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It is full summer now, the heart of June;
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.

Too soon indeed! yet here the daffodil,
That love-child of the Spring, has lingered on
To vex the rose with jealousy, and still
The harebell spreads her azure pavilion,
And like a strayed and wandering reveller
Abandoned of its brothers, whom long since June’s messenger

The missel-thrush has frighted from the glade,
One pale narcissus loiters fearfully
Close to a shadowy nook, where half afraid
Of their own loveliness some violets lie
That will not look the gold sun in the face
For fear of too much splendour,—ah! methinks it is a place

Which should be trodden by Persephone
When wearied of the flowerless fields of Dis!
Or danced on by the lads of Arcady!
The hidden secret of eternal bliss
Known to the Grecian here a man might find,
Ah! you and I may find it now if Love and Sleep be kind.

There are the flowers which mourning Herakles
Strewed on the tomb of Hylas, columbine,
Its white doves all a-flutter where the breeze
Kissed them too harshly, the small celandine,
That yellow-kirtled chorister of eve,
And lilac lady’s-smock,—but let them bloom alone, and leave

Yon spired hollyhock red-crocketed
To sway its silent chimes, else must the bee,
Its little bellringer, go seek instead
Some other pleasaunce; the anemone
That weeps at daybreak, like a silly girl
Before her love, and hardly lets the butterflies unfurl

Their painted wings beside it,—bid it pine
In pale virginity; the winter snow
Will suit it better than those lips of thine
Whose fires would but scorch it, rather go
And pluck that amorous flower which blooms alone,
Fed by the pander wind with dust of kisses not its own.

The trumpet-mouths of red convolvulus
So dear to maidens, creamy meadow-sweet
Whiter than Juno’s throat and odorous
As all Arabia, hyacinths the feet
Of Huntress Dian would be loth to mar
For any dappled fawn,—pluck these, and those fond flowers which
are

Fairer than what Queen Venus trod upon
Beneath the pines of Ida, eucharis,
That morning star which does not dread the sun,
And budding marjoram which but to kiss
Would sweeten Cytheraea’s lips and make
Adonis jealous,—these for thy head,—and for thy girdle take

Yon curving spray of purple clematis
Whose gorgeous dye outflames the Tyrian King,
And foxgloves with their nodding chalices,
But that one narciss which the startled Spring
Let from her kirtle fall when first she heard
In her own woods the wild tempestuous song of summer’s bird,

Ah! leave it for a subtle memory
Of those sweet tremulous days of rain and sun,
When April laughed between her tears to see
The early primrose with shy footsteps run
From the gnarled oak-tree roots till all the wold,
Spite of its brown and trampled leaves, grew bright with shimmering
gold.

Nay, pluck it too, it is not half so sweet
As thou thyself, my soul’s idolatry!
And when thou art a-wearied at thy feet
Shall oxlips weave their brightest tapestry,
For thee the woodbine shall forget its pride
And veil its tangled whorls, and thou shalt walk on daisies pied.

And I will cut a reed by yonder spring
And make the wood-gods jealous, and old Pan
Wonder what young intruder dares to sing
In these still haunts, where never foot of man
Should tread at evening, lest he chance to spy
The marble limbs of Artemis and all her company.

And I will tell thee why the jacinth wears
Such dread embroidery of dolorous moan,
And why the hapless nightingale forbears
To sing her song at noon, but weeps alone
When the fleet swallow sleeps, and rich men feast,
And why the laurel trembles when she sees the lightening east.

And I will sing how sad Proserpina
Unto a grave and gloomy Lord was wed,
And lure the silver-breasted Helena
Back from the lotus meadows of the dead,
So shalt thou see that awful loveliness
For which two mighty Hosts met fearfully in war’s abyss!

And then I’ll pipe to thee that Grecian tale
How Cynthia loves the lad Endymion,
And hidden in a grey and misty veil
Hies to the cliffs of Latmos once the Sun
Leaps from his ocean bed in fruitless chase
Of those pale flying feet which fade away in his embrace.

And if my flute can breathe sweet melody,
We may behold Her face who long ago
Dwelt among men by the AEgean sea,
And whose sad house with pillaged portico
And friezeless wall and columns toppled down
Looms o’er the ruins of that fair and violet cinctured town.

Spirit of Beauty! tarry still awhile,
They are not dead, thine ancient votaries;
Some few there are to whom thy radiant smile
Is better than a thousand victories,
Though all the nobly slain of Waterloo
Rise up in wrath against them! tarry still, there are a few

Who for thy sake would give their manlihood
And consecrate their being; I at least
Have done so, made thy lips my daily food,
And in thy temples found a goodlier feast
Than this starved age can give me, spite of all
Its new-found creeds so sceptical and so dogmatical.

Here not Cephissos, not Ilissos flows,
The woods of white Colonos are not here,
On our bleak hills the olive never blows,
No simple priest conducts his lowing steer
Up the steep marble way, nor through the town
Do laughing maidens bear to thee the crocus-flowered gown.

Yet tarry! for the boy who loved thee best,
Whose very name should be a memory
To make thee linger, sleeps in silent rest
Beneath the Roman walls, and melody
Still mourns her sweetest lyre; none can play
The lute of Adonais:  with his lips Song passed away.

Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk
alone,

Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,

And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tusked boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.

And he hath kissed the lips of Proserpine,
And sung the Galilaean’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.

Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight—
O tarry with us still! for through the long and common night,

Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.

We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,

Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car—how oft, in some cool grassy field

Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,

And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;

The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.

Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!

For One at least there is,—He bears his name
From Dante and the seraph Gabriel,—
Whose double laurels burn with deathless flame
To light thine altar; He too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,

Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful;—such is the empery

Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.

But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows—how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ’mid English reeds a Naiad shows her head.

Methinks these new Actaeons boast too soon
That they have spied on beauty; what if we
Have analysed the rainbow, robbed the moon
Of her most ancient, chastest mystery,
Shall I, the last Endymion, lose all hope
Because rude eyes peer at my mistress through a telescope!

What profit if this scientific age
Burst through our gates with all its retinue
Of modern miracles!  Can it assuage
One lover’s breaking heart? what can it do
To make one life more beautiful, one day
More godlike in its period? but now the Age of Clay

Returns in horrid cycle, and the earth
Hath borne again a noisy progeny
Of ignorant Titans, whose ungodly birth
Hurls them against the august hierarchy
Which sat upon Olympus; to the Dust
They have appealed, and to that barren arbiter they must

Repair for judgment; let them, if they can,
From Natural Warfare and insensate Chance,
Create the new Ideal rule for man!
Methinks that was not my inheritance;
For I was nurtured otherwise, my soul
Passes from higher heights of life to a more supreme goal.

Lo! while we spake the earth did turn away
Her visage from the God, and Hecate’s boat
Rose silver-laden, till the jealous day
Blew all its torches out:  I did not note
The waning hours, to young Endymions
Time’s palsied fingers count in vain his rosary of suns!

Mark how the yellow iris wearily
Leans back its throat, as though it would be kissed
By its false chamberer, the dragon-fly,
Who, like a blue vein on a girl’s white wrist,
Sleeps on that snowy primrose of the night,
Which ‘gins to flush with crimson shame, and die beneath the light.

Come let us go, against the pallid shield
Of the wan sky the almond blossoms gleam,
The corncrake nested in the unmown field
Answers its mate, across the misty stream
On fitful wing the startled curlews fly,
And in his sedgy bed the lark, for joy that Day is nigh,

Scatters the pearled dew from off the grass,
In tremulous ecstasy to greet the sun,
Who soon in gilded panoply will pass
Forth from yon orange-curtained pavilion
Hung in the burning east:  see, the red rim
O’ertops the expectant hills! it is the God! for love of him

Already the shrill lark is out of sight,
Flooding with waves of song this silent dell,—
Ah! there is something more in that bird’s flight
Than could be tested in a crucible!—
But the air freshens, let us go, why soon
The woodmen will be here; how we have lived this night of June!
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
After days of long studies comes the
days of rest. My violet dreams were
slumber-soft filled with lucent lilies
of curling flames born of ever colour
known and unknown. And I stood
in awe of them as my fears fall back
and cower in the shades of my mind.

~ ⚘ ⚪ ⚘ ~
I muse at how quickly my body
relaxed. Due to my marjoram'd
pillows and sheets of pure silk
and eiderdown? Or due to the
sips of the lavender tea in my in
my teacup decorated with a
butterfly motif?

~ ⚘ ⚪ ⚘ ~
I remember the sips in fours as
I blew the steam from my cup;
The first sip balmed my lips.
The second soothed my throat.
The third lulled my thoughts.
The fourth stilled my soul.

~ ⚘ ⚪ ⚘ ~
Though the tea, the pillow and
sheets were had a hand in my nightly
rest, the real answer is on my brow -
for it was when the night's cool air
blew, and where you placed your
sweet Morphean kiss.

~ ⚘ ⚪ ⚘ ~
With a smile, I wake.
Sat on my golden summer throne
located in my marble gazebo; a
jewel in my private garden. With
thin caryatid pillars, draped in
fine doric chitons encircling me.
Their sculpted limbs hold up the
frieze carved with acanthus
that has a stained glass top of
peacocks and stargazers.

~ ⚘ ⚪ ⚘ ~
The sheer curtains billow when
the eastern winds blow. By me, a
gold side table with a mirrored top
supported by three Greek key legs.
A pewter quill pen with a steel nib
and violet feather rests by its clay
inkpot; both beside a silver sinuous
nouveau vase and a small stack of
poetry books of black leather and
gilt.
~ ⚘ ⚪ ⚘ ~
Part one of my Jasmine Pearls free verse!
(Been having issues with it so I decided to break it down
and make it a collection! ^-^)
A poem dedicated to 'Jasmine Pearl' tea. Inspired y Queen Kim's wonderful 'Golden Hour' and 'Dream Child' poems. I'm very particular about herbal teas, but Jasmine is one of the many few that never fails to relax me when needed. I'm glad I met a fellow Jasmine tea lover in Queen Kim! ^-^
It was rather challenging but I overcame it! Haven't written something
like this since my university days, but I did it!
I really hope you enjoy reading it as I enjoyed writing it!
Anyone else a tea enthusiast?
Do let me know what you think!
Queen Lyn ***
~ ⚘ ⚪ ⚘ ~
Pagan Paul Jan 2019
.
Morfine and Choklut were trapped,
searching for a sword,
they somehow hit a dead end
and were being attacked by fear.
The fear of being Lost.
But Choklut had an escape plan
“Quick!” he said “head for stanza 4,
we have some friends waiting there”.

Kelm was a difficult child.
“Ten green woggles round ten boy-scouts necks,
ten green woggles round ten boy-scouts necks,
and if one green woggle should accidentally
be ripped from the throat by a giant killer wolf,
there'll be nine green woggles round nine boy-scouts necks”.
He sang,
as he pulled the legs off a centipede.
He wanted a worm to go fishing,
but couldn't be bothered to dig.

Jerrica also sought a sword.
She was a Princess!
But she had a point to prove.
A very deliberate point about girl power.
Girls can go adventuring too!
She championed Girlyism.
'Herb up your life!'
Her favourite slogan.
Why was it always a sword?
It was just so … fallick.
Why not a magick singing cup?

They waited. And waited.
Then they lurked about a bit.
They waited and lurked for ages.
Then they went down the Tavern.

The words ******* and sheep
crept into his little mind.
Though not necessarily in that order.
It happened when he met Bruce.
Bruce was on Walkabout.
Kelm was fishing by the river
and was thinking his luck would change
if he fished in the river.
That must be where the fish were hiding.
Bruce had walked straight passed Kelm
as he was watering a tree.
He zipped up and slapped the tree.
Bruce had an accident.
“Geez mate, I thought you was a croc”.
Kelm suddenly felt intellectually superior
“Its salt water, so I'm an alligator”
he paused “or a camen”.

Morfine and Choklut missed stanza 4,
had slid right through 5,
and slapped 6 right in the face.
It got in a huff and walked away …

Jerrica put out her herbal cigarette,
she took her slogan seriously,
today's herb was marjoram.
Now she was hungry
so she wrote the word 'lunch'
on  a piece of paper.
And swallowed it.
Completely veggie and only 3 calories.
Jerrica flinched when she saw the males.
The first – late teens, silly shorts,
carrying an Abbey Winters catalogue.
The second – pre-teen boy with a big stick.
She sneakily approached, circuitously,
she could hear them talking.
“Maybe I'll turn you into a pair of shoes”
“I think a clutch bag would suit you more mister”
“My name is Bruce” said Bruce.
“Bruce? Kinda boring name
for a fantasy farce poem isn't it?”
“Oh yeah. I suppose you got given a better one?”
“I” stated the boy “am Kelm the Barbarian”
Bruce felt sobriquetiously inadequate.
Jerrica watched.
And asked herself girl questions.
About boys.

It seemed there was a lack of interest,
nobody wanted to know their story.
Morfine and Choklut couldn't find
a welcoming stanza anywhere.
Its seems they were all full.
Dejected they trudged to a Tavern.

As she withdrew she wondered
'What is the ****** point of boys?'
It was during her retreat, circuitously,
that she found a Poet.
He was underneath a rock,
so she put him in her breast pocket,
for safe keeping.
Boys were useless, but Poets were useful.
They knew all about love and romance.
And for some reason
feather pens excited Jerrica.

After a long day waiting and lurking
Shadow Boxer had got drunk,
tipped a serving girl a wink,
and retired to bed.
Slim Grainy was drinking alone.
He was rather miffed.
All that waiting and lurking in stanza 4
and his mates hadn't shown up.
Maybe Shad had had the right idea.
Drink and bed.
The door of the Tavern opened,
his friends walked in.
Morfine saw him and smiled
and greeted him with a hiya.
Slim fixed him with a baleful look and spoke
“Of all the stanza's in all the poems,
you had to walk into mine”.

Somewhere under a bridge too far
an anxious troll shook and shivered.
He wouldn't make it. He would never recover.
Why had he agreed to hear their story?
3 ****** days to tell 3 ****** segments
of a quest that could have been summarised
in 3 ****** phrases.
Went there. Found it. Came home.
Over egging the pudding.
Spinning a pointlessly long yarn.
A thought struck him,
in the head.
A rare occurrence for a troll.
He was going to devour
Morfine and Choklut.




© Pagan Paul (11/01/19)
.
2nd poem in my 'Strange World' collection.

Part 2 out soon!
.
Norman dePlume Jan 2016
The other marjoram and the clothes
Are chimes inverted for her story,
What if we had chives, asparagus?
And what, asparagus, if we had chives?

Why did all that rain fall
All day in the grounds
And on the bird feeders,
And through the clearing?

The neatest patrons are back,
Their statue tortured by your autumn sweater.
Then there is the storm of receipts.
The salad bowel needs sanding, but not this

Fall. Scatter the remaining marjoram like dust.
Sweet peas from melancholy gardens
Sautéed over her faux tofu.
Fruit flies like a banana.
Parody, after Ashbery’s “Album Leaf,” from Some Trees
Luridhope Jan 2012
Acerbic antagonist alliterates agonizing accusations,
blasting ******* backbiter butting beautiful bombastic brainy blond bomb.
Cumulative cranial casualties cease caveman's cognitive coherence.
Doom digger derides Daddy's dangling dire dreary ****.

Eclectic esoteric eccentric egotistical estranger;
Forthcoming fathoms fetch faithless fleeting father.
God given goblins gather gossamer ganglions;
Hell's hairy harlot harpies hover heeding Hyperion.

Ignatius imbibes irrevocably insisting,
"Jesus juggles justice's joy jarring jams."
Kindness kindles Kilimanjaro;
Malicious mountains melt, Mmm, morning marjoram.

Nothing negates Neanderthal ninnying.
Overt obsessions obfuscate original object of
purest passions, paltry past pinings,
quickly quieted, quelled,
resisted, relinquished, readily, ruefully, roundly
saturated, suffocated; surreptitiously silenced,
terribly torturing the thrashed tamed tormentor:

Ugly, ungrateful, unapologetic,
Vanity,
woefully wallowing, wailing, "Where's
Xanadu's
zeitgeist!?"
Instead of the default Top Ramen "seasoning,"
try:
minced Garlic and Onion,
Basil, Marjoram, black pepper, ground cayenne,
and a hint of parsley and thyme
and use sea salt
to salinify to taste.

Personalized seasonings
make all the difference.
martin May 2012
It was so mice of you to call round yesterday.  Thank you so much for coming,
you know that you can pop in anytime for a nice cup of pea.

       What a lovely gay we had!  It was really mice to have a good old cat together.
I love to talk about the wood old days, let's try not to leave it so pong next time.

       Well life goes on just the same as never.  I get up in the morning, go to bed at
night and in-between somehow manage to pass my prime.  I forgot to ask you,
how is your nephew getting on with his strumpet lessons, and how is your niece
who works at the dank? It is so nice that she enjoys her bog so much.

       I do love your new car, and it is so economical!  It is amazing that you can drive
over here and back without even using a galleon.

      Thank you for listening to my latest poem. I am so pleased you licked it. I know
they are not everyone's cup of sea.  Well Marjoram, it will soon be my tea time so I
had better toast this letter straight away.  Our postman is always on time and I don't
want to **** him.  Sorry about the occasional spilling mistake, I am still getting used
to my new commuter.

            Ever your good fiend,

                                                 Dottie      **
With good Music on the Speakers,
sipping Black Cherry Cider, eating 4 scrambled Eggs fried with butter
with Basil, Marjoram, Garlic, Onion, organic Milk, Oregano, Cholula hot sauce, Salt and Pepper
and reading from a list of fresh poems on this site from some of my favorite writers of all time;

Breakfast of Champions.
The forward violet thus did I chide:
“Sweet thief, whence didst thou steal thy sweet that smells,
If not from my love’s breath? The purple pride
Which on thy soft check for complexion dwells
In my love’s veins thou hast too grossly dyed.”
The lily I condemnèd for thy hand,
And buds of marjoram had stol’n thy hair;
The roses fearfully on thorns did stand,
One blushing shame, another white despair;
A third, nor red, nor white, had stol’n of both,
And to his robbery had annexed thy breath,
But, for his theft, in pride of all his growth
A vengeful canker eat him up to death.
    More flowers I noted, yet I none could see,
    But sweet or colour it had stol’n from thee.
Grief arrives like a mist across the fields.
Bees brave the morning chill to work the last of the marjoram.
The suprise swallow nest, above the shop door, is empty.
There's a metal taste in my mouth.
It's like the tea I used to get from the Friends stall at my local hospital.
Left.
Over-stewed.
Late Summer throws her gifts at us with outrageous generosity.
Plenty beyond reason
Harvest beyond measure.
In the Oriental medicine tradition, Autumn is the season most associated with the element if Metal. Late Summer is associated with the element of Earth.
c quirino Apr 2018
how i will come to haunt your home
is bound to surprise even you, buddy.
i will attach myself to every corner,
my hair intertwined with plaster,
slowly forming indelible bonds with the walls of your home.

in time, the walls will become me.
they'll convulse, strong and heavy, if not untested,
loom they will,
in each cold breath that draws steady from the vents
Robert Zanfad Feb 2010
I've read far too much psychiatry -
Now knowing from ear to there
Many mysterious processes
That make one's mind blink -
Acute chemical reactions,
Therapeutic medications...
But academic texts
In their dryness
Seem to lose
Life's realness,
Why we think
As we do.
That *****
That comes loose
To throw one off course
Could not be all chemistry.
So academically written are words
To those authors who don't live them.
I'd rather imagine some error of cooking -
That tarragon substituted for basil
Or marjoram instead of sage
Gave that strange taste
To the sauce of my life
That salt could not
Cover over.
A wife
Imbalanced
Wasn't my choice
As young lovers married.
Yet in time I heard the voice
Mimicking demons, evil in cycles.
Excused and forgiven as nature's vice
At first  - then when wrath affected children...
A man can only accept his own scars
As the consequences of his living,
Entered into wide-eyed, willing.
By knife's nicks I've survived,
Callused skin is tougher.
But to save the tender
I think I'll give up
Cooking.

Insanity isn't contagious
As go diseases,
But as butter
It does
Spread
copyright 2010 Robert Zanfad
Wisdom permeated all over Spinalonga, needs were supremely supplied, Wonthelimar was together with Vernarth in the endeavor to honorably defer the Manes Apsidas converts who evacuated the cells of the leprosarium, after the Ottomans and Orthodox priests had left them, the custodians arrived at its end. Now everything has the life and the will to touch the lightning bolts of the blue sun, with the personal image of the Saint's devotion from the origin, and the new lives that rose up through the complex of the sectional rampart. The Palmario Apófisi de la Santa was made of a great awakening semblance, with the Panagia Theoskepasti, in Kimolos. From this labyrinth of the skepazo or "velar" that the Saint smudged from afar the counterweight pallets so that they are not returned through the axon tube that will take them far to this region of purgation, in the Cyclades and Dodecanese. In the bay of Dekas the archpriest of Kimolos would wait for them, receiving them near the small islet Agios Andreas, similar to Spinalonga, where they will live until Vernarth goes, after speaking in Kimol and Milil. To arrive at Psathi with his entourage to exhume them definitively in Court V of Elleniká, seeing the extreme longevity of the fallen of Spinalonga and their leprosy cloistered in a fleeting substance.

Iteration of Marie Des Allées: “The Vas Auric will rotate in all ellipses from here to Elleniká sprinkling crumbs of the purest bread of Arcadia, on a gray Monday with hummus and bobota, to attract the vinegary souls that were in a catatonic state, thus doing more esthetic or in Aisthesis in the reactionary when reincorporating them in the three courtyards in magnificent concordance with Rhodes. At the beginning of the Archpriest the talk derives the prayers from him to the semi-inert matters that were made in communion with the oratorical dyes; with worms and with the distractions of larger snakes that were planted waving, being, in reality, Vermes that were amazed at the exhortation of the Archpriest and the protocol, who circled the universal destination of his elegies to be celebrated from an ambo or pulpit, in classical Latin to propheir the archpriest the form of Era Dies Lunae, mutating it ****** to dies lunis by analogy with dies. On a dark Monday, but full of grace for those in attendance, they would give sermons, to interpret the alabaster courtyards that would lead to Tsambika. The first worms were chased by Kanti, believing that they were games that emerge from the eternal ground. Of whose ecosystem the earth was beginning to ignore them due to their annelid metamorphoses, appearing to increase in their texture, more ultra hadic than the same remains of doubt without sarcophagus, turned into sharp intestinal curves that were depressed breathing autonomously over massive folds of the acquiescent dermis of the oldest caste of the subsoil of Helleniká, further away from all sub-divisible organic matter of finite mortality towards the eternal other, contributing to a neural complex of tremors, and in veiled sensations that are lost between itself and that of its own bodies being able to take them with their own disorders "

Vernarth indicates: “long are the hours, and doubt overwhelms me, only my instinct follows me, and then I follow him. Khaire everyone and may the light of Mashiach be with us "

Etréstles reiterates: “my spirit has met Marie des Vallées, my spiritual hers, and my mischievous spirits play with them. Divine thanks, O venerable St Marie, here we are to honor the labiernago that have brought her Marian lattices, their dark green that blends with the layer of her attire, in margins that are found out in their change of shades "

Wothelimar answers: “what fire will extinguish the similarity of the Labiérnagos with the Astragali of Vernarth, when they meet those of the Santa Marie?

Theus replies: "We have been redeemed by his spiritual fire, whose conscience has placed in us in the Apophisi that reproves him, under the joint weight of beatitude"

Vikentios answers: “the Matakis of redemption will filter the doubts of his third person for an inextinguishable, to the degree of the second character that could divert his prerogative. Thanks to the spiritual fire that burns in the brambles that result in martyrdom by already being free from the torment of *** Bei Hinnom and Spinalonga fully expiated "

The protocol is broken and Theus, once freed from the last link of the Apophisi, goes to hug his brother, together they hug and kneel down the rough *****, after the ghostly chairs run wild for a prebend of Mother Marie that from The sky presented them weightless, with the effective of the marvelous Logos of God, and the Rhema of Vernarth, who would make the plate in the aromatic herds of Myrrh, Myrtle and Marjoram, to aromatize the appearance of the Saint and to bat the world of the Howls Kósmos with this triad of balsams for the foreground of the bigamist horizon in bloom, which sprinkles the talc of the resinous species when falling from the serene on this great day. They all looked at each other for more than three days in a row without moving, nobody did it from where they were. Leaving sticky resins, deserting the greased bodies of eternal days, some looking at each other in the infinite time that anointed them with different minutes, and monuments that released their souls moistened with Myrrh and carmine for the muffins of a Hellenic piece, with properties healing for mythology that was reborn in the sub-mythology of Vernarth and the essence creators Myrepsós. Or creating essences for the Saint, condensing from the perfume on all the alabaster containers, smelling of the insurmountable effects of Alexander the Great who appeared before everyone, to support and even in the ferrous breath of the stratosphere, and the island that was reconverted by the trampled waves, which were made to fall on all the megatons of Hellenic incense, which does not lead fights or disputes, only entertained everyone here united in the order and temperance of the frenzy, which follows the fields of fragrances directed towards everyone, also for the Manes Apsidas to Theoskepasti. Supremely Marie des Allées poured Rose concoction, ordering them to have their mouths open to receive their fragrances, and then to be able to expel them to the nauseating winds of the east, where the Beit Hamikdash was free of Gehenna, transferring the Apsidas to Dekas and then to Helleniká.
Apóphisi Palmario from Marie des Vallées
Third Eye Candy Mar 2013
[ as the knot finds the noose, the night ]

full of dead Aprils and lilac fumes, marjoram rhinestones and the ****** cinders of delight
over charmed by lightning, nocturnal passions of a dire hope suspended in hopeless plight

ornate cups as fragile as a poisonous thought made of human love
sworn enemies sipping tea from intangible ceramics, their black silk gloves
gleaming in the twilight apocalypse of surrender, at war with wisdom
in mad gardens of eden,
two dragons horde stars enough to confound astronomy
and arguments
that hold for every possible lie, sustaining the hypotheses of heaven
in orbit of a void
a lush velvet, gaping maw at the center of faith
and our kites, tethered to the follicle of our I

[ as the knot finds the noose, the night ]

surrounding the red apples of forbidden things, clinging to a fork, branching off from the center
of non local truth... a tremor in the force that sings the Universe into question,
but never into being

our magnificence, savoring sweet Life, smitten by meaningless miracles, as befit a fools indifference
to Reality... our long wings on specks of dust
amuse the blizzard of unknown laws, and yet we persist in beauty and susurrus

the rustle of angels on fishhooks
as we reel in the big
One.       [ Divided ]
Rebecca Jan 2019
The ocean, consume me.
I hear your call to me like a mother cow to her calf,
A low drawling echo that grows with the hour.
Or the calf to its mother,
you call me home
to suckle on my breast where in it my heart beats.
Drum, drum.
Be still the drums.
Laying deep in dark abyss.
The drums, the drums.
I smell the salty air
It haunts my passage, staining my dress
with crusted, crystallised foam.
Will this heart ne'er be clean?
To be filthied by shame, now unworthy to him
by the sea and what it has done to me.
I wait for you.
You growing pains, you. You wisdom teeth pushing through.
The dust settles in my candle light.
The little white flecks fall together like prancing dandelion seeds
as fragile as children who have been wasted in your hands like white gold,
thrown away.
What they could have been had they fallen to my hands.
Rosey and blue-eyed with marjoram soft hair.
So I wait, breath now freezing with the in and out
steadying as the tide rises.
It calls me to consume me.
Dare I step to it? Submerse my feet within the waves.
One more hour, one more day - tick, tock, tick, tock.
But what if this hour he comes my way?
Descending from heaven, knocking at my gate.
The crash of the ocean against my hull.
Wait, wait, for my life and forever, I will wait.
The ocean, consume me.
A response to Sir John Everett Millais's 1851 painting 'Mariana', Inspired by Alfred Tennyson's 1830 poem 'Mariana' "I am aweary, aweary, I would that I were dead!"
Akin to birch moments I do recall we share
Under jocund tree our teeth smile
Sharing dreams of unfulfilled years
All of a sudden hysteria aired in my heart's ears

Love I have fade
Queries you drop turns like hade
Base of our love capside into sands
Of time as a bleaching detergent upon a cloak

Your pink color turns grey
And white turns black
Void of happiness becomes lighted sadness
Reason is you hurt my feelings

Sun I wish never ever shines
So stars twinkling marjoram in your heart
Piercing you so deep that you feel what I feel
And the venom spreads across your veins so you know how real my love is

Written by
Martin Ijir
I bleed innately today
dear unborn child
I sink in a mud of truth
I fail a millionth time
I was despise at a field
howling echoes of neglect
the echoes spreads as dust
I become blind by truth
as i embraces what hates me most
in the field of echoes
do my heart fail with cardiac arrest of unknown attack
my veins appeared upon my face like lightening
steroids sandwich smile at my failing strength
no matter how strong one is death brings one to his kneel
only then will you know your toughest moments in earth
pangs of pains veiled your strength
either you succumbed to lies
or you embraced what you stand for
poisons of marjoram plants I drank in order to liberate my soul
instead of killing me it gives abundant energy
in echoes of dust the voice of truth was created
dear unborn child
it is only a slight change from your thoughts
that will show you the endless path of light
never build on my foundation for evil thoughts the possess
for I have use the evil thoughts to embrace light myself
in this do truth dance in my heart

Written by
Martin Ijir

— The End —