The courtesan and poet Zuo Fen had two cats Xe Ming and Xi Ming. Living in her distant court with only her maid Hu Yin, her cats were often her closest companions and, like herself, of a crepuscular nature.
      It was the very depths of winter and the first moon of the Solstice had risen. The old year had nearly passed.
      The day itself was almost over. Most of the inner courts retired before the new day began (at about 11.0pm), but not Zuo Fen. She summoned her maid to dress her in her winter furs, gathered her cats on a long chain leash, and walked out into the Haulin Gardens.
      These large and semi-wild gardens were adjacent to the walls of her personal court. The father of the present Emperor had created there a forest once stocked with game, a lake to the brim with carp and rich in waterfowl, and a series of tall structures surrounded by a moat from which astronomers were able to observe the firmament.
      Emperor Wu liked to think of Zuo Fen walking at night in his father’s park, though he rarely saw her there. He knew that she valued that time alone to prepare herself for his visits, visits that rarely occurred until the Tiger hours between 3.0am and 6.0am when his goat-drawn carriage would find its way to her court unbidden. She herself would welcome him with steaming chai and sometimes a new rhapsody. They would recline on her bed and discuss the content and significance of certain writings they knew and loved. Discussion sometimes became an elaborate game when a favoured Classical text would be taken as the starting point for an exchange of quotation. Gradually quotation would be displaced by subtle invention and Zuo Fen would find the Emperor manoeuvring her into making declarations of a passionate or ****** nature.
       It seemed her very voice captivated him and despite herself and her inclinations they would join as lovers with an intensity of purpose, a great tenderness, and deep joy. He would rest his head inside her cloak and allow her lips to caress his ears with tales of river and mountain, descriptions of the flights of birds and the opening of flowers. He spoke to her ******* of the rising moon, its myriad reflections on the waters of Ling Lake, and of its trees whose winter branches caressed the cold surface.

Whilst Zuo Fen walked in the midnight park with her cats she reflected on an afternoon of frustration. She had attempted to assemble a new poem for her Lord.  Despite being himself an accomplished poet and having an extraordinary memory for Classical verse, the Emperor retained a penchant for stories about Mei-Lim, a young Suchan girl dragged from her family to serve as a courtesan at his court.
      Zuo Fen had invented this girl to articulate some of her own expressions of homesickness, despair, periods of constant tearfulness, and abject loneliness. Such things seemed to touch something in the Emperor. It was as though he enjoyed wallowing in these descriptions and his favourite A Rhapsody on Being far from Home he loved to hear from the poet’s own lips, again and again. Zuo Fen felt she was tempting providence not to compose something new, before being ordered to do so.
      As she struggled through the afternoon to inject some fresh and meaningful content into a story already milked dry Zuo Fen became aware of her cats. Xi Ming lay languorously across her folded feet. Xe Ming perched like an immutable porcelain figure on a stool beside her low writing table.
Zuo Fen often consulted her cats. ‘Xi Ming, will my Lord like this stanza?’

“The stones that ring out from your pony’s hooves
announce your path through the cloud forest”

She would always wait patiently for Xi Ming’s reply, playing a game with her imagination to extract an answer from the cinnamon scented air of her winter chamber.
      ‘He will think his pony’s hooves will flash with sparks kindling the fire of his passion as he prepares to meet his beloved’.
      ‘Oh such a wise cat, Xi Ming’, and she would press his warm body further into her lap. But today, as she imagined this dialogue, a second voice appeared in her thoughts.
      ‘Gracious Lady, your Xe Ming knows his under-standing is poor, his education weak, but surely this image, taken as it is from the poet Lu Ji, suggests how unlikely it would be for the spark of love and passion to take hold without nurture and care, impossible on a hard journey’.
       This was unprecedented. What had brought such a response from her imagination? And before she could elicit an answer it was as though Xe Ming spoke with these words of Confucius.

“Do not be concerned about others not appreciating you, be concerned about you not appreciating others”

Being the very sensible woman she was, Zuo Fen dismissed such admonition (from a cat) and called for tea.

Later as she walked her beauties by the frozen lake, the golden carp nosing around just beneath the ice, she recalled the moment and wondered. A thought came to her  . . .
       She would petition Xe Ming’s help to write a new rhapsody, perhaps titled Rhapsody on the Thought of Separation.

Both Zuo Fen’s cats came from her parental home in Lingzhi. They were large, big-***** mountain cats; strong animals with bear-like paws, short whiskered and big eared. Their coats were a glassy grey, the hairs tipped with a sprinkling of white giving the fur an impression of being wet with dew or caught by a brief shower.
       When she thought of her esteemed father, the Imperial Archivist, there was always a cat somewhere; in his study at home, in the official archives where he worked. There was always a cat close at hand, listening?
       What texts did her father know by heart that she did not know? What about the Lu Yu – the Confucian text book of advice and etiquette for court officials. She had never bothered to learn it, even read it seemed unnecessary, but through her brother Zuo Si she knew something of its contents and purpose.

Confucius was once asked what were the qualifications of public office. ‘Revere the five forms of goodness and abandon the four vices and you can qualify for public office’.
       For the life of her Zuo Fen could not remember these five forms of goodness (although she could make a stab at guessing them). As for those vices? No, she was without an idea. If she had ever known, their detail had totally passed from her memory.
       Settled once again in her chamber she called Hu Yin and asked her to remove Xi Ming for the night. She had three hours or so before the Emperor might appear. There was time.
        Xe Ming was by nature a distant cat, aloof, never seeking affection. He would look the other way if regarded, pace to the corner of a room if spoken to. In summer he would hide himself in the deep undergrowth of Zuo Fen’s garden.
       Tonight Zuo Fen picked him up and placed him on her left shoulder. She walked around her room stroking him gently with her small strong fingers, so different from the manicured talons of her colleagues in the Purple Palace. Embroidery, of which she was an accomplished exponent, was impossible with long nails.
       From her scroll cupboard she selected her brother’s annotated copy of the Lun Yu, placing it unrolled on her desk. It would be those questions from the disciple Tzu Chang, she thought, so the final chapters perhaps. She sat down carefully on the thick fleece and Mongolian rug in front of her desk letting Xe Ming spill over her arms into a space beside her.
       This was strange indeed. As she sat beside Xe Ming in the light of the butter lamps holding his flickering gaze it was as though a veil began to lift between them.
       ‘At last you understand’, a voice appeared to whisper,’ after all this time you have realised . . .’
      Zuo Fen lost track of time. The cat was completely motionless. She could hear Hu Yin snoring lightly next door, no doubt glad to have Xi Ming beside her on her mat.
      ‘Xe Ming’, she said softly, ‘today I heard you quote from Confucius’.
      The cat remained inscrutable, completely still.
      ‘I think you may be able to help me write a new poem for my Lord. Heaven knows I need something or he will tire of me and this court will cease to enjoy his favour’.
      ‘Xe Ming, I have to test you. I think you can ‘speak’ to me, but I need to learn to talk to you’.
      ‘Tzu Chang once asked Confucius what were the qualifications needed for public office? Confucius said, I believe, that there were five forms of goodness to revere, and four vices to abandon’.
       ‘Can you tell me what they are?’
      Xe Ming turned his back on Zuo Fen and stepped gently away from the table and into a dark and distant corner of the chamber.
      ‘The gentle man is generous but not extravagant, works without complaint, has desires without being greedy, is at peace, but not arrogant, and commands respect but not fear’.
      Zuo Fen felt her breathing come short and fast. This voice inside her; richly-texture, male, so close it could be from a lover at the epicentre of a passionate entanglement; it caressed her.
      She heard herself say aloud, ‘and the four vices’.
      ‘To cause a death or imprisonment without teaching can be called cruelty; to judge results without prerequisites can be called tyranny; to impose deadlines on improper orders can be thievery; and when giving in the procedure of receipt and disbursement, to stint can be called officious’.
       Xe Ming then appeared out of the darkness and came and sat in the folds of her night cloak, between her legs. She stroked his glistening fur.
       Zuo Fen didn’t need to consult the Lu Yu on her desk. She knew this was unnecessary. She got to her feet and stepped through the curtains into an antechamber to relieve herself.
       When she returned Xe Ming had assumed his porcelain figure pose. So she gathered a fresh scroll, her writing brushes, her inks, her wax stamps, and wrote:

‘I was born in a humble, isolated, thatched house,
and was never well versed in writing.
I never saw the marvellous pictures of books,
nor had I heard of the classics of earlier sages.
I am dimwitted, humble and ignorant . . ‘

As she stopped to consider the next chain of characters she saw in her mind’s eye the Purple Palace, the palace of the concubines of the Emperor. Sitting next to the Purple Chamber there was a large grey cat, its fur sprinkled with tiny flecks of white looking as though the animal had been caught in a shower of rain.
       Zuo Fen turned from her script to see where Xe Ming had got to, but he had gone. She knew however that he would always be there. Wherever her imagination took her, she could seek out this cat and the words would flow.

Before returning to her new text Zuo Fen thought she might remind herself of Liu Xie’s words on the form of the Rhapsody. If Emperor Wu appeared later she would quote it (to his astonishment) from The Literary Mind and the Carving of Dragons.

*The rhapsody derives from poetry,
A fork in the road, a different line of development;
It describes objects, pictures and their appearance,
With a brilliance akin to sculpture and painting.
What is clogged and confined it invariably opens up;
It depicts the commonplace with unbounded charm;
But the goal of the form is of beauty well ordered,
Words retained for their loveliness when weeds have been cut away.

From the 1880s into the 1960s, a majority of American states enforced segregation through "Jim Crow" laws (so called after a black character in minstrel shows). From Delaware to California, and from North Dakota to Texas, many states (and cities, too) could impose legal punishments on people for consorting with members of another race. The most common types of laws forbade intermarriage and ordered business owners and public institutions to keep their black and white clientele separated.

Examples of Jim Crow Laws

Nurses: No person or corporation shall require any white female nurse to nurse in wards or rooms in hospitals, either public or private, in which ***** men are placed. (Alabama)

Buses: All passenger stations in this state operated by any motor transportation company shall have separate waiting rooms or space and separate ticket windows for white and colored races. (Alabama)

Railroads: The conductor of each passenger train is authorized and required to assign each passenger to the car or the division of the car, when it is divided by a partition, designated for the race to which such passenger belongs. (Alabama)

Restaurants: It shall be unlawful to conduct a restaurant or other place for the serving of food in the city, at which white and colored people are served in the same room, unless such white and colored persons are effectively separated by a solid partition extending from the floor upward to a distance of seven feet or higher, and unless a separate entrance from the street is provided for each compartment.

Pool and Billiard Rooms: It shall be unlawful for a ***** and white person to play together or in company with each other at any game of pool or billiards. (Alabama)

Toilet Facilities, Male: Every employer of white or ***** males shall provide for such white or ***** males reasonably accessible and separate toilet facilities. (Alabama)

Intermarriage: The marriage of a person of Caucasian blood with a *****, Mongolian, Malay, or Hindu shall be null and void. (Arizona)

Intermarriage: All marriages between a white person and a ***** person or between a white person and a person of ***** descent to the fourth generation inclusive, are hereby forever prohibited. (Florida)

Cohabitation: Any ***** man and white women, or any white man and ***** woman, who are not married to each other, who shall habitually live in and occupy in the nighttime the same room shall each be punished by imprisonment not exceeding twelve (12) months, or by fine not exceeding five hundred ($500.00) dollars. (Florida)

Education: The schools for white children and the schools for ***** children shall be conducted separately. (Florida)

Juvenile Delinquents: There shall be separate buildings, not nearer than one fourth mile from each other, one for white boys and one for ***** boys. White boys and ***** boys shall not, in any manner, be associated together or worked together. (Florida)

Mental Hospitals: The Board of Control shall see that proper and distinct apartments are arranged for said patients, so that in no case shall Negroes and white persons be together. (Georgia)

Intermarriage: It shall be unlawful for a white person to marry anyone except a white person. Any marriage in violation of this section shall be void. (Georgia)

Barbers: No colored barber shall serve as a barber [to] white women or girls. (Georgia)

Burial: The officer in charge shall not bury, or allow to be buried, any colored persons upon ground set apart or used for the burial of white persons. (Georgia)

Restaurants: All persons licensed to conduct a restaurant, shall serve either white people exclusively or colored people exclusively and shall not sell to the two races within the same room or serve the two races anywhere under the same license. (Georgia)

Amateur Baseball: IT shall be unlawful for any amateur white baseball team to play baseball on any vacant lot or baseball diamond within two blocks of a playground devoted to the ***** race, and it shall be unlawful for any amateur colored baseball team to play baseball in any vacant lot or baseball diamond within two blocks of any playground devoted to the white race. (Georgia)

GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims,
Rejoicing in his title of “The Terror of the Thames.”

His manners and appearance did not calculate to please;
His coat was torn and seedy, he was baggy at the knees;
One ear was somewhat missing, no need to tell you why,
And he scowled upon a hostile world from one forbidding eye.

The cottagers of Rotherhithe knew something of his fame,
At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose,
When the rumour ran along the shore: GROWLTIGER’S ON THE LOOSE!

Woe to the weak canary, that fluttered from its cage;
Woe to the pampered Pekinese, that faced Growltiger’s rage.
Woe to the bristly Bandicoot, that lurks on foreign ships,
And woe to any Cat with whom Growltiger came to grips!

But most to Cats of foreign race his hatred had been vowed;
To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear—
Because it was a Siamese had mauled his missing ear.

Now on a peaceful summer night, all nature seemed at play,
The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide—
And Growltiger was disposed to show his sentimental side.

His bucko mate, GRUMBUSKIN, long since had disappeared,
For to the Bell at Hampton he had gone to wet his beard;
And his bosun, TUMBLEBRUTUS, he too had stol’n away-
In the yard behind the Lion he was prowling for his prey.

In the forepeak of the vessel Growltiger sate alone,
Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks—
As the Siamese came creeping in their sampans and their junks.

Growltiger had no eye or ear for aught but Griddlebone,
And the Lady seemed enraptured by his manly baritone,
Disposed to relaxation, and awaiting no surprise—
But the moonlight shone reflected from a thousand bright blue eyes.

And closer still and closer the sampans circled round,
And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives—
For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde;
With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks,
They battened down the hatches on the crew within their bunks.

Then Griddlebone she gave a screech, for she was badly skeered;
I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I’m sure she was not drowned—
But a serried ring of flashing steel Growltiger did surround.

The ruthless foe pressed forward, in stubborn rank on rank;
Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop,
At the end of all his crimes was forced to go ker-flip, ker-flop.

Oh there was joy in Wapping when the news flew through the land;
At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock,
And a day of celebration was commanded in Bangkok.

She knows she’s in
the sepia photograph
but doesn’t remember why
or who the others are

or why she dressed
as she did back then
or why there was a dog there
at the front

she keeps the photograph
tucked between
the pages
of the black Bible

some clergy gave her
and a dark secret
she was forbidden to tell
and sometimes

that short woman
with the Mongolian features
steals it to gawk at
then she has to go get it back

sometimes violently
which brings the nurses running
with their rough hands
and strait jackets

or that skinny woman
who always stares
takes hold of it
and stares at it

pointing to the various faces
of the males and females
and at the dog
and smiles and wets herself

and then laughs loudly
which causes
the other inmates
to bellow or laugh

or cry or scream
bringing the nurses trotting
with their what’s going on?
or what’s all this then?

she holds the photograph
to her ***** when she can
or tries to remember
who they all are

staring back at her
including herself
and when the quacks
question her

about the photo
as to who is who
or why she has kept it
she doesn’t have a clue

and one said
she ought not to have it
as it disturbed her
but a nice nurse

(and there were some) said
o no doctor she needs that
there will be hell to pay
if she doesn’t have it

tucked between the pages
of the Good Book
she kisses herself some days
talks to one or two

of the others there
but who they were
or to whom she speaks
she doesn’t know

and on cold wintery days
she looks toward the sun
for a message
or a warming glow.

We were in a Mongolian yurt
She wore a Mongolian skirt
It was very cold
We didn't feel bold
So we just had a little flirt

Thus reconfigured the party covered the first two days of the journey with speed and ease. As evening approached on the second day it was clear that a village resthouse was to be favoured as its owner had ridden out to greet his illustrious guests. He assured the party of complete secrecy, their valuable horses to be his special concern.
​   Away from the palace Zuo Fen set herself to enjoy the rural pleasures of an autumn evening. This time of freedom from the palace duties, from her Lord’s often-indiscriminate attention, she valued as a most generous gift. She composed swiftly a fu poem in gratitude to her Lord’s trust and favour.
 
How fortunate to dip this hand
In a flowing stream whose water
Is already touched by the first snows
Know that I shall bring its caress
to the mouthpiece of my Lord’s  jade flute
holding its body with spread fingers
to press to open to close to open
 
The stream bisected the village, a village of stone and wattle buildings, though the rest house was stone through and through. She had ventured on her arrival up onto its flat roof covered as it was with harvest produce laid out in abundance. The colours and textures of peppers, yams, marrows, eggplant, and such curious mushrooms as she had never before seen, all this she gathered with joy into her imagination’s memory.
​      With Mei Ling’s help she then transformed herself back into a woman, though with the simplest of robes over the Mongolian garments of wool she favoured to fend off the cold. Then, after alarming the resthouse keeper’s wife and servants by entering the kitchen, she planned a meal to her liking, sought the herb garden and enquired about the storing of vegetables for the long winter ahead.
      ​As the evening progressed she was surprised to discover Meng Ning had gone on ahead to Eryi-lou. It was a capricious decision born of his wariness of Zuo Fen. He felt intimidated by the persona she had assumed. Here was a woman of infinite grace yet simple charm who in the time it took to travel 6 li had become unrecognizable. Even her voice she dropped into a lower register and gained louder amplitude. When they reached the village he had moved purposefully to provide assistance as she prepared to dismount, only to see her grip the high pommel and swing her leg confidently across her pony and her body slide down the pony’s flanks to a standing position. So as the late afternoon light failed he had driven his horse up and up the mountain path, forcing himself to think only of the route and task ahead. He had acquired the company of a local guide who, on foot, out-paced his horse, but would see him safe down the path in the coming darkness. There would be a moon, but it had yet to rise.
        ​To his surprise the caretaker of Eryi-lou was a young woman, a daughter perhaps of its official guardian Gao Cheng, a daughter Meng Ning considered banished to this remote spot: she carried a small child on her back. He would enquire later. For now, he sought in her company to reconnoiter the decaying web of wooden pavilions, some already invaded by nature. It was then he realized his mistake. He thought himself into Zuo Fen’s mind. Surely she would wish to come upon this place untouched and unprepared by his offices. He motioned to the young woman to come outside, and standing on one of the many terraces explained his error, asked her not to speak of his inappropriate visit, but made to suggest that there was a room ‘always kept for an official’s visit’, that it be swept and suitably provisioned. Her voice responded in a dialect he could hardly decipher. It had the edge of a lone bird’s roosting call. He knew she was trying to explain something of importance to him, but he quickly lost the thread. He could see the faint gleam of the lake reflected in her eyes, hear the snuffle of her baby carried against on her back, and in the near distance he was aware of the village guide admonishing his horse. He bowed and left.
 
‘You are a most considerate companion, Meng Ning,’ Zou Fen said, as summoned to her presence, the chamberlain prostrated himself before the woman he was charged to serve and protect.
‘My lady, you already know I am a fool.’
‘Yes, but an honest fool with a kind heart. You sought my well-being at Eryi-lou, but I think you rightly imagined I might wish to experience this dream habitation in an inviolate state. Let us say you made a dream journey there. No harm done.’
     ​He explained about the caretaker and that a suite of rooms was always kept ready for an official. That was all he would say. He was about to retreat from the guest room now vivid with firelight and rich with the scent of cinnamon, when she lifted her hand to stay his going.
 
‘You are a brave young man to accept charge of my company. I am sure you know how my Lord is likely to remove you from his circle on our return. I feel unworthy of such sacrifice. I did not expect my Lord’s favour in this enterprise, but my words, my application, were clearly persuasive. I feel we are bound together you and I, and we must see our enterprise be the making of a fine poetic rhapsody for the autumn season – something you might share one day with your children and their children. You must understand that I am already moving towards a meeting of reality and the world of dreams and visions. Do not be afraid should I seek your intimate council. I know already you dream a little of my person. You may even imagine our conjunction as lovers. Women know these things, and, as you may have heard, I have tutored your Emperor in the ways of the Pale Girl.’
 
‘My lady . . .
 
Zou Fen reaches out for paper and brush Mei Lim had placed to her right hand. Kneeling on the roughly swept floor, her long limbs hidden under her cloak, she deftly paints seven lines of characters:
 
The autumn air is clear,
The autumn moon is bright.
Fallen leaves gather and scatter,
The jackdaw perches and starts anew.
We think of each other- when will we meet?
This hour, this night, my feelings are . . .
 
‘I wonder how we are to cast the final character?’
‘Not yet, and not here my Lady’. And with that Meng Ning takes his leave.
 
(to be continued)

To the ******* at Mongolian Barbecue last night:
Just because you let your short shorts and flowered headband
Scream assumptions about your homosexuality doesn't mean
You can make those assumptions about others,
Forcing red-faced shame and trembling knees on a stranger,
Your hands clawing the pride from blue eyes like
Storm clouds making the world grey.
Butch and **** are never words that should come from your lips,
To someone you don't know
Just because you portray yourself as flamboyant
And she has her own style
They carry too many decades of hatred and fear to be
Tossed into casual conversation
Like land mines in her closet.
I don't care if you thought you were joking or being funny or cute
Her leather jacket and kickass combat boots don't
Paint some sort of rainbow bullseye
Between her shoulder blades, behind her heart.
People have enough to deal with in this world
Without having to defend themselves against your ignorance,
Without having to stop their tears from
Making small oceans on the streets of Ann Arbor.
Butch and **** should not be thrown from your lips
Carelessly,
Meaning none of the weight they carry.
You probably didn't see her cry
Because that's just the kind of person she is
But I did,
A thunderstorm of conflicting emotions and heart-wrenching, blood-curdling cries,
A deep-seated ache that won't be washed away
With my hugs or chocolate or
Assurances that you are, in fact,
A **** who doesn't deserve to know her.
11:30 pm she walked through the front door with red eyes and damp cheeks,
Her voice thick and choking on
Your arrogant, misplaced words,
And I might not always get along with my sister
But I felt my sternum crack right through the middle
When she spoke of you,
Ribcage shattering,
Rainbows pouring from my lungs
To try and knit her fractured, hopeful heart
Back together.
I am my sister's keeper.
To the ******* at Mongolian Barbecue,
I hope you learn to grow up and see how your
Words splinter souls like weeds splitting concrete
But until then
*******.

Those onion dome cupolas,
Sheer Slavic sublimity,
Instructing us:
Perhaps Peter the Near Great--
Rather than picking a pack of pickled peppers--
Decides to provide us a solid reminder
Of just what Greatness implies.
The near great never so
Great as Greatness requires.
According to a foremost authority
On pre-Mongol Russian architecture:
“Whip me up some beet soup, Bubala.”
Mike Myers, of course,
Doing “Coffee Talk with Linda Richmond!”
Yeah, a bowl of borscht and a plate of pirozhki.
Feed the stereotype: Ivan, Boris & Natasha,
All obviously Down’s-Syndrome-Feeble-Minded,
Pre-Mongolian Idiotic, as we once said.
Our weltanschauung—
Our World View--
As Good Neighbors Reinhard or Wolfgang,
See the business of global politics.
www.wikipedia.com “The framework of ideas and beliefs forming a global description through which an individual, group or culture watches and interprets the world and interacts with it.”
Thank you, Huns--
Wayne Newton singing:
“Danke schön.”
You always,
Always Hungry Huns.
Danke schön, you Campbell Soup
Man-handler-Hungry Huns,
Fueled on Goethe & Nietzsche,
Zoroaster & ***-ner
Germany:  A Nation of Militarists & Conquistadors,
Just when the Cold War could have been over so quickly,
So prudently averted by asking one simple question:
When have the Russians ever been the
Aggressive party in any conflict?
Be they simple border disputes,
Or true malice aforethought.
Some Napoleonic,
Or Hitlerian.
It was a simple case of HUAC histrionics.
No, decidedly not.
The Near-Great Peter’s was--
If anything--
An Open Door Policy,
A diplomatic Welcome Mat,
A soft squeeze of one’s ball sac,
Pleasant & promising,
“Mi casa es su casa,
Try the Chicken Kiev.”
No Iron Curtain,
If I might, coin a phrase.
But a strong shot of Oswald Spengler,
Pessimistic & carnelian,
Jogs us to Stalin & Khrushchev,
Brezhnev & Putin--
Putin--Vladimir, of that surname--
Perhaps the scariest
Bond villain, yet.
Putin makes a historical first:
Invasion of Crimea.
Invasion of Ukraine.
Maybe those Cold Warrior masterminds,
Actually did us a favor.
(Come out of the closet, J. Edgar.
A retrospective tribute is in the making?
Tom Hanks playing a likable you?)
Tom Clancy & Company
Whipping us up like smoothies,
To fight the good fight,
Noses to the capitalist grindstone,
Building for Divine-Right Nabobs.
New shrines & tombs,
New Coliseums
& Amphitheaters.
New terrible fears of Ivan.

Senseless living in Beirut. Disconnected from routine, from drama. Disconnected from passion and compassion in a stagnant, stagnant, stagnant place. No reassurance for tomorrow, and definitely no reassurance today.

And it all sounds so disheartening, even to yourself. So you put those thoughts on a dark shelf, resting in the cavities of your mind, only to find them oozing out again.

Making arms feel heavy. In a city that’s the perfect size for strolling every step feels like a chore. Like why’d I walk out here on the streets for? There’s no room for me. Too many holes in the street, and I wore these sandals coz they feel light on my feet, but they keep ripping. Dog ****, low-class spit, and high-class ****. It’s **** I tell ya. No room, nothing.

Unless you’re on a list. Then you’ll find endless place for you, and mix with commoners on the dance floors. Rub shoulders with those struggling artists and hidden talents, photographers and such. More images, much.

But still that’s not enough…. if you happen to make it, that is… still not enough. Because that kind of comfort is tough on the soul, and it hurts that you didn’t just go home and save it. You know, save your money, save your time, save your self. Not become someone else. Not finish the night rolled up in bed and thinking over those million things you said, was that the right thing? Perfecting social awkwardness by living it again, but alone. Just let it go, the past is dead.

You think, ‘let me think.’ Let me sink into the things that stimulate my mind, that I find interesting, revealing, revolutionary. And re- re- the process. Reanalyze in a new frame of mind. This isn’t that time, it’s now. I’m all so much more grown up. I can deal with the higher material. My envelopes carry essays, and my mirrors reflect mantras. I use my blade to cut Mongolian chicken.  A unique recipe I found on Pinterest. I’ve got several blogs I read…I’m sure you don’t know them, they’re avant-garde…and I dedicate a hard process into selecting the right documentary, something that’ll illuminate me further. We apply this fervor into knowing more, only to realize how little we can move with that knowledge.

Killer of dreams, Beirut is. This murderer of hope. Like even if you got home, and plugged that DVD in to get your mind off with a laugh and a lay, the electricity finds its way to blast through and ruin a perfectly good evening for you. See it was feeding off your ****** energy and ran a little too highly, and now your wires shot. And somehow it burned through your generator heart. Could we somehow spark the cables with some electricity again? I don’t know…let’s check the trunk for monkeys.

Senseless. Not seeing, not feeling, not tasting, hearing, or smelling of sense. Honestly, just pushed beyond the limit of decent respect. Rather ******, crass, crude, no sense to reason, only nonsense, like gibberish, a terrible two tantrum, nothing to pacify, no milk of poppy or anything else. The alcohol is hit so we can’t rub teething gums. Instead plastic BB guns, manufactured with lead, which I’ve read shouldn’t be given to children under the age of two. But still, this is what we do in Beirut.

I want to root for a winning team. Something that’ll keep me on the edge of my seat so I can leap at the final score. Give me a winning team to root for. Instead divided, and individualistic, the secret to the American dream, that didn’t seem to work. Or collective, and fanatic, fundamentalist and bat-**** problematic, because of loss of self. Now, what’s the fun in that? If those are the teams, don’t put me up to bat. Let me stand in the back, and please pick me last.

Senseless and fast. Each day merges into next, and Lebanon is an eternal vacation. Cheap time chalets and happy time oil rubs. Under setting suns that morph into other ones, instagrammed and timeless on HD…not very revolutionary if we think within the context of things. But still, we never seem to, think.

Rather reignite the old patterns of thought. The ones that brought pearls and Switzerland’s, French nights and Brazilian beats. Ones that won’t have us marching on streets, but rather cater to the revolution of our hearts. It’s called the revolution of love. But I hope you don’t mind I’ve forgotten my glove in the other room… don’t worry baby…I’ll pull out if I feel that I’m cuming too soon… uh oh…(boom).

Was that a bomb? Or fireworks coz we were looking in each other’s eyes? Hide nonsense with senseless pastimes, de-synthesizing further. Falling deeper into this cataclysmic abyss, that leaves no space for sense.

Give me a tissue to wipe it. Clear it away. There’s another day starting and I want to forget that even happened. That I tapped into something and remembered to care. That would make no sense, it’s senseless back there.