking
Expressionism was a modernist movement,
initially in poetry & painting, originating
in Germany at the beginning of the 20th century;
Its typical trait is to present the world solely
from a subjective perspective, distorting it
radically for emotional effect in order to evoke
moods or ideas; Expressionist artists sought
to express the meaning of emotional experience
rather than physical reality
                             or a theoretical formulation;
Neo-expressionism is a style of late modernist
or early-postmodern painting & sculpture that
emerged in the late 1970s; Neo-expressionists
were sometimes called Transavantgarde, Junge
Wilde or Neue Wilden ['The new wild ones'];
It is characterized by intense subjectivity & rough handling of materials
Wikipedia

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